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#i know this is a good writing tool for character growth and all
thjslove · 10 months
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We've known each other a long time. We've been on this planet for a long time. I mean, you and me. I could always rely on you. You could always rely on me. We're a team, a group. Group of the two of us. And we've spent our existence pretending that we aren't. I mean, the last few years, not really. And I would like to spend... I mean, if Gabriel and Beelzebub can do it, go off together, then we can. Just the two of us. We don't need Heaven, we don't need Hell, they're toxic. We need to get away from them, just be an us. [...] You idiot. We could have been... us.
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I used to think that the reason I wasn't satisfied with Izzy's death was because I was too attached to his perspective as a character and couldn't focus on the big picture of the season and the main Gentlebeard relationship enough. I mean, I was still convinced that his death and the way it was carried out was a shit writing decision, but everyone else outside the Izzy Canyon circles seemed fine with it, so I was starting to think that maybe they were right.
So I looked back on the rest of the season and rewatched the finale... And realised something that I'd been trying to ignore because it was too painful to admit. A huge part of why Izzy's death hit so hard (in a bad way, not that delicious masochistic pain of having a beloved character die a good, narratively satisfying death) was because throughout this season he was the only character who actually had a satisfying arc and development. Practically no one else did. I didn't actually care for Gentlebeard this season, not the way I cared in S1. From episode 1 to 8 and a half, Izzy's arc was crafted with more care, kindness, subtlety and narrative weight than the main Gentlebeard arc which, in comparison, felt like a string of choppy beads badly tied together in an approximate shape of an arc, but collapsed as soon as you looked at it too closely.
Yes, we all know this season suffered for being 2 episodes too short, but I don't think that's all there is to it. This is starting to feel like GoT season 8 all over again. Would it have been better if it wasn't so rushed? Maybe. Or maybe it would have been even worse because this season just didn't seem to know what to do with itself or the characters. The themes and symbolism are all over the place and completely inconsistent. Ed and Stede's characters are practically back at the same place they left in S1. All they did was bounce off the walls back and forth with no real growth. As soon as they took a step towards fixing their relationship or growing as people, they either tool three steps back or it just got dropped. Stede letting fame get to his head? Interesting and realistic development. And how was it resolved? It wasn't. Stede and Ed being whim prone? I'm glad they brought it up. And then they just fell for another whim and it was presented as a satisfying ending.
Ed went from the Kraken, to taking the first steps towards being Ed, then suddenly all the way to being Ed by way of a Night of Magical Healing Sex that he he didn't actually want to happen because he wasn't ready. And then all of a sudden he pivoted to abandoning Stede and piracy and becoming a fisherman... for 5 min. And then back to Blackbeard again because two fishermen were mean to him for 5 minutes. And then abandoning it again to open an inn. How was any of this even remotely coherent or satisfying? They didn't even have a single conversation about any of it. Ed had more proper closure and communication with Izzy during his dying scene than with Stede and the rest of the crew put together. Izzy's arc got sacrificed to do the heavy lifting for Ed's arc and became nothing more than a shortcut to speed run his character growth. Except it didn't even lead anywhere. "Ed, they're your family, they love you" no they don't, he didn't even have a single positive conversation with any of them except Fang. Of course this could have been the point, and Ed could have seen Izzy's death, his own discovery of found family and his dying words as a pretext to repair his relationship with the crew. But he just left them and stayed with Stede instead.
Sure, you could say this was only the second act of the story, and S3 will resolve everything. But the second act is still meant to move the story and the characters forward in some way. Yes, of course if we get S3, I imagine Stede and Ed's life as innkeepers won't exactly be idyllic. But the problem is that the conflicts they'd have will only be a rehash and repeat of the same conflicts they've already have, or were supposed to have, this season. Multiple times, even. We already know that Ed is simply unable to live with himself no matter what life he chooses. The title of S1 was literally "wherever you go, there you are". We already know Stede's love isn't enough to fix him. We already know their goals in life are completely opposite. Maybe they could have shown Stede realising, after his humiliating in S7, that piracy wasn't all it was cracked up to be or he isn't suited for it, and that's why he chose to leave it behind and open an inn, but that's not the explanation we were given. It was just another whim. They literally didn't learn anything this season. They had two baby conversations in E4 and E5 and didn't take anything from it, just kept doing the complete opposite of anything. "We're both prone to whims, let's take things slow" became "let's take things extremely fast by moving in together permanently and becoming entrepreneurs". They never talked about the actual, deepseated, longstanding trauma issues they needed to resolve before they could even begin to have a proper relationship. They literally got a heavy-handed glimpse in what their life would become if they just stuck together without addressing their own personal issues, and chose to do that very thing. It that's what S3 is going to address, then why were Anne and Mary part of this season instead of the next one?
I remember everyone saying they wanted Ed and Stede to reunite as quickly as possible in S2, and I get why. They have great chemistry together. The season is about them. But for it to work, spending more time apart is exactly what they needed. They needed to learn how to live with themselves and others, first. Romantic love alone can't fix you as a person. You have to fix yourself first. Community can help (as with Izzy's case), but you still have to put in the work. In retrospect, I'm glad that Izzy didn't get a love interest this season - because he wasn't ready yet, and had to learn how to have normal relationships and friendships with other people before attempting an intimate romantic relationship, lest he ended up falling head first unit another toxic mutually dependent relationship. That's what Stede and Ed should have tried too. Instead the show just ended up using Izzy's death as a quick surgical fix, robbing Ed of his agency and having to do the hard work repairing himself and his relationships with other people. There's a sad irony in getting exactly one character's arc just this, and then using it as a sacrificial lamb to patch over the main character's arc.
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to-the-stars8 · 8 months
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Can someone genuinely answer this ever lingering question as to why DC has such beef with Jason Todd?
They butcher his character and relationships, and for what? There’s so much fucking POTENTIAL not only with his character but with his story! There’s a way to actually write discourse in a relationship without making it so damn abusive. Maybe I’m missing something in the story or just in general, but it’s just so fucking irritating when it could be good.
You have a nice, good boy who only wants to help despite given the short hand in life who is then given a loving father who just so happens to be Batman. That boy is then murdered by Batman’s biggest enemy (don’t even get me started on the fucking Joker who essentially has become idolized in the worst ways by DC writers and directors) still trying to do the right thing despite being fucked over by the very person he so desperately wanted love from. Then, you have that same boy who’s just a little bit older, hurting and angry— acting out in every way he can against the man who loves him but couldn’t see past his own weaknesses. And what do DC writers do instead of making this complicated, intriguing and character growing relationship into something that’s not as fucking dumb and slightly out of character for Batman? They fuck him up.
It’s an extreme to say this, I know. And this isn’t against all DC writers, but you can’t deny a lie when it’s a pattern. It’s a cut and dry story that practically writes itself. You have a little boy who is so full of hope is growing along with the main character of the story (which, in my own personal opinion, Batman has Robin not as a soldiers—and omfg does that damn phrase make me violent—but as a potential, mutual factor of character growth) , who then gets a bit too cocky and distracted by his own hubris and need for love, to a hurt antagonist that goes against the man who he once called father. Like it’s too easy to not fuck this up, and yet DC seems to manages to do this every single time.
It’s almost like they want to portray Batman and Bruce Wayne as a man who is made “tougher” by his trauma (which has some patriarchal undertones if you catch my drift) instead of growing. Batman can grow. He can love. There’s one post that I’ve seen on Tumblr how Batman/Bruce does this whole vigilante thing out of love.
Which is why I don’t get why DC uses Bruce as a tool to hurt Jason when it isn’t really consistent. He loved Jason, and this is backed up by a lot of older and a few current issues. Don’t get me wrong, I get that their relationship post-UTRH is gonna be FUCKED. Yet, even the writing in that I can’t really agree with. KILLING (attempting to kill really) your son who had been dead for years, that you loved so much, and is acting out because YOU? Doesn’t make much sense, but, again, maybe I’m looking at this through a foggy lens.
This wasn’t meant to be a long post, but it’s just been on my mind and perhaps I could use another perspective. So, again, what’s DC’s deal with Jason and Bruce’s relationship, and Jason’s character as a whole?
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bronx-bomber87 · 6 months
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Hi! just want to say really love The Rookie episode breakdown that you do.
So assuming you have watch all of them, do you have any list / ranking of best Chenford related episodes? Or can you give us your ranking of best Chenford related episodes? Really want to hear your thoughts on this. Thank you!
Hi @xiaozhen16! First off thank you for your lovely comment on my reviews. Means a lot I'm so glad you enjoy them. :) Also appreciate you wanting my thoughts on this. Let's see I have been with The Rookie since day one, actually pre-green light. I followed Nathan after Castle and his next project and saw The Rookie get its green light. So i've been with since the literal jump. Seen all eps for sure more than once haha Think I've rewatched it least 5 times since it started. Thank you for being patient while I took the time to answer this. Life is hard to fit stuff in so thank you. It'll be a long reply lol In order to answer this properly I'm going to do top 5 with an honorable mentions that could span up to 5 cause this is hard LOL Those will be in no particular order. I'll do it for each season. Except S5. I just can't choose S5 down to a top ten.
I love that entire season. But I can do 1-4. Someday I can rank S5 on its own ranking the entire season if you like but for now it'll be this. Let me know if you'd like me to do that in the comments. But for this one Each season has something different to offer for them. So it'll be easier to break it down by season but only going up to S4. Hopefully you enjoy this detailed reply. Anyone is welcome to comment and such too.
Season 1.
1x14 Plain Clothes Day
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Hands down this is my favorite episode of S1 for them. It's a very telling episode for them both. Lots of growth as well. Lucy is hell bent to prove herself to Tim. She is nervous but driven to prove to Tim she is worth investing his time in. Her day is a plethora of jitters and mistakes. Tim consistently getting under her skin and rattling her cage. Then at the last minute like a phoenix rising from the ashes Lucy makes the right call. Such a clutch moment that impresses Tim more than he'll ever let on. Doesn't hesitate for one moment checking that man's garage out.
This is a huge step towards her growth as a cop and a person really. Its seminal episode for Lucy. A stepping stone to her confidence and learning to trust her instincts and not second guess herself. For Tim it's realizing as much as he loves to mess with Lucy he wants her to succeed more. He states in the very beginning of the episode how he's had 11 rookies wash out on this day. ELEVEN. He hasn't cared if his rookies have washed out 11 times. Then Lucy Chen walked into his life. Disrupted his life in the best way.
With her incredibly driven sunshine ways he REFUSES to let her be his 12th. Does everything in his ability to keep her from being fired. They have a lot of lovely moments in this episode ranging from messing with her to fiercely protecting her from that tool-bag trying to take her job. The scene outside the captain's office where he has to re-write her eval gah so very good. Overall just an amazing episode of moments and growth for them as characters and as a ship. Another step towards their rock-solid bond.
2. 1x20 Free Fall
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What's not to love about this finale? It's the culmination of everything they've been through to this point in the season. We watch how Tim instantly protects Lucy from being infected. At first he's in control of the situation (or so he thinks..) Trying to keep Lucy calm while on the inside he is panicking. Attempting to keep up his tough T.O. act with her. Determined to show Lucy he's bulletproof no matter the situation. That quickly begins the devolve the longer he is in that room.
The more he has to deal with this disease alone the worse it gets. We get a front row seat into protective Lucy. The way she is losing it for Tim on the outside. Doing anything and everything to get him out of there. This is the first time we get to see Tim trust Lucy emotionally and not hesitate. Not only that but so openly. She has been knocking on the door of this all season.
The scene above is her reward for all that work. The role reversal that happens here is wonderful. Where Lucy becomes the rock. The one to comfort him while Tim is battling with his dark thoughts of suicide if this goes sideways. Trusting her enough to tell her such deep thoughts. Lucy guiding him through those emotions best she can. It's a fantastic way to end the season for them. Lots of earned moments in this one.
3. 1x11 Redwood
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Our first Iconic OTP Line Episode. This is where we start to see Tim soften for Lucy. Those sharp edges dulling a bit. We get to watch how he knows exactly how to calm her when she is in a panic. Tim commands this entire episode for her. Distracting her from the moment that needle goes in to chewing out the nurse for not prioritizing her. It was our first glimpse into protective Tim and I was here for it. Excellent introduction to this side of him regarding Lucy. Does the Tim Bradford special where he tells her like it is while showing empathy.
The first time we get to see him care truly care and let her know that he's there. Has her back in a way no one really has before. Lucy is watching her career go down the drain in her eyes. Changing her life forever and is in panic city. Tim doesn't let her be a resident there for very long. This ep showcases how amazing he is at his job and how good Tim is with Lucy. Knows exactly what to do in order to keep her sane.
He spends his entire day distracting her and showing empathy in the process. Ultimately stopping her from going off the razor's edge. It's these moments she has with Tim that shift her POV of him. Why she fights for him like she does. Lucy knows the good heart this man has. That he cares about her as person. That she is more than just his rookie. It's so very good. Producing the line above. *sigh*
4. 1x07 The Ride Along
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These early episode are what I like to call building block eps. The foundation that is laid in these are so important. It's Lucy showing up for Tim when he needs it most. Their relationship is in its infancy in these episodes. Being molded into what we see in the finale and honestly the future. Lucy noticing a serious wrong (Isabel taking advantage of Tim's deep loyalty) Not only noticing but not letting him throw his life/career away for it. The line above is EVERYTHING. She refuses to let Tim cross an ocean and compromise his soul for someone who wouldn't cross a puddle for him. The bravery it took for her take a stand I'll always commend her for. How scary it must've been for her to confront him like this. When he was still in his radioactive insanely damaged phase. Tim already meant more to her at this point than she expected. She couldn't stand back and watch him self-destruct for someone who didn't deserve it. Tim is not even close to being used to someone showing up for him like this at this point. It's so very foreign to him.
Not only that but someone putting him in place and knocking sense back into him. Something he comes to learn and love about Lucy. Becomes the fabric of their dynamic really. In the moment he's so angry with her but long term forever grateful she stepped in like she did. That crack in his wall starting to grow a little more. A defining moment for them early on in this season. They had me hook line and sinker after this. I was already low-key shipping them but this added to it.
5. 1x03 The Good The Bad and the Ugly
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Another building block episode. A crucial one for them really. I love how their early episodes set them up beautifully for the rest of the season. If not for these episodes you wouldn't see how wonderful the growth is for them both. The episodes that'll be in my honorable mentions are the fruit of these. Because without seeing where they came from how could we deeply appreciate how far they've come? Tim is imploding at a high velocity in this episode. Doesn't care about the collateral damage either. At this point that damage radius includes Lucy.
We truly see Tim as his very worst in the beginning. The beautiful thing is Lucy see's past his hurt into who he is as a person. He is worth getting through to. Also she also see's he is a god damn dumpster fire. One that if she doesn't put him out he's going to take her down with him. You know Tim respects the hell out of her for the scene above. (Not in the moment but in the long term of it all.)
For standing up to him and showing him how selfish he was being. It's what earns her that wonderful scene in the shop afterwards. Where he opens up and tells her about Isabel and a little bit of their history. His way of thanking her for getting his head on straight. Their early stuff is so raw but so good. They're learning how to function together. Usually one of them leading the other more depending on the situation. Start of their wonderful dynamic.
~~~
Honorable mentions-Ones I wanted to include cause they're amazing but can only gif the top 5 and one mention ha So it'll be my top ten for each season. They have so many good eps.
1x18 Home Front
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So much to love about this one. Lucy busting his chops the entire ep. Get our first glimpse into their playful work flirts. Her challenging him on his personal life and not work for the first time. Standing her ground in that opinion. Like she does best with him. Telling Tim he needs something other than work. Naturally is defensive at first and eventually caves in. It results in the cute paintball moment above we all know and love.
1x19-Checklist-We get another glimpse into what Tim is willing to do to keep Lucy from washing out. I love this episode and how we start to see Tim trust in her decision making skills. Like the woman with the swapped plates. She lets her go and it ends up working out for her. The final scene is the best where he logs OT for her to continue on in the program. Lucy feeling so supported with this gesture. *heart clutch* So good.
1x16 Green light- Our first look into how protective Lucy can be about Tim. Their rank be damned in her opinion. The way she protects and defends him to Detective Murphy is glorious. Not caring she's her superior officer. She is kicking him when he is already down and Lucy won't stand for it. Then Tim returns the favor when she's upset about catching Cole. ‘Grief is grief. It’s a hole that can’t be filled. But over time, it’ll shrink enough so that you won’t fall in every time you take a step.’ His growth in this line is amazing to watch unfold. How he has grown since his whole debacle with Isabel.
1x15-Man Hunt.- We see some more fruit of Lucy's impact on Tim. Him wanting to do more with his career. He decides to go for Sergeant and we all know she is part of that reason. Also we get a glimpse into Tim and his rookie days through Deacon and his 54 connection. Lucy is delighted to get a birds eye view to his past. It's the scene where they're defending the escaped prisoner that's the best. Saying how he refuses to do something he will be ashamed in the light of day. This moment being proof Lucy's impact on him from 1x07. Its beautifully full circle.
1x01 Pilot-Gotta include the pilot. It's what set the table for them. "Officer Bradford gets our hot shot." He sure does. Getting a look into them as characters and where they start off from. It's what hooked me to this show to begin with. Other than just my love for Eric and Nathan at the time lol I saw deep characters with so much potential and I've been hooked ever since.
~~~
Season 2. Has an unreal amount of good eps for them did my best to keep it to ten.
2x11 Day of Death
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Naturally this iconic episode is my favorite of S2. How could it not be? This is a massively seminal moment in their history. It's where they go from border-line friends to bonded in a way no one else will ever understand. We watch Lucy fight tooth and nail to stay alive. She is so resilient because she knows Tim is on his way. He won't let her die. Won't Let Caleb win. Her immense amount of faith is beautiful. Knowing that he will get to her in time. Not a doubt in her mind.
We watch Tim race against the clock to rescue her. The pressure and anxiety mounting through out the entire episode for him. Like a weight on his soul he refuses to put down until she is back. We get to witness how much Tim has come to care about Lucy. See the depth's he will go to get her back safely. Also get to see a darker side to him. Which I wasn't totally opposed to seeing in order to get to her. (and wouldn't mind seeing again. tbh) 'Today is your day of reckoning. I am responsible for a life that is in jeopardy, and I will do whatever I have to, to save her.' *fans self* That man is on edge from the moment she goes missing till she is in his arms above.
First actual relaxing breath he takes the entire ep. You see how his body slumps against her in relief as he holds her. How deeply worried he was and won't let her out of his sight afterwards. We all know that man slept at the hospital all night and didn't take his eyes off her until she woke up. To make sure he was the first face she saw. That final scene in the hospital a beautiful look into the deep bond they've formed at this point. I love them sfm. Where we get our next Iconic OTP Line. 'You know me so well. Too Well.' Amongst a flurry of heart eyes and emotions.
2. 2x12 Now and Then
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What I love the most about this episode is how Tim steps back. Let's her get taken care of by someone other than himself. Control Freak Tim Bradford hands the reins over. Because her recovering is more important than his ego. The growth I can not. He see's a blind spot within himself that he can not help out with. So he heeds Nyla's words when she approaches him about taking her on. He watches anxiously from afar wanting not to over step the entire episode.
Lucy is hurt he doesn't let her ride with him right away. She is confused and her emotions are all over the place in this episode. Rightfully so. We get to see once again how much Tim cares about her. The way he's asking everyone around her how she is. Even asks Nolan how she is really doing. You know that was hard for him to do. We get to the end of the episode and this glorious scene above. Tim sharing a piece of his past to heal her present.
You can tell he so desperately wants to take on some of her pain. That if he could he would. Still shouldering the weight of her being taken being on him. Trying to give her some hard won perspective. This is his way of saying he's so proud of her, he misses her, hoping him sharing his past brings her back to him. Brings Lucy back to being his sunshine human. Not the angry resentful one he see's in front of him. It's a beautiful scene for the both of them. The sweet smiles when he tosses back the ring. My damn heart.
3. 2x13 Follow Up Day
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Another Iconic moment in S2. This season is full of them. Ground breaking moments that drive them forward as a ship. He's passed his Sergeants exam. Hooray. Lucy is SO DAMN PROUD when they get the news. It's the thing he's been working toward since the beginning of S2. He's offered a Hollywood post. One that he can have quickly. A prominent position for him right out the gate and yet he hesitates. Why you ask? Well he's a little too attached to his current rookie that he pretends he isn't attached to. (While dating her best friend might I add. Something I would forget regularly in this season)
Lucy reminds him why he wants to stay around and not leave yet. She challenges him, supports him and believes in Tim in a way he's never had before. Has unwavering faith in him. He says he's not done training her yet. When really he's not ready to let go of the influence she's had on his life. Heart eyes galore. She is more important than moving up atm. I love it.
4. 2x02 The Night General
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The beginning of Tim's quest to study for being a Sergeant. It starts off as Tim torturing Lucy with reading his out of print book to him. What starts out as him enjoying making her read it turns into so much more. Lucy quickly turns it around on him. Because well Lucy. Decides on specific segments to have him recite back. Quickly annoying him and he loses this game fairly quickly. It's during this studying we find out Tim learns a certain way. That he must be in motion to absorb the material. (Me too love) He doesn't take this news in stride very well because it's Tim.
Lucy goes above and beyond to apologize for upsetting him. She spends what I assume is any free time between shifts recording the book for him. Not only does she do this she reassures him that it's ok to learn this way. There is no shame in it even compliments him because of it. Telling him its why he excels at being a cop. I
I just adore this moment so much because she builds him up and encourages him. Never once letting him feel shame for how he learns. Lucy taking care of him in ways Tim can't even comprehend atm. He is overwhelmed by her support and empathy. Can only muster a really loaded 'Thanks.' Such a lovely building block for them. Also welcome to the sweaty gun show above *fans self*
5. 2x08 Clean Cut
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Ahh the protective Lucy episode. We get to see how far Tim will go for Lucy in this season. The audience also gets to see how far Lucy is willing to go to protect and defend Tim. Just like in 1x16 she charges head long at a superior to defend Tim. Refusing to let anyone sully his name or character. From the moment their shop hits that woman's car she goes into 'Protect Tim mode.' at all costs.
Hell raining down on anyone who gets in the way of her clearing his name. Eating anyone trying to stop her from righting this wrong she KNOWS is a wrong against him. Tim is so defeated and resigned after it happens. He's not going to defend himself so Lucy takes it on herself to do this. The ferocity is noticed by Tim. Why he lets her lead the questioning against the shady BF.
Lucy breathes life back into him that they could overturn this. That unshakeable faith she has in him. Refusing to let him give up on himself. It's the way she builds him up and won't let him think any less of himself I adore so much. After it's reversed and he gets his award she's a proud wifey. Even throwing back his own words at him when he thanks her. Eyes full of love. It's fantastic full circle moment for them.
~~~
Honorable Mentions
2x19-Q Word
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As I've said earlier S2 is chock full of goodies. Tim learning the place he still holds in Lucy's life. He is her GO TO. A place he thought he had lost in 2x11. He gave up having that spot in her life because he no longer felt worthy of it. That he was given his shot and he blew it. Lucy not for one damn second thought he forfeited that. She was more upset he wasn't engaging with her about this than anything else.
Lucy does her best to relieve him of his burden. Of the guilt he continues to feel. To let him know it was NOT his fault. That his opinion is one of most value to her. The very opposite of what Tim thought of his place in her world. It's a good episode. One of the best parts above. Lucy applying some salve to his guilty soul.
2x06 Fallout
Lots to love in this ep. Tim trying and failing at 'being nice' to Lucy while she goes through her emotions about her ex. To him tapping into his actual soft side for her. The genuine side. Them facing a bomb threat and Lucy getting to unleash all her anger about her ex's wedding Such a good scene.. With a little of Lucy throwing his words back like no one else can. Lastly ending with them deciding to spend their last moments on earth together drinking booze. Damn good ep.
2x10-The Dark Side
Ahhh the pre-DOD episode. Where Tim spends the entire episode being over protective of Lucy and not sure why he is. All he knows is he doesn't like this guy sniffing around her. His cop gut screaming at him with a mixture of jealously and actual worry. The whole episode is one giant foreshadowing for the following episode.
2x14 Casualties
Tim background eps are always my jam. I LOVE LOVE LOVE this man and learning of his history. Getting a little look into his life in the service with Mitch. Also the intro of their fur-baby Kojo and how very unready Lucy is to care for him. We get our next Iconic OTP line 'Some things matter more.' A moment which is such a prominent scene for them. Good precursor to the moment they share in 2x19 as well.
2x01 impact
The premiere got some real good stuff. We see how Tim reacts so very poorly to Lucy protecting him. Regressing them both with his flour bomb moment. HIs anger coming out in everything he does with her in this episode. Lucy taking it at first then reaches her boiling point towards the end. Basically hands him his ass in a way only Lucy Chen can. It's glorious. Turns him around so much he brags on her to Grey later on about her jump after a suspect. 'Of course she did. I trained her.'
~~~
Season 3
3x09 Amber
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Ahh my fav ep of the season. This episode has so many good moments. Lucy with her list for a 'healthy parting.' How she is determined to make her last day a big deal with Tim. Where as Tim is also determined, just in the opposite direction. Because if he talks about it he's going to have to face her leaving. Which we all know he does not want to do. Fights her on it most of the episode. Until something serious happens. Then Tim finally gives in to distract Lucy from the stressful baby scenario they're currently in.
Takes care of her by letting her do the bloody list he's trying to avoid. They have a lovely moment of reminiscing over Plain Clothes Day. How far Lucy has come since that moment. The amount of confidence she had gained. Learning to trust her instincts fully. Something Tim saw in her day one and wanted her to hone in on. Lucy then brings up UC and Tim saying she doesn't have what it takes. it leads into the most iconic moment of the episode. Where she "pretends" to have feelings for Tim.
Sending Tim into an ABSOLUTE panic till she can't take it anymore and breaks into pure laughter. Wounding his pride severely in the process of proving her point. We get two epic moments in this episode. The parking garage scene is lovely. A culmination of the last year of so. How far they've both come. His last eval being one that brings them full circle. Lucy's flour bomb finishing off the nostalgia. The heart eyes galore in this scene and its topped off with them calling each other by their first names. Starting a new chapter with this wonderful moment.
2. 3x14 Threshold
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I LOVE this episode so much. It's why it's number 2. This episode is the culmination of Lucy's fast track UC training with Harper. Lucy chomping at the bit to prove herself. A VERY anxious Tim observing from the outside. The flirty flirt we get in the car makes me squee every time. Little bit of Tim and Lucy truly coming out in that moment. The touching is everything as she communicates silently with him about what's going on.
Then we get this moment above. Where they are blatantly flirting and checking each other out. Especially Tim. Man could not be more transparent in his attraction to Lucy at this point. The elevator gaze before they even talk. *fans self* Shameless flirting, praise from Tim and to top it off Tim is the one to ask Lucy to save him a dance. I remember going out of my mind with excitement when I saw this episode. Look at them above. My god the UST in immense and I love it so very much.
3. 3x06 Revelations
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The episode where Lucy begins her interest in UC. It's a ROUGH episode for Tim for a lot of reasons. From his PTSD about Isabel with Mack showing up to seeing Lucy put in harms way. We see the protective side come out fiercely in this one. He doesn't even try to tamp it down. Especially in front of others. i.e. the entire OP room LOL Tim battling past demons and losing terribly. Seeing his favorite human put at risk isn't sitting well with him. His panic at losing her or possibly getting hurt making him lose his mind.
Lucy just wanting him to be proud of her. For showing an interest outside of patrol. To be excited she got put on an OP because she kicked ass on the fly. Impressed Harper enough to green light her. His approval and opinion meaning the entire world to her. When he doesn't she is so very discouraged. That's what makes the moment above so important and amazing. Tim putting aside those demons and letting her have that approval and praise she earned ten times over. Because at the end of the day this OP was about her and not him. So he puts her first with the lovely moment above.
4. 3x11 New Blood
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Where we see Lucy be utterly CONSUMED by jealously and insecurities. Tim gets his new rookie and Lucy is excited at first. Then see's Tim isn't treating her anywhere near how she was treated in the beginning. He's being nice, letting her drive, buying her coffee, being soft and empathetic. All things she had to drag out of him kicking and screaming. I've said this before but Tim was her first real 'puppy' with massive success. It was a lot of work though for her to have the relationship she has with him now.
Then this Katie Barnes comes in and gets it all in one shift. Lucy is losing her damn mind most of the ep. Watching from afar with massive jealously. Poor Jackson has to listen to it most of his shift LOL Comes with the bestie territory though. By the end of the episode she see's Tim filling out her paperwork and lets Tim have it. What I love is he doesn't get mad at her for it.
Doesn't reprimand her just quell's her insecurities. Explaining why he was training Barnes the way he was. Then seals the scene with the lovely line above. Lucy is absolutely beaming when he walks away. Full of so much joy and happiness she can't contain herself. He thinks she is one of the best rookie's he's trained and lets her know it. Saying maybe one day Katie could be as good as her. *sigh* So good.
5. 3x01 Consequences
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Their first marriage episode of the season. Where Lucy is on Tim like white on rice. Her confidence and self esteem shines through out this season and this is the starter episode of it all. The way they go through Nolan's house together is fantastic. She challenges Tim the entire time with her own cop gut. It's so fun to watch the back and forth.
They go from cute banter to Tim being a fierce protector when they have to go see Rosalind. Tim tries to prevent her from going in. Wanting to shield her from this monster. Lucy refuses says she can handle it. Rosalind just see's someone she can play with. Tim attempts to hold back. Not interfere and tries to keep Lucy steady. Then loses it when she taunts Lucy with her barrel song. The official title of 'Fierce protector.' is born in this moment. Such a good episode for them beginning to end.
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Honorable Mentions
3x02 In-Justice
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I adore this ep because it is one giant flirting session. The scene above alone is proof of that. Tim just sitting back and enjoying the Lucy show. Setting up a game he knows she is going to absolutely crush. (and does) They're legit flirting in front of their call for like two minutes before they disengage and Lucy works her magic. Also we get to see how soft Tim is for Lucy and gone for her with her car. Telling her to get over until Caleb PTSD in brought into the picture. It's then he caves instantly. Also the introduction of their pseudo daughter Tamara. Lucy's 'puppy.'
3x04-Sabotage
The fruit of the last couple eps coming to fruition. Lucy having Tim revisit something he did on her first shift. Confronting him about how he treated those gardeners. Not only that but the impact he had on them through his actions. This brings Tim's defenses immediately up and he snaps at her. Trying to defend his actions because he is feeling defensive. He does a poor job of it and shuts down completely. Reason being he's ashamed of who he was then and Lucy bringing it up hurts in a way he wasn't expecting.
We get to see our boy go through some serious growth. MASSIVE growth really. I could not be prouder of him for it. For not shutting down for the rest of the day. Letting Lucy know he was wrong and what he can do so it never happens again. Love this ep for the Tim growth, Lucy calling him out and letting him know how proud she is of him. It's such a good moment/ep for them.
3x07 True Crime
I personally LOVE the documentary episodes so much. The reason being their banter is the best part. Their chemistry is on full display for all to see. Lucy owns Tim's ass in this one. Shoots down all his cocky comments. He is also all heart eyes whenever she isn't crushing him with her words ahha. Light hearted fun ep for them.
3x08 Bad Blood
Good ep for Tim telling her like it is when he's trying to avoid it like the plague haha Emmett breaking up with her over text. Lucy doesn't handle it well. She self destructs till Tim does what he does best and gives her some solid perspective. Helping her finally solve the 'Why' behind her break up.
3x05 Lockdown
Tim and Lucy being a united front against Doug is the absolute best. How Tim comes tearing into the station after Stanton and Lucy has to stop him. Then Stanton is an extra ass and Tim then has to prevent Lucy from hurting him. The way they have each other's backs always gets to me. They spend the entire episode this kick ass duo determined to protect Jackson. I love it sfm.
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Season 4 another super hard one for me but top ten helped.
4x09 Breakdown
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I'm sure some of you thought I would choose 4x22. It follows this one pretty closely but I ADORE this episode. It's my favorite for so many reasons. Lucy has a day off and how does she spend it? With Tim and his sister redoing his childhood home. Totally normal 'Friend' status there. Nothing soulmate level about that at all....Then they spend the episode chasing down his father's sordid past. This is due to a gun they find in the wall. Not only that but how heavily Tim leans on Lucy during the process.
Let's her take the lead and trusts her to handle portions of it for him. Like interrogating his dad's former mistress. Then we get this GLORIOUS scene above. Hands down my favorite hug of their's. Tim confronting his father and walking out feeling nuclear in his emotions. He is radioactive from that interaction and so very hurt. He explains what his father did to Lucy. He's so disgusted and hurt.
Then he is NEEDING Lucy to know he isn't his father. That the Tim tests don't make him like his dad. He is on the verge of tears as he says this to her. The most vulnerable we have ever seen Tim in general but especially with her. Lucy jumping into action and gathering him up in her arms. Comforting him, letting him know he is NOTHING like him. Tim sinks into the hug. Wraps himself entirely around her. Letting her hold him up emotionally. It's here we see the last of his wall crumble to the ground never to be rebuilt again. This was the ep I knew we were headed towards them getting together. All time fav ep.
2. 4x22 Day in The Hole
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So much to love in this episode. From their daughter getting her ‘first’ car to finding Tim's bizzaro world double 'Dim' LOL Also the introduction of Juicy aha It's so good I can not. Lucy getting beyond excited to get Tim all dressed up for his UC mission. Especially with the tattoo's. Then when Juicy gets involved so does Lucy. It's AU Tim and Lucy and I was dying. Lucy breaks his brain in more ways than one above. The way she stuns him with her UC background for their characters LMAO He stumbles on his words and shifts like his pants are getting little tight for him heh. They haven't even kissed yet.
It will forever crack me up his reaction. Also the hilarious lead up to the kiss. How nervous and awkward they are. 'Well that's romantic....I wasn't trying to be romantic.' LMFAO. Clearly Timothy.... Eric and Melissa's chemistry on full display in this moment. Then the way Lucy just grabs his face and the kiss above happens. How they instantly melt into each other. Like why haven't we been doing this the entire time? You can see Tim ready to seriously deepen the kiss above. The pre-tongue action going on. Hot damn. I remember having to rewind it making sure what I was seeing was real.
The hilarity that ensures when Tamara walks in is so so funny. Never not cackle at this. Lucy's 'Oh!' and Tim is stumbling over himself to get out of there. Makes me laugh just writing it. The awkward 'Good jobs' and pointing. I'm dying. Tim's epiphany in the hallway is the best. Can no longer run from how he feels anymore. That kiss unlocking why he's felt the way he does. The awkward way they interact at the station. Both hiding in their vehicles waiting to find the courage to come out. Gah such a good finale leading to an incredible season 5.
3. 4x12 The Knock
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Another episode on the road to them ending up together. They are at soulmate level territory in the scene above alone. The entire episode is fantastic. 'Personal space I don't know her' is the theme of this episode for them. From this 'date' to their case. Where Tim lets her take the lead. They're right on top of each other in that hallway scene when Tim is asking her POV on what they should do.
The beach date is one of the best parts. I don't know how both Ashley and Chris didn't just get up and leave. It's so obvious Tim and Lucy are the ones on a date. Chris and Ashley just happen to be there. The way they flirt the entire time, the inside jokes, the way they know each other so deeply. Their intimate connection on full display.
It's the lack of space I adore so much. That magnetic pull of their's. Never be over Gerald the goat. The way they lovingly stare at each other after he's told the story. The only ones laughing are them. To think either of them (Chris and Ashley) actually thought they had a chance against their bond. Such fools. I would've been highly threatened after that display. Something so intimate about knowing someone on an emotional level like they do. Height of their soulmate moments in this one.
4. 4x18-Backstabbers
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Gah this episode be still my damn shipper heart. Lucy getting annoyed she isn't getting any recognition as Tim's aide. Naturally at first Tim pushes against it. Gives her crap for asking for it. Little bit of Old school Tim coming out in this scenario. But we see by the end of the episode him cracking for her. Like he always does. Tim cashing in on the dance he owed her from 3x14. How these two don't know they're in love at this point I couldn't tell you. Blows my damn mind.
The fact that he gives up recognition for her to have it. To further her career and telling her he wants her to be successful? Gah not to mention the heart eyes in this moment. Lucy is beaming brightly like a Christmas tree at this gesture. Tim is so so gone for her by this point it's oozing out of him. If you watched these two above with no context you'd think they were together. Everything about them says how in love they are. The entire scene is one giant I love you/in love with you moment. Tim I don't do weddings Bradford tearing up the dance floor with his girl. Gah I can not.
5. 4x01-Life and Death
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The premiere is so very very good. Tim offering her a safe space the moment they get some time alone. Especially after hearing how heartbroken she is. How she can't go back to her apt without Jackson right now. The way he gives her a safe place to crash land into. I love it sfm. Then we get the gloriously intimate and beautiful hug above. The one that sparks the flame between them. One they've been trying to keep at a low flame roaring into an inferno. Their emotions and closeness ramping it up to a level neither is ready for.
The chemistry in this moment is out of this world good. Both being smacked in the face with the growing UST between them. Lucy going for it but it being shot down by Wesley's call. Gah such a good way to start an amazing season. Then Lucy spends the rest of the episode worrying about him from the other side of the world. Letting him know that worry until he makes it back. Such a good premiere.
Honorable Mentions
4x07 Fire Fight
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This scene alone is why it's my first honorable mention. Phew lord. The fiery UST in this scene. HOT DAMN. The brazen way they're both looking at each other. This is totally platonic friendship right here....The intense gaze gets me in my shipper feels. Then Tim gets his wits about him a bit before sassing her. Telling her the mic is too high. Her ripping it right off and his face LOL They're so married it kills me. I do love the way she bosses him around in this scene and afterwards when he's in the car. She's projecting jealously entire time.
4x06 Poetic Justice
Oh you know just another episode where all they do is compete and flirt. Not caring about anyone else around them while they do so. Because they can't handle their emotions yet. So they intensely channel it into flirting and competitive things instead. I love these idiots so much.
4x08 -Hit and Run
I LOVE this episode for the Tim background alone. We get the introduction of his sister Genny. Who I love sfm. Lucy of course eats up her being there. She THRIVES on any morsel of info she can get on his background. Lucy is enjoying herself till his dark childhood is brought up. His sister is there to sell their childhood home and he doesn't want to be apart of it. ""Wha-what do you want? Some other family to just cuddle up under the broken plaster where dad slammed my head against the wall?" Ugh my heart. My boy. But it's such a good episode in full for Tim. Also for Lucy getting to meet his sister.
4x14-The Long Shot
This is a great episode for Lucy. We get to see more about her background as well. Finally finding out why her mother is the way she is with her. Her deep digging revealing her father isn't her real father. How much she struggles in this episode emotionally. We get to see how natural it is for Tim to be there for her. Not an ounce of fight left in him to stay out of her personal life. This is just part of who they are now and it's such growth I can not stand it.
4x16-Real Crime
Another gem for the documentary series. If you think they were married in this last one they double down on this one. The amount of cuteness, sass and marriage moments is primo in this one. 'Can I be interviewed alone?' LMAO The epitome of Grumpy x Sunshine. Lucy having the time of her life while Tim is a grumpsaurous. Their dynamic gives me life haha I adore this entire episode for them.
S5 I adore all it's own. If you want a ranking from 1-22 I can do that but I can not choose. Hurts me too much to do that LOL but here are my picks for 1-4. Once again thank you for being so patient on my reply. This was a hefty ask to answer thank you for asking me :) I hope you enjoy the answer.
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I don't think there will be an apology coming from Félix for whatever bad deed he had done and that's always make me baffled in this show : the lack of apology on screen. This is more apparent in s4 onward. Even Ladybug didn't actually apologized to Chat Noir despite her rant in Strike Back and not to mention the lack of changed behavior after that. It's the same with Félix, he's good now the show said, it's as if we should assume there's an apology happened somewhere off screen. I know this show is like "Show, don't tell" but for a show for a little kid, I think they should shown an on screen apology because that would be a good example for them.
On the other topic,
How believable Félix's play is? Like, his whole character seems to be all about facade, charade, deception and lie and it make me skeptical to everything he said or do. How much he said is truth and how much is a lie, I couldn't tell. The retcon doesn't help either and at this point I feel want to dissect his brain to get to know just what's inside his mind lmao.
Canon is super weird about letting people apologize. We almost never see it happen even when we really should. For example, it will always low-key bother me that Marinette never apologized to Adrien for yelling at him over the gum incident. I do get why, it would have ruined the flow of the scene, but still...
A few other random apologies that I long to see:
Nino apologizing to Adrien for almost getting him pulled from school
Alya apologizing to Marinette for all the Lila BS
Alya acknowledging that trying to out Ladybug's secret identity was a bit of a dick move (not really salty about this one, I just think it would have been good character growth and that it kinda needed to happen before Alya was given a miraculous of her own)
Felix apologizing for everything he did to Ladybug
Nino apologizing to Alya for outing her secret identity and acknowledging that he'll never do that again since he now understands how important secret identities are
Before we get to your other question, I wanted to mention that show don't tell doesn't mean that characters should never say things! There are lots of things that can only be conveyed through words. The show don't tell rule primarily applies to exposition. Aka those scenes where a character or the narrator monologues about some event or bit of lore that the audience needs to know about.
Generally speaking, you want to avoid those moments whenever you can. However, exposition is sometimes the only way to get information across. It's not a major failing if your story has a bit of exposition somewhere along the way, you just want to use it sparingly! A lot of writers struggle with that, which is why there are so many writing guides that act like exposition is a bad thing. A stance that I will always fight against as I think it makes younger writers afraid to use a necessary and powerful tool.
How believable is Félix's play?
I wouldn't be surprised if the whole thing ends up getting retconned, but I also I wouldn't be surprised if the whole thing ends up being canon straight to the end. It could really go either way.
A play is a good way to give exposition as it's far more interesting that a monologue, so this may just be a case of the writers giving good exposition. On the other hand, having a known liar deliver information allows you to say something without fully committing to it, so this may be the writers giving us lore in a way that they can backtrack on without a true retcon. It's impossible to say. Only time will tell.
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Top 5 Beloathed Tropes, in No Particular Order
Hi beloveds. Because of a recent certain episode of what had previously been a favorite drama, I feel compelled to share some hate. Hate for these godawful tropes!
Noble Idiocy - This is when one character sacrifices something dear to them (usually their relationship with another character) out of the mistaken idea that it's somehow better for everyone this way. LISTEN UP PEEPS! It's a lie. It's so disrespectful of others, especially if it's a breakup. It's assuming that you know what is best for them, that you know what they're thinking and feeling better than they do, that you know what they'll want. All without ASKING THEM or letting them make their own decisions. You know what this signals to me as a viewer? That your relationship is doomed to failure even if you eventually work through this stupidity. Why? Because if you're willing to do this once, what's to stop you from doing it again? Your worldview is inherently flawed in a deeply selfish way, particularly because you're passing off your selfishness as sacrificial "love" and "respect" when it is the opposite! I no longer trust you! In summary: don't sacrifice your relationship/work/happiness because of stupid reasons that you could easily work through with some decent communication!
Time skips for the ending. - Time skips can be a valuable narrative tool. They can give a character who just endured something dramatic or traumatic time to become stable again. They can provide a fluffy epilogue to a fluffy ending, demonstrating to the audience that a year later everyone is still happy. But time skips are evil if they come in the penultimate or final episode just to add drama, and they're particularly evil if they relegate character growth offscreen. THIS IS WEAK WRITING. This is wanting to correct a character flaw without doing the work to show me HOW it gets corrected. It's especially egregious if it's a character flaw called out by the narrative in prior episodes because then I have an emotional investment in seeing it resolved, and THE WRITERS JUST STOLE THAT FROM ME.
Intentional Miscommunication - Let's just call this what it is. Lying. It can be well done (and even humorous) if the main character is trapped in a lie by circumstances beyond their control and they must perpetuate that lie for Reasons. Think Unintentional Love Story and Business Proposal. These often begin as low-stakes lies of omission because a character doesn't know yet how involved they'll become in the other's life. But it gets dumb as fuck when it either drags on beyond a couple of episodes (think Twins) or involves an intentional outright lie (I'm looking at you, Last Twilight). Dear TV writers, as a good rule of thumb, please resolve all misunderstandings within the length of an episode. And if the entire plot happens to be built on a lie, at least make it accidental rather than intentional. Why? Because someone who intentionally lies to others, particularly someone they claim to love, is no longer trustworthy. If you throw this trope in at the end of the drama, I'm no longer going to believe these characters can have a Happily Ever After no matter how happy you show me they are on screen.
Mean/abusive tsunderes. - Everybody loves watching a cold or reserved or grumpy character come out of their shell and bloom. But stop making tsunderes who are downright mean or abusive! Particularly ones who miraculously fix fundamental character flaws as soon as they're loved by the right person. Do tsunderes right, please! They're supposed to begin the story coming off as harsh or severe, but it's supposed to be for a good reason that engenders sympathy once we (and the other main characters) understand them. They're not supposed to actually be abusers! And it's the worst kind of storytelling to show their abusive nature magically changing because they feel in love. All this tells me is that as soon as their fluffy in love feelings dissappear, their abusive nature will reappear. I actually fear for their romantic partner.
Amnesia. - I hate it when all the character growth gets undone by this magic trope. Not only is the amnesia portrayed on screen usually totally medically inaccurate, but it's just lazy and dumb to use this for drama instead of something more realistic or believable. I can only think of three stories that did this well -- Jack O'Frost, Naughty Babe, and Crazy Love. In those stories, the amnesia (if real) was momentary, but then they pretend it is still there for valid sympathetic Plot Reasons. I also don't mind if it's the literal setup of the plot, ie the whole story is about a character with some form of amnesia adapting to their new life (think: Momento, 50 First Dates, Eternal Sunshine of the Spotless Mind). But please stop throwing it into the middle of stories just to be Dramatique™
@lurkingshan This is for you! Thanks for your Last Twilight rant spurring this on.
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marionmorse · 8 months
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Ohh my absolute goodness..
side note, one look at Heavy and Medic on the character lineup at the teamfortress.com homepage tells you EVERYTHING about their marriage
Anyway, the god... damn... I can't get over... just, Engineer TF2 and the duality of his character. Like, he's one-hundred percent someone to pull on gator skin boots, a ten gallon, get all yee-hawed up for a night out at the dance hall. But then go home and infodump about hotchkiss drives, stress-strain curves, and reflow soldering.
There are some specific competitive lines that comes to mind that are JARRING to hear in his honeyed-up Texas voice along with shit like "hooo-whee, makin' bacon!" and "START PRAYIN', BOY." Maybe that's just a huge part of the appeal to his character, but think about his BUDDIES, too.
Medic is probably quite familiar with American stereotypes pre-Gravel Wars, doesn't expect much from a bumbling rural southerner with a generic set of tools upon first glance. but.., he's a bit BLOWN AWAY when Engie gets all inquisitive about the ins and outs of the medi-gun. Wants to look into how the serum works as a mechanical component, the powering and logic behind it all, even overwhelms med's (limited) level of delicate mechanical knowledge. his arc is all, "okay, so, this little guy might be a bigger-brained fella than I expected!" The punting of med's early-day ego and subsequent forging of their friendship is just so... ourgh... I love characters and arcs and stories and growth and...
Also, Soldier! The all-American Ultra Yank who doesn't see eye-to-eye with Engie at first. They've both got contrasting leadership qualities when it comes down to it, fr, a- a- and, AND, soldier HATES nerds. Engie's a nerd. Big time. It takes a while for that mutual love respect to build up, you know? do you catch my drift? I'm just rambling now.
ALSO also, Engineer himself going from the more introverted, lone-wolf type we see in Meet the Engineer to a sort of leader, the level-headed de-escalator we see in Expiration Date. The guy who feels for and loves his team, but no doubt brings out the 'Texas' in 'em all. It's kinda cute. I imagine he taught everyone square dancing at some point, 'cause how else would they know?
In the end, I just love to think of Engie as being one of the cornerstones of the team's overall culture. i mean, he's a solid family guy - cooks the breakfasts, fixes the (practical) problems, heck, plays music, tells stories, keeps 'em together when times are tough. We ALL know that some of him has to rub off on the team he bunks with for years. Not in a father-figure way, nahh, but certainly in a Dad Friend way. Big difference.
(Can you tell who my favorite character is yet? (demo, actually. And Heavy. come to think of it, the defense trio is the love of my life. My boys. (I could write and MLA-formatted essay about the balance of culture and personality within the Tuefort Nine, citations intact.)))
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faux-ee · 2 years
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A Theory about Abilities in BSD, and why Fyodor wants to rid the world of Ability users
Originally, I want to delay making this post until I finish reading irl Dostoevsky’s Demons, because I personally find a lot of parallels between BSD’s Fyodor & Nikolai and Pyotr & Stavrogin in Demons, and I truly wish to elaborate on that. However, I just finished the 2014 TV Show Demons and let’s just say I’m moved to the core and nothing except writing about BSD Fyodor could give me peace. I will still be discussing briefly the connection between BSD fyolai & Demons characters in this post, but that discussion wouldn’t be so detailed because I tragically haven’t finished the book yet. 
Sorry I’ve rambled a lot. Anyways, here we go. 
In addition to the theory that Ability symbolizes trauma response, I want to speculate that Ability also translates one’s negative perception of themself into physical existence. In fact, in irl Atsushi’s work, the Tiger is none but a representation of the self, plagued by vanity and inferiority, that a person has to fight in order to not hurt people around them. Dazai’s ability No Longer Human is portrayed in the 15 manga as a hollow, dark being that only wears his skeleton — that is what dark era Dazai see himself as: non-human, empty, a walking ghost. Sigma believes that he is used as a tool by different ppl, so his Ability was information exchange — a tool for procuring info. 
I can list out much more, but basically, I think Ability is an outward manifestation of how BSD characters pessimistically perceive themselves (that’s why Ranpo doesn’t have an ability: he’s confident and in many aspects a child having not yet lost his innocence, protected and loved by Fukuzawa and the ADA). Or rather, the sad, violent, unpredictable self other ppl told them to be. Like Kyouka, who was told that her Ability made her a natural killer. This is why Ability is a pain: it’s the dark side of oneself; it makes Ability users believe that what makes them powerful, useful to other ppl, is this Self that wallows in existential despair, in its own insufficiency, and in the guilt of causing death. 
In Dead Apple, our main characters have to fight their own Abilities to achieve growth. In the ADA, Fukuzawa’s Ability keeps all other Abilities under control, creating an ideal environment for ADA members to grow into the better version of themselves. All of these point out Abilities to be trouble rather than strength. 
And Fyodor sees that. He sees that for people, Ability represents a past and ongoing pain. No, I’m not trying to justify his cause by presenting him as an all-knowing being. I’m referring to his uncanny ability of seeing into the heart of people’s struggle — his empathy with Sigma, Goncharov, Gogol and even Karma attested to that. And he thinks the only salvation from such darkness is Death. 
We already know that Crime and Punishment doesn’t prevent Fyodor from touching ppl, which means he has no reason to hate his own ability to the point of wanting to eradicate it. It is actually just the opposite case. In Dead Apple, Fyodor declared that he himself is the embodiment of both crime and punishment, which are a pair of good friends. He has made peace with the dark version of himself, has accepted his Ability as part of the truth of what he is. Inseparable with his existence. This is why he wants to kill ability users, rather than simply writing away Ability (if that is the purpose he can come up with a convincing story on that one page he already has): his Ability is inevitably linked with his existence; therefore he thinks the only way to take away this twisted, suffering side of oneself is to end their lives. 
Now, the second question is that, are Abilities an entirely bad thing? Like everything in BSD, it isn’t a black-and-white matter. We have seen many times our Stray Dogs use their Abilities to protect themselves, and the people they care about. We have to accept that there’s a side of us that feel insecure and unhappy from things we experienced, but this is also the side that help us sympathize & establish in-depth connections with people who are also suffering (see Lucy, Atsushi and Kyouka; Akutagawa and Atsushi; even Teruko’s understanding of Fukuchi may be a result of that). 
One of Fyodor’s traits that contributed to his extremism personality is that he doesn’t, or rather refuses to, connect with people. He sees people as mindless chess pieces who live under the lies they tell themselves, easy to manipulate once you grant them the fulfillment of their desires. See? On the surface level he’s on better terms with his Ability — his dark side — than anyone else, and thats why he seems to understand the desires and conflicts in everyone he comes across. But in truth, Crime and Punishment stood with their backs to each other; what seems as reconciliation is actually Fyodor refusing to come face to face with himself. He exalts his pain. He celebrates non-existence. He attributes all his actions to the god — yet as we can see in the two-page spread before his confrontation with Ace, “if god doesn’t exist, then I am god”. He turns his back on his human self, and instead chooses to obsess with the image of a god that is actually how others perceive him to be: the bringer of fear and death, murderer of children, dangerous force of destruction. He takes it in and flips it around, worshipping his darkness, his human suffering, as a source of power. 
I’m not saying, however, that Fyodor feels any pain or guilt I have implied here. He is not taking his revenge on the world because he is pained inside, no, let’s not go into that YA dark haired emo boy stereotype. Instead, he is wreaking havoc in the world precisely because he cannot feel this pain. Next will be some spoilers on Demons: one of the main characters, Stavrogin, confessed to a priest about causing a child’s death (won’t go into the nasty details; I’m still shaking from that), and yet he didn’t do it out of guilt — he did it because he wanted to feel proud and noble again, exposing his own sin to let others punish him with their malice, since he didn’t make an effort to repent and couldn’t forgive himself. Stavrogin doesn’t want to move on and trust his own ability to become a better person; instead, he tries to set the whole world against himself, in order to keep avoiding confronting his own conscience and continue to adhere to the false belief of his righteousness. [Spoiler Ends]
This might be a little confusing, but in simpler words, it’s similar to what Fyodor is doing: he doesn’t feel guilty for killing ppl; he hardly feels anything at all. He is a psychopath beyond redemption, that is what others see him as and what he willingly believes. He is excluded from the human world, he has fused himself with his Ability, turning himself wholly into an unfeeling, murderous monster. He forces himself to believe he is doing the right thing in destroying the world because he’s a coward. (Remember that Fyodor is supposed to be a foil of Dazai, and in No Longer Human Dazai calls himself a coward who’s afraid of happiness?) If he steps back and looks at what he did, all the children he killed, he would be forced to feel guilty, which he fears; so he frees himself of his humanity as well as his conscience to avoid accounting for his own darkness. He views the rest of the world as a sin because he doesn’t want to see himself as a sinner. 
OK let’s talk a little about Gogol here then because I’m fyolai trash: “In opposition to god, you’re fighting to lose sight of yourself” what does this mean? 
This is not actually a very accurate translation. The direct translation from Japanese should be: you are fighting to oppose god and lose sight of yourself. This line also kind of implies Gogol being associated with the military, since the word used for “fighting” here is heavily implied to be war-related. [Spoiler Again] Now, in Demons there is literally a character that resembles Gogol in every way: Pyotr Stepanovich is greatly fascinated with putting on an act, is a master of faking different, often ridiculous personalities to achieve his goal, and he is raising hell all over because he wants to uproot all previously established social systems, calling for a revolution that leads people into decadence and depravation. (AND he even also places the blame of somebody’s murder on an innocent person - while Pyotr is the murderer - as part of the plan!) [Spoiler Ends] This character in Demons is abandoned by his father, so he was always plagued with the belief that he was born wrong, and when his father sought him out only to exploit him further, he lost all belief in god and believed that chaos was the only answer to his empty, unloved existence. This shall provide an answer as to why Gogol thinks human feelings is a thing he ought to transcend: for some reasons his humanity might have been exploited to put him under the control of someone else. Even the person he’s closest with, Fyodor, sees him as a chess piece and he is well aware of that. AND the most deadly thing is that he is comfortable in this relationship because he is used to not receiving anyone’s good will. 
Gogol is many things, but perhaps the one thing that draws him constantly to his demise is the fact that he is unloved. He wants to free himself from humanity for an entirely different reason: he feels the constant need to prove that it’s the world that’s wrong, that what he sees is the truth - his actions are controlled, he is trapped by human feelings that never get acknowledged or responded, and these morals/feelings give people power to walk all over him, to use him as a tool. His Ability, which connects spaces, means that his dark side is exactly this need to escape deterred by his fear of being forever trapped by his own limitations. 
If I were to put this in a more religious light, since we’re talking about god and russians here, I would quote something from Nietzsche: The demand to be loved is the greatest of all arrogant presumptions. To want god’s love is to give yourself nonexistent sins for Him to forgive — this self-assigned sin is what controlled one’s actions, made one feel guilty. The futile outcry for love, and specifically for god’s love and forgiveness, is what makes people crazy and absurd in Nietzsche’s view. Gogol is sane, and is trying desperately to convince himself that he is so, by seeing through the lie that is called love. He denies himself faith and love in exchange for full control over himself. Why pursue something that he has only known to chain him down? Fyodor understands him, and plays along with his jokes, his games; he isn’t afraid of Fyodor’s understanding, no. He is afraid that he will grow to love his dear friend more until he is consumed by this human lie and forgets how much of a danger it is to his freedom. He trembles in his adoration of the man-god.
I have earlier put out a crack theory that Gogol is a foil of Chuuya. However, in this context, Gogol truly is similar to Chuuya seeing how they are constantly being used by other people, Gogol in a more literal sense since even his speech was pre-written; Chuuya allows himself to forgive and forget, and carry on with life focusing on the present, while Gogol becomes haunted by his hyperawareness of his situation and inability to be free. Neither of these attitudes are healthy and I say it’s no coincidence Asagiri decided to put Dazai, Fyodor, Chuuya, Nikolai and Sigma in the same arc. I look forward to everyone figuring out their problems with equally mentally ill enemies in prison. 
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emblemxeno · 1 year
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Localization Changes: Takumi #ProtectThePineapple
Paging @theeeveetamer / @teaveetamer 
I love Takumi! Easily Top 5 favorite Fates characters, probably number 2 after Xander if we’re being honest. The complex machinations of his self esteem issues, imposter syndrome, desire to be loved by his family, among many other aspects, is what makes him very endearing and loveable to me.
His antagonizing actions and harsh words made him divisive, especially when Fates first released, but to me that only made him that much stronger of a character. Raw anger and bitter resentment paints a wonderfully contrasting color to his heartfelt and even downright cute moments.
However, I feel like there are instances in Fates’ localization that kind of cheapen Takumi a bit. Moments where he lashes out are made into quippy one liners and can make him seem bratty and immature first instead of genuinely upset. His xenophobia gets amped up to a point where, while present in the JP script, it now became a trait that’s associated with him the most due to localization changes. Most of all, there’s even some instances where his agency and character growth within the story are, I feel, completely erased or blurred to the point of being unrecognizeable.
I wanted to detail stuff about Takumi that was changed, so this is what I could find. I get these things from this JP supports Pastebin , a Fates translated playthrough (all routes are on the channel linked) and Pegasusknight.com (the latter of which I do my best to interpret from translation tools, which is very subject to me being wrong lol). Keep in mind I also took a few liberties in writing down the lines from the JP version. I trust that the translators got the message across well enough, but the English major in me couldn’t help but clean up some things here and there to help the translations come across less stiff.
The rest will be under the cut! Any instance of me referring to Corrin, I’ll be using he/him, and I’ll be using the JP version of the character names when applicable and appropriate. Also, if you want, give a watch to the Fates Drama CDs! The first two volumes deal with Takumi’s thoughts, feelings, and character in regards to Corrin’s return to Hoshido during chapters 4, 5, and 6! While I won’t be citing them here, they give extra insight to his character and are very cool!
Prologue
JP Version
Hinoka: What!? The river dried up...!? Did they use the power of the Dragon Vein...?
Takumi: ...It looks that way. The enemy is drawing near...
[...]
Takumi: Pull yourself together, Kamui. The enemy... The Nohrian royal family-they’re strong. If we don’t stick together, we’ll... ...No. Right now, we have to work together. You let me know if you have any ideas.
[...]
Hinoka: Good, you’ve defeated the enemy! Kamui, Takumi, great work! This is the power of the bond between siblings.
Sakura: A-amazing, Big Brother...
Takumi: It went well thanks to someone’s well-planned instructions. If we join our powers together, we may actually win this war...
Hinoka: Well then, let’s hurry back to Ryoma!
Treehouse
Hinoka: The Nohrian army used a Dragon Vein to dry up the river! But I thought only royals held that power...
Takumi: Yeah, which means there must be some real big shots over there. Suit me just fine. I've always wanted to use a Nohrian royal for target practice!
[...]
Takumi: Hang in there, Corrin. The Nohrian royals are not pushovers... We'll have to work together to beat them. As the eldest, I guess you're in charge. Tell me what to do and I'll do it.
[...]
Hinoka: Corrin, Takumi, good work fighting off that ambush.
Sakura: You were amazing, Corrin.
Takumi: That went well. Probably because SOMEONE gave you good advice. ...And you're welcome, by the way.
Hinoka: No time to talk! Let's see how Ryoma's doing.
I’m glad that memes surrounding how characters sound in Marvel movies and Disney channel shows exist, because now I have something to describe how Treehouse makes Fates’ cast sound: right out of a sitcom. The whole “he’s right behind me, isn’t he”, tryhard ironic vibe is everywhere in the localized script, and it can suck the tension out of certain scenes. Takumi’s “I’ve always wanted to use a Nohrian royal for target practice” line is an example of this. I think it’s funny, tbh, but it evokes a different feel of his character, especially since this is the first thing the player sees of him. What I find more egregious though, is that Treehouse replaced his more sincere words of worry and doubt with cockiness across the board. While this can be charming in its own right, again, it changes the first impression. It gives you the idea that he’s genuinely overconfident, rather than finding out later that he’s compensating hard. 
I didn’t include some context, but in the ‘well SOMEONE gave you good instructions’ line, the JP version of the archer tutorial just has him tell you how he fights rather than it being him telling you exactly what to do. Small changes, but it causes a ripple effect that extends to the line being changed, because what was intended in the original was him complimenting Hinoka (or maybe Corrin?) on her planning and how working as a team of siblings will get them through the war, but Treehouse changed it to him saying that it was him that saved the day.
Chapter 5, in the plaza.
JP version
Kamui: It’s just like you and Sakura said, the Hoshidans are all good people. Everyone seems to enjoy themselves here.
Aqua: I’m glad you like it. I love it here, too.
Takumi: Aqua. And Kamui…I mean, Brother. Mother wants me to start calling you that, now.
Kamui: ...
Takumi: Don’t get carried away, though. I don’t trust either of you.
Aqua: Takumi…
Takumi: Don’t speak my name so casually. You’re a Princess of Nohr, the kingdom that killed Father. There’s no way I can trust you. Kamui, you’re the same. You’ve been a Nohrian Prince for so long, after all...
Kamui: No…You’re contradicting yourself, Takumi.
Takumi: What?
Kamui: Aqua has been in Hoshido for as long as I’ve been in Nohr. By that logic she should already be one of your comrades, right?
Takumi: ...Hmph. Either way, I don’t trust you two. I just wanted to let you both know that.
Sakura: Big Brother, if it suits your taste... These dango are very good. Here!
Treehouse
Corrin: Everyone really is friendly here. And it’s so…bright…and open. It’s quite a contrast from the fortress I grew up in.
Azura: I’m glad you like it. Like I said, I’ve always been happy here.
Takumi: Just don’t get too comfortable…BROTHER.
Corrin: Pardon me?
Takumi: I don’t trust you. Shouldn’t you be heading back to Nohr soon?
Azura: Takumi…
Takumi: Hey, who said you could call me by name? You haven’t earned that privilege either.
Corrin: That doesn’t even make sense.
Takumi: Excuse me?
Corrin: Azura has been in Hoshido for as long as I’ve been gone. Shouldn’t that be enough to consider her part of the family?
Takumi: I don’t care. I don’t trust either of you. I just wanted to tell you that to your face.
Sakura: I apologize for Takumi’s rudeness. He’s a bit of a hothead. Anyway, how’d you like to try a sweet rice dumpling? It’s a Hoshidan specialty!
He’s giving his feelings towards the situation of Azura and Corrin both being Nohrian, but the way it’s written between versions conveys differences. Now from what I know of the logistics of the Japanese language, lots of context can be missed or hidden. The JP version can probably be seen as him being just as rude as he is in the Treehouse script, but from what’s here he does come off more... immature? Plus some context as to why he doesn’t trust Azura or Corrin gets cut, and Sakura calling him a hothead gets added in.
I considered putting the after battle conversation from Chapter 5, too, but there’s not enough significant difference between the JP and Treehouse’s version of Takumi’s lashing out to really warrant it. Though one difference is that when Corrin gets the Yato, Treehouse has him just say “Impossible.” whereas the JP version has him say nothing. The drama CDs do go more in depth into what he’s thinking, and given how Takumi’s written later in the game, it makes sense why he would stay silent rather than continue talking shit. But again, I don’t wanna cite the CDs too much, cuz I don’t know how much they can be considered canon even though I think the same writers (sans Kibayashi I’m guessing) wrote them. 
Chapter 6 Birthright (After the Nohrian siblings react to Corrin’s choice)
JP version
Takumi: I will do it... For my fallen kinsmen, and for Mother’s sake as well...
Treehouse
Takumi: Stupid Nohrian jerks! I'll kill all of you!
Once again, a more thoughtful reaction was changed into a more juvenile anger. Not completely surprising coming from Takumi, but makes him a bit more one dimensional, imo.
Chapter 10 Birthright (Takumi shows up possessed)
JP Version
Hinoka: Ugh!? Why did you do that, Takumi!?
Kamui: Takumi, stop! You could’ve shot Hinoka...!
Takumi: Kill...
Kamui: Huh...?
Takumi: Me... everyone should only... appreciate me...
Hinoka: It’s as if he’s a completely different person...!
Sakura: B-brother... What’s happened to you!?
Takumi: I’m strong... I... have a divine weapon... But even then... all everyone talks about is my siblings... all everyone talks about is Kamui...
Kamui: What are you saying!? Takumi, please come back to us!
Takumi: There’s no need for people who don’t look at me... there’s no need for people who stand in my way... why don’t you all just... DISAPPEAR!!
Kamui: Takumi!?
Treehouse
Hinoka: Gah! What's wrong with you? That arrow almost hit me!
Corrin: Takumi, what are you doing?!
Takumi: Kill...
Corrin: Um...
Takumi: I should have been the chosen one...
Hinoka: This is creepy...
Sakura: *sob* Takumi... What h-happened to you?
Takumi: I am ignored...alone...forgotten. But I am more powerful than they can imagine!
Corrin: What are you saying? Snap out of it, Takumi!
Takumi: Ughhhh... I will not stand in the shadows any longer... They will all see me for the first time! I will make them pay for what they've done. I will make them...I will make them... DIE!
Corrin: Takumi?!
The JP version of this exchange centers around Takumi’s own inheritance of a divine weapon as well as his inferiority complex in regards to not only Corrin, but his other siblings as well. This is important, because it was never only Corrin coming back that caused Takumi to feel left out and ignored, but also Ryoma’s natural talents making Takumi feel inferior and Hinoka’s unintentional aloofness towards her siblings as a result of purely focusing on her training (these are things that are touched on in his supports with both of them btw). Sakura is exempt from this sentiment though.
Chapter 10 (Azura cures Takumi’s possession)
JP version
Takumi: ......
Aqua: Takumi... your eyes, and that gaze... Maybe, just maybe... If my hunch is correct, my song can do something about this. I can only hope it’ll be enough...
Takumi: No one...no one... looks at me... No one at all...
Aqua: Wait, Takumi.
Takumi: You are...
Aqua: Listen. You're being controlled by an unseen force. How awful... This isn’t you. Which is why... Please listen to my song...  (Sings Lost in Thoughts)
Takumi: Ugh...! Gaaaaaaaah!!
Aqua: ......
Takumi: Ungh... ! Aqua...?
Aqua: Thank goodness. You’ve come back to us.
Takumi: Come back...? What do you mean? W-where are we...?
Aqua: I’m sorry, but we don’t have time to discuss that right now. The people of Fuuma have ambushed us. Can we count on your assistance?
Takumi: Oh... okay. I understand.
Aqua: ...Hey, Takumi. 
Takumi: What is it?
Aqua: I can always count on you. You are very strong and intelligent. You have a charm that your other siblings don’t have. That’s what I think.
Takumi: H-huh!? What does-
Aqua: Hmhm, well let’s be off. Standing idle won’t do us any good.
Takumi: Hey, wait up! ...Hey, Aqua! ...... (smiling portrait) ...Well it can’t be helped. All right, time to show them what Prince Takumi can do!
Treehouse
Takumi: Unnnhhh...
Azura: Look at the color of his eyes... Could it be? There's only one way to find out. I'll have to sing to him...
Takumi: No one...notices me. No one...cares. Die. Die. Die. Die. Die. Die.
Azura: Takumi...listen to me.
Takumi: You... You are...
Azura: It doesn't matter. I'm someone who can help. You're being controlled by a dark force. This is not who you are! You don't have to give in. You can survive this! Listen carefully... (Sings Lost in Thoughts)
Takumi: Ugh... Gyaaaaah!
Azura: Takumi, can you hear me now?
Takumi: Ohhhh... Azura? Is that you?
Azura: Yes, it's me! Oh, thank goodness.
Takumi: Uh...where am I?
Azura: Unfortunately, we're right in the middle of a battle. I don't really have time to explain. Are you in any condition to defend yourself?
Takumi: I...I think so. I feel OK.
Azura: Very well. Just remember.. You're strong and intelligent. There's a certain something about you. I believe in you, Takumi.
Takumi: Um, OK...
Azura: That's the Takumi I remember. Now, come on! You'll need to focus to make it through this battle.
Takumi: Wait! Azura! Ugh, I'm still a bit woozy. So many questions... (angry/cocky portrait) I guess I'll just have to stay alive to get them answered.
I touched on this in my general Birthright script changes post, but I thought I’d bring up the overall tone shift here. Takumi’s genuine happiness in the JP version was replaced with an awkward reaction and a cocky response in the Treehouse version, hence why I also noted the portrait change. Not out of character per se, but I think Takumi having his first real establishing moment of joy being replaced does a disservice to both his character and the player getting to see it.
Chapter 10 (after battle)
JP version
Sakura: Takumi!!! You... you’re back to normal...!
Hinoka: (voice clip of her crying) Moron...! We were... so worried about you...!
Takumi: H-hey, quit crying. Aren’t you both too old to be doing that?
Sakura: I don't care about that! You’ve come back to us, so I’m fine with crying!!!
Hinoka: Me too! I love you too much to care about things like that now!
Takumi: Sakura, Hinoka... Thank you. I’m sorry that I worried you this much.
Kamui: I’m curious to know what’s been going on. What happened at the border battle, Takumi?
Takumi: That battle... it was a struggle. We fought by Izumo’s border at first... But before long the battle extended all the way to the Infinite Chasm. During the march there, I got separated from Ryoma.
Kamui: I see, so you don’t know where he is either...
Takumi: During the battle, the enemy’s attack triggered a massive rockslide. I got caught up in it... and fell into the Infinite Chasm.
Kamui: The Infinite Chasm!?
Hinoka: But... you’re alive. How did you manage to come back?
Takumi: That I still don’t know... Everything after that is a blur... I can’t remember anything before I woke up here.
Hinoka: I see... Well, at any rate, I’m relieved that you’re back alive. It’s a miracle you were able to survive that bottomless pit.
Takumi: Hey... what have I been doing all this time?
Aqua: It's best not to worry about it, Takumi. Some horrible magic took hold of you and brought you here against your will. That’s all it is.
Takumi: No... that can’t be it. Hinoka’s arm has been grazed by an arrow. It looks like it was cause by the Fujin Yumi... I attacked her, didn’t I?
Hinoka: Well, that’s... 
Takumi: Tell me... what did I do in front of all of you?
Kamui: ...... ...Takumi. When you met us here, you immediately started attacking us. Until your sanity came back, you were fighting Hoshidan troops.
Takumi: !! That’s...! Attacking my own countrymen... Unforgiveable. I don’t think I’m qualified to be a part of Hoshido’s army after doing that...
Kamui: No, being qualified doesn’t matter. I was in a similar situation, being raised as a prince of the enemy country... but even so, you all accepted me without hesitation.
Takumi: No... I wasn’t like that... 
Kamui: Er, well, be that as it may... What matters now is you’re here with us. If you feel you’ve made a mistake, you can make up for it from now on. I’d really like to fight alongside you, Takumi. Do you feel likewise?
Takumi: ...... I will, if you can forgive me for the harsh words from earlier.
Kamui: Of course. Those are things of the past. 
Takumi: ...Thank you, brother. And thank you too... Sister.
Aqua: ...No, it’s quite all right. ......
Kamui: ...Aqua, are you okay? You look kind of pale...
Aqua: ...I’m fine, just a little tired. Don’t worry, I’ll get better soon. 
Kamui: Um, okay...
Treehouse
Sakura: Brother! I'm so glad you're back to normal. We were all so w-worried about you.
Hinoka: (voice clip of her saying “I won’t allow it!”) Yeah. Don't ever do that again, OK?
Takumi: Whoa, guys! Stop crying. You're making me all embarrassed.
Sakura: I don't care. We didn't know if we'd ever see you again. And then when you showed up all weird like that...
Hinoka: Yeah. We didn't know if you'd ever be the same Takumi we know and love again.
Takumi: Well, it's definitely me guys. Thank you for your concern. And I'm sorry I made you all worried.
Corrin: It's good to have you back, Takumi. But as much as I would like to savor this moment. Ryoma is still missing. Can you tell us anything about what happened to you two?
Takumi: Yeah. It was insane. We ran into Nohrian troops just outside Izumo and began fighting. Ryoma and I were separated in the early stages of combat, before we had to retreat. We were outnumbered...and pushed to the brink of the Bottomless Canyon.
Corrin: So we still have no idea where he is...
Takumi: No, I'm afraid not. Something triggered a massive landslide, and I was caught up in it. That's how I fell into the canyon.
Corrin: You actually fell into the Bottomless Canyon? How are you still alive?
Hinoka: I've never heard of anyone returning from there before.
Takumi: I...I have no idea. All I remember is falling. There was a period of darkness, and then I woke up here.
Hinoka: Well, I'm just glad to have you back. It's a miracle you survived a fall like that!
Takumi: So, um, can anyone tell me how I ended up here? Or what, exactly, I was doing before I woke up just no?
Azura: It's best you don't worry about it for now. Just get some rest.
Takumi: No, I need to know. My Fujin Yumi was in my hand when I came to. And some of you have wounds in your backs...
Hinoka: Well...
Takumi: Tell me! What did I do?
Corrin: Takumi...you must have been under some sort of spell. You stumbled out of the woods and started attacking our party. Please, try not to worry about it. We know it wasn't really you.
Takumi: Oh, what have I done? A prince attacking his own men? How can I show my face in Hoshido again?
Corrin: Please! Someone... or something...was controlling you. We know you were not in your right mind.
Takumi: That's small comfort right now, I'm afraid.
Corrin: Well, I'm sorry you feel that way, but all that matters now is that we're all here. Will you join us in the search for Ryoma? Perhaps something along the way will jog your memory. Can we count on you?
Takumi: Yes. If you can forgive me for all the hurtful things I’ve said and done.
Corrin: Of course. We must move forward—not dwell on the past.
Takumi: Thank you, Corrin. I also need to thank you...Sister.
Azura: Oh! You called me— I mean...you're quite welcome, Takumi. Ahem... *cough* *cough*
Corrin: Is everything OK, Azura? You don't look well.
Azura: I'm fine. I think I'm just a bit tired. Please, don't worry about me. I'll be better in no time.
Corrin: If you say so.
Hinoka was made kind of... less concerned over Takumi in the localization. Or at the very least, less worried like how an older sibling would be, where her crying is replaced with more of a reprimand. 
In the JP version, Takumi specifically mentioned attacking Hinoka and her having an arrow wound to signify it, the localization changed it to a general “some of you have wounds in your backs.” 
The instance of Corrin comparing his own situation to what just happened with Takumi was cut and replaced by talking about the possession (even thought it’s been talked about already), meaning a nice moment of character bonding and calling back to previous scenes was cut. 
And lastly, there’s another instance of Treehouse Corrin in Birthright acting like an douchebag that I actually missed in my general Birthright post. In the JP version, when Takumi says he wasn’t as accepting of Corrin at first, Corrin tries to just shift the conversation to something Takumi can be more positive about. Treehouse replaced it with Corrin basically saying “well, I’m sorry that you feel that way, but can you help us now” which is such an asshole thing to say to someone who’s just now realizing he hurt his sister and has lost his memory up until this point.
Chapter 11 (before battle)
JP Version
Kamui: ...Phew. We made it to a ship just before it set sail. I never thought there’d be Nohrian soldiers at the port. We haven’t been attacked since Fuuma (Mokushu), so my guard was down.
Sakura: Yes. But somehow we managed it. Big Brother... you should probably rest a little bit, at least.
Aqua: I don’t understand... how did those soldiers track us down in the first place? No one should know that our party is crossing into Nohr.
Takumi: Don’t tell me... there’s a spy in our mix, isn’t there?
Aqua: Spy?
Takumi: Yeah. Haven’t you considered it? There could be a spy among us working for the Nohrians, reporting our movements. That mage... he’s especially suspicious.
Zola: H-huuuuh!? I am!?
Hinoka: ...Well, you are suspicious. Very much so.
Takumi: Big Brother Kamui said... before joining you guys, he tried trapping all of you. I wouldn’t be surprised if he tried something again.
Zola: W-what!?
Hinoka: ...Right, then. As promised, I’ll strike to kill.
Zola: Eeeek!
Kamui: ...No. Please stop, everyone. It’s not good to doubt your comrades.
Hinoka: Kamui...
Kamui: All right? There’s no proof that he’s a spy. Once we decide to believe someone, let’s keep believing them.
Takumi: Brother... Even so, I can’t trust this man.
Kamui: Yes... Well, it’s not something I can explain right now, Takumi. I’m sorry. Let’s talk about it later. For now, I’d like for you to trust in him a bit.
Takumi: ...... ...Very well. If you’re insisting that much, I’ll make an effort to believe him, too. 
Zola: Lord Takumi...!
Takumi: What is it now? I never said I’d trust you right away. I’ll start considering it after hearing what my brother has to say. And stop saying my name so casually.
Zola: Gah! No, sir. I'm sorry, sir.
Treehouse
Corrin: Well, this should be interesting. I've never sailed before. And we made it just in time to catch the last boat leaving the harbor. How lucky!
Sakura: I know. It's been such a long march—I'm really looking forward to r-resting a bit.
Azura: I wouldn't get too comfortable. Remember, we are on our way to Nohr. Some of the passengers on this ship could be our enemies.
Takumi: Yes, and there could be a spy among us.
Azura: What are you talking about, Takumi?
Takumi: You know exactly what I'm talking about. That whiny little mage from Nohr! Whose idea was it to let him tag along?
Zola: Gah! I'm no threat, guys! I promise! Haven't I been helpful so far?
Hinoka: Don't worry, Takumi. I've been keeping a very close eye on him.
Takumi: I don't know. Didn't he set everyone up back in Izumo? I wouldn't be surprised if he were plotting something.
Zola: But...but...
Hinoka: OK, I'll get my knife ready...
Zola: Eeeek!
Corrin: Calm down, everyone. I trust Zola, and I believe you should as well. He stood with us through one battle without stabbing anyone in the back. Besides, how could he even really information to Nohr? It's a preposterous notion.
Takumi: Sorry. I can't just take your word for it. I don't trust him.
Corrin: That's fine. A little healthy skepticism won't hurt. Just try to be civil, OK?
Takumi: I'll do my best.
Zola: Lord Takumi...
Takumi: What's wrong with you? Did I say that you could speak my name?
Zola: Gah! No, sir. I'm sorry, sir.
Never caught this before. In the JP version the party apparently got ambushed by Nohrian troops at the port, and that’s why the topic of there being spies is brought up, since Azura wonders how the soldiers even knew of the party’s whereabouts. Treehouse cut out this information.
Takumi in general is more abrasive, which is consistent to how Treehouse has been so far. I’d also like to note that Corrin’s insistence on believing in people is diluted a bit in Treehouse’s version, where he says civil skepticism is fine instead of trying to get Takumi to trust in people more. While this can make Corrin seem more palatable and smart, this doesn’t line up with his established character. He’s supposed to have a backbone when it comes to trusting in people and peaceful, diplomatic solutions. It’s why he almost got killed by Xander for not wanting to kill prisoners of war. If Corrin actually believed in “healthy skepticism” he wouldn’t let Zola in the party, especially after almost hurting Sakura. 
Also, Takumi’s supposed to be softening up to Corrin as a brother at this point and be more willing to listen to him, and Treehouse’s version of the exchange-while not bad in the logisitic sense-does a poor job in showing a family bond growing between them. A family bond which, if you recall, was mentioned in the JP version all the way back in the prologue. So... points for being consistent in cutting out themes, I guess.
Chapter 11 (after battle)
JP Version
Kamui: All right, we took care of them.
Takumi: No problem. Even invisible, there’s no way they could beat us.
Kamui: Haha, you’re very reliable, Takumi.
Takumi: (Smiling portrait) Well, yeah. I have to make up for my mistakes. A certain someone told me as much, anyway.
Kamui: (Smiling portrait) Takumi...
Treehouse
Corrin: That's the last of them.
Takumi: Ha! Those stupid things didn't know who they were messing with.
Corrin: Well, I'm glad to see that you're feeling like yourself again. Takumi.
Takumi: Me too. (Frowning portrait) After all, I have a long way to go to redeem myself...
Corrin: (Neutral portrait) Takumi, that's simply not true.
Corrin in the JP version: Takumi and I are starting to get along and he’s happy, that makes me happy too :)
Corrin according to Treehouse: Takumi, you’re really fuckin up the vibe :/
Jokes aside, it really does baffle me what Treehouse’s obession is with a) making Corrin kind of a dick and b) not letting Takumi smile/be happy more often, like wtf. I know that Corrin saying Takumi doesn’t have to redeem himself could be taken positively, but since a specific tone has already been set by Treehouse, it unfortunately comes off as patronizing instead.
Chapter 11 (after Zola protects Takumi)
JP version
Kamui: Are you okay, Zola? Thank you for helping Takumi earlier.
Zola: No need for thanks... That was something I wanted to do. When I saw Lord Takumi in danger, my body moved on its own.
Kamui: Even so... thank you.
Takumi: Hey... Zola.
Zola: ! L-lord Takumi! Ah, forgive me. I said your name again...
Takumi: No, it’s fine. You can call me whatever you like. I’m sorry for doubting you earlier, Zola.
Zola: What...?
Takumi: Yeah. You just saved my life at the risk of your own. If you hadn’t done that, that guy could’ve killed me. So I’m sorry I didn’t have faith in you.
Zola: That’s...! Please raise your head, Lord Takumi! There’s no need to thank me for this. I merely did what Lord Kamui did for me back in Izumo, when Lord Leo was about to execute me.
Takumi: What!? Kamui, you did something that reckless?
Kamui: Ah... haha... well, something like that... 
Zola: Yes. Since then, I’ve changed. Thanks to Lord Kamui.
Takumi: ...I see. Well, with a story like that, I have no choice but to believe it. I’ll be counting on you as a friend from now on, Zola.
Zola: Likewise... thank you very much.
Kamui: (Smiling portrait) ......
Treehouse
Corrin: That was extremely courageous, Zola. Are you all right?
Zola: It was nothing. I'm just glad that Lady Sakura was able to heal me.
Corrin: I beg to differ. It was not nothing. It was a remarkably selfless act.
Takumi: Zola...I have something to say to you.
Zola: Yes, Lord Tak—I mean yes, milord?
Takumi: Please. You've more than earned the right to speak my name. I'm sorry for doubting you.
Zola: Really? You mean that?
Takumi: Yes. Talk is cheap, and I still think I was smart not to trust you at first. But you may have just saved my life. It was a heroic act.
Zola: Thank you, Lord Takumi! I'm just following Lord Corrin's lead. If it weren't for him, I may have died at the hands of Lord Leo in Izumo. Now maybe you'll have the chance to perform a similar gesture.
Takumi: Wait, Corrin jumped in front of an attack meant for you? Right after you tried to kill him?
Corrin: Ha! No, Takumi. It wasn't exactly like that. I merely asked Leo to spare Zola's life. He was helpless and defeated.
Zola: Yes. And that kindness was enough to sway Lord Leo. He merely exiled me instead of taking my life.
Takumi: I see. Well, I just hope we can put all of this behind us.
Zola: Of course, milord!
Corrin: (Neutral portrait) Yes. It's time to focus on what's next. Who knows what's waiting for us in Nohr...
Takumi in the JP version is more willing to admit a mistake without a kind of “but I was still right” line, Treehouse adds one in anyway.
Also Treehouse made Corrin into a buzzkill, in other news, the sky is blue.
In further chapters, it’s mostly the same routine. Takumi is more abrasive and certain tender family moments involving him are diluted. I mentioned back in my general Birthright post that Takumi in his sickness, bed ridden delirium in chapter 16 talks in bigger detail about the “truth behind this war” and while this doesn’t have much to do with Takumi in particular, I thought I’d bring it up again.
Chapter 24 (pre battle, Takumi talks to Iago about possession)
JP version
Takumi: How dare you manipulate and mock me? What you said earlier about my feeling inferior is true... but I've learned something in this fight. There’s things only I can do! That's why... I would never betray my beloved siblings or my precious friends! As a proud prince of Hoshido!
Treehouse
Takumi: I just woke up for good. That's what happened. You were able to exploit some of my deepest fears and flaws, but that's over. My brothers and sisters need me, and I won't let them down. I'm a proud prince of Hoshido, and from now on I will live up to the title!
Both are fine, but the JP version is a bit more self actualizing, whereas the Treehouse version is more dependent on Takumi feeling like his siblings need him.
Chapter 24 (Takumi vs. Iago boss conversation)
JP version
Takumi: I’ll never forgive you...How dare you...how dare you take advantage of me. Macbeth...
Macbeth: You just regained your senses, and already such cheek...! You should’ve stayed as a good little pawn right until the end.
Takumi: When I was freed from your control, I remembered everything... How I’d send an owl with information of my whereabouts every night. How I’d lose all memory of it every morning. How I suspected my allies without knowing I was the traitor all along... What an absolute disgrace...
Macbeth: Then repent for your sins and quickly die. Isn’t that better than living a life of shame?
Takmui: Shut up! I'll live to pay for this crime! First, I’ll start making up for what I’ve done by defeating you here, Macbeth!
Treehouse
Takumi: Yes! I was hoping I'd get a chance to kill you myself. This is for everything you've put me through!
Iago: *yawn* You know I chose you because you were the weakest, right? You should never have come out of that spell—now you're going to suffer!
Takumi: Wrong! Now that my head is clear, my aim is truer than ever. I'm going to turn your face into my own personal bull's-eye.
Also touched on this in the Birthright post. The fact that Treehouse cut out the entire explanation for how exactly Takumi relayed information to Iago is freaking weird. Like... why?
Overall, though that’s about it for major changes to Takumi in Birthright’s story. Now for Conquest.
Chapter 10 (pre battle conversation) 
JP version
Hinata: Lord Takumi, it seems the Nohrian army is stationed at the port.
Takumi:  …An ambush, is it? Well, I expected no less of them. We won’t run away with our tails between our legs. It’s what they want.
Treehouse
Hinata: Lord Takumi! It seems the Nohrians aren't going to back down.
Takumi: So they plan to fight us, do they? I suppose I shouldn't be surprised. Nohrians aren't like normal, decent people. They live for the thrill of battle. All the better. I shall delight in putting those cowards in their place.
While I’ve said before that Conquest’s localization changes aren’t as egregious as Birthright’s (at least when not concerning Xander), I do find it funny that Takumi is consistent for the most part, aside from taking little jabs like he does in Treehouse’s version. Here’s another example: 
Chapter 10 (Corrin vs. Takumi)
JP version
Takumi: ! Kamui...
Kamui: Takumi... 
Takumi: Never expected to see you here, Prince Traitor. For the person who left Hoshido in such a wreck, you’re sure doing well for yourself.
Kamui: I’m sorry... I’m afraid I have nothing to say to that.
Takumi: Hm... guess you’re still man enough to feel guilt, after all. Then you can start regretting your mistake as I kill you right here!
Treehouse
Takumi: Any last words, Corrin?
Corrin: Takumi... In your heart you must know this is the last thing I ever wanted.
Takumi: Ah, how quaint. More pretty words from the Prince of Betrayal. How can you stand to live after the horrors you caused in Hoshido? My suspicions must be accurate. Nohrians don't have souls.
Corrin: Words could never express my sorrow for what took place...
Takumi: Oh? Are you still human enough to feel remorse? Fascinating. It's a fitting last emotion. I hope you feel its sting as I strike you down!
Takumi being a little shit towards his enemies is always hilarious, that’s one thing that Treehouse did that I think is fun. Another one I like is in chapter 13, where when Camilla calls Scarlet a traitor, Takumi responds with “Nohrian logic never ceases to amuse me.” And again in chapter 23 where, while not funny but more dramatic, he tells Corrin he “...shall cherish the sound of life leaving your body for all eternity.” Lines like these weren’t in the JP version, but since they are harmless additions and not replacing anything, they’re all fine. It only becomes an issue to me when said moments start replacing genuine tender scenes or cutting out details, like in Birthright.
Endgame (Corrin talks to Takumi in purgatory)
JP version
Takumi: Thank you. It would have been if we had fought alongside each other. Kamui. The truth is... I always wanted us to get along as siblings. I wanted to call you ‘brother.’ I wish I could have said that when I was still me... but I'm so stubborn that I just couldn't be honest with you. ...... I'm sorry.
Kamui: I’m sorry, too... Your resentment is my doing. ...I have always wanted you to call me ‘brother’, as well. Once the war was over, we could have been close as siblings should be. And yet...I am so sorry that things turned out this way.
Takumi: No, it’s all right. You accepted my resentment and came all this way. That's enough. Thank you, brother...
Treehouse
Takumi: Thank you, Corrin. I wonder…what it would have been like to fight on the same side as you. I always wished we could have been close, as you are with your Nohrian siblings. Right up until my last moments, I wanted so badly to call you my brother. To look up to you and love you…and never allow anything to come between us. I wish I had told you that before I died. While there was still a chance… I was just so stubborn, so hurt. I couldn’t admit those feelings even to myself. For that, I am truly sorry. I’m so sorry for letting you slip away, dear brother.
Corrin: Takumi…I’m sorry too. I caused you so much pain. The truth is, I longed to have you accept me as your brother too. I never let go of the dream that after the war we could all be together again… I’m so sorry things turned out the way they did.
Takumi: It’s all right, Corrin. We finally got to say all the things we needed to say. You have done more than enough. My heart… It’s finally at peace. Thank you, Brother…
I mentioned in my Conquest post that, while the Treehouse version is perfectly fine, it could potentially be read as putting more of the onus of Takumi and Corrin’s falling out on Takumi rather than Corrin. The JP version makes it more clear where each party is responsible.
Anyway, since Conquest’s localization has a fraction of the issues that Birthright’s has and Takumi showed up less frequently since he was an enemy, time to move on to Revelation... or at least, I would, but like Conquest, Revelation doesn’t have nearly as many localization issues as Birthright. Plus, Takumi has to share the spotlight with 7 other siblings and Azura, soooo... not many lines to screw up, anyhow.
So instead, time for supports and other general dialogue!
Corrin Support
In the JP version, when Corrin notes that it’s harder to draw a bowstrong than he imagined, Takumi notes that it takes a lot of physical and mental strength to do so. Localization just has him say “Well of course, did you think it’d be easy?” Similar message, but fewer details. Corrin then notes that because of that, he realized once again how talented Takumi is. In the JP version, Takumi gets flustered and nervous, in the localized version, he asks if Corrin is being sarcastic. Again, same message, but comes across a bit differently.
Other than those things and few lines being rearranged, the support chain is pretty faithful for the most part.
Felicia Support
In the JP version at the end of the A support, Felicia says that, while satisfied with Takumi’s apology for being rude, she still wants to share stories of her hometown, so he should be prepared. In response, Takumi laughs and says something like “Is that so?”. Treehouse changed this to have Takumi say outright “No more Ice Tribe stories anymore.” The reason why this was changed is most likely to fit in with how the S support is framed, where Takumi says he was frustrated with Felicia only talking about her hometown all the time instead of about herself. The JP version kept it intentionally ambiguous because there’s no guarantee that Takumi and Felicia will S support one another, so meh. Not a huge mistake, but thought I’d mention it. Other than that, the support was done well.
Azura Support
Again, not many major differences. Just in the JP version of the A support, Takumi says “from now on, let’s get along like brother and sister” whereas Treehouse has him say “we’ll both make more of an effort.” Less familial, so it can be seen as lacking a bit.
Sakura Support
JP version of the C support has Takumi mention that prominent aristocrats of Hoshido will attend the party/banquet attending, so that’s why he and Sakura can’t skip it. Treehouse cut out this small detail. Also, in the JP version Takumi says the atmosphere of these kinds of parties are stuffy, whereas Treehouse has him say “I wish we could leave all this highfalutin stuff to someone else”, which honestly got a chuckle out of me. Love words like that.
Treehouse version of the B support adds the line where he suggests lighting the guests hair on fire and running for cover, alongside the pre-existing line of faking being sick. Again, pretty funny to me tbh. Takumi saying crazy shit is a-ok to me, so long as it’s not at the expense of other lines being removed or moments being ruined.
Hinata Support
C support in the Treehouse version has Takumi pull rank by saying “Is that any way to address your superiors? “Show yourself”? Seriously!?” JP version just has him say “If you need anything, just tell me.” The idea of Takumi pulling rank isn’t exactly surprising per se, but he’s more the type to lash out at unfamiliar people speaking too casually with him. Hinata is a close friend and retainer, so it’s a bit out of place.
Oboro Support
In the Treehouse B support, Takumi says the fabrics that Oboro chose get the “Takumi seal of approval.” Not a negative addition at all, it’s cute.
Kagero Support
In the Treehouse C support, Takumi says “It seems like stealth comes naturally to you. After all, just a moment ago you popped up and scared me so bad I peed a little.” The peeing line wasn’t in the JP version. They made my son a pissbaby.
Kana Child Support
I felt obligated to mention how Takumi says “Well mold my onions, aren't you clever?” in response to how Kana has been helping Corrin out during the little father-son contest. Not in the JP support, obviously. But y’know. Onions, lol.
Camilla Support
Bit of a change here.
JP version
Takumi: I may seem unreliable as I am now, but if it's for you...I will definitely become even stronger, no matter what it takes!
Camilla: ......
Takumi: That's why...please marry me!
Camilla: Prince Takumi...You were...very dashing just now. I...didn't know you could be so bold.
Takumi: Princess Camilla...
Camilla: I...happily accept your proposal. Please let me watch over your growth by your side, okay?
Takumi: Yes. Of course.
Treehouse
Takumi: I know you still see me as cute, or childish, or as a fun plaything. But I have more to offer than that! Give me the chance to prove it to you!
Camilla: Hmmmmmmm... That was shockingly mature, for you. I've never known you to be so solemn and direct.
Takumi: Princess Camilla, I...
Camilla: I accept your proposal. Perhaps I flatter myself, but I suspect it's my care which has helped you along. In which case, staying by your side for years to come will only improve you further.
Takumi: N-not exactly the response I was hoping for...but I'll take it. Here's to our life together!
Like Camilla says herself in the Treehouse version, she flatters herself more. She also says him being mature is a shock, which is kinda mean, and that feeling only gets cemented when Takumi says it wasn’t exactly the response he was hoping for. JP version more or less has Camilla be more genuinely surprised at how bold he is.
Leo Support
More significant differences. First is a part of the C rank.
JP version
Leon: I'm telling you in advance that we probably won't be getting along well.
Takumi: Hm, What a coincidence. To tell you the truth, I thought so too.
Leon: What...?
Takumi: That haughty attitude, and that condescending way you look at other people... I knew you were a disgusting sort of person from the beginning.
Leon: ………… …Okay then, your childish way of thinking makes me want to vomit. I won't ever approach you, so you also must never approach me.
Treehouse
Leo: We might as well get this out of the way. You and I are not going to be friends.
Takumi: What a coincidence! I was just thinking the same thing.
Leo: Of course you were. You have such an arrogant attitude and—
Takumi: Me?! I'm not the one going around patronizing everybody! You're the jerk!
Leo: Is that the best you can do? You sound like a whiny, little brat. Just as expected. Let's make a deal. You stay away from me, and I'll stay away from you. Think you can manage?
Consistent with certain other instances of Treehouse, the same message is getting across, but the tone is a bit different. Both are definitely hostile, but the Treehouse one could come across more... immature, I guess. I personally don’t take issue with it, but I thought it was relevant to bring up. Now on to a part of B rank:
JP version
Leon: Prince Takumi... What's your favorite food?
Takumi: I like miso soup...
Leon: Miso soup?
Takumi: Ah, you mix miso and dried bonito in hot water, season it, and add other ingredients such as vegetables or tofu to boil and then eat.
Leon: Wha...?
Takumi: Hm, what's wrong?
Leon: I... like food such as soup and stew. To put it simply… Food where you mix meat and vegetables in boiling water which you then season …In other words, it's something like miso soup.
Takumi: Wh-what?
Leon: W-well then, what's your favorite kind of book to read? Novels or essays, or poetry anthologies? What's your favorite genre?
Takumi: Books, huh… I read all kinds, though I mainly like philosophy books. Philosophers from the past who expresses a different way of thinking compared to the people who are living now. That's what's interesting to me...
Leon: H-how is this possible!? How can this be the same too!?
Takumi: Then, what about your favorite pastime... What's your hobby!?
Leon: I-I like chess. Chess is a strategic game where you use pieces to battle on on a board.
Takumi: Th-that's... In Hoshido, that's something called Shogi!
Leon: ...And do you like this Shogi game, Prince Takumi?
Takumi: Like is an understatement, I'm the best in our family. How... how do we have so much in common?
Leon:  …………
Takumi:  ………… Hey, Prince Leon. Maybe getting to know one another isn’t such a bad idea after all.
Leon: What a coincidence… I was thinking the same. Do you want to continue talking about each other's tastes?
Takumi: Y-yeah. Who knows, we might find out about other things we have in common.
Leon: In the unlikely event we do hit it off, I’m sure we’ll get along well, h-hahaha...
Takumi: Hahaha...
Treehouse
Leo: They say that people with similar personalities like the same things.
Takumi: I like miso soup.
Leo: Mee-so soup?
Takumi: Yeah. It's a Hoshidan dish. You got a problem with that?
Leo: No. My favorite food is beef stew. It's kind of like a soup. Hmm...
Takumi: What kind of books do you read?
Leo: I read all kinds of things, but I have a passion for history.
Takumi: Is it...because you love to study the strategy behind past battles?
Leo: Gods, don't tell me... Do you like to read history books too?
Takumi: Yes, but I'm sure our hobbies are different.
Leo: My favorite game is chess. It's a tactical board game where—
Takumi: In Hoshido, our version is called shogi.
Leo: And do you like to play this "show-gee" thing?
Takumi: I'm the best shogi player in my whole family.
Leo: I can't believe it. Who would have guessed we have so much in common?
Takumi: I don't know, but I'll tell you—it's hard to hate someone with such excellent taste!
Leo: No kidding. I was about to say the exact same thing. Hmm... Maybe we should do this again sometime.
Takumi: Ahaha! Oh? So now you want to be best friends?
Leo: Ha! Of course not. That will never happen.
Takumi: Never!
Once again, similar message gets across, but lines are rearranged. However, this time, some details are cut, such as discussion of how both Takumi and Leo take their miso soup and stew respectively. One significant change is how originally Takumi and Leo loved philosophy books, but Treehouse changed this to battle strategy and history. Don’t know why this was changed, I thought it was neat. Also near the end, while both versions of the support have a kind of “in-denial” aspect about becoming friends, it can come across a bit differently. Though this is just linguistics in general, tbh. Japanese itself is a more... indirect language when it comes to speaking. There’s also Leo saying “mee-so” and “show-gee”, which some can probably think is cringe, but meh. It fuels my “Hoshido and Nohr speak different language” headcanon, so I’m fine with it.
Anyway, in the JP A support there’s another description by Leo of the miso soup recipe and him detailing a bit why he enjoyed it, but other than that, that’s it for their support. And for supports as a whole, too. 
Private Quarters 
When inviting:
JP version
"Brother, what did you want?"
"Brother, what should we talk about?"
"Brother, I’m here. What’s going on?" 
"What’s wrong? ...Am I in the way of something?" (When Married to someone else)
Treehouse
"What is it? Did you want to tell me little secrets or something?"
"What's with all the racket in here? Are you playing the drums or something?"
"What do you want? There's no point in sparring. You couldn't keep up!"
"Huh! If this is how it is, I'll get my slippers. We can all cuddle." (When Married to someone else)
The JP version of these lines are a bit generic, so I appreciate the changes Treehouse made here.
Last, but not least, while there are other changes to his lovers lines in Private Quarters, his S rank line in particular I wanna bring mention too.
In Treehouse’s version, it’s this: 
“I would do anything for you. Would you do anything for me? I need to know...”
In the JP version, however, it’s this: 
“I love you. If there were another world in which I raised a hand against you… at that time kill me to stop me. Promise me that you will definitely do that.”
Big difference. Treehouse did this a lot with certain private quarters lines and confessions, where references to story happenings get outright replaced. Off the top of my head, Xander’s S rank private quarters in the JP version talks about how he’d be fine with dying if Corrin was the one doing it, referencing his death in Birthright. Elise, Ryoma, Flora, and as seen here, Takumi, have similar cases. It’s a shame that these were replaced, because I find it pretty neat that tragedy involved with these characters gets invoked in personal settings.
Anyway, I couldn’t find any more significant differences! I looked at DLC lines, My Castle lines, and the like to make sure, but all of it was pretty faithful to the original script. Overall, yeah, there are pretty significant changes here, with Birthright being the main offender as per usual. Some of them are baffling, some are effectively harmless, but regardless thought to do this because Takumi remains one of my favorite characters in Fates and Fire Emblem as a whole.
I hope you all enjoyed reading it!
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redstringraven · 1 year
Text
an excruciatingly long ramble about the '03 turtles and the enneagram 🐢 pt1
i’ve been working on this ‘project’ on/off for a year, and i need to get it out of my system. this is me posting the first part to force myself to stop fidgeting and hit the ground running.
i love the enneagram. i think it’s a useful tool not only for self-growth but also for character-writing and understanding. since 'typing' the boys, i've referred back to this tool while writing them or rewatching the series, and it's infuriating how much sense certain things start to make. to me, anyway!
as a heads up? this is going to be a big analysis over a series of posts. i have a lot to say fldjsfkl (i'm so sorry). i will try to keep it organized and understandable.
consider this the introductory post! posts will be linked below as i finish them. [ raph ], [ leo ], [ don ], [ mikey ]
some small disclaimers before we get started:
this is concerning the 2k3 incarnations of the boys only, and seasons 1-4 are given the most weight. 
i don’t take “”birth order”” into consideration. no one--not even them--knows the order they were born/hatched in. i won’t be referring to leo as ‘the oldest child’ nor mikey as ‘the youngest’, etc. when it comes to ‘filling a role’, sure, they do that just fine, but i tend to avoid referring to them in an actual birth order or approaching them from a birth order mindset. they step into roles rather than there being an established order. the 03 boys will frequently ‘switch roles’ depending on their circumstances and company.
these are also, obviously, my own thoughts/observations, and i’m not any sort of professional. I’ve just done reading and research and thinking. whether you agree or not is up to you, i’m not your mom, go--do whatever you want, it’s fine it’s good, i don’t care, blah blah blah, etc.
OKAY. an introduction and briefing:
we’ll start with some ground-work since the enneagram seems to be unfamiliar territory to a lot of folks i’ve spoken to. feel free to skip over the next two paragraphs if you’re already in the know. i’m not going to spend too long on it, but i feel like i need to spend some time or everything else that follows might get muddy.
while there were a few books i read in preparation for this, it was careless and neglectful of me not to mention the two i referenced and heavily pulled from in the more enneagram-focused sections of this project (the parts where the enneagram itself is explained rather than how it applies to the turtles) to aid in creating a baseline. i went into this excited to analyze and discuss the turtles specifically, but i should have treated both the sources and my own posting with more respect. i apologize for that massive oversight. i feel pretty damn stupid since i usually consider myself good at that sort of thing, but i'll continue trying to do better! the two books i referred from were:
the wisdom of the enneagram by don richard riso & russ hudson
the road back to you by ian morgan cron & suzanne stabile
and i recommend them if you have any interest in exploring the enneagram further!
the enneagram is a tool used to develop self-knowledge, self-understanding, and to grow beyond self-defeating aspects of our personalities, as well as improve the relationships with those around us and to grow in compassion.
one of my books uses colors to illustrate how the nine enneagram types work: there are an infinite number of variations of the color ‘red’, but they are all still variations of the same hue. similarly, there are an infinite number of ways a person may express their enneagram type. another thing to keep in mind: your number is not determined by how you behave, moreso why you behave. It’s less reliant on traits and focuses more on the motivation that drives you.
i also feel it’d be a breach in etiquette if i didn't say the enneagram should be used to type yourself, not others. these are fictional characters; please don’t go trying to type the people around you. don’t use it to justify your own questionable behavior, and please don't feel the need to adopt a more rigid personality if you see yourself in a type. again: this is a tool, not a rule book.
if you want my opinions immediately, and without further exploration or analysis, here they are:
Raph is an 8 and has a 7 wing Leo is a 1 and has a 2 wing Don is a 5 and has a 4 wing Mikey is a 7 and has a 6 wing
but if you want more details (including what the heck a ‘wing’ is), come along with me while i do some giant ass posts on the boys and how they align with their core numbers.
i'm especially excited to talk about "City at War" from the perspectives of an 8 and a 1, how mikey is a complicated combination of a lotta moving parts and almost stupidly self-aware, as well as "Same as it Never Was" and don's 5 and the fact this boy never talks about his goddamn horrors. like i warned: these are gonna be quite lengthy, but i’ll be breaking it up as neatly and in the most digestible way possible. as well as keep the meme-ing to a minimum. …but i make no promises.
stay tuned. i have an order i'm going in, and raph's up first.
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not-poignant · 10 months
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For the meme!!! 21 - 22 - 23
We love a sequential number sequence :D
21. Could you ever quit writing? Do you ever wish you could? Why or why not?
I mean, yeah, maybe one day! I don't want to quit writing, I certainly don't wish I could. I love this job! It's been my favourite ever job! It's also been the hardest fucking job I've ever done!!! But I still love it :'D
I don't want to say 'I'm never going to quit' - I don't know what the future might bring. The arthritis in my hands is pretty bad, maybe one day I'll be in too much agony to justify it. Maybe one day I'll just stop enjoying it. I don't believe in sticking something out forever based on how I feel about it now!
I can say with all confidence that I don't want to quit. The biggest flaw in this version of my job is that it doesn't pay super great for the amount of work that goes into it. BUT, it definitely pays better than working as a professional artist did, and there is growth, and amazing people do support the Patreon, so it's like...that flaw becomes less of a flaw over time.
I love this job. It wasn't one I would have picked for myself, but it's introduced me to the best people, it's something I feel I'm actually pretty good at (maybe I'm not, but this is a nice feeling to have), and it's kind of unique. I get to be my own boss (I'm a mean boss, but I'm getting better), and I get to work from home, and I can accommodate my chronic illnesses. I get to spend time in amazing worlds, with amazing characters, and then I get to reply to amazing comments and asks made by amazing people.
Like, when this job is going well, I feel like one of the luckiest people. When this job is hard I just groan a lot and take painkillers for editing headaches. But like, the good parts of this job are very good!!
22. How organized are you with your writing? Describe to me your organization method, if it exists. What tools do you use? Notebooks? Binders? Apps? The Cloud?
I'm pretty organised.
So, all of my chapters are written in Microsoft Word and saved directly into Dropbox (with offline storage as well). All of my folders are also very well organised. I have a naming system for each chapter, and everything is chained together pretty well.
On top of that I now use Obsidian for worldbuilding (it's free! Though you can pay and they deserve money for their awesome service). I used to use World Anvil but found it too clunky for my personal needs. I have about 4 Obsidian vaults now (i.e. different worlds) and they look like this:
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You can see a chained folder system on the left, and the graph view on the right.
And the information in the individual files is set up like a Wiki page:
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Not all of my worlds get this treatment, but Underline the Rainbow, Vexteria, Mallory & Mount and something else I've forgotten about all have vaults. Fae Tales doesn't, because I didn't know Obsidian existed when I started worldbuilding for that, lol, so all of that is in Word.
And then I will on occasion just write in notepads and in Paperblanks journals when I need to brainstorm stuff. This part of the process is especially useful when plotting, brainstorming names or titles, or figuring out the end of a story.
I don't use Google Docs (don't actually like it), Scrivener (hate it, sorry Scrivener fans), or anything else. Word has its issues, but it does well enough for me. I actually formatted Perth Shifters in Word.
23. Describe the physical environment in which you write. Be as detailed as possible. Tell me what’s around you as you work. Paint me a picture.
I write in a study dedicated to art/writing, because those have been my jobs for over 15 years. I sit at a large desk, and have a desktop computer with one monitor (I've wanted two monitors for such a long time), a decent speaker system, and a good RGB hard-drive.
It's a mess, lol.
Hang on let me show you:
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I have stickers on the desktop by the immaculate WhiskeyRabbit. I have a bunch of art supplies, and art in various stages of completion (the raven is finished, Augus behind the raven is not). There's meds and supplements everywhere. I have my Metformin (diabetes meds) in front of me because I often eat where I work, lol. I have some Sank collectible toys on the subwoofer because I find Sank very inspiring. And lots of art behind me like I'm some 18 year old instead of the 41 year old I actually am.
Oh and like, some half-finished chocolate blocks, lmao. And some fingerless gloves, a tea-towel, notepads for my writing, a calculator for my wordcount, a little spiky massage ball for the muscle/fascia issues in my wrists from writing so much, and much, much more.
It's a very ADHD desk. I do not notice the mess, lmao.
To my left is my writing whiteboard which tracks my writing and the chapters I've completed for the year, and my yearly wordcount to date. It also has some pinned up fanart and gifts from readers to keep me going when things get hard! :D
--
From the Weird Writing Questions meme!
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persiesposts · 4 months
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My thoughts on Iron Flame!
***MAJOR SPOILERS IF YOU HAVEN'T READ THIS YET***
What I liked:
*I really respected Violet for sticking to her convictions with Xaden, she knew what she needed for her to have a successful relationship with him and she wasn’t willing to compromise on that.
*I KNEW DAIN WASN’T GOING TO BE AN ANTAGONIST FOREVER. I’m very glad of this because I’m so tired of the guy best-friend turned antagonist trope. I’m glad to see aspects of Violet and Dain’s friendship returning/ reforging into something that can grow healthier with time.
*All the secondary characters have my heart and soul. Rhiannon especially, justice for my girl because she was so patient and such a good friend when she had every right to be upset with Violet for shutting her out.
*I really liked Sloane! I wish we had more time with her and I’m hopeful to see more of her in the next books.
*Tairn just makes this series for me. I adore that dragon. The sass was as strong as ever. My favorite exasperated dragon dad. This only reaffirms my statement that he’s just dragon Kratos
*ANDARNA!! What a sweet baby, she just wants to be like Tairn. He may not have sired her but that’s her dad right there. I saw it coming but I thought it was so cool that she’s the 7th dragon breed. I can’t wait to see the signet that manifests.
*I loved learning more about the lands outside of Navarre, the culture behind Tyrrendor was especially fascinating.
*The main characters are young adults and they FEEL like young adults!! (I know this will contradict with a critique kinda but hear me out). They have to grow up quicker than most and make decisions no one should ever have to make but there are the moments that remind you just how young they are that just smack you in the face and I love it.
*The spice in this was much stronger than the first which I was a big fan of. Overall much more descriptive which made for a more pleasant read IMO.
What I didn’t like:
*The pacing in this book felt really rushed when compared to the first. I understand the need to convey some urgency but it made the story feel hastily put together.
*Tying into the above point, for how rushed the story was there was a lot of information crammed in. It felt like I was reading two books put into one. I wish there had been a bit more time spent on certain parts, especially with establishing the connections between characters.
*I love Violet but damn that girl cannot make up her mind! I love angst as much as the next reader but I do wish some of her lamenting over communication issues with all the other characters could’ve been cut down. It began to feel really frustrating after a while and like the time could’ve been spent re-establishing the bonds of the characters.
*I’ll be honest, I hate the miscommunication trope. In all its forms (this counts since they’re keeping secrets from one another). It can be a really handy literary tool but sometimes (including this time) it feels overused and like an easy way to create tension. There’s a way to handle the trope effectively, the first half of the book proved that but after that it just felt like a placeholder for not exposing important info right away. They’re in the middle of a revolution! There will be things that won’t be communicated right away, that’s more than enough of a reason!
Final Thoughts:
Overall I really enjoyed this book! The characters still feel true to their established characterization from the first book but you can see their growth and where they could wind up in the future. This book felt a lot less self contained than the first which was a smart move that helped it stay away from the dreaded “second book syndrome”. There was solid movement and change that felt like it mattered. I definitely have my qualms with the writing but it didn’t break my immersion and I still felt very invested in the story Rebecca Yarros was telling. It felt both like an ending and a beginning in the best way possible and I’m really looking forward to where the story will take us next!
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kdramajunkie-101 · 5 months
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Let me preface by saying, I am not trying to justify any of Do Kyung's actions. This is simply an analysis on his character. Yes, he's done bad things and should face the consequences. With that being said, I hate how his mental health is being handled in the drama. Not the way it's written per se but how a few characters handle it.
His Dad
Literally, all of what Do Kyung is facing right now stemmed from how he was brought up. Having to be perfect at everything and putting on a facade for the cameras. His dad showed NO interest in him beyond his "offerings." An example being: "Is he good enough to be my heir?,"is he good enough to commit such a crime?" He has also had to prove himself in his own family, and that can cause a person's psyche to become altered and disrupted. His dad, to me, is also a victim, and I'll expound later in Chairwoman Jo's paragraph.  Him calling Do Kyung a monster is quite ironic as well. Who could've created such a monster, I wonder? Let me guys know if you ever come up with an answer.
His Mom
She's a victim as well. She's very submissive and lacks agency. Her helplessness and naivety are actually quite scary as this makes her a tool that the father can use at any time. Her scene in the prison where she visited Do Kyung actually had me tearing up. That was what led me to even start writing this. Just her one statement, "You disobeyed your dad." That just showed how she herself can't do anything without approval from the dad. I don't even think she realizes the damage she's done to the poor child. Her also just moving on with her life after seeing her son breaking down in front of her just goes again to show how disconnected she really is. And even at the funeral, she looked like she had so much to say, but she just wasn't able to. Her entire marriage, all she's known, is serving her husband and being a "good wife." Of course, nothing else will come before that. Not even her son.
Do Kyung
Do Kyung making such a choice is understandable, to say the least. As someone who has struggled with mental health. Such a method has always been seen as the way out. Notice I didn't say easy. Because such a choice is NEVER easy. Poor guy wasn't even being treated while he was locked up in prison. Everyone putting the blame on him for EVERYTHING was so unnecessary and unfair as well. He was a jerk, evil, and downright nasty, but no one with mental health issues should be placed in such an environment.  Especially without proper medication and care.
This is dedicated to the worst character of the show in MY OPINION.
His Doctor
Ohhhhh I was fuming when he called him a psycho. I was so annoyed. Do Kyung was a patient. He was actively seeking help in an environment that ostracized mental health issues. Yes, he may not have been the nicest or taken his medication all the time, but he was still trying. He was doing the best he could in an environment that wouldn't allow for much growth. And for someone whom he was supposed to trust and tell his entire life to say something like that was just downright nasty. No matter if he was a psycho or not. If the doctor had felt that he was a threat, then he should've reported him to the necessary authorities. Disrespecting a patient is never the right thing to do. I was so elated when Do Kyung beat his a** up. Leapt from my chair in joy.
Final Character
Chairwoman Jo
This is kinda hmmm. Like I think everything that we're seeing and all the characters in the Noh family all have their respective issues due to her. In a flashback, we could see that she treated Suk Min similarly to how he treated Do Kyung. Talk about generational trauma. Of course, Suk Min would've replicated what he was taught. In this specific scene, she was talking about sending Suk Min to prison for a crime he had committed because he had gotten away with "too much." This literally shows that she had been sweeping all of his wrongs under the rug as she wanted someone picture perfect to take over her beloved company. Suk Min was never enough for her, similarly to how Do Kyung wasn't enough for him. She didn't care much for them.
I think that she saw an opportunity to right ALL her wrongs through Do Hee. Do Hee to her was a new slate. All the things she did with Suk Min and Su Ahn could've been "erased" by raising Do Hee in a less restrictive way. As she was able to do all this, she decided to give Do Hee the company. I think that was very wrong. Of course, Suk Min didn't create the company, and it isn't "his" looking from it at a more Western perspective. As Chairwoman Jo built it from the ground up, however, she had Suk Min training ALL his life with only one thought in mind. Him owning the company and carrying on her legacy. And for her to throw such a curve ball, of course, he'd be upset and pissed off. This is not me justifying all the rubbish he's done, though. I'm just saying I would be very upset if I were in his position. As such, I think Chairwoman Jo is kinda the biggest villain in a sense. Because all these "monsters" were created through her training and teachings. Plus, episode 12 ending kinda proved me right in a sense.
So that is that. My little two cents on a few characters and why I think Do Kyung isn't the biggest of villains. Poor kid needed love, and that wasn't given to him. Still, he was disgusting jerk, but he needed love. If he was given that care and affection, maybe he would've been different. If Suk Min, his dad was given more love and care and approval, maybe he would've been different as well.
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loveless-fairy · 1 year
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Evan Buckley and why the writing choices for him in the season finale were crap
This is my take on Evan Buckley, and it's a long one.
I have to start to say that yes, I am a Buddie shipper, but also I think it’s fair to say that before that, I am an Evan Buckley truer. So my take comes from my love for the character, rather than my hopes for the ship.
With that out of the way, let’s get into it.
I have a lot to say about the season finale, but I’ll concentrate my thoughts on Evan Buckley and how this show managed to give us development and no growth at all, all at the same time.
It’s really important to remember that last night’s episode was meant to be a series finale. They made this episode with the thought of “this is the last time” on their heads.
This was a send-off, and as such, it was quite awful.
Maddie’s and Chim’s closure was fine, Athena and Bobby's was perfect because they finally get to have their honeymoon, and without telling anyone. Very on brand. Hen and Karen was a happy note, but it left me wondering, why now? I mean, it’s been a while since we saw this storyline and it kinda came out of the blue. A surprise if you will. A good one though. Karen and Hen deserve the world. The thing is that seemed rushed.
The lack of Ravi. I’m gonna just leave it at that.
Eddie. I have to be honest, this felt weird and also out of the blue. Just like people on Twitter were asking. Where did he get her number? That entire scene felt off. But that’s an analysis that I’m whiling to do another day. For now, let’s just say that it was a no for me. That’s how we were supposed to say goodbye to Edmundo Diaz? I’m sorry but no. He deserves better. We deserved better.
Now, let’s talk about Buck. It’s gonna be quite a ride, so bear with me. As I see it Evan Buckley is a very complex character and sometimes I get the feeling that even the writers and showrunner of the show don’t fully understand how deep they can dig, so it’s understandable that fans feel underwhelmed with the decisions regarding Buck. As viewers, we tend to analyze everything. As fans, we like to see different sides of our favorite characters and we pay attention to everything. We keep track and sometimes, and not just with Buck, I feel that we do a better job at knowing the characters than the writers do.
With that said. We had Buck dying at the beginning of the second part of the season. It was quite a shock for the 118 and in my opinion, it was very well done. The emotional aspect of it was painfully good, so I had my hopes up for true growth for Evan Buckley. And we were heading that way until we weren’t.
I feel that after everything he went through, having to say goodbye to Evan Buckley with him getting involved with someone he just met and without really addressing his trauma was lazy writing. Plain and simple.
One of the things that always bothered me about how the show decides to write Buck is that he never truly faced his traumas.
Let’s see. Since he joined the 118 he got a truck landing on his leg, a pulmonary embolism, found himself in the middle of a tsunami with Christopher and he even thought the little guy was dead for several hours. He had to watch his best friend get shot in front of him, and for the second time, he feared for Eddie’s life. Just like Maddie said, just another trauma to add to the pile.
He almost died in a factory fire and was struck by lighting. Not to mention he was in an overpass collapse with his entire team. I know I left a few things out, but you get the idea.
And all of this is just since he joined the 118.
Let’s talk about his life before coming to Los Angeles.
I am a firm believer that Evan Buckley doesn’t really know what love looks like and what to do with it.
True. Growing up he had Maddie, and she did as much as she could with the few emotional tools she had. She was a kid herself. We know she raised him, and she did a fantastic job, but at the end of the day, she was his sister. The sister who had to step up into the mom role, even when their own mother was living under the same roof.
Buck grew up feeling that his parents didn’t really want him. Now we know why but can you imagine how confusing and painful must have been growing up like that?
They were his parents. They were the ones who should have loved him no matter what. They were supposed to be his safety net, the one place where he could feel safe. But they weren’t.
How damaged a kid had to be for him to realize by himself that only when he gets hurt he can get his parent's attention? Let that sink in for a minute.
As Taylor Swift said: “You know there's many different ways that you can kill the one you love. The slowest way is never loving them enough”.
And that’s what they did. They never loved him enough.
So, no. Evan Buckley doesn’t really know what healthy and unconditional love looks like. He had Maddie but the ones who were supposed to do the job and show him and teach him about love didn’t.
Not having that growing up leaves you with scars that will haunt you for years and years. And trust me, I know what I’m talking about. On a good note, he’s surrounded by love at the 118. And we’ve seen him learn about love right in front of our eyes. But the trauma doesn’t go away. That’s not how it works.
We’ve seen him being left behind, and jokingly doubting if the members of his chosen family will come for him when needed - which they did. His self-worth was on the freaking ground, but slowly but surely has been getting better.
So, yes. After him realizing why his parents never loved him enough (Love me anyway), and finally letting Taylor go, I thought we were going to see a new side of Evan Buckley. And with the couch analogy coming to life, I really thought we were going to get a growth storyline, especially after they decided to kill him.
Don’t get me wrong. I have nothing against Natalia, and I understand why he felt like she ignited a spark in him. I really do. But I also thought he was going to realize it was a temporary thing, because overall having someone fetishizing your death is not really attractive.
As I said before, even after years of being surrounded by love, the trauma and the psychological scars of not being loved enough as a kid will haunt you to adulthood, especially if you don’t go to therapy to deal with it.
And they showed us just that at the beginning of the second half of the season.
As someone who wants love and loves so fully, when the same love is given back, Buck doesn’t know what to do with it.
I see it like this. When someone didn’t have physical affection growing up, as an adult is more likely to have an aversion to touch. But what happens when that person craves a hug, when that person knows it needs a hug but has no idea how to ask? And if it gets one, what happens then? It doesn’t know how to react and what to do.
After being struck by lightning we saw a parade of people worried about him and whiling to be there during his recovery and Buck was done. One would think he will take advantage of the situation and will let them shower him with affection, but it was quite the opposite. The concept of this kind of love made him uncomfortable.
And then he had people reminding him that he actually died –for 3 minutes and 17 seconds, mind you- when he clearly was trying to downplay what happened.
So yeah, Natalia really ignited something new in him, because since the lightning she was the first one who looked at him without worries and fear. Quite the contrary, she was fascinated by the fact that he died. She literally was the getaway car for these traumas, so he saw an opportunity and took it.
I wasn’t really that surprised when he said to Eddie that she really sees him, because from his point of view that may be true. But the thing is that she’s only seeing what he wanted to show, which is this version of him that’s running away from his trauma. Meanwhile, the people in his life who are a constant will see that too but also, eventually, will dig deeper and will force him to see and face what he is purposely avoiding.
At the end of the day, he was looking for validation that what happened wasn’t that bad and that it was not worth the fuss, and he found that with Natalia.
So, sure. Being with her was easy for about 2 seconds. Then she runs away, pretty much in the same way Taylor did. Because people are right, is not hard to see the parallels between how Taylor and Natalia happened. Both after major trauma.
In my head, I could see Natalia coming back so they can give it another shot, but Buck will have realized by then that he reached out in the first place for all the wrong reasons. He would have to face his mortality and grow from it. Maybe he would work on himself and put his energy into growing at the job since he was having doubts before, and rightfully so.
I’m serious when I say that I’m in charge of pushing the Evan Buckley lieutenant-era agenda.
And with the couch metaphor, what can I say? In my perfect fantasy world, Buck would have realized the couch was Eddie and then we would have had Buddie canon. But since that’s virtually impossible as long as Kristen Reidel is the showrunner of 911, I thought the season was gonna end up with Buck buying the damn couch by himself since he realized his own worth, and that he as “just Buck” is enough and him knowing himself and seeing himself for what he is, is the most important relationship he has. An open and hopeful ending. A full circle with the moment back at the beginning of the season when he realized what the couch represented in his life.
What a send-off.
And maybe, in another season that now we know is a sure thing, after the trauma and growth, he can reconnect with Natalia and really see if he wanted to be with her because of how she treated his death or because there was something real there after all.
But no, they decided to go with the safe route and have him ignore his trauma and have him dive into a romantic relationship, which according to 911 is the cure for everything.
I was mad at the beginning of the second half of season 6 because I felt they made him forgive his parents way too easily. I know they went to therapy together, but it felt like all the damage and the hurt were overlooked in favor of giving the Buckleys the redemption arc they didn’t deserve. It was the show invalidating Buck’s trauma and that didn’t sit well with me.
And also, when I saw the promo for the finale I thought they were going to do the full circle thing with Buck taking charge at the scene and proving that he can act as interim captain. The parallel between the first episode of the season and the last would have been beautiful. Him buying the couch by himself and acting in charge at the house meanwhile Bobby is getting better.
That would have been a great way to say goodbye to Evan Buckley. Showing us he is more than his relationships. He, by himself, is more than enough.
What did I say before? Lazy writing.
I still can't wrap my head around the fact that they have him delivering “his baby”, which is not really his, and having him act all professional even when we saw the moment he broke his own heart for a second there right before he passed the baby to Cameron, and they still managed to left us with the feeling that there was no growth for the character.
One step forward and 150 steps back.
Anyway, I really hope next season something change with the showrunner or in the writing room, because we’re going in circles with Buck and people are getting tired.
My takeaway from the season is that Evan Buckley died for 3 minutes and 17 seconds and didn’t learn a damn thing.
Give that man a breakdown and have him go to a therapist. He desperately needs therapy.
Finally, I hate to think they had the opportunity of a lifetime to give closure to a character as complex as Evan Buckley and they decided to reduce him to a romantic interest.
Thank god that wasn’t the last episode of 911.
There’s still room for redemption.
On another note, Eddie realizing that Pepa was wrong and that in order to be happy you don’t need a romantic relationship; that would have been a good ending too. I understand where she’s coming from, but in this day and age, being alone is not a sad and pathetic thing as she made it look.
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sohoscribblers · 5 months
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A Deeper Dive into First Person POV
by @adeptdragonfruit54
What is First person POV more specifically?
First-person perspective is a storytelling technique that narrates the story from the POV of a single character, usually the protagonist but sometimes it can be a side character linked to the protagonist. If it’s the protagonist telling the story, you’ll see the pronoun “I.”  In this form of storytelling, the story unfolds through the eyes, internal thoughts, and emotions of the “I” narrator. It’s a very intimate form of storytelling that lets the character speak directly to the reader or even lets the reader feel that they are the narrator. In the “I” form of storytelling, the reader is looking through the eyes of the protagonist directly and experiencing everything without the filter of the author as narrator.
For example:
Consider the last scene in Season 2 of Good Omens on Amazon Prime when Aziraphale turns his head away from Crowley to hide his emotions/tears. Let’s write that in first person and then third person.
First person POV Aziraphale:  “You idiot, we could have been us,” Crowley said to me. Words jammed in my throat and creased my brow as I looked my companion of many long years. A half motion toward him and a half motion away repeated several times indecisively made my body rock back and forth. Hot tears welled in my eyes. Finally, the waves of emotion became too unbearable. I turned my face away quickly to stifle the cry of pain that threaten to break from my throat as a single tear rolled from the corner of my eye. But as quickly as the tear could slip from my eye, I heard Crowley’s light footsteps cross the space between us and felt him grab the lapels of my jacket.  And then his mouth was on mine, hot and demanding an answer; demanding that I understand what he was trying to say.
Third Person POV:  “You idiot, we could have been us,” said Crowley. He paused a moment, hoping for some affirmative response, or any response from the angel.  Aziraphale looked at him with a creased brow, his shoulders rocking first toward the demon and then away as if undecided which way to move. Crowley watched this indecisive little movement, hoping against hope that his angel would decide to move to him in the end, but his hopes were dashed when Aziraphale simply turned his head away and refused to look at him further or to speak. Then, in one final, desperate act, Crowley closed the space between them.  He latched onto Aziraphale’s collar and kissed him, trying to communicate all his love and need and desperation into that one single human act. He demanded with his lips that Aziraphale understand everything that words had failed to convey. He hoped for a Vavoom.
Advantages of first person
The most obvious advantage of using first person POV is that it establishes an immediate rapport between the reader and the narrator and lets the reader form a deep connection with the character.  You can really explore a character’s growth and viewpoints throughout a story using this perspective.  Second, it can lend the story credibility which if you’re going for the angle of an unreliable narrator can be useful for misdirection. The trust between a first-person narrator and reader can be built by using a narrator who lies and then later broken when the truth is revealed.  Another big advantage of narrating in the first person is that you can express an opinion.  A great example of this is To Kill a Mockingbird.  The narrator is six-year-old Scout and the opinions being explored are bias and racial prejudice in the American south. Finally, as a writer, you can also use multiple first person POVs to express different character views and opinions and tell the story from many viewpoints. This can be an interesting tool for building intrigue in the story if each person telling it only knows part of the story at any given moment.
Continue on AO3
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Right, I'm dropping some HSMTMTS opinions, because honestly, looking through the tag, I feel like i'm watching a different show to some of you???
For context, I have loved Rina since 1x05, but I also properly hopped on the Portwell bandwagon in s2, and genuinely enjoy both ships as written. In fact, other than Ricky/Lily, there are v few canon relationships on this show that I haven't enjoyed at some point.
Anyway, a few thoughts on the love triangle that I may get shot for, but oh well.
1) Gina is not emotionally cheating on EJ. Like yeah, her and Ricky have got their friendship back, and the nature of their friendship can come across as flirty, but Gina rn is fully invested in her relationship with EJ. Her and Ricky being close (especially given he was her first friend in Salt Lake) isn't a crime. Even in WDYKAL, she is fully in character to piss off EJ. She is not suddenly over EJ and back into Ricky.
2) Ricky is not trying to get in the way of Portwell. Yeah, he was being a bit of a dick with that comment about EJ stealing Gina because we all know that's not true. But other than that, he has respected their relationship. He had no intentions of telling Gina that these feelings have resurfaced for him, evident from the fact he swears Carlos to secrecy and is devastated when Channing catches it on camera. And he also makes a point of asking "did it show?", demonstrating that he is trying to keep his feelings under wraps. He allowed Gina to talk about EJ without getting defensive, he even answered EJ's question of why Gina was mad at him without a sarcastic comment. Saying Ricky is purposely getting in the way of PW is character assassination for no good reason. The boy has feelings, yeah, but he hasn't acted on them and the narrative has shown nothing to suggest he would while Gina is with EJ.
3) EJ is being a bit of a tool this season, but honestly, I don't think this is the wasted character development y'all think it is. I don't know about all of your own lives, but something I've found in mine is that growth is very rarely linear. Yes, EJ learnt and grew a lot in s2, and there are times it feels he has forgotten that in s3. But also, he is an incredible stressed 18 year old: flaring up in the form of your former self isn't bad writing, that's just what happens when you're a kid going through shit. I am not worried about what they're doing with EJ at all, and I think by the end of the season, he will have developed in a way that is in line with what the writers did for him last season.
4) I completely agree that they should have slowed their horses when it came to reintroducing the triangle dynamic. Especially because it does feel like PW only got a few eps without drama. But also, this is a teen drama, that's kind of how it works? Also, based on the current writing (and I know I'm in the minority here), I genuinely still think PW will be together at the end of this season. Or at the v least, they won't break up until right at the end, and it won't have anything to do with Ricky.
5) I genuinely don't think the Rina storyline is fan service. Maybe WDYKAL was a *little* bit but I loved every second so I'm not complaining. Tim has said right from the start that Rina was born out of them seeing Josh and Sofia's chemistry in 1x05, and the team feeling that they needed to write towards that. And so they did. Similarly, I feel that the PW stuff in season 2 was so great because it felt that the writers saw something v natural between these characters, and just wrote towards it in a way that felt organic with the story. Given how much of a mess 2b was, I still think Portwell is one of the best written parts of it. However , in s2, there was only closure for Rina on Gina's side, so to say it was a 'done storyline' when we've actually never seen Ricky's POV, isn't fair either? Like idk, there are plenty of things I would have done differently when it comes to the love triangle, but also I don't think that any of their dynamic this season has felt out of pocket, like it all seems to follow the tone and prev writing?
Anyway, long controversial venting over. Please don't come for me xoxo
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