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#i like it when a phrase can have multiple interpretations
cfeather · 1 year
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light upon the sea
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something something about how the rings not just symbolised Yuuri and Victor's bond and was not just an omamori for them something something Victor was the first person Yuuri wanted to hold on to and share his dreams with and depend on after fighting for so long ALONE something something the rings symbolising this exact same thing something something about how Yuuri's arc still is wonderful even when he didn't win the gold because he finally learnt to actually depend on people, share his dreams and aims with them and not fight alone which is something he struggles with for the whole show
#yuri on ice ///#I am not sure about how to intrepret the whole of yuuri's arc but that's purely because I've watched the show only once#It always felt a bit off to me when the whole winning gold was a bit rushed in the last episode#And of course you could blame that on the pacing and you could say that there was flaws in the writing/the writers got confused#I've seen multiple posts about it and while I personally disagree I do think it is a valid interpretation#But I want to work with what DID happen in canon so I can be at peace with the episode lol#I choose to intrepret his arc as being one where he learns to not beat himself up over his failures (In lack of a better way to phrase it)#His anxiety plays a huge factor in it too though#One could argue that maybe winning gold would've given him that final push in believing that he is in fact extraordinary and not just#A dime a dozen skater (and I think that would have been wonderful too!)#And yeah they could have made him win gold AND have him not retire! But I don't think what we got in canon is inherently bad writing#(I mean excluding the scoring which from what I hear was inaccurate? But it doesn't bother me because Idk anything about scoring lmao)#Or maybe it's because this is a lesson I personally am struggling to learn and accept - that regardless of whether you win or not you#can and should strive to be better and better without losing hope#also a bit related to this but to me the emotional climax in the finale was actually Yuuri's free skate and him breaking the record#It was what further cemented my#thoughts about Yuuri's arc being about him and his need to be satisfied with his skating regardless of winning or losing#also fyi the takes I talked about aren't inherently ones I came across lol I just was thinking of various counter points#The whole reason I am writing this si because I want to understand this whole thing myself gdishsjshdh so writing it down seems like a good#thing#n rambles#Also hopefully this post doesn't show up in tags djsbdjbdjd
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azuremist · 4 months
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Mainseries Pokemon characters who can be argued to be bisexual-coded (due to their implied crush on the player)
1. Shauna (Pokemon X and Y)
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Kalos takes place in France, and Paris is the city of love. So, in the words of Junichi Masuda, "I wanted to implement some elements of romance with Shauna when playing as a boy and express a deep friendship when playing as a girl."
However, due to the VERY few dialogue changes between female vs male protags (as well as actions Shauna takes that are intended to imply romantic interest being the same across all player types, such as her staying behind with the player in the early-game forest), this can be argued to be unintentional bisexual-coding.
2. Lillie (Pokemon Sun and Moon)
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Lillie is implied to have a crush on the player. When the player character is female, on Exeggutor Island, she says, "I want to become a Trainer, and learn all the things you know, Selene..." When the player character is male, she says, "I think... I'd like to become a Trainer, too. And travel together with you, Elio..."
Obviously, the difference between these two dialogues makes it pretty clear that they want her dialogue with Elio to be interpreted as more romantically-inclined. However, much like Shauna, Lillie's actions and dialogue varying VERY little otherwise between female vs male protags can be read as unintentional bisexual-coding.
3. Kieran
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Kieran is the first character here to receive absolutely zero dialogue changes across player gender. Additionally, I'd say he's the character that we get the strongest hints regarding romantic feelings towards the player with.
Kieran has multiple moments where he's implied to feel romantically towards the player. These include, but are not limited to:
His sister saying that he's "been all googly-eyed over you" since you met, and that he "wouldn't stop talking about you - even at home. I seriously couldn't get him to shut up." Kieran reacts with embarrassment when she says this to the MC.
Him saying, "You're...you're special," before pausing, then getting embarrassed and rushing to change the subject.
When the MC calls him a friend, he responds, "What?! R-really?! We're friends? F-friends... I feel all tingly and funny hearing that... Ehehe..."
After the MC changes into their festival outfit, Kieran says, "Whoa...", when seeing them for the first time.
The player can even seemingly flirt with Kieran; when Kieran describes letting Ogerpon move into his home, the player can teasingly ask when they, themself, can move in with Kieran.
These are all very common romantic tropes. I think Kieran is the closest thing that we have to a canonically bisexual mainline character at this moment.
4. Carmine
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Carmine has a fewer number of specific moments compared to her brother, but she can still be easily read as having feelings for the player.
Her extreme reaction to Drayton asking the player on a date is the best example, with her bringing her hands up to her face, and saying, "A wha-?!" Once Drayton leaves, Carmine continues fuming. (This can also be chalked up to her general dislike towards Drayton and how he can be manipulative, but the fact that it's that request that sets her off specifically makes this also easily read as jealousy.)
And speaking of...
5. Drayton
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While, like Kieran and Carmine, Drayton doesn't have any dialogue changes between if the player is male and female, it's not really clear how he actually feels about them.
He tells the player, male or female, that they can go on a cafeteria date to talk, which the game fully acknowledges as a romantic phrase via Carmine's extreme reaction. He also tells the player, "From one charming catch to another..."
This is very obviously him flirting with the player, but, due to his laid-back and just-a-liiittle-bit-sleazy nature, this more so comes across as him trying to tease the player character, rather than anything earnest.
If nothing else, he's at least confirmed to be comfortable with romantically teasing male classmates, which I would consider a win.
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emilybeemartin · 7 months
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Hey! Hey, would you like to be a park ranger?
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USA Jobs just posted a bunch of national park ranger positions for summer 2024--everything from small historic sites to the big flagship parks like Yellowstone and Yosemite. These are seasonal positions specifically for interpretive rangers, which means you begin around May-ish and end around September-October-ish. Interpretation is the branch of the NPS that does educational programming and frontline visitor services, like working in the visitor centers, leading guided walks and talks, and just generally interacting with the public in a friendly, helpful way.
If you have a four-year college degree in just about any subject (honestly, I've worked with people with degrees ranging from theater to business to geoscience), or 12 months' relevant work experience (customer service, retail, education, camp counseling, etc), or a combination of the two, you're eligible to apply. All you need is a resume and transcripts if you're using education to qualify.
Just go to USAJobs.gov and search for "park ranger interpretation" in the search bar. The key things you're looking for in the results are listings from the National Park Service, the code GS 5 (which is the entry level for this position), and the phrase Not to Exceed 1039 hours (which indicates it's a seasonal position).
Some tips!
>Each application requires you to answer a questionnaire about your experience with things like customer service, preparing educational programs, researching scientific topics, etc. Be generous with yourself on these, because other folks will be. Even if you don't think you're an "expert" in something, consider your past work creatively. Have you presented research projects in class? Have you worked retail? Can you keep up a professional demeanor when somebody's upset? You have the qualifications. Rate yourself as such.
>Be thorough and specific in your resume. The NPS isn't a one-pager resume organization. They need to see evidence that you have the qualifications you say you do. The best way to ensure this is to copy, word for word, the phrases in the above questionnaire and insert them in the relevant places in your resume. So if the questionnaire says "Can you research, prepare, and present scientific information to a lay public," go to the appropriate place in your resume and write "I researched, prepared, and presented scientific information to my peers" or something similar. I kid you not, my current resume is ten pages long.
>Cover letters are optional but helpful! There are lots of templates online to help you write one; be sure to be professional. Mine is around 250 words and has three short paragraphs:
1- Position I'm applying for
2- Quick summary of most relevant work/education experience
3- Additional skills/rizz that makes me stand out (for me it's writing/illustrating, which helps me create visitor programs)
>Two things the NPS loves that will boost you are foreign language skills and being a US military veteran. Highlight these elements if you have them.
>Are you a schoolteacher? Check out the Teacher-Ranger-Teacher program.
>The big flashy parks are posted as standalone listings, but most of the others are bundled into "Multiple Locations" that are based on region. Consider applying for many of these smaller monuments and historic sites---they get far fewer applicants and are easier to secure. And many are absolutely beautiful. Want to work at Arches? Also apply to Natural Bridges. Want to work in Yellowstone? Also try Lassen Volcanic. Prefer history over science? You have dozens of amazing options from every facet of American history.
>Apply today! Apply now! Many of these parks cap their applicants because they get so many, and the rest will close after a week or so. A glance at the ones that were posted today and yesterday show them either closing on October 15 or 22. Some regions haven't posted yet, so keep checking the website in the next few weeks.
I love my work as a park ranger---it's such a rewarding way to spend a summer (or two, or ten), and it can open doors to other things. You won't get rich, but you will make great friends and great memories, add a killer section to your resume, and spend four months immersed with smart, passionate people in some of the coolest places in the US.
Plus you get a SICK HAT
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Anyone who thinks that Rhaenyra calling Helaena "my sweet sister" means anything positive about their relationship or about Rhaenyra's feelings for Heleana needs to go back and re-read the main series (or read it period, because trust me you will understand F&B a lot better with ASOIAF as context).
In ASOIAF "sweet sister" is that phrase is used disparagingly the vast majority of the time. A quick search reveals it is used 82 times, and the character who uses this phrase by far the most is Tyrion when speaking about Cersei (an example from ASOS Tyrion I):
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There are also multiple examples of Jaime using it about Cersei too, especially when he's unhappy with her (a random example from AFFC Jaime V):
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Other people also use it referring to Cersei, again sarcastically. "Your sweet sister did X." Which makes sense! Cersei is pretty notorious and people gripe about her to her brothers pretty often.
Beyond various people talking about Cersei, the top offender is Viserys, who uses it quite a bit when addressing Dany, usually with a bite of malice (AGOT Daenerys I):
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Interestingly, Viserys later calls out to his "sweet sister" when he is begging for his life. I can't imagine that reminding her of all the times he threatened her with those same words helped his case very much.
There's one instance of Arya using it about Sansa when she is giving an insincere apology (AGOT Sansa III):
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Here is Theon using it about Asha (ACOK Theon V):
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Lysa also uses it about Cat, and her feelings about her "sweet sister" at this point are pretty negative (ASOS Sansa VII):
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You get the picture. At the very best, it's used with a fond sort of sarcasm, at worst it's actively spiteful. You can count on one hand the number of times it is used sincerely in the whole entire series, and really there's only one instance, from Edmure to Cat, that I would read as 100% sincere without even a tiny hint of sarcasm. F&B doesn't have anyone's POV to indicate the tone with which Rhaenyra said those words, and although it's possible this might have been the second time in the whole of ASOIAF that we were meant to treat those words as unquestioningly sincere and loving, I think this is a bit like the discourse around "sharply questioned." Those words, in-world, tend to carry a connotation beyond their surface meaning. It would not be something reassuring to hear terms for surrender given using the phrase "sweet sister," and in fact, given that we have no other indication that Rhaenyra has any sort of relationship with her siblings whatsoever, Helaena would be entirely justified in interpreting her words as spiteful or sarcastic. After all, if you're using a quote from the book to speak to Rhaenyra's intentions, the character you're referring to is book!Rhaenyra, who is not shown to be an overly nice person. Even by the most charitable reading, we can safely assume that those words were included by Gyldayn in his history knowing that in-world readers would read them as insincere. They are not intended to portray Rhaenyra and Helaena's relationship in a positive light.
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yuurei20 · 21 days
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Idk if you've talked about it before, but have you seen the voice lines for Crowley's card? At the end people were saying he implies HE'S the one who brought the MC to Twisted Wonderland👀
Hello hello!! Thank you for this question! ^^
I am not sure that that is how I would interpret his line!
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The original Japanese is 「貴方みたいな勤勉で優秀な生徒がいてくれて助かっています。これからも問題児を“監督”してくださいね」
The form of the verb "help" makes this difficult to put into English...literally translated it may be something close to, "It's proving helpful to have diligent, excellent students like you available. Please do continue to ‘supervise’ the troublemakers."?
A vaguer translation might be "It helps to have diligent, excellent students like you," and I can see how that could be interpreted into the implication that he arranged for students like the prefect to be on hand for assistance.
But given the form of "help," I don't think there is that much depth to read into! :> There is nothing to insinuate that he is glad he brought the prefect here, or that he was involved in their being here at all.
Of course there is a lot that is still unknown about Crowley, and the theory that he intentionally brought the prefect over to make something happen (or to keep something from happening 👀) is a popular one (and very fun to think about!).
But if I were attempting to champion that theory, I personally would not use this particular line as proof! It could, of course, be setting a foundation so that a future reveal does not blindside the players 👀 But the line by itself is vague, which is probably by design!
And there were two more Crowley lines that I found interesting!
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「私の全力を知りたい?随分と怖いもの知らずですねえ……学園長として心配になってしまいます」
"You want to know my full power? You are quite audacious…as headmage, it is worrying."
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Crowley is not the first character to comment on the audaciousness/fearlessness of the prefect: Malleus has a very similar line but their phrasing is different, with Crowley saying 怖いもの知らず, while Malleus says 恐れを知らない. Malleus repeats this same phrasing at least twice in the original game, though it it written in two different ways on EN.
Both Crowley and Malleus' phrasings are two ways of saying something that could be localized as the same thing in English, but subtle turns of phrase are proving to be very important in the original game.
For example, when you set Crowley to the homescreen he will say, "私をお呼びですか?"
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And this is an interesting parallel to Malleus', "僕を呼んだ?"
Malleus’ phrase tends to be rewritten as various different expressions on EN such as “You called?,” “Was it you who called me?” and “Did you need something?”
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But in the original game he always uses the exact same phrase, which is different from Crowley’s “私をお呼びですか?” while meaning the same thing.
While it would normally not be an issue for a localizer to take something that seems repetitive in one language and give it more flair in the other, it seems that this repetition was intentional and maybe should have been kept consistent to the original game?
Especially because English does not have things like different words for "I" like Japanese does (Crowley uses "watashi" while Malleus uses "boku") to help tell one person's phrasing apart from another's.
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EN experienced a similarly unfortunate problem with Idia’s, “Leave it to your big bro,” with the phrase getting rewritten into "I'll get you trilling like a canary" and "I got this!" on EN, presumably before Aniplex USA realized that it was being repeated word-for-word for a reason.
Is it possible that the information that Aniplex USA receives in advance is limited, so they just do not know which of these phrases are safe to change and which need to be kept accurate to the original game?
With all the variations to Malleus' "You called for me?" on EN, Crowley has the potential to be localized with a phrase that is identical to at least one of Malleus' multiple English-language interpretations. In the original game, however, Malleus' phrasing is consistent, and completely different from the phrasing used by Crowley, while meaning the same thing! (and the "same but different" pattern has the potential to be very significant 👀)
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Idk if anyone brought this up yet but is Malleus calling Yuu "Child of man" supposed to be a reference to Jesus having the title "Son/Child of man"? There's already a few references to religion in TWST so I'm just curious
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... Wouldn't that imply Yuu is some Jesus-like figure in the narrative 😭 when they don't actually do that much/j Personally, I don't think that's the case! The strongest religious themes that I can glean are featured in an event that isn't tied to the main story, Glorious Masquerade (it makes sense given the source material and is vague enough to not be in reference to one specific religion, though the same sense of general spirituality is still there). I don’t know if the devs would intentionally include religious ideas when it is specifically aimed at the player character when it doesn't really serve a purpose there (especially when this would be putting a spotlight on a few specific religions, ie the ones with Jesus in them, over others) and could potentially alienate non-religious fans or fans who follow religions that don't include Jesus at all. It is for these reasons that I think the "child of man" thing is just a quirk of Malleus's completely unrelated to religion. It’s a pretty common trope in fiction for non-human creatures to refer to humans as “children of man”. However!! I do think that you can still read the text that way if you wish. (I asked a religious friend of mine and they reported that they did see the phrase as an allusion to Jesus.) Maybe I just don't see the religious aspect of it because I'm not religious myself. Part of why TWST is great is because it can have mass appeal and many different interpretations depending on the player/fan, so honestly I'd encourage you to not take my opinion as fact. Everyone is allowed to see the story and its characters however they wish! Brief aside, as I've mentioned in an older post, "child of man" is not actually a nickname Malleus exclusively grants to Yuu. It is not given capitalization (which would make it a proper noun referring only to a specific individual, say “the Chief of Police” or “Principal [Name here]”) meaning the term is not meant for Yuu and Yuu alone. Additionally, Malleus is shown to also use the term to refer to groups of humans—and this is what I believe the intended use of the phrase is. It ("child of man") is actually a general noun to refer to other non-fae beings, whether a single one (be it Yuu or other characters) or multiple people. Note how Malleus uses “a” before “child of man”, implying there is more than one, rather than Yuu being the only one. I think part of this confusion comes from some fans who do use child of man as a proper noun ("Child of Man") or treat it as a special nickname Malleus gives to Yuu. So if the Jesus thing were hypothetically intentional, then every non-human is Jesus/j
Here are some examples (which are in EN, but it is the dialogue is same in JP as well; the text screenshot comes from MysteryShopTLs’ Malleus Broomquet vignette translation, as there is currently no official EN version of the card.)
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onnoffwrites · 7 months
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I have been losing my shit over this damn panel for the past THREE DAYS (more or less) and I need to yell somewhere so it's gonna go here.
It all began when I was writing my fic (I think this was for My Immortal), and I needed to recap significant hakukai moments. And I remembered "hey, I should include this one thing saguru said during sunset manor that was stupidly super gay for no fucking reason" bc like, yea hakukai not canon, but if canon was gonna give me a whole ass confession then I might as well use it. So, like always, I head to mangadex to look for this panel... Except... It's not there... The line... The line's not there... But I remember... I remember something about "the only one to disrupt/disturb my thinking/mind"... Where... I didn't imagine that right? I mean I read a lot of google translated Chinese fanfics but... I REMEMBERED reading that line... In a manga... In English... ON mangadex...
This is where I should mentioned, that if you weren't around for the Great Collapse of Mangadex. Then... Well, so there was this period of time where mangadex just DIDNT EXIST. Bc there was some cyber?? Attack??? On the site??? I can't fully remember. But it like wiped out most of the site. The mangas r just, gone. So mangadex fixed it. It took a while bc they figured "might as well revamp our site and system". And they did. And it's great. And it looks beautiful now, even more than before.
But see. The line I remembered? Yea... Yea that was from before The Collapse. And mangadex let multiple translation groups submit their translations. So u can read diff translations of diff group, see how things are interpreted differently... And... I remembered this one, that I posted here up top, but I remembered there was another. One that had The Line.
And it was driving crazy so, like usual, I asked my cn friend. But my cn friend (why am I still saying that, it's @beingvv , that's the friend) has A Life, and isn't always online, and we love that for ppl. So. I'm still crazy. I can't trust my own damn mind and memory bc why tf do I remember something that isn't there (happened before btw, but that has nothing to do with this).
Luckily, I have a friend who knows jp. UNLUCKILY, I don't have the jp raws and it's from chapter 300 and we are in the thousands. So, I went back to losing my mind. Until I found it again, and realized. Heyyyyyyy there's a whole ass ANIME. So like the baggage my dear friend had the misfortune to be saddled with, I went to find the ep, timestamped it, yelled begged them for help.
This is where I lose my damn mind the first time in the recent weeks.
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(thank you my dear piglet, u don't even go here but u tolerate my insanity)
THIS. THIS WAS THE LINE. THATS WHAT I REMEMBERED.
So, I feel a little more sane (bc my mind didn't fabricate a memory again) and also A LOT more insane bc WHY WOULD U SAY THAT, HAKUBA SAGURU 😭😭😭 WHY WOULD U SAY IT LIKE THAT 😭😭😭
In any case I feel validated. Told beingvv about my discoveries (for whenever they come back) not that they need it cn fandom already got the correct translation. And finished writing my fic.
And then Saguru's comeback was announced.
So I've been losing my shit for 3 days on twitter, looking at all my fave KR and JP accounts and the things they say.
And then someone dug up and old tweet thread that talked about this panel. Specifically, op talked about the nuance in the word choice used.
Here's the og thread if anyone wants to read or Google translate it urself.
(mkppyong my love, bless you)
Bc mkppyong talked to a jp acquaintance about ??? Uh I dunno just language I guess. POINT IS. They pointed out that gosho used specific words/phrases that really wasn't needed if all he wanted to say was "the only one who drives me crazy/mad." But he did used them. It's specifically "his thoughts/mind" that's being driven crazy. And that if he wants to just talk about Saguru's mind being disrupted/confused, then there's rly no need to use the words "go crazy"
And then they wrote out a whole symbolism about clocks and saguru and being broken down/disrupted and I lost my shit over the clock symbolism, sue me 😭😭😭
I don't think I'm making sense anymore bUT WAIT, THERES MORE, THE FINAL BLOW
THE THAI TRANSLATION
This is where I expose myself more than I ever want to, but here's a fact. I'm thai
Here's a second fact. I'm SHIT at Thai. I've been bad at this language before I got good at English. My Thais as good as an elementary student. Every time I understand difficult words I get confused bc where did I know THAT from???
In any case, point is, I saw that tweet, read the text, immediately understood it and began losing my shit all over again... And then I doubted... Bc like, I'm not good with this lang anymore... Maybe im understanding it wrong? So I look up Google.
Google: คลุ้มคลั่ง just means go crazy
So I was like, damn guess I'm wrong, read too much into this. BUT SEE BC I LIVE HERE I HAVE FRIENDS WHO ARENT A DISGRACE. And so my friend said:
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SO WELCOME TO MY THIRD ROUND OF INSANITY.
HAKUBA SAGURU WHY WOULD U SAY THIS SHIT IN FRONT OF LIKE NINE OTHER PPL 😭😭😭😭😭 BOY WHY R U TELLING THEM UR OBSESSED 😭😭😭 youre driving ME crazy 😭😭😭
So. Here we are. At the end. I have no idea how tf I'm supposed to end this post. I'VE been obsessed for 3 days straight. I don't have a lot of braincell left in me (there weren't any to begin with). I don't have a statement to wrap this post up in a nice little bow. Go make ur own conclusion I dunno.
But I would not have been losing my shit over this stupid panel for a month if it wasn't for the fact that eng translation was missing a pretty crutial thing in what Saguru said. I don't know if this was a mistranslation or a misunderstanding or something, but the English translation was lacking. And I love and have always been thankful and grateful to the ppl who worked hard to translate mangas in their free time, and do it all for free, bc I haven't had any real way to rent/borrow mangas from renting shops/libraries in years. So this was one of the only ways I can read mangas. But, even as I checked the raw panel with Google lens just now, even google translate it as "the only one to make my thoughts go round." No where was there any mention of "case" and "solving." So that's just, multiple accounts of ppl who knows jp, including native jp speakers, all saying that this panel is Saguru saying "the only one to drive me crazy". And man I rly hope this doesn't make me come off as ungrateful or like shitting on the translation team, I'm rly not. But yea. Uh. The translation was wrong. And I remembered that there used to be a diff eng translation. And it led me to go to all this trouble and journey to find out what was actually said. And here we are, at the end.
The only one who could disrupt Saguru's thinking.
The only one who could disturb Saguru's mind.
The one whose sole existence drives him mad.
The only one to make his mind obsess over till he's driven to madness.
Or to use the symbolism mkppyong wrote: the only one to break down the clock, the precise and accurate mechanism, that is Hakuba Saguru.
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nordickies · 1 month
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What language(s) do you think the Nordics speak when they hang out?
Good question!
I personally like the idea of nations having to find ways to communicate past language barriers. I think it's an endearing thing people do in real life, too! That being said, nations have probably learned multiple languages throughout history, making them more language-savvy than the average person from their country. Even nations' own native languages have gone through significant changes in their lifetime, so the nations' language skills develop and change over time.
In real life, communication between Nordic people isn't as effortless as one might think. But I guess the personifications have a bit of an advantage here because they've constantly been exposed to each other's languages. They have needed to communicate for hundreds of years, so I'm willing to bet they have picked out a few phrases here and there. With a little bit of effort, they manage just fine.
But still, misunderstandings can happen between them, and sometimes they must resort to foreign languages. Though I feel like Denmark and Sweden stick to their own languages pretty stubbornly when they hang out - it's up to the other to understand them. Norway is somewhere in the middle. He can understand those two fine, but prefers to speak in his own language. However, he probably acts as an interpreter in the worst cases of confusion.
Finland speaks his robotic Finland's Swedish when it's convenient, and Iceland attempts to tag along with his Danish skills. I feel like Iceland can usually follow along and understand what others are talking about, but expressing himself back is a bit tricky. And sadly, no one else understands Icelandic. I also like the idea that Finland didn't quite understand Denmark for the longest time, but he was too embarrassed to bring it up.
So, the Scandinavians speak a weird mixture of their own languages to one another, and they can mostly understand it because they have gotten used to it. But when things get too complicated, or a common language isn't found, they'll switch to whatever the lingua franca of the given period is, so nowadays, it's English.
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carefulfears · 1 year
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so i really love whenever you call mulder & scully best friends. wanna talk about your top 5 favorite moments of their friendship?
DO I EVER
1/ little green men
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they have a secret code. they have their own language.
when mulder gets to his desk that morning, the photo of samantha is tipped over, and he knows that this means to meet scully at the watergate. which, first of all, is unbelievably dorky. these two work in the same building. these two have cell phones.
but they have been split up and reassigned and it is not a phase you guys it is the end of the world!!!!
when he arrives in the parking garage, he asks what she wants, and she responds, "to know that you're alright."
they have a secret code and their own language and for nothing more than to check in.
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(shoutout to the depression hair era, they are so funny for both getting bangs the moment they were separated. that's how you know things are really bad for the girlies.)
when he sinks down to the floor and tells her the george hale story, she crouches down next to him, listens, tells him not to give up.
you can tell that it makes her uneasy to see him defeated, to see him doubting himself and what he believes in. she's almost trying to convince him of aliens in that moment, telling him that he's seen so much and reminding him of samantha. trying to spark something in him.
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they have a secret code, they have their own language, and when he leaves town, he buys the plane ticket under a name that only she will recognize. she cracks his computer password in three tries.
earlier, after skinner questions scully, he tells CSM that she's telling the truth, she really doesn't know where mulder is. "because if she knew, she wouldn't be so worried about him."
they aren't as hard to decipher as they want to believe.
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PAUSE!!!!! this is the cuntiest thing he's ever done. the sunglasses, the denim, the boots, the dangerous lack of exit strategy...anyway
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she interprets his clues, she follows without obligation, they go back together. hand in his hair, not giving up, just like she started the episode.
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in the end, they have nothing. the hail mary trip resulted in empty tables and silent tape recordings.
one thing i didn't notice until i rewatched this one the other day is that it's not when he says "i still have you" that she takes his hand.
it's when he switches the tape from the record of his failed excursion to his actual assignment, hours of listening to slimy men talk about strippers.
she listens with him for a moment before shaking her head, and squeezing his hand. she does understand that this isn't what he wants to be doing, and that it's disheartening.
2/ tooms
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i could list every season one episode here. i could do a whole other post just about season one. i could do a whole other post just about season one, and include every episode. but i guess i will settle for this one.
this is my favorite season, and this is my favorite MSR.
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him waving the pine tree air freshener in her face when she said he smells 😭😭😭
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squeeze was all about the choice between climbing the ladder and the "out there" but "good" work of the basement, with all of the ridicule and consequence that come with it.
its sequel episode is about the aftermath of that decision, what it means to choose the side of the victim, to stop reaching for personal success.
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(this shot is so beautiful, her face through CSM's smoke)
tooms opens with scully in a negative performance review, skinner (in his very first scene!! we love you skinman) going over her reports, CSM lurking in the corner.
the two share a look, then warn scully against having too much of an open mind, telling her that it is her "responsibility to see that these cases are by the book"
"by the book" becomes the theme of the episode, with the phrase repeating multiple times throughout.
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this isn't the first time that the show has explored this topic, with young at heart also centering a debate of “by the book” protocol, what it really means, and who it really serves. ending with this final dialogue:
SCULLY: Mulder, I know what you did wasn't by the book.
MULDER: Tells you a lot about the book, doesn't it?
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“by the book” isn’t an easy order to follow when you have a partner who doesn’t believe in it, and you aren’t sure you do either.
it’s not an easy order to follow, for the navy captain’s daughter who worships authority.
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she does try though, and she's initially frustrated with mulder's behavior in the case. she tells him that he "sounded so....." at the trial, and she's reluctant to pursue his methods without approval from the bureau.
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ultimately, when she comes to bring mulder something to eat on his unauthorized stakeout, she tells him that what he's doing is not proper surveillance protocol, and he good-naturedly accuses her of peddling "the book."
she responds, "this is not about doing it by the book, this is about you not having slept for three days." and tells him that he is inevitably going to get hurt.
to her, it's not about following the rules or pressure from the bureau or respecting authority, it's about making sure he's okay.
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when she tells him to go home, that she'll take over the stakeout, he smiles and shakes his head (it's almost the same look that he gives her years later in redux ii, when she tells him to lay it all on her. just less tears.)
and i know that we tend to focus on the next part of this scene, but this line stands out to me too, as he declines because he doesn't want her to get "in trouble."
he doesn't want her to break the rules or disobey authority, and he still believes she'll be head of the bureau someday.
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it kinda makes me teary, this stupefied look on his face at her response. when she looks at him unflinching and says, "mulder, i wouldn't put myself on the line for anybody but you."
they are so kind to each other. they really don't care about official reprimands in files or welfare protocols; they each just want the other to get some rest, to have a bright future.
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he relents, allows her to take over, on the condition that she calls "if anything happens. immediately. i'll be here." and suggests she catch the sports talk radio show
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she bends down to give him one last smile and eye roll as she exits the car
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and makes a joke to herself while walking back to her own. best best best friends.
3/ tempus fugit
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HAPPY BIRTHDAY DEAR SPECIALAGENTDANAKATHERINESCULLYYYYY
what better way to celebrate life than annoying the hell out of your best friend on her birthday?
the way he clearly gave the waiters her name and this snowball and sparkler and sang "special agent dana katherine scully" while they all sang "happy birthday dana" is one of his most embarrassingly extra moments and it never fails to make me laugh
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she rolls her eyes at him, but the way she stares when he's not looking says so much. they both know why this year gets sparklers and song when last year didn't. they both know there might not be a next year.
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he's literally never been more irritatingly overjoyed lmao. and he brought presents! ("oh, you've got to be kidding me" "just something that reminded me of you")
he said "i didn't know it was your birthday, scully!" with a wrapped gift in his pocket, always prepared with a smile and a cover story
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he does this same thing in memento mori, after getting the call to come to the hospital, when his first words of the episode are "i stole these from some guy with a broken leg down the hall. he won't be able to catch me." about the flowers we watched him come through the front doors holding
he clearly puts thought into these gestures, but everything is so fragile. neither of them are comfortable with what too much sincerity would mean, how limited it all is.
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but they find little ways to give to each other anyway, they hang out in bars and roll their eyes and discuss the meaning behind a keychain.
if this is the last birthday, maybe it's worth a little vulnerability (and annoying song and dance), that he did it up right.
4/ one breath
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another Mulder Gift™️ entry. god, the sweetness here is just overwhelming. he is so strange and tries so hard.
this whole scene is one of my favorites of the series, but i love this little moment so much.
it's so inadequate, in the end. to see someone that you thought you'd lost, your most important person, who was gone for so long, and have nothing more to give them than a shitty VHS sports tape.
but what else can you do? he's so quiet and self-conscious in this moment. he raced to the top of mountains and stood on broken cable cars and choked a man and wore her necklace around his neck for months and wept on the floor. he had the strength of her beliefs, and he prayed. he held her hand by her bedside after they pulled the plug.
so much goes unsaid between them, because how can you say it in words? how can you do anything but smile and buy something stupid at the gift shop?
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she makes a joke while he smiles at the floor, but it's not a joke, not really. he's there and he's giving her whatever he can and he's cracking jokes, and she knew there was a reason to live. that's it right there.
5/ detour
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GO, GIRL!
this is a best friends episode. this is a "we survived that hospital and we refuse to spend our one wild and precious life at the annual FBI teamwork seminar, if you need us, we'll be lost in the forest" episode.
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look at her trying not to laugh while he's making sarcastic comments at her in the backseat. can you imagine carpooling with these two? they are forever passing notes and whispering behind backs.
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she is not making it to the teamwork seminar. she is not getting her wine and cheese, either. she is looking for mothmen in western florida.
they think they're so much better than that communication exercise, just to make vague innuendo in a motel room.
they tell each other all about native species and how ticks can halt their metabolism and the livestock that was killed in a town 30 years ago. she teases him about his filing system.
neither of them tire of bashing the hell out of that teamwork seminar.
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they talk about death. about searching for meaning in life. about which flintstones character they relate to the most. they swap dirty jokes.
she fusses over his grave injury (a dislocated shoulder) and holds him. sings to him so that he'll know she's still there.
a few years down the road, she'll sing that same song to their baby, on one of her last days with him. she'll sing to him about this night, about his dad, about her favorite memories.
sitting there together in that forest in florida, they have already started to carry the weight of near-misses. of lost time, of almosts, of purposeful disease.
they have come a long way and taken on a lot, in the years since the parked car outside tooms' house and the garage at the watergate.
but they have yet to be separated longer than 90 days. they have yet to lose a child. they have yet to plan funerals and prison breaks.
there's something about that time, that ability to just sit in the woods and talk about everything, looking for mothmen, that is so precious and so special.
and when she tells him that night that she had struggled to find meaning, that's where it is.
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villanerys · 7 months
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villanelle and autism
side notes before i begin:
some of these traits could also be explained by cluster b disorders, as she’s heavily bpd coded and canonically aspd, but i see her as both cluster b AND autistic.
also, please don’t say things like “YES she’s not a psychopath, she’s autistic instead” because she’s still very much aspd and i don’t want to take that away. i’ve seen a lot of people with aspd really identify with villanelle and say she portrays it well.
just scroll if you don’t agree, this is a harmless headcanon and i’m simply explaining why i have this headcanon, as well as why a lot of autistic people seem to relate to her (people get SO mad if you even insinuate a popular character might be autistic lol)
masking/mirroring
masking is a strategy used to hide neurodivergent traits in order to blend in with neurotypicals. this can include mirroring (mimicking others expressions/behaviors), or even entire persona changes.
in the very first scene villanelle carefully observes a man smiling then mimics his smile (1x01)
villanelle hears a woman laugh on the radio then mimics her laugh, later she reuses that same laugh with sebastian (1x02)
liked copying the statue people in the street (2x05)
often mimics konstantin and predicts what he’s going to say
can quickly switch personas, adopts different accents and dialects quickly, and reuses phrases that are said to her
taking things literally
when talking about villanelle anna says “she was quite literal” and goes on to describe how villanelle misinterpreted a joke so confidently that she killed someone because of it (1x07)
interprets the bible extremely literally in season 4
“i have children” “i don’t want your children” (1x05)
“sheep are happier than wolves” “you spend your time off surveying sheep?” (3x08)
took konstantin saying “do something normal” literally (1x02)
“you are not a pumpkin, you a beautiful” (1x04)
kills gabriel because she thought he was genuinely asking to die when he was expressing how sad he was about his situation (2x01)
sensory seeking (& sensitivities)
touches and focuses on the texture of the liliana rizzari duvet, goes out of her way to ask the man she’s killing for the name of the duvet, later purchases it for herself and carefully feels the texture of it again (1x01)
generally touches and smells everything
“i want to smell her skin” (4x03) as well as her describing her ideal perfume in detail then asking eve and konstantin to smell her (3x03)
hates wearing crocs and other “non-nice” things, is very fixated on “nice” things like high quality clothes and food
makes people stroke her hair when she’s feeling upset (2x05 and 4x01)
bold fashion with a lot of colors/patterns/textures
seems to dislike most people hugging her
more up to interpretation, but she wore headphones in 3x04 and 3x05, once while she was having a meltdown on a train
struggles with social cues
includes coming off as blunt/rude, trouble navigating groups, and not interpreting situations correctly
how awkward and blunt she was at her wedding (3x01)
interacting with the church, especially in 4x02
doesn’t know how to react to displays of emotion (gabriel crying, benita crying, was confused and froze when her brother was being affectionate)
doesn’t understand why some people are upset with her (konstantin in s2, may in s4, eve at multiple points)
doesn’t understand that certain things will make people upset (being very blunt with gabriel then being put off when he starts crying)
struggles with understanding boundaries
doesn’t see authority figures as an authority (teasing and flirting with the prison guards, threatening konstantin, casually killing anton, doesn’t seem to understand consequences)
does not follow rules that don’t make sense to her
breaks into eve’s house expecting a normal dinner, doesn’t know how to calm eve down and ends up making her panic more (1x05)
didn’t understand why eve’s coworkers were acting scared of her (3x08)
is confused as to why sebastian laughs when she says she likes national anthems (1x02)
not understanding why her mom was laughing at her and that it was mocking “you always laugh at things that aren’t funny” “like you?” “yes” (3x05)
stimming
the repetitive performance of certain physical movements or vocalizations in order to self soothe or express emotion
big jumpy happy dance (3x04)
during cup game (3x05)
jumping and spinning on the heels of her boots by the train with rhian (3x08)
her copying noises she hears could be a type of vocal stim, echolalia
on the train ride at the end of 3x05
there are more examples but i can’t list them all since she generally bounces around a lot and has a lot of big movements
inappropriate/bizarre responses
yelling “this is so BORINGGG” while in an art museum (2x04)
“i mean i masturbate about you a lot” (1x08)
yelling “JUST DUNK ME” while getting baptized (4x01)
soooo many instances that again i can’t list them all…
alexithymia
alexithymia is the difficulty feeling or identifying emotions (or physical stressors like pain)
her whole aa meeting speech in 2x06 about how she feels nothing and the distress it causes (is extremely bored, hurts herself and it doesn’t hurt, just wants to feel something)
doesn’t know if she’s telling the truth or not (2x07), this could also be because of masking as too much masking can cause identity confusion, not knowing what you’re faking and what’s authentic
weakened sense of danger, even says “i don’t get scared” (2x08)
says she’s fine then immediately collapses (2x01)
other traits
meltdowns, especially at the end of 3x05 where she was wearing headphones and had increased stimming while crying
low empathy
attaches to and fixates on a specific person, obsession prone
REJECTION SENSITIVE DYSPHORIA
has always felt estranged and inherently different from others, “i’m not normal you know” (2x01)
detail oriented, notices things others don’t
bad at dancing/rhythm
exaggerated facial expressions
exaggerated speech
poor impulse control
differences in expressing emotions and communication
only comfortable with select people
perfectionism, hates working with a team and wants to do jobs alone (1x04, 3x02)
feels threatened when irina knows more languages than her, as languages are something villanelle is very interested in (1x08)
black and white thinking
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existslikepristin · 9 months
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Tags: NSFW, S.M.U.T., genie
(Story Index)
"WHAT are you?"
"Quick course correction," you say with a studious finger in the air, "Clearly I should have asked 'What the fuck are you?'"
She beams a larger smile up at your face. "I'm so glad you asked! I love a good discovery phase! My name is Joy, and I am your genie!"
A moment goes by in silence. You open your mouth to ask another question, but she interrupts.
"It's not a prank. You saw me appear from a cloud of smoke, so that should be very unlikely if not obvious. No, it's not a lamp because genies may be bound to any object. Your wishes are limited to three, and the rules are no killing, no changing humans' emotions, no extra wishes, no trying to disguise wishes as something else, and no changing me, the genie granting the wishes. Don't worry about that last one though. I am fully capable of free will and surely I'll fall in love with you the unquestionably natural way as soon as you afford me the bare minimum of modern decency, like saying you 'don't consider me a slave' or some such. It's not problematic. It's just the shifting of cultural norms that occurs in the surrounding world during multiple thousands of years of mystical confinement!"
You open your mouth, and yet again she interrupts.
"I definitely won't intentionally misconstrue your wishes or twist them until they're unrecognizable, because frankly I'm not a dickwad. You will need to be cautious with the wording of your wishes though, because despite all my magicyness I cannot read your mind and therefore can only do my best when it comes to interpretation. I have an entire human history's worth of experience, but who knows what an awkward wish could do! I'll be sure to ask if it sounds like you're wishing for something truly idiotic."
You squint. "You sure you can't read minds?"
"Literally everybody asks the same questions," Joy says, "Whether or not the questions come before you do depends on the popular political issues at the time. Asking the questions is just a trope of the genre."
"The genre?"
"The genie genre, yes. One letter makes all the difference in pronunciation and meaning, yet the words form a phrase with a unique implication."
"So you're Joy, my genie, and I get three wishes?"
"You have stated the premise as accurately as possible with the information you've been provided."
"What am I missing?"
Joy leans back, hands on the floor, giving you an view of her stretched abs. It's a hell of a tight tummy she's got. The tops of her thighs appear powerful as well. "Honestly, you're missing a lot. Tons, in fact. But the important parts, at least what's necessary to your safety, have been covered. The rest can be discovered the fun way!"
Options:
A. Wish to know the rest of what you're missing, because you enjoy spoilers.
B. Tell Joy to do something magical, unrelated to a wish, because you enjoy entertainment.
C. Ask Joy if she'll do something sexual, because you enjoy what we all know you're here for.
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So I was skimming the first episode of Bravern looking for something else entirely and ended up massively overthinking this scene in the bar instead, and I made a Tumblr to massively overthink things so here we are.
Now, I feel like there's a lot of stuff in Bravern left unsaid or up to (multiple possible) interpretations, which I guess is sort of how all of media works but somehow Bravern has turned on some kind of 101 lit brain that my mathematician ass does not usually have so bear with me here. And so the narrative I'm going to present here isn't an argument really. It's just a "wouldn't it be nice". This is the story I like to imagine in this scene. I call it A Tale of Two Wingmen.
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We start out with Isami and Hibiki at the bar chatting about the war games exercise. (They seem to be the only ones at the bar rather than at a table, and don't have food; I like that Hibiki at least has a flower on her drink.) It seems clear that they're friends, probably a somewhat mismatched pair since Isami is in his dress uniform and Hibiki is out of uniform.
Isami has just started talking about the other TS that charged ahead with him when who should walk in the bar but the pilot in question with his friend Ryoma (soon to be RIP):
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(I can't hear the dialogue for them tbh so I'm a little confused by the subtitles - it looks in the animation like it's Smith saying he didn't drink enough, but the phrasing makes it sound like it's Ryoma saying that. Whatever. Minor point.)
And then he sees Isami and stops suddenly, dramatically enough to get Ryoma's attention.
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And heads straight for Isami (seemingly without saying anything to Ryoma, lol)
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Hibiki actually spots him first, or at least reacts to him first.
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Smith invites himself into the conversation:
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Hibiki watches him a little warily at first and seems annoyed when he starts thumping Isami on the shoulder.
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(I have a fondness for this whole interaction tbh because like Smith I am an American that reckons I can get through any social situation just by being really talkative, friendly, and complaining about authority figures. And like Smith I have often totally misjudged how to befriend people now that I'm in another country. "Mildly annoying American" is apparently louder and more negative than any Brit judging by the reactions I get, and I can only imagine the American-Japanese culture clash is worse.)
But once Smith starts praising Isami (and agreeing with the argument Hibiki was making), Hibiki seems to warm up to him:
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By the time Smith starts challenging Isami to a duel, she's leaning in and grinning over her cocktail.
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Ryoma also seems to be watching this conversation from across the room:
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Isami needles Smith in a line that definitely isn't foreshadowing at all, and Hibiki whistles which is also very cute
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Smith heads out once he has the agreement to the duel, Hibiki grinning after him
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Hibiki seems deeply amused by this whole situation and entertained by Smith's laser focus on Isami (and maybe a little surprised that Isami hasn't seemed to retain as much about Smith as Smith has about him)
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On the way out Smith bumps fists with Ryoma, who's also left the conversation he was in.
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(Yes, they did introduce themselves; no, Isami does not seem to remember this, which is very funny considering what's going to happen tomorrow.)
So what's the narrative I'm enjoying from this scene? Basically, if you imagine that both of these friends know that their main character buddy is gay, it becomes kind of adorable. (Well, it's kind of adorable anyway, but an added layer of adorable.)
Ryoma is the guy who's been hearing all evening about this cool Japanese pilot and the way he maneuvered his TS even though they say they're not as good as the M2s, and he seems kinda shy but do you think he'd maybe go for a duel? You know, first you fight, then you team up? So he's maybe a little surprised when Smith wanders off mid-conversation, but he knows what's up. Once he hears that his bro has successfully secured the not-a-date he was hoping for, he's got to give him a celebratory fistbump.
Hibiki clearly knows Isami well, and I'm guessing that she has never known him to actually date anyone. Possibly he's never explicitly come out to her; I doubt he'd be generally out (even if that was a good idea in any military, which I imagine is rare), or that he'd talk about his personal life to most people even if he was straight. But I imagine that Hibiki teases him in a friendly way about it and, as someone who's familiar with Isami's impenetrable shell, is kind of interested to see what kind of romantic partner could possibly get through that. Kind of obnoxious but well meaning hunk shows up out of nowhere clearly hung up on Isami? This is either a love story in the making or something to tease Isami about at the bar for years, and either way she is in.
Or maybe she just thinks it's funny that he has a loud American obsessed with him now. That was my read at first, and is probably the most likely.
But if you imagine an Isami who is gay, then it's nice to think that he has somebody that he can, if not talk to about it directly, at least knows. (Obviously bisexuality exists and the above still more or less applies if he's bi rather than gay, but I personally imagine Isami as the type who has gone well I'm only interested in men so conveniently I can just put all of romance in the box of Sounds Hard, Not Doing That.)
Also considering how she reacts to Honoka I think Hibiki just thinks it's funny if anyone has a crush on Isami which is a fun relationship for a male and female best friend to have.
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iamnmbr3 · 7 days
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I find your analysis' really fun and I love how JKR, unintentionally created a narrative where drarry somehow has more chemistry than ginny who's literally forgotten in the 3rd, 4th books???? Like mam, if you want to build a romance then make them have actual conversations? I, myself like ginny and like the concept of hinny but the way JKR sucked at writing them infuriated me.
But anyhow, I also love drarry, though as much as I like and agree with your assessment; there is something I'll have to disagree with, and that is I don't harry found draco attractive. Because the thing with Harry is; no matter who that person is, my guy is really honest with how he views that person. Each time as he saw Riddle grow, my guy was like; hot damn. Also Cedric. Sirius. Bro literally calls regulus "not as hot as Sirius" so we are know Harry has never once found draco attractive. As for the gleaming eyes, pointy chin; well I also like giving my characters good description so people would understand what to imagine; I'm not making everyone simp on about everyone. promise!!!!!!
( I just like them falling in love after the war, and Idrc if they found each other good looking or not, I just don't like how people just take basic description of a character and says oh he describes how he looks, he must like him!!!!! No guys, he is just saying bro has a pointy chin and his eyes glows because he probably is gonna do something!!!!!)
I just wanted to get this out and I am not really active on Tumblr, and don't like posting. This is just me wanting to discuss this one hc😞 but I hope u have a good day and I adore ur hcs and analysis.❤️
Thank you! And yeah I feel like JKR really did Ginny dirty with the way hinny happened. I like book 5 Ginny so much more than book 6 and 7 Ginny. She deserved so much better than to be reduced to a love interest who is "Harry's perfect girl" to use JKR's phrase rather than someone who got to be her own fully realized character with a distinct personality and interests (as she was in book 5 before JKR overdid it trying to make her the ideal Love Interest TM). I think it would've been cool if she ended up with Neville since they bonded during their year at Hogwarts in book 7 and fought side by side and mutually respected each other as equals.
It just says it all that after the Battle of Hogwarts Harry doesn't have a single interaction with her. He immediately wants to spend time with Ron and Hermione because he feels a deep bond with them but just vaguely thinks that there will be time to talk with Ginny later. He isn't even sitting by her at the table because it's Luna who is next to him and offers to create a distraction so he can leave.
As for Harry's descriptions of Draco, I'm going to push back on that although of course everyone is perfectly entitled to their own interpretations. The thing is, Harry is extremely judgmental about people's looks and insults the appearances of all the other Slytherins. A lot. But he NEVER does that with Draco. Ron does. Ron insults Draco's looks all the time. But Harry never goes along with it or agrees and his internal monologue and descriptions of Draco are notably lacking the insults he directs at almost every other member of Draco's House as well as other people he dislikes.
But that's not because he isn't looking. Because he is. A LOT. He doesn't just describe Draco's looks. He dwells on them. Repeatedly. We know SO much about how Draco looks because Harry CONSTANTLY notices and mentions it in his internal monologue. Draco's grey eyes are mentioned repeatedly in every book. As is his sleek blond hair. Harry doesn't even mention Ron's eye color once till book 7, but we get multiple descriptions of Draco's eyes down to the exact shade - specifically pale grey. And same for his hair - along with observations about how it gleams in the sunlight. Even when Harry's in danger he takes a second to check out how Draco's looking. And that is at odds with how he describes other characters.
He never calls Ginny pretty or beautiful either but he does seem to have at least some level of physical attraction to her and often describes her hair...and that's pretty much it. Yeah I'm pretty sure that relationship fizzles once the peace happens. (I've read very compelling metas on Harry being gay and I think there's a lot there though personally I do still read him as bi but with a strong preference for men).
Draco is someone that Harry would not get together with till after the war. And I don't think he wants to acknowledge, even to himself, that he is attracted to him. But he sure spends a lot of time repeatedly noticing and describing and thinking about Draco's appearance in a way he doesn't with other characters. Something is making him look. And I think that something is attraction.
Now obviously this was completely not JKR's intent. The problem is that she wrote the story from Harry's POV not from the POV of an omniscient third person narrator. So while she didn't mean to make Harry constantly notice all the cute guys and obsess over Draco's looks for 7 books that is accidentally what she did.
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anistarrose · 1 year
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Hello, TOH fandom, I am here once again to talk about accessibility!
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[Image description: a screenshot of Lilith Clawthorne excitedly holding up a sign, which has been edited to read: "Image Descriptions for The Owl House (and why they matter)" in all caps. End description.]
Image descriptions, like the one I just used above, are exactly what it says on the tin: descriptions of the content of an image included to make the image maximally accessible.
Blind and low-vision people who use screen readers, people who rely on increased font size in-app or in-browser to read text, and neurodivergent people who have trouble interpreting elements of an image (for example, expression) all benefit from image descriptions.
And all images on the internet should be accessible regardless of topic, of course, but I've recently been trying to spread awareness in the context of The Owl House specifically because it's a show with multiple disabled and/or neurodivergent characters! In fact, Principal Bump is canonically low-vision with a service animal to help him in that regard — and I'd argue that making content about disabled characters accessible is extra, extra important!
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[Image description: a screenshot of Principal Bump with his palisman Frewin removed from his head, revealing the scars over Bump's eyes. Frewin is in staff form, smiling, and Eda looks on from the side. End description.]
I know it's within this fandom's ability to make our posts about the finale as accessible as possible — and I know that because I've already seen a decent increase in described posts over the course of Season 3! I've seen more artist-described posts especially, which means a lot to me, and even more to a lot of other people, too <3
So, on that note, how to write an image description? It may seem intimidating, especially if describing someone else's post or fanart, but honestly, there's no definitive "rubric" to follow, just a list of general guidelines:
Indicate where the description starts and ends, with "end description" or "end ID".
Place the description immediately under the image, not under a read-more (this allows people who rely on IDs to experience the post the same way anyone else would, whereas read-mores are inconvenient, especially if OP changes their URL)
Minimize caps lock, italics, bold, and strikethrough, which can be hard to read and/or troublesome for screen readers. Generally, it's just best to transcribe in lowercase without particular effects, then indicate in the transcription if something is emphasized.
Likewise, don't put descriptions in Tumblr's special small text. It's difficult to read and inaccessible to many.
Don't make jokes or add commentary in IDs. If an image is meant to be humorous, obviously it's fine to phrase things in a way that tries to capture that, but it's not the place to add your own jokes, nor is it the place to declare subjective qualities like "this art is beautiful".
Descriptions can vary in length, but if one is getting long (if you're describing a comic, for example), then be sure to break it up with paragraph breaks.
Specifically, while I've heard that too many breaks (ie, every sentence) are annoying for some screen readers, long walls of text are conversely difficult for people with visual processing problems to parse. So, it's good to strike a balance.
With regards to length and amount of detail, it varies by personal preference! Most images don't need a whole small essay, but there's also value in describing certain small and symbolic details, subjective as it is.
Speaking of which, if you're the original artist, then you are automatically the expert on what you wanted the image to convey — the nuances of expression and body language, which details are important and which details are not — and for that reason, I love seeing artist-described works!
Below the cut: more on describing Owl House images specifically, on IDs versus alt text, and other possible questions!
When I transcribe TOH related posts, there's a few other guidelines I use, though these rules aren't as immediately important as the ones above. I generally start by indicating the type of image we're dealing with (a screenshot? fanart? a photo of a cosplay?), then mention what characters are depicted.
Unless I'm describing something long, like a comic, and relying on summarization, I usually mention which character designs we're dealing with (is Lilith in her dramatic black dress from Season 1? or is she in her low-battery shirt?). If it's fanart and the artist has come up with original outfits to put the characters in, I'll summarize those too.
(This is the other reason I love seeing artist-described works: because I, personally, am just kinda bad at describing fashion lol.)
Now, I'd like to go over some other questions that I've either encountered before, or anticipate:
What about alt text? Doesn't that accomplish the same purpose as image descriptions?
In a lot of senses, yes, so alt text is certainly much, much better than no description! However, remember that not every person relying on descriptions is necessarily someone who uses a screen reader every day, or uses a screen reader period. Some people do in fact read the descriptions themselves.
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[Image description, identical to alt text: a screenshot of Luz Noceda from Season 2, smiling and blushing. End description.]
As you can see above, alt text takes an extra click (or tap) to access. In general, it's also prone to displaying walls of text, and — as far as I know — sometimes just doesn't show up if the Tumblr app isn't updated enough. (Not to mention that, in my opinion, making image descriptions visible to people who don't use them is an important part of spreading accessibility awareness in the first place!)
On the other hand, I've heard some people who benefit from descriptions say they actually prefer alt text, so I'm not going to come out and take a hard "absolutely no alt text ever under any circumstances" stance by any means. But, long story short, this is the reason that in my own posts, I almost always defer to in-post descriptions — the only exception might be if I'm writing a meta post, and functionally describing the images in the text anyway.
I've seen that sometimes you use [ ] brackets and sometimes you don't. Is there a reason?
Basically personal preference. I use brackets in posts like this when I have a lot of non-description writing, and want to make it extra clear where the description ends and the non-description begins. If I'm just captioning some fanart in a reblog and not adding any commentary, on the other hand, I leave off brackets because they're pretty redundant.
I'm nervous about describing images, but I still want to help make the fandom more accessible. Is there anything I can do?
Well, my first piece of advice would be to start small! Hell, start with just making sure you include a description whenever you post an image with just text, like a screenshot of a reply or someone's prev tags. You can build up little-by-little from there!
(My personal accessibility journey went from describing only tweet screenshots whose text I could just copy, to describing simple memes like cat pics, to deciding it was important to at least describe fanart of disabled characters like Eda, to finally describing almost every post I reblog. Trying to make that jump without any of the intermediate steps would've been overwhelming, but at this point, it all feels natural to me.)
But secondly, I would encourage showing some love to artists who describe their pieces! Queue up some described fanart, especially artist-described stuff, and help normalize it!
Get into the habit of checking the notes for descriptions (go to reblogs and filter by comments only) before you share! If someone describes your art, copy it into the original post, so the version of the thread reblogged directly from you will be accessible too! (And if you want to make some little tweaks, no one will be offended.)
You can also look into making your blog theme accessible, such as making sure the font size is large enough (and ideally sans serif, for readability). And if you feel more confident with describing audio, then writing transcripts of audio is always incredible as well, to help out those who are deaf, hard of hearing, or have auditory processing disorders!
I've heard that AI is able to describe images for screen readers pretty well these days. Are descriptions still important/going to remain important as the technology advances?
Well, let me say first that I'm very glad this technology exists, for sure! But I'm of the opinion that human described (and especially artist described) captions are, at least generally speaking, still going to be the gold standard for the foreseeable future — AI doesn't have the context we do for our art and our fandoms; it's much less likely than a fan of the show to pick up on what's an important or symbolic detail.
Are there actually people who need image descriptions in cartoon fandoms? I mean, the source material has such a visual component!
First off, blind and low vision people do in fact watch things like TV, movies, and plays — ever notice the "audio description" option to add narration to a given show in a streaming service? That's there to provide basically the real-time equivalent of image descriptions.
And, second, I'll leave you with this — don't you think a lot more disabled people would participate in fandom if fandom were more accessible and accommodating to disabled people in the first place?
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luna-rainbow · 9 months
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Hello, hello, long rant incoming
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When I reposted this on AO3, I had intentionally minimised tagging and summary because I wanted to archive it rather than attract readers. I didn’t even tag it Steve/Bucky because there just wasn’t enough mention of Bucky in it. Importantly, P*ggy was not tagged.
The user calls themselves “Rebuttal” and their only work is another essay rebutting someone else’s post on Civil War, which they had to post separately because I guess the OP blocked them. So we have a serial offender with too much time on their hands going around to directly suck the joy out of other people’s fandom experience.
They begin with this:
Although I don't particularly care for Steve's ending, this essay does not offer support for a different one.
*Inhales* Honey, can you please Google analytical essay and narrative essay before you unload your drivel on other people? This "essay" is a fic - while there's some character analysis, the emotive language should be sufficient clue that the focus is the story. It’s like reading The Fifth Elephant then writing to Sir Pratchett to argue his “essay on Discworld” is factually incorrect because it offers no support for the idea that the Earth is flat.
Steve is self-sufficient. He is not shown as requiring Bucky as foundational to his being. (…) We do know Steve was willing and expecting to go it alone after Sarah's death and that he is fully confident in his own abilities; he can "do this all day." Bucky's offer at the apartment earns a small smile, not a great overcoming.
I enjoyed how you, at multiple points in your essay, pick at certain turns of (evocative) phrasing while ignoring actual canon mentions. Explain why you deliberately omitted my mention of the canon phrase "Even when I had nothing, I had Bucky". Sure, Sarah was Steve's touchstone, but Steve's words clearly indicated that upon Sarah's death, that touchstone role shifted to Bucky.
Steve's "I can do this all day" is said a total of 4 times during all the movies. Each time he says it to a bully (one time he specifically says it to protect Bucky), and never in relation to his emotional turmoil. Also just, factually, he never references "I can do this all day" when Sarah dies can you be real for a sec.
It's mighty rich of you to say a grieving person who had JUST BURIED HIS SOLE LIVING RELATIVE that a) "he is willing to do it alone" - I can guarantee no one who has lost their sole beloved family member feels "willing" in that situation; and b) downplaying the smile that took all of Steve's energy to muster. All I can conclude is you know nothing of grief. (And since you love the word "disservice" so much - your interpretation of the scene is a fucking disservice to CEvans' acting.)
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Steve's choice to go to war has nothing to do with Bucky. Steve has tried five times to enlist and stated his reasons, which have nothing to do with Bucky and everything to do with not liking bullies.
Because, you know, saying “I want to join the 107th cos I’m gay for my best friend” is going to go down real well in the 1940s military *snerks*
Can you get your head out of your ass for one minute and consider that people make decisions based on multiple factors? By acknowledging that Bucky is an important factor in Steve wanting to join the war DOES NOT MINIMISE STEVE'S MORAL COMMITMENT TO FIGHT BULLIES.
Steve is also not aghast at hearing Bucky's assignment. - Back this up.
Bucky does not believe in pre-serum Steve as much as pre-serum Steve believes in himself. - Right. *In Bucky’s tired voice* Because simply ~*♫~believing in yourself~*♫~ is going to stop you getting killed. This is a fucking war, not a back alley. Do you know the death rate for US soldiers in WW2? 1 in 40. For perspective, the death rate from coronavirus is currently sitting at 1 in 70.
Whether Bucky went to war or not, Steve wanted to go. - Again, back your ass-umptions up.
Steve was told Bucky was dead. He was going to try to rescue the rest of the 107th. Again, to suggest that Steve's courageous act is about Bucky is a disservice to Steve.
So not only do you remember fuck all about the movie where it doesn’t involve your fave, you apparently remember fuck all about the scenes where YOUR FAVE APPEARS.
P*ggy: “What do you plan to do, walk to Austria?” Steve: “If that’s what it takes.” P*ggy: “You heard the Colonel. Your friend is most likely dead.” Steve: “You don’t know that.”
NOW LOOK THOSE WORDS IN THE EYES AND TELL ME HIS RESCUE MISSION IS NOT ABOUT BUCKY.
Also, Steve wanting to rescue his best friend is a "disservice" to his character? Condolences to your friends and your character, I guess.
It is strange to ignore Steve's interactions with people other Bucky. Okay here we go, we’re finally getting to why this steaming trash heap landed in my inbox. It's Peggy who - I knew it. I fucking knew it. Of course it came from someone who likes Miss I-need-to-make-everything-about-me - appreciated pre-serum Steve at the flagpole - Oh you mean the appreciation she showed by not uttering a single word to him?
Peggy and Erskine supported pre-serum Steve's drive to do his part when Bucky did not. It seems truer to say that they more likely "kept Steve afloat" during his basic training, of which Bucky had no part.
Hold on. *walks off to cackle* *walks back, wheezing*. P*ggy kept Steve afloat? Miss-never-said-a-single-word-to-Steve-P*ggy, “supported” Steve during his basic training??
Again, I urge you to actually watch CATFA, where *checks notes* your fave has her biggest movie role. AFTER STEVE FINISHES BASIC TRAINING, the two of them sit in a car and exchange the infamous lines:
P*ggy: “You have no idea how to talk to a woman, do you?” Steve: “I think this is the longest conversation I’ve had with one.”
They have, by their own admission, not had a conversation before this, so which bull’s ass did you pull the “P*ggy kept Steve afloat during his basic training” shit out of?
There is nothing in the scenes to suggest he finds it a great miracle. The whole assumption of Steve's reaction seems to be a Bucky-centric projection rather than Steve-centric.
No, honey, I think you are just blinded by your Bucky hate. You looked at a scene where 2 characters (including your fave) claimed that Bucky is no longer alive, and Steve himself said, "I thought you were dead" - and Bucky was, against all odds and expectations of at least 3 different characters, found alive...and said, NAH NAH NAH NAH there's nothing here! There's nothing~here~to~suggest~it's a miracle.
Honestly I think you're the one living in a different plane of projection.
When Steve awakens in the future, his line to Fury is "I had a date." With Peggy, not Bucky.
Pfft he said “I had a date”, not "I had a date with P*ggy". So your interpretation is just as invalid.
And just, realistically, do you really think Steve is deluded enough to expect he’d wake up in time for a dance? And...do you really think Steve is desperate enough that he'd go for a woman who blasted him with live rounds for locking lips with another woman? When in your own words you said he hates bullies?
We do not know what Steve thought as he died, so saying he is content with death is not supported.
How about this -- "we do not know what Steve thought as he died, so saying he is not content with death is not supported". It’s my conjecture against yours and you’ve come onto my turf to be a presumptuous prick.
He has Peggy and Natasha. To ignore these two relationships seems to do a disservice to both characters.
Ah yes, the great relationship with P*ggy, who in 5 minutes of her screen time is characterised by: 1) mocking Steve as “dramatic” when he asks for guidance, and 2) her florid delirium in which he had to pull the emotional labour to placate her, and 3) her being grateful that she's led a great life without Steve.
If oldwoman!P*ggy was such an important relationship to Steve, he wouldn't have lamented to Natasha that "it's not easy finding someone with shared experience".
If there is any lesson Steve should learn in the modern day, it is that Steve sacrifices and Bucky leaves. Once involuntarily with the Snap, but twice voluntarily.
WHO THE FUCK HURT YOU AND MESSED UP YOUR BRAIN. I don't know how you can look at those scenes and pretend that the sole victim is Steve.
(Actually I can, because it's a common refrain from certain shit!stans who can't deal with the idea of Bucky being morally good)
Bucky sacrificed his own freedom and lived time in order to protect other people from getting hurt. And Bucky being involuntarily "Snapped" only counts as "Steve's sacrifice"?? The one who actually dies/gets Snapped isn't making a sacrifice? My gods the logic in this one is strong. (Also by referring to Bucky's death as Steve's sacrifice you have inadvertently acknowledged just how important Bucky is to him but I guess that flew over your head like the rest of this story)
It also ignores that Steve lived five years without all of those people. He had accepted the loss and changed into someone they would never truly know or understand.
Mate…
Do you hear yourself…
YOU LITERALLY WROTE THE COUNTERARGUMENT TO YOUR ENTIRE ESSAY.
Steve lived TWELVE YEARS WITHOUT YOUNG P*GGY. He had ACCEPTED THE LOSS (although, in my mind, it's really no big loss) and BOTH OF THEM HAD CHANGED INTO COMPLETELY UNRECOGNISABLE PEOPLE, not to mention they never truly knew or understood each other to begin with. So if your logic is that Steve has changed too much in 5 years to be around his old friends, why the fuck would he want to be around a woman he last saw 12 years ago and who he knew got an entire happy married life with another man. Eww.
I mean if NTR is your kink that's fine but no need to flaunt that on my turf.
The fun thing about fandom is that canon is open to different interpretations. You could read the tavern scene to say P*ggy is inviting Steve to be her right partner, just as I could point out that Steve’s pointed silence is a resounding rejection of that invitation.
But there is incorrect fandom etiquette, and that’s when you stomp into an innocuous narrative musing and start a ship war.
And I beg of you to learn another word from "disservice".
(The whole pile of horse shit for anyone needing to have their blood boiled)
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