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#i'll probably write more one day

transmasc-rose · 25 days

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I like Rose, and I think they should have done more with the Bad Wolf event. So here's a small list of related AUs that have been rattling around in my head.

Feel free to use them for whatever, I'd love to see if you write something tho!

Becoming Bad Wolf, absorbing the Time Vortex and using its powers effects Rose beyond that one moment. Merely absorbing it long enough to expel the power was enough to cause Nine to regenerate, and Rose used its power for an extended period. Time travelling on its own is enough to change the body, the cells, the aging process. Being around enough Time Lords effects the aging process. So when you absorb the vortex into yourself, become it for an extended moment, make someone else immortal in a way no one else is, who's to say it doesn't effect you too? And when you leave with Tentoo, the human Doctor, the mortal Doctor, and you think--we're going to live together, we're going to die together. And the original Doctor thinks--this is for the best. I won't get more attached, I will lose her on my terms, they'll live what I can't have. But the Doctor ages. And Rose doesn't, whether she can regenerate, or lives in a single timeless body. Not like Jack, she can die, but her Doctor dies first. The Doctor lives the life of the Companion, and Rose lives the tragedy of the Doctor. There's no evidence of Time Lords in Pete's World. Rose and Tentoo have a child in the comics. Does her child die before her too, or does she inherit her "gift"? Does she find her way back home? Is she angry? Is she scared? Is she alone?

Or maybe she's still immortal, but she doesn't leave--either she makes it out of Doomsday in her home dimension, or she refuses to make a choice in Journey's End and insists the original Doctor keep her and Tentoo. What matters is, she's there when Ten regenerates into Eleven. She's there when the TARDIS malfunctions, and decides to crash. And through some happenstance, whether separation while the TARDIS was crashing, splitting up for one reason or another, Prisoner Zero plot devices, or simply breaking the age old rule of "don't wander off", they get separated. And the Doctor leaves for "five minutes". Rose returns to the TARDIS, or thinks she's found the TARDIS, and its not there. At best she sees it leave, or it leaves some signature behind she can track with a device from Pete's World. She knows it was there. So she waits, as Amy waits, because if a universe apart wasn't enough to break her spirit then time travel isn't either. Learns the year, gets a job, maybe goes and does her A levels like she said she wanted to do that one time. Years pass. Does she keep in touch with Amelia, the only lead she has to the Doctor? Rose says she doesn't really like children in Fear Her, but she's tolerated them before. Another strange figure in Amy's life. A connection to her "Raggedy Doctor". And almost as strange, too. Because as the years pass, the five between Doomsday and The Eleventh Hour, and the 12-14 years Amy waits, she doesn't age a day over 19/20. Did she ever get an explanation from the Doctor about Jack, in this vague extra time she's been with him? About how he left him without warning or explanation? Does Jack tell her? Does she worry he left her too? As the days pass, does she worry that he could sense what she was becoming, and abandoned her like he abandoned him? Or did she never know, not even have that context, left hoping that the doctor would one day come back until she has to accept that this time, this might be it. Left to deal with this curse on her own. She was worried Ten would leave her when he got that face. Maybe Eleven did. ...and of course, Eleven returns, none the wiser, and Rose's face only "confirms" he'd barely been gone at all! Nothing to worry about! Right?

#rose tyler #eleventh doctor #tenth doctor #11th doctor #10th doctor #doctor who #tentoo #metacrisis doctor #time petals #tenrose #elevenrose #Yippee!#I will probably reblog this later with more #with varying levels of canon compliance and angst #maybe one day I'll actually write about Rose in Torchwood

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jacksprostate · 4 months

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Tyler is hopping around on his pogo stick again. When he lands, it's with a mushy thump as he sinks into the rotting floorboards. Sometimes he gets stuck and just tips over instead of bouncing back up. It makes him stumble and jump ship. Moment of perfection ruined.

I need to renew my driver's license, I say.

"What are you telling me for?"

Thud.

If Tyler's bed had a backboard, this is how it would sound before he and Marla pounded through to the next room.

I am Jack's throat of bile.

"Fine," Tyler says. "We'll go."

I do not say, we? Questioning Tyler is an amateur move I've managed to avoid for two months now.

Getting to the DMV takes three buses and a thirty minute walk. Presumably, they've decided you'll be driving there. Sometimes I think about the Audi I had before my Dakapo halogen torchiere speared it. One of Zeus' modern day lightning bolts, making sure the debris from my exploded condo totaled my car.

I could've gotten the windshield replaced. Somewhere, in a junkyard filled with unloved 50s salvage, there's the crushed up cube remains of this year's luxury sedan.

Tyler spends the entire time walking one half step behind me, making me lead him around. It makes me feel blind, like I'm a thirty year old boy still trying to get his father to take him places. I am the world's most easily played instrument. Whenever I look back he's grinning, chipped teeth and split lips.

It's a Saturday and we've arrived two hours or so after opening. This means that when I get my ticket stub, it reads an obscenely high number. I will be sitting here for the next six hours. Give or take.

The thing about seating in a government building is they know you have no choice to be there for at least two hours, if you're lucky. Naturally, the chairs are cheap, yawning plastic bolted into the floor at a height most optimal for slightly tall seven year olds.

Tyler and I toss ourselves into the only two person gap we can find, between a large man giving Bob a run for his money on hormone reversal and a frail woman in her eighties. Both look like I'd see them on a weeknight. I wonder if this is where Marla lurks in the time between when she's fucking Tyler and fucking up my support groups.

"You don't need this shit," Tyler says.

He's slouching into the chair, arms crossed and legs long and in the way. If I were to look where his shirt is rucked up, I'd see his skin disappear into the dark gap between his chiseled hip and the beige slacks he puts on when he pretends he's pretending to be a nice person. It's an obvious farce, since he hasn't even bothered to put underwear on.

This is one of those things that I try not to think too hard about, but I have something like four hundred minutes left to wait around here. I should've brought a few National Geographics.

I need a driver's license for my job, Tyler, I say. The old woman gives me a look.

"Christ." Tyler spits on the floor. I try not to be jealous. My seat neighbor, she gets right up and goes to the other end of the building. "Just roll over, why don't you."

I can tell, this will be a lesson. He gets this huge sureness about himself, like his dick is so big it's slapped his face into that smug false contemplation.

I need some kind of ID, Tyler.

Tyler says, "No you don't. Your bank already has you by the balls with your social security number. You ride the bus around. You're at the airport so often the airline staff recognize you. You only drive when work sends you to a small town, which happens fuck all three times a year. Tell me, you get a good fake, you think the overworked and underpaid car rental employee writing down your information would notice it unless you crashed his car? You know if that happened it'd be because you did it to kill yourself, so where's the problem?"

You could be a perfect driver and die on the road at any second, I protest.

We're attracting attention. Not Bob shifts around. Our conversation is quiet but unnerving.

Tyler says, "Does it feel nice, signing yourself up like a feedlot steer?"

Fucking hell, Tyler. It's not like anyone wants to do this. No one wants to be here. Not everyone can work three night shifts and have no identity according to the government.

Tyler says, "The only thing stopping you is the little set of rules you've set up for yourself."

What does Tyler know about my ability to do things?

"More than you," Tyler says. "You didn't think you could fight. You didn't think you could live without your perfect IKEA nest."

He's right. I still want to kick him to the floor and introduce his teeth to the tile. I notice, Not Bob has cleared the area. Retreat to safety. Bomb detonation in five, four. We've got a three seat berth on each side with people standing packed against the walls of the place.

A lone security guard floats our way.

"I'm going to have to ask you to leave, sir."

It's not the way that the men at fight club have started calling me sir. The security guard is looking at me like he knows about my condo blowing up, and he feels awfully sure about the cause.

I need to renew my driver's license.

Tyler says, "If we pay taxes for this building, these workers, doesn't that mean we pay your salary? You're going to kick out your kindest boss?"

"If you don't leave, I'll have to call the police."

Tyler says, "Can't even do it yourself?"

I think, every second of this day has been excruciating, and I have been awake for 77 hours.

Tyler socks the security guard right in the jaw, and the crowd goes wild.

It happens like this: Tyler hits the security guard with all four knuckles, all the people start screaming, and the security guard goes for his gun. I am standing in the middle of this hurricane, calm like a baby that's just been left in the car in 90 degree weather. I start walking.

Behind me, Tyler wrestles for the gun. He tosses it towards the kiosk that spat out my waiting ticket. He lets the security guard hit him in the gut. The face. The face again. He's on the ground, bloody spit threading his rebroken smile, and the security guard is kicking him in the gut. Tyler curls into a ball, the security guard kicks him in the kidneys. This will give Tyler bruises like size thirteen boots and make him piss blood for three weeks.

I reach the door, and Tyler's crawling after me. The security guard has come out of his haze, and now the crowd is staring at him. The headline: local DMV worker brutally bludgeons mentally ill constituent. People stare at him, now aware of the violence he is capable of. They wonder. He wonders.

Tyler limps out the door. We get on the bus and the driver stares at us and does not make us pay when we walk past him to the seats. The driver had a black eye. We saw him at fight club last week.

We sit, and I tell Tyler, because of him I'm definitely on a list now. Like they had for all those communists, but now it's for schizophrenics who might bomb their local state Department of Motor Vehicles location. I tell him if I get a letter saying I have to show up in court because I beat up a government worker, I'm sending him, and he can have fun explaining that to whatever rancid old judge presides over our case.

He laughs, and laughs, and laughs.

#fight club #my writing #this ones a little long actually. one day i'll probably put all these on ao3 #inspired by me recently having to do govt stuff. wasnt this but its what i could think of something coming up 4 the narrator #ftr “chipped teeth and split lips” is where my brain was like. :) done!#like no. theres more to be done here

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the-magpie-archives · 1 year

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The thing about blood is that once you've seen it you can never really get it out. It has a tendancy to linger, to drip into those places impossible to reach, a slow unnoticeable movement breaking its stagnation. Even if you think you've got all of it, chances are you haven't. The smell lingers, a sickly sweet fuzzy smell tinged with iron that somehow sticks in the back of your throat.

Imagine how much blood there was when Jared Hopworth attacked the institute. We know the boneturner is capable of removing bones with no blood at all but why would he when what he wants to cause is fear? He says that they undid the institute staff for parts, so I'd say they took a hell of a lot more than bones.

That's not to mention Melanie's attack with the knife, God knows how much blood Jared and his "perfect" friends had in their eldritch bodies, but if that knife hurt I'm willing to bet that blood was spilled. A lot of blood.

There's something uncanny about a place where something that awful's happened. Something in the foundations of the place. In a place with a history as messy as the institute I'm sure there was always something on the air, but that amount of bloodshed never really fades.

Even if you can't see or smell it I think there's something in the soul that knows it. Growing up there was a small park near where I lived, I always knew of it, walked past it, but never once had any desire to go near it. I don't know if I avoided it, but I never wanted to go into it. I found out a few years back that a girl died there. I won't go into detail but it was the kind of death that leaves that mark, and when I did eventually end up in that park the weight in the air was palpable.

I wonder if Jon could feel that sense of something when he came back to the institute after his coma. Does otherworldly sight stretch into the realms of the metaphysical? Could he see the residual fear of an entity so different to his own lingering in dark corners and clinging to his coworkers? Or could he simply sense it, that slight wrongness that would be so easy to attribute to being away for so long.

Jon didn't get a warm welcome, and perhaps he returned to a place that didn't even feel like the prison it'd been before. There's a comfort in the horrors we face daily, and even positive changes can make it feel even worse than it did before. The behaviour of his friends changed so much, and somehow so did the behaviour of his workplace.

It begs the question, is it better to know or to be oblivious? To be blind or to seek knowledge relentlessly? That feeling, that slight instinct that something happened here, there's something to know; how could one bear that after six months of knowing nothing real at all? Jon didn't know about the attack, and him knowing didn't help, but did he feel it? Was it there in that sea of knowledge the whole time but he couldn't bring himself to reach out and grasp it?

Because the thing with blood is that it lingers, and once you smell it, it never really goes away.

#Tma is a podcast so naturally I'm obsessed with the unspoken elements of it... Often the absence is more important than the presence #There's so many things that couldn't be said and episodes can only be so long so things like this show up in my brain #I just find blood fascinating in literature (and in reality of course) ‚ anything that literally fuels human life is an excellent metaphor #And it's so beautifully perverted by the flesh. So much of the flesh is about beauty and perfection #But as an audience we're never really drawn to agree or sympathise in a meaningful way #Which is actually really cool and I'll probably write a post about that one day #Anyways let me stop rambling in the tags. It's 1am and I'm not even sure the post makes sense! The tags needn't be worse.#tma #the magnus archives #the magnus institute #jonathan sims #jared hopworth #tma the flesh #melanie king #tma season 4 #tma the slaughter #Oh god now the trigger warnings #tw blood #tw death mention #tw death #tw injury #tw knife #tw violence #tw horror #Okay I think that's enough. As always if you think of any more let me know!

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coffeelovinggayidiot · 7 months

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Screaming

Do you hear me?

I'm screaming, my throat is raw and my voice is slowly growing hoarse,

But you won't hear me.

Because you're too busy telling me I'm wrong.

Asking me if I'm "one of the bad ones".

What does being bad mean anymore?

I want to live. I want to be safe. I want to trust my fellow humans. I want to know they'll protect me.

But I don't.

I know you won't save me when I get murdered. I know you'll cheer when they kill me.

I know, because that's what you did last time.

You didn't stand up for me. You helped my oppressors. You laughed and jeered when they killed my people.

And that's what you'll do when they kill us again.

Because you don't care. Because you won't listen to us.

I am screaming, yet you won't hear me.

Because you want me to end up like my ancestors.

Dead.

#hope you like it #my writing #original work #writing #short story #jewish #judaism #jewblr #I wrote this a few days ago #and I'll probably write more #Because this is my most comfortable way to express the horrible pain we are going through #The one you all chose to ignore #noa's jewish talk

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torgawl · 1 month

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there's so many connections tying the moon, seelies and the jinn, but more concretely between the goddess of flowers and guizhong!!! by connections i mean they always appear associated with the moon and one another. as i was reading through the lore attempting to gather some of the moments these ties could be drawn, i ended up noticing other patterns that seemed to fit a similar narrative with other entitites as well. it quickly transformed into a post about the sun and moon symbolism in genshin. although i'm probably missing a lot of things, this is what i found while reading in-game information.

"records of the gallant"

this book is a compilation of stories and legends of many knight-errants in liyue, the second volume specifically is very obviously about guizhong. the association starts with the title “dust”, as she was the god of dust, and goes on to her description as “a maiden in a long indigo robe”, which matches perfectly her appearance. she is very often connected with the night time and the moon, and in this specific instance with seelies as well. seelies are described specifically as having had “beautiful physical forms and (…) great wisdom” in the past in the book “records of jueyun”. this book also talks about the seelie ancestor who once met a traveller from afar with whom they swore an oath of union in the presence of the three moon sisters before disaster struck and they were punished. both seelies and the moon are, throughout the game, always hand-in-hand with each other when it comes to symbolism and references and moments with guizhong like this one are no exception. i think it’s relevant to mention that at the end of the tale when this maiden disappears, the only thing left is a pile of dust mirroring guizhong’s “death”. dust in genshin can easily be tied to life (specifically as the base of all life) through albedo and rhinedottir who, consequently, are connected to khaenri’ah and the art of khemia – one of the factors behind the fall of the nation.

memory of dust

memory of dust is a stone dumbbell gifted to zhongli by guizhong and its description is about one of their conversations. guizhong standed among a field of glaze lilies, flower associated with her, as she talks about humans and compares them to dust.

this scene also includes an allusion to her death with guizhong dissolving into dust and with her, the glaze lilies disappearing.

glaze lilies are said to transform the memories of the land into its fragrance during florescence and legend has it that the flower will open at the sound of pure, beautiful music. the interesting thing about this flower is that it only blossoms during the night time, being this way indirectly connected with the moon. this excerpt or circumstances are very reminiscent to another character in this game, nabu malikata, also known as the goddess of flowers.

the goddess of flowers

the goddess of flowers is very likely to have been a survivor of the seelie race, if not the seelie ancestor herself. this was revealed through us by an aranara, arama, who said “there was once a survivor of that race seelie deep within the golden desert who was friends with queen aranyani and the ruler of valuka”. queen aranyani and the ruler of valuka are titles given to greater lord rukkedhevatta and king deshret, respectively, and, as we know, they were both really close to nabu malikata. the goddess of flowers was also said to have horns by nilou, whose head piece is inspired in this detail, and when traveler sees her in liloupar’s memories they describe her appearance as being "ineffably beautiful”, comparable to "the totality of her jinn". all these characteristics are also associated with seelies.

the “flower of paradise lost” artifact set tells a lot of the story of the goddess of flower. the flower piece tells the story of how she was cast aside by the heavens and her kinship was punished by being stripped away of their minds just like what happened to the seelies and their ancestor, confirming her identity.

she was said to wander for a long time, her wounds gushing streams that transformed into gardens of which blue water lilies sprouted. lilies those that originated jinn, a mystical race of elemental spirits considered, just like seelies, creatures of wisdom. the goddess of flowers was also said to make purple flowers bloom wherever she stopped, more specifically padisarahs. much like glaze lilies and guizhong, padisarahs also went extinct after the goddess of flowers’ death.

nilotpala lotus

the one other flower that resembles the glaze lilies is the nilotpala lotus. they also only bloom at night and in its description, we learn of their connection to the three moon sisters.

although the moon sisters perished after the same disaster that struck the seelie ancestor and the solar chariot (that created the chasm with its fall), the flowers turned to serve a new master yet the nilotpala lotus continues to remember those happy days of the past. something interesting regarding the name niloptala is that it refers to "blue lotus" or "blue lily" and represents one of the several "attributes" or "accessories" of a deity commonly seen depicted in hindu iconography, defined according to texts dealing with arts and crafts, known as shilpa shastras. i think it’s pretty logical to parallel these flowers, that grow in the forest wetlands in sumeru, to guizhong, someone very known for her mechanisms and who is deeply tied to blue lilies.

goddess of flowers and king deshret

a long time ago, the goddess of flowers, king deshret and greater lord rukkedhevata were all very close friends who looked over sumeru (any resemblance to the liyue consortium is pure coincidence, or not). “flower of paradise lost” continues to tell the story of the gof and contains the depiction of what happened that led to king deshret obtaining forbidden knowledge. through king deshret's aspirations, she saw the possibility to transcend the absurd shackles that governed this world (heavenly principles) and so she helped him in his goal, leading to her sacrifice and consequent death. she is said to have turned into dust in the “vourukasha's glow” artifact set, once again paralleling guizhong.

she once again refers the punishment casted upon the seelie race by the heavens, warning king deshret of the consequences his actions may have. the most interesting thing to me in this passage is the fact she is depicted as being “wreathed in darkness” when guiding deshret towards discovering “all there was to know about the skies and the abyss”; this and the fact she could foresee future events. it actually makes a lot of sense as nabu (who shares a name with her) is an ancient mesopotamian god of literacy, the rational arts, scribes, and wisdom (can you see the pattern?) whose name means "enlightened" or "prophet". she reminds me a lot of sibylla, who met king remus “below the abyssal depths”. knowledge beyond what the heavens allow seems to be connected multiple times to the abyss. this comparison with sibylla gains even more strength when, in the same artifact set, she tells deshret “you seek but to chain the winds. upon the tombstone of divinity shall humanity become the god of gods”. this was also remus’ goal, something he strived for so much that he was willing to ignore prophecies of disaster as long as he could attempt to break the chains of fate.

oasis garden's mourning

this ascencion material with the image of a flower in the center tells us the goddess of flowers and king deshret built ay-khanoum together, also known as “city of the moon maidens”, for the jinn. it’s this material that tells us padisarahs went extinct after the gof’s death and that these gem discs lost their original “glad purpose”, much like what happened to the padisarahs as depicted in the artifact set mentioned earlier. yet, there’s another version of this story told in “the shepherd and the magic bottle”. in this book (told by a jinn) it’s believed that king deshret learned about the jinn's story as well as the story of the “dismal moon and the driving morning star” (likely connected to the seelie ancestor, the three moon sisters and the solar chariot) after capturing them and, afterwards, built ay-khanoum as a gift to commemorate them; in return, the jinn built the entrance to the mausoleum of king deshret. according to liloupar, deshret had deceived the jinn to gain their servitude, telling them that the goddess of flowers had not perished but was instead locked in a deep slumber in the orchard of pairidaeza (created by deshret as a cemetery for the gof), and that he could awaken her with the jinn's aid. there’s an interesting detail in “the shepherd and the magic bottle” where the jinni says that at the end of the city of the moon maiden’s play “everything was reduced to dust”.

sun and moon dichotomy

guizhong’s color is, as referenced earlier, blue like the moon. whenever there’s a deity associated with the moon or the moon-sisters (gof and guizhong) there’s also one that symbolizes the sun (deshret and zhongli), usually coming to form a duo. this traces back all the way back to the solar and moon chariot, their gods and the disaster that led to their separation. it’s interesting to note the fall of the solar chariot, as i mentioned earlier, was what led to the creation of the chasm. although according to what we have access in game the text implies this entity to be different from zhongli, there’s actually a lot of things tying him or creating that parallel between him and the sun or the sun god (who might have been a shade of phanes). we can also consider traveler and paimon as another example of this constant duality within the story, as the traveler is almost literally the morning star and paimon is symbolically connected to the moon and seelies too.

“before sun and moon”, that tells the story of enkanomiya, includes an interesting parable.

this parable clearly references the sakura tree in inazuma’s story but it also intertwines with the heavens and the entities related to the primordial one. tokoyo ookami is istaroth and she’s referred to as the king’s priest. if the king is the primordial one then it makes sense the king’s gardener would be another of the shades. it’s hard to interpret some text when everything is told in metaphors and sometimes information isn’t actually that reliable but the concept of love here reminded me of the solar and moon chariot as well as the seelie ancestor and traveler from afar from the kingdom of light (descriptions in “records of jueyun” and “the pale princess and the six pygmies”). it’s also a bit impossible to read of a tree spirit heavily linked to time and planted by the heavens and not think about irminsul. this concept of gardener or protector of the tree is also somewhat recurrent and can be linked to sibylla as well, a prophetess.

the triquetra has a lot of different meanings but it’s usually connected with three goddesses, three sun positions or three moon phases. another item that has a triquetra on it is mora, that also can be used for alchemy and transmutations. we also know mora was, at least in the beginning, created from morax’s own body so it’s interesting this symbol appears in the coins. “earth is where the alchemy gets its name” and the art of khemia (alchemy from khaenri’ah) literally meaning “art of black earth” in chinese also seem to point to a connection between the terms.

khaenri’ah connections

guizhong had a particular interest in mechanics: the guizhong ballista was one of her handiworks, built with the aid of the adepti, and she apparently collected khaenri'ah technology such as ruin machines for research. as i mentioned before in regards to her (god of dust) “death”, dust can easily be connected with both the art of khemia and concepts such as birth and life. as albedo says: “soil and chalk, the universe and earth, pure dust and the birth of human life”.

in the hidden palace of guizang formula domain, the challenge called voyage to the sanguine sky has the description: "this is the realm of clouds. guizhong, its former ruler, acquired several ancient and evil artifacts during her research into mechanics. the adepti created this realm to contain them." curiously, the fight in this domain is against two ruin guards and a ruin hunter. guizhong was presumably researching khaenri'ahn technology before she died in the archon war. considering ruin guards didn't start wondering teyvat until after the cataclysm, we can propose a question of how exactly she got them. mentioning remus again, the golems he created with the souls of his people within the golden ichor are hinted to be what referenced khaenri’ah to create ruin machines. the link between having the want to defy the heavens and the fall of nations is something we’re already aware, but the way these nations or people connect with each other is also very consistent.

“perinheri”, a book very obviously about khaenri’ah during the crimson moon dynasty, was the talk of the town for multiple reasons but one of the surprises in it was the mention to deus auri (zhongli) by angelica. her nation was defeated by deus auri but she refused to submit to the new god. the orphanage in khaenri’ah – that ties itself with the house of the hearth – seems to have collected children that could classify as descenders, looking for some sort of potential. khaenri’ah anticipated the arrival of "beings who could transcend the gods" and this seems to relate to the concept presented to us during one of sumeru’s archon quests that the traveler’s twin isn’t a descender despite traveler being considered one. it also fits rene’s description of a descender being those with “wills that can rival an entire world”. i can’t make a connection between these concepts but zhongli’s mention is definitely intriguing.

deshret was depicted in genshin animations as an 8-pointed star and the speculated door to khaenri’ah, below sumeru, also has the same star on it. there's two stars that could be in association to this symbol, the star of lakshmi and the star of ishtar. in both cases, the 8-pointed star is associated with the goddess venus, who was worshipped as a symbol of fertility and love. the star can be seen as a representation of the eight phases of venus, which includes her appearances as the morning and evening star.

lakshmi ('she who leads to one's goal') is one of the principal goddesses in hinduism. she’s associated with maya (illusion) and along with parvati and saraswati she forms the tridevi of hindu goddesses. the tridevi are considered consorts and auxiliary deities to the more eminent masculine trimurti gods (brahma, shiva and vishnu). saraswati is the goddess of learning, arts, and music, and the consort of brahma, the creator; lakshmi is the goddess of fortune, fertility, light, and material and spiritual fulfillment, and consort of vishnu, the preserver; and parvati is the goddess of power, war, beauty, and love. she is the consort of shiva, the destroyer of evil.

lakshmi, as his consort and divine energy, accompanied vishnu whenever he descended on earth as an avatar; she's the supreme goddess in the sect and assists vishnu to create, protect, and transform the universe. lakshami is associated with the lotus flowers, in reference to spirit liberation, and her iconography also depicts her with four hands, representing the four aspects of human life important to hindu culture: dharma (moral values), kama (pleasure), artha (prosperity), and moksha (final liberation, humanity’s ultimate goal).

the tridevi are the manifestations of mahadevi, the supreme goddess and the primordial power behind the creation of the universe (creator and destroyer). all hindu gods and goddesses are considered to be manifestations of mahadevi and she’s known by many names, some translating to ‘she who is primordial matter’, ‘the great illusion’, ‘the life force in all beings’, ‘she who is supreme knowledge’, ‘she who transcends the universe’, and ‘she who destroys’. mahadevi's is also called ‘night of death’ and ‘she who is death’, reinforcing her destructive nature.

the star of ishtar or or star of inanna is usually used in association with the heavens and is specifically connected to the planet venus. the eight-pointed star is sometimes shown alongside the crescent moon, which was the symbol of sin (god of the moon) and the rayed solar disk, which was a symbol of shamash (god of the sun). the morning star may have been conceived as a male deity who presided over the arts of war and the evening star may have been conceived as a female deity who presided over the arts of love.

inanna (or ishtar) is an ancient goddess of love, war, and fertility and her primary title was "the queen of heaven". many of her myths involve her taking over the domains of other deities. she was believed to have been given the mes, which represented all positive and negative aspects of civilization, by enki, the god of wisdom. she apparently took over the eanna temple from the god of the sky, an. alongside her twin brother utu, inanna was the enforcer of divine justice. in the standard version of the epic of gilgamesh, ishtar asks gilgamesh to become her consort. when he disdainfully refuses, she unleashes the bull of heaven, resulting in the death of gilgamesh’s friend, who has a subsequent grapple with his own mortality. inanna's most famous myth is the story of her descent into and return from the ancient mesopotamian underworld, ruled by her older sister ereshkigal. after she reaches the throne room, the seven judges of the underworld (whose function was to decree the fates of humanity) deem her guilty and strike her dead. three days later, someone pleads with all the gods to bring inanna back. all of them refuse, except enki, who sends two beings to rescue inanna. they escort inanna out of the underworld but the guardians of the underworld drag her husband down there as replacement. he is eventually permitted to return to heaven for half the year, while his sister remains in the underworld for the other half, resulting in the cycle of the seasons.

as genshin is a bit of a cocktail when it comes to mythology and any historical references, it’s hard to say if the stories of ishtar or lakshami can even be a straightforward parallel to the higher beings in genshin. but i think if there’s one thing to take from everything so far is that there’s a very meaningful recurrence of trios or the number three (e.g. triquetra, three moon sisters, evil trinity), as well as the constant appearance of sun and moon elements together and dependent of one another (either in regards to their roles or their personal connections), the sun always being the masculine and the moon always being the feminine. we know there was a time in which these elements co-existed together in heaven, although they seem to be fated/doomed to separate from one another (the tragedies referenced in this post being an example of that).

enkanomiya

there are three very interesting achievements with interesting names you get in enkanomiya. one is kairos' constancy, and is the one you get from completing time trial challenges. kairos, as we already know, is one of istaroth’s (god of time) names. this name is based on the greek god kairos, the god of moments. the other two achievements, which also have greek names, are hesperus' boons, for opening chests, and phosphoros' guidance, for following seelies. if these are names of deities with close relations to phanes or at least celestia, as it would make sense because it would follow the pattern for istaroth, then would it be that out-of-pocket to think these might be the names of the other shades or of the moon sisters? phosphorus (bearer of light, often translated as lucifer) is the god of the planet venus in its appearance as the morning star. hesperus (son of dawn), on another hand, is the evening star. (planet venus in the evening). venus, as mentioned before, relates to the eight-pointed star and we know this shape is also used as the symbol of istaroth in enkanomiya (light realm sygil).

which, by the way, are used in hilichurl camps. the hilichurl camp in front of the thousand wind temple in mondstadt was already a hint that they worshiped istaroth but i think it’s safe to say that with certainty. it’s just curious that they don’t really recognize the archons, thinking of the elements as that which is deserving of worshiping, yet recognize (at least one of) a shade of phanes. the name istaroth is derived from astaroth, one of the three demons in the "evil trinity" alongside beelzebub and lucifer, connecting istaroth and the morning star once again.

i don't plan to drag this any longer as this is already way too long but to finish it off, and summarising these ideas: i'd say the one of the biggest patterns present in the game is the constant mention of entities in heaven seemingly converging into the duality of sun and moon, the moon sisters and the sun god. i haven't properly dwelled on this to come to a any sort of definite idea but there’s too many details creating a consistent pattern for my brain to disregard these ties as non-intentional. obviously, all these characters i have mentioned throughout the post aren’t going to all be the same handful of beings, and that’s not what i’m trying to say, but i do believe the repetition of the same themes has meaning. maybe the same way mahadevi manifested herself as three other feminine gods who worked together with male deities, the heavenly principles or phanes also created the shades as a manifestation of the sun and the moon. or maybe ishtar, alongside utu as enforcers of divine justice, taking over the god of the sky's (ishtar's father) temple could mirror the twins and their journey. maybe kairos, phosphorus and hesperus are indeed the moon sisters or even shades of the primordial one. maybe guizhong isn't meant to be more than a parallel to other entities, but maybe she was truly more than what was originally presented. i don't think it's impossible that even if she isn't one of the big figures - goddess of flowers or a moon sister - that she could have originated from one or be related to one (nabu malikata having seelies as her people and jinni or khvarena as her daughters). similarly to how venti is hinted to have originated from istaroth (as he was originally "a single thread of the thousand winds", istaroth's title). or perhaps not. regardless, it’s fun to notice that many theories in the fandom sort of intertwine together to make a fuller picture based on scattered information across the game. i'm not sure if i'll go more in-depth regarding some of these "theories" as there's still a lot to expand but i hope all of this made at least a little bit of sense. thank you for reading this far!

#the day we get to know more about guizhong i'll be so happy i didn't even go through the contradictions regarding her death that are so sus #anyways a random click in my brain while going through the genshin wiki led to this mess of a post #i write posts because i'm really forgetful and i want to put my ideas into the same place so i can come back to them. i don't even know if #these were obvious things or not but i thought it was interesting. maybe someone else will too.#still brainstorming about whatever is happening in the havens what's up with the primordial one and who the twins are #the answers are probably right under our noses and yet my single braincell is about to explode lol #guizhong #goddess of flowers #zhongli #deshret #genshin impact #genshin thoughts

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justashamwithwastedpotential · 1 year

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Fishing with Grandpa (kinda)

This gif of Lance playing with his daughter was so cute, I wanted to make some art of some of my farmer’s kids. Then I decided against it because I’m lazy and ended up making this silly little gif of Luna and Kent instead.

Luna always seems so excited to go fishing with her granddad. Kent thinks it’s weird they never seem to catch anything though...

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procrastinatorproject · 3 months

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New game: Share your three best fanworks. No thinking, just the three that instinctively occur to you. Then copy-paste this ask to anonymously share with as many people as you want.

Okay. A) I love this! Thank you so much, nonnie, for a brilliant idea!

B) Whoof. That's tough 😅

Without thinking:

My very first fic. It is finished, it has pacing, it has an arc, it has an actual story... The prose might need a bit of polishing, but I think it's still some of my best work!

My most artistic fic:

I just... I don't know. I feel like it's very personal and almost has something lyrical about it and I feel very deeply about it, even if it is perhaps a little pretentious.

The third one is hard, though...

I'm very torn between something like A Night at the Opera, which I'm still extremely proud of, In the Palm of his Hand, which I love and hope to finish one day, and even The Cake is a Lie. Though the last two are probably not nearly as good in their current published form as they are in my WIPs, where I have additional material that really adds A Lot to them 😅

But I feel like I also want to put one of my metas here, because I have a bunch of those and they're important to me and feel like they're out of contention for this sort of thing. So here's my probably favourite bit of meta writing:

I love Rios and Agnes! And I find their budding relationship fascinating and gentle and lovely and want to think about it more. And this was such a great way to look at their interactions and psychology, and to explain why I think they make sense together.

(Also: it always reminds me of the incredible "Your Light on Me" by @regionalpancake and the gorgeous Love Comes Softly by @smhalltheurlsaretaken, which is essentially the same argument but as an amazing fic (and gorgeous podfic by @thelaithlyworm). And these kinds of connections always make everything better 🥰)

#lili's writing adventures #thank you for the excuse to indulge in my own writing for a bit :D #i think i'd probably also put 'snow day' up there? but it's too new to know what I'll be thinking about it long-term #i'm always a bit surprised that i have posted more stories (and meta) than i think #but also i clearly have greater fondness for my earlier work. i should probably try and figure out what that's about 😅#but i think i'm slowly starting to enjoy this whole Writing thing again so that's something #anyway #thanks nonnie #this was very nice #star trek picard #star trek la sirena #cristobal rios #agnes jurati #agnebal #(yes i am also shocked there isn't a holo centric fic in this. I think Night at the Opera is a very close contender for my favourite fic #but it's not the one that springs immediately to mind when i think of my 'best' fic)#it might be... but i'm not sure

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twilightarcade · 8 months

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OC-tober day 6 - symbol

These two freaks.. caduceus ft some assorted article clippings! Transcripts of said article clippings under the cut :]

1- top left

"Caduceus as a symbol of medicine

The caduceus is the traditional symbol of Hermes and features two snakes winding around an often winged staff. It is often used as a symbol of medicine, especially in the United States, despite its ancient and consistent associations with trade, liars, thieves, eloquence, negotiation, alchemy, and wisdom."

2- top right

"The author of the study suggests that professional associations are more likely to have a historical understanding of the two symbols, whereas commercial organizations are more likely to be concerned with the visual impact a symbol will have on sales."

3- bottom right

"Wing clipping is the process of trimming a bird's primary wing feathers or remiges so that it is not fully flight-capable, until it moults, sheds the cut feathers and grows new ones."

4 & 5- behind everything, the long ones

the one on the left is a snippet from the Declaration of Helsinki, while the right is a snippet from the Hippocratic Oath, as written by Louis Lasagna. I don't believe said snippets have been chosen with any particular care but who knows really.

#notwordswordstag #OC-tober #bweirdOCtober #harry woudl be proud. That's not even his name but i don't care to remember it #mr heavy handed symbolism #caduceus ♡ hippocratic oath & that one declaration i forgot which i used ♡ clipped wings ♡ snakes (one more constricting 2) ♡ roulette tabl #ummmmm think that's it #[5 days after drawing me] so like i drew this in like. One night. One sitting etc #and as with most things that are drawn in like. One sitting. I don't like it very much anymore.#like after a day or 2 its always either the best thing i've drawn EVER frame it in a museum or hot shit. Today it's the latter #but what EVER!!!!!!! yolo and stuff....#oug i guess i need to write this in the caption Huh.#whatever i'll do that later #Something came up [said thing has been on the calendar for weeks now] and I didn't get a chance to finish day 5....#quite unfortunate really.....! I don't actually have any plans for the pallette week were just gonna sit down and hope 4 the best #[really agressive pointing] this is THAT GUUUUY #the one i really need 2 axe but my heart says no. Because i like her.#we will have a lapse in story logic just this once (once...) 4 da guy.#umm what else [post caption writing me] i was going to trace the articles but it got a bit tedious #i probably could've it would have looked nice #also the colors here are a bit awkward because i was dead set on having a limited pallette with like. 3 colors.#i was going to make [lady on the left]'s wings black just 4 contrast then i didn't.#think I shouldve but some evil voice in my brain said it was cringe.....#quite a shame really.#i am so SLEEPY!!!!!!!!!!!! All the time foreger #had a pretty good burger today [thumbs up emoji]#ok we r !! getting of subject #i thi nk i had like 40 different things 4 today. Same with day 5. But alas I can only do so much #ok i need to go draw an arizona iced tea. please await my return anxiously

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