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yamujiburo · 4 months

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Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

#ask yam #long post #tw abuse

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bowtiepastabitch · 3 months

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Heaven's Not Homophobic in Good Omens, and Why That's Important

I need to preface this with, I am not trying to start a fight or argument and won't tolerate any homophobic or bad faith arguments in response to this. Cool? Cool.

This is in large part inspired by this ask from Neil's blog, which sparked some discourse that I don't want to get involved in but that brought up some analytic questions for me.

He goes on to reblog a question asking about Uriel's taunt specifically, clarifying that "boyfriend in the dark glasses" can just as easily be read/translated from angelic as girlfriend or bosom buddy. The idea is that an angel and a demon "fraternizing" is seriously looked down upon, not that heaven is homophobic. And that's super important.

We see homophobia in both the book and show, of course. Aziraphale is very queer-coded, intentionally and explicitly so, and we see the reaction of other humans to that several times. Sergeant Shadwell, for example, and the kid in the book that calls him the f-slur when he's doing magic at Warlock's birthday party. These are, however, individual human reactions to his coding as a gay man.

I am, personally, not a fan of heaven redemption theories for the show; no hate for people who want that it's just not something I'm interested in. I don't believe that heaven is good with bad leadership, or that God Herself remains as a paragon of virtue. To me, that's not in line with the themes and messages of the show. It's important, however, that heaven doesn't reflect human vices. Heaven can be nasty and selfish and apathetic in its own right without ableism, homophobia, transphobia, or racism. This matters for two reasons.

Firstly, we don't need the -isms and -phobias to be evil or at least ethically impure. In a world where we spend so much time fighting against prejudice and bigotry, our impulse is to see that reflected in characters whose motivations we distrust or who we're intended to dislike. While it's true that that's often the big bad evil in our daily lives, it can really cheapen the malice in fictional evil from a storytelling standpoint. A villain motivated by racism or as an allegory for homophobia can be incredibly compelling, but not every bad guy can be the physical representation of an -ism. Art reflects the reality in which it's crafted, but the complexity of human nature and the evil it's capable of can't be simplified to a dni list.

Secondly, and I think more importantly, is that for Good Omens specifically, this places the responsibility for homophobia on humanity. If you're in this fandom, there's like a 98% chance you've been hurt by religion in some way. For a lot of us, that includes religious homophobia and hate, so it makes sense to want to project that onto the 'religious' structure of Good Omens. It's a story that is, in many ways, about religious trauma and abuse. However, if heaven itself held homophobic values, it would canonize in-universe the idea that heaven and religion itself are responsible for all humanity's -isms and -phobias and absolve humans of any responsibility. Much like Crowley emphasizes repeatedly that the wicked cruelty he takes responsibility for is entirely human-made, we have to accept that heaven can't take the blame for this. To make heaven, the religious authority, homophobic would simply justify religious bigotry from humans. By taking the blame for religious extremism and hatred away from heaven and the religious structure, Good Omens makes it clear that the nastiness of humanity is uniquely and specially human and forces the individual to take responsibility rather than the system. Hell isn't responsible for the Spanish Inquisition, which by the way was religiously motivated if you didn't know, and heaven isn't responsible for Ronald Reagan.

This idea is perhaps more strongly and explicitly expressed in the Good Omens novel, in the scene where Aziraphale briefly possesses a televangelist on live TV. It's comedic, yes, but also serves to demonstrate that human concepts of the apocalypse and religious fervor are deeply incorrect (in gomens universe canon) and condemn exploitation of faith practices. Pratchett and Gaiman weave a great deal of complexity into the way religion and religious values are portrayed in the book, especially in the emphasis on heaven and hell being essentially the same. They're interested in the concept of what it means to be uniquely and unabashedly human, the good and the bad, and part of that is forcing each individual person to bear the brunt of responsibility for their own actions rather than passing it off onto a greater religious authority.

Additionally, from a fan perspective, there's something refreshing about a very queer story where homophobia isn't the primary (or even a side) conflict. The primary narrative of Good Omens isn't that these two man-shaped-beings are gay, it's that they're an angel and a demon. The tension in their romantic arc arises entirely from the larger conflict of heaven and hell, and things like gender and sexuality don't really matter at all. Yes, homophobia and transphobia are very real, present issues in our everyday lives, but they don't have to be central to every story we tell. There's something really soothing about Crowley and Aziraphale being so queer-coded and so clearly enamored with each other without constantly being bombarded with homophobia and hate. It's incredible to see a disabled angel whose use of a mobility aid makes no difference in their role and to see angels and demons using they/them pronouns without being questioned or misgendered. It's all accepted and normalized, and that's the kind of representation that we as queer people deserve.

#anywho that got real long #good omens #neil gaiman #terry pratchett #media analysis #good omens analysis #queer coding #queer representation #ineffable husbands #gomens #aziraphale x crowley #anywho happy valentines day #love my fandom #not beta read or majorly edited because I'm a busy guy with homework so lmk if there's any errors that need correcting (politely!)

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6lostgirl6 · 3 months

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Yandere Alphabet - Demon!Dean Winchester

TW: Toxic Relationship, Possessive Behavior, Controlling Behavior, Hints of Physical Abuse, Hints of Verbal Abuse, Kidnapping, Mentions of Murder, Isolation And Spanking As Punishment, Cursing, Manipulation. A/N: Please inform me if I did not tag something correctly. Please know the difference between fictional and reality. While fictional, these types of relationships are extremely toxic, especially in real-life. If your relationship is showcasing these toxic behaviors, please seek help from someone to get out safely. Reblogs are heavily appreciated!!

Affection: How do they show their love and affection? How intense would it get?

He’s a physical lover, and he doesn’t give two fucks about PDA. He’ll kiss and touch you whenever and wherever he likes. He always gives you heated, passionate kisses while grasping all over your body and pressing you up against him. When he’s really affected, he’ll growl while kissing you, and his eyes will flash black on occasion.

Blood: How messy are they willing to get when it comes to their darling?

Very messy. Demon Dean, at this point, is a malevolent being and will resort to more grotesque methods when it comes to his darling. Even if it means killing innocent people who look at you the wrong way or dare touch you, well, try. He’ll break the person’s bones before they even lay a finger on you.

Cruelty: How would they treat their darling once abducted? Would they mock them?

Depending on how you react to the situation, his treatment of you varies. If you behave, he'll treat you good by his definition. However, if you react badly, he's going to not react well. Yes, he’ll mock you, because we need to remember that he may love you, but that doesn't change his nature. He has a cruel sense of humor.

Darling: Aside from abduction, would they do anything against their darling’s will?

He’ll make you come with him on his killing sprees. You’re not a fan of blood; that’s too bad. You’ll just have to get used to it, because that’s all you’re ever going to see besides him. Blood and carnage.

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?

Demon Dean still has some of his old traits from when he was human. He doesn't like expressing his emotions until he trusts you enough. Which would take a long time. However, when he finally trusts you, he’ll be more open about his feelings for you. He still keeps things close to his chest, though he might never speak with you about it.

Fight: How would they feel if their darling fought back?

Oh, he’s pissed.

Game: Is this a game to them? How much would they enjoy watching their darling try to escape?

No, your relationship isn't a game to him. But getting you to fall in love with him will be like a game, and he'll triumph. It’s only a matter of time. Demon Dean wouldn't like seeing you try to escape; it would automatically anger him. He’ll lash out at you.

Hell: What would be their darling’s worst experience with them?

Your worst experience with him would be your fights with him. He's scary when he’s angry, especially when it's towards you. He’ll practically scream in your face and manhandle you. Another thing would be him forcing you to see his killing sprees. He doesn't trust you enough to leave you on your own, so you'll have to witness his brutality.

Ideals: What kind of future do they have in mind for/with their darling?

When it comes to your future with him, you’re stuck with him, and not even death would separate you. He’ll secretly try to uncover a way to turn you into a demon. You'll be isolated from hunters; demons wouldn't dare approach you. He’s the only thing you’ll ever need; nobody else can help you.

Jealousy: Do they get jealous? Do they lash out or find a way to cope?

Extremely, however, it’s not because he’s insecure; you simply belong to him and are completely off-limits. Coping, what’s that? He’s going to lash out in a violent way at the person attempting to flirt with you. He left people bloodied to a pulp on the floor before, and he has done worse.

Kisses: How do they act around or with their darling?

It’s discrete, but he’s a little softer around you, and he would let you get away with small things that he wouldn’t tolerate if it were another person. As a demon, he’s not afraid to show you how deep his love runs for you. He’s clingy and always has a hand grabbing you somewhere. He’s very possessive, and he tends to keep you to himself.

Love letters: How would they go about courting or approaching their darling?

When it comes to demon dean, there is no time for courting or lightly approaching you about his feelings. When he kidnapped you, there were no romantic gestures or heartfelt confessions; you simply belonged to him, and you need to get used to it.

Mask: Are their true colors drastically different from the way they act around everyone else?

Of course, Dean treats you differently compared to others. He’s less rough around the edge, and he does try to control his temper better around you. You’re his, and he doesn’t mistreat what belongs to him.

Naughty: How would they punish their darling?

Depending on what you do, however, he'll simply tie you to the bedpost and keep you there until you learn your lesson. He would never intentionally hurt you, but he will force you over your lap and smack your ass until you’re begging for forgiveness. Trust me, he wouldn’t make it fun for you.

Oppression: How many rights would they take away from their darling?

The better question is: how many rights would he allow you to have? All you need to do around him is eat, sleep, and look pretty for him. Misbehave, and you’re going to be chained to the bed again.

Patience: How patient are they with their darling?

He will have zero patience with you, so you better behave for your own sake. He's not afraid of punishing you, however he sees fit, because you didn’t listen to him or try to escape. Therefore, try not to upset him too much.

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

No, he would never move on. If you died or were killed, his rampage would be talked about in Hell for centuries. If you manage to escape, it won’t last long. He’s going to get you back, whatever it takes, so enjoy the freedom while it lasts.

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?

Ha! Hell no. However, after being cured, he will feel horrible for how he treated you. He’ll feel ashamed that his darker feelings for you were brought to light. He really does love you, but the demonic side of him has horrible ways of showing it.

Stigma: What brought about this side of them (childhood, curiosity, etc)?

His transformation into a demon allowed his yandere tendencies to be brought to the surface. He doesn’t have to hold back his urges anymore, and why would he want to?

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?

Of course he doesn’t like it; he prefers you being obedient and rather docile. He would never admit this, but he would want you to be happy with him, even as a demon. If you try avoiding him, he’ll keep bugging you and forcing you to talk to him. He lacks patience, so your screams and cries will only make him angrier the longer you keep having tantrums.

Unique: Would they do anything different from the classic yandere?

Demon Dean would never hurt you intentionally, especially by abusing you to make you cooperate. Sure, when he lashes out, there may be a few accidents, but that’s all they are. Accidents.

Vice: What weakness can their darling exploit in order to escape?

There are two things you could use: his killing urges and/or feeding into his ego. If you want to play the waiting game, you would have to gain his trust enough to allow you to be out of his sight. Simply pretending to love him won’t be enough because he’ll see right through you. When he goes on his killing sprees, leaving you behind for once will be your chance and only chance to escape. You better protect yourself; he will find you.

Wit’s end: Would they ever hurt their darling?

No matter how much he cares about you, he will hurt your feelings at times, especially when he flirts with other women in front of you. When he’s extremely angry or has the itching need to kill something, you need to stay out of his way. He will lash out at you with hurtful words and potential bruises.

Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?

Demon Dean cares about you despite who he is, and he doesn’t like upsetting you. You’re not much fun with tears in your eyes. As a demon, you’re the only one that makes him feel things—feelings he used to hide within when he was human. Anyway, he would go to the ultimate length to win you over. He’s not going to beg on his knees for your love, but he’ll show you how much he worships you in his own way. You want him to kill someone and bring you their head? He'll do it.

Yearn: How long do they pine after their darling before they snap?

After Dean became a demon and left with Crowley, he didn’t take you with him at the time, no matter how much he wanted to. However, you’ve never left his thoughts, no matter how much he tried to drink your sweet voice away. You haunted him for months until he finally snapped and came after you.

Zenith: Would they ever break their darling?

If Dean was never cured or you never managed a way to escape from him, he’ll find a way to break you and make you depend solely on him. Make you finally see that he is the only thing that would kill to keep you safe. One way or another, he’ll make you fall for him.

Taglist: Comment to be added/removed!!

@prettywhenibleed @britany1997 @rottent33th @slaasherslut @huntressandlioness1 @wraith-posts @schizonephilim

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lxvvie · 4 months

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y'all, I made the mistake of revealing that I write fanfiction as a hobby, and when asked about the fandoms I write for, I broke it down as I know best: into cliques. I realize I might be shaking the table but it is what it is.

This is what I said for CoD (I've since add some more stuff):

You got the forever war between Gaz Nation and Gaz Deniers. May or may not be rooted in his attractiveness as a person of color, opinions vary (read: it most definitely is). Bonus points if the racism comes out in full force. DOUBLE/TRIPLE those points if it's expressed using butchered ass AAVE. 🥴

You got the Masked Men Lovers Brigade of which König, Ghost, and Keegan are the patron saints and arguably the holy trinity.

You got the Peepaw Price Lovers who absolutely adore his chonky cheeks, peepaw mannerisms, lumberjack body complete with the slutty waist, and relative long-suffering thanks to the shenanigans of the rest of the crew.

You got the Soap Suds who, I think, have found that relative balance between Johnny being a destructive-as-all-hell force to be reckoned with and the quintessential golden retriever boyfriend. His VA doesn't make it any better apparently lmao.

You got the Ghost lovers who've pretty much diversified him so he can run the gamut of Daddy Dom Extraordinaire™, Babygurl™, Sassy Simon™, and the list is endless. What IS consistent is that someone parked a dump truck on that ass and he has some big ole titties. There's also the subset of people who REALLY, REALLY love Ghost but also think his VA is ugly (which he isn't) while simultaneously thinking that he (Ghost) is supposed to be David Gandy levels of immaculate despite being in active combat. Make it make sense.

There's the Gravediggers who, for the most part, acknowledge their love-hate relationship with Graves and I think that is both hilarious and endearing.

You have the Kult of Köthulhu, König's devoted followers who have allowed him to transcend his gremlin nature to become the long-lost progeny of Cthulhu. Move the fuck over, Cthylla. I kid but he, like Ghost, has also been diversified in terms of his portrayal. And no, he's not a part of 141. Some followers of His Gremliness are also embroiled in a forever war with Gaz Nation so please be safe out there, y'all.

You got the Valeria girlies who want her to sit on their faces. I don't blame them. Please do.

You have the Los Vaqueros crew who need more love shown to them and Pony by Ginuwine is their official theme song thanks to Alejandro Thee Stallion. The less said about the butchered Spanish I've read in some fics, the better.

There's also the Farah Fanatics who rightfully adore her and deserve their flowers just like the rest of the cliques.

There's the Keller Kollective who, I think, tends to intersect with the Farah Fanatics. This lot also deserves their flowers because Keller is a sub absolutely underrated as a character. You'd also be forgiven for thinking he and Price are elated.

You also got the Horangi Horde who, just like Gaz Nation, will RISE TF UP. I think. Hopefully. lmao

And then there's the self-righteous crew who, for whatever reason, seem to think they're above it all and love to police writers on what they write and how they write the characters (we're talking in terms of rather innocuous subjects in the grand scheme of things; the sus shit absolutely needs to be and should be called out). Interestingly enough, this group also seems to forget that they're in the same damn boat by being in the fandom, consuming, and writing about the same characters. The ones who have all the energy but none of the courage even if they say or think they do. Bonus points if they also move like fans. Double/Triple those points if they, too, also use butchered-ass AAVE to make their points. 🥴

The girlies who can't separate fiction from reality and insist on harassing the VAs and their significant others and families because how DARE they have a regular degular life outside of *checks notes* their job. Baby, it was never gonna be you. It will never. be. you.

did I get them all? lmao

#2queued4u.#cod fandom #call of duty #call of duty modern warfare #call of duty modern warfare 3 #call of duty ghosts #call of duty modern warfare 2 #cod modern warfare #cod mw2 #cod mw3 #task force 141 #los vaqueros #kortac #it reads much better as a post because I sounded a hot mess and was flustered as I was explaining it but this was the gist of it lmao.

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yorshie · 11 months

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Bayverse Headcanons

Just some headcanons I keep in mind when I'm writing bayverse. Will probably come back and add more as I decide on them.

Leonardo

Height/weight: 6’2”, 670lbs

Theme song : Loyal by ODESZA

Ambidextrous but if he needs to punch someone he uses his right hand

Has a dry sense of humor, more little quips and witty one liners than anything planned

Turns into a bit of a caveman when you’re in danger. He catches you going someplace dangerous? Straight to turtle jail for 1000 years. You don’t wanna be picked up and carried to safety? Too bad, it’s happening

Is the King of small touches. A hand on your back, a nudge of his knuckles to get you moving. Mr. soft eyes and low voice when he wants to get his way

Still gets into arguments with Raph. Sometimes they still dissolve into fisticuffs.

References vines to the horror of his brothers (his fav is “road work ahead”)

No one will play Risk with him because even if he’s losing he somehow bleeds everyone dry

Has a gameboy with exactly one game, Harvest Moon: Friends of Mineral Town. All his animals have names like "Bob" or "Tilda"

can't cook, is banned from the kitchen, once set water on fire.

reads science fiction, fantasy and sagas a lot, though if you pay attention to his books the covers are sometimes swapped and it's almost always poetry or romances.

Not a big fan of PDA. Will give you a snoot boop or a chaste forehead kiss in public, but anything more is off limits. What’s that? You wanna snuggle? You better hope none of his brothers walk in because this turtle might panic and shove you off his lap in a snap decision instinct. You wanna go to his room? The scandal. What will everyone think? Fine, but he’ll ninja you in there. No one will know or see. Ninja silent. Except- Donnie will know. Donnie will see. Because he was sitting in the chair right next to you two and you both somehow forgot he was there.

Hogs the bed. And the covers. And the pillows. Basically if you want any bed commodity you better be prepared to snuggle

If you want him to watch tv that’s not sports it’s gotta be some older saga or classic that you actually have to pay attention to. Loves black and white martial arts movies. You once caught him hugging a pillow and watching Princess Mononoke with tears in his eyes.

Will just stare at the person who asked him to kill a little harmless spider before leaving the room

Donatello

Height/Weight: 6’8”/ 680lbs

Theme Song: Frequency by Tim Wolf

Left handed

Donnie is THE sarcastic little shit.

He realizes quickly that while Leo has softness, and Raph is filthy, he doesn’t need to stoop to theatrics to get what he wants. He just has to make eye contact, tilt his head, and tell you in a calm, plain voice what he desires, and it works.

Can’t keep his attention on one thing for a long period of time, or has to have multiple stimuli going on to keep focus. King of multitasking

The turtle most likely to curse

Can’t sleep without a nightlight and either music or a movie

Listens to filthy music when he’s working.

The others gang up on him during trivia night to give everyone else a chance

the adrenaline junkie

one time he got Leo's tea mixed up with his coffee and he spat the substance clear across the Lair.

can cook but it's kinda bland. Can't bake to save his life, despite arguing with every failed cake like it’s out to get him: “it’s science why won’t you work??!”

hasn't opened a real book since the invention of the internet. Has a library of hard drives with the subject matter clearly labeled in alphabetical order. Mikey doesn't know about it and thus it has stayed relatively in order.

Doesn’t use his bed much, so the upside is you always have room to stretch out. Bad news is, if you want this turtle to get any decent sleep, you have to figure out how to keep him trapped enough where he can’t move without waking you up. And he’s a ninja.

Donnie likes to watch informative things. Like how it’s made, or unsolved mysteries. His crack show though? Cryptid hunters. He’ll laugh himself silly over people trying to trap Bigfoot or corner Mothman

The one that kills spiders

Raphael

Height/Weight: 6’5”/ 720lbs

Theme Song: Don’t Get in My Way by Zack Hemsey

Right handed

Turtle has a MOUTH and he is not afraid to open it to to get what he wants. Absolutely filthy when he wants to be.

Will turn into a little melted turtle puddle if someone is sweet to him. Doesn’t really turn to butter over words, but actions will get him every time.

Watches crocodile hunter and golden girls when no one else is awake. Loves animal documentaries, and zoboomafoo

Rough around the edges when it comes to heartfelt affection or feelings. With seduction he’s smooth, but telling someone he genuinely cares for them? Good luck stringing two words together my dude.

Prefers silence or listening when hanging out with someone. He’s slow with his input, careful with what he says. You’re winning if you can make him laugh

in the kitchen he’s either making the most disgusting looking thing that tastes fucking amazing or he’s grilling. Doesn’t tell anyone he learned how to make bread watching Julia Childe.

If he's doing something dangerous or something stupid, the worse thing you could say is along the line of "Leo said-" like, congrats, you just made sure he's gonna do the thing everyone knows he shouldn't. Flip side, he's trying to talk you out of doing something? Just sigh and say "ok, guess I'll go ask Leo-" Boom. Thing is done. Is it healthy? no. Does it work? yes.

Is the most considerate when it comes to sleepy time. He’ll make sure you have your own pillow, own blankets. He sleeps on his stomach and doesn’t move much, and is large enough that you could sleep tucked under the lip of his shell without fear of being squashed

Not the one to call if you see a spider. He will scream

Michelangelo

Height/weight: 6’0”/ 640lbs

Theme Song: Handclap by Fitz and the Tantrums

Right handed but if he puts his mind to it he can use his left equally for everything but writing

Is legally obligated to use cheesy pick up lines, and is a Talker

Uses lollipops and hard candy to keep his focus, bit of an oral fixation

completely ruins heartfelt moments by getting sidetracked. Can be giving the mushiest compliments then in the next breath go "so you gonna eat that leftover cake in your fridge or nah?"

Changes nicknames for you on a semi-weekly basis just to keep you on your toes and to annoy his brothers

Prankster extraordinare

Can cook, but like the annoying ‘these are the worst ingredients to combine and somehow this tastes good and I'm going to sue you over telling me what's in this’

Is the best with understanding emotions and expressing himself. Yes, Leo might be better reading body language, but Mikey has empathy over why someone might react a certain way, not just 'if I do y then x happens'

Will push buttons to see how much he can bug someone

The one most likely to help you sneak out and get up to shit. Also the one most likely to get you two caught.

Makes up song lyrics when he doesn't know the actual words. Will change them to suit his needs, or how badly he wants to tick off his brothers. Not sure who would get the MOST annoyed by wrong lyrics on purpose, but you just know he has a different set fine tuned for each brother

His bed is basically a storage container for pillows and blankets. Which is good, because he is a serial cuddler, and if you need space to sleep you’ve got plenty of pillows to act as a body double if needs be

Loves soap operas, iron chef, diners drive-ins and dives. The more drama is in it, the more he eats it up. He and Raph bond over Golden Girls once the bigger brother realized he wasn’t going to get teased over it

Will pick up the spider to show you it’s not something to be scared of

#tmnt headcanons #tmnt bayverse #tmnt bayverse headcanons #bayverse leonardo #bayverse donatello #bayverse raphael #bayverse michelangelo #my writing snippets

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probablyhuntersmom · 1 year

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The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:

Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.

Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.

When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.

King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.

Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.

Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:

which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.

Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.

But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.

The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.

Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.

I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.

There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:

is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.

It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:

The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.

I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.

A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.

I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.

It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.

It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.

Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.

"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.

#I'm applying some of this to how I'm grieving the end of the show. our relationship with it has just changed..not ended #toh analysis #the owl house #luz noceda #king clawthorne #toh hunter #philip wittebane #caleb wittebane #manny noceda #papa titan #grief in The Owl House #loz writes a meta #death mention

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bananasfosterparent · 8 days

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The difference in AA is his soul being irreversibly gone. That is the point and this is what Larians writers have been hinting at and this is what irks people about AA. The oversexualisation and erasure of his trauma, effectively erasing him as a person. I know we're talking about a fictional character, but if we're gonna go off on the topic, saying something "doesn't matter" is just a cop-out. Astarion didn't need to be "fixed" to the point of emotional lobotomy.

I don't think it's wrong to like or prefer him, but I think it's valid to have opinion on the matter, much like you have yours.

I started to apologize for the length of this, but honestly, since you sent the message, I'm going to respond to every part of it. I'm not sorry for the rambling lol

"The difference in AA is his soul being irreversibly gone."

Okay, show me the quote/scene/dialog in-game where this canonly is said and confirmed? Where does it say the ritual will ever touch his soul or any part of the game talks about his literal soul?

And if by soul you mean the "lose who you are inside" as a metaphor, that's still a matter of opinion and not actually canonly what happens. Astarion is still himself. The "changes" in his personality are shifts to simply adjust to the company he is around. He's essentially code switching.

That is the point and this is what Larians writers have been hinting at and this is what irks people about AA.

Got it. So the point of Astarion's romance is for Larian to write a singular story that has one ending you're "supposed" to enjoy with a "morally good" conclusion, and one ending that's fun and sexy, but "supposed" to be a cautionary warning of how things "shouldn't go". Because that makes sense for a "choose your own adventure" game and that's why the romance stops with AA as soon as you ascend him, and he enslaves and compels your character and you can't continue the romance with him--OH WAIT.

The oversexualisation and erasure of his trauma, effectively erasing him as a person

"The oversexualization".... So you know my Tav's personal motivations and why she chose to ascend him? And you're confident you know I made the roleplay decisions I made because you know it centers entirely and solely around it being to sexualize him?

Interesting.

Because that couldn't be further from the truth. My Tav has an entire story for why she chose to ascend him and it has nothing to do with how sexy it makes him. And it was a story I came up with well before I knew about any of this "sexualization" concept. And as a player, I didn't ascend him because I wanted a sexy vampire. I went into his romance blind and had no idea what would happen when I did it. I ascended him because it narratively made sense for my character and their relationship. But even then, if I wanted a sexy vampire, why is that a bad thing? He's not real.

And I find it so ironic that a lot of spawn fans who are anti-AA only enjoy AA for the sexual parts of that ending. Yet, we're the ones "oversexualizing" him lol

As for "erasure of his trauma"... where do I even start? What does that even mean? lol I'm not gonna lie. You sound young or unaware, but believe it or not, in real life there is more than one way to deal with trauma. And dealing with it in a way you don't agree with doesn't erase the trauma or mean the person is pretending it never happened. Ascended Astarion very much addresses his trauma and exercises a different form of healing.

In a fantasy world, you can actually explore those other options and have the outcome work FOR you, even if it wouldn't in real life. Accepting your fate and trying to align yourself with "morally good" choices is certainly not a bad thing and one way to go. In real life, that's what I agree with, as a Christian and believer in Christ. But Faerun doesn't have a Jesus. They don't have the same real world ideas of morals. They have their own gods, their own history, their own moral perspective outside of our world. Bringing in (your perspective of) our real world morals is a valid way to roleplay, but it's not the "only correct" way to roleplay.

There is the route of overthrowing what was meant to control and destroy you, and taking control of it yourself. Taking what was meant to be against you and making it work for you instead. For me, that's what Astarion's ascension means.

A smaller example of this is if you give Astarion Gandrel's crossbrow to use.

This weapon was designed to work against vampire spawn. It allows for its user to possibly inflict Turn Undead on enemies and gives them advantage in a fight against monster types. And yet, Astarion can wield it and use it effectively. He can take what was created to hurt and destroy him and use it to work for him.

Ascension can be the exact same thing. It's not a matter of which opinion of ascension is morally right. It's a matter of which decision on ascension is right for your Tav and their story with Astarion.

...saying something "doesn't matter" is just a cop-out.

Can you show me where I said "something" "doesn't matter"? Cause it wasn't in any of my recent posts. Are you referring to one of my older ones?

Not only do I not know what part of what post you're referring to, BUT I also don't know what I was talking about, if I even said "something" doesn't matter. I don't know what that "something" is.

Astarion didn't need to be "fixed" to the point of emotional lobotomy.

I'm glad we agree on something. I've seen people claim ascension is "fixing" him (because it eliminates the negative traits of vampirism) and therefore it's weird to call anti-AA spawn fans "fixers". But the difference is trying to change(fix) his morals and view of the world to reflect a "good" worldview (the spawn ending) VS trying to change (fix) his circumstances and lack of control (helping his ascend).

AA fans do not want to change his personality or his mental/emotional state. We want to change his circumstances so that he has a place to be able to make those decisions on his own. And for most of us, Ascension provides that perspective.

Spawn fans want the same thing. But the approach is more to convince him from the inside out that he can make those decisions without ascension. And that's also true. But not more valid or the only way.

But his personality does not change in either ending. In one (spawn ending), he is able to find freedom in just being free of Cazedor and exist the way he always has with a newfound confidence and peace.

In another, he is able to find freedom in taking the helm himself, and holding all the cards to be the one on top. He finds confidence in having the power and being able to wield it, without fear of anything he's had to fear with the negatives of vampirism.

But in both, he is still the same person. He still gets joy out of the same things (killing people, having/causing/observing bloodshed, and causing some chaos), he still has the same personality. The difference is in his circumstances and how he presents himself.

I don't think it's wrong to like or prefer him, but I think it's valid to have opinion on the matter, much like you have yours.

You don't mean that. Because if you did, you wouldn't have a reason to send this anon message in the first place. You wouldn't care enough. It wouldn't matter. You wouldn't have this opinion. You would be able to see value in both endings and respect the positive perspective of ascension even if you don't understand it, without arguing headcanon points like "his soul is irreversibly gone".

Your entire message is literally you trying to tell me it's wrong to like him and that the opinion I have of him is invalid and wrong. I already respect your opinion on both sides of him. Because it's your right to how you roleplay and see him. If you respect mine, you're doing a really awful job at showing it.

Regardless, if that is your intention or not. That's what sending this message says. If you really want to say you respect AA fans for enjoying AA, then stop sending AA fans messages like this and either completely avoid AA and the fans or refrain from trying to argue against it. We can discuss it and not agree while also respecting each other's roleplay choices.

This is not a wrong vs right conversation. It's a "what's your preference?" conversation. Spawn vs Ascended should be like "what's your favorite Pokemon type?"

The sooner that is realized, the better off this fandom will be.

#anon #anon ask #ask #ascended astarion

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jinkieswouldyoulookatthis · 7 months

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Anti-destiel Wank (sorry but I have to)

If you hardcore ship Destiel, please just scroll on by. Please.

Ok, I'm gonna get myself in trouble, I'm sure, but I gotta get this off my chest...

Destiel may be a perfectly fine ship,

but,

IT'S JUST A SHIP.

In the actual context of the show there IS NO ROMANTIC OR SEXUAL TENSION/RELATIONSHIP BETWEEN DEAN AND CAS.*

Full fucking stop.

Subtext can be interpreted in ANY WAY YOU WANT. It is subjective. You will find whatever you look for in it. Please stop waving subtext interpretations around as if they were objective facts, they aren't. Subtext, by its very definition, relies on implied meaning and understanding, this means it is a subjective interpretation of the media that varies from viewer to viewer. The inherent variations are what make it fanon/headcanon instead of canon.

If you see tension of that sort there and it makes you happy to postulate the what if, then go ahead, that is what fanon and head canon and fan fiction is all about. But if the fact that the tension you think you see isn't being addressed in actual canon makes you grumpy, maybe you need to take some of the fanatic out of your fanning. If you are beginning to think the show creators are actively trying to repress Dean's "true sexuality and feelings" because they are evil, you might need to consider that you've dug in too deep.

Because, like I ship wincest. Yeah, I said it. But I am aware that canon doesn't actually include any level of sexual or romantic (in the modern sense) relationship between Sam and Dean. Wincest is not canon.

Now, are Sam and Dean the real "love" story of the show? Yes, yes they are. That has always been 100% the entire point of Supernatural, the great love story of two brothers struggling to save the world together. It's about family and everything that means, but at its heart, it is about Sam and Dean WInchester. Not all kisses and cuddles and sex kind of love, but love nonetheless. Full stop.

Now, the fact that Destiel is such a popular ship is not surprising to me in the least. Jensen and Misha are two gorgeous guys who share a lot of chemistry on screen and off. And, it is canon that Cas loves Dean. That has been evident since Lazarus Rising (4x01) when Cas was introduced. Castiel's love of Dean Winchester has been his character's main motivation all along and culminated with Cas sacrificing himself to save Dean, after telling him that he loved him in Despair (15x18)

But Dean's main motivation has always been to watch out for his brother. And though Castiel became Dean's best friend, he still comes second to Sam. Nothing against Cas, he just isn't Sam.

So why are so many people so absolutely convinced that Destiel is so real within the context of the story?

Well, I'm pretty sure that it is the same reason that they are so opposed to the idea of wincest.

As we all know, incest is bad, mmmkay? Incest is probably one of the biggest, strongest, cultural taboos we have. So it makes perfect sense that the idea of two blood-related brothers having sexual or romantic feelings for each other is considered icky. It's so off putting that it is a complete no go for even fantasizing about for most people. And that's probably a good thing, tbh, incest should be taboo. But where does that taboo spring from? Why is it so deeply off limits? There are several reasons, but the two main ones are:

That incest can lead to inbreeding.

That incest too often involves molestation or rape of children.

Both of these are seriously bad enough that we all pretty much collectively agree to avoid incestuous relationships. But, do either of these two reasons really apply in the case of Sam and Dean?

The short answer is no. Primarily this is because they are fictional characters that are being played by unrelated actors. But to humor the objectors we'll look at it closer.

We can take the first one right off the table. As two cis men, neither of them is capable of becoming pregnant, so outside of the mpreg (male pregnancy) or gender bending subsets of fanfic tropes, this is not applicable.

The second reason only becomes an issue when talking about the characters earlier in their lives, pre-show or flashbacks. Weecest or teencest, or whatever, are things, but these typically have separate ship names for a reason, because even when dealing with fictional characters this squicks a lot of folks who are otherwise down with the wincest ship. So most content is tagged or labeled as its specific flavor, so anyone can find it or avoid it. But wincest that involves adult Sam and Dean (the specific pairing I'm referring to in this post) doesn't apply to the second reason listed above.

So there really is nothing morally wrong with Sam and Dean having sex with each other. I know that statement is going to bother a whole lot of people, but it is true. Just because something is taboo does not automatically make it morally wrong. Being gay used to be taboo in our culture, and is still taboo for way too many people, even though there is nothing morally wrong with homosexuality.

Now, I wasn't in the fandom back at the beginning of the show, but I've heard tell that the very first Sam/Dean fic was posted just a few hours after the pilot episode aired. A few hours, that's all it took for some highly motivated fan to type out a story where they were more than just brothers. The story is called Reunion. If you watch the pilot, even with your anti-incest goggles on, the chemistry between Jared and Jensen is palpable throughout. There is a reason the show lasted for 15 years, and that reason is that Sam and Dean just work on screen so well together. So if it only took one episode for that ship to be born, what did all the future destiel shippers do? Well I imagine they felt somewhat uncomfortable for the first 60 episodes.

Flash forward to season four and the introduction of Castiel. Finally there was another male character for fans squicked by the notion of sweet, sweet brother loving to focus on! Cas was clearly fixated on Dean more than Sam, which followed the plot since Cas had been instructed to rescue Dean from Hell. As it would turn out, the brothers were destined to be the meatsuits that Michael and Lucifer wore to the big prize fight to determine the fate of the world. Prepping Sam for Lucifer involved him consuming demon blood, which made most of the angelic host view him as an abomination, a factor that Cas had to learn to get past in his relationship with the younger brother. But Dean was ready to go right out of the box, no assembly required for Michael. Castiel, and many of his angelic brethren, as well as a lot of Demons, seem to be drawn to Dean in a way that they just aren't drawn to Sam. Is this fair? Hell no. But I mean, look at him! Jensen has sexual tension with literally everything he comes in contact with, people, food, his car, the man oozes sexual attraction. Don't get me wrong, Jared is a sexy fucking ball of sunshine, and our Sammy is a damned attractive man, but he tends to be more repressed and less openly sexual than his brother, so it is what it is.

Where was I going with this? That's a good question. I got a bit distracted, sorry. Oh right...

At its root, destiel is a reactive projection. There is undeniable tension between characters in the show. Since all of the main cast are male, that tension is highly homoerotic. The two main characters, who are undeniably emotionally enmeshed and co-dependent with each other (a very well established canon fact btw), happen to be blood-related brothers. Oh no! Where is all that tension coming from since we cannot admit or accept that it's coming from them? Ah ha! Here is a new male character that we like, yes, it is obviously coming from his interactions with one of the brothers, even though he wasn't in the first 60 episodes. Yes, it all makes perfect sense now, all that tension was merely foreshadowing.

I've read through all the destiel subtext posts. I've gone back and watched all the scenes they reference multiple times with the express purpose of finding destiel. I'm telling you it is just a fanon ship. Which is 100% fine and good, ship that ship, just stop declaring it more canon than canon, because it's not.

And if you don't like fictional incest, cool, cool, you don't have to. But the underlying sexual tension existed in the first 60 episodes prior to Misha being cast on the show, so it was coming from somewhere. And it'd be cooler if you learned how to scroll past people shipping wincest, like I'm sure you do for all the other weirdass, squicky shit that people post all over the internet. But if it makes your heart beat a little faster to imagine that Dean and Cas have eyesex but that Dean and Sam don't, that's fine. I think it's delusional because neither ship is actually canon and both are 100% A-Ok in fanon, and honestly Jensen doesn't seem to be able to control his eyes, which is not something anyone should feel bad about (it's fucking marvelous) but you do you.

*Castiel does love Dean. He confessed as much, but Dean did not reciprocate. What I am referencing is a mutual romance or attraction, which does not exist.

#anti destiel #anti destihellers #anti hellers #wincest #canon vs fanon #fandom wank #destiel wank #I've been sitting on & adding to/refining this post since Feb 2018 time for it to see the light of day

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aulescev · 5 months

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Prisoner König x Nurse Reader

Soooo, I made a fanfiction where Monster!König is a prisoner, while the reader is a nurse at a maximum security prison. I'm so excited to share it with everyone, but also kinda anxious because I never really had someone read my works, let alone post a fanfiction I made (っ ̩̆╭╮ ̩̆)っ Anyway, here it is! Hope my writing will find a place in your heart somehow!

The Confinement, To you, the nurse who loves overstepping her boundaries, be careful and take this warning seriously, or else, the monster that lives under a man’s skin might devour you whole.

Nurse Reader x Prisoner König, hate to love trope.

!! Warning, this story contains: Dub-con/Non-con, Gore descriptions, Death, Poisoning, Manipulation, Obsession, Suicide, Possessive and Controlling tendencies, and Immorality. Heavily NSFW, minors DO NOT interact. Do inform me if I missed any.

!! Proceed at your own discretion

Disclaimer: I only have basic knowledge about prison, and what prison nurses are assigned to do inside its secured walls. The same thing goes for prisoners. Consider this a fictional work based in an alternative universe, only with the same countries, and stuff but with monsters + altered laws and rights to fit the story. So take this as it is, or shoo away. You can give me a few tips so I can take note of them, but please, be kind (｡ •́‿•̀｡ ) This is my first fan fiction, and story so yeah, expect a lot of errors + English isn’t my native language + I don’t speak German and only used a translator for this, so sorry in advance for the migraines my writing could cause you.

Chapter 01: The monster that lives under a killer’s skin.

Word Count: 3.9k

∆. 12:04:55PM of November 24, m. hallway of the prison.

You're a nurse at a maximum-security prison. Providing care for both the staff and prisoners, a right everyone equally has so even if you don't like the idea of aiding murderers, and people of such backgrounds, due to some reason, this is the only job opportunity you can take as of the moment.

Today's actually your first day, so naturally, you're shown around the workplace you now have to get yourself accustomed to.

"Most importantly, don't trust anyone other than the staff. These men are filthy, better not get your hands dirty, know what I mean?" Sir Wagner stated, the disgust in his tone is evident and it's enough to let you know how much he despises the criminals behind the bars of his prison.

Even though you would like to agree with the statement of the prison's head, you can't find it in you to despise the people in the prison as much as he does. You're a little too soft sometimes, and also of contradicting nature that makes you automatically take the opposite side of any argument even when it gains you nothing.

Sensing you won't reply— honestly, he doesn't really care if you'll reply or what, since he just wants to get this over with— the warden decided to conclude that conversation there.

"Do you have any questions?" He asked, a plain tone now as he speak, putting his hands deep inside his pocket.

"None, thank you for showing me around."

You replied in an equally plain tone, also wanting to get over it already like he does. He didn't take it personally, his years as the warden made him professional and collected most of the times. Plus, he understood your unenthusiastic nature at your new job, no one after all would be that happy to work in a prison where they keep high profile criminals.

"Well, that's great then. I'll have Benedikt here assist you while you get accustomed with your new work. Ask him when you need help, and if you have any questions." With a brief glance over to the man on his right, sir Wagner introduced the other guy that unnoticeably joined your group of two along the way.

Benedikt nodded at you when you looked at him, he's got an awkward smile forced on his face as he stretch his arms towards you for a handshake.

"Benedikt MacTavish, nice to meet you," He introduced himself, his hand hanging in the air as he wait for you to reach it.

MacTavish? Doesn’t sound like a local name. You’re glad for that, at least you’re not the only foreigner on your new workplace.

"I'm—"

"Yeah, I remember. Your surname's familiar though, Price, yeah? Are you perhaps related to a military captain?" He casually cuts off your introduction, seemingly eager to know something like he can't hold the question another second longer.

A little taken aback with how he outright talked over you, you were silent for a minute to process that fact and also his question.

"Ah, yes, right," you replied when things finally start sinking in your brain, "Well, he's actually my uncle. How come you know of him?"

Honestly, he's not related to you by blood. He's just your adoptive father's cousin, which makes him your foster uncle if that word even exists. But he doesn't need to know that much about you, what would he even do with the information if you told him?

"Ah, well, my cousin's actually the man's friend. John MacTavish? Soap? Does that ring any bells?"

"Oh, Johnny, yeah, I know the man. What a small world we live in," you smiled after hearing a familiar name, finding the coincidence a bit funny.

Finally, you took Benedikt's hand to shake it, forgetting for a moment that it's still waiting for your hand.

"Nice to meet you, Soap's cousin."

"Nice to meet you, Price's niece," he returned the introduction in the same humor, a genuine smile now plastered over his lips.

"I'll leave you two to it." Sir Wagner interfered and just left you two without another word, which is honestly weird but expected of a man his type.

"Phew, glad I found something common with you, or else it'll be hard to find an ice breaker activity," Benedikt sighed in relief after sir Wagner's finally gone from the scene, "Have you already went to the dorms? Found your room, and all?"

With a shake of your head to answer his question, you wordlessly replied no and looked at him, seeing what he'll say or do.

"Ah, alright, I can show you where it is, then we can start our rounds after. Is that alright with you?"

"Sure, thanks," You answered, your tone is a bit lively now compared to with sir Wagner earlier, since you're like a chameleon who adapts to whichever environment it's in.

You're blue when they're blue, pink when they're pink, red when they're red, and so on and so forth. A firm believer of do unto others what they've done to you. Karma? You rarely put your faith in that, you mostly take things to your hands and be the human version of the word revenge. It's not really cool, in fact, you kind of live harder because of it, but no way your ego would let go of your way of living.

Benedikt started walking, looking at his back every now and then to check if you're still following him as he quietly traversed the halls that should eventually lead to the dorms.

In the middle of your journey, you passed the center of the prison that connects all wings of the building, which means, each transported prisoner would also pass the center before getting to their assigned cell.

The tension in the central building was thick, the air is almost suffocating that it made you freeze on your spot as you try to find the cause of such unnatural atmosphere.

When your eyes landed on the now closing heavy door of the building, your gaze immediately fell to the tallest man in the middle of armed men.

He instantly caught your attention with his tall height, sticking like a sore thumb from the whole crowd.

"Benedikt, you know anything about that man?" You asked in a low voice, curious to find out who he could be, not even tearing your eyes away from the behemoth of a man.

"Ah, shit, today's his transfer, I totally forgot…" He muttered under his breath with a curse, "König, an ex-military guy. Would you believe that today's only his 8th day in prison? Like all prison days combined. He won't behave in any cell he's put in, forcing him to be transferred on new places every other day with how many crimes he commit on each one."

"What??" You uttered in disbelief, taken by a total surprise with the information.

"Yeah, I'm being totally honest right now. It's not normal that a criminal would be transferred from a normal prison to the maximum security because of misbehaving, but guess what? He's committed murder after murder in each base. That's what made him worthy of maximum security prison."

You can just try to press your lips in a thin line, an attempt to hide your disgust. Murderer… The vilest things to exist in this world. How can he live knowing the fact that he's ended a person's life? Oh, how much you loathe them.

You kept a scornful gaze towards his way, throwing daggers as if your stare alone could kill the guy. And of course, it's impossible that he wouldn't feel it, eventually staring back at you.

König, as Benedikt referred him, looked back at you straight in the eyes. Even though there were no holes in the sack that's put on over his face right now, you're certain that he turned his head just to identify who could be burning a hole on his head right now.

You feel like throwing up. Just the thought of breathing the same air as that of a murderer was enough to make you feel nauseous.

"Benedikt, let's go. Bring me to the dorms already." You said, almost pleading as the desperation to get out of his presence faintly showed.

∆. 06:39:07PM of the same day, nurses' office.

"So how was your first round?" Benedikt asked, giving you the canned sparkling water he opened just now.

"Horrible," you replied, taking the canned drink from his hand and downing it quickly.

The drink slid down your throat just like any other liquid, but it's a little painful because of the fact that it's carbonated. You just downed your drink, the bubbles popping on your throat and making you feel like it's burning your insides for a second.

Benedikt gave you a concerned look, but quickly masked it with a soft laugh, "Well, I cannot blame you… Working with criminals isn't exactly the most honorable thing out there. Plus we're understaffed, which makes the workload for each of us actually horrible."

"Yeah, right, that too," you grimaced, feeling more exhausted than how you usually do back when you were just working at the hospital, "I'm sorry Benedikt, my condolences goes to you. You're the most packed nurse here."

He chuckled, "Well, if you're sorry, take some of my patients?" He joked, which earned a laugh out of you.

Before you could even reply, there's suddenly a loud bang in the room and it wasn't a gun, it was the room's door being haphazardly thrown open by a panicking nurse who's also out of breath.

Jane, one of the nurse you've met today.

"Someone! Help! Vanessa! She's– she's wounded! Her eyes! Oh my, heavens, her eyes! We have to sedate König, where's the syringe?!" She started rummaging the room for a syringe and a drug that's supposed to put a person to a deep sleep.

Alerted, Benedikt and you stood up and helped her search for something. When Benedikt got his hand on the drug, he approached Jane and held her shoulders, trying to calm her down.

"Jane, calm down, I got it, but first, I need you to take a deep breath. You can't work with panicked nerves." He tried calling in some sense to her, but she won't calm down.

She started screaming, and started getting hysterical.

Jane, and Vanessa, you're pretty sure they got a thing with each other, maybe this is why she's acting inconsolable?

"Give me the syringe and the drug, I'll respond instead," You presented, preferred to sedate a monster rather than calming a stranger down.

Benedikt's got a better knowledge than you do, it’s better you leave them be than be left to console her with words you probably wouldn't mean. At least that's what you thought.

Benedikt pondered for a moment whether you're fit or not to handle the situation, but in the end, he decided to trust you, giving you the things after all, and also telling the number cell of König.

Rushing to the scene, with an emergency kit you grabbed in the office, you wasted no time and ran as fast as you could.

1245. Cell 1245, prisoner 190228. Must hurry up to cell 1245 before it's too late.

Eventually, you reached your destination, and unfortunately for your guts, you were met with a gore scene. There's an emptied syringe poked into one of Vanessa's eyeballs, one of her hands wrapped around the object in fear as she trembles, and cries.

There's also a whole puddle of blood under her, a lot on her white uniform, and mouth. Now that you observe her, she's also shedding tears of blood, her lips tainted red as blood continues to flow out of it.

What the fuck. This scene is fucking horrendous. What happened?

The guards are gathered around König, watchful of his steps, expectant and quite tense as they wait for him to make a move— ready to stop him from causing even more havoc. While he's not moving, König is watching Vanessa bleed on the floor with cold eyes which is honestly more frightening than him causing a scene.

He's fortunately not punching one guard after the other, so you doubt there was a need for sedating him.

Surveying the situation, you decided to change your plans of prioritizing the sedation of König, to aiding Vanessa first.

Without an inch of hesitation, you knelt in front of Vanessa, some blood soaking the edge of your white skirt. You placed the emergency kit beside you, opening it with haste until everything in the kit is visible.

"It's no use!" Vanessa cried, "The poison has–" she then frantically screamed, fumbling a few of her words as she started gagging from her own blood.

Before you could even touch her, she dropped dead on the floor. A sight that will be the reason of your nightmares for days, or weeks.

You were shaken down your core, blood suddenly cold, and heart beating extremely fast out of shock. You feel your body freeze, hands that were supposed to hold her now are hanging mid-air.

"I just saved her years in prison for murder," You heard a man's voice from behind you speak in a thick, and unexpectedly boyish accent.

You can't stop your brows from furrowing, and eyes show contempt at the mere sound of his voice, let alone his words.

"You are disgusting, a vile creature, don't you dare open that filthy mouth of yours." Unable to restrain yourself, you spit each word with venom as you slowly turn around to look at him furiously, "You are the murderer here. Don't confuse it now."

He does not speak. His eyes only staring at you through those 2 small holes on his makeshift mask.

Holding his equally piercing gaze, you stood your ground, rationality has left your body. You're acting on impulse, on your emotions, something a professional shouldn't do in this type of situation but damn, your ego is just some other kind of level. It will definitely put you on your place someday, but you thought that you should just worry about it when that time comes.

"Pathetic human. Too dumb to even think." He finally broke the silence, irritation in his voice.

Before you could even reply, he had already turned his back on you, walking back to his cell on his on will. The guards locked him up quickly after checking on him one last time.

The maximum security prison is totally different from a normal one. It's worse. Because everyone is sworn to confidentiality, no word really gets out on what's happening behind its high walls.

Prisoners in this place are like expendable pawns. The government uses them however they wish, and unsurprisingly, companies too. They have illegal control over some of the prisoners, depending on how much they paid the government for it.

Someone wants König dead, and you're not even surprised that he was already tried to be disposed of first day in. It could be a private company he used to work for, or maybe enemy, it could also be done for personal reasons. Signing up for a job here means you should expect those types of things, that's why you made sure to be adequately prepared over events like this happening during your shift.

If he was a normal person, you would've felt bad for the prejudice you have over him, but he's a convicted murderer– a serial killer at this point, so you believe that he doesn't deserve the benefit of doubt.

"A killer won't get my sympathy. That will be the last thing I'll ever do in this earth," You've uttered, anger never leaving your eyes as you sat still in your place.

∆ . 11:59:31PM of that day, staff dormitory.

With a gasp, you wake up from a shallow sleep, catching your breath as you try to recover from the nightmare you just had.

"Fuck, fuck, fuck," You cursed repeatedly, frustration and distraught are clearly heard in your voice.

Fortunately, you're the only one in your room, not a shared dorm or anything, or else your hypothetical roommate would've pegged you for a madman.

Why would it be about that now of all days? You said at the back of your mind, frustrated over the dream you just had.

Desperately, you tried to swallow that thought, along with the nightmare. Fortunately, before the memory gets too vivid, the alarm on your wristwatch goes off which pulled you out of the world you’re sucked in.

It's the alarm you set the first time you got it, 12:00AM. Midnight on the dot.

You sat down, trying to calm yourself.

Ah, right, your next shift is at 12:45AM which is just 45 minutes from now. With Vanessa gone, and Jane temporarily dismissed to rest, you had to take the extra shift and give up a few hours of your precious sleep.

That reminds you, have you checked up on König as you were supposed to? Even if you hate him, you still have to do your job.

Shit, now you got to fill his report before anyone even notice or ask for it.

Reluctantly, you got out of your bed and prepared to check in early for your shift, planning to stealthily take the prisoner's record to fill it up, hopefully while no one's around to harshly criticize your tardiness on your first day.

— &

You made it to 1245 cell without any road bumps, luckily. Now all that's left is actually checking up on König which you can just frown about. Before sticking the key in the hole, you took a deep breath and tried to at least look neutral—your working face.

Counting from 1 to 5 quietly at the back of your mind, you collected yourself at 3, steeled yourself at 4, and finally, pushed the iron door open at 5 without giving yourself enough time to hesitate and get cold feet.

This prison gives each prisoner a spacious place to live in almost comfort, with only one person per room. At least that's how they do it in this part of Austria. There are quite a lot of cells after all, so they're not shy on using all of them.

"I'm your nurse, I will be checking up on you so please, sit down." You said with a firm tone, putting the bag on the bedside table where all of the essentials for vital checking should be packed.

Each nurse on duty is required to use the same bag, for both safety, and precaution.

"Ärgerlich schädling," he muttered under his unusual breathy voice which set an alarm in you.

Now that you look at it, the back of his shirt is wet, and he's panting a little. Did you really mess up big time on your first day? Shit, now you have to fix this somehow.

"Prisoner 190228," you read the number assigned to him, printed on the sheet of paper you're holding one-handedly, "I said sit down. I can't check on you properly if you're positioned that way."

It was pathetic really. Your nerves are getting the best of you, and it's hinted on your voice.

“Will nicht,” he grumbled, unmoving and unbothered.

You never really stayed in Austria that long in the past. Only a year or two to finish the last 2 years of your nursing school but your university didn’t require you to speak German so you didn’t bother getting that deep into learning the language. You’re an entry-level speaker at best, but since it’s been years already, you’ve lost that ability and can only guess what he’s saying.

“You will, now hurry up and sit down so we can get this over with.”

“Ich sagte nein, verliere dich.”

“Yes, you will. And please, I would really appreciate it if you speak in English.”

You heard his tongue clicked at that, “Warum sollten sie überhaupt eine Ausländerin einstellen? Ich bin es verdammt leid, diese verdammte sprache zu sprechen!” He groaned, almost sounding like a teenager throwing a tantrum at his bed.

He sat down on his bed after that outburst, you don’t even need to peek under that mask of his to know he’s frowning in annoyance, his eyes alone says it all.

“Awfully late to check up on me now, yeah?” He asked, begrudgingly you think, but you decided not to give attention to it.

“Did the syringe grazed you? Was it injected on you? Or did it find other ways to get into your veins?”

“No.”

“Really?”

“It did not.”

“Are you certain?”

“I am fine, so get lost.” He snapped again, his voice starting to sound like his catching his breath again.

You thought he was grinding his teeth the whole conversation, and now it made sense. He’s holding something back, and it’s probably the pain from the poison, his tone only adds up as an evidence to that.

“You are not. You’re breathless, sweating, and,” your eyes looked all over him, trying to observe his posture, to find proofs to support your claim, “…You’re sweating buckets, and shaking.”

You bit your lips, an attempt to maintain your composure as you try to find a solution.

“I need to see your face, take that mask off,” without a warning, you reached for the edge of his mask— something that you later regretted doing so.

In an instant, he has put you under him, his gloved, big hand is wrapped around your neck while the other one is gripping your wrist that was once the closest to his mask earlier.

He’s fuming in anger, the heat coming off him is immense as if he’s a steam machine. Bodies wouldn’t act normally like this against poison, not this much heat while keeping a great vigor. His body feels so different… something you’ve never seen before.

“Touch my mask once more,” He seethed through gritted teeth, anger evident in his unblinking eyes, “Then I will have to devour you.” He threatened, his hot breath and heavy body touching your skin, “Stubborn maus. Get your ass out of here before it’s too late. I won’t take responsibility for your insanity.”

This marks the end of this chapter.

[A/N: Thank you for reading this far! I'm open to gentle criticisms because my heart can't handle harsh words hsdahfw. I'll try my best to take them positively though! Notice that there are timestamps (like ∆ . and — & with the former being a longer time skip, and the latter a matter of a few minutes difference from the latest indicated time), and locations during an event. I placed them there so there would be less confusion regarding the timeline and when a particular event happened:) I added translations in the last part to keep it realistic too. Like, you're meant to not understand him much whenever he speaks German so yeah. Still, if you're curious what they translate to, the translations will be just down this note. That's all, thank you again! (´｡ • ᵕ •｡ `) ♡]

CHAPTER 01 TRANSLATIONS:

[1]: Ärgerlich schädling, Annoying pest

[2]: Will nicht, [I] don’t want

[3]: Ich sagte nein, verliere dich, I said no, get lost

[4]: Warum sollten sie überhaupt eine Ausländerin einstellen? Ich bin es verdammt leid, diese verdammte sprache zu sprechen, Why should they hire a fucking foreigner at all? I’m fucking tired of speaking that damn language

[5]: Maus, Mouse

#yandere konig #monster fucker #fanfic #prisoner konig #nurse reader #female reader #monster!konig #konig x reader #konig cod #konig call of duty #konig mw2 #cod #konig

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ride-thedragon · 6 days

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To say something on the topic, it's one thing to not like the Daemon and Nettles romantic relationship plotline. You have every right. It's another thing, however, to reduce Nettles to that plot line and want to take away her entire narrative arc and give it to someone else or remove it (that doesn't make sense).

Daemon is not her father. You know why?

Because Nettles is most likely not Valyrian and Daemon was in the Stepstones at that time.

Daemon is also not her father because she's an adult who's lived alone her entire life. She doesn't need one.

Nettles isn't Rhaena, Baela or a COTF. You know why?

Because she simply isn't. There is not one inclination in the books that she is and in the show the only reason it's popular in the fandom is because you think black character are interchangeable and don't value their stories as individuals. Rhaena is already set up as the dragon rider she is in the books. Baela is already fighting. The five white children of Rhaenyra are never interchanged, but these three girls (one with no relation) are?

That doesn't make sense.

Daemon and Nettles were most likely romantic or sexual. You know why?

Because Daemon has a repeated pattern of behaviour. Something he repeats with Rhaenyra, Mysaria, and Nettles (even Laena to an extent)

Because Daemon is a weird man, and it's Westeros where weird men thrive. One of the arguments with her is literally that she isn't as young as the girls he slept with before. His morality isn't up for question.

Daemon would because she's a young dragonrider.

Nettles isn't going to be written out. You know why?

She's important to the narrative. One of George's favourite characters that he parallels with Daenerys, lives on past Daemon and exists before him, is one of the most anticipated adaptations and is the question in the narrative of Targaryens and their control over dragons.

I'm not going to argue on these points or even push them anymore. At this point, if it hasn't stuck, you're writing fanon and want it to be canon. I'm not gonna deter you all. Just leave her alone and write fan fiction. Or at least pretend to care about her outside of him.

#hotd #house of the dragon #nettles #nettles asoiaf #netty #a song of ice and fire #daemon targaryen #daemon x nettles #daemon x rhaenyra #because they have a huge part to play in this #not rhaenyra though #i love my problematic fave #i just dont like yall #nettles discourse

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howtofightwrite · 4 months

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this scenario happened on Twenty-Four and they didnt really account for the long term damage -evelynmlewis

"No long term consequences" could have been the tagline for 24. I mean, we are talking about the show where terrorists detonated a nuclear weapon in Los Angeles, and a few hours later people were going about their daily lives like nothing had happened. But, I think I remember what you're talking about, and it was a small symptom of a much larger problem.

Two important caveats: I haven't watched season 3 in roughly 20 years, so I might be slightly misremembering when things happen. Second, IMDB's trivia page doesn't have any mentions of what I'm about to say, so it's entirely possible this was a fiction cooked up by someone on TV Tropes.

The short version was that Chase (James Badge Dale) was captured and was being tortured by a Mexican cartel. (Because no synopsis of 24 is complete without gratuitous torture sequences.) And, at one point, one of the cartel members shoots him through the hand. The problem is that Chase was originally planned to be killed off right at the beginning of the next episode.

However, going into season 3, the show runners had, supposedly, gotten into a bad habit of watching fansites, and started tweaking things on the fly, when fans accurately predicted the outcomes of upcoming plot twists. This included keeping Chase alive, when the original plan was to kill him off, and also killing off Chappelle (Paul Schulze), later in the season.

So, I mentioned that the plans for Chase's execution being changed are a bit dubious, that's not true with Chappelle, and there's a couple major things to pick up on here. First is that we have confirmation from Paul Schulze that the original plan was to fake his character's death. (This came out of an interview Schulze did, though I'm not sure with whom.) The second is a production cue from the way the show was produced. By season 3, the show was being shot in two episode blocks, (so, for example, Day 3: 1:00 p.m. – Day 3: 2:00 p.m., and Day 3: 2:00 p.m. – Day 3: 3:00 p.m. were shot at the same time. Also, yeah, the official episode titles are a bit unwieldy.) In the case of Chappelle's death, it came at right before 7am (which would have been part of the shooting block for 5am to 7am.) However, Chase's death would have been right after 9pm. (Which would have been part of the 9pm to 11pm block.) This would mean that the production would have needed to bring James Badge Dale back in for what would have amounted to a glorified cameo, if they were originally planning to kill off his character. Once you're aware of the way that episodes were shot, the pacing of the series gets a lot more predictable. Significant characters (even short term ones) tend to get introduced in the front half of a block, and killed off in the back half. Not necessarily the same block, but the structure tends to hold up. Especially when the show plays with the idea of someone dying during the episode cliffhanger.)

So, where am I going with this? Don't mess with your story to keep your audience off-balance. Your first concern is keeping your story coherent, if members of your audience manage to accurately predict what you're doing, good. They're invested enough in the story that you're telling to care about what you're going to do next. These are the last people you want to mess with. And if their prediction is correct, when it does play out, that's a reward for them.

Don't follow the example of 24(especially in season 3), where the overarching plot degenerates into an incoherent mess, because it keeps getting revised, on the fly, to keep things surprising. A well written thriller shouldn't be predictable, but it should have internal consistency so when the unexpected happens, it makes sense. A second viewing (or reading) of a thriller, should provide more satisfaction, as you can now see all the pieces getting dropped into place, long before they pay off. But, again, when you're writing in a serial format, if you start flipping things around to keep ahead of what your audience is predicting, that will ruin the cohesion of your story. (And, it's why I haven't watched Season 3 since shortly after it released on DVD. When I did go back and rewatch the first two years of the show.) While it's a bit uneven, it is something the first season of 24handled remarkably well, especially in comparison to what came later.

There's a couple advantages to writing in a serialized format. If you're unfamiliar with the term, serialized fiction refers when a piece of fiction is released in multiple parts over time. This is somewhat distinct from episodic series and metaplots. Episodic series tell multiple self contained stories, while metaplots refer to an overarching storyline that hooks into episodic stories granting them a larger context. Serials are smaller parts of a larger whole. The individual pieces (or, in the case of television, the episodes) are segmented portions of a larger story. Now, I said there are advantages to serialized writing, but almost all of those come with some significant perils, that if you're wanting to

The first advantage is you don't have to have the work completed before you start putting it out there. If you have a completed chapter, you can simply post it out there for the world to see. The peril is that you can't (really) go back and change it. You're committed to the previously released material. Even if you go back and revise the earlier work, you'll have a significant portion of your audience who don't want to go back and reread chapter 3, because you cleaned up the dialog, and also closed a plot hole that would emerge years later.

The second advantage is that serials can easily deliver much larger stories than you could offer in another format. For example, each season of 24 tells a single twenty-four hour story (actually, about 18 hours, once you account for commercial breaks.) Just putting that scope in front of someone is kind of wild. The peril is that serialized stories can easily spiral out of control. For example, nearly every webcomic ever, with an ongoing plot. This can result in some insane bloat. So you can either accept the content in medias res, or you can be looking at an unpleasant amount of homework. Whatever praise 24 deserves, the show asks you for an entire day of your life to watch a single story. When put in those terms, frankly, it's not that good.

The third advantage is that you can adjust your later work to better fit what your audience responds well to. If your fans like something you're doing, you can expand that part of your story. This time, there's multiple perils. First, you can easily lose track of how your original plan fit together. This is less of an issue if you're running with a fairly loose outline, but the better scripted your original plan, the more this can inadvertently screw you over. And, as I mentioned above, with the first peril, you can easily trap yourself. For an example I'm not completely conversant in, this might be what's delayed the final Game of Thrones book, as Martin may have accidentally killed off a character he needed, and now he's spent years working out a Plan B. The second peril is a little simpler, sometimes fans are reacting to what you didn't say, rather than what you did. Peripheral characters or concepts can prove to be fan favorites because the hints you provided along the way were more enticing than the full background you had in mind. This is a very subjective risk, because ultimately, it is more about accurately gauging what your audience reacted to rather than what they said they reacted to. That's a tricky one to split.

The fourth advantage to serialized writing is, almost, more a peril disguised as an advantage: You don't have to know how this will end, when you start. You can go on the same journey as your reader. The real advantage is that it can make the story more approachable. If you look at the idea of writing an entire novel, and the scope of that scares you, then smaller serialized novellas are a lot less threatening. However, this also means you don't have a plan to finish this. Much your characters, you're going to need to figure it out on your feet. If that sounds like a fun challenge, then that's absolutely something to drop into the “Pros” column. The downside is, I've seen professionals screw this up, and worse, get it past their editor. (In this case, I'm thinking specifically of Transmetropolitan. If you know, you know; if you don't, it's a massive spoiler for the end of the series.)

I will say, on this last peril, having good documentation, and a good project bible can save your ass. Don't trust your memory to keep all the (figurative) plates spinning. Take notes on what you're doing in another document, so that in the future you'll have easy reference to try to avoid accidentally creating temporal paradoxes as you try to sketch out your conclusion.

Also, yeah, if you're going to shoot someone in the hand, even if it's with a .22, don't change your mind about killing them 20 minutes later. James Badge Dale was cool, but, dude had nothing to do but chew scenery for fifteen hours.

-Starke

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#writing reference #writing advice #writing tips #how to fight write #starke answers #24 #serialized fiction

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