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#i finished 21 dramas in the first half of the year which is also not bad!! but tbh i wish i could cut down on it....
yohankang · 2 years
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i read 15 books in the first half of the year.... not as many as i wanted to, but still not bad
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gffa · 11 months
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choose violence 🥰✨: 3 (altho to avoid the Drama™ it should be more related to something silly I don't want u to die to answer this lmao), 7, 9, 10, 20, 21 (v curious about the last two actually)
3. screenshot or description of the worst take you’ve seen on tumblr NO NO I AM HAPPY TO DO THIS ONE because it is my favorite worst take I've ever seen: "Did you know that Darth Vader and the Empire must have freed all the slaves because we never see any slaves in the original trilogy!" THEY WERE SERIOUS. (Pssst, nobody tell them about Oola.) My other favorite worst take I've ever seen: "We are allowing people to express themselves too much because I just saw people shipping Obi-Wan and Anakin, they're writing all these fics about love, and they shouldn't do that! I also saw people shipping Gojou and Geto from Jujutsu Kaisen and they are FRIENDS, they shouldn't LOVE each other!" Absolutely stellar, no notes, phenomenal, 10/10. 7. what character did you begin to hate not because of canon but because how how the fandom acts about them? It is an absolute struggle not to get sucked into the whirlwind around Qui-Gon Jinn's character. He's so often used as a weapon against the other Jedi, when the reality of his character is that he's both a lovely person and kind of an actual asshole in the movie, he's a dick to Jar Jar! He only cares about Anakin because of the prophecy! But he also is genuine about his affections and he was a good teacher to help Obi-Wan come into himself! He's absolutely HILARIOUS when he's not giving a shit throughout all the batshit stuff that happens in the first 20 minutes of the movie! But so much of fandom wants to flatten him out into either lionizing him or demonizing him and, if that made it more fun for people, I'd be more onboard! Hell, yeah, lionize the hell out of your faves because you love them!! But so few people seem to actually care about the character for himself and, when he gets used to bash the other Jedi, sometimes it's hard to get out of the instinctive urge to dislike the character. (QUI-GON DESERVES BETTER THAN THIS. LET HIM BE AN ASSHOLE CAT THAT WE LOVE.) 9. worst part of canon Honestly, I like pretty much all of Lucas' canon, which is the primary stuff I care about. And most of the boring stuff I can just ignore. But, man, I have trouble with TBB. 20. part of canon you found tedious or boring To be honest, pretty much any of the Star Wars books from the last couple of years that don't focus on established characters. (And some of the established characters, too, I could not finish the Padme trilogy.) I am just so full up on half-sketched characters that never seem to have any real arc to their character or bite to them that I've almost entirely stopped reading SW books, I'm just so bored with them, none of them have Lucas' ability to create a character I want to spend time with or they don't have the page time (like 3+ books worth) to develop them. 21. part of canon you think is overhyped I wouldn't have said this three years ago, but I'll say it today: The Mandalorian. That first season was phenomenal and deserved to be as hyped as it was, just for what it did for breathing enthusiasm back into the fandom. Those early days were amazing, we all got along in fandom, there was genuine affection and zeal for having fun with the characters! But by the time the third season came around, despite that I had a blast during it, it didn't deserve the hype anymore, Favroni had lost their focus or something, and it was all over the place and I don't think it deserves to be "the GOOD Star Wars" live action anymore. (You know what I mean with that.)
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being-of-rain · 1 year
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Some thoughts on my Classic Who watchthrough, the second half of season 21. I’ve got really behind on these thoughts, whoops. I’m still hoping to get through them all before the end of the year!
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First of all, before I forget- why on Earth does the cover of the Planet of Fire DVD have the random heat suit right in the middle, but no Turlough on it anywhere??? Bizarre. You know I love the glimpses of genuine drama and character depth in this show, so I adore Turlough in his final story. The way he keeps secrets and sabotages the Tardis at the start, it’s just like old times. It’s so much more impactful because we’ve seen him grow and change, so reverting back like this feels like something big. Then the way he and the Doctor’s friendship is pushed close to breaking point is great to watch, when they’re forced into a situation where the Master turns up and lives are hanging in the balance, and the Doctor tells Turlough “if you're holding back anything that will aid the Master, our friendship is at an end.” This is a real soap opera for Turlough, I didn’t realise this was such a family drama. And then at the end he makes a choice to face his past! It’s just so good. Every day I pray that Doctor Who gets a bit more experimental with its companions so we get more character journeys like Turlough’s. Oh, and he goes to save Peri’s life while he’s busy with his own stuff too, good on you Turlough. Peri has a pretty strong start! Like a lot of companions, she feels like she gets a bit more generic as her time in the Tardis goes on, but her first story paints an interesting picture. I have to say I agree with her step-father that her plan to join a bunch of strangers for international travel at such a young age was a bad idea... though I guess that’s more or less what she ends up doing in the Tardis anyway. Though to be fair I thought she adapted to it very quickly- One of the first things she does when waking up to find herself on her first alien planet is to find a way to fend off the Master by threatening a Tardis component he needs and fight his control of Kamelion. Her accent is very much under development though huh. Isn’t the story that Nicola Bryant tricked the BBC into thinking she was actually American? How. I’m a big Dr Who fan who’s been binging through this series at break-neck speed, and even I forgot that Kamelion was onboard the Tardis by the start of this story. I can only wonder if casual viewers at the time remembered him at all, like a year after he was last mentioned, especially when his reintroduction here was so sudden. Maybe he was a massive pest of a roommate though, judging by how much satisfaction Turlough takes in disabling him with a vindictive “you’re finished Kamelion!” The Master reminded me of a wild west preacher in this one. I don’t remember seeing much of this story as a kid, except for the one cliffhanger when Peri opened the box in the Master’s Tardis to find the Master was shrunken inside. Iconic. Also, I know the set for the Master’s Tardis is basically always the Doctor’s Tardis with a black makeover, but the implication here is that he modified his central console to look the way the Doctor had modified his to in The Five Doctors, which is hilarious. Finally, the Doctor really says that he’s going to change his ways after Tegan leaves, then the next story kills Kamelion and the Master pretty easily huh. Damn dude. He also gets to say “obey me” at one point when trying to control Kamelion, which felt so weird but fit with the idea of a darker series.
I didn’t have a lot of notes written for The Caves of Androzani, probably because I’ve seen it many times before. Though this is somehow the first time I’ve noticed the way Peri’s accent slips in it. I know it’s a really solid story, but tbh the serial isn’t going to make a list of favourites for me. Bleak stories with basically no likable characters just aren’t really my thing. My favourite bit is naturally the part three cliffhanger. What a phenomenal moment. Maybe it’s because of how grounded and well made the rest of it is, but the Cave Beast really does stand out as particularly fake-looking. But I also thought that about the Myrka in Warriors of the Deep. Surely two of the least convincing monsters in Classic Who? I can suspend my disbelief pretty easily for most of the things in this show but I struggle with them.
One of the only things I really knew about The Twin Dilemma going in was that it was rated the worst Doctor Who story a few times in DWM polls, so I was interested to see what I’d think of it. And now that I have, honestly I feel like I’ve seen worse? Maybe it’s because I’ve absorbed a Lot of Who EU content, and that really raises the bar for what could be considered the worst Doctor Who story. Plus I didn’t really find it boring, which is a crime many other stories commit, but perhaps that’s just because this is the first time I was watching it. I think ultimately a lot of the story’s bad reputation comes from the Doctor’s madness ...which is fair. I think the show doing something different with the Doctor was a very good decision, especially after the Fifth Doctor, and I like how Six explicitly references in the story that his personality is a reaction to Five. And that sort of thing can be done very well, as shown by the Twelfth Doctor. But I think the show made a few big mistakes with Six (and I’ll always say that none of them were Colin Baker’s fault, who was clearly very talented and did the best he could with the scripts he was given). All the mistakes basically come down to the story not really making clear what Six’s personality actually is. The biggest crime of the story is his bouts of madness, like (infamously) strangling Peri, which don’t actually reflect nothing about the character, and don’t mean anything in the story at all. They’re just things that happen... for shock value I guess? Compare to Twelve in Deep Breath, whose extreme moments like leaving Clara without the sonic and taking a coat from a homeless man still felt tied to the character’s newly prickly pragmatism. At the end of Twin Dilemma the Doctor announces that he’s “fully stabilised,” but that doesn’t make a great character introduction when it doesn’t make very clear which extreme bits of his character are staying and which are just going to be ignored with no consequences. Then there’s two things that make the mess worse: firstly, they end the series like that. Maybe they thought that would make people curious about the next series, but personally I think showing the main character at his most unlikable then telling people to come back next time for more of it is a bizarre choice (Again, Twelve’s Deep Breath was better for being at the start of the series, and letting the audience explore the character further soon after.) Secondly, the next season clearly doesn’t have a strong idea of the character, because despite announcing him to be stablisied, Peri goes on to say that he’s still unstable quite a lot next season, and he definitely keeps a lot of his unlikable qualities. In short, in order to make an ‘unlikable Doctor’ work, the Dr Who writers needed a strong idea of what they were going to do with him, and they simply did not.
Anything about the rest of the story? The Doctor being mean meant that the times he had sweet moments with Peri and Azmael stand out. Him saying “brave heart Tegan,” was sweet as well, and so was Peri smiling at the end when he announced “I am the Doctor whether you like it or not.” Tbh one of the things that seemed the most out-of-character to me was when the Doctor calls the Tardis hideous! I bet he felt awful about that later. Something I didn’t like about the story was the way it used the word “alien” all the time as if it made sense to use when the main character is a different species, and sometimes as if the word meant ‘enemy.’ Very bad vibes! I hate it. Something I did like in the story was how Peri could still be very competent even though she was overwhelmed by the Doctor’s changes. One of my favourite moments in the story is when she teleports into the Tardis, a policeman in there points a gun at her and tells her to stop, and she just ignores him because she’s got more important things to deal with like worrying about the Doctor. Amazing. So yeah, that’s the end of Five and the start of Six. Close to the end now!
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tofueggnoodles · 1 year
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Extreme Bath Log Disk 1 – Track 1: Prologue
Click here to listen to the track on youtube.
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Links to some introductory material:
Translation of a short story Minekura-sensei wrote before the Drama CD was released (by @soto-translates)
Translation of the character map by @soto-translates
Characters who are aged up: Sanzo (drastically, 60 or above), Kubota (he has to be older than 17 in this universe), Nobuto (likely in his thirties or older instead of 24), Hakkai (ditto)
Characters who are aged down: Tokito (second year high-schooler, 17 instead of “around 20” in WA), Gojyo (likely between 19-21 in this universe instead of 24)
Characters who stay more or less the same age (plus minus one year): Goku (18ish in Saiyuki, 17 in this universe), Saito (18)
Unknown age or irrelevant: Mishiba (22 in Bus Gamer), Tenpou, Kenren (the last two should be at least middle-aged in this universe)
Overall summary of the Drama CD: Slice-of-life with some plot in the first half. The Genjos (Sanzo, Hakkai, Gojyo and Goku) run a bathhouse in a shopping district, where the businesses are struggling against competition from the new shopping mall opposite the train station. Among their neighbors and acquaintances are Kubota and Tokito from Kubota Laundry, Saito from Saito Liquor Store and Tenpou, a writer who lives with the Genjos. There are also two sons who are living elsewhere, wayward Nobuto and globe-trotting Kenren. To me who grew up on a staple of Japanese TV serials in the late nineties to the early 2000s, the story evokes a feeling of nostalgia for a vanishing era and lifestyle in a typical mid-sized Japanese satellite town.
Now, on to the first track!
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Summary: Waking up from a surreal dream in which he and his relatives fought a bunch of youkai, Goku headed downstairs for breakfast.
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Sanzo: Tch. What a bother! (shoots and takes out a youkai)
Hakkai: They’re coming in an awfully big flock again. ** (hits a few youkai with a ball of chi)
Gojyo: Over there, Goku!
Goku (twirling nyoibo): Leave it to me! Oryaa!
(Youkai cries out as nyoibo smashes into them.)
Gojyo: There’s no end to them, so just finish them off in one strike, Sanzo-sama!
Sanzo: Don’t order me around, damn kappa! (starts to chant a Sanskrit mantra)
Goku: Hmm?
Hakkai: What’s the matter, Goku?
Goku: Don’t you hear a strange sound? (An alarm bell rings in the background.)
Gojyo: Hah? Has your hearing turned as stupid as the rest of you too?
Goku: That’s not it! There, you should be hearing it as well – it’s a bell-like sound.
Hakkai: Ah, surely that’s because breakfast is ready, isn’t it?
Goku: Huh?
Sanzo: Makai Tenjo!
(The ringing sound grows louder.)
Goku: Ah.... eh? (turns off the alarm clock)
(The ringing sound stops, replaced by the sounds of chirping birds and bicycle bell.)
Goku: Uhh....
Hakkai (from downstairs): Goku! If you don’t get up now, you’ll be late!
Goku: Crap! (flings off his blanket)
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(Sounds of running water, vegetables being chopped and the clear chime of a bell. The last one is typically heard at a Buddhist household altar [https://en.wikipedia.org/wiki/Butsudan]. Sanzo chants a Sanskrit mantra.)
Goku (runs into the living/dining room): Morning, Hakkai!
Hakkai: Good morning. Sorry, but could you fetch the miso soup from over there?
Goku: Okay! Eh? Gojyo’s already awake? How unusual!
Gojyo: Why you. I mean, can you not address your big brother so casually this early in the morning? [Instead of using the term for elder brother, such as ‘onii-san’ or ‘onii-chan’, Goku addresses him by his first name, which is considered rude.]
Goku: I’ve been doing that since I was a kid, haven’t I?
Gojyo: It’s because of stuff like this that you’re still very much a kid, you pipsqueak of a baby monkey!
Goku: Then, is a NEET who abandoned his studies at the university mid-term an adult? [NEET: young person not in education, employment or training]
Gojyo: I’m not a NEET! I’m a freelancer! A freelancer! [He uses the term freeter, which can mean anything from someone who is deliberately unemployed, underemployed or a freelance worker.]
Goku: Don’t talk like you’re a real freelancer. There’s nothing admirable about it at all.
Gojyo: Why, you cheeky monkey! Show a bit of respect for your elders–
(A loud gong resounds.)
Sanzo: You two damn kids are being noisy so early in the morning!
Goku: Ah, morning, grandpa.
Gojyo: You’re way noisier than we’re, old man!
Sanzo: Who’s the old man, you thickheaded greenhorn?
Gojyo: You’re a grandfather. Doesn’t that make you a real old man? Or have you finally gone senile?
Sanzo: Hah? Compared to that idiotic-looking deep-red head of yours, my head is way much clearer!
(They start to grapple with each other.)
Gojyo: I don’t want to hear complaints about the color of my hair from an old man who dyes his hair blond in order to appear younger!
Goku: Jeez, stop fighting in front of the altar!
[Depending on the Buddhist sect followed by the household, the altar may contain either the pictures of deceased relatives or tablets engraved with their names. So in this sense, Goku is berating Gojyo and Sanzo for fighting in front of Kanan and Konzen :) ]
Hakkai: Yes, that’s enough. Everyone, breakfast’s ready.
Goku: Breakfast!
Sanzo: Tch.
Gojyo: Yeah, yeah.
Hakkai: All right then–
All four: Let’s eat!
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(Round brackets): actions and sound effects. [Square brackets]: translator’s notes or clarifications. Double asterisks **: Stuff I am not sure with. Suggestions for improvements and corrections are more than welcome.
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feverinfeveroutfic · 7 months
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why it seems like i've been going slower lately
been meaning to elaborate on this but... eh, what're you going to do. i've been writing since i was a kid: literally, i wrote my first short story when i was six years old (so i am as old as time itself in comparison to this site). there are troughs and peaks with anything and everything that comes out of me, and writing is no exception. 2023 has been exhibit a of a trough for me (which was kind of my worry as 2022 was ending, like i’m going to have to hit the brakes at some point) and there’s a few reasons.
i'm not an alcoholic, but i come from a family that's been stricken by alcoholism and addiction. my dad's been in recovery nearly 10 years as of writing, and my mom hasn't used anything in about 7 years. though i don't have "the disease" (and the taste of alcohol makes me urp as well), i do have some inflictions of it: i get obsessed with things easily and i tend to put a lot of energy into something that i'm really obsessed with it, be it a book or a crush. writing has allow me to explore myself and what i love, as well as be an escape from the skeletons in my closet. at this point, it's sort of lost its luster. if i walk away from my laptop for a day or two, i come back refreshed, like i’m not dreading it or hating it.
with testament, anything alex touches, and the less-popular corners of the bay area, i'm always excited, which has never happened to me before in all my fannish ways, not even when i was hanging out with soundgarden and the grunge scene as they kind of me hanging in 2016. metallica wore me out after a while (though i'm still very much a fan and lars is still my dark knight) and anthrax gave me that totally lovely drama from the back half of 2020, even though i'm still more than happy to write about them and about joey in particular. however this comes with a price: i'm getting pulled in different directions. i've got my wips and tbh, i'm in no hurry to finish them, especially now that we have an income now after going most of the year without one and nearly losing our house as a result. it's for this reason i've often wondered if i have a.d.h.d. or if i'm neurodivergent. i like novelty. i like surprises. i like to be kept on my toes.
i have a long history with mental illness, financial trouble, and weight problems, as well as often extreme discomfort with my sexuality. at 18 years old, i was almost homeless. at 19 years old, i was suicidal and my eating disorder was at its worst. at 20 years old, i was suffering from extreme anxiety to the point it would keep me awake at night. this past summer, i was so worried about our losing the house, that i thought i was going to have a mental breakdown. also this past summer, at my heaviest weight ever of 268 pounds, i was starting to have problems with my circulation and my blood pressure. though i'm steadily getting healthier, and as of writing (11/21/23), i've lost nearly 50 pounds since july, i won't fully parse into it, but the one bugaboo that keeps haranguing me (and often to the point of wanting to rip myself apart) is my sexuality. look no further than this year's kinktober: i had to end it a little after halfway because i was getting humiliated. i would post for the day and no one on ao3 would read it... but oh, they would flock in droves to other writers who either can’t write worth shit (sorry, but someone needs to say it) or the kink involved either doesn't feel like kink because it's so commonplace or it just doesn't hit right, like it's not hot at all. it's like it's hot for the sake of being hot. plus, i literally hate the second person perspective now, the ____ x reader trope; speaking of commonplace. i remember doing a couple of those when i returned to fic, but it was back when it was fresh and unusual back in 2018 and 2019: now it seems like it's every other fic in existence. it's lonely as hell on my end, especially when you get a wide array of kinks involved. and it's unoriginal, too, like there's no creativity to be found whatsoever.
so, it's not the popularity of the trope that gets me: it's the fact that it's never written correctly and it's so one-note now, and more often than not, i just think, "god, why not just invent an original character?" i can literally put up with kinks i don't like unless it's written well, and this is never the case now. and it's so weird because ao3 has no algorithm and yet people treat it as such. when you share a kink with the world, the expectation is to have others step out of the shadows and relate to it and that's how you normalize it and get comfortable with it... at least that's how it works for me. so, that wasn't happening with kinktober this year and as a result, i took it out on myself (i got some serious beef with the metallica fandom again, too: "just when i thought i was out, they pull me right back in"). i started to question my future in any kind of writing now, because it seems like in 2023, original fiction is just fanfiction with the serial numbers filed off: yeah, so much for sharing originals anymore. is it even worth it in fic when i feel like such an island? *i mention mental health and weight because the three—should, anyways—go in sync with each other. in general, as i'm losing weight, my anxiety is disappearing, but mention anything sexual and it comes roaring right back again. i'm trying to make peace with the three. when you lose a ton of weight like i have—and i think i’m gonna keep going with it, too, my waist-to-hip and waist-to-height ratios are still high, plus i feel better after a good workout—it not only changes you physically but emotionally and mentally. there’s a lot of adjustment that goes into all of this.
i have other things i like to do. i'm an artist (say no to ai, please, i beg you: you're killing me here). with my weight loss, i have rediscovered my athletic ways. recently, i got into baking and cooking: don't know if i want to bother with pastry school or any kind of school in the future, especially with how much i really dislike our education system here in the states, but i'm into making bread and sweet stuff among other things, though.
baking is, i wouldn't say it's time consuming but it definitely takes time, especially if you're making bread: you have to make the dough, and you have to knead it enough to where it's smooth and elastic, and then you have to let it rest or "prove" for a couple of hours depending on the flour you use (4 hours, if it’s rye flour or oats or barley; overnight with spelt), and then you have to knock the air out of it and shape it and let it prove a second time for an hour or 90 minutes, and you really only bake it for a short time, like 25 minutes. i like to set aside a whole afternoon to make a loaf of bread or a cake or something. plus, the internet as a whole has gotten increasingly anti-art and treats everything as “content” rather than human expression and as just another trend (i give “free palestine” another couple of months maybe before the uneducated masses move onto the next trendy thing and the conflict over there persists because none of you “activists” are truly activists). corollary of this: no more quarantine. all the time in the world, yeah, i got quick and i was updating all the time. quarantine ended with the irreversible damage done to the world, i had to adapt.
i also just tend to write more when i go slower? i wrote that one shot from back in may, "porcelain" over the course of a few days and it clocked in at more than 8k. i wrote that merman!alex story last year over a few days and that came out at over 9k. i'm speaking as someone who participated in nanowrimo from 2018-2021 and then again this year (i sat out last year because i didn't feel like it): i write more, and i feel like i write better when i don't write every day now.
i’ve always been miss independent, anyway. it’s my strongpoint and my curse. writing, along with art, is a very lonely craft. even i, someone who enjoys her alone time, still get lonely at times.
i live in a cultural desert here in the california mountains. a piss poor art scene, there’s no music here (at least not anymore), the theater scene here comes and goes, and the one bakery we have here sucks. “don’t let them take you down, leave a better world than you found”, as chris once said. if that means i have to take my time, i’ll take it.
and finally, it’s not that these stories make me cringe (quite the contrary! on my days off, i think about them all the time) but… it’s going to take very specific circumstances for me to write something on the level of fever again, like i’m going to need the world to shut down again (and knowing how cowardly everyone is, i don’t see it happening unless it’s really bad like a war breaks out). and i’m literally doing what i can to improve things on a sexual level.
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awlwren-writes · 1 year
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3, 4, 17, 18, 21, 30 for the behind the scenes ask
3. Do you write fics from start or finish, or jump around?
I mainly write from start to finish for a particular story or chapter. Sometimes I will move scenes around, of course, or realize I actually want to start sooner and go back to fill things in, but usually I just go and hope the words keep coming.
That said, if I write a series or collection of themed posts, often I write the middle/second one first. This is often something I accidentally do with reading series as well, so maybe that says something about me.
4. Do you outline before you start writing? If so, how far do you stray from that outline?
Already answered!
17. What fic are you most proud of?
Technically already answered but I'm going to answer again, because choosing one favorite is the worst. The fic I (at this moment, it will probably change with the wind) think is the best out of what I've written might be Over Your Hill. I got to explore a headcanon I like, I got to delve a little more into what their relationship looked like in the early stages (useful for Those Who Wander) and I enjoyed the comfort part. And when I reread it recently I liked it a lot! Which was a very pleasant surprise.
18. What is a line/scene you’re really proud of? Give us the DVD commentary for that scene.
Again with the choosing! You get my commentary anyway in the end notes most of the time because I can't shut up. ^_^
Okay. I'm proud of how I matched up Cor's assault on the dropship in Heaven in a Rage to what Nyx heard in WWFL's chapter, Eternity in an Hour. At that point, the way we were writing is we would talk about the general scheme of things, broad strokes, background info, etc, and then she would write the chapter and then I would write mine as an alternate perspective on the framework she built, and sometimes then we would adjust minor things if I thought of something cool and we had time. But half the fun was fitting my story around hers.
Spoilers here for the climax of the first arc of Smoke and Mirrors, in case anyone wants to read it and enjoy the Drama unspoiled. Plus, it got really long (Long enough to crash Tumblr's Editor, apparently, T_T, so this is the rewritten commentary), so I'm putting it under a cut.
So for Nyx's actual rescue, she gave me: a loud bang and shouting, Nyx hits the wall, someone yelling "(get us out) of here, Drautos", clashes of metal, a roar, Nyx thrown across the ship, then Cor is there talking to him. (I never actually questioned that any of this could be a hallucination, btw, I treated it as a strict guideline. Which maybe made this harder than it should have been. I also have wondered a lot why people in the comments doubted it was Cor that Nyx heard, and just now noticed WWFL's very Evil end note asking if people think it's actually Cor or someone else. Sorry for questioning you all for nearly a year.)
Okay.
This is full on half the fic, so you're getting the highlights, not the whole thing quoted.
The hatch was closing as the ‘ship lifted off, leaving Cor a smaller and smaller window to get on board. He was confident he could cut through the hatch, but he was less confident that the blow would stop there and he couldn’t risk that Nyx was on the other side. Thankfully, the fact that this was an older model was helpful in that the hatch was on the side rather than the front. If he got the right angle… Cor darted up close to the ‘ship, thankful the strange magitek engine didn’t actually give off heat despite its color, and slashed at the hatch from the side. It dropped off the ‘ship entirely, and the ‘ship lurched, off balance from the sudden loss of weight. A soldier fell out of the opening, screaming.
Cor was originally just going to jump on the hatch and prevent it from closing, and then I realized the hatch opens up not down, and he would be squished if he tried. And then, like Cor, I wondered about just cutting it open, and discarded it for similar reasons. But it wasn't speculation in vain, because I could give that train of thought to Cor so he wouldn't instantly have the right answer without trying!
And so we have Cor making himself a permanent entrance, which will come in handy later as well as be a problem later, and we have the bang and a Wilhelm scream, because I am a Star Wars nerd and couldn't resist, and the jolt that knocks Nyx out. It also made my next steps easier, because Cor could kill the pilot mooks quickly without one having to survive long enough to scream, or Nyx to have missed the noise of the fighting.
Through this whole fic, in Cor's perspective the word ship always has an apostrophe in front of it indicating it's an abbreviation for Dropship or Airship, kind of like early writers did for 'droid (See, I told you Star Wars was formative). This is because he's just less familiar with the terminology and the technology itself; when he thinks "ship" (without the apostrophe) he's thinking of a water craft. Drautos doesn't have that problem in his POV chapters, because he has spent a lot of time talking about them with the people who designed them and use them every day.
Moving on. To summarize the next part: Cor gets to demonstrate his skills by mowing some soldiers and techs, gets to see Nyx is alive and ties him down so he doesn't slide out of the plane like the screaming soldier did, and then the copilot tries to attack Cor in a blind panic at having the Immortal in her ship. Cor kills her, and as she dies she squeezes the trigger and sprays the pilot, killing them.
The ‘ship started to dive as the pilot fell forward onto the console.
Cursing this whole day to fall into the depths of Leviathan’s mysteries to never be remembered again, Cor charged across to the front of the ‘ship as fast as he could on his bad leg, pulling the pilot back and grabbing the white joystick underneath them. It reminded him of playing video games with Regis as a teen, but he pushed that memory away and pulled up on the joystick, hoping to level them out at the very least. He had no idea how to land this thing.  
I really enjoy fantasy swears, because I love the worldbuilding behind what makes something vulgar or taboo. A culture that is sex positive might not use "fuck" as a curse, for instance. One without a concept of Hell might instead think of the very creepy depths of the Ocean and how jealously Leviathan guards what is hers, and consider that whatever falls to the ocean floor is more lost than lost, and you get a concept halfway between Davy Jones' Locker and Hell.
Does anyone else remember playing computer games with joysticks? Am I just old? Cor is older, so he gets the experience as well.
The ‘ship did seem to level out, but it also turned back in a wide circle toward the courtyard and the machine guns on the other craft. He tried to straighten it out but the ‘ship wobbled alarmingly and he hastily adjusted his direction back to the way it had been. Hopefully Drautos had taken the other ‘ship out by now.
Actually, as the commander of the Niflheim army, Glauca probably knew how to fly this thing. Hadn’t the glaive captured one once, too? It wasn’t important. He tried to hold the joystick steady and tapped his radio. “Drautos, come in. I need you to tell me how to get this scourge-riddled spawn of a tortoise and a garula landed!”
Here I shamelessly shoehorn my HCs into this fic. The first is that Cor joined the Retinue as a driver, and prides himself on this skill. That makes the inability to instantly be able to pilot a foreign craft on his first time very galling to him personally. The second is that the reason Nyx can do so in the movie is because of said captured craft, which was slotted for an infiltration mission for the Glaive and so the Guard didn't get to play with it. This is how the Traitor Glaives know how to pilot them as well, and might explain how they got the rare pilot-able model during the battle at the airships in the movie.
Cor's lack of ability to fly the ship also allowed me to do two things which made my job easier. First, it gave him a reason to call Drautos, whom he might otherwise be inclined to leave behind just to not risk Nyx further. Yes, it would be great to not have Drautos/Glauca (and I had fun playing with Cor not knowing which name to call him by) running free with all his information, but Cor was hurt and protecting Nyx, and fighting to capture or kill Glauca when he was cornered like this wasn't an acceptable risk if he could avoid it. Second, it allowed him to come back close enough to base that Drautos didn't have to chase down an airship on foot.
There was static over the line, likely interference from the base itself, but no answer. He tried again. “Drautos! I need to get this flying box on the ground or at least last long enough to get it out of here, Drautos!”
And we finally have the line Nyx hears! I changed the first part of it from what WWFL was probably thinking of, but it still fit what Nyx heard, so I was grinned and moved on.
Drautos, by the way, hears none of this, between the metal box Cor is in and the metal boxes and buildings he is in, and probably whatever jamming the base has set up. And because he knows Cor is ridiculously competent at too many things and because Drautos himself knows how to pilot and so sometimes underestimates how difficult it is (as do we all with things we know well), he takes Cor's bad driving as intentional, probably wanting additional backup in case things go wrong.
[Cor circles back around, gets fired on, and then...]
A massive clang resonated through the craft as Cor struggled with the controls, and the ‘ship shuddered from the impact. Cor craned his neck to peer below them at the courtyard, trying to see what had hit them, if someone had managed to bring larger weaponry into the fight, but he needed most of his attention to keep the craft in midair. He risked a quick glance back at the interior of the ‘ship to see if he could see any obvious damage, but his view was blocked by the still partially-melted form of General Glauca.
The big clang is Glauca and his metallic armor hitting the metallic dropship! Yay! The other clangs Nyx hears as he wakes up are the bullets hitting the ship.
I figured this made more sense than having anyone who could cross swords with Cor showing up at this point, which is where my mind first went when I heard "clashes of metal". I think this was also the point I realized my first draft of this rescue (which involved a lot more fighting on the airship) wasn't going to work, scrapped it, and started the one you see here.
Poor Cor. Under fire, can't control the ship, thinks he's been hit by a missile and then sees his traditional enemy Glauca. It's probably for the best that he has both hands full or he might have attacked him. Which is why he, in the next paragraph, is very insistent on reminding himself that he's a sort-of ally and calling him:
“Drautos!” he exclaimed, then wrenched his attention back to the instrument panel to stabilize the ‘ship as it swayed again. Blast it into ions, he was better than this. He could hold a car steady on the road while he tracked daemons’ paths through the countryside around him if he so wanted, but the controls on this vehicle were touchier than a car wheel.
Glauca’s armored gauntlet settled on his shoulder as Cor frantically worked at the controls, then he leaned over and pressed a combination of buttons in the center of the console. Cor could read Nifltunga, but these were labelled in some bewildering combination of abbreviations and acronyms and so he had been ignoring them, figuring it was better to work without them then press something wrong. Whatever Drautos did, it stabilized the ‘ship and caused the whine of the engine to roar with sudden burst of speed, which Cor frantically tried to direct up and away from the base and the courtyard full of enemies.
And now we have the roar and the second jolt! (RIP to Nyx's brain. Blame WWFL, not me) I leaned into the ambiguity of the word roar and made it the engine roaring as Drautos switches it to GTFO mode rather than, say, our lion-associated POV character because of the same thoughts about the lack of plausible enemies at this point.
Yes, Nyx was tethered, but it was hastily done with materials not really meant for someone lying on the ground. It kept him from falling out of the aircraft, at least, even if he got a little more banged up.
Poor Cor. So used to being excellent at everything and he's crabby about this one time he's not. Not that he allowed himself the other excuse for that difficulty that I pointed out here: foreign abbreviations are The Worst. Especially technical ones.
Another note about fantasy swears: I base most of the action ones on the astrals - frost it, burn it, blast it, etc. The various versions mostly get used in certain contexts - Ifrit is kind of shady (no pun intended) in current culture, for instance, so anything with burn/ash/char is pretty serious. Shiva references are kind of a mixed bag at the moment because of Niflheim associations, and before she self-destructed were very popular in Insomnia. Nowadays they're kinda old-fashioned, because she's better regarded. Blast (with the modern reference to ions! Some swears do change) refers to lightning and thus Ramuh, so it usually has to do with judgements or condemning something. In this case, Cor is judging himself and this situation very hard, and also has lightning on the brain because of Crowe's attack.
Anyway, next they Talk in a Manly and Dramatic fashion where they don't really address any of the emotional things going on, but Cor does acknowledge that Drautos didn't have to help but did anyway, even at what may be the cost of everything he worked for, and Cor appreciates it even if it probably won't change much.
Cor finally gets to check on Nyx and Drautos fills him in on the basics, including the miasma infusion, and right on cue Nyx -- who is rather messed up between getting doubly concussed in a short time period, having a fever, being infected with the scourge, and generally pretty hurt before that with only rather janky medical help that's gotten ripped open a few times -- gets to hallucinate his sister dying and Galahd burning! Fun times.
I wanted to put Nyx calling for his mom both because it fit the time he was hallucinating, but also because it's historically a thing that even Strong Tough Soldiers do. Being hurt sucks, even if you are a Main Character, and it's not a shameful thing at all to be afraid (this is my Tolkien influence, when literally everyone being afraid of the Nazgul blew my childish mind and made confronting them even more impressive rather than expected).
The hallucinations are there because that was a thing that was happening to him and I wanted some continuity with WWFL's take on Nyx vs the Scourge, and because it's a nice cover for Cor missing what Drautos is doing (his Final Message). Plus, it means Cor has a pressing need to give Nyx help ASAP, without worrying about spinal injuries and the like that might have caused him to delay using a potion otherwise, because Nyx in his hallucinations is probably doing worse damage and he clearly needs a lot of help.
So Cor does some desperate first aid, and bundles Nyx up against him so he can't hurt himself more.
He reached up and stroked along Nyx’s cheekbone, trying to wipe away some of the damning tears.
Does this help anything? No. Does it make Cor feel better to not see evidence that Nyx is infected? A little. Should Cor have been touching the scourge tears with his bare hands? Definitely not. Luckily, he is the other kind of immortal.
“I’ve got you, Nyx, we’ve got you,” he murmured, matching the cadence of his voice and his hand to the pulse of the engine as they dropped slowly, presumably toward a landing somewhere. Cor couldn’t bring himself to care where. “We’ve got you.”
Cor switches to the "we" here, because it had to happen eventually to fit the script. I like to think the "we" only partially includes Drautos, and mostly includes the rest of the glaives and guard who came to help rescue Nyx, and a reassurance that Cor didn't get captured in trying to save Nyx - a reoccurring nightmare for Nyx.
Nyx shifted against his shoulder, leaning up into Cor’s hand on his cheek. Cor could feel his lashes fluttering against his neck as he started to stir, and he let himself believe it was a good sign. “Cor?” He could barely hear it over the sounds of the ‘ship landing, but it made his heart soar higher than the airship had. Nyx was talking, and he recognized him. Surely that was a good sign? His name had never sounded so sweet.
He stroked Nyx’s cheek slowly, wiping away more tears as they fell. Were they lighter? Surely they were. He kept up his mantra, reassuring Nyx that he wasn’t alone, that he was safe. “We’ve got you.” He’d never let go.
Butterfly kisses are the best. Even if the situation is the worst.
Cor is Tired and Dramatic (as was I when I was writing this). He's going to cling to hope and what victories he has and comfort his boyfriend as best as he can and let the Drama flow. He's earned it.
Until Drautos (who had temporarily earned back his first name basis by the help he's given them and by Cor being Tired) takes his turn to be The Most Dramatic.
Thanks for the sticking with me on that long tour through my thoughts (and pity the two and a half hours it took to write it and rewrite it after tumblr ate it.)
21. What is the one fic that got away?
Probably To Hope's End, my Nyx as a Messenger AU. I want to go back and finish it. I do. But I have a lot of unfinished stories, and I think that one's furthest on the backburner for now. Partially because it's going to be long, and if I'm focusing on a long one right now it's going to be Those Who Wander.
30. Tell us an idea for a longfic you want to write in the future.
I would like to get back to the time travel fic I've told you about where Regis trying to use the crystal to check out Noctis's future causes refractions, so you get past, present, and future Cor and Nyx (who were anchoring the spell) of various ages all shoved in a room together and trying to figure out what in the world is going on.
And all the chaos that spills out from that.
I also have several fics that I've posted that I want to continue or expand on if I have the time and writing energy to do so...
But you know pretty much all of my ideas already.
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stevespookington · 2 years
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eddie munson and music, a dump of music dates/facts regarding the timeline of the bands from eddie’s patches and pins (aka i wanted to know which patch came first)
band patches: megadeth, motorhead, iron maiden, dio
band pins: accept, judas priest, mercyful fate, w.a.s.p.
iron maiden, formed 1975 but took about 5 years for them to get their act together and release anything, first album being "iron maiden" april 14 1980. eddie would have been 13-14 (assuming 19-20 in 1986)
first single was running free also in 1980
featuring early drama with members before getting solid first members such as
"Iron Maiden recruited yet another guitarist in 1977, Bob Sawyer, who was sacked for embarrassing the band on stage by pretending to play guitar with his teeth."
motorhead was also formed 1975. considered precursor to new wave of british heavy metal which re-energized heavy metal in late 70s early 80s.
lead vocals/bass, lemmy, formed motorhead after being dismissed from hawkmind cause of arrest in canada due to drugs
name was inspired by final song he wrote for hawkmind
they were supporting act to blue oyster cult in 1975
first album, motorhead, 21 August 1977. eddie would have been 10-11 (assuming 19-20 in 1986)
megadeth, formed 1983, first album killing is my business... and business is good in 1985
dio, formed in 1982, by ronnie james dio who left black sabbath with intentions to form band with fellow former black sabbath drummer vinny appice
first album, holy diver may 25 1983. eddie would have been 16-17 and would have just finished junior year
second album, the last in line july 2 1984. this is the patch from back of vest (probably from a tour shirt)
http://www.dio.net/tour/the_last_in_line.html tour dates
On The Last In Line US tour Twisted Sister warmed up at least some shows. Also, some sources claim that Keel would've been warming-up band at some point of the tour, but it hasn't been confirmed yet.
if eddie went to one it is most likely to have been 1984-08-10 at hara arena in dayton ohio opened by twisted sister as it is closest to hawkins
https://en.wikipedia.org/wiki/Hara_ArenaHara Arena
Hara Arena was a 5,500-seat multi-purpose arena located in the Trotwood, Ohio suburb of Dayton. The facility began as a ballroom in 1956, added an arena in 1964 and grew to a six-building complex which closed in August 2016.
Black Sabbath, related to dio, formed in 1968  by guitarist Tony Iommi, drummer Bill Ward, bassist Geezer Butler and vocalist Ozzy Osbourne.
Sharon Arden  suggested former Rainbow vocalist Ronnie James Dio to replace Ozzy Osbourne in 1979
Dio's addition to the band marked a change in Black Sabbath's sound. "They were totally different altogether", Iommi explains. "Not only voice-wise, but attitude-wise. Ozzy was a great showman, but when Dio came in, it was a different attitude, a different voice and a different musical approach, as far as vocals. Dio would sing across the riff, whereas Ozzy would follow the riff, like in "Iron Man". Ronnie came in and gave us another angle on writing."
first album, 1970, black sabbath. (eddie would have been 3-4)
Rainbow, also related to Dio, also known as Ritchie Blackmore's Rainbow or Blackmore's Rainbow, formed in 1975.
They were originally established with half of the members of frontman Ronnie James Dio's previous band Elf,
first album, 1975 (eddie would have been 8-9), Ritchie Blackmore's Rainbow
Elf was an American rock band founded in 1967 by singer and bassist Ronnie James Dio.
The band was originally called the Electric Elves, but was shortened to the Elves in 1968 and finally Elf in 1972. Elf disbanded in 1975 after recording three albums and after most of the lineup had been absorbed into the newly formed Ritchie Blackmore's Rainbow.
first album, elf, 1972 (eddie would have been 5-6)
Dio in general
Ronald James Padavona known professionally as Ronnie James Dio
grew up listening to opera, vocally influenced by mario lanza
started off on the trumpet and played in high school band.
(He attributed his singing ability to the use of breathing techniques he learned while playing trumpet)
formed his first rock n roll group in high school, the vegas king (1957)
(changed named to ronnie and the rumblers and then ronnie and the redcaps).
changed to Ronnie Dio and the Prophets in 1960. which transformed into the electric elves in 1967
in 2006, dio joined black sabbath members to tour as heaven & hell. and recorded stuff for black sabbath in 2007 and toured in 2008
Accept, formed in 1976. first album Accept january 16 1979 (eddie would have been 12-13)
Judas Priest, formed in 1969. first album Rocka Rolla september 6 1974 (eddie would have been 7-8)
Mercyful Fate, formed in 1981. first album Melissa october 30 1983 (eddie would have been 16-17)
W.A.S.P., formed in 1982. first album, W.A.S.P. august 17 1984 (eddie would have been 17-18)
(the research conclusion, motorhead patch probably came first followed by iron maiden and then megadeath and finally dio )
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ryttu3k · 6 months
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End-of-the-year book asks! Check out 2022's and 2021's, too.
1. How many books did you read this year?
Okay let's break this down by length! Novels: 26. Non-fiction: 3. Novellas: 3. Novelettes: 3. Zines: 10. Not including novelettes and zines in that, a total of 32!
2. Did you reread anything? What?
Nope, all new stuff.
3. What were your top five books of the year?
Top three is easy - Hell Followed With Us by Andrew Joseph White, Space Opera by Catherynne M Valente, and Camp Damascus by Chuck Tingle. For the last two, let's go with Jeff VanderMeer's Wonderbook, which is a wonderful craft book especially for SFF writers, and the incredibly bonkers My Volcano by John Elizabeth Stintzi.
4. Did you discover any new authors that you love this year?
See the first three above! I already have Bury Your Gays by Chuck Tingle on preorder, and I've just bought The Spirit Bears Its Teeth by Andrew Joseph White!
5. What genre did you read the most of?
Comfortably in my SFF hole, tyvm.
6. Was there anything you meant to read, but never got to?
*laughs in excessively long TBR*
7. What was your average Goodreads Storygraph rating? Does it seem accurate?
4.24, or approximately 8.5. Yeah, that works!
8. Did you meet any of your reading goals? Which ones?
Read more novels, which I did! I also managed a nice little nonfiction month.
9. Did you get into any new genres?
Nnnnnot really, haha.
10. What was your favourite new release of the year?
Camp Damascus my beloved. (The other two faves were 2022 and 2018).
11. What was your favourite book that has been out for a while, but you just now read?
Wonderbook came out in 2013.
12. Any books that disappointed you? 13. What were your least favourite books of the year?
✌️
14. What books do you want to finish before the year is over?
There's only two and a half days left I'm good.
15. Did you read any books that were nominated for or won awards this year (Booker, Women's Prize, National Book Award, Pulitzer, Hugo, etc.)? What did you think of them?
I read NK Jemisin's Broken Earth Trilogy (which would have been higher up in my listings but I'm kinda salty over her stance over the library thing and that tarnished them retrospectively) and they won. Everything. Three consecutive Nebulas, and The Stone Sky also won the Locus for Best Fantasy (as did The City We Became by the same writer), and the Hugo, with The Fifth Season and Obelisk Gate also nominated for the Hugo, and The City We Became for Nebula. Jeff VanderMeer's Annihilation won a Nebula, Space Opera was nominated for a Hugo.
I'm gonna throw hands if Camp Damascus doesn't win something next year, by the way.
16. What is the most over-hyped book you read this year?
Mmm, maybe Annihilation? I enjoyed it! I actually have a copy now because I spotted an uncorrected proof at a second-hand store for $3! But also I just thought it was 'cool, really interesting' and not like. The greatest in existence.
17. Did any books surprise you with how good they were?
Honestly, not really! Most seemed appropriately hyped?
18. How many books did you buy?
24 ebooks, 12 physical.
19. Did you use your library?
Yup, both for physical and ebook.
20. What was your most anticipated release? Did it meet your expectations?
Camp Damascus, and absolutely. Go read it.
21. Did you participate in or watch any booklr, booktube, or book twitter drama?
No, because I value my sanity <3
22. What's the longest book you read?
The Fifth Season, at 498 pages.
23. What's the fastest time it took you to read a book?
I mean the novelettes didn't take long XD
24. Did you DNF anything? Why?
Nope!
25. What reading goals do you have for next year?
Keep reading. Try not to lose mind too much over Alecto the Ninth. Fail to not lose mind too much over Alecto the Ninth.
For some extra fun, statistics! I worked out each month by page count, so I can work out when I read most and when I… didn't. It works out to:
January: 2,105 pages (5 novels, 1 zine)
February: 463 pages (1 anthology, 2 zines)
March: 1,342 pages (3 novels, 1 anthology, 1 novella)
April: 1,034 pages (2 novels, 1 anthology, 1 zine)
May: 834 pages (1 novel, 1 collection, 1 anthology)
June: 688 pages (2 novels, 1 zine)
July: 1,155 pages (1 novel, 3 nonfiction books, 1 zine)
August: 652 pages (2 novels, 1 novella, 1 zine)
September: 712 pages (2 novels, 1 zine)
October: 911 pages (3 novels, 1 zine)
November: 192 pages (1 novel)
December: 408 pages (1 novella, 3 novelettes, 1 zine - note that this is inflated, the novella is shorter in wordcount but the layout means it's more 'spread out')
Month with most pages read: January, with over two thousand pages over five novels and a zine.
Month with least pages read: November, with one (shortish!) novel.
Month with most out-of-the-ordinary content: July, the month where I focused largely on nonfiction. It also had Camp Damascus <3
Months with the shortest reads: Aside from November, February only had one (novel-length) anthology and two zines, and December had a novella, three novelettes, and a zine.
Most condensed reading month: Aside from November again, October, with all four reads over the course of the one-week cruise.
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dramashii · 1 year
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A 2022 Recap: A run through of all the dramas I’ve seen this year
2022 is finally coming to a close. Just like any year, there were some great dramas, while there were also others that should have never left the drawing room. 
I laughed, fell in love, got frustrated, and cried many times for the past 12 months. I had some epiphanies and learned some new things (e.g. the best way to solve your problems is to live in a coastal town). 
I consider 2022 a decent drama year for me. I have managed to finish 44 dramas which helped me reached my goal of completing 300 dramas before this year ends. 
I wished I could write longer reviews about each drama but I genuinely forgot about most of them by this time of writing. Anyways, here are the 44 dramas I watched and my short commentary on them. (Disclaimer: This list is subjective. These are only my opinions based on my experience while watching these shows.)
1. Melancholia (Kdrama, 2021)
You+Me=Love. This drama made math really interesting. However, I wished this wasn't romance at all.
2. The Red Sleeve (Kdrama, 2021)
The most heartbreaking part of this drama was knowing the lead characters at some point existed in history.
3. Our Beloved Summer (Kdrama, 2021)
Everything about this show was amazing: the aesthetics, music, and the chemistry between the leads.
4. Twenty-Five Twenty-One (Kdrama, 2022)
Iconic.
5. A Business Proposal (Kdrama, 2022)
Reminded me so much of old-school romcoms therefore, I was obsessed.
6. Reset (Cdrama, 2022)
Interesting and unique time travel/time loop drama.
7. The Bad Kids (Cdrama, 2020)
Watched this for the hype but I was kind of confused at the end.
8. Soundtrack #1 (Kdrama, 2022)
Friends to lovers supremacy.
9. Shining for One Thing (Cdrama, 2022)
Tries to answer the question: "If one thing had been different, would everything be different today?"
10. Dali and the Cocky Prince (Kdrama, 2021)
Solid romcom where both leads were rich.
11. Crazy Love (Kdrama, 2022)
Everything about this drama was crazy: the leads, the side characters, the plot but I didn't like this kind of crazy.
12. You Are My Heartbeat (Thai Drama, 2022)
Expected my heartbeat to go crazy watching this, but it really didn't.
13. The Oath of Love (Cdrama, 2022)
The key takeaway from this is that Xiao Zhan looks really good in modern clothes therefore he needs to do more modern dramas.
14. Sword Snow Stride (Cdrama, 2021)
Wuxia.
15 Who Rules the World (Cdrama, 2022)
Okay but the second half went downhill. Yang Yang needs to do more costume dramas.
16. Tomorrow (Kdrama, 2022)
Too simplistic approaches to mental health.
17. A River Runs Through It (Cdrama, 2021)
The one-sided love story went on for too long.
18. Love All Play (Kdrama, 2022)
Cute but it dragged.
19. Sh**ting Stars (Kdrama, 2022)
Interesting concept of having the story set in the entertainment industry but this was boring.
20. Woo Ri the Virgin (Kdrama, 2022)
I haven't watched a drama this bad for so long.
21. Bloody Heart (KDrama, 2022)
Bloody amazing cinematography but the story dragged because they kept replaying the same scene in different angles. Rooted for the villain.
22. Kiss Sixth Sense (KDrama, 2022)
They need to cast older actors and actresses in romcoms because the chemistry here was great. I didn't really like the ending though.
23. A Dream of Splendor (Cdrama, 2022)
One of my favorites from this year!
24. Dear M (KDrama, 2022)
Waited long to see this, was disappointed in the end.
25. Link: Eat, Love, Kill (KDrama, 2022)
Incorporated too much genre in one drama that the execution failed.
26. Love Like the Galaxy (Cdrama, 2022)
Red flags everywhere the biggest one being Li Bu Yi.
27, Love Between Fairy and Devil (Cdrama, 2022)
Xianxia drama of the year!
28. Big Mouth (Kdrama, 2022)
The second half wasn't as good as the first half. The ending was awful.
29. Today’s Webtoon (KDrama, 2022)
Should have been a 12 eps drama instead.
30. Animals (Jdrama, 2022)
Short but enjoyable.
31. Love in Contract (KDrama, 2022)
Got me out of a drama slump but this was a train wreck.
32. Lighter & Princess (Cdrama, 2022)
Objectively not the best, but I was obsessed over this during its whole run that I bought a Youku subscription.
33. New Life Begins (Cdrama, 2022)
Cute.
34. Bulgasal: Immortal Souls (KDrama, 2021)
Interesting concept but the writing just didn't make it work.
35. Snowdrop (Kdrama, 2021)
Decent.
36. Cheer Up (KDrama, 2022)
Went into this thinking it will be a cute youth drama but that weird mystery-thriller and love triangle ruined my watching experience.
37. May I Help You (KDrama, 2022)
1st half>2nd Half.
38. The Day of Becoming You (Cdrama, 2021)
Good body-swapping romance drama.
39. Summer Strike (Kdrama, 2022)
I was promised healing but the last 1/4 of the drama had a different tone from the rest.
40. Love In Time (Cdrama, 2022)
Interesting concept but mediocre.
41. She and Her Perfect Husband (Cdrama, 2022)
I wished they continued to show that mature relationship the leads had in the beginning until the end, but alas the last 10 eps happened and it just wasn't it.
42. Extraordinary Attorney Woo (KDrama, 2022)
An extraordinary drama about an extraordinary lawyer trying to find her place in the world. One of the best this year!
43. Rainless Love in a Godless Land (Taiwanese Drama, 2021)
The best thing about this drama is the title. Also, very unique and thought-provoking. 
44. Alchemy of Souls Season 1 (Kdrama, 2022)
Might be the most interesting Hong sisters' fantasy drama yet. 
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I'd love to hear more about the Frost and Fire mcs! And I think you said there was someone who's purple in... One of Copper maybe?
Hello. I'm sorry about this being incredibly late. I have had a Month. But I want to finish doing this before tech week for the show I do tech for at my schools drama club, and that's on Monday, so here I am!
This is Long and I am not sorry.
The purple one's name is Kairon (he/him), and he is indeed from One of Copper. He's part fiend in a very, very roundabout way, in that one of his ancestors was an idiot and made some sort of pact with a fiend (this fiend is the patron of the sister of one of the other MCs in one of copper) and got (some of) his descendants cursed! (so basically a tiefling if you know about D&D) Who actually gets the "curse" is somewhat random but Kairon got it! He's about 21!
Tumblr media
[PICREW HERE]
He's a bard! To explain that with pop culture, he's like Jaskier in The Witcher; that one guy who follows Sir Robin the Not-Quite-So-Brave-as-Sir-Lancelot around singing in Monty Python and The Holy Grail; The Goblin King (played by David Bowie) in The Labyrinth; Shakespeare; and a load of others that I can't remember/don't know about.
He's also the only guy on this whole list of OCs in this post that has only one (1) set of pronouns.
I want you to know that they all started out, before this post, with one set of pronouns.
Now everyone (except Kairon) has 2+ sets. This isn't a bad thing, but it was mildly unexpected. Somehow. I probably should've figured that the guys who are half celestial and/or half dragon have weird relationships with gender, but sometimes I am silly and I didn't.
Now, for Frost & Fire's MCs!
Except they're below the cut because this accidentally got super long.
First up, Enna Helder-Kromlin (she/it), aka Marie, also known as the narrator of the story, further known as a dearly beloved Dungeons & Dragons character I played for roughly two and a half years, give or take.
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[PICREW HERE]
She's amazing. I love her. Her eyes can also change gold momentarily when she uses her magic or when she uses a very very tiny bit of magic to be over dramatic on purpose. She has wings! And is Approximately 53-61 years old (I think. Timelines are hard).
but only sometimes! she can summon them. or un summon them. I don't know how much you know about dungeons and dragons but if you do--she's a dexterity based level 15 (ish) assimar rouge w/ the thief subclass and sharpshooter feat, only the assimar part is a little homebrew because she's also a half elf originally.
If you don't know anything about d&d, allow me to translate: it's half elf and the other half is an angel celestial thingy which gives it a little bit of magic but not much. Enna is also a thief! (and baker, technically) it uses a bow and arrows (hence the dexterity based part) and is really, really good at what it does. absurdly good.
now for Enna's twin sister, Anne Helder-Kromlin (she/they), aka Anne Jones, aka the only truely competent person with their life together in the whole main cast. She was also a dnd character, though I didn't play her for quite as long as I did Enna.
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[PICREW HERE]
She and Enna both got different parts of the clestial magic thing, so while she doesn't have wings she does have more innate magic (no actual halo tho, I just thought it looked cool in the picrew).
In d&d terms she is a half elf assimar homebrew thingy (basically regular half elf but with assimar traits added in) and a level 15 rogue, subclass unclear but possibly swashbuckler or arcane trickster. Charisma and Strength based.
Translation: Anne is a half elf and half angel celestial thingy, same as Enna, and is also a thief. But she is more social based and uses swords rather than a bow.
Anne also runs a thieves guild, called Oleski. Enna is part of this guild!
Now for the backstory of these two:
Where do I even begin? Uh.
Their mother, Jen, was murdered by her brother when the twins (as I shall collectively refer to Enna and Anne henceforth) were very young. Under a year old, probably under 6 months old. They were 40 ish when they found this out.
They were raised by a gnome named Pike! She died! They ran away! Joined a thevies guild when they were 16! The leader of that thieves guild turned out to be their long lost brother! He got murdered by their uncle who really fucking hates them and their mother!
Enna was framed for the murder and went on the run for two decades! (did she over do it a little? yes.) She worked at a bakery during that time!
Then she comes back to the city where her sister has done a shitload of things, the most plot relevant being she went on the run a year ago because of a civil war type thing in the thieves guild and then got kidnapped by a necromancer and shit!
The necromancer does Necromancer Things and tries to blood sacrifice Anne!
She gets stopped!
Other stuff happened! The Twin's aunt is a demon/devil! Their father turned out to be a celestial! The dragon who founded the country has been shapeshifted into human form for the last 700 years and raises orphans whose parents are unknown! he raised their mother and uncle! Enna and Anne are soul bound and that causes Problems! Anne becomes the leader of a thieves guild and gets married! Enna is aro ace as hell and doesn't get married!
I think thats it but it might not be I don't know!
Alright that's that and now for the next two! First up: Anastrannia Galendel (she/they/ze), aka Ana, aka the reason behind my username being what it is. She was also a D&D character!
She is half dragon and half elf! (Hmm. Do I perhaps like elves and have a lot of elven or part elven OCs? Why yes, yes I do!)
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She's half frost dragon! She's also got scales on her arms and back, but you can't see those in the picrew. Also supposed to have snake/dragon like eyes but those weren't an option. Ana is 274!
In D&D terms ze is a wood elf with a mildly homebrewed version of the half dragon template found in the DM's guide. Ze's a strength based gloomstalker ranger (previously a drakewarden ranger), level somewhere around 14-17, I haven't figured out the exact level yet. Ze also has an op sentient magic item who is a sword named Jerry (he/it), but the official magic item is called Dragonslayer.
Translation: Ze's an elf! And one of zir parents is a dragon! A frost dragon, which is a type of dragon that has an ice based breath weapon instead of a fire based breath weapon. The dragons with fire based breath weapons are called fire dragons.
My naming was not particularly creative on that part.
Anyway.
Ana's a ranger! Like Aragorn if you've ever seen/read lord of the rings. Their magic is shadow based, and they can do a whole load of things related to that. They also have a sentient magical sword that they are quite good at stabbing things with. The sword is called Dragonslayer. The name of the guy in the sword is Jerry.
Now for their older (?) brother, Redari Galendel (he/they), aka Ari, aka the most sleep deprived person out of the bunch, which is saying a lot considering that none of them have a decent sleep schedule.
He's also half elf half dragon, and is a sorcerer! He's 298. Redari was also a dnd character, though I only played him for a few weeks before the campaign ended.
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[PICREW HERE]
He's got a fashion taste similar to that of my uncle who is a professor of medieval philosophy (why the man got a doctorate in that of all things I shall never understand); that is to say he wears a lot of button downs and sweaters/sweater vests.
In dnd terms they're a wood elf with a slightly homebrewed version of the half dragon template, and a level ~16 shadow sorcerer (previously draconic bloodline sorcerer). they're charisma based and do no understand the meaning of sleep.
Translation: They're half elf and half dragon! They have shadow magic! Which in my world is magic related to Illa, goddess of grief, souls, death, and memories, and her realm, Shadow, the land of the dead. That shadow magic used to be dragon magic, but it changed and shifted into shadow magic for Reasons.
He doesn't understand the meaning of sleep. I feel like I don't need to explain that one. He's very bad at sleeping and at remembering to sleep, which has resulted in his friends and family using magic to make him fall asleep on more than one occasion.
I would put their back story here but it is very much up in the air at the moment, because of late (read: i did this in march but then got horribly distracted so it isn't done completely yet with all the lore) I have revamped the entire story and plot to make more sense and be better and shit.
Still got dragons though! All my WIPs have dragons.
Alright. I think that's it. I am very impressed if you've read this far and if you have any questions I shall be happy to answer them, though they might be a little late because I'm about to get stupidly busy come monday.
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garfieldsladybird · 2 years
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your day sounds good!!! i’m still exhausted and i have a busy weekend but it’s almost half term :))
me and one of my friends are currently obsessing over taylor swift (it’s been a long stream of messages and proof for a single at midnight!!!!)
i feel pretty shitty and i got a crap grade on a bio test the other day (36% which is a 4 (a fail) so i have to retake it, but my teacher hasn’t told me when?!?!?) but i got my chem test back and i got 38/45!!! it’s a high 7 (an A!!!) (75%)
my heads hurting and i feel just a like i need a big hug 🫂
my english teacher asked me if i was okay, and so did my drama teacher and i think it’s because i’m quite chatty to them normally and i was literally dying in english since it was getting quite loud in the classroom and things were going wrong (i would skip a word while writing in my book, and normally that’s okay, but like 4 years ago in my old school i was moved down sets (from top set) and it’s taken until the start of this year to be in top set again, and i feel like i need to prove that of that makes sense - even though i’d like to think i’m really good with english.
my art’s going well!!! i’m just finished some work and then my portfolio will be done (minus final piece / build up to that via planning and the writing part :)(
i did loads of maths in class today - and i felt good since i don’t normally do anything 👀
i feel like i’m offloading - sorry this is so much to read <3
period talk below for a little bit
ngl i’ve cried like 4 times today and i’m on my period and it’s so fucking heavy (the purple tampons (the ‘super plus extra’ as they call them) was not enough for two hours.) it’s heavier in the morning and basically stops until evening after lunch but grrrrr… i have paleish pink/blue patterned sheets on my bed and if i’ve ruined them i’ll cry :(
my toes are cold as i’m typing this which isn’t very sexy :(
i’m going to ask my mum to pick up some crumpets from the shop so i can toast them at school :))))
oh my fucking god crumpets and marmite (with s little butter ofc) is actually heaven let me tell you
(i’ve been being tea in a flask, (the one that my dad dropped off) but i’ve ran out. NoOoOoO. (i still have an apricot and vanilla one that is essentially new, but i’ll miss my cranberry one (until i buy more (but i’ll have to order it and i can’t be arsed))
HUGE RANT OVER!!!!! i love you loads and hope all is okay xxxxxxx
okay soo going with taylor swift, midnights is coming out in like two days. it is the 19 today and it comes out on the 21!!! i cant wait, it’s going to be the first album by t.s. that i will get to listen to right when it comes out!!!
i hope you grades are getting better, or just the scores are going up!! but omg you got an A on a test!!! that’s amazing!! :DDD
i wish i could give you a big hug!! 🤗🫂
you dont have to prove that you’re on top. if you are stressing and you need like a break, it’s okay to take that break. —— i get the skipping over a word thing, i do that sometimes when taking notes and i need to catch up real quick. also i hate loud classrooms, like sometimes the kids just need to shut up. most of my classes are quiet tho but when they start talking, it can become loud. sometimes it’s a good thing, sometimes it’s not.
oooo!! are you liking art? what are you making? // what have you been making?
bro i’ve been paying attention in my math class and i’ve also moved to the front of the class so i’ve been doing my work and i understand the math we’re doing a lot more!! i like math though it depends. my math grade still sucks but hopefully i can get up!! i hope math has been good to youu!! :)))
nonoono, i like this! im really sorry i haven’t responded to this text. i’ve been busy and i hate it: me being busy. but yeah, no this perfectly okay!! if you need to do this more then go ahead! i hope we start talking more tho! since im not gonna be that busy but i still have school and so do you so yeah. but text me anytime you want!! :))
i hope the rest of your period days were better. i hope the days after your period was better too! period sucks. im supposed to start today actually but i haven’t yet and im so worried im going to start when im not home or have not bathroom to go into. im walking home today so thats what i mean by no bathroom to go into. but damn, your period sounds painful. mine isn’t so painful, (bc i said that, its going to most likely hurt when it starts.) but i dont usually get that many cramps is what i mean. and i also take pills so i dont feel it. but i honestly like it when my period starts bc then i can restart.
i hope you feet are warm bc mine are warm and i hope that is sexy 😼💪
ooo are crumpets good? they look yummy! — i just saw what else you said and i’ve never had marmite, i dont think the usa has that :( but all of that sounds yummy!!
i love tea! i want to drink it more. cranberry anything is really good!! also that’s really good when on your period! but i hope you get your favorite tea’s soon!! or have already gotten it!! :DD
I LOVED THIS RANT!! thank you so much for talking to me!! but i am sorry it’s taken forever to answer this. i love you loads too!! and im sending you lots of love!! <33333 xxxxxxxxxxxxx
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Every Emma Woodhouse Ranked and Rated
With all my reviews of all the period-set adaptations now finished, I'm beginning my series in which I rate and rank each interpretation of all the principle characters, starting with our girl Emma!
Now I wanna be clear--I am not rating the actresses that played Emma. I am rating how the character was handled in general in each adaptation. The actresses are a factor, but they're not the sole factor, since the writer and director have as much, if not more, to do with how the character ends up in the finished product. So without futher ado, let's rank...
“Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her….
“The real evils indeed of Emma’s situation were the power of having rather too much of her own way, and a disposition to think a little too well of herself; these were the disadvantages that threatened alloy to her many enjoyments.”
NUMBER 5: 1972
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Portrayed by: Doran Godwin
Age at time of filming: 28
Clocking in as the oldest actress to play Austen’s famously TWENTY-ONE year old heroine (at the ripe age of 28), Doran Godwin also snags the coveted position as inhabiting the worst portrayal of the character (in my personal estimation) to date.
Just about everything about this interpretation of Emma Woodhouse is bad, from her seemingly automated recital of her lines to her all-too-intense, wide-eyed, hypnotic stare. The 1972 portrayal of Emma highlights all the character’s worst qualities while also failing to convincingly communicate her good qualities, such as her caring nature. The script is equally to blame for the awfulness of this interpretation, adding unnecessarily cruel and condescending lines, including one where she negs Harriet for being sad after Elton’s marriage, and then forces Harriet to come with her to meet the new Mrs. Elton, when Emma in the book did her best to shield Harriet from exactly that kind of situation.
Godwin couldn’t pass for 21 if her life had depended on it, and the worst part is that the script actually states Emma’s age, so she seems like a bit of a crazy spinster, preying on the naïve Harriet. Whether it’s her intent to bathe in Harriet’s blood to keep herself young, or to bake her into a pie is up for debate.
Rating: 1/5 Half-finished portraits
NUMBER 4: 2020
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Portrayed by: Anya Taylor Joy
Age at time of filming: 23
I thought long and hard about this. This movie is a modern period drama phenomenon. It’s gotten so many people into Jane Austen and satisfied long-time Austen fans by giving them an interpretation they never dared hope to see. It’s a gorgeous film.
But I don’t like this interpretation of Emma Woodhouse. Though Anya Taylor Joy is one of the youngest actresses to play Emma (only two years older than the character) she’s played with a careful stiffness that perhaps shows us a glimpse of the Lady Catherine she might turn into without swift intervention. That’s not necessarily a bad thing, and this isn’t a commentary on Anya Taylor Joy either—her appearance or her acting ability—but I just don’t like her as Emma. And she’s not the sole problem, she turns in a solid performance, she’s a good actress, but something about this characterization is just off-color to me. Anya Taylor Joy plays a great mean-girl; but I think that’s one of the reasons why they thought she’d be a good choice for this role, and it’s one of the prime reasons I don’t think she wasright for it. Emma is a deeply flawed character and, of course, the biggest turning point in her story comes as a result of a thoughtlessly mean remark to someone who has only ever shown her deference, hospitality and gratitude.
All that said, Emma is not, at her core, a cruel person. Emma has gone all her life thinking condescending things about Miss Bates but it’s only when Frank comes along and validates her less kind commentaries that she actually starts to voice them in search of validation from a peer.
The problem with this in the context of 2020’s Emma Woodhouse is that Frank hardly gets a look-in in this adaptation. Emma’s relationship with him is severely underdeveloped and the actors don’t have enough chemistry to pull it off in the limited time they’re given. The result is that Emma appears to cross a line just to cross it, and it pushes Emma’s character from thoughtless to out-and-out frigid.
Still better than Doran Godwin, since she's identifiably human.
Rating: 2 1/2 / 5 Half-finished portraits
NUMBER 3: 1996 (MIRAMAX)
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Portrayed by: Gwyneth Paltrow
Age at time of filming: 24
Despite the fact that Gwyneth Paltrow was an appalling casing choice for Emma Woodhouse (I will be forever salty that they passed over Joely Richardson), and I know there are some who will think me, at best, crazy (sacrilegious, at worst) for ranking 1996’s interpretation of Emma higher than 2020, I actually feel that solidly in the middle is right where this version of the character belongs.
There’s so much wrong with this Emma: she swings from mature to bizarrely infantile at the drop of a hat, much of her script is genuinely tragic, Gwyneth can’t convincingly portray Emma's social naiveté, her accent is overwhelmingly nasal and impossible to listen to, just for starters.
And yet… I don’t hate her. I don’t like her particularly either, but even though much of the dialogue re-working butchered Austen’s prose, there are a lot of things McGrath seems to have gotten right about Emma’s character. Her relationship with Knightley feels comfortable and playful, and, while Emma of the book probably doesn’t really care for Harriet Smith in the spirit of true bosom friendship, I believe she does care about her and wishes to spare her (further) pain. She shows exasperation with Harriet while still being patient with her, which is very much in the spirit of the book. Her concern for Harriet at the ball feels real, and her contrition at Box Hill following Knightley’s rebuke, while not profound, at least feels like contrition and not self-pity.
Perhaps, given the soft-take that the Miramax version is, it shouldn’t be surprising that the biggest faults in characterization rest on awkward writing and the biggest triumphs highlight Emma’s better side. It’s not a very in-depth take on the character, but it at least, is an adequate one.
Rating: 3/5 Half-finished portraits
NUMBER 2: 1996/97 (ITV)
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Portrayed by: Kate Beckinsale
Age at time of filming: 23
Those who’ve read my reviews of each adaptation of Emma might be surprised to see ITV’s portrayal of the title character sitting so high on my list. To be frank, it’s a distant second, and she may have stolen the number two spot only because she’s played by Kate Beckinsale and not Gwyneth Paltrow.
In truth, I see a lot of parallels between 1997’s Emma and 2020’s. Both actresses were 23 (or thereabouts) when they played the role, both have extremely childish moments, and both crumple down and burst into tears that don’t feel entirely genuine after Box Hill.
So why is 1997 on the good side of the number 3 spot and 2020 isn’t? I’m not precisely sure. I think it may be because Andrew Davies (and/or Diarmuid Lawrence) at least understood the scale of Emma Woodhouse’s wealth and status. This Emma feels sufficiently self-important, a bit haughty, sure—but she’s also believably naïve. You feel her isolation, you understand her caring relationship with her father, and she’s not as patently rude to Robert Martin compared to the 2020 version (she at least acknowledges his presence when he meets Emma and Harriet in the lane).
Grudging though this favorable placement may be, I can at least acknowledge that Emma herself is the least of my problems with this version, and even though Beckinsale’s acting is a bit sketchy at certain points, she also has some truly great moments, especially her interaction with Robert Martin at the end of the film. This portrayal is consistent, and Emma’s better qualities aren’t overpowered by her negative ones.
Rating: 4/5 Half-finished portraits
Number 1: 2009
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Portrayed by: Romola Garai
Age at time of filming: 26
And in a shocking twist—I’m kidding this is neither shocking nor unexpected to anyone who knows me or has read my blog/reviews of the Emma adaptations. Am I totally biased? Probably. I don’t care, this is a completely subjective list. Here, finally—my first and true love as Emma Woodhouse—is Romola Garai. I suppose it’s also not surprising that the first actress I ever saw in the role would still be my favorite a decade on. I just love everything about this interpretation of the character. She rides the very difficult line of being bright, caring and intelligent, while also being completely naïve and lacking in social savvy (in her own age-group at least), coddled, and painfully sure of her own self-importance.
Even though Garai was 25 or 26 at the time (far too old for the character—almost as old as Doran Godwin) her energy and charisma are enough that she’s able to carry it off convincingly. Everything about this Emma screams youth, and when Emma’s child-like social ignorance is her most prominent characteristic, it feels authentic and natural. Equally authentic are her emotions—her love for her family, her dynamic with Knightley, he exasperation, patience, and concern with Harriet. Most of all though, this Emma seems to experience the most maturation in the last quarter of the story. Box Hill really feels like a turning point—not just a chastened young woman, but a true coming-of-age moment. Emma faces a reckoning here that begins a chain reaction culminating in her realization of her feelings for Knightley, and everything from the writing to Garai’s performance conveys the magnitude of this shift in Emma’s life.
This version of the character seems the most… complete to me. Somehow, between Romola Garai’s vibrancy, Sandy Welch’s screenplay and Jim O’Hanlon’s direction, this interpretation takes an extremely divisive character and helps the viewer understand just why everyone in Highbury loves Emma Woodhouse.
Rating: 5/5 Half-finished portraits
~~~~
If you liked this, check out my rankings of Mr. and Mrs. Weston
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camdentown-library · 3 years
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The flames in your eyes || ENG ver. Ethan Torchio x reader
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❝ 𝐌𝐚𝐫𝐥𝐞𝐧𝐚 𝐝𝐞𝐜𝐢𝐝𝐞𝐬, 𝐚𝐟𝐭𝐞𝐫 𝐚 𝐥𝐨𝐧𝐠 𝐭𝐢𝐦𝐞, 𝐭𝐨 𝐠𝐢𝐯𝐞 𝐚 𝐛𝐫𝐞𝐚𝐤 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐞𝐯𝐞𝐫𝐲𝐝𝐚𝐲 𝐥𝐢𝐟𝐞 𝐨𝐟 𝐡𝐞𝐫 𝐝𝐚𝐲𝐬. 𝐀𝐜𝐜𝐞𝐩𝐭𝐢𝐧𝐠 𝐚𝐧 𝐢𝐧𝐯𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐟𝐫𝐨𝐦 𝐡𝐞𝐫 𝐠𝐫𝐚𝐧𝐝𝐩𝐚𝐫𝐞𝐧𝐭𝐬, 𝐬𝐡𝐞 𝐰𝐢𝐥𝐥 𝐠𝐨 𝐭𝐨 𝐬𝐩𝐞𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐬𝐞𝐜𝐨𝐧𝐝 𝐡𝐨𝐦𝐞 𝐛𝐲 𝐭𝐡𝐞 𝐬𝐞𝐚. 
𝐖𝐢𝐭𝐡𝐨𝐮𝐭 𝐭𝐨𝐨 𝐦𝐚𝐧𝐲 𝐞𝐱𝐩𝐞𝐜𝐭𝐚𝐭𝐢𝐨𝐧𝐬 𝐭𝐡𝐚𝐭 𝐭𝐡𝐚𝐭 𝐬𝐮𝐦𝐦𝐞𝐫 𝐜𝐨𝐮𝐥𝐝 𝐡𝐚𝐯𝐞 𝐛𝐞𝐞𝐧 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫𝐬, 𝐬𝐡𝐞 𝐰𝐢𝐥𝐥 𝐦𝐚𝐤𝐞 𝐭𝐡𝐞 𝐚𝐜𝐪𝐮𝐚𝐢𝐧𝐭𝐚𝐧𝐜𝐞 𝐨𝐟 𝐚𝐧 𝐮𝐧𝐮𝐬𝐮𝐚𝐥 𝐛𝐨��, 𝐰𝐡𝐨 𝐢𝐧 𝐡𝐞𝐫 𝐨𝐫𝐢𝐠𝐢𝐧𝐚𝐥𝐢𝐭𝐲 𝐰𝐢𝐥𝐥 𝐩𝐨𝐢𝐧𝐭 𝐨𝐮𝐭 𝐚𝐬𝐩𝐞𝐜𝐭𝐬 𝐨𝐟 𝐥𝐢𝐟𝐞 𝐭𝐡𝐚𝐭 𝐬𝐡𝐞 𝐡𝐚𝐝 𝐬𝐞𝐭 𝐚𝐬𝐢𝐝𝐞 𝐟𝐨𝐫 𝐭𝐨𝐨 𝐥𝐨𝐧𝐠. ❞
Genre: Fluff ;; romantic ;; slowburn
Pairing: Ethan Torchio x fem!reader
Warning: English is not my native language, I may have made grammatical errors. do not hesitate to correct me
N / A: The facts told are purely the fruit of my imagination, it is not my intention to do any wrong to any person mentioned, and above all the character of Ethan could (surely) not reflect the person in reality.
Happy reading to you all!
CHAPTER 1
The first rays of July had cast on the roofs of the houses in Rome, giving the off-white plaster and rosy tiles a golden sheen that tasted like honey. The wisteria were in bloom, as was the medlar tree under Marlena's house; the scent of life in the full act of her cycle, always knocked on her dining room window, filling it with sweet fragrances.
The girl used to take her place at the table during the late morning hours, surrounded by books and tomes quite old and gnawed by the dust, with the good resolution that even that day she would read and study those very boring pages of that equally boring examination. of Egyptology. The university summer session had already begun, she had just taken a couple of exams last June and was now preparing two more that she would take in the first weeks of September.
That time could seem apparently short, Marlena didn't care that much, what could ever distract her from her work? She had no friends, and by now, even though she had crossed the threshold of 21 years in the autumn, the girl was now completely extinct her naive youth, as well as her desire to laze.
The out of tune and unexpected sound of the intercom triggered her head bent over the books of the young woman, who after having heaved a sigh perhaps a little annoyed, she decided to get up from her chair, leave the dining room and cross the wide and not too long corridor in the shape of an "L" of his apartment, finally arriving at a brisk pace towards the device it had croaked in order to answer.
"Yes?" she asked quite firmly but not too cordially.
"I'm the postman, will you open me?" answered a stranger, as she pushed the button to open the gate.
Marlena therefore opened the heavy old door of her house, remaining patient to wait for the man to arrive at the door. Although she had lived in that condominium with her father for as long as she remembered it, she had not yet found a rational explanation for its lack of mailboxes. Was it because it was a palace built in the 1920s? Well that would explain the absence of an elevator as well, but a damn mailbox wouldn't be hard to add.
The man's gasping breath brought her back to reality as her eyes saw him peeking from the flight of stairs. Was he already that tired after not even crossing the second floor? The young woman wondered a little disappointed.
"Are you Madam Levavi?" the postman then asked, catching his breath and rummaging through her purse. Marlena wrinkled her nose instinctively.
"Ahm ... not madam, I'm her daughter" she replied shaking her head, what could that postman ever care if she was "miss" or "madam"? The girl lightly bit the inside of her cheek as a reproach.
"Here you are. How many floors are there still?" She asked the man wiping her sweaty forehead with a handkerchief after giving her the mail.
"Two more ..." Marlena replied disinterestedly as she closed the door, observing her letters.
Bills for electricity, water, the tax to be paid for the next university year and ... a letter?
Well, it certainly wasn't sent by her father...
The girl looked at the text of that letter once more, rereading it and rereading it several times, wrapped in a silence that was probably inherent in memories that clouded her common sense, while slowly after taking a few steps back, she gently placed her back to the wall.
"Dear Marlena,
I know perfectly well that it might have been easier to call you, but you know I've always enjoyed writing you letters.
Unfortunately I noticed that in the last few I sent you you didn't answer, I guess it's because the university keeps you very busy ...
However, I learned that your father is out of Italy on a business trip and he will be away until the end of August; It seemed only right to invite you to spend these last months of summer in our house outside the city.
I know that since your mom left, you haven't had the desire to visit us anymore, but I think it would do you good to change the air for a while. The place is quiet, there is the sea and also a large and extensive countryside with a pine forest and the locals are really friendly and helpful.
You can also bring Lapo if you want, I know you are very close.
Either way, let me know your verdict.
A strong hug.
Grandmother Agata.”
She had distant memories of that house, distant but still happy. He remembered when he woke up early in the morning with grandmother Agata and grandfather Laertes to be able to go to the sea and his little hands while looking for hermit crabs and shells on the shore, as he remembered the music in the square and the laughter echoing in the same way as the bells of the church on Sunday, everyone was happy ... and life seemed to be less unfair to those who deserved it less, it tasted like jam and fruit jellies, salt on the lips and bees flying.
Marlena's chest swelled with air, as if she had been holding her breath until then...perhaps because diving into one's childhood was like floundering in a stormy sea pretending to stay afloat.
The cheerful barking of her dog Lapo brought the young woman back to the present, who decided to place the letters on a window sill not far from the front door and set off together with the playful animal towards the kitchen. Lapo was a nice Bernese Mountain Dog, with a black, brown and white coat. It had been given to her five years ago, perhaps because her father had sensed that even his absence had created in the heart of his only daughter, a sense of distressing loneliness, which had consumed her to the bone making her totally apathetic for certain verses.
But Lapo, Lapo had saved her from her, with Lapo she spoke and shared gestures of affection, such as caresses and little licks between her fingers and hair. Sometimes Marlena fell asleep in her bed, with the bulky dog ​​on her, because feeling her warm and humid breath on her blankets reminded her in her sleep that she was not alone in the dark of the night. As long as Lapo's heart had beaten the young girl she was not afraid of having to wake up or sleep.
Although she tried to convince herself that staying in her comfort zone would be easier than answering "yes" to her grandmother's request, a part of her was again attracting her to that letter; her gaze was captured by the horizon of her mind, while in the distance she could almost hear the sounds and flavors of a place almost too fairytale to be part of the material world.
"I know I should answer..." she murmured as she was intent on washing the peel of a red apple in the kitchen sink. Meanwhile the dog sat up looking at her intensely while she wagged his tail waiting for her.
"...It's just that, that place...and then I should finish studying, I have an exam to take at the end of the summer, Lapo" but the dog tilted his head in disappointment and then got up and trotted out of the room, looking for of who knows what amusement, leaving Marlena to her thoughts, as she bit into the freshly dried fruit with the kitchen towel.
All of this would only be for a little over a month and a half, just a month and a half and then she would leave it all behind her again, as she did a long time ago.
“Hello grandma. I'm Marlena..."
Marlena after putting the letter back next to her bedside table, she grabbed the cell phone not far away and typed some numbers on the screen, not too convincingly, and then brought the object to her ear.
There were those ten seconds of waiting that seemed the stroke of half a century, until a voice said "Hello?".
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Marlena had brought two large bags with her. One for clothes and the other full of junk such as: books, objects for the dog, tricks and everything that for her mind, not so familiar with travel, she considered indispensable. She was not so convinced that both of them would enter the trunk, but the exemplary ability to know how to adapt and make do with her grandfather always left her with amazement on the edge of her lips.
It took two days before grandfather Laerte's small and overly backward FIAT Punto made its peerless entrance next to the bottle-green gate of the small cloister of the Marlena palace.
The man had taken more or less ten minutes just to park, the niece had wondered how long it would take him to get there and start again.
The young woman was sitting in the back seats, together with Lapo. She held in her hands a small bunch of tulips that Laertes had brought her, made by herself. He said to her:
"I went for a walk in the countryside and tried to capture the most beautiful of all, like my granddaughter!" followed by a proud, croaking laugh. Laertes had always been a proud and incurable romantic, without ever giving up some of her drama, grandmother Agata did nothing but remind her of it in her letters.
Like when Marlena pointed out to him, that the steering wheel of the car was too damaged for the latter to be considered in accordance with the law, but he had always replied that a good soldier and partisan would appeal to his driving experience and a little 'of elbow grease, in order to be sure that the itinerary of the journey would be peaceful and without unpleasant hitches.
Lapo let out an enthusiastic bark when the croaking car left the endless concrete of the highway behind, and then took a narrow, winding, uphill road that would have led them to the small town.
Her gaze stared blankly at what was running, like tape in a movie camera, out the window; She saw the buildings of the city become less present, as well as the stench of smog, then there was a long stretch of highway, immersed in the wheat fields and every now and then some small farm or spare parts industry or other jobs would emerge.
In the car there would have been complete silence, had it not been for the old radio which played an entire disc of all of Lucio Dalla's masterpieces; Marlena's grandfather liked that singer, but not in the same way chatting while driving, because according to him it would have increased the chances of road accidents by 50%, and frankly, the granddaughter didn't mind at all this acknowledgment ... she didn't even know where she should have started and however much her relatives tried to make her feel at ease, she imagined herself as a stranger, a stranger, who had knocked on their door and was now just trying to learn and remember their common manners.
"If you look to the right you will see the sea, Marlena" Laertes informed her, while he struggled with the steering wheel at every bend, but he did not dare to make even a moan under stress. The girl decided to accept those words, and looking out (after rolling down the window) a crisp air of salt pervaded her nostrils like the balm of a mint. Her eyes tried to show as little as possible the defeat of an amazement that had overwhelmed her like a raging wave, making her heart pound.
The sea. Marlena loved the sea. And for a few moments she was wondering what she had forced her to shut up in the house all that time, but then her mind went back to static and clear. She knew why, and there was no other reason to get her back together, even if it was difficult.
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Yet there seemed to be few people around the streets, perhaps because at that time anyone with a minimum of wit would have holed up in the cool four walls of their home, just to escape the scorching heat that did not yield until the stroke of five in the afternoon .
By now it was almost two in the afternoon when Laertes' car passed the threshold of the square of the small town, while the attentive (even if apparently lost) gaze of his granddaughter observed everything in detail.
Nothing seems to have changed in that place since the last one who went there. The street was always covered with the usual, old and coarse slabs of white stone and eroded by the weather, as well as the various shops that surrounded the square and the small houses side by side, glazed with a fresh off-white plaster and dark brown roofs, the fountain in the center, and the small restaurant with its balcony overlooking the long pine forest that extended at the foot of the modest hill that supported the town.
A jolt suddenly shook Marlena, when her grandfather decided to pull over and pull up the handbrake of his FIAT, thus causing a slight recoil unexpectedly enough to suddenly wake the girl from her thoughts. She cleared her throat, while she opened her door, so that Lapo could finally trot and wag his tail excitedly around, on the other hand she didn't blame him, it must have been hard for a dog to stay good in the car for so many hours.
"Here we are!" proclaimed the elderly man putting the car keys in his pocket and then ring the bell of the small house next to FIAT "Your grandmother will be so happy to see you, I bet she will have prepared ciambelle with red wine to celebrate your reunion" he added while he waited for the woman he mentioned to open to him, already anticipating on his lips the pungent and sweet taste of those sweets he loved so much.
"So I suppose you made at least thirty" commented the young woman ironically, as she dragged out the two bags with extreme difficulty, attracting the attention of Laertes who, hastily adjusting his frizzy white hair, hastened to reach his niece to give her your support.
“Ah don't worry, kid. I'll take care of it, maybe you can ring the door, your grandmother has now gone deaf as a bell...” he said as he gave a slight snort and then muttered something.
"C’mon, grandpa" Marlena replied then raising her eyes to the sky trying not to smile, how melodramatic could that man be?
After pressing her finger on the bell again, the girl waited for someone to answer and hearing the approach of some quick steps together with the rubbing of flip-flops on the floor, made her realize that Agata had finally heard their arrival. Marlena did not even have time to greet the elderly lady, who took her in her arms, wrapping her in an embrace that caught her unprepared and to which she did not respond immediately.
“Oh my love! I’m so happy to see you again! But look how you have grown! It seems only yesterday when you reached mid-thigh and now...” the hands a little gnarled, but from the soft fingertips of the woman, gently took the face of her niece like a cup, as if to feel if her presence was only fantasy or reality "...You are a woman to all intents and purposes" she whispered and then fussed with kisses all over her face, while Marlena whining pretending to be somehow annoyed.
After climbing a short flight of stairs that led to the house located on the upper floor, the girl's nostrils and consciousness were flooded with memories and sensations already savored. She observed the now old floor of the house, granite tiles that alternated with one hand painted and another not; Marlena rejoiced with a touch of amusement when she as a child she spent boring afternoons playing on them, jumping only on the decorated ones because according to her imagination those remains were made of incandescent lava.
The walls were always the same, covered with a light blue paint and slightly lumpy at times, she could feel it, when the index and middle fingers of her right hand absently brushed the surface.
The house of Marlena's grandparents was very simple and perhaps apparently a little cramped. Having opened the wooden entrance door, after having passed the landing and the stairs, she had in front of her a corridor that extended along to her right, thus marking the various doors of each room that the house gathered inside. Almost parallel to the entrance there was the kitchen door on the opposite wall, without doors, next to it the bathroom door, and then the door to the room of the two elderly spouses. At the end of the corridor there was a small balcony with the railing covered with hanging vases where, like a multicolored waterfall, a thick branching of coral red bucanville came out which, in addition to poetically letting itself fall from the small niche, climbed elegant and graceful on the handrail of the then hug the outside walls of the house.
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Marlena took advantage of it, to be able to peep there, while she deeply breathed the fragrant and velvety scent of those petals, mixed with the sea breeze that came from beyond the pine forest that surrounded the town. She observed the small houses around her while if she winked she could distinguish the clear line of the flat and calm sea that merged in perfect alchemy with the clear sky on the horizon.
The young woman tried in every way to convince herself that that enchanted place, that little corner of paradise had never failed her...but she suddenly proclaimed herself foolish for having thought such a cynical thing in the least.
TO BE CONTINUED . . .
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nutty1005 · 3 years
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Exclusive Visit of 72 Hours! Full Record of “A Dream Like A Dream” Behind the Scenes
Original Article: https://mp.weixin.qq.com/s/yI4arm9P9nJwE3RMSUW-5Q Original Author: 杨晋亚 Translator’s note: The original author is part of Yuli Studio, this article is published in Yuli Studio’s Weixin Official Account on 23 Apr 2021 as a part of “Behind the Screens” Volume 640.
On 22 Apr, “A Dream Like A Dream” Wuhan Charity show was still in the midst, countless related topics were already on Weibo Hot Search.
This is probably the hottest play on the internet till date.
A big intellectual property that lasted for 21 years, and now with the addition of the hottest celebrity, debuted for the first time as a Charity Show in honor of the heroes of the pandemic last year, “A Dream Like A Dream” contained stories on stage and backstage.
Before the official start of the play, Yuli Studio walked into the backstage of “A Dream Like A Dream”, and entered the dream in advance.
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“A Dream Like A Dream”
Celebrity Cast
On 19 Apr noon, 15 minutes before the first full dress rehearsal for “A Dream Like A Dream”, there were not much audiences, they were all in the lotus pond seats.
Overall producer Wang Keran was suddenly notified that there was someone recording secretly, he immediately called the executive producer Da Shan to check, who had already expressed multiple times that audiences were not the take pictures. Wang Keran face turned gloomy, loudly accused Da Shan of incompetency, stood up, “Trusted friends who are currently seated, I hope that everyone would protect the actors, stop filming.”
Afterwards Wang Keran told us, his anger then was actually “for show”, that situation needed him to make a stand, scold Da Shan so as to alert everyone else, “I needed to kill two birds with one stone, control the scene, protect the actors.”
Xu Qing, Xiao Zhan, Zhang Liang, Huang Lu… the addition of many celebrity actors, caused the interest in “A Dream Like A Dream” to increase.
Protecting his actors, was something that Wang Keran always did ever since he built this group.
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Yanghua Theatre and Baoli Theatrical Center collaborated and did some massive and intricate work, in order to ensure that protection project was as per usual, “The theaters put in a lot, the meager profits that this project is giving them, can’t completely cover their massive investment.”
Wang Keran also helped to block countless signature and photograph requests for Xiao Zhan, his good friend had came from afar to Wuhan just for a photograph with Xiao Zhan, but Wang Keran did not agree, “I promised a clean creative environment for my actors.”
The “A Dream Like A Dream” group tried their best to give all the actors an equal, harmonious creative environment, and in here, there is no celebrity actor Xiao Zhan, only Patient No. 5 B.
In the backstage of the Wuhan Qintai Theatre, the plaque on the door of Xiao Zhan’s resting room was not labelled “Xiao Zhan”, but “No. 5”.
Director Chen Limei and Zhang Rui said that the group did not treat Xiao Zhan specially as a celebrity; Actress Huang Lu, who portrayed the role Jiang Hong, had the most scenes with Xiao Zhan, she said that everyone was just actors.
Privately, Xiao Zhan would treat Huang Lu fruits, as well as recommend good motives to her, Huang Lu said, working with Xiao Zhan was not much different from working with other partners, the only difference was that there were suddenly a lot of Xiao Zhan fans leaving messages on her Weibo, most of them were messages of encouragement and support.
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“A Dream Like A Dream” , Xiao Zhan, Huang Lu
During the very initial rehearsals, the director closed Huang Lu and Xiao Zhan into a small practice room, in order to cultivate tacit understanding.
“When we were rehearsing the French portion of the play, I knew he was from Chongqing, I would suddenly use French translated to Wuhan dialect to talk to him, what d’ya wanna eat what d’ya wanna eat, and then he would suddenly reply me in Chongqing dialect.”
Huang Lu remembered, when Xiao Zhan entered the group, he had already memorized all of his lines, the tacit understanding between them were built up within 3 or 4 days, and on the details of the performance, they would also inspire each other.
For example, the biggest reaction from the audience in the Wuhan show was the scene in the Parisian apartment, actually contained Xiao Zhan’s designs, when they spoke the lines “Monday Wednesday Friday Tuesday Thursday Saturday and Sunday”, Xiao Zhan suggested that the two of them would lean their heads on each other, so as to give a better effect.
When the two of them were conversing in comedic Japanese scene, there were traces of the old version of the play, but there were new creativity as well, “Pikachu” was from the old version, whereas “sleeping” was an idea that Xiao Zhan came up with.
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“A Dream Like A Dream”, Xiao Zhan, Huang Lu
The duration for “A Dream Like A Dream” was long, the lines voluminous, there was once during rehearsal, one of the actors had a sudden breakage and his lines became more and more scattered, voice lower and lower, that day Director Chen Limei gave him a stern talking to, but in the director’s memory, this problem never occurred to Xiao Zhan.
“Xiao Zhan was very serious, we could all feel that, every night after he went back, he definitely thought through his scenes once more, so that he would not make this kind of mistake.”
Xiao Zhan expressed that his familiarity with the lines had gone to the state that he could say it “whenever”, he was more focused on the “current feeling and the chemistry with his partners.”
Xiao Zhan was very strict with his own expectations, on the 19th after the first full dress rehearsal, there were many audiences who gave his performance good reviews, but he said, “I’m not quite satisfied with today, it wasn’t as good as yesterday.” Although the audiences did not spot any problems with the lines from the scene ”Monday Wednesday Friday Tuesday Thursday Saturday and Sunday”, but after the performance ended, Xiao Zhan himself felt that there were some slight flaws.
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“A Dream Like A Dream”, Xiao Zhan
The lotus pond seats in “A Dream Like A Dream” to Xiao Zhan was a challenge, it made it easy for him to lose concentration, and once you had lost it, it would be easy for the scene to scatter, he described, “the feeling in concerts is that you need to interact simultaneously, plays to me meant that I need to make myself lonely”, so he needed to make sure he could ignore the audiences.
Wang Keran invited theater critics to view the play for the 19th’s full dress rehearsal, after the upper half ended, they were exclaiming in praise of Xiao Zhan’s acting, Wang Keran also proudly recommended this newly found actor to people around him: “He had a different layer of creativity process, the first day we’ve finished the script, he surprised me onstage the second day, it was green but came with a lot of accurate instincts. He constructed the character to be intricate and abundant, but yet layered, not just emotional scenes, everyone could burst into emotions, but he was intricate, lively and entertaining, he conveyed the soul of the character, his sense of pace was this good.”
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“A Dream Like A Dream” Performance Stage
The story of “A Dream Like A Dream” and Xiao Zhan had to begin with the Cao Yu 110 Anniversary Special Event last year.
In 2019, Wang Keran heard of Xiao Zhan’s name, but he quickly forgot about it. “Then I was in Wuxi, there was a large excited crowd of people, said that the hottest actor, Xiao Zhan, was in there.”
Until 2020, a psychiatrist friend told Wang Keran, to take note of this actor Xiao Zhan.
“Before then I was an older person, I’ve always picked actors above 35, but after the psychiatrist finished talking, I started subconsciously noticing this person, and then I found out that this person was really interesting.
How interesting? There were a lot of people attacking him, I thought I’d understand what these attacks were, I found out that these people were a contradiction of the most realistic things and most hypocritical things, this era’s idols were different from 5 years ago, they are now placed on a pedestal as a symbol, as something to be fought over or stepped upon. Via Xiao Zhan I noticed the new pulse in the development of society, understood this movement, art should be something that is most compatible with the times, my personal view on plays is just like this, plays should be the current drama action of this moment, and the emotional relationship of the people here and now.”
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“A Dream Like A Dream”, Xiao Zhan
The commemoration event for Cao Yu, Wang Keran needed to find a young guest who could have a conversation with Wan Fang, a colleague suggested Xiao Zhan, Wang Keran suddenly realized, this was perfect, “The complexity on Xiao Zhan would fully represent the complexity of plays.”
The first time he met Xiao Zhan, Wang Keran captured the mysterious sense of fate behind his back, but yet he also gave a sense of youthful obtrusiveness, gentle and warm. Wang Keran gave Xiao Zhan a list of books and asked him to go back and read, after which Xiao Zhan finished the books in a few days, even wrote some 10 over questions to Wan Fang, the questions were simple but deep, and moved Wang Keran.
On the Cao Yu Commemoration Event, Wang Keran studied Xiao Zhan, and found that his sense of stage was fantastic, and immediately invited him to join “A Dream Like A Dream”.
To Wang Keran, the similarity between Xiao Zhan and Patient No. 5 was that they were both trapped in the uncertainties of fate.
Xiao Zhan’s portrayal of Patient No. 5 gave Wang Keran a pleasant surprise, as to whether he would continue as Patient No. 5 after this year’s shows, they had not spoken about it, but Wang Keran felt that “A Dream Like A Dream” already gave Xiao Zhan some rewards, “I feel that via this play, he can prove that he is a good actor, I feel that ‘A Dream Like A Dream’ gave him a power.”
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“A Dream Like A Dream”, Xiao Zhan
Entering the Dream Again
Not only Xiao Zhan was a new addition, the Yanghua version of “A Dream Like A Dream” had almost a brand new cast.
Zhang Liang and Yanghua had collaborated for 2 plays, they were old friends; Huang Lu was recommended by Xu Qing, she was also the only actress that was confirmed without meeting Wang Keran.
Director Zhang Rui was in-charged of arranging actors, but because of the pandemic, the Taiwanese actress who was supposed to play the role of the wife could not arrive, another actress had to take on this role. “A Dream Like A Dream” had a total of 31 actors and actresses, many times one would take on multiple roles, any adjustment of actors would have big ramifications.
Zhang Rui created many versions of the casting chart, “This casting chart was an intricate process, move an actor, we might need to reallocate every scene, whether they could make the scene in time, whether they were suitable, reasonable, I’m so frustrated my hair’s dropping.”
Starting from 2013 when “A Dream Like A Dream” premiered in Mainland China, Director Chen Limei and Zhang Rui grew with this play for 9 years. Chen Lipai previously also handled the role of Stage Executive, Zhang Rui was with the crew everyday, there were the two who were most familiar with “A Dream Like A Dream”.
In their memory, the first rehearsal for 2013 lasted 3+ months, after which if there were not much changes with the actors, repeat rehearsals would last 1 week. Some years they had to change an actor, but yet they did not give sufficient rehearsal time and almost drove the actor insane, “Because the crowd actor had to act as multiple roles, the management of every role was complex, he needed to remember his position, his clothes, and he had to depend on himself, there would be no one backstage to inform him, he had to take care of himself.”
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“A Dream Like A Dream”
This year, more than half of the cast was changed, theoretically they needed one and a half months, but to gather 31 actors to rehearse at the same time was not easy, the group merely squeezed out 17 days for practice time.
Practice time started officially from 9 Mar, the group settled in Hebei Tangshan, the time was tight, the mission was heavy.
Lai Shengchuan, who was faraway in Taiwan, gave instructions via video conferencing to the actors, to help answer their questions. Wang Keran, Chen Limei and Zhang Rui handled the task of direction.
Wang Keran mainly handled the mini classes to the new actors to the group, every actor had different classes to attend.
Huang Lu was a movie actress, her method for lines was to say to herself, but “A Dream Like A Dream” was to say them to 1200 audiences, Wang Keran gave her a training method, “He made me rehearse only with Xiao Zhan, each of us would stand at the furthest corner, but we must be able to hear each other’s lines, that is we needed to get used to speaking loudly, I felt that this method was actually quite crucial.”
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“A Dream Like A Dream”, Xiao Zhan and Huang Lu during practice
When he first entered the group, Zhang Liang was tortured by the role of the Baron for 3 days, he totally could not find the sensation, Wang Keran gave him 3 days of progressive classes. The first class was to control the micro expressions and movements, “For example, the first day I reached Tianxian Court, he requested that when I did gestures, my hands could not be higher than my chest, when we normally spoke my palm would face up, but he said that the Baron could not have a moment where his palm was facing up, his palm would forever be facing down.”
The second class was culture class, discussing European culture, politics and artistic background, so as to understand the motives behind Baron’s actions. “Baron would not let Xianglan draw abstract art, made her start from still life, it actually had political connotations. Classical realism represented calm and control, whereas abstraction and symbolism, etc, developed from the lowest of the masses, represented the destruction to order, Baron hoped from the bottom of his heart that Xianglan would live with him, if you liked something he didn’t like, that represented betrayal to Baron, that’s where the cracks in their relationship started.”
Chen Limei and Zhang Rui understood every detail of “A Dream Like A Dream”, when the actors gave any small questions, they would immediately solve them.
For example, how to swiftly get into positions, what to wear after changing out, both directors could immediately give the correct answer, “We found that this time round that one of the new actors was slow in moving, he would say he could not make it, I would say you definitely could make it, you tell me why you couldn’t make it, I would know where you did wrong. He said it was very dark and he couldn’t find his bag, and he needed to take the gun from 2nd floor to the 1st floor, I said there’s another prop gun downstairs, you don’t have to carry it down, he said he didn’t know. We actually spoke to him after observing him for a few days, because we knew that the 2nd floor was very dark, we definitely had to ensure the safety of our actors first.”
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“A Dream Like A Dream”, Xu Qing, Xiao Zhan, Zhang Liang, Huang Lu, Lan Nan, etc.
The time left for the directors was not much, rehearsal, costume, positions, etc, all had to be done simultaneously, the volume of “A Dream Like A Dream” was supposed to be large, there were pressures on progress, the experience for the whole group was basically demonic scheduling.
For example, for 22 Apr Charity Show, the schedule for the actors that day was like this —
10:30 to 11:30 Actors and actresses would set of from their hotels to the theater for make up and costume; 12:30 Lunch; 12:30 Microphone testing; 13:10 Warm up; 13:30 Audience entry; 14:00 Start of Charity Show.
After nearly 8 hours of performance, when the actors were having their media session it was already 30 minutes past midnight.
Everyday they worked for around 12 hours, that would be the normal hours for the group for the month, during practice they did not wear their make up and costume, but they still had to set out by 12:00, practice starts 13:00, 17:00 was dinner, 18:00 was practice again, and they end at 22:00.
“This time round we really went for it, we didn’t work this hard previously, because we changed very few people then, we could probably get to the practice at 2pm,” Chen Limei said.
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“A Dream Like A Dream”, actors practicing
The tight rehearsal schedule was a challenge physically to the actors, as they practiced day and night everyday, even Huang Lu felt lost once.
“Because we would be acting the same thing everyday, everyday when you went in, it was day, but when you left, it was night, that period of time I really craved a normal life. There was once we were video conferencing with Teacher Lai, I just said that after this play, I suddenly feel that plays, movies weren’t that important, what’s important was our real life, I especially wanted to experience communicating with people, the feeling of being with family, friends and loved ones.
When you filmed dramas, you would still be outside, after you knock off you could be in touch with a more realistic life. When I was in the same play group as Zhang Ruoyun, we practiced in Beijing, everyday we practiced for around 3 hours, we could still meet friends in the afternoon and night, but this play was concentrated practice, when we left it would already be midnight.”
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“A Dream Like A Dream”, Xu Qing and Huang Lu during practice
Wang Keran could foresee, that actors would experience this type of lethargy, so the arrangement from the very beginning was that after the 17 days of practice, the group would briefly rest for a period of time, until a week before the Wuhan Show, where he would recall them.
This method of working was not easily seen in plays, but to actors, this was a good time to rest and digest.
“The first day we returned, Keran said that was the best time I’ve acted with Xiao Zhan,” Huang Lu said. “Perhaps in-between I had time to digest, get in touch with real life, and had a new understanding.”
In comparison with “A Dream Like A Dream” from 8 years ago, besides the changes in actors, this year’s Yanghua version also shortened the script by around 15 minutes or so, without affecting the foundation of the script.
The adjustment was mainly on the pace of the actors. For example, at the end of the upper half, the housekeeper of the castle would talk about the past of Baron and Gu Xianglan, it used to use a slow and narrative tone, Wang Keran felt that it was not right, “This type of expression seemed to cause Grandpa, who just arrived at Shanghai, to seem unfamiliar with his surroundings, but in fact, Grandpa was very familiar with the castle, he could have returned frequently, like the feeling of a tour guide,” so he adjusted the tone and pace, and made the play richer and more layered.
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“A Dream Like A Dream”, Xu Qing, Zhang Liang, Lan Nan
Every improvement in detail, came from written notes from everyday.
When rehearsing, both directors would sit in the middle of the lotus pond, with a small table, and a faint table lamp, the actors would be acting while the directors discover problems and mark it in the script, or write furiously on white paper, after the end of a day’s rehearsal, the paper would be littered with over 200 to 300 notes.
After the rehearsal ends, actors would sit together in the lotus pond and listen to the directors reading the notes one by one, every actor would record down their respective portions.
Xiao Zhan’s phone memo was full of everyday’s notes, for example there were around 10 notes for 19 Apr, Xiao Zhan’s note taking method was simple and concise, note down the scene, or a point, with the remarks of watch out for emotion or pace.
In Zhang Liang’s memory, with regards to his notes, there were up to 20 notes a day, but later on as the problems lessened, the notes also reduced.
Director Chen Limei said, some actors would be confused, why were there always 200 to 300 new notes everyday during the note session, did that mean that they had not improved, but actually everyone was getting better on the basis that they were already getting better.
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“A Dream Like A Dream”, the directors at the rehearsal
There was a process in practicing, at the start you might not have memorized all the lines, that note would be about lines, when the lines passed, it could have been about wrong position or movement, at the last part when the acting was getting better, I might notice intricate details such as costume, hairstyle, which you needed to notice carefully. Every stage had its own set of problems discovered, only when you walked from Step 1 to Step 2 that I can see the problems of the current step, otherwise my focus would not be that.”
For example, on the last day before the official show, the note for Xiao Zhan became “the singing before the curtain call, stand slightly westwards” this type of small details.
After experiencing the full dress rehearsal of 18, 19 and 20 Apr, the last day of rehearsal became “note rehearsal”, that is to repeatedly rehearse based on the problems in the notes so as to affirm the scenes that could easily cause issues, including the group scene at Tianxian Court, the scenes between Baron and Young Xianglan, etc. For Xiao Zhan and Huang Lu, the scene they rehearsed was the propless scene around the staircase, which needed to take note of the eye contact as they two of them went up and down the stairs, entering by pushing the door.
After the premiere on 22nd ended, the notes continued, so as to have new improvements for the consecutive shows.
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“A Dream Like A Dream”, Xu Qing, Zhang Liang, etc.
Idealism
After the full dress rehearsal ended on 19 Apr, all of the actors gathered backstage, surrounding the directors, quietly standing, it seemed like a special ceremony.
For the new actors who joined this year, this was their first time witnessing this ceremony, but to the actors who had been with “A Dream Like A Dream” before, this had already became a habit.
Director Chen Limei introduced that this ending ceremony was called “Echo”, it was a habit from Lai Shengchuan — a habit that existed since the first premiere in 2013, “When we finish a show, and gain the applause from our audiences, as well as new empathy for our roles, we must return this feelings out, give them to more people, you can imagine that there was a large crowd of people, we would send out these blessings and share them.”
After “A Dream Like A Dream” came to Mainland China, it had always been well acclaimed, it used to show in Beijing and another specific city. Starting the 9 Cities Tour, especially adding the Wuhan Charity Show, was also a form of “Echo”, to share this play with even more audiences.
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“A Dream Like A Dream”, Wuhan Charity Show inside view
2 years ago, in Chongqing Theatre, Wang Keran came up with the idea to get more people to understand theater, experience theater. He started conceptualizing the 9th Anniversary 9 Cities Tour for “A Dream Like A Dream”.
When they heard of this plan, Chen Limei and Zhang Rui thought it was an impossible wish.
“Because ‘A Dream Like A Dream’ was such a large play, we would actually lose money by doing a tour. Such a big group, there’s about 130 people in the group, so many people’s living expenditures, including putting up the set for each location, it takes a week to put it up, only for a few shows.
Until the start of last year, Keran told us that we would still do it, I said we really had to do it? How could we do this in the pandemic? Last year he said that we could definitely do it the next year. This might had to do with his view of life, he would do what he set out to do, just like then when he did his first play, he sold 4 houses.”
In comparison with previous “A Dream Like A Dream”, the investment of this tour was obviously bigger. More touring cities meant that there was more costs with transfer of set, when they rehearsed in Tangshan it was not as good as Beijing, all the actors had to be in Tangshan with their living expenditures.
On the other hand, the seats in the theaters were fixed, there’s a ceiling to the ticket prices, in the face that it was not profitable, Wang Keran included a not-for-sale charity show, “The cost is too high, after completing the charity show, we basically have no profits for this stop,” Wang Keran said.
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“A Dream Like A Dream”, Xu Qing and Xiao Zhan during rehearsal
Early last year during the pandemic period, Wang Keran already thought of doing a charity show in Wuhan.
Then, he spoke on the phone with the person in-charge of the theater, and asked about the situation in Wuhan, “He had always stuck to Wuhan, and told me that if you really cared about us, then you should bring your best show over, I asked which one did you mean? He said ‘A Dream Like A Dream’. I just felt that if ‘A Dream Like A Dream’ did not come, it would not fully express our special respect for Wuhan, and we would do a charity show, free.”
The actors had the same idealism.
Wang Keran said, theater would definitely be tough, the rehearsal time was long, and while they would perform for 3 days in every stop, they had to allocate 1 week for practice, a popular artist’s time would be calculated in days, but they were willing to allocate their schedule for the play.
Sun Zhongyi, who played roles such as the old housekeeper and professor, was one of the core actors for Yanghua Theatre, he was given the rare opportunity for a lead role in a movie, it was very important to him, but the schedule collided with one of the shows for “A Dream Like A Dream”, and for the play, he gave up this rare opportunity.
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“A Dream Like A Dream”, actors rehearsing.
Plays do not earn as much as dramas and movies, no matter how popular the celebrity is, the profits from plays will never match up with the value of the drama, an actor’s rehearsal fee for “A Dream Like A Dream” is 100RMB a day, but all of the actors cooperated seriously.
Huang Lu said, sometimes we would joke that we “missed money making opportunities”, but everyone felt that this was especially fine, it was rare that we had a whole year to focus on doing one thing, the period where we practiced in Tangshan was very much like return to school.
“Everyone basically didn’t come here for money,” Huang Lu said, she viewed “A Dream Like A Dream” as a rare opportunity, it was a training for acting, also like a chance for self improvement.
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After the “A Dream Like A Dream” Wuhan Charity Show ended, Huang Lu came to the front lobby for a photo.
Every actor gave their best performance.
Newly added actress for Young Gu Xianglan, Ge Xinyi, worked hard to match her senior; seasoned actress Feng Xianzhen controlled her character with grace and power, all 3 Gu Xianglan had an overall soul; Zhang Liang performed a Baron who was different from Jin Shijie’s version, but it was still accurate and layered; Fu Xing as the representative of the original group, became the foundation, their steady and down-to-earth performance assisted every new actor in building up their steady and accurate system of performance.
After performing for 9 years, Xu Qing had already embodied the blood and soul of Gu Xianglan, she also followed the progress of the group, and participated in all of the practices. Wang Keran expressed his thanks to Xu Qing once in Tangshan, “I say I really thank you for appearing in the practice, because your every practice would always accurately complete every detail, even if it was the most basic practice, you always put your heart to it, never held back, completely constructing the character.”
Xu Qing constantly improved her performance, frequently discussing how to handle every word with Wang Keran, for example after Baron had his car accident, Gu Xianglan would run up hurriedly to the police to say “I saw your incompetence” that kind of transition scenes, she would repeatedly try different expressions, after 9 years of “A Dream Like A Dream”, she is still pondering over it repeatedly, searching for the best method to handle every detail.
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“A Dream Like A Dream”, Xu Qing and Zhang Liang during rehearsal.
During the rehearsal in Wuhan, Yuli Studio also witnessed how Xu Qing gave all of her emotions in every rehearsal, especially the important scene where Gu Xianglan took off her Cheongsam and walked through the lotus pond in sleeping garments, everytime Xu Qing finished that performance, her eyes would be filled with tears.
Xu Qing told Wang Keran one sentence later, and hoped that he would share that with the new actors, “Just tell them this point, 1 minute onstage, 9 years of effort offstage.”
Theater people always had this persistence in idealism and passion for the stage, with so much interest in “A Dream Like A Dream” this time round, Wang Keran hoped that with this play, more audiences would understand plays and love plays.
He especially prepared a live broadcast after the charity show ended, so that people beyond that 1200 audiences could see “A Dream Like A Dream”, hear the words from the actors’ hearts, he hoped that the other actors besides Xu Qing and Xiao Zhan would also be noticed.
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“I know that the rules of news broadcast, if it wasn’t live broadcast, you would definitely cut away the people who weren’t important, right, but I hoped that everybody could see everyone’s effort. Xu Qing, Xiao Zhan, they were also very happy to have this method, I think that this is also a faith in collaboration equality built upon plays for them.”
“A Dream Like A Dream” would continue to tour 9 cities, Wang Keran hoped that through this play, it would encourage more youths to enter theaters, “I had this thought a long time ago, I just needed to find the right opportunity. For all of our lives we had hoped that plays would have more influence, could have more people entering theaters, if this worked out, then actors and actresses such as Xu Qing, Xiao Zhan, Zhang Liang etc, would have great contribution.”
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thesimperiuscurse · 3 years
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08.04
It’s The Kingston Legacy’s sixth anniversary, so here’s a throwback post to celebrate! Last month I forced myself to reread the entire legacy, and while I stopped, clicked off the tab, and emitted a soundless scream of pure cringe numerous times (I wish I was kidding)—the past generations are actually not as terrible as I remember. I think enough time has passed for me to detach myself from the childish storytelling and look back in nostalgia. 
Thank you to my fellow Wordpress writers who have come along the journey, some for many years now, through every high and low. It’s astounding how much has changed in the legacy from when I was 15, and 21. Follow me down the (very) long memory lane, as I reminiscence about each story and my perspective on them now ❤
Generation 1 — Fern (2015)
To my shock, I found myself genuinely enjoying Fern’s story. I think this was because the first generation was purely me commentating on gameplay, and not trying to write a story (that’s when the cringe began). I was inspired by one of the original stories, Alice and Kev, to make a homeless sim and document her struggle for a better life: Fern, a snobby aspiring writer. Reading this, a huge wave of nostalgia hit me, and it reminded me of how wonderful Sims 3 gameplay is. Although I’m long past it now, there’s real heart and life in the design. I think it speaks about the rich personalities and quirks that I could write a whole life story off it. It was super fun making Fern camp out at Old Pier Beach, stealing from townie picnics and roasting apples on the fire, finding little ways to scrounge money, giving her a makeover in the salon, watching the townie dramas unfold around her. Although she faced homelessness two times and a shitty first husband (yeah, fuck off, Xander), Fern grew into a strong and independent yet sweet and gentle character, in love with the ocean like her great-granddaughter comes to be.  
I never actually addressed this, but she (and her love Christopher) passed away in the story between the end of Gen 3 and start of Gen 4. It just felt weird to make it a big deal because they never died in game—still ‘alive’ and well, scattered across different backup saves and the bin.  
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Generation 2 — Briar (2015)
Briar’s story was strange, because it was half gameplay and half story, which meant that there were things that just did not... make... sense. She was quite an ‘unreliable’ character to follow because of her Insane trait. The plot revolved around her as a fresh detective, investigating supernatural phenomena in Sunset Valley. Her character arc was almost the opposite to her mother’s: a naive, optimistic, silly girl hardening through trauma into a cold and ruthless police chief. Ash’s death was the one moment I felt true sadness in this legacy, because he did really die. Imagine me actually getting emotional over my characters, lmao. Wild. 
Also, Max is OP. To this day he is one of the best male characters in my legacy, a healthy and supportive best friend (to husband) in stark contrast to the following generation. 
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Fallen Angels — Cherry (2016-2019)
Yes. It’s this generation. Square the fuck up, Cherry. I will fight her any day. Old readers will know of my pure hatred for this story. It’s been about two years since it thankfully ended. My verdict now?
It’s not quite as horrifically shitty, Gabriel and Lilith being a lot nicer than I remembered (Gabriel’s only a bit of a dick at the start), but it still has glaring problems, such as the pacing and clumsy handling of sensitive topics. The story would have been far nicer if it focused less on Cherry and Luc’s relationship and their respective issues, more on the found family and her relationship with Gabriel (which was rushed due to me despising the story by that point). During the first chapters, I was cringing spectacularly at the combination of Luc’s initial jackass behaviour and Cherry’s whining. Toxic as FUCK. I had to skip 3.8 and 3.9 entirely. These two (because of my own shameful mistake) tainted the generation in my eyes, and even though all of the characters grew from their toxicity, I can’t really see past that guilt to the better parts of the story. 
Jade has been telling me for years that this story isn’t all bad, and upon forcing myself to reread, I can see what you mean. I’m sorry LOL. Something that pleasantly surprised me was the writing quality (just the prose, not the actual story mechanics... lmfao), and Raphael, who made me smile every time he appeared. Every single careless, sarcastic line of his was a banger. The pictures are something else I like, too. Many of them stand up to the best ones in En Pointe—the fiery, gritty, industrial tones of Bridgeport just hits different. The world was rich and immersive, which is missing at the moment in En Pointe because of me being too lazy to build a proper Los Angeles world, but Act III is set in Boroughsburg so I’m excited to get back into the city scenes. 17 year old me wasn’t mature enough to tackle dark themes, but at least the visuals for them were nice, I guess. The atmosphere of the story I really enjoy. It’s just the toxic characters and way-too-angsty moments that ruin the whole thing for me. 
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En Pointe — Evangeline (2019-)
And here we are now! The early chapters are kinda painful to read because 1) Mako looked so ugly and 2) the dialogue was so clumsy and generic. I sighed in relief when Chapter 5 came around, because it was then both of those aspects really began to improve. Eva’s voice was simple, with her punchy remarks, much less romantic and descriptive than Cherry, so it was interesting to see her voice becoming more complex and layered as I more understood her character. Also, me visibly struggling with the natural lighting and only getting a handle on it 7 chapters later has me shaking my head. 
I’m already beginning to identify issues with the story, mostly with character arcs and pacing. It’s a strange combination of fast pacing (spanning half a year in 8 chapters) and Eva becoming surprisingly comfortable with Mako’s touch due to their unusual pas de deux circumstances. It’s curious how real life time actually played into the pacing of the story—because of the slow publishing schedule, less time has passed in the story as real life, so it’s almost as if the time jumps were made up by real life time, making the jumps feel not too strange. Reading consecutively, however, Evako’s relationship growth doesn’t feel slow burn... a little underdeveloped, in a way, despite their lengthy conversations. I think that’s because of Mako being such a reserved and mysterious character, and that I’ve unconsciously come to rely on Tumblr to give more depth to the characters/relationships. Luckily, pretty much everyone who comments on the story also follows me here, so this dual-platform storytelling is okay, I suppose. I want to post more of #Mishako since there just isn’t enough time to explore their bromance in the story!
At the moment I’m not happy with the story, but it’s fine. I’m learning. There’s more than half the story to go, which means plenty of time to reflect upon the issues and improve. I’m really looking forward to Eva and Mako’s character arcs in Act III. At the moment their relationship is based on their natural chemistry and respect for each other, and since they are yet to face trials their bond isn’t super deep, but Evako are still my favourite couple in the legacy thus far, and feel much more real than any character I’ve written before. It’s been very interesting for my aro ass (and being way more logical than emotional) to figure out a dynamic that is actually compelling to me, because most of the time when I look at romance I’m just like 😐🤨 I’m liking it so far but we shall see how everything unfolds, because I have barely any idea what’s going to happen beyond Act II, lmfao. 
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That’s it for my incredibly long throwback! I hope it was at least nice for the OG readers, and interesting for anyone else who managed to battle through this essay, haha. This family has been an integral part of me growing up, as a person and writer and artist (what I’ve developed in visuals I apply to architecture), learning a great deal of awareness about real life through story research, which is pretty cool now that I think about it. I’m aiming to finish En Pointe by the end of 2022. I’m excited for what unexpected changes are to come!
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meimae · 3 years
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Language Learning Through Immersion: One Year Japanese Update
11/03/2021
I did it, you guys! I’ve successfully reached my very first year of Japanese language immersion! I honestly thought that I would have given up by now, but this really has been a fun and ultimately rewarding endeavor.
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Studying the language has been at the back of my mind for years since elementary school, I just never really knew how to go about it before, and I always thought that I could learn it in a classroom setting someday. That someday for me was in two elective courses in university, and while those were fun as well, it did not give me the same gains that I have achieved in this past year.
It’s probably easier to quantify learning a language in a classroom setting, especially when going through a program to earn a language degree. Learning through immersion, however, I had to really consider what my goals should be on my own. Eventually, I stumbled upon an article saying that for an English speaker, Japanese was exceptionally difficult to learn and that at least 2,200 hours must be spent with the language to reach a certain level of proficiency. So I said to myself, “well okay internet, if you say so!”, and set that as my long term goal going forward.
Spoiler Alert: I did not hit that goal in my first year. I am not crazy and will never listen to Japanese in my sleep regardless of what Khatzumoto (the creator of All Japanese All the Time) says. 
I did, however, hit a total 1,226.65 active immersion hours in my first year, so I guess I’m still a bit nuts. That is 874.96 hours of active listening and 351.69 reading hours. I also did 270.59 hours of passive listening, also known as the time in the very beginning of my immersion where I was using Japanese subtitles (therefore not really concentrating on listening alone). That’s a cumulative 1,497.24 hours spent with Japanese. That’s more than halfway towards my goal! 
To further break that down for curious animanga fans out there, that’s 973 episodes from 109 anime, 765 episodes from 33 dramas, 7 movies, and 967 chapters from 107 volumes of manga (21 series). Here’s my anilist and mydramalist to see what I’ve read/watched.
During all this, I was also doing my daily Anki reps and now I have a 530 day SRS streak (includes the time prior starting immersion and only doing RTK and some vocabulary cards) and a total 8,857 sentence cards. I’ve been averaging 406 cards daily (because I’m trying to cure my leeches) and I spend about an hour per day doing reps and learning new cards. I don’t really track my time on Anki, but I do have a set timer that goes off after 1-1:30 hours.
What I haven’t touched upon at all is output. I have not gone out of my way to find a tutor or a language partner. There’s still plenty of input out there to immerse in before I even consider outputting.
Graphs, stats, and more thoughts:
Here's my current card count in my main deck (minus the cards in my new/learning queue and leeches I've been relearning which are in separate decks):
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That one day in 2019 where I did not do my cards because I was seriously doubting whether I can actually stick with language learning this time around will forever haunt and inspire me to keep going everyday.
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Workflow and Tips
You might be wondering, how do I have a lot of time? I started this whole endeavor in the middle of a pandemic, which eliminated the option of me going to a language school, and a slew of other things I were considering doing last year became impossible (and if anything, very scary to do in a pandemic). All I can say is that, things work out eventually if it is His will, and if I can learn a skill before everything properly settles back down again, then why not? 
I wake up at 5 in the morning everyday to either do my Anki reps or read until the time when I need to get up and I listen to compressed audio throughout the day. The biggest tip is to switch the time you spend watching/reading in your native language to your target language instead. Listen to a podcast during your commute, watch an episode during lunch break, read before going to bed, do your Anki reps in the bathroom if you have to. 
But, if you’re feeling burnt out, there is no reason for you to not take a break! I have been watching a lot of Among Us streams before bed, and I chat with my friends from time to time. Language learning is not a race.
More Stats
Here are a couple of grids of the kanji characters that I have encountered at least once in my immersion and how well I have answered them in my vocabulary/sentence cards.
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It's interesting that after almost 9000 words, I have yet to encounter every single character from the Remembering the Kanji 1 (RTK 1) book by James Heisig, which teaches you the most common use characters that are part of the 常用漢字. Which brings me to the question, was writing down every single character being taught in RTK worth it every time it came up in my reviews for the first 3-ish months I was reviewing them? Maybe, maybe not. It certainly removed my anxiety whenever looking at blocks of text in Japanese, but the longer I think about it, the more I feel I should have switched to Recognition RTK earlier. Still, being able to write in proper stroke order is cool I guess, and it also helps me when looking things up in the dictionary.
Here’s the same grid but in JLPT order:
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I clearly need to grind those N2 and N1 level cards! Speaking of which, I have apparently almost covered every single character that could possibly appear in the JLPT (except for the N1 which I have only covered half of) in just a year's time. If the JLPT word frequency lists I’m using are accurate, I have about 2,000 words more to go to to cover most vocabulary that could appear in the test. This makes the "10,000 sentences/words to fluency" argument a reasonable milestone to aim for for Japanese learners if said aim is only to pass the test. That said, 10,000 words is just that, a milestone. It's more akin to a comfortable level of comprehension, but not my own concept of fluency which is being able to read with ease, speak articulately, and write comfortably.
READING IMMERSION GRAPHS
My biggest motivation for tracking my stats is for the purpose of seeing whether my reading speed is improving over time. Reading speed is also easier to measure than listening comprehension which is kind of subjective, so I had a lot of fun making these. What I found is that for the first volume or chapter of whatever it is I’m reading, I always take the time to get used to the writing style of the author. My speed really improves whenever I keep reading the same topic over and over again. On the other hand and quite obviously, looking up many new words in a row and trying to parse sentences slows me down.
Manga: Reading Speed Progression per Volume
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I clearly love ちはやふる and I am not ashamed to admit it.
I need to start reading longer manga. When I do, I’ll probably split this graph into less than and greater than 20 volumes. Imagine if I start reading something ridiculously long as 名探偵コナン or ワンピース, these graphs will start breaching the bounds of time and space.
Novels: Time Spent Reading per Chapter
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#neverforget the time I read chapter six of Norwegian Wood for 9 hours when it took me less than half that time in English RIP. Also, my interest in Kitchen plummeted LOL. Still planning to finish it don’t worry. 
I also need to start branching away from manga and start reading more novels and light novels, too just so I can make more pretty graphs.
Visual Novels: Time Spent Reading and Daily Word Count
Also known as images that clearly show that I’ve already spent several days only reading the prologue of Island. I’m not sweating. 切那 needs to stop using words I don’t know in succession. More thoughts on this VN far into the future.
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Thoughts on Immersion
I can’t really say anything else other that that it works for me, and needless to say if you’re considering this method, remember that the SRS is your friend but immersion should be your one true love.
Prior to all this, I couldn’t even read a sample paragraph from Genki without being confused to my very soul. Yes, I know, it’s embarrassing, but that’s the truth. I was way more scared of failing my Japanese classes than my actual thesis for my bachelors degree, I kid you not. I would quite literally spend all my free time in university trying to understand grammar, memorize vocabulary, and answer my workbook exercises with little to no success. 
I tried so hard to get all the grammar “formulas” into my head for 1.5 years and it only brought me more confusion. I’m never going back to traditional classroom study for language learning, but I will still refer to grammar books when I need to, and not because I feel like I need to answer 4783342 different workbook exercises like my life depended on it.
I still can’t believe it, but with immersion this statement is actually true to a point, don’t try shadowing anime/or calling your boss anime language slurs, use your common sense:
study anime to understand Japanese > study Japanese to understand anime 
Future Goals/Plans
2,200 immersion hours was my initial goal, but honestly I feel like that number could be much higher. There’s still a lot of stuff I don’t understand (news, politics, sciences, etc.), so I’ll make attempts to cover more of those things in my immersion. 
I’ll continue reading more, because that’s a natural SRS in itself. Try to read longer manga, more novels, visual novels, and light novels, and maybe news articles. 
I’ll try to mine as much “JLPT vocab” as I can before making any attempts at taking the JLPT. I noticed that a lot of the words I know don’t appear in the JLPT word lists as much, even though they appear a lot in media/daily conversation. 
Continue mining all words I don’t know because all words are useful anyway. There is no such thing as useless words. I never really understood mining only “interesting words” or words that “pop up” in your immersion. As I said in my previous blog post, 美人局 is an interesting word and I certainly caught it being said in my immersion, but in the three languages I know, I wouldn’t know when I would be able to use such a word, as compared to something like ジャガイモ which is a significantly less interesting word, but is certainly useful to know. 
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I have managed to talk up a storm, but if you have any questions regarding my process or recommendations for new immersion material, please feel free to send an ask/reply to this post. I love hearing about other people’s language learning/immersion journeys. 
See you on my next post!
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