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#it is much more interesting to take the characters and Keep Them The Same while putting them in a different position

carigm · 2 days

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A BREAKDOWN OF THE POTENTIAL S5 EPISODE TITLES!!

Okay, so today entertainment journalist Jeff Sneider shared some alleged insider info about S5 of ST, mainly directors and titles of the first 6 episodes.

Here’s a screenshot

It’s important to keep in mind that this guy isn’t always the most reliable, and considering he also said he believes S5 could come out before the end of this year, let’s not take any of this too seriously. (Many cast members have mentioned they’re filming until December of this year so that’s literally impossible). The information about the possible directors I believe is correct, because it’s been circulating around from other sources too.

The episode titles I’m less convinced about because it’s also possible the Duffers could’ve put out fake episode titles in case they leaked. I remember for S2 all the episodes titles they announced were changed later on lol. But for the sake of fun, here’s an analysis of all of them:

1. The crawl (only confirmed title) is a very broad, open title. It personally makes me think of the UD and vines, or maybe even the idea of Vecna crawling back to life. Could also be an allusion to the military.

2. The Vanishing of ___ Wheeler is arguably the most insane one. The journalist said he wasn’t revealing the actual name of the person because it’s a spoiler ofc. My gut tells me it’s gonna be Holly, mainly because of the recast and her supposedly being involved in the hospital plot, which we have guessed takes place in episode 2. Could explain why she’s suddenly “more important” this season, especially if she’s used as a plot device of sorts. Could also tie into what Ted’s actor said in a podcast back in February about the first episodes being a rollercoaster of emotions, and that comment he made about Ted having a soft spot for Holly. It would be a perfect tie in for Karen to find out about the UD as well. The implications of naming the episode the same as the first episode, which is so intrinsically tied to Will, is very interesting. It’s also a new connection/tie between the Byers/Wheelers that I assume will bring the families closer together. I don’t think it’s about Mike because I doubt he’ll go missing in ep.2, or be dragged to the UD just like Will was. It would be an interesting concept but I doubt it. I also don’t think Nancy’s gonna go missing. Karen could be interesting but I doubt it as well. Ted would be an incredibly funny choice. Imagine he just goes missing while at the house 😭 Nonetheless, I think Holly is the clear choice here, and I do very much worry for her if she goes missing. Mainly because while Will survived this, I’m not sure they’ll do the same for Holly :(

It also ties into Vecna’s threat to Nancy against her and her family.

Here’s an interesting leak from the same anon that leaked the hospital stuff (which seems to be correct)

I think this could be the very same scene Holly goes missing.

3. Turbow Trap 😭 This one is utter nonsense. I have no idea what a Turbow is, so I assume it’s gonna be a code or nickname for something. Absolutely clueless here.

4. Sorcerer is incredibly interesting, and imo a clear allusion to Will. His D&D character being a cleric, basically a wizard. Could also be a reference to Vecna imo. Or both 😉

5. Shock Jock is clearly tied to the radio station plotline. Imo the title could be a reference to Steve, Jonathan, or even Murray (he fits that eccentric, somewhat annoying personality quite well) In case you guys don’t know a shock jock is like a very eccentric radio host.

6. Escape from Camazotz is another crazy title. He’s a figure from Mayan mythology who’s a bat spirit. That immediately makes me think of Eddie, but also Steve ofc. However, camazotz has a larger meaning that goes beyond “bat spirit”, it’s also a representation of death and night. So the title seems to be alluding to someone escaping from death or a perilous situation.

Even more interesting perhaps is that kamazotz is a name of a planet in A Wrinkle Time. It’s the planet where IT resides, the mind controlling antagonist of the narrative. So I guess in this comparison Kamazotz is the UD, and IT is Henry.

#byler #byler theory #stranger things #st5 leaks #st5 spoilers #st spoilers

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pomefioredove · 5 hours

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having a crush on you

summary: how they would act having a crush on you type of post: headcanons characters: pomefiore (vil, rook, epel) additional info: reader is yuu, reader is gender neutral, rook is rook, not proofread, hi I'm insane and I love pining, I NEED to write another fic but with rook. might write this same prompt with other dorms

𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭

don't take his calm and collected facade as apathy

he's slowly losing his mind about this

"pacing back and forth, mumbling to himself, falling asleep thinking about you" kind of losing his mind

it's my personal belief that Vil hasn't been in love before this

hasn't even really thought about it

so when you enter the picture it kinda throws him off balance

and with the exception of Rook, no one can even tell

he is an actor, after all, he can play the part of "totally platonic friends with room for Jesus"

(maybe a little too well)

but Vil isn't entirely emotionally repressed

he keeps things to himself, yes, but he's quite conscious of his own wants and needs

so when he realizes he's been craving your presence more than usual he does acknowledge it

in his head

and then does nothing about it for months

...what? he's busy

things like this can wait for him, and he doesn't want to put a rift between you two in case it might be a passing feeling

well... it doesn't pass

he becomes keenly aware of how much he wants you around him, how much he thinks about you, how much your very presence is enough to make him happier than he's ever... really felt

and you know what?

he is totally cool about it.

just kidding. he drives himself insane trying to think of the perfect way to confess, something that will impress you and meet his standards

he's dropping hints left and right and you don't seem to be picking any of them up

which again, just makes him crazy

(some days he really wants to ask you how oblivious one person can be, but he restrains himself)

I mean, how many times can he send you red tulips before you finally get the hint? he's practically spelling it out for you!

there is... a tiny, little part of him that worries you don't reciprocate

is he not your type? are you interested in someone else? perhaps he'd been too harsh on you, after all...

the fact that one little potato can make him so worried absolutely drives him mad

he is the vision of poise and grace and you are ruining him

and this sort of mood comes and goes in waves

just when he thinks he's pulled himself back together, you'll smile at him or say something cute and suddenly he's back to square one

(you're so adorable it's annoying -_-)

while he's sorting out a good way to express his feelings properly, he'll be spending all his free time with you

you need some new things? he'll be glad to take you shopping

you came over to see Epel? oh, well, he's not here, but you should stay for some tea, anyway!

your afternoon is free? he has some new lip gloss he's been dying to test out...

𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭

contrary to popular belief, I don't think Rook would be so open about it

he still compliments you, of course, and sings praises of your beauty and elegance, and has little regard for personal space, as always

but he's like that with a lot of people, so it's hard to really tell when he likes someone

the truth of the matter is that Rook Hunt can be just as reserved with his feelings as anyone else

when he really, really likes someone, he keeps it to himself

why?

he's hunting you he's learning more about you before making his true feelings known

he feels it's necessary to have an adequate amount of information on his target before making a move, after all

for reference: you catch his eye at orientation, and do not have a single conversation with him until after winter break

(of course, after that, you start mysteriously running into him everywhere)

is he kinda weird about it? uh. yeah.

this is Rook we're talking about

on the other hand, he's completely lovesick about you and it's almost cute

he's definitely the type to write your initials in a journal with a glitter pen while kicking his feet back and forth and giggling

seeing if you would sound better with his last name or he with yours...

definitely has a very weird photo collection of you somewhere in his room

along with stacks of poems, pressed flowers, and little gifts he intends to give you once he's won you over

(when, not if. Rook is nothing if not patient)

you may find a rose left outside Ramshackle every so often

or a few cans of tuna for Grim

all while acting like the same old eccentric Rook, no discernable difference

except when you can feel his eyes on you at random places in the middle of the day

Ace and Deuce call you paranoid but you can't shake the feeling

though, every once in a while he'll get a little grumpy

Rook is easily jealous, and while that sort of possessiveness never extended to untouchable idols like Vil and Neige, he's already decided that you're his prey

and he'd kindly ask everyone else to find their own, thank you

he hasn't exactly planned the confession yet, but just know it's probably going to be the sweetest and craziest you've ever heard

𝐄𝐩𝐞𝐥 𝐅𝐞𝐥𝐦𝐢𝐞𝐫

first of all he's going to fight you for making him like you so much

second of all he's going to beg for a chance

maybe not in that exact order

Epel is constantly at war with his own emotions and having romance thrown in the mix is. uh. not optimal

not only does it ruin the stoic, strong male persona he's been trying to build, but it's also making him feel all soft and gushy

suddenly he cares about looking nice

(much to Vil's approval)

and now he wants to do nice things for you?

he's gonna bite you

how dare you make him think about kissing and holding hands!

don't you know he's supposed to be above all this romantic stuff? what is he, Rook?!

then, after his initial temper tantrum, he starts coping. hard.

he might be able to stomach the idea of being an item if he gets to wear the pants in the relationship

...yeah, right? right.

if you let him be the man, if you let him protect you...

he might be okay with it!

obviously he starts trying to show off his manly strength (seriously) every time he sees you

starts making comments about how tough practice was on him

will literally never let anyone else carry anything for you ever again

he even provides for you (in payments of apple juice)

obviously this backfires 'cause the second you do something that gives him butterflies he's back to giggling

(you'll have to ease him into the idea of being soft and romantic together, but he'll get there)

but, to his credit, he'd be the first out of all the above to confess

super suddenly and out of nowhere (and he ends up shouting it cause he didn't want to sound chicken) but it's sweet in its own way

#twisted wonderland x reader #twst x reader #vil schoenheit x reader #rook hunt x reader #epel felmier x reader #queued

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tulipsinthedas · 3 days

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Just finished binging the Fallout tv show and 🤯 I've got so many thoughts running through this little brain of mine. So here's a very long rant no one asked for. Maybe I'll make a more digestible version later. Obviously SPOILERS AHEAD!!! Be warned!

First off - the lore. So many interesting things were added into the lore by this show that I find so fascinating, as well as theories I've had that were touched upon. All of which makes this very exciting but also leaves me DESPERATE for season two. The main thing that has really stuck with me is the confirmation that Vault-Tec were the ones to drop the bombs like hello??? I've always had an inkling ever since I started delving into fallout lore a good year or two ago that they were behind everything, but finally having it confirmed is so fun. Of course, some people out there are going to be irritated (L take) but this imo will make replays so much more interesting. Same with the addition of ghouls needing medication to keep from becoming feral. Although this begs some questions; what is the medicine? Is it just radaway, or something else entirely? Maybe it's connected to whatever Hancock used to ghoulify himself? Or maybe it's connected to Doctor Barrows' research into ghouls fom Fallout 3? Idk! But I hope it's answered in season 2.

Cooper being the inspiration behind the iconic vault boy mascot absolutely gagged me. It was kinda hinted at even in the beginning at the kids birthday party but I was still surprised. Pleasantly, of course. Other smaller things, like the BOS branding and helmets opening up, among other things, were also fun touches that develop the lore in ways that the games probably never would have. It's small things like this that despite livening up the wasteland, would be unnecessary uses of resources from a game-development standpoint. So I think if season 2 ends up being a banger like season 1, we could see a lot more tiny additions to the lore like this!

Secondly - the characters. I don't even know where to start. They were written so well which is such a critical part of a good series. Lucy, despite everything she goes through, stays true to her morals and by doing so, probably unknowingly, is changing those around her. Despite being stubborn, she's willing to listen and understand other viewpoints and adapt herself. It's so refreshing to see a main female lead who isn't written as either weak and naive or strong and boneheaded; she'd a perfect mix of both. I also appreciate them not making her a total push over, even in the beginning before she is given any reason to change. She grows, but never fails to stay true to herself. Plus the whole sex positive thing is an amazing touch to add as well, especially for a woman.

And while on this topic, Maximus is such a cutie pie. Writing characters that are selflessly aligned can definitely be a hit or miss, and without properly being fleshed out, can be one-dimensional, but I never felt that way with him. Despite trying to help others and be a good person, he still has flaws and does feels selfish things. They took the trope of the knight in shining armor, literally, and gave him actual human characteristics that made him feel real. Underneath his heroic demeanor, he's just a little guy who likes slippers and vault popcorn. Who just wants to be somewhere safe away from war and danger, to be where he can just relax and not have to worry. And his romance arc with Lucy is just way too cute. From the moment they met in Filly I knew something was going to happen and I was so excited when they finally kissed lmao. The sweet, innocent love at first sight thing they have going on is the perfect dichotomy to all the bloodshed and heavy themes going on in the rest of the show.

And finally, Cooper is reviving the inner ghoul lover in me and I cannot complain at all. As a certified Hancock lover, I feel seen ✋ also Walton Goggins is just incredibly fine. But that's besides the point. His character is arguably the best written because despite being an undeniably evil person, he is still likeable. 200 years have turned him into a man who had to lose his humanity to survive, and the pre-war flashbacks being shown through his eyes give him, and the story, so much depth. Despite his ways, you can't help but still feel for him, to still root for him and hope that he still has a little bit of that humanity left within him. Which imo was shown multiple times; for example him not killing Maximus in episode two even though he easily could have done so. And the fact that he's still searching for his family all these years later? When he was asked what has been keeping him going so long, I think they are his reason. Whether he is searching to reunite or to exact revenge on Barb for dropping the bombs while him and Janey were outside idk. But it makes his story all the more heartbreaking. I also love the writing for Norm, Moldaver, Dane, and so many others, but this is already too long ass it is.

Overall, this series was so good and I'll be impatiently awaiting season 2! Some things I'm hoping to see next seasons are super mutants for sure, as well as synths and more of the enclave. I think they went easy this season to test the waters and see just how interested people are. And now that they know people are very interested, I think they'll be more willing to invest a larger budget, and add more. Rant over!

#fallout #fallout show #fallout series #fallout prime #fallout tv series #cooper howard #lucy maclean #maximus fallout #fallout series spoilers #fallout spoilers #fallout amazon #fallout ghoul

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sorrelpaws · 1 year

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proper refs for my new r&m ocs :-) more info BELOW

morty v-37 - basically gets used as a human shield and then promptly left for dead by his previous rick(which is why hes got the scar and prosthetics), y-4441 finds him and fixes him up + erases his memories of the whole nearly dying thing. he’s pretty chillaxed and a bit more cynical than an average morty, more “rickish” i guess idk. tends to be skeptical, likes poking holes in rick’s arguments/inventions etc etc but like in a teasing way

rick y-4441 - very peppy, upbeat and emotional. he kind of reeaalllyyy dislikes the cfc and stays away from it as much as possible, especially after finding and unofficially adopting v-37. he’s not as tech savvy as most rick’s, his abilities are more akin to s1 rick’s skill level? as in, he lives off of scraps of materials and creative solutions, less god-like and more “old man in garage who happens to know physics and chemistry”. loves to ramble about basically anything and happily indulges in morty’s hypotheticals/questions whatever. EXCEPT! for why morty doesnt have his fingers he shuts that topic down immediately just does not want to deal with that can of worms at allll

#rick and morty #rick sanchez #morty smith #ocs #idk #theres no name or real story for this au #except for like their backstories i mea #like they have no direction they're just chilling #but i like drawing them #theyre kind of? role swapped versions? buuutt like okay.#i usually hate roleswap aus bcs the way most ppl do them is by just tweaking designs AND ALSO switching the personalities #like ok this is just me rambling abt a pet peeve now but listen to me #it is much more interesting to take the characters and Keep Them The Same while putting them in a different position #that is a neat au in my opinion #but just ugh.#like ok if u just wanna draw alternative versions of the charas thats fine OBVIOUSLY #but i wish there was a biiittt more thought in there. like just a shred of idea #'scientist morty but he's still empathetic and loves his family' + 'regular grandpa rick who is just such an ass for no reason at all'#ok im over it. tell me my ocs r cool

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creatingblackcharacters · 1 month

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“That One Hairstyle? RETIRE IT!” Black Hair is an Art (pt.1)

(This is part one of two lessons, with this one focusing on how our hair itself! The next lesson will encompass how to incorporate its existence into your writing. It'd be a massively long post otherwise.)

So! Black hair. Black hair is a CENTRAL, ESSENTIAL part of our culture and identity. Writing and drawing it means understanding the vulnerability and trust that comes with access to it, and yes, it is racist to suggest that ‘it’s just hair’ when our hair serves such an important role in our history and art. I already wrote a mini-lesson and ask on the topic, but being aware of what our hair looks like, and what means to us, will help you to understand why we care that you put in the effort to get it right.

Hair Textures

We are not a genetic monolith! However, for the sake of this series, we are focusing on 3C-4C, because 1) it's most likely to be seen in life and 2) least likely to be seen in popular art! When you are creating your characters, consider the style and care for THESE textures. I will get more into this next lesson.

Let's get into SOME of the hairstyles!

Afros (36 Afro Hairstyles)

“So, what’s the phenomenon behind the Afro? Well, it’s our hair in its most natural form, but that’s only part of the phenomenon. It’s a way to fight the status quo without saying a word.”

-Ebony Magazine, The History of the Afro

When nonBlack society hears ‘afro’, they think completely picked out, Black power imagery, political statement. And it was, and is! But in actuality, afros are just the natural hair growing out of a Black person's head. The same way your hair grows out of your head. Our texture. Even my hair is not allowed to be ‘hair’, it has to ‘assign’ my Blackness; my distance from whiteness. Imagine, the hair growing out of your head being automatically associated with how you should be perceived. Just by existing, it is making a statement in a Eurocentric society.

Braids (31 Braid Styles)

There are SO MANY TYPES of braids and ways to wear them. If you can imagine a design, I bet there's a Black braider that can do it!

CORNROWS ARE NOT AUTOMATICALLY BRAIDS! Internalize this! They may be used in the same style, but they are NOT INTERCHANGEABLE TERMS!

Braids are considered a protective style; that is, a hairstyle designed to let our hair 'rest' and grow without having to manipulate it. If you have a Black character that's constantly on the go and/or doesn't have time to focus on their hair, and you want an accurate, more true-to-life experience for them, braids can be a crucial part of character design.

Locs

(Yes, while that link has plenty of examples, it was also self-indulgent. Locs are gorgeous, Black men with locs are gorgeous!)

"Locs vs Dreads": As someone in the loc community, there’s been a push to refer to the style as ‘locs’, rather than ‘dreadlocks’. Some people with the style will not care, but others take it very seriously, so it’s something to keep in mind. There’s a societal stigma behind having locs, that they’re ‘dirty’ or ‘unkempt’ or ‘lazy’ and that is NOT true. Locs are beautiful, and they take far more effort than people seem to want to believe lmao.

Locs, though there is currently a positive revival, are still highly discriminated against. Kids have been expelled from school and even have had their hair forcibly cut off to be allowed to participate in sports. Many places won't hire you if they think your hair is 'unprofessional' or 'dirty', especially if you're a Black woman. To consider yet another example of the hair that grows out of my head 'dirty' is extremely racist.

LOCS ARE NOT BRAIDS!!!!

Locs are also a protective style, albeit a much more permanent one, and one that comes with a long history and culture behind it. Many Black people consider the biblical story of Samson to be a man with locs, and that our locs hold power within them. That not just anyone should be allowed to touch your locs. So, if you're interested in mythology and powers, that might be an intriguing way to go, that would be possible if you had a Black character with locs!

In Professional Media

The lack of awareness and concern about our hair isn't just a fan or amateur creator experience. It is ubiquitous in the professional media world. Black actors, actresses, and models have discussed having to do their own hair when working, because no one would properly care for it on set if it wasn't familiarly white. It’s admittedly grown better- however! After decades of not having options other than ‘stereotypical afro’, ‘box cut’, and ‘white people hair’, it is LONG PAST TIME to stop settling for the bare minimum in Black character design. We can tell when "one of us" (with some sense, at least) wasn't in the room to make decisions in popular media.

If you were curious about the lesson title, here's a current example of what I'm talking about in video games. Tell me if you see a pattern:

This style? The Killmonger? We seent it!!!! It has become the “hairstyle to show I understand the exaggerated swagger of a young Black teen” option, the "I know the Black people!" go-to, and frankly, we are all tired of it. Okay it was cute on Ekko. The Black Delegation DEMANDS the professional video game industry pick something else! We have SO MANY DIFFERENT HAIRSTYLES!

I'll give you an example on the other end (not trying at all; refer to Lesson 1) from one of my favorite games, Hades:

This is my blorbo. My favoritest guy. I’ll fight for Patroclus being Black til the day I die. While I begrudgingly settled in my excitement, I can tell you no one Black with any voting power was in the room at Supergiant when they approved this design. Why? His texture! Locs were such an easy option if they wanted long hair! Locs existed BEFORE Ancient Greece! The man did not have a flat iron while fighting in a war! A good Black designer would have considered that!

To give him a more accurate design, some artists (myself included) lean into giving him locs (one of my favorites is @karshmallow 's Pat; a phenomenal example in caring about your Black characters). It’s something Black fans find themselves doing- redesigning Black characters. That's not something we should have to do at all, especially in media we pay for!

But if you REALLY want your Black character to have straight hair, that leads into the last style of this lesson:

Straight Hair

We do have straight hair. But it’s not straight because it grew out that way! It will still look and be thicker! It might be a wig or a sew-in (human or synthetic), it might be flat-ironed (while relaxed? While natural?) It takes effort to get and maintain straight hair.

'I think it looks better good this way!'

If you catch yourself thinking this, this is a racist statement. Whether you’re aware of it our not, there is a bias towards Eurocentric/white features in our society, and that includes in our media. When you think “I only drew [this Eurocentric hair texture and style] because I think it looks good on them!” I want you to PAUSE and think about the WHY. WHY do you think that this Black person’s natural features are unattractive in comparison to the white hair texture you gave them? And how hurt might a Black peer of yours would feel hearing that you find their natural features not worth drawing because they’re “not attractive”. It requires approaching your own internal biases, recognizing them, and then working to unlearn them. And that means practice! Using references to draw our hair and styles, and growing used to using OUR features on US!

Doing it in Art

Me personally, I think if you think drawing thinner hair textures is easy, thicker hair textures should be a BREEZE. I was curious, so I challenged myself and-

(it took me about thirteen minutes total to do ol boy's hair and it's still not right. I'm sick fr y'all don't even know 🤢)

@ackee has a really good art lesson on the how-tos of drawing Black hairstyles. I highly recommend checking it out, as well as following and supporting a fellow Black artist (who is far better than I!)

Hair Brushes

Finally, an option you can use for painting is downloading Black hair brushes! Vegalia has an amazing array of brushes with different types of curls, locs, and braids at her Etsy store! You can also follow her on social media to see how she applies them, and support yet another amazing Black creative!

I know this was a long one, but you made it! Just keep going. Remember, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #black art #black characters #character design #black hair #black history #black culture

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fatphobiabusters · 7 months

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People say weight loss is for sure possible...but no one agrees on how to do it.

Dieting works...but there's now an "ob*sity epidemic" despite people lining the pockets of weight loss corporations more than ever.

Weight loss products work...but weight loss corporations are making the Exact. Same. Claims. about their products that they did in 1910 with the products that were sold and then discontinued over a century ago.

Humans are all meant to be thin...but there are families of fat people who stay fat no matter how much "willpower" they muster and have fat ancestors going back generations.

It's about health and not looks...but people who are losing weight due to smoking, cancer, illness, mental disorders, and other health conditions are praised for their weight loss and told to keep going.

Fat people aren't oppressed...but fat people have no positive representation, no proper access to clothing, face a wage gap, endure deadly medical neglect and abuse, have their deaths by police brutality excused with their fatness, and countless other aspects of oppression that they deal with every single day.

Fat people are all fat because they overeat...but you can point to any fat person on the sidewalk and there's an extreme likelihood that they're on their 30th diet attempt in the past 10 years while there's thin people who eat whatever they want, however much they want, and don't exercise yet never gain a single pound.

Fat people are privileged because they gorge on unnecessary food...but fat people are overwhelmingly living in poverty, are not paid the same amount of money for the same work as their thin peers, are not chosen for promotions, are turned away from jobs that an employer wants more than a "pretty face" for, are at major risk of workplace harassment, and endure oppression even beyond just that.

Fat people aren't treated badly...but people use the word "fat" as a metaphor and synonym for "ugly," "unlovable," and "unworthy," while at the same time believing "fat," the most basic term for a specific body type, is a dirty, taboo insult you should never allow to leave your lips.

Professionals agree that fatness is inherently bad...but almost any weight-related research study that people, especially weight loss corporations, use to justify demonizing fat people has the worst methodology imaginable with validity errors and logical fallacies galore as well as conflicts of interest due to how many of these studies just happen to be funded by the corporations that make millions and billions of dollars off of the demonization these studies promote.

All health conditions a fat person has are caused by their fatness...but there is not a single health condition that only fat people obtain, many fat people developed the health condition in question when they were thin or thinner, weight gain is often a symptom of said health conditions, fat people are not given the same amount or quality of healthcare as thin people, and repeated starvation attempts (also known as "yo-yo dieting") have been shown to worsen a person's health.

Fat people can't have eating disorders...but fat people are the group encouraged to partake in disordered eating by this fatphobic world the most and then are not given any support to recover.

Thin privilege doesn't exist...but thin people who see the way fat people are treated in society do their absolute damndest and take whatever drastic measures they have to in order to prevent themselves from ever becoming one of "Them."

Fit and fat are mutually exclusive...but there are fat athletes as far up as even the Olympics, and sports are intentionally made inaccessible to fat people to the point of fat children even being turned away when trying to join a sports team.

Fat people are ugly...but all we grow up ever seeing in media are thin, conventionally attractive people painted with layers of makeup next to fat characters who were intentionally designed with an ill-fitting outfit, matted hair, and all other traits that fit the "ugly" stereotype that the character designer could manage to slap onto a single person.

Fat people are big, bad bullies...but studies show that weight is the number one excuse that children use to bully their peers, outcompeting a multitude of other oppressed identities considered.

Fat women are just men and vice versa...but sometimes they're androgynous, and sometimes they're basically nonbinary, and sometimes they're just things, and sometimes they're nothing at all depending on what labels a fatphobe decides will hurt a fat person most that day.

Fat people are subhuman...but fat people deserve the same love, respect, compassion, and support that all people are born inherently deserving.

Fatphobia isn't real, but—

-Mod Worthy

#fatphobia #healthism #diet culture #fat liberation #Mod Worthy #o word

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little-hermit-crab56 · 6 months

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I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

#writing tips #nanowrimo #story writing #writers on tumblr #writeblr #writerscommunity #writing #writer

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mimi-cee-genshin · 1 year

Text

Friend-zoned? - Alhaitham x f!reader

Summary: How many Akademiya guys does it take to figure out whether or not you've friend-zoned Alhaitham? After discussing how strong he is, Kaveh, Cyno and Tighnari analyze his relationship with you. Things get interesting when you join their table.

Other info: fluff and humor :D, female reader, my extension of the conversation in Alhaitham's character demo because I loved the guys' interactions there so much

Words: 2.7k

*****

"Essentially, more time on contemplation, less time on execution," Alhaitham tells them. "Simple, isn't it?"

"... Not really," Tighnari and Cyno reply.

"Ugh, I knew I shouldn't have brought this up with you," Kaveh complains.

"I thought my answer was quite engrossing," Alhaitham says. He raises his hand. "Boss, this is good wine. I'll have the same please."

Kaveh swirls his cup. "Well, he has at least one weakness," he comments.

"Do tell," Cyno says.

"He's had the same crush for years," Kaveh tells them. "The guy's completely smitten."

"You can't be serious," says Cyno.

"Why is that so surprising?" Alhaitham says. "It makes less sense that I wouldn't be attracted to her."

"See what I mean?" says Kaveh. "You should see how he is around her. He practically treats her like a queen."

"I have a hard time believing that," Cyno says, crossing his arms.

"Stop exaggerating," Alhaitham tells Kaveh. "I just treat her the way she should be treated."

Kaveh only laughs at his answer.

"I thought you didn't like social interaction," says Cyno. "Or had any friends for that matter."

"It's not tiring to be around her," he says. "She's different."

"Of course she is," says Kaveh.

"Well this is interesting," says Tighnari. "What is she like?"

"We've known each other since we were kids. She was mature for her age. She did things like helping me resolve issues I had with others to keep the peace, making sure other kids didn't bother me while I was reading… Also, comforting me whenever I got discouraged…"

"You? Discouraged?" Kaveh scoffs.

"Yes? I'm only human you know," Alhaitham simply replies. "Anyway, you get the picture."

"That seems reasonable," says Tighnari.

"So it's one-sided?" Cyno asks. "As far as I can tell, you're still single."

"No," says Alhaitham, crossing his arms. "It's not one-sided."

"You're kidding me, right?" Kaveh says. "Are we even talking about the same person?"

Tighnari raises a brow.

"Every time she introduces him to another woman, she's a little too obvious with sharing why they'd be good for Alhaitham," Kaveh explains, "as if she's trying to sell them off to him."

"Don't be so dramatic," Alhaitham says. "She's not selling anyone."

"If that's the case, then why are you sure she likes you?" asks Cyno.

"Well for one, she comes by often to check how I'm doing."

"Perhaps she simply thinks you're incompetent at your job," Kaveh chides.

"Two," he continues, ignoring him. "She's always willing to hear about the latest book I'm reading, no matter how boring others think of it."

"Hmm…" Tighnari mumbles. "I can understand that."

"And three…" Alhaitham puts down his cup. "Whenever she reaches out for my hand, like when she wants to comfort me, she stops short of actually holding it."

"She does?" asks Kaveh.

"Interesting. So it seems that while she does display some sort of affection for you," says Tighnari, "perhaps she just didn't want you to get the wrong idea."

"So you're doubting my conclusion?"

"I'm simply saying it's difficult to judge based on the evidence you've provided. We may need to observe the two of you for ourselves."

Alhaitham sighs. This isn't going anywhere.

"Does she have any reason to not want to date you?" Cyno asks. "I wouldn't be surprised if you were overly critical of her, commenting on her every action."

"I give her nothing but compliments. She knows I think very highly of her."

"Huh," Tighnari says. "That's quite unexpected."

"I've been telling you guys," Kaveh says, "but he's really something else around her."

"Is she… actually older than you by any chance?" asks Tighnari.

"She is."

"Hmm… Well this changes things. Perhaps, she still sees you as a kid and is simply just doting on you."

Kaveh turns to Alhaitham, eagerly waiting for his reply.

Alhaitham clears his throat. "She's less than a couple of years older than me. It's not a big deal."

"Just admit that you're friend-zoned," says Kaveh. "Who'd treat their love interest like a kid?"

"I'm not so sure…" Cyno says.

Both Kaveh and Tighnari raise a brow.

"I think that Alhaitham has a clearer picture and can judge more accurately than any of us. They've known each other for long enough."

"It's just his wishful thinking on his part," says Kaveh. "Who wouldn't want to read into their crush's actions?"

"I agree to an extent," says Tighnari, "but perhaps we're missing some crucial information here. We don't know how well Alhaitham can judge a person's actions when romantic feelings are involved."

"I'm thinking quite clearly, thanks," Alhaitham says.

"This is why you aren't getting anywhere," Kaveh scolds him. "You're assuming she has feelings for you when she doesn't. You still need to win her over."

"Then what do you suggest I do?" Alhaitham crosses his arms.

"Ha. As if I'd help you. She could do way better than you anyway."

Alhaitham groans. Why is he even part of this conversation?

"Well, have you ever told her how you felt?" asks Cyno.

"Of course," replies Alhaitham. "I'm pretty obvious about it."

"For someone as reserved as you, I highly doubt that," Cyno adds.

"I wrote her a letter, eloquently expressing my love for her."

"Pfft. What?" Kaveh snorts.

Tighnari stares in disbelief. "Oh. I get it. You did that when you were children."

"I'm referring to the one I gave her yesterday."

"Pfft."

"That's… pretty obvious," Tighnari adds.

"I bet it was more of an essay than a love letter," Kaveh says with a smirk.

"Well, in that case, she either doesn't like you," says Tighnari, "or there's something that prevents her from admitting her feelings."

"Perhaps she's intimidated by your position," suggests Cyno.

"It's unlike her to care about those things," Alhaitham says. "She even treats me like a kid at times."

"So you do admit she just thinks of you as a kid," Kaveh says.

Alhaitham doesn't answer.

"Honestly, this case is closed," Kaveh continues. "There's nothing more to it."

"Hmm... Have you tried to make her jealous?" asks Cyno.

"You're still not convinced?" Kaveh is surprised at him.

"Knowing the result of that would likely draw us closer to a conclusion," Tighnari adds.

"Why would I purposely try to hurt her?" asks Alhaitham.

They exchange glances. Alhaitham still had the ability to make them go speechless with his matter-of-fact tone.

"Well, he's definitely serious about her," says Cyno.

"I told you," Kaveh says. "Seems like she's the only person he'd open up to as well."

"Of course she is," Alhaitham replies.

"I wonder…" says Tighnari. "Has she ever shared her own struggles with you?"

"Why would that be a factor?"

"Well, that would display how comfortable she is around you."

"Hmm… Not bad…" Alhaitham seems to agree with his line of reasoning.

He goes quiet and uncomfortably so because the other three exchange awkward glances at each other in the meantime.

"Well?" Cyno breaks the silence.

"You may be right," Alhaitham tells Tighnari with a sigh. "But that certainly raises more questions."

"Can we just start playing Genius Invokation TCG?" asks Kaveh. "We just keep going in circles with this topic."

"So you guys did just drag me out to play cards," says Alhaitham.

"It would be interesting to meet her," says Tighnari. "It's gotten me curious."

"Same here," says Cyno.

Kaveh looks up at the tavern entrance. "Huh? She's actually here."

Alhaitham's eyes flicker open for a brief moment. "Nice try. I'm not falling for that."

"I didn't expect to see you here, Alhaitham," you say, ruffling his hair.

He freezes and the three of them take a closer look at his face.

"I never expected him to have that kind of expression," whispers Tighnari.

"Me neither," Cyno agrees.

Alhaitham clears his throat. "They simply invited me here for some cards," he tells you. "Nothing more."

"Can I join?" you ask.

Without question, Alhaitham gets up from his chair. He holds the back of his seat and slides it out, gesturing for you to take it.

Cyno and Tighnari widen their eyes.

"Is it just me or did that feel kind of odd?" says Tighnari.

"Coming from him? You're not wrong there," adds Cyno.

You hesitate for a moment before you accept his kindness and take his seat. He stands next to you, waiting for the other guys to start preparing the game.

The two onlookers feel slightly uncomfortable for some reason while Kaveh tells them another round of 'I-told-you-so's. There isn't anything out of the ordinary as you all take your turns playing each other. Cyno is intense as usual, not just with his tactics but also with how he approaches the battle like an interrogation. Tighnari was calm and collected even under pressure, and Kaveh spoke his mind with every move, regardless of whether it's his or his opponent's. But having you there with Alhaitham is… strange.

Nothing really happens of significance. The two of you treat each other well and with respect. Just having Alhaitham being a complete gentleman around you is unnerving for the rest of them. Curt responses and sarcastic remarks are absent. He's completely agreeable with you and his usual temper isn't there either. Everyone plays the game in peace.

"You should save that card for later," Alhaitham tells you. "He can't do anything for the rest of the round anyway."

"Hmm… I'm not quite sure if that's what I want to do yet," you respond.

"Alright," he says. "You should do what you think is best."

"This guy…" Kaveh turns to you. "How do you get him to be like that? If it were any of us, he would've scolded us with a lengthy explanation about how we'd lose if we didn't follow his exact instructions."

"What? She can think for herself."

"And none of us can't?"

"I'm already familiar with how the three of you play and where you go wrong. I want to see if she does anything differently."

"It seems that he really does only compliment you, huh?" Tighnari tells you.

"Why would I do otherwise?" Alhaitham states.

His straightforward remark stuns them once again.

"Okay, we get it," says Kaveh. "We all know about your huge crush on her."

"Seems like you can't say anything bad about her even if you try," Cyno comments.

"Of course I can."

"You can?" you ask.

The whole table looks at you funny. You fiddle with the cards in your hand, pretending you weren't shocked for a split second.

"Interesting," says Cyno.

Alhaitham crosses his arms. "What is it?"

"I'm keeping my observations to myself for now."

Alhaitham raises a brow, but lets it go for the meantime.

A few rounds go by and you help set up for the next. When Alhaitham picks up a die for you from the floor, your hand brushes against his and the die falls off the table once more.

"What's wrong?" Alhaitham asks as he picks up the die again. "You're not usually this clumsy."

"I don't think there's anything wrong with me," you say.

He takes a closer look at you and you avoid his eyes. "Alright," he says. "You still ready to play?"

"I'll need to head out soon," Tighnari says. "It's my turn to be on patrol for tonight."

"Hold on," Cyno says, placing his cards on the table. "One last round. I'll be your opponent this time," he tells you.

You finish setting up the game and test your skills against Cyno. He certainly doesn't make it easy for you. You fall behind pretty quickly, but at least he's not as intimidating as when he played with some of the others.

"So," Cyno says, "what do you think of Alhaitham?"

Your eyes widen at his sudden question.

"You're straight up asking her?" says Kaveh.

"Why not?"

"I guess he has a point," says Tighnari.

They turn their attention to you to see what you'd say.

"Well…" you say, "he's very intelligent and talented."

"No, not what everyone else says," says Cyno. "What you think."

"What do you think you're doing?" asks Alhaitham. "Are you interrogating her right now?"

"Just let her answer the question."

"Well…" you say, "he's nice? And sweet?"

Cyno raises a brow.

"He's cute?"

"Pfft." Kaveh holds in his laughter.

Cyno ignores him and presses the question.

"I don't know how to respond," you tell him. "We've known each other for so long I can't just sum it up in a sentence."

"Alright. I'll get straight to the point," says Cyno. "What do you think of Alhaitham's feelings for you?"

"I think he should get to know other people… and try dating someone else?"

"See?" says Kaveh.

"I've already told you I'm not interested in anyone else," Alhaitham says.

"No, you should listen to her answer," Cyno tells him. "She's not lying."

"What?" Alhaitham widens his eyes.

"I'm not done yet," says Cyno. "There's more." He turns to you. "How serious do you think Alhaitham is about you?"

"He's definitely sincere."

"I'm pretty sure that was obvious," says Tighnari.

"But you don't take his feelings seriously," Cyno tells you.

"It's not that. It's just…"

"You don't?" asks Alhaitham.

"Alright. It's your turn from here," Cyno tells him.

"But I thought I was clear," Alhaitham tells you.

"You were."

"Apparently not clear enough."

"Look. You used to follow me around like a duckling whenever you weren't reading a book," you tell him. "How was I supposed to take your crush on me seriously?"

"It's been more than a decade since then."

"I... Okay, fair enough," you concede. "But it would disappear once you learned I didn't live up to your expectations."

"What expectations?" Alhaitham raises his brow.

"I don't know. That I'm this perfect woman that you've been pining for more than half your life. You'd know I'm not so great if you'd actually try liking someone else."

"Is that what you've been telling yourself?"

"You never say anything bad about me."

"Why would I want to talk about your flaws? Especially when I've been trying to win you over," he says. "Besides, aren't they obvious to you?"

"What?" You're genuinely surprised. "Like what?"

"Like how stupid you're being right now."

You freeze.

"Besides, I've been around you long enough," Alhaitham continues. "There's plenty I don't like. Like the way you cut me off at times–"

"What?"

"–or your atrocious style–"

"Okay, that one hurt a bit–"

"–or how stupid do you have to be to keep asking Kaveh for money –"

"Alright. I get it."

"–or that time you–"

"Okay! I get it! You like me!"

Kaveh looks at you as if you've grown another head. "How did you come to that conclusion? Are we even listening to the same conversation?"

"I think she's finally realized that his feelings were deeper than she initially thought," says Tighnari. "Especially since she knows that Alhaitham is still objective with her and not blinded with infatuation."

"That's right," Cyno says. "She's been the exception to his behavior for a long time. It makes sense she would think his judgment would be clouded with the information she had."

You hide your face from them. It's embarrassing how they read you like a book once your guard was down.

"I didn't expect the solution to be so simple," Alhaitham says.

He slips his hand into yours and you let out a little squeak. "You've also been wanting to hold my hand for some time haven't you?"

"Ugh. You're all smug now because you know that I return your feelings."

"I also don't like how you rearranged my bookcase."

"You can stop now."

"I think it's time for us to go," says Cyno.

"But we haven't finished our match yet," you tell him.

"I'll just forfeit this one."

"I'm with you on that," says Kaveh. "Anything before they start being gross with each other."

"I guess this is a good time for me to head out as well," says Tighnari.

The two of you are suddenly left alone at the table with a bunch of dice in front of you.

"Well, that's one way to win a match," Alhaitham tells you. "I'd say it's pretty ingenious actually."

You simply groan. You know what's coming.

"Do you want me to help you win every time?"

"Please don't."

*****

I hope you liked it. :)

This is one of those fics I wish had inline commenting like on Wattpad. I would've loved to see how everyone reacted at certain parts in real time but unfortunately Tumblr doesn't have that.

Anyway, you can find links to my masterlist and taglist on my pinned post if you want to check out more of my writing.

#alhaitham x reader #alhaitham scenarios #alhaitham fluff #alhaitham fanfic #genshin impact x reader #genshin impact scenarios #genshin scenarios #genshin x reader #genshin impact fluff #genshin impact fanfics #genshin fluff #cyno #tighnari #kaveh

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teabutmakeitazure · 1 year

Text

Coincidental Smiles and Hard Working Humour

How the Yan Genshin boys react to a genuine laugh from you and try to dig for more

Characters included: Childe, Diluc, Zhongli, alhaitham, Pantalone

------

Childe: Going to the kitchen first thing after waking up and seeing him half covered in flour with his hair ruffled up like he just got hit by electro did wonders on your brain. The sight of him disheveled and disorderly had made you chuckle, the bubbles of laughter slowly turning into giggles. Childe watches you with eyes as wide as saucers as he remains frozen where he stands, saucepan in hand. The sound of your laughter echoes in the kitchen, and you briefly clutch your stomach during your unguarded moment. Watching you pour out such joyous sounds makes Childe's brain hyperactive and he tries his best to get into circumstances similar to that. He messes up his shirt's buttons and goes to you, asking you to fix them for him. He purposely lets his hair dry all weird so that you could see how funny it looks. He even goes to the length to make up some puns in his head, but that horribly backfires when you mockingly gag. Childe tries his absolute best to make you laugh again all the while going to sleep with the memory of that heavenly sound replaying in his head over and over again.

Diluc: Dawn Winery is no stranger to nature. There's crystalflies, grapes, carrots, potatoes, the occasional boars and your favourite, the resident cats. Having recently befriended a mother and her three kittens, you often sneak out to the vineyard to find them. Diluc is obviously aware of the little rendezvous that frequently occurs but takes no action since, well, you come back inside out of fear anyway. Plus, the staff in the vicinity always keeps a close eye and Diluc himself, when at home, watches. So when he hears you giggle from around the corner as he hides in the shadow of the estate wall, he is enchanted. Not because he's never heard you laugh before, no no. It's because of how genuine it is. He peaks out of curiosity and sees three kittens climbing on top of you with different angles all the while one licks your cheek. More sounds of laughter from you put Diluc in a kind of spell, and he finds himself slowly taking steps towards you. Naturally, blood drains from your face when you see him towering over you. Diluc feels guilty when you go as silent as a mouse, but ends up bringing the cats inside to dig up more smiles from you. Can't say competing with them for your attention was easy but hey, it's a small price to pay.

Zhongli: The harbour is bustling with business during the evening hours. Working people leaving for home and grabbing necessities on the way back and children playing by the docks during the rush hours just to hurry back home when it gets dark. While the ex archon thought you would be interested in shopping, it seemed that the youngsters of Liyue Harbour had been your point of interest all along. You had slipped away when he was analysing which hairstick would suit you better, and though Zhongli would usually be worried, he is aware that there's no place you may run off to. Thus, him being perfectly fine with you roaming about. However, had Zhongli known that you would be engaging the children in different games with so much laughter and joy, he would have let you go sooner. As he stood there, watching with a smile, only one thought crossed his mind. Perhaps you would display the same joy if you had children of your own, right?

Alhaitham: The Akademiya can be... ruthless, even for the feeble scholar. The other day, alhaitham, absolutely sleep deprived, had fallen asleep while drinking his morning coffee and while he would have thought that you'd leave him be, you actually took the mug from his hand and placed it on the counter to avoid any spills. Alhaitham's lack of sleep haunted him for a few more days and on one fine morning had fallen asleep while doing paperwork. Being someone who avoids his attentive stare in the mornings, it had been a few hours later that you had exited the bedroom for breakfast. It would certainly not be an exaggeration to claim that seeing the acting grand sage sleeping on the sofa with his coffee mug empty and the beverage spilled onto the floor is in any way, shape or form reassuring for Sumeru's future. However, catching sight of the little amount of drool spilling from his lips had caused you to erupt into a fit of giggles, waking up the sleeping man. Maybe you should atone for your transgression with offering yourself as a pillow.

Pantalone: The Regrator's job is a stressful one. There are idiots of all types present everywhere and are far too much of a nuisance. Pantalone had summoned you into his home office in an attempt to catch a well deserved break from being hunched over paperwork, but when you had walked in, he didn't even so much as look up from his desk, scowling at the papers haphazardly scattered about. Having to witness such a stoic and composed man scowling and glaring at papers all the while muttering something about 'buffoons' and 'imbeciles' had made you stop in your tracks, suppressing a smile. It was when he had made a disgusted face before grabbing an abacus that you couldn't hold in a chuckle. The sound morphs into laughter, and Pantalone freezes on the spot, head slowly rising to look at you. Seems like today is a blessed day.

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sassydefendorflower · 5 months

Text

I want to talk about something. I want to talk about ableism in fandom. And sexism in fandom. Oh, and racism in fandom.

Mostly though, I wanna talk about how the discussion about these things often gets derailed because people don't understand what trends and typical behaviors actually are.

Whenever a Person of Color, a woman, someone disabled, someone queer (or an intersection of any of these groups) points out that certain fandom trends are bigoted in some shape or form, half the replies seem to be "but they are my comfort character! Maybe people just like them better because they are more interesting!" or even "people are allowed to have headcanons!" - the very daft even go for a "don't bring politics into fandom" which is a personal favorite because nothing exists in a vacuum and nothing is truly apolitical. But alas~

What most of these replies seemingly fail to understand is something very, very simple: it's not about you.

You, as an individual, are just one datapoint in a fandom. You are not the trend. You do not necessarily depict the typical behavior.

When someone points out that there is racism in fandom, that doesn't mean every fan is racist or perpetuating racist ideas*. By constantly mentioning your own lack of racism, quite often, you are actively derailing the conversation away from the problems at hand.

When someone names and describes a trend, they don't mean your headcanon specifically - they mean the accumulated number of headcanons perpetuating a harmful or outdated idea.

I am not saying this to forbid anyone from writing fics about their favorite characters or to keep anyone from having fun headcanons and sharing their theories and thoughts - quite the opposite actually. A critique of a general trend is not a critique of you as an individual - and you're going to have a much better, and more productive, time online if you can internalize that. If you stop growing defensive and instead allow yourself to actually digest the message of what was pointed out.

I am saying this to encourage some critical thinking.

Allow me to offer up some examples:

Case 1: A DC blogger made the daring statement that maybe Tim and Jason were such a popular fanfic focus because they are the only two undeniably white batboys. Immediately someone replied saying "no, it's all the fun traumatic situations we can put them in!". Which is an insane statement to make, considering the same can be said for literally ANY OTHER DC Batman and Batfam character.

The original post wasn't anything groundbreaking, they didn't accuse anyone, didn't name any names... but immediately there was a justification, immediately there was a reason why people might like these characters more. No one stopped to take a second and reflect on the current trends in fanfiction, no one considered that maybe this wasn't a declaration against people who like these characters but a thesis depicting the OVERALL trend of fandom once again focusing on undeniably white (and male) characters.

(don't get me started on the racebending of white characters in media that has a big Cast of Color and the implications of that)

Case 2: A meta posted on Ao3 about ableism in the Criminal Minds fandom caught my attention. A wonderful piece, very thoughtful, analyzing certain characterization choices within the fandom through the lens of an actually autistic person. The conclusion they reached: the writing of Spencer Reid as an autistic character, while often charming and comforting, tended to be incredibly infantilizing and at worst downright ableist. They came to that conclusion while CLEARLY stating that the individual fanfic wasn't the problem, but the general fandom trend in depicting this character.

Once again, looking at the replies seemed to be a mistake: while many comments furthered the discussion, there were quite a few which completely missed the point. Some were downright hostile. Because how dare this author imply that THEY are ableist when they write their favorite character using that specific characterization.

It didn't matter that the author allowed room for personal interpretation. It didn't matter that they noted something concerning about the entire fandom - people still thought they were attacking singular people.

Case 3: I wrote a fic about abortion in the FMA(b) fandom (actually I've written a weird amount of fics about abortion in a lot of fandoms, but alas) and I got hate comments for it. Because of that I addressed the bias in fandom against pro-choice depictions of pregnancies. I pointed out that the utter lack of abortion in many omegaverse stories or even mpreg or het romances, painted the picture of an unconscious bias that hurt people for whom abortion was the only option, the best possible ending. The response on the post itself was mostly positive, but I got anon hate.

(which I can unfortunately not show you since I deleted it in the months since)

And I'm not overly broken up about it, but it also underlines my point: by pointing at a general problem, a typical behavior, a larger trend... people feel personally attacked.

This inability to discuss sexism, ableism, racism, transphobia, etc in fandom without people turning defensive and hurt... well, it damages our ability to have these conversations at all.

Earlier I said YOU are not the problem - well, i think part of this discussion is acknowledging that: sometimes YOU are in fact part of the problem. And that's not the end of the world. But you can only recognize yourself as a cog in the machine, if you can examine your own actions, your own biases, your own preferences critically and without becoming defensive.

And, again, this is not to keep you from finding comfort in your favorite characters and headcanons. This is also not to say that I am free of biases and internalized bigotries - I am also very much a part of the system. A part of the problem.

This is so you can comfortably ask yourself "but why is there no abortion in this universe?" or "why are my favorite black characters always the top in my slash ships?" or "why do I write this disabled character as childish and in need of help?" - and sometimes the answer is "because I am disabled and I want comfort", and that's fine too.

There is no one shoe fits all in fiction. There is not a single trope that captures all members of a group. There is no single stereotype that isn't also someone's comfort. No group is a monolith, no experienced all-encompasing (or entirely unique).

There is never a simple answer.

But that doesn't mean you should stop questioning your own biases, your own ideals.

Especially, if you grow defensive if someone points out that a certain trend you engage in might be racist. Or sexist. Or queerphobic. Or fucking ableist.

*this does not mean negate the general anti-blackness perpetuated by most cultures as a result of colonialism and slavery

#criminal minds #dc #batman #racism #fandom racism #fandom #fandom discourse #sexism #fandom sexism #ableism #fandom ableism #discourse #fma #fmab #abortion #abortion rights #pro choice #opening up a discussion about having discussions

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ravengards-rogue · 2 months

Text

WHAT SET YOU FREE, BROUGHT YOU TO ME BABY.

rdr2 men + short blurbs about their favorite sex positions.

ft. arthur morgan, john marston, javier escuella, and charles smith.

✧ tags : SPOILER HEAVY, fem + afab!reader, unprotected sex, light angst (in the horny post is crazy im sorry fdkjjkds), very gendered language, javier says one thing in spanish (thank u @nanamimizz), a little sprinkle of plot with each (and some canon divergency), john co-parents w abigail, otherwise just horny. 18+

✧ wc : about 1.4-8k each (6.3k total)

✧ a/n : sorry for making a multi character post for the cowboy game its cooking me to death. my john bias is showing rip. title is from rebel yell by billy idol but i listen to the bvb cover

sorry about charles and javiers but if i edit this anymore im going to level an entire city using hollow purple technique. please rb if you enjoyed i worked kind of hard on whatever this is.

sorry for . the THIRD repost of this i promise i wont after this. its just really bugging me. PLEASE

.𖥔 ݁ ˖˚☽˚｡⋆ ARTHUR MORGAN + PRONE BONE ;

It’s an odd feelin’ for Arthur.

Wanting something, he means. Wanting anything as much as he wants you. He’s lived a less than quiet life up until now. And he ain’t the brightest, certainly, but living this kind of life teaches you many lessons. One of them being, it’s better not to covet anything. Coveting something you’re not entitled to, well—it’ll lead you places you wouldn’t want to go with a gun.

Arthur has made the mistake of coveting love before, dreamed of a future so completely out of his reach he almost convinced himself it was possible. Dreamed of it so foolishly he’d even go visit a woman he very well ought to forget. It’s his problem, his burden to bear - always desiring outcomes unsuited to him.

He’s just that sort of man he reckons. But he learned his lesson. He tries (tried?) to stay away from it after that. Tried not to pine too much for normalcy when such hopes had failed him twice. The loss of his child completely on his account and the loss of his love at the same fate.

So, wanting you - well, he feels like the world's dullest fool. Really. How is it that Arthur had fallen in love with someone again? It had all just happened so quickly. You were another woman he’d saved from the O’Driscolls, though it wasn’t like you were no damsel. A lot of those men were dead by the time they arrived. That sort of perseverance would stick with you while you traveled together. Much like Sadie, you didn’t take well to housework - you liked to earn your keep. Though you’re not nearly so trigger happy.

You’re quiet, thoughtful, well-read. Plus you’re good at making money. That’s why Dutch don't complain about you joining them, he figures.

(Arthur tries not to pry into it too much at first, but he eventually learns that you’re gambling. Which is how you’re able to make such a fast turn around. A prim little lady like you makes for a fine poker player, and you love to play men out of their money. He thinks it’s one of the funniest and most interesting things about you. He can’t help but love you a little more for it. )

When the feelings in him start to stir, Arthur tries to overlook it. Arthur convinces himself, time and time again - that there’s no way he’ll grow more tender about you. Eventually, it’ll die down. You’re a decent woman is all, a kind one - who’s easy for him to love and even easier for him to confide in. In your time together, you often come to Arthur and you always seem to have some profound wisdom he is so sorely lacking. Someone easy to love, who does not expect much from Arthur at all. It’s only natural a lonely, covetous man like him would start to dream about you. He tells himself, it will pass eventually. Should he simply let it run by him, it will pass. But Arthurs a fool, you’ll remember.

Of course, by the time he understood all that - he already loved you enough that he couldn’t bear it. It was already too late and it wasn’t going to change any time soon. Especially not while everything changed around him.

So, Arthur is undoubtedly a fool, but he’s lucky. He felt divinely blessed when you’d returned his feelings for him so politely. A coy little smile on your face, a laugh like you thought he was silly for being doubtful. Arthur tried to explain himself but you wouldn’t hear a word of it. Maybe that’s another thing he loves so much about you. There’s nothing he ever needs to explain.

In any case, all Arthur seems to do lately is want you. Wants you when it’s inconvenient. Wants you before he wants liquor or a cigarette or some other vice. Any time anything goes wrong, you’re the first thing his mind can conjure up for relief. That pretty smile and that self-assured way of living. It’s hard to get time alone in camp. And Arthur is a man in love, so any touch could be enough to set him on fire. Last week you hugged his waist a little before giving him a kiss goodbye and he had to listen to you laugh yourself into a fit as he waited for…little Arthur to settle down.

He don’t get many chances to be with you. Lay with you in that way that grown folk in love do. Though, if the two of you book it somewhere for a few days - the camp knows better not to ask where you’ve been. But it’s not often you get to really be together, where it’s peaceful to do that. Someone’s always hounding one of you to do something.

Arthur is a lucky man though, like he said. Today he had time. Today he’s alone with you in a beat up little saloon and today he gets to do as he likes. He gets to be greedy. And it’s an odd feeling for him, really, to want something so bad he disregards everything else in the world for a little while.

Feeling you, though - absolves the guilt for wanting. He’d be stupid to want you any less desperately.

Arthur’s favorite way to have you is on your stomach. Laid flat, just barely pushed up against him as he fucks you deep. You’ll fuck like rabbits for a little while and Arthur will wear you out just like this, maneuvering you until you’re pinned all underneath his weight. You lose any fight you might have, too exhausted to worry yourself with pleasing him - and when you’re like that, you let Arthur take care of you.

(He really ain’t talented at much, but he’s good with his hands. Being dexterous is part of being a talented shot. When Arthur has the time to spread you sweet in his lap and make you cum all over his fingers, he does so for as long as he can. At least until you beg him so sweetly otherwise. The same hands, soiled with gunsmoke, look so good so deep in you. At least in his eyes.)

Wet and pliable and helpless. Arthur loves you like that. He knows, he knows you’re anything but - but he’d be damned to pretend this don’t feel best. Tight, wet cunt so welcoming from all the pleasure he’s ripped out of you. Your bodies pressed together, your heartbeat pulsing through your skin. All sticky, honeyed need and animal desire as Arthur lets all of him sink on top of you. His heavy, lumbering form crushing you in - trapping you somewhere you can’t run from him. The curve of your spine pushed against his chest, ticklish.

Every inch of his body that so wholly wants for you, Arthur aches to make you feel. Burn it in you lest anything happens that risks your forgetting.

He can feel his hips meet your ass, backside squished against him - desperate for deeper friction. Whining. You’re whining to him so pretty, a pillow pushed underneath you to give friction to needy clit.

Arthur can feel how much you want more. Maybe Arthur is greedy, but he likes that look much better on you. Your pussy is sucking him in so tight, silken walls pulsing with every shallow little measured thrust. Arthur lets his arm wrap around your neck, your face pressing into his bicep. You moan again and he laughs.

“Arthur,” Your words come out in a messy slur. He lets his scruffy face press against your neck, a kiss behind your ear. He wants to kiss you all over. There’s not enough hours in the day. “Oh, god, Arthur,”

“Still feels good, then, I’m guessin’,”

“Shut up,” You huff and press your cheek into his arm. He doesn’t bother stifling his laugh. “Still feels…big. Stretchin’ me out—hicc—so much,”

You really don’t try to rile him up - but you do a damn good job of it anyway. He groans, grunts as he pulls back and pistons himself in you. A gesture half-way between a kiss and the warning shot of a gun. The sound of skin hitting skin echoes, noisy and vulgar. Arthur don’t pay it much mind. He laughs against your shoulder.

“One of these days, that moutha’ yours is gonna get me in real trouble.”

You giggle back at him

“What kinda trouble is that now?”

Even from your side glance, you’ve got that lovely little smile on you. Fuckdrunk and ingratiating, like you know he’s wrapped so tight around your fingers. And he is, like nothing else in the world could have him. A wave of possession curls up over Arthur, makes him press more of himself into you. Onto you. Another deep push of his cock, sliding against the tenderest parts of you. Staking some silent desire in you. He wants and wants and wants, and hopes that whatevers above him can forgive him for making the same mistake thrice.

“Dunno,” Arthur comments, teeth grazing your shoulder and kissing the indentations “Got our whole lives together to find out, I reckon.”

“I’ll hold you to it, Mister.”

Arthur laughs. “Hope you do, Miss.”

.𖥔 ݁ ˖˚☽˚｡⋆ JOHN MARSTON + COWGIRL ;

John doesn’t say that he loves you lightly.

Hardly a thing he says can be said that way. Could never afford too. In an alternate universe where nothing goes wrong in his life, maybe - but he has a hard time picturing what the hell that’d look like. A version of himself so untainted, without all of the violence and blood and gunsmoke? Foreign. John can’t picture it worth a damn.

Who John is without a deadbeat father and a dead Ma is somewhere far beyond his reach. Ain’t nothing about his life, at any point, lighthearted.

On top of all that mess, he’s got a boy at age four with a woman he ain’t married too. And that relationship is always on rocky waters, even though John’s decided to do right by his own flesh and blood sometime ago. Most things in the world he should feel good about he doesn’t, and most things he should understand render him clueless. He’s a mess on multiple accounts, and he still doesn’t know how exactly he’s meant to approach this life of his. He knows what he should do, but nothing about how to do it.

John doesn’t come to love you easily ‘cause he wouldn’t know easy love if it hit him in his face. Quickly and painfully, but not easily.

Your return to the gang was an odd one. You were an old presence and your disappearance was an even older story. John thought he’d never gonna see you again for sure. You’d been a part of the gang back long before all of the nonsense that took place in Blackwater and you left about the time Arthur’s boy died. John don’t remember why you left exactly. He thinks it was a fight with Hosea, of all things.

Dutch weren't too happy about it neither, but Dutch back then didn’t make a show.

So you left, and John buried every feeling he ever harbored. You found all them again up in Colter, where you’d been living out your days lately. According to you, in the middle of riding, you thought you’d heard Arthur. So, somewhat recklessly, you went chasing him. Didn’t matter if he was just something your mind conjured. According to you, if it was him, it was at least worth checking to make sure. You’d reunited with Arthur and after some tears, he rode with you back to camp.

Upon your return, the gang welcomed you with open arms.

You’d done a lot in your time alone.You spent most of that time just like that, a ghost wanderin’ the planes. You weren’t gonna stay with ‘em, but Arthur insisted and Hosea did too. That wasn’t enough to compel, so John was last to chip in. You should stay, at least until Valentine.

(Silently he thought, you should stay so John can trace memories of you. It was so long ago, he should’ve forgotten all of it. You were a year older than John and always on his ass but easy for him to talk to. Didn’t fuss over his failures. You just barely grew into your womanhood when you set your sights on running away. You wanted more than this life, and John never really forgave you for it. His first heartbreak, maybe - but it’s all too blurry for that.

You understood him though better than anyone, and one day you were gone. Nothing’s really the same.)

You changed tremendously and not at all. He missed you. God, did he ever. Missed you a long time. Didn’t realize how much until you came back and everything in him felt right again. Your return stirred up old feelings and everyone noticed. He wasn’t trying to keep it a secret, but he really wasn’t trying to fall back into anything with you. Not how he did.

Just like you did back then, you read John like an open book. And just like he did back then, he loved you all too helplessly for it. It was just all too easy again, to be with you.

You stayed out of the way at first, for the sake of his family.

But, John ain’t a half-decent man even when he’s trying to be. So he set himself on being with you. It wasn’t easy - most things with him aren’t as you’ll see. Having you around again straightened what was left of his common sense, at least. He told Abigail before telling you. He figured you wouldn’t even reply unless that was all out of the way. That turned out as well as you’d expect.

It was settled between the two of you thereafter. He’s lucky she didn’t toss him into the street.

Everything works out in a way. As best they can between broken people. You make peace with each other. His boy loves you like a third parent (you’re better with him than John is). Abigail commends you for straightening out such a worthless man though she’s a little melancholy. John just tries to stay out of the way. You’ll be together in the end. There’s a plan with the five of you.

But until it all falls apart, he doesn’t get all that much time with you.

There’s moments like tonight, though. Rare ones. Together out robbin’, cooped out some place in the woods where no one is around. A place so shaded by nightfall that John can absolve himself of every sin he’s ever committed in his life and pray at the altar between your hips. John is convinced he might find worship like he’s always hearing about there whenever he touches you, the marred skin of his hands and knuckles reading the scripture of your body with careful precision.

You might turn him into a literate man yet.

John glances up at you. Only the light of the fire and the moonlight there to accompany as he watches you over him. You’re beautiful. John couldn’t picture a single thing more perfect in his life.

Your hands against his bare chest, nails digging into the flesh as you lean forward. Your palm dug into the dirt, John finds his own hands rested at your hips. John looks at you awe-struck, cock twitching at the mere sight. His heart settles in his throat, but he’s calm all at the same time. With you, he forgets. All of it. The worst of himself.

Bare naked and so close, he watches your face as you strain. You feel soft. Every inch of you in comparison to him is. A bead of sweat slides down the valley of your breasts. John cranes his neck up to catch it with his tongue, licking a stripe up to your neck - letting his teeth sink into the space between your jaw and neck. You want to make it last and John doesn’t blame you. It’s so rare you get to have each other so unrestrained. John can feel all the ways you want him, can see it in your face - all pinched with need. You’re holding yourself back, trying to get it to last as long as the night will allow. It’s cute in a way.

It’s different than how he’s used to seein’ you, all cocky or otherwise. You’re needy like this. Just needy. His stomach turns with lust, jolting through him like a strike of lightning. His cock twitches against your folds, sliding against them. Pure admiration watching the sticky mess of his pre-cum and your own arousal mix together and smear on your mound. You make a soft noise in the back of your throat, faint and tender as you fall forward just a little. John laughs against your neck.

“Darlin’,” He says with a huff. Not malice. Something akin to bliss, where he can rarely afford it “Have I done something to piss you off today?”

You pick yourself up and look down at him and frown. John kisses the corner of your mouth, resisting some crude desire to fuck up into you.

“Just,” You grunt as the tip of his cock passes over your throbbing clit, your whole body wracking to a shiver. John looks awed. “Pent up. Goddamn it,”

John figures it out quickly after that. It’s this part of it he likes. The proximity. The closeness. Feeling the tremble in your hands as they struggle to keep up right, muscles strained in your forearms. Being able to hold you, to keep the pace or let you take the lead. The clear view of your face as pleasure travels up through your spine and melts into you. He grabs your hips, the fat dimpling underneath his fingers as he moves you along. He can’t wait. You don’t bother to protest seeing John can’t seem to bear it anymore. You collapse into his chest, your tits pushed flat against his pecs.

His cock throbs near painfully, sliding against your soft cunt before finding himself lined with you. He thinks to himself that it’s this he was looking for, as he tucks your face against his neck and lets his tip stretch you out slowly. Such a vice like grip, stretching - resisting him like your whole body can’t anticipate the sensation of fullness. You gasp against his throat.

“John,”

What a sweet sound from your mouth, even sweeter as he bucks himself up. Keeps you steady and lets his cock stretch you full, feel you deep. “That’s right, my angel. Didn’t think you’d remember my name when you’re all worked up like this.”

“You’re,” You gasp and John thrusts, thrusts hard until he’s buried to the hilt. You shudder, walls pulsing around him as he bottoms out and John laughs like the terrible man he is. He fucks you again, over and over - a wicked little smile watching “Awful. Just awful, John Marston,”

“Ain’t that the truth,” He hums against your mouth as his hand snakes between your bodies, thumb rubbing against your clit. “Wonder what kinda woman that makes you,”

“A foolish one,”

John laughs.

“I sure do love you for it,”

.𖥔 ݁ ˖˚☽˚｡⋆JAVIER ESCUELLA + SIDEWAYS ;

Javier hasn’t thought about much other than surviving.

It’s been like that. Been like that for a while, probably much longer than he cares to admit. He’s sure any sane man would suffer the same plight if they lead the same life. Anything but survival is little more than a pipe-dream, so Javier tries not to go for anything too strongly. In that aspect he’s like many of the members of the gang he’s in, perhaps that’s why he sticks to them. There’s that phrase Hosea’s always saying - that misery loves company. Javier will take any decent company he can get. He’s desperate for it just like he’s desperate for most things - inwardly, silently.

Some of that desperation may be symptomatic of who he is. After he killed a man in a crime of passion for a woman he loved and ran from a government who would sooner exile him than change, Javier decided to not dream anymore. Every revolutionary who dreams too hopefully pays the price in blood.

(Javier thinks there’s probably nothing in the world as true as this. A form of gospel. He remembers the first dream he ever had after his uncle passed. Not a nightmare but a dream. He remembers the exact feeling of waking up, cold and confused. What is a dream, except a memento of survivor's guilt that loyal people cling onto fruitlessly. When hope starts to feel like a debt he’s going to waste his life paying back, Javier loses sight of everything. The beginning of the end in some way.)

His mind doesn’t occupy itself with anything bigger than that. Since Dutch found him starving, there was never a desire to try and live off aspirations. He pays his penance with loyalty and honor. Practices some form of humility and tries, not too desperately, to carve a place for him to fit. All without drawing too much attention or caring too much. If you ignore the bleeding in his fingers, his penchant for knives over guns, and his refusal to talk too long about the place he comes from - it’s nearly believable that none of it matters.

Except loyalty. All Javier honors is that. It’s the only thing he has some part in choosing, so he choses it every time. Living like that didn’t make any difference to him. He was surrounded by mostly decent people. He didn’t hate the life he was living.

It wasn’t important. It didn’t matter. His directionless-ness, his floating. Hadn’t since he joined the gang. At least not to anyone but him. He didn’t know what he’s meant to do or if he was meant to proceed with this forever. He was (is) loyal to Dutch. To the gang.

He hadn’t thought much about what comes after.

And it didn’t matter until he met you

He’d sworn off love after seeing where it got him, at least until he could love more dispassionately. When the women bring you back from their outing from Valentine and beg Dutch to let you stay, Javier doesn’t think much of it all. He thinks you’re pretty, if it counts for anything. But he doesn’t let himself linger on you too long.

But that’s the sequence with you two, really. The whole time. He doesn’t linger until he does. It doesn't matter until it does. He doesn’t think about you until it’s all he can think about.

You go for him first. And it’s in little, unimportant ways that might not mean shit to you but mean a whole lot to him. You have some kind of tenderness about you that you wear deep, runs through your blood like love ran through his once long ago. Some softness he can’t really measure with his own. It’s not that that gets him. It’s that sometimes you look at Javier like he's … someone you want to see. He forgot what that was like all together. It felt foreign to him the first time it happened. Seeing how you light up when Javier is around.

You wanted to see him. You noticed that he’s gone. If he sang by the campfire - you’d sit by him and listen. If he was out in the trees keeping guard, he’d hear the soft call of your voice to Grimshaw ask Where’s Javier? And sometimes the girls will make fun of you - but you wouldn’t deny anything they said. It’s so small and ordinary. He would’ve never considered himself simple before meeting you. Nothing is simple. Nothing.

(But then, Javier thinks of the kinds of songs he sings and the way he takes care of himself and the clothes he wears and maybe Javier has some kind of affinity for preciousness that explains all of it.)

When Javier confesses his feelings for you - he finds the affair to be like most things between you. Ordinary love, not really between outlaws but people. It’s up against a tree while you share a drink and he’s looking at the curve of your mouth and the plum color Karen’s so kindly put on you. And his head fills with kissing you so he does. A breathless confession between alcohol stains and the feeling of your hands curled in the lapels of his suit.

From there, Javier is your lover. He’s not interested in the business of secrets, but he tries not to let it show too much. Not that he doesn’t want to. He wants to show you off more than anything - at least some part of him does. But the other part wants to keep you away from prying eyes, keep his love for you only where the both of you can see. If he could keep that pretty lovestruck face you make all to himself forever he would.

When he gets a chance to whisk you away from everything, Javier jumps at the chance. Not often, but Javier makes time for you. Makes time to indulge in love he thought he’d never find again.

That’s why he’s here with you in the middle of nowhere, a ghost town where no one knows you.. A reserved room with a bed and lowlights all to yourselves.

Javier can’t keep his hands to himself and he doubts you expect him too.

For Javier, this sense of proximity is what intoxicates him most. The warmth of your bare skin in the slivers of yourself exposed. Javier is fond of finding you like this after a long day of horse riding. Of sneaking touches to your waist as you push back against him to sleep, only to find his desire for you - laid clearly. He likes hearing you whimper feeling his length poke against your back, the embarrassment when it dawns on you that he wants you after all. Always surprised, even though Javier tells you it so often. Whispers it along your neck and shoulders whenever you’re at camp together.

You like the feeling of his hands so Javier always starts with them. He squeezes your hips. Planes his palms over your chest before squeezing your chest, pushing the fat between his fingers. You like the way they look when they grope you, his chin resting against your shoulder as you spoon. In the lowlights of a cheap hotel - Javier gets the perfect view of your silhouette. Your body is sensitive over the fabric of your gown, heat prickling through you.

Javier who is always so gentle with you, rouses so deep listening to your whining as he explores your body. The suffocating closeness of a single bed intoxicates him.

“Javier,” Your voice is sweet and thin. Plays in Javier’s head like music and makes his mouth curl up into a catlike grin as you push back on him. You look slightly over your shoulder, lips pushed into a pout. “Please,”

He tugs at the fabric of your nightgown. The top half pulls haphazard underneath your tits, nipples perky and sensitive to touch while the skirt pools at your waist. What gets Javier like this is the desperation. Wanting so much but not being able to look too long. A way for you to mirror him, it’s a matter of possession. In some stupid way. Bunching your clothes up, pushing the fabric of your panties to one side, letting his arm wrap around your waist to touch and tease. All of these are imprints of his longing, tucked faithful into your side as he whispers sweet nothings into your skin.

His cock twitches as it pushes past your folds with finality, your hands curling up at your sides. You whimper softly, let your cheek rest against the sheets as Javier takes you on your side. Terribly close, you fuss as you feel him slide every inch into you slow, your hands reaching back for purchase. It’s the fit of you against him so perfect, the silent strokes of intimacy, the hush-hush giggles between the sheets that Javier loves most about fucking you like this. Too enamored with you to look too closely, he lets his eyes flutter closed. He could get drunk just being in your space.

He carves out space for himself inside of you, feels your cunt accommodate for him like it loves him. A feverishness breaks out as his forehead rests on the space between your shoulders, an uncharacteristic whiny quality in his words.

“Ser mío,” Javier says - as a reflection of what he really wants, to belong only to you. “Belong to me.”

Darling as you always are, you nod softly.

“All yours, Javier,” You whimper, finding his hand. “Forever,”

.𖥔 ݁ ˖˚☽˚｡⋆ CHARLES SMITH + MATING PRESS ;

Wandering.

He’s been doing it his whole life. Not something he’s proud of. Or ashamed of either, really. Just how things have gone for him until now. Charles doesn’t think his life has been any better or any worse than anyone else's. At least not when he weighs it with the same kind of pragmatism he does most things. It’s been a hard life, and a miserable one in so many ways. Still, it’s not something Charles is too keen to dwell on.

There’s just something thematic about loss in Charles' life in a way he finds completely unpleasant. It’s more constant than anything. Loss of his home, loss of his mother, loss of his father in an attempt to find what’s best for him. It’s some overarching message that hangs over his head like a shadow. Everywhere he goes, trying to rectify his own solitude seems to come back to him. It doesn’t help that it’s an unfair world to start with, and would’ve been if he had just been black or just been native. But Charles is both, and has lived a life that reflects that specific injustice thoroughly.

There’s not really anything Charles can do about it, at its baseline. When he left his father, the name of the game had simply been survival. He was well-equipped enough for that at least. But after survival comes trying to live and trying to live isn’t something so simple. Jumping in and out of gangs who thought they could get away with slighting him or generally being surrounded by unpleasant people. Trying to find something in pages of book and scripture, or in the way water ripples when it rains.

He’s never felt any one way towards the gang. Even when he joined them all the way back in the Grizzlies. Lost in the cold, they’d crossed paths as Charles was out hunting. A lot of it feels like a blur. Of all the folks he’s met in his travels though, Dutch treats him fair and the rest of them (or most of them) are decent, honest folk. Charles stays in the Van Der Linde gang for such simple reasons as trying to stay alive and be somewhere that isn’t actively hostile towards him. He’s a good gunman, and a better fighter. The inner workings of gang politics and forging connection isn’t at the forefront of his mind, with the exception of the kindest few.

The Van Der Linde gang is just a place where he can figure out what his purpose is meant to be, even if he doesn’t find it there. He’s never expecting anything to come out from his loyalties to it.

Of all the things Charles expects of his life in the Van Der Linde gang, love is at the very bottom of the list.

Maybe it’s about time he stops being surprised by these things happening to him one or way another.

You were a member of the gang far before him, and someone Charles took to quickly. You’d joined the gang not too long after John from what Arthur tells him. Though the brunette speaks about you more fondly than he does his brother. A problem child at the start, according to Arthur - always getting into all sorts of trouble. Something you seemingly feel embarrassed about now and refuse to bring up. Charles has a hard time picturing it having only known you as you are.

The woman you’ve grown into is someone else completely, and Charles sees that in you all the time. Compassionate like Hosea but charismatic like Dutch, and clever. And you’re beautiful, too, though Charles feels a little shallow admitting that’s part of what drew you into him.

It wasn’t Charles that approached you first. You were the one who spoke to him, as often as you thought necessary but never in a way he found invasive. He doesn’t know what it is exactly about you that charms him near instantly. You’re enigmatic to a fault. It’s like you always know exactly what to say and exactly when to say it. Even more than that, you’re a terribly pleasant person to be around. Subtly warm and free of assumptions. When Charles talks to you about anything, you listen without making him feel like it’s any sort of burden to you. You don’t pry, don’t make missteps. Treat him fair, and then some.

It’s unbearably simple, just how quickly and how easily he comes to adore you. And, in some ways, Charles knows better than to believe that his purpose is loving someone. There’s more to it than that, surely - after everything.

But then, he’ll watch you do something. Watch you do some kind of menial work that he could do for you instead. Thinks of skinning animals for new clothes and chopping wood and rubbing the soap off of you and all of a sudden it makes him feel anchored. Everything he could do for you. You anchor Charles easily, with a wispy smile. Make him want to find purpose in life with you. He never wants to be somewhere you’re not.

He confesses it to you just like that, and like you do with most things - you accept and reciprocate without making too much of a fuss.

For Charles, making love is an extension of wanting to ground himself in you. A distant siren song - the intersection of lust and bone deep adoration. Like most things, you’re the one to approach first every time. A soft hand on his forearm, a whisper that you want him. It’s with ease that he draws you away. Drags from you camp during nightfall with his horse and blankets and picks a spot with the perfect view of the stars.

Charles watches you under the glow of moonlight, his vision adjusting to you easily. Naked underneath him, laid on your back with your legs folded at your knees - heaving deep breaths. He can see the sweat beading down your skin, your chest rising and falling - and the perfect view of your pussy. His hands and mouth are wet as you breathe out. He finds himself smiling at you, his own erection pressed against your thigh, pre-cum leaking out in a mesmerized haze.

You lift your hands up and he leans down, surprised as you wrap them around his neck and pull him closer to you. Your mouths meet like that, and Charles laughs against your lips as you kiss him so eagerly. You blink at him, pretty. You’re always prettier than he remembers you being the last time he looks.

“Charles,” You frown at him. “It’s impolite to keep a lady waiting,”

He kisses the corner of your mouth. “Sorry, my love. I don’t want to hurt you,”

“Well, I’m fine with it,” You repeat, almost petulant. Charles frowns. “‘Sides, it ain’t my first time taking you, you know?”

“Well, I’m not fine with it.”

You pout, looking at him all endeared. Charles couldn’t help but love you even if he tried. “You ain’t gonna hurt me. C’mon. Please?”

“Please, what?”

You look at him aghast before breaking out into a faux-scandalized giggle. “Now you—please fuck me. Pretty, please.”

Charles feels something tickling against his spine hearing you say it. He couldn’t imagine getting sick of you in his whole life. “Yeah, that’s good to hear.”

You make an indignant noise but it’s silenced quickly as Charles positions himself against your entrance. He has plenty of discipline when it comes to matters like these, but right now - he feels like he’s going to lose his mind. Not nearly enough patience to wait. He lets his hands go up underneath your knees just to have something to hold onto.

You make a little gasp as the tip of his cock pushes into you. Your walls are so soft, likely after all the orgasms he’d given you prior. You stop him in a shocked gasp, and Charles immediately readies himself to pull out. As if sensing his hesitance, you shake your head.

“Charles,” You gasp, the words caught in your throat and hoarse “Deep. Want it deep,”

His abdomen tightens, cocking twitching hard at your words. He agrees silently to your desires.

When it comes to sex, there’s very little Charles dislikes.

But this is his favorite. He’s simple but no other position lets him see you so close. He likes the way your eyes widen as he pushes up underneath your knees and folds you underneath his weight. How you look pinned down under him, the perfect view of your eyes rolling back into your head and the proximity from your face to his. He lets his cock stretch you out slowly, throbbing each time your nails dig desperately into arms trying to keep your composure. Fuck you feel so tight like that. Soft pussy, dripping and sticky. You suck him in relentlessly, and Charles groans as he bottoms out. You take every inch of him so well. So perfect like the rest of you.

Your eyes flutter open as he stays there, buried in you in complete bliss. You’re dazed.

“Kiss?”

Surprise followed by adoration, he abides by your request easily. Overwhelmed with it as he presses a chaste peck to your mouth, he laughs. “As many as you want.”

Anything you want, Charles thinks, he would give to you.

.𖥔 ݁ ˖˚☽˚｡⋆

#arthur morgan x reader #john marston x reader #javier escuella x reader #charles smith x reader #rdr2 x reader #rogues love letters #red dead redemption 2 x reader #THIS IS THE LAST TIME. THE LAST FUCKING TIME !!!!!!!!!!!!!!

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amaya-writes · 7 months

Note

Can I request headcanons with L, Light and Mello with a s/o who's a genius (like them) but acts stupid (like bimbo-ish) just to annoy people?

Notes: I'm SO sorry I took forever to get this out!

Warnings: n/a just fluff

Characters involved: L, Light, Mello

Gender-neutral reader, you/yours

Finds you intriguing.

You're like a puzzle to him. He wants to figure out your motives and understand why anyone would willingly act this way.

It doesn't take him long to understand you're smarter than you let on, however, your reasoning puzzles L a lot.

If you met him during the events of Death Note he immediately decides you're an asset and takes you to his side. You're like the Misa to his Light.

Your job would be to survey Misa, work in the same places as her, join her on any jobs. Since you're good at faking your bimbo personality you easily get along well with her.

At first Light even falls for the guise but with time he realises you're smarter than you look.

Even after Light understands your true personality L still keeps you around to help out. He often takes you with him when he's stalking surveying people and would even ask your opinions on the situation.

At first he used to find you annoying and his opinion of you was very similar to his opinion of Misa. However, with time L starts to find your interactions with others sort of amusing.

He sees your personality as a game, but outside of the Kira case he doesn't really interact with you.

To him, you're just another factor in the case.

Light

Hates it.

Unlike L, Light takes slightly longer to catch on to your personality.

You meet through Misa since you are friends with her. At first, Light presumes you're just like the other girls Misa works with but as time goes on he realises your true potential.

He only gets interested in you once you confess you think he's Kira.

Light's first instinct is to kill you but he refrains from doing so since he thinks he could use you. To him, you're just another pawn he can control to win against L.

L might have some semblance of a bond with you but Light only sees you as an object for his schemes. If he feels that you won't be easily manipulated then he doesn't bother associating with you since you are no use to him.

However, if you are easily swayed his way then Light uses you as an unsuspecting source for information.

With L and the rest of the team constantly hovering over his shoulder Light needed someone on the outside to help him execute his schemes.

Over time he comes to appreciate your wit as it makes it easier to carry out his plans. However, he still expects you to listen to him and hates when you get too creative.

He sometimes wishes you were the one with the Death Note instead of Misa because that would make everything happen so much more smoothly.

He expects you to have your regular personality when interacting with him. If you act like a bimbo when it's just the two of you he gets visibly annoyed.

While you are a genius like him you don't posses the almost inhumane lack of empathy Light is known for, which is why you don't realise the bond you share with him is purely that of a master and his pawn.

Mello

A mixture of the two.

Like L, he finds it weird that you would want to act like a bimbo especially since being a genius is something he always strived for growing up.

To him it's almost like you don't value the skillset his entire life revolves around.

However, he also sees the value in your mannerisms.

Unlike Near, Mello chose to associate himself with the mafia, that meant he needed trustworthy allies who he could rely on to get the work done.

At first he sees you as just another one of the bimbos his men would use as flings and then discard of, but after a few days he realises your true intentions.

You played the role of the innocent girl hopelessly in love with a mafia man yet in reality were using them for your fulfillment. (This can be anything from stealing from the guy you were with to leveraging his connections to complete some personal vendetta.)

Once Mello realises your true persona his first instinct is to get rid of you.

There is only space for one genius in his circle and he can't risk being potentially overthrown.

However, you make him see the value in having you around.

With time, you, Mello, and Matt become a team of sorts. You become a trio known for controlling the mafia groups.

Most people simply presumed you were Mello's bimbo girlfriend he kept around for eye-candy, which made it easy for him to use you to get what he needed.

However, unlike Light, Mello knows the value of having reliable allies (like Matt). He never really places his full trust in you, but with time Mello comes to appreciate you.

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twistedwonderlandimaginesblog · 4 days

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Hiii can i request jamil, idia, riddle and leona have to fight with their s/o that been brainwashed (like a gas that brainswash ppl in a gas mask yk srry i cant explain things ;-;) by unknown enemy so they have to fight each other

Idia Shroud:

Horrible situation. Idia hated this trope. That’s not entirely true, watching the MC feel conflicted about fighting their love interest actually added a bit of interest into a story, but reality wasn’t the same. Idia didn’t feel anything ‘fun’ about this situation. Ortho was ready to take you down in an instant but Idia had stopped him, worried about him going overboard and potentially hurting you more than he needed to. He had already started to formulate a plan to overcome the brainwashing to at least subdue you, the only issue is mustering the courage to potentially hurt you himself during the process.

Idia has to tell you about how annoying that situation was after. He started ranting about games that just fell back on popular tropes for the sake of torturing their characters but eventually sighed, saying he had enough for an evening. He didn’t want to leave your side as much as he did want to disappear back into his room, wondering if there was a way to have you just stay in his room with him while you recovered.

Jamil Viper:

Jamil is tired of his bad luck, tired of the only things that brought him joy being taken away from him and then thrown back in his face like it was no big deal. His surprise is clear and for a moment he does think he’s pushed you away too much, that you truly were sick of dealing with someone who would never be able to go after what he wanted. It’s your choice of using magic against him rather than your words (which would cut deeper than any physical wound to him) that showed him there was something more going on, with you being a puppet on strings for some other being. He wondered if his unique magic might steal you away from them but it would be a shot in the dark, since you were aware of his ability (while the ‘you’ in this brainwashed state might not be).

Jamil is frazzled but relieved the situation is over. Looking out for both you AND Kalim was an exhausting feat, and he didn’t know why he added to his never-ending workload. He’s glad you’re back to your normal self, which still seemed to regard him in a positive light, allowing him to push down his worries for the future of your relationship a little bit longer.

Leona Kingscholar:

There’s no one who knew your weaknesses better than Leona but he couldn’t assume this would be a walk in the park. He didn’t intend to hurt you but he’d do what he had to for the sake of this situation ending sooner rather than later. Apologies could always be given after but there’s only so much he could take, seeing you like this, invisible strings attached to your limbs as you’re forced to turn against him. If he had been quicker he would’ve saved you from the invasive feeling of having your body controlled while your consciousness is present, and he forced himself to focus on the task at hand rather than the hell you might be living in as it would only make him angrier.

Leona didn’t want to talk about it when you were back tomorrow. He hit you with an ‘it is what it is’ and moved on to your wounds, minor as they were there was still some scrapes you couldn’t get away from. You didn’t blame him and he didn’t blame himself, but he’s still not happy about having you turned against him. You were his, after all, and losing your loyalty even temporarily dealt a blow to his ego that he was desperate to keep hidden.

Riddle Rosehearts:

Riddle is alarmed at how quickly the situation escalated, flinching when his words don’t seem to be reaching you. He’s not used to being on the other side of you in a fight, even if you were to practice magic with him it was never with ill intent. He finds himself fighting against being distracted, trying to think of you as a simple misbehaving student who needed to be collared. His unique magic did make it a little easier to wrangle you in but he’s wracked with guilt cutting you off from your magic when it’s not really your own actions that caused you to be punished.

Riddle is wary about talking with you after, until he knows the brainwashing is gone and you’re back to normal. He shuffled around the actual topic he wanted to bring up which was incredibly unlike him, a fact you pointed out before telling him in the kindest words possible to spit it out. He admitted seeing you brainwashed was disconcerted, and that he’d rather never see you as an enemy again. He knew it wasn’t your choice but he’d prefer you stick close to him in the future, just so he could stop the problem before it even began.

#Twisted Wonderland #TWST #Twisted Wonderland Imagines #Twisted Wonderland x Reader #TWST Imagines #TWST x Reader #Riddle Rosehearts #Leona Kingscholar #Jamil Viper #Idia Shroud #Riddle Rosehearts x Reader #Leona Kingscholar x Reader #Jamil Viper x Reader #Idia Shroud x Reader

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art · 2 years

Photo

Creator Spotlight: @tinypaint

My name is Michelle Fus. I’m a Jewish, non-binary artist. I graduated from the School of Visual Arts for Computer Art and Animation in 2011. I’ve interned at Pixar and worked for a few years at Dreamworks Animation. Over the past ten years, I’ve self-published two books and have run three successful Kickstarters. I now work with Skybound (The Walking Dead, Invincible) in developing my webcomic, Ava’s Demon, as a physical book series for stores. I like hiking, cultivating plants, caring for my cats, and hanging out with my beautiful husband. You can read my webcomic at avasdemon.com.

Check out our interview with Michelle below!

How did you get your start in art, and more specifically, with Ava's Demon?

I’ve always been into art since I was very young. I started to gravitate towards it in first grade, where we were required to keep a daily journal. I found myself drawing in it more than actually keeping entries. From there, I got more and more interested in honing my skills as an artist. I started making my own comics for fun. I signed up for classes outside of school and put together a portfolio for the School of Visual Arts, where I majored in Computer Art and Animation. After getting my first job in the field, I realized that it wasn’t what I wanted to do with my life. After working my day job, I would come home and work towards building a career in comics for myself by creating and uploading my webcomic, Ava’s Demon.

What is one habit you find yourself doing a lot as an artist?

Looking things up to learn more before I make art or write. For instance, how many livable planets are in a Galaxy? What does a black hole actually look like, and can it give off light? How long would it actually take to travel through space if you had the fastest ship possible? I look up all of these things and then ignore most of them for the sake of writing a fun story and making fun art.

From idea to final piece, how long does it take for you to create something?

It depends on the feeling I want to convey. Sometimes I’ll work for a whole week on a drawing and then delete it because I just don’t feel good about it. Other times I’ll make something in a day that I absolutely love from beginning to end. Some drawings I never delete nor finish, and instead, the files just kind of sit in a folder. The time it takes varies a lot.

Over the years as an artist, what were your biggest inspirations behind your creativity?

I really love good stories. So movies and books with captivating stories usually motivate and inspire me; stories that stay with you permanently, with twists and turns that you can’t stop thinking about. I also love finding characters whose struggles I can deeply relate to. I try to hold onto those feelings and emulate them through my art.

What is the hardest part of your process?

Actually finishing a drawing. The anxiety of it piles on me sometimes. I’ll work for a while on a drawing and constantly ask myself, “Is this drawing really finished? What terrible things about it am I not seeing?”. My desire to avoid making something terrible can sometimes put me in a mental prison where I keep chipping away at a drawing until I no longer know what I am looking at.

What is one interaction you had from a fan of yours that has stuck with you over the years?

In general, I like letting young artists in middle school, and high school know that I wasn’t very good at art at their age (I really wasn’t, I didn’t have the same resources they have now, and I didn’t have any perspective on what it takes to have a career in art, it’s a different world). Kids have come to me at conventions with their work for critique and advice, and I have to tell them that they’re already miles ahead of what I could make at their age. I have to tell them that it’s okay if they can’t make what all the professionals make online, to know that they have SO much time ahead of them to work at what they love. If you love making art, do it often, study art throughout history, and over time you’ll be able to create everything your heart desires.

What is something other people find hard to draw that you find enjoyable?

I have no idea. Sometimes it feels like drawing anything is suffering, even if you like what you’re making.

Who on Tumblr inspires you and why?

@loish has been consistently inspiring me since my days in high school. Every new painting has so much grace and power and is so excellent to look at. Her skill in shape and form seems limitless, and I hope to someday achieve even a small fraction of her understanding of art. Seeing her new work on my timeline also makes my dopamine spike, so I’m always looking forward to updates from her.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @tinypaint and follow their webcomic, Ava’s Demon, over at avasdemon.com.

#creator spotlight #artists on tumblr #webcomics #michelle fus #ava's demon

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