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#i wanted to draw characters but on my own terms
poorly-drawn-mdzs · 9 months
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Bestie Deficiency
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#poorly drawn mdzs#mdzs#a-qing#xue yang#xiao xingchen#Xue yang is cold because cold blooded creatures can't generate their own body heat#I am skipping over drawing the stories they tell due to the fact this arc is already really dragging#but I think they are very key in understanding the yi-city characters#Even if they are stories that really bring down the slumber party vibes A-Qing was hoping for.#I mentioned some of my thoughts in the tags of no. 76 but to continue on a bit more#I think xxc and xue yangs stories inversely mirror each other on the meaning of sacrifice and what it means to 'deserve' something#to xue yang he has only ever sacrificed - therefore he is in his right to 'deserve' what he wants. And he wants everything.#xxc leaves song lan thinking its the best course of action to atone but my god. No it wasn't. Poor communication crown actually goes to xxc#but it's what xxc he feels he deserves - continued sacrifice to atone. He wants to want nothing.#both are very stuck in the past in ways that are not actually accounting for their actions#It's easy to look at xue yang and go 'dang you need to get over your childhood trauma'#but that very much ignores that fact that we - real human beings - define so much by our childhood pains.#Growth is having to come to terms with it and trying to move past it...and not everyone is ready for that.#I have a lot of thoughts on that matter but I'll let it be for now.#Anyways. Amiguito appears to be one of those words whos meaning change depending on speaker and contextual factors#So as far as I can tell it slides around on the scale on romantic and platonic. Which works for this dynamic. I think.#Native Spanish speakers I am so sorry.
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krembruleed · 27 days
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this week on CoS: our intrepid adventurers are reunited after being scattered to the winds outside vellaki. also ismark is there for some reason
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readymades2002 · 8 months
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something difficult about writing/storytelling but only in short disconnected bursts is that writing anything longform is very difficult. there isn't as much time to practice long-term character development or subtlety (implying character instead of immediately clarifying) when its not really meant to go anywhere but a notes app. its a little frustrating...i'd love to do something more longform though. i've considered maybe just doing some short writing scenes in my various original universes a lot recently mostly because i just havent had time to draw anything fancy recently </3 maybe that would be something...
#briefly talked about it with a coworker today bc i mentioned my brother makes music#and she got excited because she paints and she showed me some of her work (beautiful btw!!!)#and said she hopes he pursues music and doesnt get his heart crushed by retail like we do#we still make things but ive been thinking about it...it really is like#i feel like ive had less TIME to make things but ive also developed more interest in my own ideas#and in constructing them on their own terms. its hard to describe and even harder to share because its#not churning out fanart for a response i guess?#i dont know. i do feel more satisfied with what im planning but theres less to share#anyway i promised her i'd show her my art sometime so essentially i have to flee the country now#she does lovely work she paints pictures of pets and it seems so nice. she seems so happy with it!#its like...i love it. im a little jealous of it. i feel so much pressure to Do Something New with my art#try to craft scenes and settings (i think setting is such ann important part of storytelling but i have so much trouble drawing it!)#and try new compositions and poses and just not have everything look the same all the time#its led to a lot of work im proud of but its also hard to create under those expectations...#i wish i could find a niche and settle into it comfortably. i think fun character drawings could be that for me#but its...it frustrates me to post those because it feels like if its easy and i like doing it and how it turns out then im not trying#okay i think im done now. sorry for these rambling introspective posts lately lol im#trying to warm back up to posting so i can use this website again (despite how very very bad it is)...#i want to see my frieeeeeends <//////3 i want to be here without running away <///3
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hirokiyuu · 11 months
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if i might ask--would you like, recommend twst?
HMMMMM not as like a Blanket rec but like........
ok so the thing abt twst is that like. its the Disney Villain Game right. and like. the charas really are villains LOL they do shitty things and they fuck up adn theyre mean adn petty a lot and like......... theyre still presented as full round characters who have dreams and ambitions and worth? which is smth i really like wwwwww
i do genuinely think its v well written but i also just love love love fucked up guys trying their best so that might be influencing me LMAO id say...... give it a try? i think the prologue has the shakiest/weakest writing but i still enjoyed it and if you enjoyed the charas in it at all then youll prolly like the whole thing wwwww
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mejomonster · 9 months
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My adult advice is if you do pursue something you're passionate in for a career (or really if you go about getting any job) that being treated like shit is not fair to you. Working over 40 hours for your dream job a week, working 60 hour crunch hours for months for your dream job, working with no health insurance for years, your dream job paying you a wage too low to live where you need to in order to do the job so you're financially getting worse, your job not hiring enough people because you care about the work too much to let it fail so they just overwork you and have you do 2-3 peoples jobs, your dream job does not protect you from work hazards and you feel you'll lose your job if you bring it up? You don't deserve any of that shit. You deserve better. Whether your job is some boring thing you don't care about, or your absolute favorite thing in the world that you care about deeply and find to be the meaning of your life, you deserve to be treated fairly. You deserve to not be overworked to the point of suicidal or sick, you deserve to be able to go to the doctor and take your kids to the doctor and know if your kid gets a long term illness you can get long term treatment, you deserve to not have the entire success of a company fall on your shoulders to do multiple jobs if you weren't the supervisor who decided Not to adequately hire, you deserve to be able to go pee when you need to, you deserve to have adequate protection from dangers to your life. Period. No matter what job. If you're being treated like shit, you don't deserve it. It's not a price you should be expected to endure, not even for your dream job. It's a fucked up situation that real people caused by deciding to treat their employees badly.
#rant#feel free to ignore#but like. if you never had a job yet or havent had many jobs yet or ur in college#its some food for thought.#i just like. when i was a child i didnt understand some choices my dad made.#now that im an adult? i do have a job i like and find meaningful.#but also like... i did WANT to do character concept art for video games. but i see employees in those companies now#workjng 60 hour crunch hours. short term contract work so no health insurance.#and its like... well i needed 4 surgeries in the last 4 years. i needed the ER like 20 times.#i needed 2 of those surgeries as a direct result of when i worked 60 hour weeks for a year#and it made me both mentally suicidal despite Liking the work. and physically damaged my health for life#and now i need medicine montjly that costs 600 or more if i didnt have insurance.#so its like... well. if i had tried to do character concept art for X companies games i played?#well id be dead right now. dead before age 28. because 60 hour workweeks over a year probably wouldve killed me#my life wouldnt have been worth drawing if yhat job turned my passion into my own hell and my own killet#you get me?#like. even if you pursue a dream job (or a hated job even)#know your limits. your life is most important. if a job says 60 hours ans you got 2 kids and need to work#until you can get another job to hire you? then you take the risk probably yeah#or youre healthy and willing to suffer for 4 months before ysing the experience to apply for a job that is 40 hours a#week and pays more. but if a job is demanding inhumane bullshit it IS a horrible thing#and its something you deserve better than.
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maccreadysbaby · 10 months
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Some of my favorite words and phrases to describe a character in pain
coiling (up in a ball, in on themselves, against something, etc)
panting (there’s a slew of adjectives you can put after this, my favorites are shakily, weakly, etc)
keeling over (synonyms are words like collapsing, which is equally as good but overused in media)
trembling/shivering (additional adjectives could be violently, uncontrollably, etc)
sobbing (weeping is a synonym but i’ve never liked that word. also love using sob by itself, as a noun, like “he let out a quiet sob”)
whimpering (love hitting the wips with this word when a character is weak, especially when the pain is subsiding. also love using it for nightmares/attacks and things like that)
clinging (to someone or something, maybe even to themselves or their own clothes)
writhing/thrashing (maybe someone’s holding them down, or maybe they’re in bed alone)
crying (not actual tears. cry as in a shrill, sudden shout)
dazed (usually after the pain has subsided, or when adrenaline is still flowing)
wincing (probably overused but i love this word. synonym could be grimacing)
doubling-over (kinda close to keeling over but they don’t actually hit the ground, just kinda fold in on themselves)
heaving (i like to use it for describing the way someone’s breathing, ex. “heaving breaths” but can also be used for the nasty stuff like dry heaving or vomiting)
gasping/sucking/drawing in a breath (or any other words and phrases that mean a sharp intake of breath, that shite is gold)
murmuring/muttering/whispering (or other quiet forms of speaking after enduring intense pain)
hiccuping/spluttering/sniffling (words that generally imply crying without saying crying. the word crying is used so much it kinda loses its appeal, that’s why i like to mix other words like these in)
stuttering (or other general terms that show an impaired ability to speak — when someone’s in intense pain, it gets hard to talk)
staggering/stumbling (there is a difference between pain that makes you not want to stand, and pain that makes it impossible to stand. explore that!)
recoiling/shrinking away (from either the threat or someone trying to help)
pleading/begging (again, to the threat, someone trying to help, or just begging the pain to stop)
Feel free to add your favorites or most used in the comments/reblogs!
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dan-crimes · 9 months
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It's so funny trying to look back @ what my core knowledge of Sonic the Hedgehog games are and like I'm fairly sure I knew about the orca level, I knew abt the Chaos Emeralds and Sonic (obviously) as well as Amy having a crush on Sonic and Tails being like a little kid and I knew abt Eggman and that he wanted the Chaos Emeralds to power his machines and that he was in this egg shaped ship thing
Not sure about anything else tho like if I had any other knowledge of the characters (before joining the Internet) the only reason I remember that I knew that prior to anyone else telling me stuff besides my main irl source is bcuz I would imagine stuff abt Sonic and Friends based on certain songs and I know those were like the base components while imagining that stuff :P
#I only ever did it with Sonic? and it was like only a few songs it wasn't even like I was doing it with tons of songs#I guess I've always been particular about that kinda stuff the vibes gotta fit#anywayyy I might be bending my own rules a bit about the whole Sonic stuff#I'm watching like hours of people talking about Sonic but still not technically watching thru gameplay sooo#still technically don't know stuff... technically#I'm very much a come to my own conclusions type so I would actively have to see the gameplay for myself to have my own opinions#otherwise I'm just kinda adding information to my head bank#but not really forming an emotional attachment for it#since I'd gotta see it personally first hand#I trust people to tell me info but I don't trust people's opinions cuz watch 3 different videos with the same topic and they all have#different opinions about the same game lmao#plus in general I am easy to please so I might like more stuff that others don't and also in terms of characterization#everyone has their own way of viewing that shit too so the stuff I could see people sayin abt these characters could be just totally wrong#or right in their own sense! but maybe not MY sense :P#and maybe we'll never know 👻👻👻 cuz I'm trying to stay away from that still lmao#I will say finding out like super random shit that I've never seen ppl talk abt and prolly no one cares or thinks abt#and becoming really interesting in that to the point of wanting to draw it is very funny to me bcuz very typical of me huh#if you know the human Sonic comic just know that I do NOT like it but I do in the sense of like I could fix you#purely style wise but also they for sure could have told a better story there was some potential there I#I'm sure I swear Tumblr stop cutting me off ANYWAY maybe I'm not the best to rewrite it obviously but like I could still see ways#for it to be improved from a general standpoint lmao
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malkaviian · 1 year
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this is going to sound extremely stupid but i have been thinking for a few days now and. i think donnarose may as well became a special interest???? these little guys genuinely make me happy and i love developing them, thinking about their relationships with each other, it's just too much fun. but since i'm a whole autism with personhood i don't know if my level of enjoyment is normal and akin to someone with their own ocs or im once again having an autism moment. so idk
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thebibliosphere · 4 months
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I just read a post quoting Steven Moffat saying Sherlock couldn’t be asexual because there’d be “no fun in that”. I was wondering why Somerton’s “only the boring gays survived AIDS” sounded familiar. I remember how you talked about Moffat on the Ayesphere and was curious if you had any thoughts on this? The idea that people need to be ‘exciting’ always left a bad taste in my mouth.
From what limited interaction I’ve had with the man -- which included him making inappropriate comments about my underage bridesmaids who just happened to be wearing TARDIS blue dresses -- I think Moffat is a mediocre writer who draws almost exclusively from his own experiences, which are far more limited and not so nearly clever and worldly as he thinks.
He also completely misunderstands and mischaracterizes the characters of Sherlock Holmes and John Watson as pertains to the original source material, so anything he says about Sherlock Holmes needing to fuck to be exciting can be dismissed not only with a grain of salt but chucked full heartedly out the window.
You can create “exciting” stories that aren’t about fucking. To claim otherwise is to show your hand, not only in terms of your lack of skill as a writer but also in terms of your own emotional depth.
Yes, sex is essential for some people. It is a driving factor of their existence. It's a fairly large part of mine. But if you cannot grasp the need as a storyteller to examine the emotional and psychological aspects of sexuality beyond “person pretty, want smash” and belittle other people for wanting to explore other types of intimacy or exploration, you’re just a bit shit, both as a writer and a person.
There is more to life and human intimacy than sex. And I say that as the walking, talking stereotype of the greedy polyam bisexual kinkster constantly being driven to distraction by pretty people.
Like, c’mon, ace Sherlock Holmes using sex like trapping someone under a glass to get a better look at them is practically canon in Moffat’s own interpretation of him. He’s just so mad that the character could be read as anything other than heterosexual and meanly-clever like him to realize it.
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runicarbiter02 · 11 months
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How would each CoD character react to you touching their cheek for the first time? (In a caressing way)
A/N: Oh my god, this is actually the cutest and I couldn't think of a better way to start off this blog, thank you for this, love! I hope you enjoy! ~ Hannah
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ALEX KELLER
Oh, this man is absolutely melting the second your hand cups the side of his face.
The goofiest damn grin on his face, corners of his eyes crinkling, soft laugh rumbling in his chest.
"How ya doing, sweetheart? Hanging in there?" Man is always concerned with you and your well-being.
Absolutely is the type of person to just completely nuzzle into your touch, soft sigh of content leaving his lips.
You aren't getting your hand back any time soon. Try and pull away, and he will absolutely pull the kicked puppy look. You can't bring yourself to pull away anyway.
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ALEJANDRO VARGAS
"Oh, is there something you need, mi vida?" This motherfucker and his sweet, smooth voice. Love him.
He will gently draw you in close with a hand on your waist, that signature cheeky grin on his lips. He'll gently take your hand in his and just press sweet kisses to your fingertips.
This will lead to him pulling you aside for a moment, peppering you in sweet kisses and showering you in the most endearing compliments in Spanish.
Expect to be walking away with a spring in your step and a flushed face.
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GARY "ROACH" SANDERSON
At first, he will look wildly confused, his brows furrowing slightly and his head cocking to the side.
"What's up, hun? Everything okay?" He signs the term of endearment with so much passion every time, it is absolutely the sweetest and most heartwarming thing. Any term of endearment he uses is always signed with more passion than anything else.
Once you let him know you just wanted to love on him, this cheeky little shit is flirting with you like crazy.
"Oh, just wanted to love on me, huh? Well, there's more ways you could-" He cuts his signing off with his own laughter when you playfully shove his face away, and he follows after you, making obnoxious kissy noises.
He makes it up to you, though, with the most affectionate kisses. He's goofy and that reflects in how he shows you his love.
(Can you tell I love Roach? I love him very much.)
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JOHNNY "SOAP" MACTAVISH
Johnny will take your other hand, place it on his other cheek, and will gently press your hands against his cheeks to squish his face.
He hums happily, reveling in your touch as his eyes shut and his lips curl into a smile.
"Always know what I need before I even do, mo chridhe." This man is so, so whipped for you. Looks at you with so much love and affection that you might as well melt before him.
Do expect this to end up with you wrapped up in his arms, snuggled close, the Scotsman whispering some of the stupidest jokes known to man to you in an effort to get you to laugh.
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JOHN PRICE
I have like a very specific image in mind for this one!
He tends to work himself to the bone, getting lost and caught up in his work, and its very, very hard to get him out of it. It's one of those nights where you find him hunched over his desk, nose buried in his work.
You walk up behind him, gently resting your hand on his cheek and he pauses, tilting his head back to look up at you.
Despite the exhaustion, his expression softens, the tender smile on his face highlighting the crow's feet at the corners of his eyes.
"It's late, isn't it...? Mmm... Alright, dearest, I'll head to bed."
He gently grasps your wrist and tilts his head to press a fleeting kiss to your palm, and then to the pulse point on your wrist. It takes a bit more convincing before he's off to bed.
(I'm a bit biased, I'm a major John Price simp if you couldn't tell.)
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KEEGAN RUSS
Look, I firmly believe our resident masked men are softies, but they're all different in terms of their softness.
This man is a softie with you, but good god, is he suave and flirty.
"Mmm, what's up, kid...? Just looking for an excuse to see my face, hm? All you had to do was ask." It should be illegal how much this man's voice sounds like a silky purr.
Soft kisses to your fingers, knuckles, and the back of your palm. Fleeting kisses that barely meet, brushing against your skin and leaving trails of goosebumps in their wake.
"Always so sweet for me, kid."
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KÖNIG
(Apparently this man is a colonel? And from what I've seen, if he joined at 18, and if we take the average amount of time it takes to get to that rank... This man is likely in his early 40s. Dilf König? Dilf König.)
Masked man number two! Softie, but different from Keegan. This man is the shy sort of soft.
I imagine this would happen after he shows you his face for the first time. He grew up bullied for his appearance, among other things, and its made him rather insecure about his looks.
When you gently cup the side of his face after studying him for a moment, he heaves a shuddering sigh and averts his gaze shyly. But, the second you tell him how handsome he is, his face goes pink and he flushes shyly.
"Ah, meine Sonne und Sterne... You're going to make me melt." He then proceeds to kiss you softly on the forehead and tells you how much he loves you.
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KYLE "GAZ" GARRICK
A pleasant flush works its way onto his cheeks and he gives you that beautiful smile full of sunshine.
"Missed you, lovely. You been taking good care of yourself?" Sweet, heartless man that he is, worrying about you even though he looks exhausted after his most recent mission.
Gently draws you into him and just hugs you tight, pressing his face into the crook of your neck and sighing happily. The second your cologne or perfume washes over him, all tension leaves him completely.
"Missed this. Missed you." Whispered words against your skin. He gently sways in place with you as you two embrace, his hand coming to rest on the back of your head. Fully cherishes the moment.
"How's about some takeout and we finally watch that show you've been talking about? The House of the Dragon, right? Hopefully its better than the last few seasons of Game of Thrones." You have a stellar date in as you binge the entirety of The House of the Dragon and make up for lost cuddling time.
(Gaz does NOT get enough love and it's criminal. Perfect boyfriend/husband material right here. I adore him. Also? Man is absolutely gorgeous? Best man.)
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NIKOLAI
(Russian dilf? Yes please! Underrated man right here.)
Late nights in bed, curled up with him are always the sweetest. Soft whispered nothings as you both lay together, skin on skin, fully content in a post sex haze.
He shoots you a lazy grin as you cup his face, his hand gently rubbing up and down the expanse of your back. "What's on your mind, мое солнышко? Laying there looking so stunning..."
Soft, playful kisses are placed along your jaw, a cheeky smirk on his lips when you begin to protest, laughter in your voice.
"One more round wouldn't hurt... We can sleep in tomorrow morning, Золотце." You know damn well you're going to be exhausted in the morning as he takes the time to worship every inch of your skin.
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RODOLFO "RUDY" PARRA
(Rudy, my darling, my beloved, my SWEET! This man is also criminally underrated even though he's PERFECT husband material. SHAME!)
He happily returns the favor as you rest your hand against his cheek, his hand cupping your cheek as he rests his forehead against yours.
"Long day, cariño? Mmm, I understand... I'll draw us a bath and we can relax." He takes your hand, pressing sweet kisses to your knuckles before he draws a bath for the both of you.
You both spend most of the evening in the tub, you resting against his back as he holds you close, featherlight kisses pressed to your skin as you both talk about your day.
The both of you take such good care of each other, and there's never less than 100% put into your relationship on both sides.
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SIMON "GHOST" RILEY
Masked softie number 3: Tender and longing edition.
His night terrors don't often wake you; he's usually fairly good at hiding them. The first time he does wake you is during a particularly violent one that has him thrashing and crying out in his sleep.
He wakes not long after you do, sweating and panting, his voice hoarse from how much he had been crying out. Once you're sure he's fully conscious, you gently rest your hand against his cheek and guide him through a grounding routine: 5 things he sees, 4 people he knows, 3 foods he likes, 2 things he hates, and one thing he loves.
As he talks, you become his sole focus as the night terror fades into the back of his mind, the grounding method working wonders.
And when it comes to the one thing he loves, he shuts his eyes and presses further into your touch, a few tears streaking down his cheeks. One hand gently clutches your wrist while the other rests against yours, holding your hand against his cheek. He doesn't need to say it. You know.
You always, always know. And with a kiss to his forehead and your thumb stroking against his cheek, you let him know. I love you too.
[I'M SORRY IF ANY OF THE TRANSLATIONS ARE INCORRECT, I TRIED MY BEST TO GET THE PROPER ONES!]
Mi vida - My life; honey
Mo chridhe - My heart
Meine Sonne und Sterne - My sun and stars
мое солнышко - My sunshine
Золотце - Honey; darling
Cariño - Honey; dear
TAGLIST:
@floral-force
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spicymancer · 3 months
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So just wanted you to know, "yellow" is a common slur against Asian Americans and so Huang Feng, being a Bruce Lee (whos an Asian man) clone and all could raise some eyebrows to your intentions. And before i get accused of white knighting, i am Asian
Thanks for reaching out! This is honestly something that might be important to discuss and I appreciate your attempt at broaching the subject delicately. More after the jump.
So to start. I am also Asian. Specifically Chinese American.
As an American born Chinese, I have a weird relationship with my Asian heritage. I have a bad accent when I speak Chinese and most of my upbringing and cultural understanding is very American and western-centric. So I have certain biases at play here that I fully acknowledge. My experience is not universal. But these characters are drawn from that experience.
Huang Feng is a reference to Bruce Lee's performance as Kato in the Green Hornet. Dà Huángfēng being a Chinese term for a hornet.
The character is also narratively implied to be a secret moonlighting identity for the Yellow Ranger in my made-up sentai team. (Who, due to my own decision to always refer to the characters by their Ranger color, is literally just called Yellow by the other members of the cast.)
This is also a reference. Specifically to one of my greatest inspirations, Thuy Trang (Rest in Peace), who played the original Mighty Morphin Yellow Ranger. She was one of the first "Cool Asian Characters" that I encountered in media targeted at me as a child, problematic color choice aside. I sincerely adored her and her giant robot Saber-Toothed Tiger.
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To be honest I have a complicated relationship with "Asian Themed" characters in media. So often saddled with cliché stereotypes: Martial Arts, dumplings, nunchucks, etc etc.
But the thing is, even as I roll my eyes whenever I see the Fighting Game character that is The Chinese One who wears a rice hat and a qipao. Or when one is literally just Bruce Lee. I do also immediately main that character. It's a bit of a guilty pleasure. Taking what representation I can get with mixed feelings. Similar to my enjoyment of sexy anime girl art even though it's all rooted in pretty uncomfortable sexist and objectifying aesthetics. A lot of my work comes from a place of exploring my own sexuality/identity. These characters are, partly, my own attempt to explore Asian themes and ideas for myself.
I would love to say that I'm trying to "reclaim" the term or something but I'm just some internet artist drawing cute anime girls and monster smut. For me, playing with these clichés is just another way of being self-indulgent.
Not really defending these creative choices so much as explaining my perspective on them. I totally understand if all this turns folks off! I fully respect those who don't vibe with my work and wish them all the best. It's a big internet and I'm sure they can find something super great to enjoy elsewhere!
Anyway, sorry for the long rambly post. Despite the fact that I'm posting this on Tumblr, I am not super mentally equipped to engage in Discourse, so forgive me if I don't respond to the tags on this.
So I'll just leave y'all with a neat article by Kat Chow discussing the history and usage of the color Yellow in regards to Asian Identity.
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straitjacketzz · 1 year
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Please make more "Chibifurs"
There's words like "sparklefur" and "emo dog" and "toon" to describe furry subtypes with certain art style and design elements, and we desperately need a word for little magical anime moe style critters like these. I propose the term chibifur
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I'd say it's not the same as kemono because kemono isn't limited to cutesy chibi art styles with big sparkly eyes (ex: there's tons of anime style bara furry art labeled as kemono) though I would consider chibifur to be a Subtype of kemono and chibifur is more for unique/original/fantasy species anyway. It's also not just "drawing of any regular furry in a chibi art style" either. It's like.... character you'd see in a magical girl/ fantasy anime, and they look like that by default. Smaller bodies and stylized shapes, it relies both on certain character design tropes AND art style, not just one or the other. you know what i mean??? does this make sense to anyone else. I know a lot of people call these "mascots" but the only reason I don't use the term mascot is only cuz it's not limited to furry design and there's a lot of like, for example, american mascot costumes that don't fit this specific niche.
You don't need my "permission" or "approval" to call your oc a chibifur or whatever, like I said before this isn't owned by me, just be honest with urself about it. its gotta be SILLY. Anyway. Please make some. I want to see them.
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burntoutdaydreamer · 1 month
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3 Steps to Improve Your Characters and Make Them Three-Dimensional
So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason. 
I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.
1) What is this character’s fundamental belief- either about the world or themself?
2) Where does this belief come from?
3) How does this belief hinder them, and are they capable of growing past it?
Alright, here’s what the process looks like in action. 
Let’s say I have a character I need to flesh out for my story.
Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.
What is this character's fundamental belief?
Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.
Where does this belief come from?
Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.
How does this belief hinder them, and are they capable of growing past it?
Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.
Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.
She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.
Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.
Main Takeaways
And there you have it!
You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.
Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.
Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.
Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.
Happy writing y'all!
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art · 3 months
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Creator Spotlight: @jijidraws
Jiji Knight is a latina pinup illustrator. Her work is overall geared toward thick ladies and dedicated to fat positivity out of a purely selfish need to create art she wished she had seen growing up. She often features sexy and soft macabre themes on vibrant or sweet colours and takes great joy in making folx feel good about themselves with her work. She holds a Bachelor of Fine Arts in Illustration and operates out of her very sunny hometown of Las Vegas.
Check out our interview with Jiji below!
Have you ever had an art block? If so, how did you overcome it?
Oh my gosh… I have art blocks all the time. My favorite way of overcoming it is by making fanart. Funnily enough, that’s something I don’t do in my own work anymore. But there are still IPs I return to that still bring joy to my heart. I love returning to drawing Sailor Moon like when I was in first grade. Or I’ll even look up the last fashion week and start drawing the fashion week outfits from the Paris or New York show. Stuff like that is what gets my creative juices flowing.
What medium have you always been intrigued by but would never use yourself?
Resin. Resin art is so stunning. People make the most amazing and beautiful sculptures using resin, and I don’t think I could ever bring myself to play with something so complicated. There are a lot of ways to cure it, and sometimes, it doesn’t cure properly…I already work with enough chaos as it is! I respect resin artists, but I don’t think I would ever touch it. I’ve admired it from a distance. There is an artist I follow who does these resin layer paintings. So they’ll paint a layer of resin, then cure it, and paint on top of the cured layer. They build up these amazing paintings using resin…I could never. Maybe one day!
What is one interaction you had with a fan of yours that has stuck with you over the years?
I still remember…It was my first and only Flame Con in New York. I had a fan come up to my booth. They didn’t say hello or that it was nice to meet me. They started to cry! They cried, and the first words out of their mouth were, “I’ve never seen myself in artwork before.” So, of course, I started to cry! So we were just crying across the table at each other. It was just one of the sweetest interactions, and it really sticks with me still to this day.
What is a recent creative project that you are proud of?
My latest collaboration with the artist Missupacey. We’ve been collaborating for two years now, and our last collaboration was for Midsummer Scream. It was two very cute clown girls, and I designed our T-shirt. It was one of the most fun projects we’ve done in a long time. We love doing collaborative work because it keeps working in the art industry fresh—being able to bounce ideas back and forth. So we do it where someone picks the color palette, and someone picks a theme. We’ll get references together, put them on a big board, and send each other sketches. It’s really nice to work with somebody else.
How has technology changed the way you approach your work?
Honestly, it changed everything. I mean, I used to draw for myself a lot. And while I still do that, I now predominantly draw for my Patrons. For a while, I was drawing for the internet. So I was drawing stuff people wanted to see in terms of plus-sized versions of characters—a plus-sized Poison Ivy or a plus-sized Sailor Moon. My Patrons have allowed me to start drawing for myself again. But technology, for a while, essentially dominated what direction I was taking with my art, so I’m grateful to take some of that power back.
If there is one thing that you want art enthusiasts to remember you by, what would it be?
Body positivity. I would love for them to remember that there is an artist making work that is making people feel good about themselves and about the way they look at themselves.
Top tips on setting up an Artist Alley booth?
Have a method of taking money, have a method of displaying your work, and have a way to take a break. I have a plastic picnic cover that costs like a dollar at any store. All I have to do is clip it to my display grates, and it covers up my entire display. I feel secure enough to take time for myself in a 10-hour workday to eat something, go to the restroom, or even take a moment to breathe and reorganize my inventory. So it’s so funny that this one-dollar piece of plastic is like the most life-saving item in my display of items.
Who on Tumblr inspires you and why?
@mayakern comes to mind. She is another body-positive artist who expanded into making body-positive clothing. She’s amazing, and just to see someone else out there promoting body positivity. Maya’s been doing it longer than I have, I believe. It feels good to know that I’m not alone. Her work is always stunning, and I love her body-positive DnD characters and the fact that she’s still plowing through the clothing industry. For example, she’s expanded from skirts to button-downs and even custom-wrap shirts. I love to see what she’s doing, and it inspires me to pursue different avenues with my own work.
Thank you so much for stopping by and sharing, Jiji! Be sure to check out their Tumblr blog over at @jijidraws.
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mikodrawnnarratives · 5 months
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*cracks knuckles* @paper-lilypie
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WEDDING BELLS YALL
and brainrot. I've been sketching these ideas out for like, a year. And done nothing with them until this point
this has been festering. in my mind.
*note: I didn't get around to drawing it, but I imagine Sun, Moon, and Y/n say their vows at the Bell place thingie that I need to reread in the fic. Y'know, the place Moon climbs up to, to get away from y/n. Yeh they declare their love up there and smoochies*
I should really reread that bit actually lol
Before moving forward, I'm gonna rant about outfits
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this is the outfit that I base Sun and Moon's wedding look on because I just think it fits so well. I share this so you guys see the vision and forgive my inexperience with drawing these folds
Cool? cool.
Also, I went through several variations of what Y/n would wear before settling on this bc nothing that came up when I searched "gender neutral wedding gear" really fit
Wanted a mix between gown and suit and y'know this ended up being more suit but I like it a lot so we're going with that. It also came to me in a vision so that has to say something.
(Ok but I did envision Y/n having a dress similar to this one character's dress in Bad Guys but I couldn't draw it so I scrapped it)
(ok some details stayed but most of the concept had to go)
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so like- you see it right?
Btw. All of them (including guests) have pockets. just. to ease your mind.
ok back to actually drawn wedding shenanigans
Because, there are many, wedding shenanigans
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Y'know the trend of smashing wedding cake into the bride/groom/wedded partner's face right?
There's no way this wouldn't escalate and y/n wouldn't enlist their siblings in the chaos.
They'll get like- one or two good wedding pics before this.
the cake tasted good tho
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Let me just say. I am so proud of how I did these hands I'm oogling my own art I did so good GHGHHHHHHFDS
I like??? Want to do more?????
cuties shenanigans below they are obnoxious and they know it
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By the way by the way you may notice the flower dress
I WILL be getting around to Lily x DCA STUFF I WILL
Tho I got busy and had a really hard time drawing/finishing sketches when I did have time so. I chose to post what I have so far so it's out before November ends
CONSIDER THIS A PART 1
LILY YOU ARE NOT SAFE
well Ig u are safe
for nowwwww
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Bouquet toss real
fun fact I initially wanted to draw Sun, Moon, and Copper y/n tossing the bouquet together
but their arm lengths would NOT make that work kjfdkljsdklj
so y/n tosses the bouquet bc they are the specialest
(Or they won the round of monopoly)
(who's to say)
(we don't talk about game night)
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But all three of them are the criminal. masterminds. They planned this from the start. Holly and Chica HAD NO CHANCE after the role they played in getting Y/N AND SUN AND MOON together.
I think this video would also be something cute that I could see happening for their wedding lol
Y/n and the daycare attendants hand the bouquet to Holly and then she gets proposed to by Chica
Anyway I still have a whole list of wedding shenanigans I need to draw
Sarah and Yao being some because when I tried before I couldn't sketch them out to my liking.
And the more CCRT gets expanded on, the more I'm sure will be present in their wedding since there are only 3 chapters out so far and enough art for me to make my guesses dlkkldsf
I'm sure there are plenty of fun things that can be included into this wedding, or edited, once more is revealed of the characters and their relationships
and who would be wedding guests is a little more up in the air, for instance and... who'd be able to show up in the first place considering unknown state of... living
(*cough cough*-Glamrock Foxy-*cough cough*)
...and being on good terms! thats.. important too. y'know moon and foxy weren't really exes but it may still be a bit awkward if he got invited y'know yknow
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meanbossart · 3 months
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i just need to take a second to gush about how much i love durge drow and astarion, they feel so fleshed out and perfectly written together in their fucked up wretched ways. They really inspire me to write more for my own tavs, hopefully one day ill be able to say im as happy with my own work as i get when seeing yours. I have to ask though, do you have any tips on drawing head shapes and faces? or maybe about wrinkles? i find i really struggle with that stuff when drawing and i adore how expressive and grungey all your art looks!
First of all thank you so much, I love hearing what people think of the two of them together 😭
Honestly you've hit on something that's quite near and dear to my heart, I love developing and figuring how to draw and stylize different faces to get the most unique, interesting looking results - everything about the details is highly rewarding to me. What does x type of nose look like from this angle? In this style? How can this eyeshape best translate to my art? How different does a face look when its making this expression? What does that MOUTH DO? etc etc.
In fact you kind of inspired me to put a little tutorial/guide together the last hour lmao and what a blessing it is that the two current subjects of this blog serve as great models here, being that their faces are basically polar opposites!
When it comes to heads, you've probably heard it a dozen times before that you want to think of them in terms of geometry and facets; my process to drawing them is pretty conventional so I won't spend too much time on it, but it goes something like this:
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Obviously I don't do every single one of these steps most of the time, which is just something that comes from practice/developing muscle memory, but it is helpful to start off this way for two main reasons:
By making these guide lines and splitting a head into pieces like this, you'll have an easier time seeing and understanding it as a multidimensional object, and in turn, facilitate It for you when you venture out into doing wacky angles and lighting.
Making different headshapes starts HERE. notice how Astarion's "face" slate is narrower and longer, how my durge's jaw pieces sit lower on the head, how all of the same pieces came together in the same way but we ended up with one real pointy elf and a real brick of a drow - making characters look different successfully begins very early in the sketching process.
The next thing you want to do branches out into every day life: start noticing yours and other people's facial features. How does an upturned nose look from a high angle? How does the size of someone's cheekbones affect what they look like when they smile? How about when the light hits them a certain way? Does someone's lip shape changes when they pout? When they laugh? How does a person's hairline change the shape of their face? You do NOT need to creepily sketch every stranger you see on the bus, but get into the habit of actually noticing what people look like when you talk to them - when you look at pictures, when you watch movies - make a mental list of interesting ways mouths, noses, and eyes can come together in a variety of different proportions to make completely distinct looking mugs, and how they change depending on how you are looking at them.
Light and shadow play a HUGE role in how faces look, too, basically as crucial as actual bone structure does. As you see up there I tried to rough out how natural, head on, and underhead light would look on these two very different looking guys, and while we can see definite patterns, there are small differences that come to be because of the sizes and shapes of their features.
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Here is a very, very basic look at how some of these features come to look the way they do, how they interact with one another, and how they compare between a blocky, rather conventionally "masculine" head and one that's much softer and slimmer.
Note please that it is not one or two characteristics that give a chaarcter their "look"; you can reduce a face to eyes, mouth, and nose through stylization and still have them be recognizable, but if you want to do more than that, you have to consider the whole package! Chin, cheeks, brows, direction of the jaw, slope and size of the forehead, depth of eyes, ridge of the nose, etc - I know this is probably far more than you bargained for, but if you start making note of a FEW of these things now and slowly add on, this will eventually become second nature to you.
Similarly, understanding how these characteristics come together will help you with rendering light and shadow in a realistic way, and predicting what their facial expressions may look like - if no two people are alike, neither are their smiles. :)
Lastly, remember that I'm no expert - I have developed my own methods and semiotics and yours may look slightly (or vastly) different, and that's fine! I hope only that by sharing this it has given you a base to work off of.
Anyways, I HOPE this has been helpful and not just the unsolicited ramblings of a face pervert.
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