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carnivalcarriondiscarded · 5 months

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cough hack wheeze who wants a teeny tiny fantasy au snippet with uhhhh laughingstock Tension. it's like... half a scene! unedited & out of context As Is Tradition

“Nothin’ much. I think I’ll poke around nearby towns, shake down some travelers - see what falls into my paws.”

“I’m not sure that’s such a good idea, Barn,” Howdy says. He sweeps aggressively, spreading dirt more than gathering it into the usual neat piles. “Who knows if those ne'er-do-wells are still roaming around the woods - if you and Ed couldn’t take them, what makes you think you could alone? Or- or! What if you stumble across those cultists? I hate to think of you stuck in an ambush with no help coming, knowing fully well that-”

A large paw slips the broom out of his grip and sets it to the side, and Howdy stammers to a stop as Barnaby crowds him against the bar with a soft, “Howdy.”

Howdy swallows hard, bracketed on each side by strong blue arms. The look Barnaby fixes him with dries up his well of words and bristles his fuzz. Howdy’s heart hammers against his ribs. He can feel Barnaby’s body heat, and it’s lighting his blood on fire.

“I’m not gonna be reckless, if that’s what you’re worried about,” Barnaby says. He barely needs to speak louder than a whisper for Howdy to hear him loud and clear. He smells like sweet smoke. “The other day was a one time deal, cross my heart. But, if it’ll make you feel better, I’ll take someone with me. I’m sure Jules is itchin’ to get outta town.”

“What would really make me feel better is if you stay,” Howdy blurts, just barely reining in the with me. He tenses, knowing that he’s toeing a dangerous line. One wrong word, and he’ll make the unspoken spoken - but the stress drains out of him as Barn’s eyes go soft. Perhaps that wouldn’t be so bad. Of course there’s no reason to worry, not about this, not with him. There never has been.

“You know I can’t do that,” Barnaby murmurs. “Not yet.”

Howdy doesn’t need to say that he knows. Not for the first time and with any luck, not for the last, it clicks in his mind that they’re on the same page - he doesn’t need to be a telepath to understand the thoughts behind Barnaby’s dark eyes.

Barnaby says it anyway. “I gotta get him back. I can’t… there’s no room for anythin’ else right now.”

Howdy sighs through his nose and slumps against the counter digging into the small of his back. He nods and adjusts the lapels of Barnaby’s vest. His fingers ghost over soft blue, and Barnaby doesn’t flinch at the contact. If anything, he leans the barest millimeter into it. His gaze burns into Howdy’s, even if they aren’t meeting at the moment, but it isn’t a bad feeling. Quite the opposite, actually.

“Well,” Howdy says in a low voice, “if you find a good lead, send for the rest of us. I’ll be there as fast as my four legs can scamper.”

Barnaby smirks. “Even if you need to take a boat?”

“Even so, Barn.”

The smirk slides into something that isn’t a frown, but isn’t a smile. It’s too soft for a grimace, but too intense for simple recognition. Barnaby seems to sway forward, and Howdy is sorely tempted to meet him halfway.

But Barnaby’s claw taps the counter, and he pulls away before anyone’s mind can be made up. Howdy’s hands slip from his lapels, brushing against fur as they fall and knuckles skimming over the smooth, fresh scar cutting across Barnaby’s belly.

“I’ll be back before you know it,” Barnaby says, his eyes crinkling at the corners. He squeezes Howdy’s shoulder and then his back is turned, and he’s leaving. All Howdy can do is watch.

And call out after him, “Your table will be open and waiting for you.”

Barnaby pauses in the doorway and looks over his shoulder at Howdy, and his grin is so full of affection that Howdy may just burst.

“With a free pint?” he asks.

“Hey now, don’t push your luck pal.”

Barnaby bursts out laughing, and Howdy can hear it even after the door thuds closed.

#clawing and sobbing and- no. no #im normal. im so normal i swear #yk on a related tangent. i keep wanting to go to my sleep but spotify keeps playing bangers #all of my Lore songs... the animatics in my head... i dont want to not listen!#so i thought hey. might as well offer Yet Another Snippet!#i have many these days!#i almost posted the human au carnival snippet but uhhhh this one won out. i wrote it like. two hours ago #im sorry if it lacks some Personality or if theres blatant Mistakes #im tired! i meant to be asleep two hours ago! its 2 am!#snippets from the bog #laughingstock #wh fantasy au #its not shown in this tidbit #but barnaby has his pack and it contains Not Only Wormie! but also Puppet Wally!#barnaby: i gotta find wally 🥺#honey... you have had him the whole time... kiss your caterpillar....#the. the tall one. not the teeny worm.#well. the teeny worm too but she just gets a little kisth on her tiny face.#the tall caterpillar would get uhhhh a lil more than that id expect. lotsa sugar yk yk #im. gonna go sleep #these two will be my nightly bedtime story as i drift away...#and hopefully ill wake up early enough to find the christmas lights before The Stream #and maybe crochet a few more rows.... read a couple more chapters...#i just misspelled read as red i need to be Unconchus

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definitelynotshouting · 11 months

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Drive by bit of trivia that I think fits into your Hunger AU - Evo!Grian (pre-Watcher) was neutral in the big dispute on the server, iirc (Mafia vs Property Police) but HC!Grian (post-Watcher) ends up getting a rep for starting wars. Also, don't know if you know about Demise in HC s6, but it was kind of a precursor to the Life SMP, so you could probably use that in your fic if you want? Maybe as Grian's first "oh hey suffering tastes good" moment or something? Only if you think it fits, though.

OHHHHHH I AM GAZING AT THIS TRIVIA!!! yeah ive never watched Evo so the extent of my knowledge is what i can find on the wiki and extrapolate from other people's posts on tumblr 😂😂😂😂 so im always happy to receive tidbits about it!!!

Also 👁️ oooooh ive heard about Demise a little bit but nothing more than the name and that i think it involved collecting heads or smth??? But i could totally see that being the seed planted for the future life games-- i imagine stuff like that would be almost like LARPing in a sense, due to Player death mostly being an inconvenience, but the fear and exhilaration of being hunted down would have been so tasty. It would make sense for that to stick in Grian's brain, and give him a lowkey guiding point when scrambling to make the life series!!!

#grian #watcher grian #evo watchers #hunger au #hermitcraft #shouting speaks #grian was with the watchers for several years before he escaped so he'd already been shown the ropes of feeding #so it wouldnt be his first time finding out suffering tastes good-- but gods demise would be SO cool as a subliminal realization for him #like. its in his brain now. and yes there was fear but it was still a *game* and they were having fun....#but of course when youre on the brink of dying via starvation your first thought isnt going to be about fun #its gonna be about what you can wring out to survive #and thus the life games are born #smth smth idk this might only make sense to me #THANK U FOR DRIVEBY TIDBITS I APPRECIATE THEM VERY MUCH!!!!!#txt

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stinkrascal · 1 year

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i made breannas evil ex boyfriend for story stuff and this man literally looks like andrew tate

#his face wont ever be shown in the story so its fine #this is just a cursed tidbit which will haunt me forever #thank god vlad canonically ate this man. its what he deserved

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atlaculture · 4 months

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Cultural Practices: Pai Sho - The Game

I'm honestly a little embarrassed it took me this long to get to this topic! As always, credit goes to @atla-lore-archive for saving all the neat ATLA tidbits and concept art from the old Nick website.

Pai Sho (牌數), meaning "several game pieces" in Chinese, takes inspiration from a few different table games:

Its most obvious influence is the German game Sternhalma, known in the English-speaking world as Chinese Checkers. Like Chinese Checkers, the game is played on a circular board.

The lines on the board and the circular tiles are reminiscent of Xiàngqí (象棋), known in the English-speaking world as Chinese Chess. The pieces often being positioned on the intersection of lines is also very similar to Chinese Chess.

The game's four player limit and visually creative tiles are reminiscent of Mahjong (麻将), China's most famous tile game. In particular, the iconic white lotus tile appears to draw heavily from the classic Mahjong one-dot tile.

Finally, the name Pai Sho was likely inspired by Pai Gow (牌九), meaning "nine game pieces" in Cantonese--- which is both a domino game and a style of poker.

Just like ATLA's animals, it seems that Pai Sho is a fusion of different real life sources. In the next posts, I'll be covering the symbolism and cultural significance behind each Pai Sho tile shown in ATLA.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

#atla #avatar #avatar the last airbender #cultural practices #water tribe #earth kingdom #fire nation #air nomads

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sheegons · 10 months

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Actually

damian pet collection showcase cause he definitely took his fathers adoption habits

canon and noncanon

first pet we know of is: Goliath the batdragon.

taken from his time in the league and took him in as a baby when he was ordered to kill him by the league

he continues to help him around here and there

Second pet acquired: Titus the dog

adopted with bruce to help damian acclimate to gotham more, named by damian as well.

he's also part of the superpets without damian knowing

also one of the leaders of a team of superhero pets along with ace (Bruce's dog) and krypto (Clarks dog). that also includes another one of damians animals.

(met during batman and robin v2)

Third pet acquired: Batcow the...well Cow

Taken from a slaughter house during Batman incorporated, damian saved it from being killed and took it in to keep it in the batcave.

also the reason damian become a vegetarian which is, currently, a very flexible title cause half the artist and writers constantly forget about it and show him eating meat.

also currently a member of the legion of super pets with Titus!

Fourth pet acquired: Alfred Pennyworth the cat

Met also during the time of batman incorporated comic run, thought to be a lost cause but was adopted by alfred and given to damian because he thought they were similar

he named it alfred, sometimes called pennyworth

Fifth pet acquired: Wiggles the Dragon

acquired during nightwing #42

only having one appearance currently but is also damians biggest pet. goliath is shown to be sitting on its jaw with damian and it doesn't even look bothered.

i don't know how he fits in the batcave, since he's taller than multiple sky scrapers

the name hasn't yet been canonised but it has been mentioned by one of the writers so i guess we'll have to wait for this to actually be canon

First non canon pet: Jerry the turkey from Lil gotham

honestly, should be canon cause look at this fucking guy i love him

Jason tries to cook him but damian tells him that he's NOT to be eaten

Monkichi the monkey from Batman ninja (movie)

i haven't watched this movie cause apparently it's kinda poopoo but i feel we should make the monkey canon cause Damian looks adorable with it

i don't know how to end this post so I'm just gonna add a lil tidbit

the only animals damian has been shown to dislike are currently snakes

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justblades · 1 year

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⌕ EPISODES OF INTIMACY, 18+

⟢ DAY 3 OF SPECIAL 2K EVENT — how they would show aftercare

⟢ CHARACTERS : welt, luocha & gepard x gender neutral! reader

⟢ WARNINGS : EXPLICIT, MDNI. tooth rotting fluff, not proofread.

WELT YANG

as one would expect, he's had a fair share of sexual experiences. it was from those tidbits of sessions where in he learned many lessons; one of them is to show aftercare towards your partner. welt's aura exudes of warmth and solace that one can certainly bask in after the fatigue gnaws at your bones— he pulls you into a tight embrace with a quick vestal kiss on your forehead.

his stature looms over yours, your body being nestled right in his. welt's arms encompass every curved lines of your silhouette, a small smile plays on his lips as he falls into a deep slumber. it's moments like these that drives you to descent of confusion - you were confused which part of the session you liked more. is it him showing you his capabilities in bed, having you moan his name until his naked skin is carved with your efforfs or is it the soft side of welt that makes you feel protected, understood and above all, loved.

uncertainty is a cesspool of tangled thoughts and you did not bother indulging any further. all you're aware of right now is how he looks . . . soft while he dozes off. although the prominent wrinkles break out on his face, you believed it was a feature of the brunet you found the most attractive. it's not just any sign of old age, but also, a proof of all his accumulated wisdom, experiences and most importantly— the love he had to offer for people he held dearly wherever his origins might be from. luckily, you were given way to welt's heart, or if not, you'll probably not be as happy as you are currently.

LUOCHA

luocha's gentleness will be your very death. you'd feel your heart perform a somersault whenever he will assist you in cleaning up: ranging from taking a shower with you or wiping you clean with his own clothes. as he does so, he takes his time brazenly gazing at your features, scrutinizing everything. although heat would rush to your cheeks as embarrassment washes over your fragile state, the blond persists.

he'll never let you go without him doing things for you afterwards. the merchant knows very well he drained all of the mustered energy and strength left in your body, he likes it that way so he can show you acts of service which he strongly believes is a strong indicator of love. his supple skin brushes against yours, helping your limbs be guided through the clothing. "are you sure you're all right?"

the male will follow up a question in extreme worry but manages to break you sexually every single time. you nod and feign a boastful smirk, only for you to drowse right after. luocha can't help but crack a chortle at your feeble attempts, but nonetheless, he pulls the blanket up to your now clean body, making his way to your face and draws circles on your cheeks with his sole gloved thumb finger. "sleep well." a sweet yet deep voice echoes.

GEPARD LANDAU

having sexual sessions is to be vulnerable to the other person. for gepard landau, his softest expressions unravel and even his own wildest fantasies come true to life, thankfully to his partner. the male may get abashed having to tell you the things he's fantasizing of currently, but does he cum a lot whenever you follow suit to his sheepish requests, satisfying your cravings.

every now and then, gepard had been more vocal to you regarding these matters. back then, gepard would display refusal to open up about what he felt during your sexual sessions - a little too shy for a silvermane captain that he felt like his dignity would disintegrate. but after you've shown him its importance, he understood as a loving and a caring lover would.

he'll chime in to your ears that it feels good whenever you do this and that but he also frets whenever your face shows a small sign of discomfort, halting the intercourse to tend to your feelings. he'll ask you if there's anything you'd like and there he would quickly come back with anything you asked for. gepard is a thoughtful person and will never put his desires first before you - while he watches you gobble on the food he had already prepared, his calloused, large hand would pat and rub your head, feeling your locks brush past his bare skin.

my masterlist !

#honkai star rail x reader #hsr x reader #welt x reader #welt yang #gepard x reader #luocha x reader #gepard landau #luocha #honkai star rail #welt yang x reader

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cynautica · 2 months

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I've come to the very reasonable and sane conclusion that the architect language can *potentially* be translated.

I'm not that smart though, I may just run with the bullshitting it method for my fan content if I don't hit a breakthrough.

SBZ doesn't really give us much material on the tablet alphabet beside Al-an's caller ID, his scan presents a small tidbit that suggests at least one additional alphabet/glyph set. The glyphs shown in the scan are notably more dainty and would not necessarily translate well to a carved surface. It would make sense for a species as advanced as the precursors to have more than one alphabet.

(More below cut)

What I found most interesting is that the tablets suggest the letters are mathematical logographs that correspond to (potentially) auditory frequencies. Which tells us yeah, these are graphemes. I was also surprised to realize that there appear to be around 24-25 unique letters present in the tablets which is good and bad news to us English speakers.

Its good because it suggests these letters are just mappings on to the english language and if scrambled correctly would just give us english words.

On the other hand it's bad, because it implies that the tablets function as a rosetta stone. unu Why is that bad? Because I am not smart enough to translate it.

There are notable letters that occur more frequently than others which may be analogous to vowels. In particular, letter 5, the one that resembles に or ni, appears 4-5 separate times. Letter 2, the one that resembles 川/kawa (I've been calling it h or highway), appears 3-4 times towards the "end" of these strings (not included, but are present on Al-an's call/decline).

Because the calls with Al-an show shifting letters with seemingly no rhyme or reason, I'm leaning towards this language being untranslatable by design. Even the PDA can't seem to distinguish the logographs.

The biggest problem I had was that the resolution on the tablet language was so low that many letters looked identical, while identical letters looked wildly different in a different lighting. What was a unique letter and what wasn't was difficult to discern.

If anyone has any tips or suggestions for a fake architect language hmu ig

I'm a big fan of conlangs but most of my experience comes from creating, not translating

#bringing this picture to my autism diagnosis #subnautica #al an #architect #subnautica below zero #conlang

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8-dermestid · 27 days

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Hello, I hope you are well! Recently I read a fanfic of yours on Ao3 about Ticci Toby and I fell in love with your writing!! I loved the way you develop the characters and their feelings!! 🤧💕✨

I would like to know if you write for Creepypasta X Virus, it is one of my favorites but there is almost no content online about it 🥹👉🏻👈🏻

Anyway, I saw your requests are open! If the idea pleases you, I would like to ask for headcanons of X Virus and Toby (or just Toby) with a reader who practices magic and has somewhat "dark" tastes (interest in poisonous animals/plants and the supernatural as a whole, in short, just a scary and adorable nerd at the same time!)

Thanks!! 💚

ahh! hello-hello!! i read x-virus' story and took notes for these, i really enjoyed writing Cody, so thank you very much for the request :-]

i rlly liked this request, and this is actually the first time i've ever done headcanon-ish things, i hope you enjoy these (bc i enjoyed writing them a lot)

x-virus & ticci toby: reader with macabre interests

relationships: ticci toby x reader, x-virus x reader

word count: 1.5k

links: available on ao3

x-virus warnings: animal death (off-screen, animal body shown) animal dissection, taxidermy, canon-typical violence

ticci toby warnings: canon-typical violence

☣︎ X-Virus | Cody _____ ☣︎

You let it slip one day that you wanted to try taxidermy, an embarrassing guilty pleasure you were confident you could keep under wraps, but Cody’s just been so nice about your eccentricities and you couldn’t help yourself.

“They use bugs in the process, lots of museums have them to clean the bones because they’re better than the best person with the best tools—” You pace back and forth as Cody watches you from your bed, “—Because that’s all they do, all they do is eat rotting flesh off the bone. The bones last much longer when cleaned by any Dermes—”

You stop yourself from mentioning the insects by their scientific name, embarrassed that you let your ramblings slip away like that.

Cody leaves the next day and you’re left alone with your thoughts. Maybe there’s another mansion full of serial killers so you can start fresh, your ears burn recalling how excited you got talking about flesh-eating bugs.

A few days later, Cody returns to the mansion with a limp raccoon and some things it stole from the local morgue.

You spend the entire night together trying to preserve this creature’s hide, you take it apart with precise motions, expertly moving the scalpel along the skin and parting flesh and sinew. You soak the skin in salts, rubbing it into the bloody underside until you smell like copper and the salt mines.

The whole room smells like formaldehyde, too.

✸ ☣︎ ✸

Cody is so excited to share its books with you, all of them. You spend long evenings together curled over a battery-powered lantern and ten-pound textbooks, occasionally mentioning an interesting tidbit when you come across one. Your books are filled with flattened foliage from the surrounding woods, poisonous plants and flowers, plastic baggies filled with poison ivy leaves, and hand-drawn diagrams of each plant’s internal structures in a ballpoint pen. It flips through each page carefully, examining each specimen, complimenting each note and observation.

“You should open a museum,” It says, running a finger over a pressed Conium maculatum. That snaps you out of your science headspace.

You should, but you can’t. “Besides, who would enjoy a museum like that?” You argue.

“Think about the Mütter Museum,” It quips back, “If people frequent a museum full of pickled people-guts and spines, I’m sure people would go to yours. People like flowers.”

In another universe where violence wasn’t at the forefront of your mind, maybe you’d be the curator of a weird little museum full of oddities.

✸ ☣︎ ✸

“Toby comes here all the time to burn CDs, don’t worry, the cameras stopped working years ago and they never bothered to fix them,” Cody pushes open a window and climbs into the air-conditioned computer lab of the local library, “Just don’t knock anything over, I guess.” It jokes.

You drop through the window and feel goosebumps form on your arms, you haven’t felt air conditioning in years.

Cody unlocks the door leading to the rest of the facility, you walk side-by-side, dragging your fingers over the spines of dozens of books.

“You know the Dewey Decimal System, right?” Cody asks, there’s a thrill with breaking in, especially for pleasure (rather than worrying about killing every occupant in a house, you both can focus on finding a specific edition of a book you were dying to read).

“By heart.” You joke, guiding it to the 500s: Natural Sciences.

You spend five hours squished up together reading from the same book. It points to a diagram and you explain every minute detail, Cody listens eagerly to your explanations, wanting to ingrain every word that comes out of your brilliant, perfect brain, and memorize the way you describe the venom sacs of the Hydrophis schistosus.

The way it rolls off your tongue—Hydrophis schistosus—Cody wants that to be the last sound it ever hears, the sound echoing forever in its brain until the heat death of the universe.

You creep down to the 200s and find a few textbooks about niche religious practices. You tell Cody about the rarity of cannibalistic religious practices, and the prevalence of cannibalism in some movies ticks you off.

“Cannibalism isn’t that common,” You scoff, “It’s more than socially taboo, it’s biologically taboo. Ever heard of Kuru?”

“Tell me.” It begs.

✸ ☣︎ ✸

⦻ Ticci Toby | Tobias Erin Rogers ⦻

Every word that comes out of you flies over his head. Even though he doesn't know a thing about what you’re telling him about, he’s completely and utterly enamored. Toby never graduated high school, and—for the most part—he’s glad he didn’t have to spend any more time around high-school people.

He misses learning. Sometimes Toby thinks he’s stupid, Tim and Brian went to university, and they have high school diplomas with their names on them somewhere, Toby has nothing except an honor roll card from the eighth grade. You’re so brilliant, maybe part of him thinks he’s weighing you down by stopping your ramblings to ask for clarification. He’s so deep in thought he hasn't been paying attention to your talks about the Ghent Altarpiece’s connection to ancient practices of animal sacrifice.

“Does it bother you when I do that—when I don’t know things a-and you gotta explain it to me?”

You’re sitting on the porch together looking out over the rolling fog, he sucks in a breath, the tip of a Marlboro lighting up orange-hot.

“I like it, actually.” You say matter-of-factly

Toby’s diaphragm sputters as smoke spills from his nose, and he coughs hard into his elbow. “...Doesn’t it—But I’m interrupting you because I’m too stupid to get it the first time—”

That word gives you pause, and Toby tosses away the cigarette butt and curls into himself, shame burning hot on his face.

“I don’t think—”

“E-Everyone does,” He cries, “I-I can’t help it, I couldn’t even finish high school. Tim and Brian made it to college, at least.”

You push yourself into his personal space, knocking your knee into his as you lean over to share a secret.

“I can teach you if you’d like.”

Toby’s red-hot shame melts into a giddy flush as your warm breath lands on his ear.

✸ ⦻ ✸

The next victim that comes Toby’s way—a family of three with a prying-eyed teenager getting too close to discovering the mansion—grants you both access to the internet for a time.

You start with Wikipedia, it’s good practice to get bare-bones information that starts the deep dive. Marine Biology is the starting topic because the random article Wikipedia spat out at you was about the bigfin squid.

Toby mumbles aloud as he scrolls through the article, the picture on the right left the hairs on his arms standing on end. Little is known about it because it dwells so deep, and scientists aren’t entirely sure why its distinct long arms are there.

“Nobody knows how it feeds?”

“We know more about space than our oceans,” You say, “We have pictures of the Big Bang.”

Toby rolls back on the wheeled chair and pushes the keyboard to you.

You open a new tab and open the search bar.

COSMIC MICROWAVE BACKGROUND.

He pulls back in, opening the third link that pops up. You sit quietly as he devours an entire article explaining the picture’s existence, he’s vibrating in his chair. Toby continues the search without your input, googling words and finding plenty of pictures of smattered space dust orbiting tiny, dense stars.

The pictures of the black hole shake him to his core, nebulae give him chills, beautiful planets and star systems and moons and—

Alpha Centauri grabs a hold of Toby’s body and keeps him there. He pushes the monitor towards you and you read along with him, he’s shaking with excitement, free hand flapping excitedly as he scrolls through the academic journal.

He prints out a few pictures before the police show up, the cosmic microwave background bathing the room in greens and blues and smatterings of yellows and reds.

✸ ⦻ ✸

He starts stealing books from the library, as do you. You take turns showing and telling. He shows you astronomy books and you show him textbooks about the history of taxonomy; you spend hours sitting across from each other on the floor exchanging knowledge.

“I’m—I’m glad we did this. Thanks for doing all of—of that.”

You peek over an academic journal you’ve read at least seven times, smiling softly as Toby puts his new collection of literature into a box and pushes it into the closet. He piles a few flannels and shirts over the box to camouflage it amongst his dirt laundry.

“Why’re you doing that?”

Toby turns to you and turns away meekly, “...It’s our special thing, you get it? I don’t want anyone getting into our business. This is our thing. Our special thing.”

A warmth creeps up your neck as Toby holds your gaze. You close your journals.

“Babies have more bones than adults.” You whisper, your hand splayed over his shoulder blades, “About three hundred.”

Toby’s breath hitches as your hands warm the spot where his cervical vertebrae end and the thoracic meet.

“H-How many are—” He covers his mouth to cover a shaky breath, “—i-in the spine?”

“There are thirty-three vertebrae. Seven cervical,” You and trails down his back, “Twelve thoracic,” you creep further, “Five lumbar,” Lower and lower you go, “Five sacral,” You’re getting bold now, “...And four coccygeals.”

You hold your hands there, Toby enjoys the warmth radiating from your fingers, he wants to melt into you like watered-down clay (you would call it slip since you know everything). He wants to read books with you for the rest of his life and not do anything else.

He wants you to count every rib, every tooth in his mouth, every bone in his hands and feet—counting and counting and counting until he's dizzy.

✸ ⦻ ✸

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zeravmeta · 4 months

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they were all fakers huh. not just koyan but all the alter egos of the foreign god even the foreign god itself with its quest for dominance they were all fakers who tried to surpass the original and who all had no true place among humans. koyan and limbo are obvious examples but it also applies to muramasa and rasputin (noted freaks and outcasts of their era and inhabiting individuals that reflect this accordingly) and holmes himself as a hidden traitor and reflection to moriarty.

koyanskaya wanted to emulate the monster that tamamo no mae once was, something that could freely torment and destroy humans, but tamamo was a being who had always strived for understanding yet was never shown compassion. shes so committed to the good wife role because its something that will have her accepted by other humans, and more specifically something that will help her understand human love. tamamo had always wanted love and acceptance by humanity, but koyanskaya already holds human love within her whether she likes it or not, not only because of her status as a beast but also because she's representative of the animals that have walked alongside humanity from the beginning. its why tamamo is her mirror, why koyanskaya was even classified as an alter ego of tamamo in the first place, and it's also why there's even a koyanskaya of the Light and a koyanskaya Go In The Dark: they not only represent the death and life zones of her reality marble, they're another emulation of tamamo having split herself apart into the tamamo nine (the bnuuy two?). koyanskaya isnt the tamamo no mae or a part of the nine, nor is she daji as well, but she is a being similar to them because she exists with the same natural dichotimatic feelings towards humans. they hold a love for humanity that is fundamentally at odds with their own nature as natural enemies of humanity.

I feel like this is in part why ibuki douji was the only servant that could be brought in from the outside: She's also a living calamity towards humans, a literal force of nature with a will of its own. she had amnesia entering tunguska because it was a world antithetical to humans, reflective of koyanskayas mindset but also her ideal vision of a world, full of beings removed from humans and defense mechanisms celebrating the murder humans are capable of. if you took her history with humanity away, the ibuki douji that's left is quite literally just a happy go lucky free spirit of nature in a world made for herself, no longer a venerated god or feared calamity.

deep down, it's what koyanskaya wanted for herself.

taigong knew that the fair faced golden fox was a being that couldn't help its nature, it was specifically born as a monster that was meant to torment and destroy humans, but he still fell in love with her not in spite of her nature but because of it. he knew that she was a monster that would only terrorize humans but as he sees her struggling to survive he can't help but empathize with that as a fellow human, and more than anything taigong follows through on dajis curse of immortality because that's what it meant to love her, to achieve her final dream. to carry the memory of someone you love

taigong and nikitich were the only servants able to be summoned into tunguska because they were the only ones who would have compassion for koyanskaya, and compassion, understanding is what's needed to defeat beasts of humanity. it's never about defeating the big enemy, its about reaching an understanding.

anyways they just needed like 1 extra tidbit to foreshadow this beforehand so that tunguska wouldnt have been so poorly received 2ish years ago (and i mean. we do have that moment in SIN with QSH thats even called out in koyanskayas profile) + proper scheduling to not have this critical story piece be a time limited raid event (lol epic of remnant gudaguda moment) but hey they're funny

#love❤️ was the answer all along. we defeat each alter ego with love❤️.#inside you are two wolves ones is a fox the other is a bnuuy both of them want to maul that man #comun watching me shift my opinion on koyan in real time like senator armstrong AM I FINALLY GETTING THROUGH...!?#fgo #fate grand order #zerav meta #koyanskaya

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ccspostagebox · 27 days

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Okay I'm just going to dump my thoughts here on Spooky Month 6 and it's ending.

SPOILERS BELOW.

Alrighty. So. From what I can tell and what others have already said, it was implied that Father Gregor had become a sacrifice for The Eyes after the cult practically threw him to the wolves.

However, I feel like there might be one of possibly two ways this goes.

1. He's actually been killed off. (And why I think that might not be likely. I am a death denier at heart </3)

* Since Father Gregor is starting to uncover aspects of the town that may begin to unnerve some of the residents there, it would be wise of them to get rid of him to prevent backstabbing and to prevent suspicions of what's really going on behind the scenes.

* Nobody seems to really trust Father Gregor except Skid and Pump (even though they do seem rather hesitant to trust him as well, said trust likely majorly broken when Moloch was turned to stone/dust.). And, well, nobody is going to bat an eye about a guy they barely know, right? However, this can create issues as the residents may be suspicious of where the "random guy" has gone.

*I suspect The Eyes may have a bigger part for Father Gregor to play in the cult or in the town, yet I cannot begin to speculate what that role may be yet.

2. He has been...changed.

*I personally feel like some people focus on the more physical aspects of being "sacrificed" when it comes to this scene near the end. While being a sacrifice can mean being physically slaughtered or killed, it can also mean giving up something of extreme value to you or surrendering, which is more on the mental or emotional side of things. I feel like Father Gregor may have been harmed partially physically, yet had the most damage done with "sacrificing" his own faith to surrender to The Eyes. This would be evident in his expression and body language. He is looking into the face of what is practically a god himself. If you were in his position and saw a being in much higher power and control than you, tell me you would not be scared shitless. I guarantee most of us cannot claim as such.

* In his body language, he doesn't really appear to me as if he is offering himself up to be killed. It seems more like an act of peace. He knows he cannot win with any use of protest or violence like he did with the demonic possessions of Moloch using the residents. He is getting on his knees and opening his arms as a sign of peace, a sign of surrender. This man has seen the face of God, and is not going to risk anything by a simple wrong move or action. It looks to me more like a plea for mercy, a plea for The Eyes to have a speck of pity for him. Dude is fucking terrified, and he knows that his plea may go fully unanswered as he is left to be lamb to the slaughter.

*In this absolutely beautiful credits art in the ending, it depicts Father Gregor clearly reaching towards The Eyes, as if seeking for help or assistance before he is possibly brought to Moloch's underworld. The contrast of the cult being a "heaven" vs Moloch's underworld being clearly "hell" makes me wonder if The Eyes may actually decide to have mercy on Father Gregor. He has clearly been shown to have mercy on the misguided and naive (E.g. Skid and Pump.), yet also displays traits of being poor on judgement of whom to "save" (e.g. Bob Velseb), making them practically insane by the end of their run or course. The way Father Gregor has wings and reaches for The Eyes makes me think that perhaps The Eyes plans to make him a secondary leader or main spokesperson for the cult. After all, even though nobody knows him that much, would you not take a highly respected man of a God's word as the truth? Many people, especially the residents of the town, may be much more likely to give into the cult's demands after its been "approved" by a man of faith.

Of course, these are just my thoughts, nothing is concrete. We can only go off of the tidbits we are given so far.

#spooky month #spooky month 6 #sm 6 spoilers #sm 6 #father gregor #the eyes #sm the eyes #moloch #sm moloch #spooky month moloch #spooky month father gregor #spooky month the eyes #spooky month theory

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greatqueenanna · 6 months

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Previous Versions of Frozen (Rewrite)

The development of Frozen is famously known to be messy and obscure. Messy, because of the many last-minute changes made even months before the film released. Obscure, because the many versions there were before the final film are kept secret, with only slight tidbits being released and shown, leaving the previous stories being up to one's own imagination.

In my previous attempt to uncover the previous versions of Frozen, there was a lot of information left out or unknown to me at the time, and even some things I got wrong. Thus, I wanted to do a more in depth look at the possible previous Frozen stories, and update any misinformation.

Feel free to comment sources if there is something I missed.

Part 1 - Before Frozen

As everyone knows, Frozen was first considered to be an adaptation of Hans Christian Anderson’s The Snow Queen. However, over the development of the film, the creative team had decided that it would no longer be an adaptation, as at this point, they were just inspired by the fairy-tale and some of its themes – a Snow Queen, an Evil Mirror, an Act of True Love, and a Frozen Heart. Everything else was left alone, with only fan interpretations of what else could’ve been used, but never officially stated.

Before Frozen was even considered, there were couple attempts at adapting The Snow Queen. A common mistake made by many fans is incorrectly assigning concept art, songs, and story ideas from earlier adaptions of The Snow Queen. However, these versions are not actually Frozen, but completely different stories and attempts to adapt the fairy-tale.

The Biography Attempt -- 1937 – 1942

The first attempt at adapting the Snow Queen was to include the story in a bio-pic of Hans Christian Anderson. The Snow Queen was one of the stories that were going to be told in this bio-pic, alongside his other famous works. The rocky development for this bio-pic began in 1937, and ended in 1942 when the USA entered World War II, as Disney shifted into time on War Propaganda, officially halting the production of this project.

The first completed concept of the Snow Queen segment specifically was coined by Mary Goodrich in 1938, a researcher, who wanted to explore the theme of regeneration through faith. It was very faithful to the original tale, and was actually fully complete. However, Norwegian-born researcher Karl Berggrav dismissed the story. He said that while it was a technically good film, with the story being well-written and had no loose ends, it was boring and uninspired.

"This story rounds off everything nicely and ties up loose ends, but it is very uninteresting and just fades out into nothing, or worse than nothing, banality. It is hard to make good animation out of it.” - Karl Berggrav, The Art of Frozen, pg. 10

Walt Disney himself attempted to adapt the story in 1940, but as a live action and animated film. Hans Christian Anderson everyday life would be filmed in live action, while his stories were to be animated. This was going to be a co-production with Samuel Goldwyn and his new studio Samuel Goldwyn Productions, where they would film the live-action sequences.

The Snow Queen -- 1990 – 2006

There were multiple attempts at adapting The Snow Queen during the renaissance era and after. Harvey Fierstein took a chance to pitch an idea for The Snow Queen, but it was shot down. Even Glen Keane attempted to try his hand at an adaption, but just couldn’t find a way to turn the Snow Queen into the sort of fully realized character.

Then, a new team took on the adaptation in 2000. The main idea that the creative team wanted to have was to omit the Trolls and the mirror, trying to explore different ways for Kai to be abducted by the Snow Queen. There was one version of Kai wanting to impress Erica (Gerda's first name change) by joining a whaling ship. The Snow Queen was often shown in artwork riding an orca all over the sea.

There were other versions that followed this initial premise with more comical side characters, ranging from penguins to walruses to, of course, Snowmen. The strangest outline for this version was how Greta (another name change for Gerda) was a devious gold digger, leading Kai to marry the Snow Queen instead.

The Snow Queen was described as a 'Taming of the Shrew" type character, who had a frozen heart that needed to be melted away by the warm and loving Kai.

I love The Taming of the Shrew idea. Take Martha Stewart. She’s tough, smart — a worthy adversary. If she were a doormat of a woman, no one would go after her. -Michael Eisner, Disney War

The artwork for this version was considered to be beautiful and inspiring, but the narrative was simply not compelling enough. Thus, the story was ultimately scrapped and shelved.

The below concepts are often mistaken for early ideas for Frozen, often named early designs for Anna, Kristoff, and Elsa - however, they are actually from the 2000-2003 version of The Snow Queen, while others are from even earlier versions, and are featuring completely different characters.

The project was later brought back in 2006, but not for animation - but instead as a stage musical for Tokyo DisneySea at thier Broadway Music Theater. It was going to be directed by Amon Miyamoto, written by John Weidman and Glenn Slater and Alan Menken writing the music. However, it was also scrapped.

The reason I bring this version up, is because a song penned by Slater and Menken is often pushed as early love song that Kristoff was supposed to sing. However, it was not a Kristoff song at all. Love Can't be Denied was a song that was written for this stage musical, with no real details about who it was written for or its purpose in the plot.

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There are many reasons claimed why, but it is often contributed to Disney wanting the Snow Queen Adaptation to be a film, not a stage show. Menken was even reported to try his hand at making it an animated musical, but it never went through.

For years, (Disney had been) working on “The Snow Queen,” first as a stage piece, and then as an animated film, but that got shelved. Clearly, animated films are big commitments and it takes a lot for Disney to greenlight one. - Alan Meken, Jim Hill Media

Part 2 - Previous Versions of Frozen

After John Lasseter was given the reigns of Disney Animation Studios after the Disney merger with Pixar, he wanted to try and adapt this story again. Lasseter convinced his old friend Chris Buck to come back to the studio, and try his hands at another Snow Queen Musical film. Thus, the development of Frozen officially began.

"I pitched several ideas to John, and ‘The Snow Queen’ was one that he'd been interested in for a while. I pitched a musical version of it that he seemed excited by. So we started developing that project. This was back in 2008, around September.” - Chris Buck, The Art of Frozen, pg. 11

Starting 2008, Frozen went through a few versions before Jennifer Lee, Robert Lopez, and Kristen Anderson-Lopez entered the production in 2012. While Jennifer Lee was aware of the project while she was working on Wreck-it-Ralph, as the company typically has round-tables for their animated featured where all of their writers can give notes, she was not officially brought on as writer and then later as director, until 2012.

Both of these versions featured the introduction of Anna and Kristoff as replacements for Gerda and Kai, as adults instead of children. However, there were a few different ideas for The Snow Queen character that would prove to be the biggest obstacle.

Anna and the Snow Queen 2008-2010

The first version of Frozen was called Anna and the Snow Queen. There seems to have been a couple attempts at perfecting this story, none of which really made it to the final cut, due to the difficulty of making the Snow Queen character compelling. This version was meant to have hand-drawn animation at first.

Anna and the Snow Queen is very obscure, and not much exists for its early story ideas other than a few ideas sources from interviews and concept art by Claire Keane.

The Snow Queen Character (she was given the name Elsa at this stage) was based off of Bette Midler (some sources say that she was also meant to be her voice actress) She would take on a very Diva persona, and was of course a villain. Anna at this time was depicted as 'up-tight', and often was shown as some sort of secretary or assistant to the Snow Queen.

Kristen Bell was cast as Anna before anyone else had joined the team, after she had initially auditioned for the role of Rapunzel for Tangled. Josh Gad was cast a little after, however the Olaf he was voicing was a very different character, much like Anna.

"I was originally involved in the project when it was a 2D effort and it was called Anna and the Snow Queen, and it was completely different. Completely different. Megan Mullally was playing Elsa and it wasn’t really about sisterhood at all. I think it had more to do with the source material of Hans Christian Andersen’s story. When I did that version, Olaf was a different character entirely." - Josh Gad, MSN Entertainment

What the story for this version is often conflicting. Anna goes to the Snow Queen to have her heart frozen after she is dumped at the alter, releasing Elsa from an ice prison. The below concept art by Claire Keane shows Anna as a bride looking for the Snow Queen, supporting this interpretation.

However, other artwork by Keane suggests that Anna is possibly working for the Snow Queen as an assistant of some kind, as shown in the concepts below, and is also supported by the 'up-tight' secretary Anna concepts. It is possible, however, that after going to the Snow Queen to freeze her heart, she ends up working for her. You can also see the Bette Midler inspirations in some of Elsa's character designs.

After this period, Anna and The Snow Queen was actually shelved for around one year in 2010, before being brought back in 2011 and renamed to Frozen. It was also around this time that the idea for it to be hand drawn was scrapped, with the film shifting to 3D animation.

It was seemingly brought back with a story about a prophecy that says that Arendelle would be destroyed by a "Ruler with a Frozen Heart." The characters in the story would assume that this was Elsa, the self-proclaimed Snow Queen (Anna and Elsa were not royalty at this time, nor were they sisters) only for it to be revealed that it was Hans (possibly named Admiral Westergaard).

Frozen was to open with a prophecy that "a ruler with a frozen heart will bring destruction to the kingdom of Arendelle." We're then introduced to Anna, our pure-hearted heroine, and Elsa, an unrelated evil Snow Queen. We learn Elsa is a scorned woman; she was stood up at the altar on her wedding day and froze her own heart so she would never love again. Both Elsa and the audience assume she's the villain from the prophecy. Fast-forward to the final act: Elsa creates an army of snow monsters to attack our heroes while Kristoff has "a Han Solo moment" and comes to help Anna. To halt Elsa's attacking army, the two-faced Prince Hans (Admiral Westergaard) triggers a massive avalanche—not caring that the avalanche also puts Anna, Elsa, and all of Arendelle in jeopardy. Anna realizes Elsa is their only hope, so she convinces her to use her powers to save the kingdom. The twist is that the prophecy from the beginning is actually not about Elsa, but about Hans—he's the one with a metaphorical frozen heart because he's an unfeeling sociopath. Elsa's heart is then unfrozen allowing her to love again. - Peter Del Vecho, Entertainment Weekly

This is also supported with what Santino Fontana says in his interview with Paul Wontorek. He claims that he was hired and paid for his lines in 2011, way before Jennifer Lee was officially involved with the project in 2012, and just after Frozen was brought back from its year hold.

This puts into perspective any claims about Jennifer Lee basing Hans' character after her ex-husband, or that Hans was originally meant to be a good guy until they needed a new villain to replace Elsa. Hans was always meant to be the real villain of Frozen and was seemingly created as soon as Anna and the Snow Queen became Frozen.

The Story of Sisters -- 2011-2012

During one of the round-table sessions, in which Jennifer Lee was involved in but was still not working on Frozen, someone within the session suggested that Anna and Elsa should be sisters. This was the first major breakthrough that helped shape the story.

This famous version of Elsa (onionElsa!) is meant to be based off of Amy Winehouse. It is unclear when Elsa's backstory transitioned from being that of a woman who was dumped at the altar, and being the more tragic villain that was forced to hide her magic.

Regardless, it was explained that this Elsa had ran away from her kingdom, and later on kidnapped Anna away from her wedding with Admiral Westergaard, trying to freeze her heart so that Anna would understand how she felt. It ended in the same way, however, with Hans being revealed as the true villain and Elsa getting a redemption.

It was also around this time that Anna's character was also getting a much needed re-working. Anna's 'up-tight' personality was removed with the help of Kristen Bell, who always had issues with Anna’s characterization. She pushed for Anna to be more quirky and awkward, with a strong desire for love and companionship. Idina Menzel was also brought on at this time, where the two actresses prepared a song (Wind Beneath my Wings) to see how their voices would match up.

This deleted scene below showcases this version of Elsa, voiced by Idina Menzel.

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"We did a version where the Snow Queen was the villain, but we wanted to end with them reunited, and it was very hard to redeem her at the end. We decided on an adventure about two people who initially misunderstand each other; it allows for the bonding at the end.” - Peter Del Vecho, The Art of Frozen pg. 12

Jennifer Lee started on the project after all of this was already established, and tried to work out quite a few things with the story. Robert Lopez and Kristen Anderson-Lopez also came onto the project, and tried to write a few songs for this version - although, they didn't really like the story all too much.

One of the songs we know from this version was We Know Better. Interestingly, this is actually not the full song. It is supposed to end with Elsa's turn to becoming ‘evil’, and Anna becoming her 'up-tight' persona. This was omitted with a lot of earlier scenes of Elsa's evil nature (with the exception of the above clip) because the creative team wanted to try and distance Elsa away from this persona.

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Another deleted song was called Cool With Me. @stitchkingdom saw a concert where Kristen and Bobby Lopez performed some deleted songs, some of which were never performed anywhere. Cool with Me was a song that came before Life's Too Short, and has details about Elsa kidnapping Anna and wanting her to feel her own pain.

The next breakthrough for the story was when the Lopezes wrote Let it Go. John Lasseter had often made notes about delving deeper with Elsa's character asking why she is a villain. Jennifer Lee also pushed for more depth when she was writing Elsa. However, Let it Go was the trigger that helped se things in motion for a new version of Frozen.

“The minute we heard the song for the first time, I knew that I had to rewrite the whole movie.” - Jennifer Lee

Now, Elsa was being completely re-written as a sympathetic character - no more villainous tendencies, no more intentionally cruel stunts. Elsa was made into a tragic character who was forced to hide who she was, and only wanted to protect Anna and her kingdom from her powers.

Olaf was also re-written at around this time, going from an obnoxious side-kick of Elsa's to a more innocent companion that would represent the love between the sisters.

The newest version of the story was a mash-up of the original prophesy version talked about above, but with new elements. This included a story about Anna feeling less than Elsa, and feeling like nothing more than a spare. Elsa was of course changed to her new sympathetic character, and runs away from Arendelle from fear rather than being angry at anyone.

The Duke of Weselton was also theoretically introduced at this stage, but not as a red herring to Hans, but instead as a care taker to the sisters after their parents passed away. Hans was also supposed to gift Anna a special snow globe that had some kind of thematic importance.

The following songs and scenes are some of the ideas from this version of Frozen.

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At this point, the creative team was pretty confident that they had the story planned it out and it was ready to go. However, the team had decided that they were still having issues with the plot.

The Final Months - 2013

From February to June of 2013, there were extensive rewrites done to the film before having a test screening with both a family audience and adult audience.

One of the elements that were changed was the prophecy. After so many years, this story element was finally dropped. Then, Hans' sociopathy was explored more extensively by Jennifer Lee, and a character twist was pushed by John Lasseter to make his villainy more iconic.

Anna's feelings about being a spare was removed, as the creative team wanted to focus more on Anna wanting to find love rather than trying to prove herself (she was sounding a bit too much like Hans). The Duke was changed to being his current self.

Kristoff was actually changed as well, making him a bit more kind. However, when his character was changed is not clear, but we do know that Johnathan Groff pushed for him to be a bit more kind as well.

Some of the songs were also removed and replaced with the current versions we know and love today.

Conclusion

Frozen’s 10th Anniversary is coming up (here or passed depending on when this is read) making it a perfect time to talk about the journey Frozen went on throughout the years. It’s amazing to look back at all the attempts and stories, and see where Frozen ended up. It’s because of all these attempts, successes, failures, and hard-working people that we were able to get the Frozen that we have today.

Happy Frozen 10!

Sources:

The Art of Frozen by Charles Solomon

Disney War by James B. Stewart

Disney's 'Frozen,' Formerly 'The Snow Queen,' Will Be CG Rather Than Hand-Drawn by Russ Fischer for Slash Film

Countdown to Disney's Frozen by Jill Hill for Jill Hill Media

Lost Media Wiki - Frozen

Frozen Original Ending Revealed - James Hibberd, Entertainment Weekly

Show People With Paul Wontorek Interview: Santino Fontana on "Act One," "Frozen" & More

Interview: Frozen's Josh Gad MSN Entertainment

Scriptnotes, Ep 128: Frozen with Jennifer Lee

Exploring the Songs of "Frozen" with Kristen Anderson-Lopez '94

Kristen Bell Explains How She Became Anna in 'Frozen' | The Watch | The Ringer

#Frozen #Elsa #Anna #Hans #Prince Hans #Queen Elsa #Princess Anna #hans westergaard #Kristoff #kristoff bjorgman #Olaf #Sven #greatqueenanna/analysis #frozen 10th anniversary #frozen10 #Youtube

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aidontdraw · 3 days

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So blahblahblah, Kishimoto was clearly writing Naruto as he was going. Like as soon as the audience leaned something about the world, Kishimoto also learned that thing.

But like, he clearly doesn't understand how humans interact with eachother, and its shown in the introduction scene. Because who is this scene for?

Its not for the characters. Naruto, Sakura, and Sasuke have been in the same class for 6-7 years at this point. They don't need to introduce themselves to eachother. They dont learn anything about Kakashi.

Its not for the audience. We were already introduced to Team Seven in the previous chapter. We know who Naruto is, and what he wants. We know who Sakura is, and what she wants. We know who Sasuke is, but not really what he wants. We don't know who Kakashi is, and we don't learn that here.

Kakashi barley learns anything about them. Besides the fact Sakura is a normal pre-teen. Naruto likes ramen. Sauske still isn't over his family's massacre. Which is all no-shit things.

The only thing the audience gets introduced to is the idea of Sasuke's goal.

Which while Kakashi seems to know who hes talking about neither Naruto or Sakura do. That borders on being a plot hole, because Sasuke would have gone to class the day after the worst day of his life. The massacre happened 5 years ago. These people went from having a bunch of Uchiha Police Officers walking around to Zero.

You're telling me Sasuke went around keeping his one person murder list to himself for 5 years?

It doesn't introduce the idea of team work. Its almost a waste of half a chapter.

Honestly this day for them(I'm guessing the times):

- 9am go to school

- 9:15 Sasuke and Naruto kiss.

- 10-12 get teamed up

- 12-1 Crazy Lunch Adventure(Hokage and Kakashi break into Naruto's house for a casual conversation)

- 1-2 wait for their teacher

- 2pm, have a 15 minute conversation with their new teacher/squad leader

- Go Home

This whole day could have been an email.

Then we get the tidbit that their school already went over survival training. We know they had combat training. And jutsu training. But during their test, and future missions, we see almost none of that training in action. These kids should have spent the last 7 years of their lives going to a school together to learn how to do this job. They should be familiar with a lot of things, but especially working on 3 man teams.

But we get to another plot hole/world building issue, which is even thoguh this seems to be the standard in their training. The kids were suprised to learn they were going into 3 man teams.

You can also see this with the Chunin Exam, where even thoguh this is a yearly exam that brings in Nobels to bet on child death matches, the kids entering them dont know what they are...

The Konoha Education System is leaving all of these children behind.

The only non distopian reason is technically Sakura doesn't come from a ninja family. So there are things that she wouldn't have easy access to. Even thoguh she was in the top 5 of their class. And Naruto and Sasuke had to rase themselves from young ages. So they have zero parental/adult guidance.

Still their school should have taught them basic things.

#I think the only thing he had somewhat planned since the beginning was the 4th Hokage is Naruto's dad thing #naruto #naruto shippuden #team seven #Kakashi #Sasuke #sakura #Lil drunk rn

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littlegaybean1 · 3 months

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Helo I would absolutely read your essay on Ianto Jones

The people have asked so the people shall receive - here's my 2000+ word essay on Ianto Jones through episodes 1-4. I have another in progress for episode 6 and the audio Broken, which I have not listened to but I have read several different summaries of it.

Ianto Jones's official role in Torchwood Three is the Archivist. However, he acts as general support, receptionist, butler and crime scene cover up in addition to this role. Prior to the episode Countrycide, he remained in the Hub during field operations, however the sixth episode of the first series saw him in his first on-screen field mission. At 23 when the show begins, he is Torchwood's youngest member, however he is far from its least experienced.

Before joining Torchwood Three (Cardiff), Ianto was employed at Torchwood One, the London branch whose downfall is shown in the Doctor Who episodes Army of Ghosts and Doomsday. He originally worked there as a junior researcher, however he also took on the job of Yvonne Hartman's personal assistant. He spent a short time as a junior field agent before returning to work as Hartman's PA. Whilst working there, he met and fell in love with Lisa Hallett, whom he started dating. This becomes significant after One's fall, upon which Ianto becomes one of 27 Torchwood London employees to survive the events, out of over 800. Having grown up in Cardiff, Ianto returned there and convinced Jack Harkness to hire him at Torchwood Three.

Despite being qualified, Ianto had to ask three times on three separate occasions before Harkness eventually gave him the job. By the time the program begins, Ianto has been at Torchwood Cardiff for three months. For the first three episodes he has very little screen time, appearing last out of any Torchwood Cardiff employee. He is first seen when Gwen, the protagonist, arrives at the Torchwood Hub for the first time. In this scene he is acting as a receptionist for the tourist office that is run as a front to the Hub. He is completely separate from the other employees, isolated even within the 5 person team. Rather than introduce him as the archivist, Jack chooses to say "he cleans up after us and gets us everywhere on time." This introduction paints the picture of him as a butler or lower-level employee, rather than someone with five years of experience within the organisation.

This image of him continues, with him appearing in the second episode to provide the team with food and then assist Jack when a prisoner escapes. Other than this, he remains either off screen or in the background, a lonely figure about whom the audience knows very little. He is never presented as one of the team, nor does any member of the team make an effort to include him. The only times in which he is seen in this episode is when he purposely draws attention to himself, something which he only ever does occasionally. He remains in the shadows, not a character who the audience is meant to focus on. Given the constant action and his rare appearances, it is easy to forget that he is ever there, something reinforced by the bold and full personalities of the other characters.

The third episode highlights his role within Torchwood. During the major action scenes, he is nowhere to be found. When they are desperately failing to find Harris, nobody even thinks to call Ianto and see if there's anything he can do at the Hub. He appears almost as comedic relief at some moments, with the "Splott/Sploe" comment being the most notable. He is seen only when he chooses to be, forgotten once more due to the high stakes, fast moving action and dynamics between the other characters. The only hint towards what sort of relationship he has with any member of the team is the tiny tidbits of flirting exchanged between him and Jack on two occasions. Even this tells us next to nothing about he and Jack's relationship, since one of Jack's most renowned characteristics is his constant flirting with any and all adult characters, including robots.

However, the scene that speaks the loudest about his character's role is the very end of the episode. Having understood the full, terrible potential of the Ghost Machine, Jack has Ianto lock it in the secure archives. This would be a tiny thing, considering the fact that Ianto's domain is the archives, if it weren't for the way that he is told to do it. Jack simply says his name and holds it out in Ianto's general direction. He never looks at him, responding only with a nod when Ianto asks "Secure archives?". He treats him not like an archivist, or a survivor or even an employee, but like a servant, someone he pays to do menial tasks for him. He does not see Ianto as someone who he needs to show respect to, and none of the others question it. The entire team is present, but none of them have any reaction to the way that Ianto is treated. Not a single one of them sees a problem with the fact that he is being treated as lesser, or being disrespected. For Gwen, this is understandable since she is dealing with the grief and guilt of being part of a man's death, however Tosh and Owen just act as if this is normal, which leads to the assumption that this is a regular occurrence. Different versions of that interaction must have occurred multiple times over the short period that Ianto had worked there.

Which brings us to Cyberwoman. The very first scene mirrors the end of Ghost Machine - Jack handing something to Ianto without acknowledging him, before immediately turning his attention to someone else. Ianto is left behind whilst everyone else goes out, he is always the outsider, the other. At this point, it is revealed that he has been hiding the remnants of Lisa in his basement, half converted and in pain. Ianto had no way of knowing that Lisa was not still herself, she spoke and acted like any human would if they were injured and dying. Somehow, Ianto was able to smuggle a full conversion unit/life support system and Lisa herself into the Hub without anyone noticing. Whilst he undoubtedly took many precautions to avoid being discovered, the fact remains that he could not have done so if any member of Torchwood Three had paid him any attention. All of them were perceptive, intelligent and presumably able to recognise a cyber conversion unit, this presumption coming from the fact that Owen recognised it, who is neither a tech expert nor the longest serving agent. The only one who wouldn't have been able to identify what it was was Gwen, who wasn't part of Torchwood when Ianto brought Lisa into the Hub. Once more, Ianto was ignored by the rest of Torchwood, fading into the background immediately after the worst event of his life, surrounded by the only people he knew who knew the truth of the "battle".

Later in the episode, Ianto still remains loyal to "Lisa", even though the Cyberwoman no longer has any part of her left. This is what the team, specifically Jack, blames him most for, telling him to "stand as part of the team". However, prior to this, no effort has been seen to involve Ianto as a member of the team, allowing him to become invisible. He was constantly undervalued; they used him as a dogsbody. Lisa had seen him, relied on him and loved him. If they had been thinking logically instead of acting emotionally, they would have realised that there was no reason for Ianto to choose to stand with them and every psychologically based reason for him to try and save Lisa. He lost everyone who could have provided him with support after Canary Wharf at Canary Wharf. Due to the secretive nature of Torchwood, Ianto could not legally tell anyone about the horrors that he experienced there; and the only people who knew shut him out completely. The only person he had left was dying and in agony; and she leaned on him so heavily that he could not lean on her.

Another point to consider is that the way Jack acts around Ianto is entirely based on what suits him. He allows Ianto to become unseen when he has no need of him, but orders him to be part of the team when he is faced with the reality of his treatment of Ianto. This demand is done with Ianto on his knees and a gun to his head. The only motives that Ianto would have had for agreeing were fear of execution and planning a future betrayal. In this scene he is filled with too much rage to be afraid of the threats; and he never had any wish to betray Torchwood Three, his only goal was to heal Lisa. To assume otherwise directly contradicts his actions in future episodes.

What can be considered the cruellest action towards Ianto is the use of Myfanwy to attack the Cyberwoman. Ianto came to the Hub with Myfanwy, named her and was the one who fed her and cleaned her nesting area. For Ianto, Myfanwy would have been something of a very large, dangerous, untamed pet. Something else that he cared about ripped away from him just as brutally as in London. However, what's almost worse than London is that she remains present, still exactly the same but completely different to him. Her existence for Ianto will forever be tainted by the memory of her attacking the Cyberwoman who bore Lisa's face. Such a minor loss at the time compared to Lisa, but nevertheless something he cares about also taken from him.

As if the episode did not already cause Ianto enough emotional anguish, one of the most emotionally charged scenes had not yet come. After Myfanwy’s attack, Ianto attempts to enter the Hub again through the tourist office. Before he has a chance to enter however, the other four members of Torchwood catch him up, leading to him pointing a gun at them and stating that he has “nothing left to lose”. Jack is able to call his bluff and disarm him, pinning him against a wall with a gun to his head once more. What follows is a furious exchange in which Jack demands that Ianto enter the Hub again to execute Lisa if she was not already dead and Ianto refuses, saying that “I won't do it, you can't make me”. His only attempt to defend himself is minor struggling when he is first pinned to the wall, after which he remains still. He has no way of knowing whether or not Jack will actually follow through on his threat “you execute her or I'll execute you both”, meaning that he is fully prepared to die rather than comply. At this point, Ianto has been completely stripped of his humanity - threatened with a deadly weapon, defenceless and being forced to choose between killing what he still sees as the love of his life and dying in defiance, which would do nothing to prevent the Cyberwoman’s execution. He doesn't know if she is already dead, but chooses death over pretending to comply then running or taking the chance that he will not have to shoot her since she could already be dead. He eventually is submissive and goes after her, however it can be safely assumed that his intention was not to kill her but to attempt to save her again. He goes in alone and could easily have run, but he chooses to cling to what he has, the remnants of Lisa.

A dreadful scene awaited him within. The body of Lisa with chunks of flesh torn away from the bones lies in a pool of her own blood; and an unknown woman stands before him. A bloody line is drawn across the woman’s forehead; and she recognises him. She calls to him, revealing the horrific truth of the Cyberwoman's actions. This woman has the body of a young pizza delivery girl, one that Ianto had called here, and the cybernetically modified brain of Lisa Hallett. The bloody line is from where the Cyberwoman had opened her skull, performed a brain transplant and fused the skull pieces back together. This moment truly annihilated any hope Ianto had left, forced him to see that there was nothing of Lisa left in the most brutal of ways. Ianto raised his gun but could not pull the trigger, whatever this monster was still had some of Lisa's memories. By talking of the times Ianto spent with Lisa, the Cyberwoman poisoned those memories. He had lost so much, now even his happy memories have been destroyed for him. Lisa Hallett died at Canary Wharf, but that was the day that her lover’s soul died with her body.

#ianto jones #torchwood #ianto #essay #character essay #ep: Everything Changes #ep: Day One #ep: Ghost Machine #ep: Cyberwoman #it's totally normal to write an essay about a fictional character #right?#Ianto Jones is such an interesting character #he has the angst #he has the trauma #he has the backstory #he has the dead loved one #he is the true main character

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ineffable-human · 8 months

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Season 2 Hot Take - We're Being Manipulated

Yes I know this is going to sound like a conspiracy theory, but is it really a conspiracy if its true? So, as someone who spent the last four years obsessing almost entirely about Gabriel's character and arc (do not get me started on him in S2) and not much else, I feel like I have a different approach to Aziraphale and his actions. I mean, I'm sorry but I just don't buy the fact that Aziraphale is so deeply traumatized that he would return to heaven just like that. I just don't.

Like, c'mon, season 1 Aziraphale, the utter bastard who straight up lied to God's (metaphorical) face, who got gut punched by some 'bad angels', who was sentenced to death, who tried to talk to God for help and got the run around, merged with season 2 Azirpahale who saw that heaven would just let kids die and not understand why it's bad (also please don't get me started on his 'you really were truly awuful' line, I cannot), who learned the that line between right and wrong is blured and that sometimes graverobbing can be good, who found out he could do magic the real, human way, would not just be like fuck yeah heaven is the good guys let's gooooo. I just don't buy it. And I want to trust that the writing in season 2 was purposeful and for a reason, because I want to trust that Neil Gaiman knows what he's doing (weird plot-device of the miracle block aside of course because idk how that could possibly be explained properly). And one of my friends pointed out to me that season 2 was/felt very influenced by the fandom. So what makes the most sense? That Neil Gaiman would just write some really weird and off-character stuff to match what the people want? Or that he would use the fandom's expectations to influence how they react to a situation and event in order to hide what's actually going on? I mean, look at all the information we're missing.

We don't know what Aziraphale's relationship was like with heaven between seasons (and I'm thinking he had to have some kind of relationship for the Bookshop to still be considered an protected embassy. Because let's face it, vindictive lil heaven isn't gonna keep a triator safe for no good reason).

We don't know the full conversation between Aziraphale and the Metatron (and the fact that Aziraphale's response after the whole Crowley as an angel thing is blocked off is the most interesting tidbit of all. We never actually find out what Aziraphale said, and we know he hadn't given Metatron a real answer before he went to talk to Crowley {yet the Metatron walks in after as if Aziraphale already said yes})

We don't know how and why it was so easy for Gabriel to sneak off after the trial. (Like, I know all the other angels are clueless, but the Metatron has clearly shown himself to have a strategic mind and, let's be honest, he would have seen something like that coming).

There's so much we don't know about, that's being hidden and held back, and we don't question it too much because it's easier to just fill in the blanks with our four years of headcanons and ideas.

And all the posts that Neil Gaiman interact with just further these ideas! I mean, let's face it, he's not gonna like this one because it's too close to the TRUTH (and also because he's busy and there's like a million posts a day but MAINLY BECAUSE OF THE TRUTH)

Aziraphale is a smart character, who knows that heaven is toxic. He's strong and stubborn, and I truely don't believe he's going to just slide right back into that abusive relationship without a Plan. Aziraphale doesn't want to go back to heaven because he knows they aren't really the good guys, but that's the argument he uses because that's the only one he knows how to use. It's his default setting. (and the Metatron is most definitely probably listening in on them so Aziraphale clearly can't say what he actually wants to say, which only contributes to their horrible communication skills).

Aziraphale doesn't need to learn that heaven is in bad shape. He already knows that. But what he didn't know was that he could fix it. He's spent 6,000 years seeing all the cracks in the foundation and not having the power to do anything about it. That's his whole arch in season 1; taking control and doing what he can to fix the wrongs he sees.

But even now the idea that he actually has the power or influence to make the changes he knows are needed is a foreign concept. And the Metatron offering him the job is kind of like Crowley offering him the food. Azirpahale didn't know he could want to actually change things. That he could be the one to put in a suggestion box. He's not going back to learn the hard truth, he's going back to change the hard truth before others have to suffer a similar fate.

Our ideas and expectations were shattered, but that's only because we were coming at it with those expectations. We let them cloud the real story and distract us from the TRUTH.

This whole entire season was a magic act of the highest form using fan-service and shotty writing (dear god please let it be on purpose) as smoke and mirrors. and we're falling for it.

(And while we're on the topic, may I just slip in as an added bonus, Crowley has only himself to blame for Aziraphale thinking him becoming an angel would be a good thing, because how can he expect to go around calling Aziraphale angel all the time and looking at him the way he does and NOT expect Aziraphale to just assume that Crowley thinks being an angel is the best thing since sliced bread????)

#good omens #good omens season 2 #good omens season 2 spoilers #good omens theories #good omens season 2 theories #you're not a conspiracy theorist if your theories end up being real #just sayin

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call-of-ishmael · 3 months

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Canto V and Ishmael's suicidal ideation

When the trailer for Canto V came out the narration over it and the tone gave me a lot of vibes of themes of suicidal ideation.

It wasnt present in the way id expect, but it was there and id like to talk about it

1. Her days prior to the Pequod

Ishmaels life before being a sailor isnt talked about much in her Canto, what we see though is pretty interesting

She expresses how she has come to hate the expectations, you work your ass off studying, getting degrees, applying to offices, to net you the job and life everyone says you should have.

A very interesting point to make is how she talks about it. The dread she feels as she expresses that thinking ahead thinking how this is gonna be her whole life, makes her feel empty.

"I didnt know if i wanted to die or if i just wanted my life to be different" [paraphrasing here] is a line we hear in this scene, however its followed up by her saying if she had to die somewhere itd be at the sea. She is unsure if what she wanted was to die, but her actions and thoughts point us that way, she frames it as where she wants her final resting place to be

2. The Pequod

Ishmael is from Ucorps Nest, The Great Lake should not be uncommon knowledge to the residents, a place full of monsters, where its known sailors who cant take it anymore jump into the waves to be free. And this is the place she wished to go to. She makes a desicion to join a ship that would take just about anyone to hunt whales.

In that gesture we see more of the previously mentioned thinking, she says shes not sure she wants to die but jumped into one of the most dangerous jobs around pretty quickly

In the Pequod she also experiences more trauma that leads her downwards even more, a controlling figure, molding everyone there into who they want them to be, a constant fear of death, endless fights against monsters, and eventually the loss of who she loved.

But its also a moment where we are shown, once she found some support, once she and Queequeg started working together towards a life goal she became determined to survive, she had a clear idea of where to go, a compass to follow. Before it was taken away.

3. Limbus Company, and Canto V

During the events of Limbus Company prior to Canto V we see Ishmael as a pretty driven person, she doesnt wanna die, at first, shes kept alive by a singular goal to find Ahab

By 4.5 and V we see this is, again, a self destructive endeavor

Her unique status effect "Compulsion" during the chapter is a way to communicate shes hurting herself constantly during this Canto, her usual ability to keep calm to not be consumed by her fears, worries, obsessions and compulsions falls apart

Ishmael at many points doesnt seem like she wants to come back alive, she willingly enters into the body of the whale only knowing she has something that can delay pallidification, not having a good plan to escape. She constantly tosses herself into danger, not caring how she gets hurt.

One of the more interesting tidbits is entering the dungeon. The first EGO gift she gains, exclusively applying effects to her, is a noose.

Its a culmination of the message, shes been hurting herself this whole time, she charges ahead, to kill that bastard, to kill Ahab. If she dies, its fine by her

And then the turning point is on the CG used for this section, another blatant gesture of letting her own life go, letting the membrane form around her, letting herself be consumed.

When shes broken out out the membrane it mirrors queequeg saving her in the past, the person who made her think of the future for once, to WANT to have a future.

Its the moment she realizes the sinners have been there for her, she has blinded herself to not think of any of the good moments, not even the ones she had with Queequeg.

She realizes shes not alone anymore

And she wants to live, somehow, she might not know how, but that hasnt stopped her before

Her compass is curiosity after all, she will find her path.

#cw sui mention #cw sui ideation #cw suicide #limbus company #ishmael lcb #ishmael limbus company #canto v spoilers

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