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#it's a lot to do with my own familial trauma obviously
rotisseries · 8 months
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‘he is haunted by the specter of the women who came before him’ rin girl trauma is genuinely so good do you want to explain your thoughts
YESSSS!! this got long lmao
ok so some obvious things straight up. he's azula, he's lady macbeth, (which. very interesting because these women could easily be considered masculine figures in their stories but tbh villainy in media always includes some level of the character acting in ways incongruent with expectations of their gender.) he's reaching for a goal that is unachievable and he's losing everything in pursuit of it and when he realizes he's done it all for nothing he loses his mind entirely. out damned spot out
he's not a physically strong or imposing character, he's sly and cunning, traits often given to female villains, also his weapon choice, I said this to hella in an ask gathering cobwebs rn but he uses poison!! poison is his weapon and poison is a woman's weapon, all the way back to like, medea. I actually found this really interesting thing real quick just by taking a quick google search for poison as a woman's weapon:
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it's a weapon of intelligence and elegance, it doesn't leave a mess, it's for a death that's clean and pretty (also so often the reality of death by poison is a brutal and choking one, which. ughhh you get me) however women also die more by poison, which is interesting but idrk where to go with that. also in general it's a weapon of betrayal and intimacy of COURSE it would be rin's weapon.
anyway girl trauma time. ok so admittedly some of it is just vibes like I was just sitting around like "hmm the specific way rin is impacted by kiva and lugalia and how he handles it FEELS very Girl Trauma™️" which is obviously not a very academic way of discussing that. and like obviously trauma and trauma responses are not exclusively linked to your gender but he doesn’t feel like a man with mommy issues he feels like a woman with mommy issues you know? he's full of grief, not hatred. also this is coming from me who does not have eldest daughter syndrome and does not know a man with visible mommy issues so. take it with a grain of salt.
anyway he's a middle son who acts like an eldest daughter and I don't just throw that around because I kinda don't love when people say "this man has eldest daughter syndrome" when they just mean parentified like you can just say parentified it isn't always eldest daughter syndrome but rin HAS eldest daughter syndrome and I actually feel like that's a bigger deal here because he's NOT really being parentified like kiva actually does very well with parenting drako so rin doesn't need to step in or anything. no, rin is an eldest daughter because he has to be uniquely aware of kiva's mental state in a way drako just. isn't. drako knows lugalia was awful obviously and that kiva hates her for good reason but drako doesn't really seem aware that it's made kiva. not the perfect mom. rin is bearing the brunt of it all, he doesn't know about lilla obviously but he has to sit with the knowledge that something is holding kiva back from him, he can tell. he's also being permanently held to this standard he'll never meet.
a firstborn in general but especially a firstborn daughter is supposed to be your perfect example, the child always going above and beyond meeting your every expectation which lugalia does to him in the most obvious sense but kiva is also holding him to a standard he can't meet. she's holding him up next to lilla. obviously she's not hoping to replace lilla with him in fact it's the exact opposite but the fact he ISN'T truly her firstborn he CAN'T truly be lilla is something that keeps kiva from loving him properly. he isn't lilla he can't bring back lilla he will never be lilla he will never be kiva's firstborn daughter and the impossibility of this standard is HAUNTING THEM BOTH. very interesting that being the middle child gave him eldest daughter syndrome btw lmao. (also I saw this tiktok (<- bad start) that I sent a screenshot of to hella in ANOTHER ask that's gathering cobwebs but supposedly older children coming out of their mothers leave dna behind in the womb that becomes a part of the next kid can we TALK about the rin+lilla and drako+rin implications of that???)
and then the way he HANDLES his issues. he doesn’t really blame kiva OR lugalia he doesn't even seem fully acknowledging that they've done him wrong he just keeps reaching for these standards he'll never be able to meet. if he can just be the perfect heir he will no longer feel the ghost of lugalia digging her fingers into his shoulder if he can just be the perfect son kiva will love him wholly but this isn't true and it's not his fault but he won't see that because if something isn't wrong with him then it means something was wrong with the women who raised him and if something is wrong with them he's spent his life reaching for something he can't have and if he's spent his life reaching for something he can't have then where does he even go from there? how do you move on? it's all been futile? unacceptable.
so he tries to meet the standards he's being held to. and he's haunted by the women before him. he's haunted by lilla, occupying a space in his mother's heart that he can never have. he's haunted by kiva, her gentleness standing in contrast to his learned pragmatism, her feeling like she's looking into a portait of her mother, horrified at his every action, when he does it all for her anyway. he's haunted by lugalia, crafting him in her image, the perfect heir, hiding everything under a calm and icy exterior. he's haunted by hammari, reaching higher and higher for an impossible goal, wanting, needing, to be good, to be loved, committing greater and greater sins in pursuit of it, until it's gone out of control, and it's too late to quit, because if you quit, what was it all for? you lost everything, and for nothing. and at the end of it all, with a knife in his hand and hair scattered around him, he's once again haunted by lilla, who was the perfect daughter he could never be, without even trying.
he is forever living in the shadows of the women from before him he is constantly shaping and reshaping himself to try and fit to their place in the puzzle he was sculpted in their image and now he continues to sculpt himself and he will NEVER BE FREE of his sister and his mother and her mother and her mother and yeah I just think that's very girl trauma of him
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yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶
i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)
have a good day!! sparkle on!!! ✨💖
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i heart mithan... i think that they can be so cute...
i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned
mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭
i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔
i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends
i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about
people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled
in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol
the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭
its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭
mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)
i get a lot a trouble for saying this, but mia is a selfish person.
its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!
she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!
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she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"
she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)
she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.
he got involved because she was involved. its honestly a series of really really unfortunate events.
THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.
she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7
but again, those are the consequences of HER actions
her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭
their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"
its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!
you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)
everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.
obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.
the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"
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she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!
just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.
im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!
im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.
i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!
i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process
talking about them is just a pain in the butt because talking about mia is a pain in the butt lol
i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭
its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.
all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.
i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.
also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!
thank u for the ask! sorry for the long response!
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kybercrystals94 · 2 months
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Just a few things in Season 3 Episode 5 that I can’t stop thinking about…
[spoilers below cut]
The way Crosshair treats Omega like a peer.
This is so different from the way Wrecker, Echo, Tech, but specifically Hunter, ever treated Omega. To them, she’s still the little girl they rescued off Kamino. They know they’ve trained her to be capable; however, it is hard to separate their guileless little sister from the little warrior she’s become both with their squad and during her captivity on Tantiss.
Crosshair never knew or cared about little Omega, the child who’d never seen dirt before.
He’s only ever known and cared about this Omega. The Omega that insisted on building a relationship with him in spite of his trying to push her away for her own good. The Omega who refused to leave him behind at risk to herself. The Omega who can hold her own alongside him during a firefight. The Omega who can fly ships, bribe, and swindle. Crosshair has only known this Omega. Why would he treat her as anything but capable? He will absolutely protect her and have her back, but he will not doubt her abilities.
That’s not to say that the others doubt her abilities. I think they absolutely know what Omega is capable of, but that innate desire to protect the little thing she was has not dissolved just because Omega has grown…which is so true of real life. It’s authentic, and it's difficult and messy. And I love that the show is tackling this.
I also love that Crosshair knows this too. “Don’t hold it against him. He’s only worried about you,” he gently advises.
Which leads me into how I viewed Hunter’s behavior in Episode 5…
He doesn’t trust Crosshair. Why would he? The last time they interacted, Crosshair tried to force them to join the Empire of his own volition. He tried to have Omega forcibly removed from their protection. He chose the Empire over them. And then, they find out that Crosshair became a prisoner of the Empire, and their attempt to rescue Crosshair from his own choices resulted in Tech’s death and Omega’s capture. On top of that, what exactly did Crosshair do to get on the Empire’s bad side? Hunter doesn’t know. And Crosshair isn’t volunteering the information.
I also saw a bit of jealousy on Hunter’s part (although he probably doesn’t recognize it). While we as viewers know that Omega is trying to support Crosshair with his emotional and physical trauma, as well as getting him to communicate with Hunter and Wrecker. On the outside, Omega and Crosshair are almost inseparable, Omega seeking out Crosshair’s companionship (the brother that initiated a lot of the Batch’s heartbreak) rather than the brothers who have taken care of her all along. Gotta admit, I’d be pretty hurt by that too. Again, not at all Omega’s intent or fault that he feels this way, but it would be confusing and hurtful nonetheless.
Crosshair also senses this jealousy. (“Oh, don’t pretend like this is all about me…You’re angry because she escaped with my help, not yours.”) What Hunter doesn’t know is that Crosshair has supported Omega and Hunter’s relationship, not undermined it.
I really appreciated how Crosshair - while hurt by Hunter’s mistrust - does his best to prove himself trustworthy again (although hidden behind typical Crosshair snark). He’s broken his brothers’ trust, and he knows it has to be earned back.
Wrecker runs to hug Hunter and Crosshair after they make it back safely.
Wrecker is the only one of the Batch (besides Crosshair, obviously) who has been on both sides of the chip. He understands Hunter’s perspective and trepidation towards Crosshair; however, he also understands the guilt and fear that comes after being under the chip’s influence and nearly killing your family. While he was also confused and hurt by Crosshiar’s actions after the chip, Wrecker trusts Omega’s judgment. If Omega feels that Crosshair has changed, then Wrecker is not going to question it.
But he’s not going to pressure Hunter to the same conclusion, and he’s been Hunter’s support system for so long–and obviously, Crosshair already has a support system in Omega. Wrecker is going to let Hunter take the time he needs to trust Crosshair on his own terms…and I love that!
I felt that when Wrecker saw them coming back, he could tell they had worked out some of their hard feelings toward one another…and he was thrilled! That hug was more than just happy they made it back safe from facing a monster, but that they are on the path to making amends. Their family is healing. Not healed. There’s still hurts and wounds to work through, but healing.
And the way he embraces his two sullen brothers, smooshing them together so that they are also hugging each other by association…made me smile so big!
The way Echo acts as mediator between Hunter and Crosshair. (Also…ECHO FINALLY SHOWS UP!!)
Omega and Wrecker have been struggling trying to support both brothers while they work through their issues, and then there’s Echo saying, “You can kill each other later…focus!” Echo gets it. He knows they need to work things out on their own terms, in their own time. But first…mission!
Also, I loved how civilly he treats Crosshair when they meet again. Crosshair is 100% ready to receive a negative reaction, and when Echo simply snarks back at him like the good ol’ days, Crosshair is visibly surprised. Even Omega looks happy to see the positive interaction.
When Omega expresses how she wishes she could have done more for the other clones on Tantiss, Echo tells her she did the right thing escaping and getting the information she could to him and Rex…he is such a good and encouraging older brother! I love him!
Special mention goes to Crosshair and Batcher being buddies! The way Crosshair pats and pets her when Batcher comes up to him after they rescue Hunter out of the snow. And then Batcher plops down beside him and Crosshair keeps petting her. My little heart!
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insanelyadd · 9 months
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#LetSansRest Day!
Hello everyone and welcome to year two of Let Sans Rest Day! Same as last year it's August 9th.
Before we get into some prompts, a little bit of a mission statement. Last year I said this day was for everyone who's a fan of Sans Undertale or anyone who's tired of every image they see of him being him Suffering. This is still true, but I do want to additionally address something I saw a few different people mention.
I have actually received criticism for daring to suggest that Sans not be tormented to the point of insanity, and that this day where I implore people to make realities where Sans doesn't become a creepypasta insane murderer man from the agony he is subjected to, isn't a stand against ableism like Let Papyrus Say Fuck Day is. *stares in bipolar psychosis and PTSD directly into your eyes* Obviously that's a load of shit, and even though Sans is more popular than Papyrus (I say, as a Papyrus Enjoyer) a lot of the content around Sans is very specifically about him suffering. So simply out of spite for these comments (including someone who saw last year's announcement and directly commented "No <3" on the post) I will be continuing this holiday indefinitely, just like LetPapyrusSayFuck Day. Die mad about it.
Just like how I have ADHD and relate to Papyrus and see the way the fandom treats him as the infantilization of neurodivergency like autism and ADHD, I can look at works in this fandom of Sans that demonize traits of mental illness like trauma, hallucinations, delusions, and mania. And I can say these are both bad actually. Not going to call anyone a bad person for engaging in these things, of course, that would be a bit goofy of me, I'm just saying the imagery used for these things is Very Loaded and a lot of people are mishandling them.
So anyways August 9th is the day we let Sans Undertale out of his Torment Nexus so he can:
Have lemonade at the beach or pool
Go stargazing while camping out in the woods with friends and family
Get smothered in cute baby kittens and puppies
Go to therapy and play with one of those magnetic sculptures all therapists seem to own
Take a nap on an inner-tube on a lazy river
Get to see the leaves change color for the first time
Play basketball with Papyrus
Fall asleep in a basket of freshly dried clothes
Go to a public greenhouse to look at all the different flowers on the surface
Perform stand-up for humans who all love his terrible puns
Please tag the post with #LetSansRest, #Sans, and #undertale as well as any other applicable tags for characters, relationships, etc. This day is primarily for classic Sans but it's not like I can stop you from drawing Fell Sans not being subjected to his own, personal, goth-themed Torment Nexus.
This is meant to be a day for everyone who wants Sans Undertale to go to therapy and feel better. People who want to put him in a hamster cage with plenty of things to prank for enrichment. People who want to win him one of those massive stuffed animals at the county fair.
If you want to participate please be mindful of some things:
I will be monitoring the tag to reblog things! I have ptsd and would appreciate if ships involving Papyrus or Frisk (and similar) with Sans are avoided. This is simply for my mental health and I greatly appreciate it. <3
Do Not post angst to the #LetSansRest tag. It is meant to be an angst free tag for him.
Don't worry if you can't participate on the exact day! Just like with #LetPapyrusSayFuck Day you can use the tag and post to it any day! :>
Hope you're able to participate and have fun! <3
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livwritesstuff · 2 months
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I've had a consistent thought in my head of the girls learning more about the upside down.
Like they know a bit: uncle Dustin still lives in Hawkins doing research on something, they've seen their dads and they know about the scars and their disabilities. They know something happened to their entire family and they know there was an earthquake that wasn't really an earthquake. But they've never learned more than that and they'll never know the details as long as Steve and Eddie have a say.
But at some point, each of them realizes that the monster hunter jokes that their dads make aren't really jokes.
In general, I think Steve and Eddie’s sentiment surrounding how they address the not-so-pleasant aspects of their past with their daughters is that they won’t lie (because that’ll only come back to bite them in the ass later), but they’re also only going to tell them as much of the truth as they literally need to.
Not that Moe knows any of this.
All Moe really knows is that her dads went through some scary-ass shit when they were her age and they don’t really talk about it.
Still, Moe has eyes. Maybe she didn’t realize it when she was little, but even just the sheer amount of scar tissue her dads have isn’t exactly normal. When she asks where they got them, though, all they ever say is that a monster tried to eat them.
Moe also knows that the reason Pop doesn’t usually join them on shopping trips at the mall is because they can trigger bad migraines, and she knows the reason he gets migraines in the first place is that he’d taken too many hits to the head in too short a time, but when she asks how he’d gotten a concussion and then a TBI and then two more concussions in the span of four years he always just says something like picked a fight with the wrong Russian spy, or something like that.
And it’s public knowledge that Dad was accused of murder when he was in high school and nearly died before the charges got dropped, but when she asks about what happened, he gives her some spiel about curses and demons and portals to alternate dimensions and monsters (again, with the monsters).
They’re kidding, Moe knows. They’re giving obviously fake answers because…well, for a lot of reasons, she can imagine– not wanting to relive whatever actually happened, not wanting to put their own trauma onto Moe and her sisters.
Honestly, Moe doesn’t really even bother asking about it anymore because they clearly don’t want to talk about it, and if it really was that bad, she can’t even blame them. Besides, she’s pretty sure that dads are supposed to be total mysteries to their kids, so…whatever.
The story of what happened in Hawkins, Indiana starts to gain some public attention again while Moe is in high school – one of those true crime conspiracy theory-type stories people make Reddit threads and YouTube videos about, and apparently (because Moe has no interest, but Robbie likes that kind of stuff) Dad almost always comes up in them, Pop sometimes.
Around that time is when Moe’s dads start to get all kinds of media requests – not that Pop had any idea. He’s basically chronically offline, so no one is really able to track him down other than finding his work email on Psychology Today, but he’s got filters set up to send that shit to spam so he doesn’t even have to see it. Dad, on the other hand, is (supposedly) well-known for his books or whatever, so he doesn’t have the same kind of anonymity. He got all sorts of calls and emails from people wanting his first-hand account, but he always refused to participate, told them to lose his number and never contact him or his family ever again.
That’s the kind of thing that really rattled Pop – Moe didn’t like that. He’s kind of an immovable object in that way, so seeing him rattled just seemed wrong.
They’d even needed to threaten legal action against one online tabloid who just wouldn’t leave them alone – not that Moe is supposed to know about that, but she’d eavesdropped on a phone call between her dads and Uncle Dustin, who seems to exist as a central point in it all even if Moe doesn’t know why (maybe it has something to do with how her dads always complaining about how he still works for that lab, whatever that means).
“Are you ever gonna tell us what really happened?” Moe asks one day, when it’s just her and Pop in the car on their way home from a basketball tournament in Connecticut.
He sighed, not taking his eyes off the road.
“Hon, can I ask you to stop and consider that maybe we have been?”
And for her dad’s sake, she does, she makes herself run through the mental log of all the lore or whatever she’s unlocked over the years.
Monsters, Russian spies, superpowers, demon-animals, curses, portals to alternate realities, government corruption, evil scientists.
Bullshit, she’d always thought, but…her dad had never bullshitted her before. Why would he choose to start with this?
Moe looked back at him, some kind of question on the tip of her tongue even though she had no idea what to ask, and this time, Pop spared a glance back.
“I’m not telling you everything,” he warned her as he looked back at the highway stretching out endlessly ahead of them, and Moe tried to keep any signs of disappointment off her face, “But I’ll tell you some.”
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wilcze-kudly · 7 months
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The Gaang being 'bad parents' didn't ruin their characters.
I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.
Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.
Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.
I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.
Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)
Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?
There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.
Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.
Like, do you know how easy it is to fuck up a child?
Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.
Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.
And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.
I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.
Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)
TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.
Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.
But just loving your children doesn't always make you a good parent.
I think these flaws only add to them as characters. It makes them feel more real.
It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'
The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.
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suzukiblu · 2 months
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Some assorted Smallville headcanons from some of my assorted WIPs for Plot Bunny. They did not specify which WIP they preferred, so I just picked a bunch of different ones and went from there! 
Smallville does not approve of Clark Kent’s parenting style: Smallville is a tight-knit, proud little community where everyone looks out for each other that is full of people who want to continue living in a tight-knit, proud little community where everyone looks out for each other. The population at large still considers Clark one of their temporarily-displaced own and were therefore very willing to pretend to believe the “cousin” story when “Conner” showed up–right up until they found out it was NOT a story meant to help Clark’s displaced kid he’d just found out about settle into the Kent family in a low-pressure environment while he got over whatever obvious trauma had happened to him. Now? Now there are pitchforks being sharpened and torches being lit. CLARK JOSEPH KENT, YOUR HOMETOWN IS NOT MAD, JUST DISAPPOINTED. 
Kara gets to Earth on time and the Kents get a two-for-one special on free kids: Smallville is pretty sure Jonathan and Martha did NOT get this emotionally-fraught teen mom and her weird but adorable little baby from any actual adoption agency, Norwegian or not, but what’s a little illegal immigration and identity fraud between neighbors? None of THEIR business, no sir. Especially not if any strangers ever show up in town asking QUESTIONS. 
Jon and Martha, professional soulparents: Oh Jon and Martha absolutely will be clearing out the attic to make Conner a bedroom the absolute SECOND they get back to Smallville. And also being heartbroken about Clark, obviously. Everyone in Smallville is going to cry on them when they hear about Conner and be both very sad and very happy for them. And then they’re all gonna be Weird About Conner, who isn’t gonna know how to talk to ANY of them. He’s gonna get his cheek pinched by so, so many old ladies and SO many manly back-claps and it’s gonna be a pain controlling his TTK enough to actually let people do it. Meanwhile, everyone in Smallville, internally: oh he’s exactly as weird as Clark was when he first showed up, noted. Jfc, Jon and Martha, AGAIN?? WHERE DO YOU EVEN FIND THESE KIDS. 
Kon is too trans for this pregnancy shit: No one in Smallville knew a thing about Kon’s physical sex, so they’re all gonna be VERY surprised very soon, but also Smallville in general is gonna take that whole reveal like CHAMPS and just roll with it, even if it might require some people having some Talks With Their Kids And/Or Slightly Bigoted Relatives. Like, there will be a few assholes and a few over-inquisitive weirdos around, because nowhere is a monolith, but overall Smallville is gonna roll with it and be chill about it while ALSO being incredibly out of touch with the up-to-date terminology/language and having very little grasp of the minutiae of queerness in general ( aside from a couple of very quiet people who are gonna feel a WAY about finding out that Conner Kent is trans and went completely unclocked all this time, and seeing how most of the town’s taking finding out really well, and does that maybe mean . . . ). 
the one where Kon isn’t the father: Smallville has politely not asked any questions about Tim aside from if he wanted a baby shower or not, but also ALL of Smallville knows Tim was Conner’s “boyfriend” and Kyra is “his” daughter. That’s just gossip-by-osmosis that all of Smallville knows. A lot of casseroles and crocheted things and quilts have happened to the Kent household since Tim showed up pregnant and traumatized. And baby stuff donations. And babysitting offers. And general helpfulness in general. People weren’t necessarily close to Kon, but a lot of people felt very bad about what HAPPENED to Kon, especially after finding out about Kyra. Not that any of them actually KNOW what actually happened to Kon or the truth about Kyra, but that’s a clone of a different gene donor, okay?? OKAY.
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meatonfork · 1 year
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Thank you so much for fulfilling my platonic TF141 dreams!!, you can't imagine how bad i need a platonic relationship with them and how hard it's to find similar content for god's sake you're a true saviour 💗 If your RQs are open can i ask for a teenage/young adult reader (17-21)? Where the reader was a hostage before they got rescued by the TF141 and for some reason the reader has to stay with them temporarily for their own safety? I can see the reader bonding with them like some kind of family after the reader was closed off bc of Thier trauma, I also imagine the team giving the reader some kind of code name as a way to make them feel welcomed 💗
thank you for this idea! so lovely, i hope this is up to your needs! :’)
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Found Family
pairings: platonic 141 x grim
warning: hostage situation, grim is scared of big storms, usual cod violence
summary: the story of grim’s call sign, and how they joined tf141
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you were only 17 when you enlisted. you felt an obligation to your, now dead, family to serve. to help protect others.
you later found it to be one of the best decisions ever made. pretty smart if you asked yourself.
but, at the time you were constantly overlooked because of your small stature.
for about a year, you never had a call sign. just your last name. it never really bothered you, until now.
now you were caught in a stupid safe house after a task force had to come get you after being captured mid-mission.
they were all nice, except the guy with the skull mask. he didn’t talk much.
a large storm had stopped the team and yourself from being able to leave the area. your next best option was some safe house that ghost knew of.
trekking through the woods in a huge storm with minor injuries- cuts, scrapes, and bruises, was the last thing you wanted to do. but, you really didn’t have a choice.
“what happened to you, kid?” price’s voice was raised so you could hear him over the wind.
“fuckin’ teammate threw me back towards the enemy. got caught.” you were pissed, and your tone made that clear.
price nodded, letting out a hum.
“you got a call sign yet?” soap’s voice cut in this time.
“nah. no one bothered to give me one.” you shrug, but it secretly bothered you. you were the only one in your squad without one.
“you’ll get one soon, don’t worry.”
you nodded and continued following ghost.
a loud clap of thunder made you jump. you lost your footing, but ghost’s large hand quickly snapped out and grabbed your arm.
“you good?”
“yeah. hate storms.”
“we’re all scared of somethin’.” his tone wasn’t comforting, but you tell he was trying to be.
“yeah, i know.”
you finally made it to the safe house, quickly rushing to the bathroom to change out of your soaked clothes.
walking out, you saw everyone sitting on a couch, also changed. you joined them, sitting in a chair, making yourself comfortable.
gaz quickly spoke up, “how you feelin’ now?”
“warmer. definitely war-“ another clap of thunder interrupted you.
“you’re good, just a storm.” he offered a reassuring smile, but it didn’t do much to calm your nerves. your small hands unconsciously started to shake.
“let’s come up with a call sign, yeah?” soap could see your nerves from a mile away. hell, if he tried hard enough he could probably smell them.
“uh, yeah. sure!” you smiled softly at him, tucking a strand of damp hair behind your ear.
“you got any strong character traits? embarrassing stories?”
“uhhh… no.” you frowned. “i mean, im pretty small, obviously, but i don’t want to be known for it. you lot can already see it.” your voice wavered slightly as the storm continued raging. rain beat down on the windows like a continuous line of drums.
“yeah, that’s reasonable. hmm.” this time gaz tried making names for you.
this continued for a long while, usually ending in laughs at how ridiculous their ideas were.
ghost even chimes in with ‘bee’ because you were so small, but seemingly could hold yourself, but your distaste for them quickly shut that down.
“oh! one time, on a mission, my squad ran into some real trouble. we couldn’t get backup, it was too compromised. we were stuck in this warehouse, the enemy had us cornered. only me and one other teammate were in the room. we got split off. anyway, he was injured bad. like, on the verge of death, bad.” you were talking animatedly. hands moving about and face scrunching. the boys sat quietly. this was the most you’ve talked, having been too nervous all night.
“he couldn’t do much to help us. i was just a rookie, little experience, but enough to get by with backup. when i saw at least five men coming up to us, i panicked. i guess i just stopped thinking. i blacked out, don’t remember much. but when i clocked back in, my partner looked terrified, yet amazed.” your voice was growing softer.
“there was blood everywhere. i couldn’t tell what was mine or their’s. all he said was, ‘jesus. that was fucking grim. you good?’ i think about it quite often.” your movements slowed, and your eyes glazed a bit.
“damn, kid. i think i found a name for ya.” ghost finally chimes in. a chuckle left price.
your small figure, curled in a ball, looked at all the men. most held amusement. amused that someone that small had the ability to take out so many men.
“glad to meet ya, grim.” soap’s smile was large.
“nice to meet you lot, too.” you gave one back.
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a/n: thanks for reading!! hope you enjoyed <3
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krashoutluv · 3 months
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You’ve been given AK Jason so much love thx ☺️ if it’s not too much… what are some of AK Jason’s comforts? Does he have comfort foods? 🥘 Does he like the sound of the rain? 🌧️ Naps on the couch ? 🛋️
Thx 🥰
ill give this man love anytime💟
and its never too much anon, i love writing for him and yall!
Comforting Ak!Jay
(IM SO PROUD OF THIS I 💟 MY AUTISM)
(ngl this also just turned into my character analysis of Ak!Jay’s psychological gymnastics from Comics ((AK Genesis & Batman: AK)) and games) (still wrote the comfort shit tho)
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hc, but i dont think any jason todds like the rain. it reminds them too much of the time he was a kid, didnt have a place to stay and went to sleep cold and wet
or when he was still young and with his family, his apartment would get flooded.
BUT ANYWAYS—
alone, i dont think jason can comfort himself very well.
beats himself for it when its over, drops him back into a spiral
just very much not healthy
HOWEVEER with someone is very different ,,
I Ramble Abt Jason Todd
post writing this, i feel like that one tweet thats like, ‘i never realized she was holding a plate of corn in this scene.’
Ak!Jays spirals or episodes come from two things, his self-esteem or self-worth, along with his lack of self-identity
Ak!Jason (Post/During AK) has a very hard time with his self worth, it solely stems from wanting to prove people wrong about himself. he obviously doesn’t like being perceived in the wrong way.
Ak!Jason (Post/During AK) says he’s move pasts his traumas, yet his identity and reasoning is constantly rooted in them, leading to so much contradictory dialogue and mental FUCKING GYMNASTICS.
ak!jay juggling if he wants to be loved by batman/batfam or wants to end it
i think he often ponders if he was better off being killed by the joker, or if he can really be redeemed from his actions as Arkham Knight by helping Gotham as Red Hood.
and if it’s enough for the people around him or someone to accept him.
if he can truly ever be loved
he has a lot of crisises about his identity and purpose more often then not b/c he cant find a reason for either besides his own anger and approval addiction.
, his biggest fear is losing, being worthless, and unwanted.
his constant drive is winning and proving himself as the best.
it causes his always feeling the need to prove himself, just so that hes wanted.
full pic is him on hid knees begging alfred for help,, my baby—-
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the first introduction of his internalized self-deprecation is with his father, other then the Arkham Knight Annual
though he rejects this “truth” in the Annual, showing his determination to prove himself more then what Bruce and the Joker idealizes him to be, I think its a good mirror into Jasons mind and what really makes him start cracking
Ex. , his biological father canonically telling him he was a loser growing up, and his mom seems to personify/objectify Jason as gothams gravitation keeping them in gotham.
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another example is the way he is talked to throughout scarecrows psychotropic
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throughout the comic and game he goes between or showing a desire for a connection with bruce and praising joker for his upbringing, then chastising them.
its very clear jason has an identity issue, with him isolating himself because he believes he is too broken (game dialogues), his need for validation stemming from his childhood, his fear of abandonment, and overall internal dilemmas of wanting a connection or not. obviously hes not good with working out his emotions on his own without doing considerably impulsive things.
jason wanting to be his own person v jason wanting to be a better person for the people in his life
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He see’s the place he was tortured as a rebirth for him, along with his plan to destroy Gotham and Bruce.(AK: Genesis)
This only comes from his desire to want his own separate identity, by ending these cycles of Bruces actions and Gothams nightmares he also believes that he will be truly free.
his only true identification with himself is anger and resentment, being built, gravitated, and broken by anger. feeling like hes always losing or lost, and his desire to just win something and therefore be wanted
okay to stop a fuckton of more rambling jason todd, abandoment issues, jealousy/obsession issues, need for connection, validation, relationships, self-destructive isolation, brainwashing induced perception issue, intense mood swings which also cause perception issues.
i guess it could try to be argued that Jason doesn’t actually want validation bc he got over the psychotropic; but i disagree with the way he constantly talks about being underestimated and feeling like he has to prove himself throughout the comics and his dialogue with Barbra in game.
i also want to make it clear that throughout the ak!comics he does help civilians so it does really have morality for other people. He does separate Gothams Gravity from the people, and claims the worst of the worst (villains and such) are the people who succumb to gotham.
(im only stopping bc im on mobile and couldn’t put anymore pictures)
im so upset.
theres so much i didnt get to talk abt
Ok Actually Comforting
so its pretty god damn hard to comfort this dude, he’s a chronic over analyzer, could probably turn anything and everything you say against himself or you, and yet would crave validation and intimacy.
which makes him a bit of a trip,, but i love him. so.
a lot of the time you’ll have to go with his flow
if its really bad he’ll isolate himself, he feels like he’s letting you down by breaking in front of you. He can’t let you see him as weak because to him its a liability for your relationship.
as well as the fact that his perception becomes very extreme/warped when very emotional. he’ll can range from believe your lying to him, to he’s not worth that kind of comfort and he’s wasting your time.
it takes a lot of patience for him to accept that he isnt an inconvenience to you and you do actually care
overtime, a lot of fucking time, he’ll slowly come around to this. instead of leaving for days or weeks at a time, Jason will leave for at most a day or two, but around midnight he’ll be home craving your presence.
he cant be alone again, he really doesn’t wanna be alone again, he needs to make sure you don’t wanna leave him.
probably just goes to sleep facing you, or holding your hand if hes feeling especially mushy.
he’d be so quiet, having the internal battle of leaving you or letting him feed into his desire of just having you around him.
In his words, needing a home. feeling safe, and warm. (I LIED I DELETED TWO PICS TO SHOW THIS)
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jason thinking of alfred as home>>
Jason needs that in a partner! Someone who is warm to him! someone who makes him feel wanted or needed! Someone who makes him feel safe!
I think if you catch him just as he gets triggered/begins to spiral, you can help him not crash out.
Being over the top mushy with him isnt gonna work, he needs someone to ground him and be 100% with him.
sometimes he doesn’t need to talk or just doesn’t want to, again presence.
but acknowledging him every now and then to make sure he knows your not brushing him off or forgot about him.
when you’re in a closer relationship he definitely just wants you in his arms, needs to hold you close.
Home-cooked meals with him, justing going about your life with him, making him feel wanted, making him feel acknowledged.
i think he’d open up every now and then, but i think he’s also still a self-assured person who needs guidance at the right time. to just be sure he’s on the right path and youre with him.
one of his triggers is his own jealousy, accidentally making him feel like he’s replaceable or him believing you’ll get tired of him.
he needs so much reassurance.
just be there with him, guide him, love him, make sure he’s on the right path.
he needs a lot of things, sometimes its naps, sometimes its food, sometimes just to be in your arms, sometimes to help you cook, sometimes watching you work, sometimes he’ll have you lay your back on his chest and read with him, sometimes he just wants to fall asleep with you, sometimes he wants to cry in your arms, JUSDHRIDJDJDISO JASON TODD COME HOME WE MISS YOUUUU
HES MY HIGH MAINTENANCE GF
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this was so satisfying to write i <3 jason todd
rq/inbox is open !! if you just wanna yap or wanna request somethin’ go ahead!
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prince-liest · 9 months
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was recently talking to a friend about qi rong which then lead to me going on a reread of my favorite qi rong fic EVER, and now I’m in my feels about him, his relationship with his family, and his relationship with xie lian and guzi.
I just love qi rong a lot. to be clear, he’s a horrible little gremlin and that is a lot of WHY I love him - but I also think that fundamentally qi rong is a character who is super traumatized but does not receive sympathy for that trauma because he is not traumatized in a “palatable” way which is a trend that starts when he is young and just never ends, canonically, at any point in his life
right from the bat: the first 5 years of his life, he's being physically and emotionally abused, he's cast out to live in a shed, his mom is forgotten by her family. by the time she finally escapes his abusive father and goes back to the palace, her elopement with him has been swept under the rug and most people don't actually know what happened - and are then weirded out by her and qi rong, causing all the children and even most adults around qi rong to basically refuse to interact with him. so he's abused and hated, then isolated to the point where nobody talks to him, nobody plays with him. the one time he thinks he succeeded at attempting to make some friends, it turns out that they tricked him into writing a death wish for himself and his mother on his lantern.
and all the while, he's watching xie lian and the adulation he receives, not understanding why xie lian gets those things and he does not. everyone always says he looks like xie lian. he’s even called xiao jing, like he’s a mirror of the crown prince. what’s the difference?
and then xie lian himself is the only person aside from his own mother to be genuinely kind to qi rong. qi rong is desperately lonely, envious and fixated on the cousin that nobody will stop comparing him to, and then said cousin is the only person to reach out to him with kindness. of course he wants to attach himself to xie lian and emulate him.
unfortunately for both of them, then his mother dies - not just randomly, but specifically in defense of xie lian’s mother, and having extracted a promise for xie lian’s parents to care for qi rong. however, things don’t actually change at that point. sure, they take him in and buy him whatever he wants, but as far as love and care are concerned, xie lian is really the only potential source of those things left for qi rong. xie lian is also a teenager with a lot of pressure on his shoulders and a lack of understanding of difficult situations. of course he doesn’t know how to raise his traumatized, misbehaving cousin! and nobody else bothers to. it’s deeply unfair for xie lian to be used as the singular tool to discipline and direct qi rong, and that directly contributes to their extremely soured relationship.
now that qi rong’s mother is dead, there is nobody left around that actually wants him or is willing to put effort into properly raising him. when a kid turns out as wild as qi rong - that's not just random happenstance, that happens because they weren't parented right (or at all). he acts out in increasingly insane ways for the attention everyone hates to give him - anyone's, but especially xie lian's, which sucks for xie lian because it should have been his parents providing qi rong with an authority figure and source of love, not xie lian's teenage self. and people respond by waving him off, giving him whatever he wants just to make him go away, and ignoring him, because he has a deeply off-putting personality.
and it causes everyone around qi rong to resent him in this vicious cycle that escalates his behavior because he doesn't know what else to do - until eventually even xie lian, the one person that he really looked up to, hates him too.
obviously qi rong is an awful person by the point we reach in canon, but I also think that if he had received regular hugs as a child and maybe some actual parenting from someone who didn’t beat him, instead of just being given a bunch of money and being told to fuck off
specifically because he was weird and traumatized and unlikeable
things would have turned out very different for him. because he very clearly tries - that’s one thing that’s very clear in the flashbacks and even continues to modern canon: qi rong really tries to get love and attention, and when that doesn’t work, he just escalates to “any attention, bad attention, attention that proves I’m worth something, proves wrong all the people saying the supposedly-amazing cousin that took away my only source of kindness when he started hating me, is so much better than me”. he starts out an awkward, off-putting kid and ends up the night-touring green lantern. of course he holds enough resentment to end up a calamity. his cannibalism shtick doesn’t even read as genuine to me, it just seems like he picked out “what’s the worst, most attention-grabbing thing I can possibly be to pre-emptively justify everyone’s disgust in me” and landed on that.
(see also: I think it’s hysterical that he has very strong opinions and abilities as pertains to gourmet cooking, and then just uses them to lure in victims so that he can have his meal of Raw Unseasoned Human Flesh. you can’t tell me he’s doing it for anything other than the bit at this point.)
and that’s also why I think his weirdly wholesome relationship with guzi also makes a lot of sense. qi rong is a shockingly decent father to him (eventually), probably in part because he overidentifies with guzi also being abused by his father, but also, because guzi is literally just a kid and therefore is not someone that yet has the capacity to have all these preconceptions about qi rong, nor for qi rong to read into his words and be insulted, because. that's just a kid. there’s nothing to read into.
I think his treatment of guzi (eventually) shows that he's capable of being at least kind of decent (or at least functional), he's just never been in a circumstance where his trauma and relationships let it happen. his material life was always supplied for, but his emotional and familial environment in xianle was invariably toxic for him.
anyway, I think qi rong needs a shower and a hug, in that order, and then to be forced to learn to interact with people who don't immediately assume the worst of him. thanks for coming to my TED talk, I know it was long as hell.
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coldairballoons · 4 months
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i've seen a lot of people saying that saltburn (2023) isn't a commentary on class, and genuinely, i have to disagree.
keep in mind, i watched this at 3am last night with my sibling, but i'm also a literature major with a focus in literary criticism of popular culture (including film), so i do know what i'm talking about!
spoilers below the break
first of all, framing saltburn as a conflict between the upper class and lower class is incorrect. in fact, that in itself is one of the major criticisms that comes up throughout it! oliver is quite literally not lower class, but uses the preconception that the cattons will view anyone in a lower social class than them as a tool to manipulate his way into their life. despite this, he is not lower class. and you are not meant to root for him, especially not towards the end.
the marxist theory of literary criticism surrounds the idea that in every story, one of the key concepts is a class struggle. this could be between any class, but the most common is the rich vs poor duality that shows up in most stories - ex. titanic, the fall of the house of usher. the thing is, in both of those examples, the sympathy lies with the victims - the lower class. in titanic, you are meant to feel guilty on behalf of the rich leaving the lower class to die. in usher, you are meant to feel anger towards the mistreatment of those who seek out the treatment the family offers. but while usher is a clear criticism of class, is that its main genre? is is purely a class struggle movie? no. it is a story inspired by edgar allan poe that surrounds horrors of family, trauma, and yes, class, but also morality. meanwhile titanic is supposedly a romance. though jack dawson is young and poor, he is not the only sympathetic character. what i'm saying here is that media is incredibly layered, and while on the surface level, something may not be entirely a class conflict story, those undertones exist throughout, no matter what. even take hit series percy jackson for example. there is still a class discussion to be had there, with percy and his mom struggling with finances, while annabeth and her father live comfortably.
but saltburn is interesting, because the antagonist throughout the entirety of it is, as far as the audience knows, lower class. you are introduced to him, not through judgement for his living condition, but through compassion and generosity. felix offers him a hand, even when he isn't in the same group as him. that in itself is a criticism of class dynamics.
listen. i hate rich people as much as the next gen-z college student. i personally have a hit list with many a billionaire's name right at the very top. but it's undeniable that, despite the class difference, the cattons - at least venitia and felix - are kind to oliver at first. obviously, he is a part of the other, but he is still a person. elspeth enjoys his presence. james treats him as a son. farleigh feels threatened by his presence, because he knows that, if they so choose, they could replace him with oliver.
i want to talk about farleigh for a second.
i literally have not seen anyone talk about farleigh, and i am upset about it. not only is he one of the most compelling characters - a supposed american slacker who lives with his extended family and blows their money on lavish means -, but he is important in the class discussion because it affects him directly. the cattons do not support his mother. she is in america, and although they have the ability to, they actively choose not to. the reason felix is bothered when farleigh implies that it is, in fact, a "race thing", is because it is. why is farleigh the one dependent on the cattons, and risking expulsion from the family? because he is the first other that they encounter.
and then pamela, who not only has sought help from the cattons, but disappears midway through with no explanation. she goes directly from rehab to them, and although she is trying to find a place to live on her own, the cattons offer her no assistance. they offer her nothing, and complain when she is in their space. they offer her NO help, when they so easily could set her up with a small flat and monthly allowance to help her find a job.
and not only is this a criticism of the upper class - the inactivity and extremely single-minded worldview that the cattons have, the amount that they are out of touch with not only the outside world and the lower class, but their own emotions -, it's also a criticism of the upper middle class.
as someone currently in college, whose parents are a college professor and a high school teacher, i am fairly middle class. however, there are so many people in my immediate vicinity - folks i know from high school, in my classes, extended family, etc., - who are Extremely upper middle class. however, they have the comfort of certain things that i, and my family, don't have. that's just part of life. however, in saltburn, oliver milks the "middle" in his "upper middle" class. he milks it, and he runs it absolutely dry.
someone truly in his alleged position would not be able to spend the summer lavishly and hedonistically gallivanting around the countryside of england, playing tennis and smoking cigarettes by the lake. hell, someone in my middle class position wouldn't be able to do that either, especially not while attending oxford fucking university. he would likely need to work, not just to support himself, but to support his mother, especially after - again, allegedly - his father died. and not only is this coming from a place of an oversight on his part, not realizing what his privilege truly is, but it also comes from a place of oversight on the part of the cattons.
do i think that saltburn is a movie about class? nope. at its core, it's a story about a desire for power and possession, ownership and obsession. there is this intense, almost vampiric lust throughout the entire thing, and that's in part what makes it the perfect setting for discussions of sexuality, of madness, and, honestly, class. wealth is power, and the cattons have a lot of it.
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comradekatara · 1 month
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hey, so. people on twt (ugh, I need to delete that account) started to compare Zuko and Azula’s relationship to Sokka and Katara. So, I jump in like “they are not comparable in any way” then people are like “Sokka and Katara do have issues even though it’s not the same as Zuko and Azula” (even though the original tweet did imply that but, whatever). and I’m all like “sure, they both have trauma from their upbringing and they fight like siblings and that trauma probably has effected their relationship but it’s still no way like it’s being compared… they love and care for one another” and then they’re coming back like “it’s not the same but they still have issues” and citing the southern raiders (which I have my own opinions about and I feel like people totally miss read that scene) but all in all to say; I’m annoyed because I feel like people are being disingenuous and I feel like your thoughts would be interesting
okay yeah obviously I don’t know what the full arguments were (and I never will because I loathe twitter. I mean X sorry) but i can definitely talk about this more generally. I mean they are the central sibling pairs configured in a similar way for obvious reasons. they are definitely comparable.
sokka and zuko have superficial similarities as older brothers who feel undervalued, struggle to live up to a harmful patriarchal standard of gender (specifically masculinity/manhood) as shaped by imperialism/colonialism/war and the expectations their fathers placed on them to “be a real man” within a very limited framework, and ultimately find their worth via other avenues beyond the limited scope of patriarchal imperialist logic. azula and katara have superficial similarities as younger sisters who are placed on a pedestal by their culture community, are the best benders of their respective elements and outclass all the older more established (male) masters who dismiss and look down on them for being teenage girls, and who feel a deep sense of grief due to the loss of their mothers that informs everything they do and fundamentally who they are as people. and then obviously the REAL foils who are foiling are katara and zuko, and sokka and azula. these pairs are each very obvious mirrors, both in terms of their personalities (as developed differently by their respective environments) and their arcs. zuko is fire nation katara. azula is fire nation sokka. so obviously their relationships are similar in this way. they are narratively constructed as parallels.
that said, I think the key primary difference between these sets of siblings is that zuko and azula are directly opposed due to being pitted against each other by ozai’s abuse, whereas sokka and katara are extremely codependent, to the point that sokka’s entire identity is shaped by his role as katara’s brother and protector. so if you read zuko as a foil to sokka (which he certainly somewhat is, but is not the primary foil to sokka) you’ll get confused because he doesn’t live for others and he doesn’t look out for azula at all. but azula, like sokka, does define her identity through her loyalty and her ability to best serve others, so she does try to help zuko as best she can, which is obviously hindered by the incredibly limited of scope of what she considers “helpful” (much in the same way that sokka’s protection of katara is often limited by his own narrow worldview and unhealthy sense of duty as it corresponds to his identity). azula wants zuko to be a “perfect prince” in the way that she is a “perfect princess” because she refuses to acknowledge how specifically harmful that paradigm is to both of them until it is too late. so her intentions are actually good (don’t @ me), but she’s just deeply misguided and her level of cognitive dissonance is off the charts generally (again, much like sokka).
meanwhile katara and zuko, despite loving their families a lot and feeling defined by their families in many ways, are still very self-focused. which isn’t to say that’s a bad thing or that they’re selfish (they are both defined by an incredibly passionate and outspoken sense of justice for others, of course), but rather that they understand that what they want is to further their own interests for their own benefit even as they are seeking justice for the entire world. (in katara’s worlds: “me. me, personally!”) but like. if anything, the fact that azula and sokka never think in terms of the ego but only in terms of servitude to the point that they are actually detached from their own humanity is deeply unhealthy and awful, which is why so much of sokka’s arc is about getting him to understand his intrinsic worth as a human being and the value of accepting help, and azula’s tragedy and downfall is precipitated by her acknowledgement that she has been deliberately isolated her entire life and now she is alone and utterly helpless.
I do see katara and zuko as quite heroic, inspiring characters, to azula and sokka’s quite tragic, heartbreaking characters (especially azula of course, but like. I don’t think sokka’s deep-seated, copious issues have somehow been magically resolved just because “the boiling rock” is his apotheosis. you get it). but katara was always the “valued” sibling whereas azula began as the valued sibling and zuko rose above her by disrupting/transcending the paradigm that valued her only to end up in the position that she felt teleologically entitled to (not to say that she thought she would become fire lord, but that he does become the most powerful player in the fire nation, at least in name). and a large part of that is the fact that katara and sokka grew up in extremely different conditions than azula and zuko did, even if both their worldviews are informed by imperialism and patriarchy in some way. so katara was valued as a sort of cultural artefact who represents the last hope of a dying people, whereas azula was valued as the obedient daughter of a powerful abusive patriarch. it’s still a way of ascribing “value,” but the criteria are completely different in both cases. which is why I still think that azula and sokka are functionally more similar, because even if azula is valued, it is with the expectation that she function in the same way that sokka is expected to function, as a depersonalized vessel for the good of their people.
so there are similarities for sure, but also those similarities are constantly being complicated through locating their respective cultural contexts as they informed their upbringing, psychologies, and sibling relationships. I will say that it’s true that both of these relationships are unhealthy (to an extent), and both sets of siblings parallel each other in very significant ways, but the ways in which their relationships are in fact “unhealthy” are nonetheless almost diametrically opposed.
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takeme-totheworld · 5 months
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We exist.
This is obviously 100% anecdotal on my part, but I get the impression that for most fans who take Aziraphale’s actions in the final 15 at face value, it’s because they’ve known someone like that.
I take his actions in the final 15 at face value because I’ve been someone like that. But I don’t see nearly as many people saying “Yeah, I totally get what Aziraphale is doing in that scene, been there.” And I think part of the reason so many people struggle to comprehend what Aziraphale did is because so many people like me are too ashamed of our pasts to talk about them.
It took me almost fifteen years away from the church before I could bear to talk to a therapist about my religious history at all. And it’s taken me almost twenty to unpick my own shame and trauma responses enough to be able to dive deeply into that history and start to understand my younger self. I was that self, I vividly remember being them, and I still didn’t really understand them until recently.
So it’s no wonder so many people look at the final 15 and think, “How could Aziraphale do what he seemed to be doing and not be an unforgivably horrible person? There must be something else going on.”
And there could be something else going on. I’m not the author! But the answer to How could he do that and not be a horrible person? is: very easily, actually.
I just think a lot of folks would be surprised if they knew how many decent, seemingly well-adjusted adults walking around grew up in fanatically religious families/communities, had fully drunk the kool-aid as late as their teens or even young adulthoods, and are just too ashamed to talk about it now.
Because I guarantee it’s more than you think.
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featherstorm2004 · 3 months
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Nana Shimura's guilt
Ok, so I'm sure plenty of people have noticed that in the latest chapter Nana has been insisting that Izuku must kill Shigaraki and that he's a wall that Izuku doesn't have to climb over. And I want to discus that as whilst I certainly don't agree with her, I find her reasons for such a perspective to be fascinating.
But let's begin with a trend I've noticed in any chapters where Nana and the vestiges talk about Shigaraki, and that's the fact that despite originally agreeing to go along with Izuku's wish to save Shigaraki they constantly refer to him as an 'it' or a 'thing' more often describing him as something less then human. And whilst it may not be surprising for the others to refer to him this way, it is incredibly disturbing that Nana his own grandmother seems the most determined to remove Shigaraki's humanity.
In fact it appears to be a theme that anyone who had a personal stake in how Shigaraki came to be are the one's most determined to ignore any sign of personhood inside him. This can be seen with Grand Torino, who despite having come to the realisation that his and Nana's decision was a mistake, seems to double down and tries to convince Izuku that killing Tomura is the better option; hell, literally the moment Shigaraki's identity is reviled he is the one to convince All Might that he isn't worth saving and that no matter his bloodline he's still a villain.
And he says this with full confidence despite the fact All For One outright told them both that he deliberately groomed Shigaraki to hate All Might and only chose him to mess with his enemy.
Even All Might chose to give up on Shigaraki very quickly and hasn't even thought about him since he found out, which is honestly really sad because of all people he should have been the one who cared the most, especially since he knows one of the only reasons All For One chose to mess with Shigaraki was to hurt him.
Which brings me back to Nanna and why she is acting the way she is and honestly, it's most likely due to a number of reasons and guilt is likely the most prominent one. After all it was her choices which led to Kotaro becoming traumatised and despising hero's, and it was because she was a wielder of One For All that her family/Tenko was targeted. Now I'm not saying it's Nana's fault Kotaro became an abuser, after all he was a grown man who was more than responsible for the way he handled his trauma however, that doesn't erase the fact that she was the root of his hatred which he passed down onto his son.
Not to mention she knows that the main reason Tenko was targeted was for revenge against her for defying All For One, so not only dose she have to deal with the fact that her son abused his child to near insanity but also her mortal enemy, who killed her, her master and tried to kill her student also groomed her grandchild to hate her, hero's and to become his next vessel.
That a lot of guilt for anyone to be burdened with and whilst it isn't directly her fault, the birth of Shigaraki is a result of the legacy she left behind.
And she obviously can't cope with that because if she did, it would basically invalidate every sacrifice she made for the sake of protecting One For All, so what dose she do? Well she makes a very human mistake and choses to ignore it. After all if Shigaraki is just a monster, a creature beyond human understanding then she doesn't have to face the guilt, "it was out of my hands, what could I have done?" "there's no point in dwelling on what could have been".
Ironically it's the same response All For One had regarding his own humanity. Essentially she's taking the responsibility out of her hands in order to protect herself because if she dose acknowledge it, it would essentially be an ego death for her and well humans are naturally programmed to protect ourselves at all costs. It's not nice but it's the truth, which honestly makes someone like Izuku stand out more.
Izuku has no reason to sympathies with Shigaraki, he has no idea what he's gone through or the history behind his creation but despite that he is the only person on the hero's side who has NEVER ignored him. Hell, even back in the mall scene where Shigaraki practically had him a gun point he still took the time to listen to him and give him a proper answer to his question and clearly what Shigaraki said meant something to him as he ask's All Might about it later.
It's clear that ever since these two have met that for some reason, whether it be the legacies they both carry or the fact that Izuku is just an innately empathetic person, these two have shared a connection. It's like Izuku and Shigaraki said, it's almost like fate has brought them together and we'll just have to see however that played out.
However, it's abundantly clear that whatever might happen between the two of them for Shigaraki to be truly be saved Nana and by extension all others who have kindly rejected Shigaraki will have to eventually accept that he is in fact human. They cannot keep pushing things under the rug because Izuku won't let them.
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craxkbaby · 2 months
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Hello!!
How would your AK! Jason react to having somewhat older/experienced people from the militia realizing he's barely a tween, acting out of his trauma, and then trying to care for him? ( platonic/ familial way)
Caramel this is such a sweet ask, ♡´・ᴗ・`♡ I think I’m just going to make these headcanons if that’s okay!!
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To be REAL, I feel like the militia would hardly care, being there for the money. But you know.. it doesn’t hurt to imagine some comfort a bit!!
For the first time AK!Jason would receive some comfort, especially from his army, it would be weird for him. He will probably give them the biggest side eye as first.
Brushing off any, “Hey, you okay?” Or “Here if you need to talk.” Because how would he even respond? Being tortured for how long? Being completely sheltered off from any dose of comfort.
He had a plan to take out Batman for good, for his own good. Being manipulated by the Joker for almost a whole year to hate Batman. Of course homeboy NEEDS some comfort after all of that!!
So when the militia first started the comfort chain, AK!Jason was definitely like, “wtf are you doing..”. (LMFAO)
I can imagine them doing simple things for AK!Jason, bringing water, small portions of food. Simple things like that. (I WILL FOREVER STAND BY THAT JASON HAS A HARD TIME EATING.)
He’s young, hardly looking out for himself and has his plan set in stone. Since he doesn’t look out for himself, the militia decides to do that for him!
Yes, yes, I know. They are busy soldiers. They all have their own duties to fulfill for AK!Jason, but it doesn’t hurt for them to take time out of their day to be there for AK!Jason.
Considering a lot of the militia are possibly older than AK!Jason, I can see parental figures forming. Obviously AK!Jason never had one of those, besides his time with Batman of course.
It’ll be awkward for him as first. Refusing to accept any water or food that was brought to him by one of the militia. For obvious reasons, of course.
He will very slowly grow into the flow of gaining comfort figures. I mean, everyone needs one. I think he will slowly start to appreciate it.
Even after he failed to take out Batman and become Red Hood, he’ll still appreciate the little comfort he had gotten that he so deserved.
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I did not reread this so.. please ignore any typos !! :3
Please do not copy any of my work!! ❤︎︎
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thebibliosphere · 7 months
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What is the gameplay like on Gotham Knights? I have poor coordination so I have trouble with anything more complex than LOZ: Ocarina of Time. Like, on a scale of Pokémon->Dragon Age->LOZ->Dark Souls?
It's a bit clunky like Dragon Age 2, tbh. Except it doesn't have the excuse of coming out in 2011. The mechanics and camera controls are one of the things that let it down a lot, IMO.
I’m constantly getting stuck on walls and the edge of ledges because the controls feel laggy and the game’s not consistent about which surfaces you can climb and which ones you need to grapple. It's fine if you’re fighting in more open spaces but it turns the timed events into an exercise in frustration. Not to mention the number of times it feels like I’ve taken damage through an obstacle from enemy ranged attacks when my own ranged attacks bounce off invisible walls if I’m not standing in the exact spot the game needs me to be in. This results in me just key smashing melee a lot until every around me stops twitching.
I’m still enjoying it, but it is v. glitchy and I understand why people are leaving angry reviews. Especially if they are deeply committed to the immersive elements and were expecting the same level of polish from the Arkham games, which this studio also made.
I’m just casual enough a gamer that I’m enjoying muttering “parkour” to myself as I accidentally fall off buildings and plumet to my death because my graple hook glitched out and went the exact opposite way I’d been aiming.
I’m really just playing it for the characters. It feels like playing a a game written by people who understand the appeal of found family that went hard on the campier elements of the franchise while still maintaining a decent level of aching sadness for the tragedy they’ve endured.
You can feel the group fracturing under the weight of Bruce’s death with Dick doing everything he can to fill the void and stay positive and “normal” for the sake of everyone around him, including Alfred who is devastated but also trying to keep it together. Barbara, mourning an extra loss, is trying so hard to stay level headed and useful for Dick. Being both Oracle and Batgirl while also acting like a fun big sister to Tim who stands out as really young in this iteration.
Sure he’s a kid genius, but he’s also only 16 with a monumental caffeine addiction (you can’t tell me all the energy drinks on the shopping list pinned to the fridge aren’t for him) and mourning the loss of Bruce while also just wanting to do normal teenage shit, like asking the group for help with his art homework and being annoyed that his role as Robin is keeping him from spending time with his online boyfriend.
Jay is very raw and angry and obviously processing his own trauma on top of everything that just happened but even he steps up, trying to be there for Tim, teaming up with Babs to gently pick on Dick when he’s being particularly Boy Wonder-ish. Seeing him stress cook is also a nice added touch as are the photos of him and Bruce working on stuff. Bonding.
Which is another thing I Love. From what we see of him, Bruce is in his absolute DILF element in flashbacks and in recordings. All sad smiles and a gentle, head-shaking tolerance for the absolute ribbing the kids put him through for being too serious and neglecting himself. Not to mention all the pictures of him with Dick and Tim and Jason. And so many of him and Alfred and Ace. (The one on the fridge of him and Alfred showing them adopting Dick at the courthouse almost killed me. They all looked so young and happy.)
I’m getting serious “Bruce is a good dad with a warped sense of humor who hugs his kids and spends quality time with them, actually, and you’re wrong if you write him otherwise” fanon vibes, and that's honestly my favorite Bruce.
It’s basically appealing to everything I love about the franchise while scratching an itch in my brain the way crackfic taken seriously does.
And that’s enough to make me forgive the bad controls and glitches. But I could see it not being enough for some people, especially if you’ve already got poor hand eye coordination. Which I do. But again, I don’t really care about being good at games. I’m just dicking around and having fun wringing dopamine out of the narrative.
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