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#honestly he's one of my top favorite characters ever to do costume design for
decarbry · 1 year
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I'd love to learn your thoughts on the rest of the bnha cast, particularly the main characters! Could you list your top 10 and share why you like them?
THIS WAS SO TOUGH I had to go through a complete character list to make sure I didn't miss anyone and I'm still not satisfied
Honestly BNHA does so well with character variety I love so much of the cast, tho it does fall into the pit of "there are too many characters and story threads to finish them all or even mention them ever again", do not talk to me about Shinsou
Anyway we're ignoring Aizawa, Yamada, and Eri because I think everyone already knows that they're my least favorite characters /s
10. Overhaul - probably one of the worst people in the show tbh but I really loved anytime his character was on screen?? he was such a calm but simmering threat before he was actively violent and honestly his voice acting in the dub imo was REALLY special. the whole organized crime angle is also one of my vibes in storytelling so I really enjoyed his character. plus his character design is *chef's kiss*
9. Tokoyami - he's a bird man with a dark passenger that acts like a puppy sometimes what's NOT to love -- I'm actually going to cheat and tie Tokoyami with Bakugou here because I had second thoughts. Bakugou's pivot in his relationship with Midoriya was one of my favorite character development moments and felt so well-done and earned that he's definitely in my top 10
8. Mirio - BEST BOY! Togata is just so positive and wholesome and selfless, every time I revisit his clash with Overhaul I sob my eyes out. I wasn't on board with his pivot in eye design at first but once I got to know him I fell for him HARD. There's literally no downside to this guy but at the same time that's ALRIGHT! Rather than it being obnoxious it's done in a way that I find flawless. like he still has weaknesses but he's composed so well as a character
7. Amajiki - how can you not love this poor anxious guy?? he's very relatable and anytime he pushes through his head to succeed in his goals I just want to scream and hug him. plus his quirk is amazing and I could NEVER because I'm such a picky eater
6. Kurogiri/Shirakumo - THE POWER OF ANGST no but partly it’s his relationship to our two favorite UA teachers but also Oboro seemed like such a GEM and I want to know him as he was and I have such high hopes for where the story is currently headed… Kurogiri himself is such a cool reflection/twist of his original personality that I find myself trying to read into every appearance he makes. Save him please
5. Shigaraki - kind of more superficial to begin with because his motivations were never SUPER interesting to me but his character arc has been a joy to watch and YES I know villains and heroes alike in this story have great writing that make them sympathetic but. for me Shiggy is one of the most obvious. like he can't be forgiven because he has done SO much damage and taken SO many lives but he really is the perfect hybrid example of when heroes fail those around them, and when villains influence those around them. also his path from childish gamer tantrum child to legitimate terrifying threat was a slow burn that feels earned. I think he was also my favorite early character design, specifically his full-hand costume he wore first at the USJ
4. Shinsou - dude's personality aside he's impressively ambitious and I really feel for his circumstance, I kinda took to him like Aizawa did? i was really invested in his path from the start and really would love to see him achieve his goal. i just want to see what he'll doooo. he was a major part of why I enjoyed season 5. hopefully he makes an appearance in the manga to help with current events but I'm probably just wishfully thinking
3. All Might - i usually never like the "superman" character in most things but Toshinori is imo the best-written of them and he has such a great character arc. i want all the best for this man that gave and is giving so much to the world, all at the cost of himself
2. Dabi - HONESTLY these last two can be interchangable. Dabi's character design is probably my favorite in the entire story. it's simple but iconic and very visually appealing even though it's. dead and burned skin LMAO. i'll be brutally honest, tho Todoroki is a great character and Endeavor is definitely trying, that whole family drama is kinda disinteresting to me (but is getting better)(which I hope continues since it's the opinion of some of the more... vocal readers that it's all that carries the later story and if that's true I want to REALLY enjoy it, y'know?). i'm thankful for Dabi because his existence in the story finally has my ears perked towards that thread and I really appreciate his drive even though the intention is to destroy hero society
1. Hawks - I'm going to repeat myself: CHARACTER DESIGN. the moment I saw Hawks I was like. in love. I really like spy storylines in general but I get easily drawn to characters that are outwardly charming, friendly, a bit obnoxious, confident, and know exactly how to appear in order to communicate their intentions. But then deep down... soooo many secrets. Plus, aside from Hawks' tragic family story, his tie to Endeavor as his idol is an extreme positive for Endeavor's character arc in my eyes. Hawks' tragedy doesn't end there though, because in a world of government-sponsored heroes he is perhaps THE MOST government-sponsored, and though they were the reason he had the resources to get to where he is, it's a weakness that has him kind of leashed, and I find that really sad. then we have his ruthlessness, which no matter how you feel about what happened to Twice, is sometimes necessary when it comes to saving the most amount of people. Hawks being the one to take that final action cemented him in my top 3
Honorable mentions for the rest that fall into the black hole of spots 11-20:
Midoriya, Bakugou, Tsuyu, Nana Shimura, Kaminari (just a dumb, lovable lad), Midnight, Kirishima, Mirko, Ryukyu, Monoma, Honenuki, Fatgum (challenging Mirio for best boy placement), Endeavor
Honorable honorable mentions for character designs I just LOVE:
Thirteen, Snipe, Sero, Kuroiro, Mandalay/all of the Pussycats tbh, Majestic, Mr. Compress, Geten, Moonfish, USJ Nomu, Rappa
Honorable honorable honorable mention for this dude that doesn't appear enough to qualify for the list but still deserves a shout-out:
Yokumiru Mera, please let him sleep
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redbootsindoriath · 3 years
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Here are some Legolas sketches or whatever, I dunno, for some reason I keep drawing him lately.
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Top drawing is him freaking out about the Balrog.  Bottom drawing is him convincing whomever’s in charge on the west side of the ocean that he should be allowed to keep his emotional support dwarf, who cares if they’re usually not allowed over here, this is a cool dwarf, talk to Galadriel or something because I’m sure she’d say it’s okay--
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vonderbarr · 3 years
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can you tell us more about your midnight cowboy essay?
Sure! I wrote it over 10 years ago and I can't lay my hands on it, but I’ll talk about it a little. For the paper we were supposed to compare a piece of media and its adaptation. It might have been for a History of Film class. There are a lot of differences between the book and the movie, but most of the changes made were to simplify and streamline the story. It's really a great book to movie adaptation. Obviously big spoiler alerts if you haven't seen Midnight Cowboy.
The first thing that came up was the main characters hair colors. In the book their hair colors are actually switched making Ratso Rizzo a blond and Joe Buck a brunet. That's pretty unimportant in the grand scheme, of course, but it's the first thing I noticed. After seeing the movie it was tough to picture Ratso as a blond.
Joe Buck's back story is really streamlined in the movie, but the emotional beats are all there. The book goes a lot into Joe's childhood being raised by a series of blondes, eventually ending up with his grandmother who gets taken out by a lot of younger cowboys who Joe grows up idolizing. His mother also went on a lot of dates with cowboys and it’s suggested that she was a sex worker.
The movie combines two traumatic incidents in Joe's life into one series of flashbacks. In the movie a teenaged Joe is caught with a girl in the backseat of his car and they are both gangraped by a group of men. The viewer learns this via a series of disturbing images and barely there scenes that spells out the situation as clearly and artfully as a 60s film can and, honestly, still hold up pretty well today.
In the book the girl is used by teenagers and young men, they literally line up each night to have a turn. Joe is the only one she has ever enjoyed having sex with and they start up a secret relationship, but her father finds out and has her committed. Later, Joe is living with a male hustler who he finds attractive in a conflicted way. It's been a long time since I've read the book, but at some point Joe is raped by him and, I think, another man. Again, the scene kind of fades out to the point that I can't remember if they drugged Joe before or not. It’s still clear what happens, though.
Ratso's backstory, however, is completely different. In the movie the pair visit Ratso's father's grave and he tells a story about how his father was a shoeshiner. It gave his father back pain and after he died they couldn't get the boot black out from under his nails so they had to bury him in gloves. It's a poignant scene and one I really like, and it's a good, short background that explains why Ratso tries so hard to get ahead and refuses to do work that he feels is beneath him.
In the book, though, Ratso gets lost among the many kids in the Rizzo household. Ratso was born with a club foot and was ignored by his parents to the point that he almost died of pneumonia because no one noticed he was ill. There’s a line about finding him curled up under the stove nearly dead. Every week Ratso’s father would take the family out to eat and they took up the biggest table in the place and his father was so proud of his gigantic family. Slowly all of Ratso’s siblings and his mother either die or leave until it’s just Ratso and his father sitting at a shitty two-top by the kitchen every week. At this point Ratso is his father’s favorite by default, but all his father does is feel sorry for himself instead of trying to have a relationship with his only remaining child.
It could have been done, but I can understand why they cut Ratso’s backstory considering the movie focuses mostly on Joe. Even though the book is from Joe’s pov, Ratso’s childhood takes an entire chapter and I think it would do it a disservice to reduce it to flashbacks. It might also be confusing since all the flashbacks in the story are from Joe, while the only flash-forward fantasy is from Ratso. This makes Joe a reflection of his past and Ratso the forward thinker and planner.
Both the book and movie show Joe’s arc from an idealistic young man who needs to be saved or taken care of to an adult who’s willing to take care of others. The book especially does a good job of this. The relationship between Joe and Ratso in the movie is more homoerotic than in the book. This is partially because near the end of the book as Ratso becomes more helpless and their roles switch, Joe starts to think that he’ll get married to a girl and Ratso will be like their child. In the movie there’s no inner monologue to clarify Joe’s feelings towards Ratso. On set, both Jon Voight and Dustin Hoffman picked up on the homoerotic subtext in the script and may have played it up. There was an article I read where Dustin Hoffman was talking about how the characters should have been sharing a bed, for example.
This is getting away from me, but I do want to mention a scene that I think was perfectly transferred from book to movie. Joe gets invited to a party by this hippy, Andy Warhol-esque couple and there’s a scene on the stoop in front of the building. Ratso is getting sicker and he’s sweating and most likely feverish, but Joe is super excited to go to this party. On the stoop Ratso gets really self-conscious about how sweaty he is and his general appearance and Joe comforts him. He untucks his shirt and uses it to wipe Ratso’s face and fix him up and Ratso just kind of holds him and leans up against him. It’s exactly like the book and is a great example of adapting a scene from book to film.
Like I said, it’s been about 10 years since I read the book and wrote the essay and a few years since I’ve seen the movie so bear with me on my memory here. The essay was, I think, 5 to 10 pages and I have no idea where it might be, but this is just a little bit of overview/what I remember.
Fun Facts! Dustin Hoffman put rocks in his shoes to get Ratso’s limp right and in one take coughed so forcefully that he vomited on Jon Voight’s shoes. They obviously didn’t use the take, but it’s the scene where they’re crossing a bridge in profile.
I think most people know that “I’m walkin’ here!” is an adlib because they didn’t have money to shut down the street for filming and that taxi really almost hit Hoffman. I think most people don’t know that the suit he’s wearing was found in a dumpster by the costume designer.
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ganon-binary · 3 years
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Overwatch Heroes Ranking & Honest Opinions part 2
Part 2 of my ranking and opinions of the playable characters of Overwatch. This is where things start getting spicier. Parts 1, 3 and 4.
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Jamison "Junkrat" Fawkes: 7-/10
Junkrat is a great comedic relief character with a surprisingly deep backstory. I personally am not a fan of his aesthetic, but his voice lines and interactions make up for it. Don't really care for him in game either. 7-/10, not my cup of tea but i can see why people like him.
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Lúcio Correia dos Santos: 6/10
Lúcio is a fun character.. but i don't care for him at all. He has a great attitude and his interactions are hilarious, but for some reason I can't bring myself to like him. like with Junkrat, I can see why other people like him. In game he is my least favorite support, but I might be biased bc many Lúcio's have gotten to my nerves and scratched my oh so fragile Widow-main ego. 6/10, maybe i like you in another universe.
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[REDACTED]: 3-/10
Oh cowboy, how I love to hate you. In my opinion, Mr. Dave Overwatch here is the most boring and over-rated character in the game and I am so tired of seeing him everywhere. Really not a fan of how favored of a character he is. Really not a fan of how he appears in almost every character's backstory and he seems to be getting even more lore. Really not a fan how he keeps getting skins meanwhile some characters haven't gotten skins in literal years. Really not a fan how he appears in every match I'm in. 3-/10, only redeeming part of him is the fan art.
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Mei Ling-Zhou: 8/10
Mei is such a good character. She has a really likeable personality, really sad backstory and really good skins. My one critique of her is how I would like to see more of how big of a huge genius she is. Winston has a lot of these science-y voice lines, so why can't she? Even though she is infamously known as "Satan" in the game, I really don't mind her! 8/10, very cute.
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Angela "Mercy" Ziegler: 5/10
There is the good kind of sassy, and then there is the bad. Mercy is the bad kind of sassy. She has so many unnecessarily rude interactions with the other heroes. The official profiles call her nice and caring, and I want to know how much she paid them to make her look good. She is such a mean and bland person, but at least she is pretty to look at! In the game she is very fun! I love her smooth movement abilities. 5/10, no one likes a preacher.
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Moira O'Deorain: 10/10
Moira is my favorite character lore and personality wise, there is so much depth to her. Even though she is portrayed as a villain, i truly think she is a good person (though very questionable). Really love her snarky and cold personality, but she can be nice as well. Her design is so cool and I truly don't think they will ever be able to top it. She better appear in OW2 and she better roast the fuck out of the Overwatch characters. In the game she is kinda lack luster but still p fun. 10/10, god is an androgynous lady with a resting bitch face.
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Orisa: 9/10
Orisa should be a main character in OW2. The storyline they have been teasing says so. She is a great heroine and I am very much looking forward to her journey to defeat Doomfist, though i expect it to be way more complex than that. She has a really good female omnic design, a centaur with so many refences to Efi's culture. She is really cute and I will never forget the first time I saw her sitting emote. 9/10, she IS the main character.
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Fareeha "Pharah" Amari: 8/10
She deserved so much better story wise and fandom treatment wise. She is so much more than Ana's daughter or a love interest in a ship. I honestly cannot believe they scrapped her animated short. Her storyline of wanting to join Overwatch should have been explored more. Hopefully we see her more in OW2. She is very fun to play but I wish her flight felt more smooth. 8/10, once she leaves her nest, it's all over for y'all.
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Gabriel "Reaper" Reyes: 10/10
Reaper is SO cool. His backstory, personality and hinted storyline are SO good. His appearance in the halloween comic is one of the highlight of the lore for me. Something about this cool and broody guy sewing costumes and being an extra fashionista is so fun! His dynamic with Widowmaker and Sombra are some of my favorites in the game. His backstory with Soldier is so spicy and totally not mlm. very looking forward to his storyline in OW2. Don't care for his playstyle though. 10/10 this man is perfect.
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Reinhardt Wilhelm: 9/10
Ah yes, the himbo. Another character with depth as much as the Mariana Trench. His backstory is really sad, and i have this feeling his storyline in OW2 is going to be sad as well. Don't you dare hurt the GILF, Blizzard! The character arc he went through in "Honor and Glory" put so many other character arcs to shame. His design is very fun though a bit generic. I could never complain about having a Rein in my team.. unless they charge to the enemy team all alone. 9/10, let him show off his muscles.
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castielgurl · 3 years
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Confessions
Romanogers week
Prompt: Role reversal
Hi admin, thanks for listening to my confession. My name is Natasha R, I am going to tell the story of me and my husband named Steve R. Enough with just the short name of the two of us. I was a martial arts trainer. My life was simple with the same routine every day. I was a simple person in fashion sense. Every day I put on a simple and the same makeup. As I got older my mother started to worried because I still unmarried. My mother suggested I get acquainted with the son of one of her friend. As a 30 -year -old woman, I didn't have an interesting love story. Until I met my husband Steve.
 I didn’t object to the idea because I was also tired of finding a partner of my own. Meet some good guys as well as some bad ones. It's annoying. I decided to go on a date with Steve. My mother showed me his photo, Steve had pale skin. Neatly combed blonde hair, and clean shave. His shirt was pink, a tight t-shirt and a designer jacket. I admit he is better at fashion than I was. He is a handsome man. But I'm starting to wonder why such a handsome man doesn't have a partner?
 I met Steve at a Starbucks café. The first time I saw Steve I was speechless. I watch him from top to toe. Steve wore a tight white turtle neck t-shirt showing off his sleek figure, tight black jeans. I felt very embarrassed by my simple dress. He also wears lip gloss. I laughed inside. When Steve started talked he had a soothing tone of voice. When he spoke he would moves his hands together as his speak. His hands looked soft as he often put lotion and even softer than my own hands. Yet Steve is not like any other man I have ever met. He was very polite and spoke softly. In fact, he didn’t stare at my boobs like other men. Eyes focus on me when I spoke. We talked about a variety of topics from fashion to the telenovelas that are currently being popularly aired on Netflix. Honestly, I feel comfortable with Steve and felt safe with him. Like talking to the best girlfriend in the world. When we finished the date he walked me up to the front door of my apartment. Steve walks exactly like the female catwalk model over the runway stage. I deliberately tested him, inviting him into the apartment. He refused it like a gentleman. Then he asked if I wanted to see him again. I answered of course. He was shocked because all the women he met hundred percent didn’t want to see him again after the first date. I was the first.
 After we dated for a few months, Steve asked an unexpected question. If I wanted to get married. I did not take a long time to answer him. Because after getting to know him. Steve is the most gentlemanly, supportive, caring, kind-hearted man I have ever met. He never forced me, controlling, I never saw him got angry. Even Steve never raised his voice to me. Even when I’m too busy with work and have no time for him. I know that he is not like other men, he does not pretend to be macho, ego or masculine. But he was more of a man than all the men pretending to be like a real man. I accepted his proposal. Steve's reaction was also very funny. He cried when I said yes. He said he was not like other men. He asked many times if I wanted to change my mind. I said no I have already made my decisions. He promised to take care of me like his own life. He promised he would never see another woman. I laughed at his reactions. I told him I trusted him.
 After we got married we stayed at Steve’s house. Steve's house was bigger, and he's good at decorating. The house is very modern, there are many flowers, beautiful paintings. Oh yes, I forgot to tell you what is Steve's job. He is a wedding planner. During our wedding night, Steve asked me to wait for our first night. Because he still felt awkward. He asked me to give him more time. I agree. That night I slept on the floor worried if Steve was uncomfortable. In the middle of the night, I felt like floating. I asked myself what happened? Steve carried me and put me on the bed. I was shocked because I never thought he was able to lift me! I definitely underestimate his strength too. He whispered to me and said
 "Don't leave me on a bed alone, honey lemon." Did he just call me Honey Lemon? Cute names. This gives me a goosebumps
 Steve not allowed me to work because he was able to support me and our families in the future. I smile when he talks about family. Steve said he dreamt to have many children. So I sit at home cooking, tidying the house. Every day I watched Netflix at home. When Steve comes back home from work he will watch Netflix with me. We will chat about the plot of the telenovela from our favorite series. It felt like talking to your BFF. Sometimes Steve would accidently hug me while we slept together. I felt very warm in his arms and don`t want him to let go. But he woke up and turned to another side of the bed. Apparently, this is how it felt to be hugged by your husband.
 Steve took me out on a date when he had a day off. He will put make-up on me. He turned out to be excellent at make-up. He said I am very beautiful I just don`t know how to enhance my features. He loves my red hair and my plump lips. After he said that I kiss his cheeks, he blushed. He would hold my hand when crossing the street. He also introduced me as his wife to his friends he seemed very proud to show me off to everyone he knew. I really like our relationship like this. Like two besties.
 One night, Steve and I have watched a telenovela on Netflix. Suddenly there is a love scene between the main male and female characters. I'm not a virgin but I felt embarrassed to watch a scene like that with Steve. I took the remote for fast forward. But Steve said no. I don’t want to continue to be in an awkward situation, I wanted to get up to go to the kitchen to make hot chocolate. But Steve pulled my hands gently and asked me to sit next to him. He asks when do we want to do the same thing as the scenes in the telenovela? My face turning red. Shocked by the question I said nothing. His fingers gripped my chin, his blue eyes increasingly visible in my eyes. He kissed my lips. I admit to once dreaming about him kissing me. Now, this is really happening. His kiss was slow, I returned his kiss. He then stopped and stared into my eyes. He said he wanted us to try tonight. It's only now that I really see him as a real man. I said why don't we do it now? I smiled he smiled too. I waited too long.
 Our love-making I described as awkward at first, gentle, slow, romantic, and calm. Then we would laugh together remembering the awkwardness of the two of us after first seeing each other naked. Steve told me when he first time touching me down there he felt like electricity through his veins. We kept trying new positions, new costumes, and even different locations. It turns out that making love after marriage is more fun. Steve at first got afraid if he was being too rough. I know he never intended to hurt me. One of the best sex I’ve ever had was when Steve was behind me and my palms were on the wall, the panties I was wearing were stuck between my ankle. This, not Steve's favorite because he wanted to see my face during our love making. But the sex was more intense than usual. It made me forgot about everything in the world.
 I tell this story to this page was just to fill my free time at home. And Steve approves the idea too. I just bored during pregnancy. Oh yes I am now six months pregnant. Steve and I are going to have a baby in January next year. Steve, on the other hand, is becoming more and more man day by day. He threw away all his old clothes and old habits. He was also the first to say I love you. We both can't wait to see our son for the first time. Steve wants at least four more children. Of course is up to me.  
 Thank you for reading my confessions.
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tsuki-sennin · 3 years
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Mina-san, bonne lecture~! (Tsuki recaps his feelings about Kamen Rider Saber, a personal essay.)
So, Saber... what a wild ride it's been, huh? Just a quick heads up, this is very long and rambling, and also contains spoilers for everything in Saber. It's fine if you don't wanna read all this, but I just wanted to get my thoughts out there.
TL:DR, Kamen Rider Saber's an undercooked hot mess I absolutely adore, warts and all.
Speaking as objectively as possible, it's a 6/10. Probably closer to a 5 than a 7... it's not great: All the different plot elements are cluttered and weirdly paced; character focus is disjointed and clearly biased toward certain characters, leaving great ones like Kento and Ogami, interesting ones like Kamijo and Hayato, and underdeveloped ones like Sophia and especially the Shindais in the dust; not to mention its balance of comedy and drama is off, and while both are very effective, there's a lot of mood whiplash that can take you out of the story. I also feel like a lot of the easily avoidable character conflict could've been easily resolved, even in universe, by simple conversations. Be careful Fukuda, I think Inoue might sue you if he finds out you've been biting his style and doing it worse.
Rider shows have a very frustrating tendency to drop cool form ideas and not do anything with them, and I don't think it's ever been more the case than with Saber. There's a similar argument to be made with the majority of Heisei Phase 2 after Gaim, but wow. The suits are expensive to make without just straight up recycling everything, I get that, but man, I really wanted to see more Wonder Rider forms. How come Touma got all the fun, eh? Of note are the Blades King of Arthur forms (which look amazing by the way), Espada's Jaaku Dragon forms (one of which I even drew last night), even the non-elemental random Wonder Ride Books all have awesome design elements that go tragically unused. Even if the other Swordsmen just kinda have the ones they do get to use slapped onto them, that's at least something. Touma also just straight up only uses Diago Speedy twice and never again. You have cool props guys, don't waste them like that!
Speaking of waste, Espada, goddamn. Since most of the Wonder Ride Books are Story Type and he needs one very specific Story Book to transform, he doesn't get much of... anything, really! No Wonder Rider forms like Blades, Lamp Do Cerberus being exclusive to Ganbarizing, only getting to use the Ride Gatriker like once, he even spends the second and third arcs as a completely different Rider, then once he comes back he doesn't get a King of Arthur-granted upgrade or even a Necrom Espada form. ...at least, not yet anyway. I'm holding out hope for Espada x Necrom and the eventual Saber V-Cinemas. Extra Rider stans, we will be well respected someday.
The Unreal Engine CGI used for fights in early Chapters was pretty good but wow it feels disconnected and they really drop it quick. I feel like if the animators had more freedom to use as many forms as they want, we'd have gotten a lot more mileage out of the books beyond... decoration basically. I actually really liked the CGI sequences, they felt creative and were fun to follow along with.
The soundtrack is pretty great on its own and conveys what it needs to, but they seriously overplay the orchestral themes. It honestly feels kind of... stock at times. I think my favorite parts of the score are when it winds down, since it feels a lot more natural and lets the cinematographers and actors speak for themselves.
As awesome as I think Falchion's design and the Mumeiken Kyomu are, The Phoenix Swordsman and the Book of Ruin comes up short as its own standalone thing. You'd think 30 or so minutes of non-stop action would be awesome, and it almost is? It's as good as a typical episode of the series with a higher action budget, but it kinda drags on a bit too long; and although I think Emotional Dragon looks cool, it feels a bit tacked on. Coming off of the incredible Zero-One REAL×TIME, it doesn't give you much room to breathe, which Rider films are typically great at handling. I also thought the resolution for the kid's subplot was kinda forced. He does an okay job at acting considering his age and doesn't overstay his welcome, but I really don't see how 20 minutes of violence and action is enough to convince him to be brave enough to go play with the other kids. 5/10, it's closer to a 4 than a 6 and I think that maybe Zero-One should've stood on its own if they really had to push back Kiramager Bee-Bop Dream because of the pandemic.
Alright, with all that said... As imperfect and undercooked Saber was, like Ghost I can consider it a personal favorite, 10/10. Call it a guilty pleasure if you want, but holy hell it's just the show I needed. Takuro Fukuda has a talent for creating fun, wonderful characters and utterly fascinating worldbuilding and concepts. It's a shame he doesn't utilize them fully, but hey!
The action and fight choreography are pretty top notch as usual. Lots of beautiful shot composition and set pieces, and plenty of great angles to help keep up with the extra busy action. I love watching the suit actors perform and they deserve all the respect in the world for their hard work in those hot, sweaty, and heavy costumes. Their visual design is also top notch, with lots of unique and fascinating forms and cool weapons I desperately want to play with despite being broke, all with spectacular finishers and hype jingles with the voice of Akio motherfucking Ohtsuka calling them out. A real feast for the eyes. Not a single bad suit among them, yeah I said it, fight me.
The crossover specials are soooo good too.
-I went over my feelings on the Zenkaiger crossover episodes in a separate post (good luck finding that btw), but to sum it up, they were great character moments for Zox and the Shindai siblings with lots of great screwball comedy and some good old fashioned meta humor.
-The Ghost crossovers are great little side stories all about how Daitenku Temple somehow had the Ghost Ijunroku Wonder Ride Book? I genuinely have no idea why it was there, or how Makoto had the Specter Gekikou Senki, and as far as I remember neither of their origins are explained. Did Luna or Tassel hand them off to them and told them to wait for a sword guy? And why do these generic French Revolution Gamma villains working for Danton get their asses handed to them so easily by Kanon, who literally just became a Rider? I thought that Makoto deciding to adopt all the Kanon clones into his family was both hilarious and adorable though; considering all the crap they went through, I think it was a good ending to this plot. Gimme Espada x Necrom already Toei/Bandai/Fukuda/whoever I need to yell at, give Kento things to do, I beg you.
-I haven't actually seen Super Hero Senki since it's not available for subbing yet, but apparently there's a Journey to the West plot starring the Taros and Ohma Zi-O and I want to see that so badly.
Tokyo Ska Paradise Orchestra? Yoohei Kawakami? A match made in heaven, that's what they are. All of their themes are absolute bangers. All of them. Almighty, Kamen Rider Saber, Sparks, Taju Rokou, all excellent and empowering pieces. Rewrite the Story, Will Save Us, and The Story Never Ends are all amazing inserts done by the cast, and it makes me wish we had even more of them to help break up the monotony of the score.
The characters are what easily make this show such a great watch though. For the most part, they have great personalities and chemistry, consistently fun and interesting scenes, well acted and... sometimes well-written development, and deeply investing personal stakes.
Narrating it all is the delightfully eccentric Tassel/Viktor, portrayed by Romanesque Ishitobi "TOBI" of the Paris-based Les Romanesques. I was utterly confused by his presence at first, wondering why there needed to be a narrator when the story would've been perfectly fine without it. He even got a special spot in the opening despite having no stake in the plot despite seeming to live in Wonderworld, who the hell is this guy? But then I thought "OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD". I thought it'd be some subversion of expectations, true form, "That Was His Mistake!" shit. Trust me, it made a lot more sense in my head. I'm very happy that they didn't do that, as I grew to love having male Yuuka Kazami as my narrator, and when he was shown to be actually important by being friends with Yuri my mind was blown. And doubly so when I realized just how deeply necessary to the plot he really is.
Rintaro/Blades is up there as one of my all time favorite secondary Riders, since his curiosity is always consistently funny and adorable, his forms are all gorgeous and impressively designed, his relationships with Mei and Touma are absolutely sweet and compelling to see unfold, and his arcs about becoming willing to call out those he views as family and coming to terms with his feelings of inadequacy and both moving past and using them to strengthen himself are always great lessons to pass on to kids. ...even if they took like 10 goddamn episodes to be conveyed in what could've been 5, but hey, Takaya Yamaguchi does a stand-up job all throughout. Rider veteran Eitoku's refined, almost logical movements with the Suiseiken Nagare absolutely beautiful to see in action, and his final form having the same white and blue color scheme as Zooous's base form is an amazing touch I don't see appreciated enough.
Mei Sudo's also absolutely wonderful, serving as the perfect emotional core of the story, responsible for most of the funniest lines, sweetest character moments, and some of the most deceptively compelling drama. Asuka Kawazu brings the perfect energy for such a dynamic and well rounded character, and absolutely nails her scenes of quiet turmoil. As much as I would've loved her to become a Rider, I don't think she really needed to. She's already done so much to help, and as cool as it would've been to see her pick up a sword and fight alongside them as Espada, Calibur, or Falchion she's already endeared herself to me as one of my favorite supporting characters in the whole franchise.
I can't get enough of my homeboy Kento Fukamiya/Espada. Like Rintaro and everyone else for that matter, he also suffers from Saber's pacing issues; and like his predecessor Valkyrie from Zero-One, he doesn't get a proper upgrade aside from his Wonder Combo, instead becoming an anti-villain using a completely different powerset and shifting the Raimeiken Ikazuchi out of focus for the Ankokuken Kurayami, and I feel there's a serious missed opportunity to see him use Jaaku Dragon with Alangina. However, Ryo Aoki's performance is probably among the most easily praiseworthy in the whole cast, managing to convey both Kento's kind and knightly stoicism as Espada and his emotionally unstable despair as Calibur perfectly, in conjunction with Yuji Nakata's experienced and expressive stuntwork.
Ren Akamichi/Kenzan's a dark horse favorite for sure. I remember back when Saber was first picking up, people hated this breezy mad lad for being such a simple character at first. Overly concerned with strength? Black and white world view? Annoyingly energetic? Agh, real-feeling character flaws, I hate them, get him away from me! But then y'all came crawling back. Eiji Togashi's apparently a bit of a rookie actor, and it really shows with some stilted delivery and the way he sometimes bobs his head when giving his lines, but man he improves dramatically as the series goes on. His inexperience ironically ends up really selling his character development, and his unexpectedly beautiful relationship with Desast is special evidence of that. The Fuusouken Hayate's three modes and Satoshi Fujita putting them to excellent use through his stellar acrobatic movements are also really cool.
Why did Luna have to be a child for so long? Does Wonderworld not age whoever inherits its power? Well since Luna randomly becomes an adult in Super Hero Senki and some of the final episodes, I guess so? Miku Okamoto does a fine job for a kid actor, but she's basically done all the heavy lifting for the whole series and doesn't give Mayuu Yokota enough time to get a feel for her character as an adult. How did she choose Touma to inherit the power anyway? Does she just subconsciously decide to trust him with it upon seeing how kind and passionate about storytelling he is? Well if that's the case, why didn't Kento get at least some of that power too? He's just as important to the merchan- I mean Luna-chan, isn't he? Why did Tassel pick her over someone who isn't a literal child who'd be understandably terrified about basically becoming an embodiment of storytelling?
Sophia also kinda suffers from the same problems. Rina Chinen's voice is very pleasant to listen to, but she doesn't really do much beyond serving as a source of exposition and support. I think her dynamic with Mei's adorable, and given her kindness I can certainly understand the respect Northern Base has for her, but she doesn't really contribute a whole lot. If she could use the Kurayami and become Calibur all this time, then why didn't she take it from Kento and Yuri and do so earlier when Kento decided to go back to being Espada? I know she's not much of a fighter and as the closet thing the Sword of Logos has to a leader after Isaac's death I'd understand not wanting to put her at risk, but considering Storious is destroying the world, and she's very evidently kicking a lot of ass in the first part of the final battle even in the basic Jaaku Dragon form, I think it would've helped a lot, just sayin'. Tassel at least has the excuse of being unable to interact with the real world, but Sophia obviously didn't just be put in charge of Northern Base just because she's a pawn in Isaac's plans right?
Ryou Ogami/Buster is also a victim of the disjointed character focus. I have no problem believing he's an excellent father and fighter thanks to Yuki Ikushima and Jiro Okamoto, respectively, but he feels a bit flat and simple in comparison. His rivalry with Desast is randomly dropped, his wife doesn't even show up until the final episodes, he's kinda sidelined in terms of action a whole lot. I imagine that must've sucked for the Rider Dads out there. He does get to star in his own manga, and that was pretty good, so I guess I can't be too mad.
Tetsuo Daishinji/Slash fares better though. Hiroaki Oka, being a Kamen Rider fanboy himself, manages to make him among the most relatable characters in the series. Not only are his hyperfixation on swordsmithing and anxiety played surprisingly believably, Hirotsugu Mori letting him cut loose is extremely cathartic and hilarious, and you really feel for him when the Onjuuken Suzune becomes the first victim of Calibur!Kento's sword sealing.
Yuri/Saikou's another dark horse favorite, for me at least. "Oh great, Avalon guy's got even more merchandise to sell, I wonder what his Sword of Light is- it's himself. Well... that's different." I admit, I didn't like him at first. He felt like he was there to fill out character dynamics in the absence of both Rintaro and Kento, I thought his gimmick was too silly even if his design and jingles were bangers, I didn't particularly care for his power set. But then XSwordman came around I totally got it. He's an endearing, hard-working man trying his best to catch up on all the cool shit he missed, unafraid of experimentation, ready to throw down at a moment's notice, serving as a wonderful bit of consistent support for our heroes, a truly knightly individual, an absolute Chad. and goddamn does he make me worry. Tomohiro Ichikawa, I salute you good sir.
Even if they fall short compared to the rest of the cast, the Shindai siblings are at least cool enough to not wanna write out entirely. They kinda devolve into comic relief after they become allies, something that villainous Riders from Chase onwards are very prone to doing, and it's especially awkward in their case because I think that they kinda get off scot-free for obeying the obviously sinister and crazy Isaac for so long, as well as driving a wedge between a lot of people and threatening children in Reika's case. I think their sibling dynamic is nice though, even if Fukuda recycled it from Makoto and Kanon and has some... questionable possessive undertones as a result. It's cool how they're basically foils to Touma and Rintaro though. The dispassionate and methodical Reika/Sabela is beautifully played by Angela Mei and her moments of emotional depth are fascinating to watch. Her Rider form is a thing of beauty, and its use of literal the Eneiken Noroshi's smokescreens and Yuki Miyazawa's precise and deadly stinging strikes are a joy to watch. And while Ken Shonozaki's not given the best direction as the undercooked plate of 7-Eleven fried fish that is Ryoga/Durendal, he manages to sell him as an experienced and hardened warrior with an awkward side that's especially evident in the Zenkaiger specials. His goddamn RWBY weapon that is the Jikokuken Kaiji is absolutely sick, I'm a sucker for transforming weapons and its combination of time and water powers is really cool, especially with Yasuhiko Amai's deliberate and forceful acting in the suit.
Daichi Kamijo/the Second Calibur, for as brief as his story was, was a pretty cool starter villain. Hiroyuki Hirayama brings this poor bastard to life in a genuinely touching way. I love how as Calibur he goes full force on his creative use of Wonder Ride Books for attacks, and his debut as Jaou Dragon got my blood pumping. His end is also deeply tragic, and I really felt for him when he realized just how badly he fucked up. Hayato Fukamiya also does wonders for the backstory, and while he also doesn't get much to work with, Mitsuru Karahashi makes his regrets and love for Kento feel genuine.
Legeiel and Zooous are both very intimidating and entertaining villains. On top of being just the right balance of goofy and threatening, Kairu Takano and Koji Saikawa's stage presences are both very strong, and their mixture of camaraderie and in-fighting is extremely believable. Zooous's rivalry with Rintaro feels incredible to see through to the end, and although Legeiel doesn't get quite the same treatment, Elemental Dragon had such a cool debut that it more than makes up for it. Their final fights are also absolute spectacles. I don't think their sympathetic angle works even close to as well as it does with MetsubouJinrai or even the Gamma, but I get it, power corrupts, and you probably feel a lot of sadness and regret for things you've done when you die unless you're a right bastard.
Isaac/Master Logos/Solomon is kinda generic. As wonderful as Keisuke Soma is, he doesn't get much dimension to work with. The result of that is while he nails being as smug and punchable as possible, he feels almost... comically generic. Genta Umemori from Shinkenger was full of personality! He was also basically some guy, but he was fun, he felt connected to the rest of the cast! Meanwhile the only real time we get to see Isaac's depth is when we see him crying over his failures. I almost appreciate him being unapologetically evil though, since I've seen way too many shows where redeemed villains get off scot free for way worse things, and some where they outright demand you to sympathize with them despite them doing nothing to warrant it.
Bahato/Falchion surprises me by not just being a movie villain whose actions affect the main plot, but also being a movie villain who actually gets to appear in series as a recurring threat! ...and it's not a particularly great showing on his part, sadly. Masashi Taniguchi does a wonderful job with what he's given, but his character feels like a retread of Eternal without any of what made Katsumi Daido a compelling and frightening villain. I'd like to believe Yuri when he says that he used to be a good person and a hero to the people, but I can only hear so many anime villain monologues about the pointlessness of life and the beauty of destruction before I can never take them seriously again. ...I think that's his biggest problem, actually. I thought he was an overall uninteresting and generic villain in the movie, and the cartoon nihilist he's shown to be in series is only a small step up. He still feels like filler. If only there were a far better written and much cooler villain who takes on the Mumeiken Kyomu after his de--
Desast is probably one of the finest anti-villains I've ever seen in recent years. On top of an absolutely badass character design and the excellent combination of Kazuya Okada/Danki Sakae's suit work and Koki Uchiyama's stellar voice acting, his story being so thoroughly intertwined with Ren's makes their shared journey and bromance a borderline Shakespearean tragedy. His struggle for identity despite Storious treating him as nothing more than a failed experiment and the Sword of Logos treating him as a mere monster really gripped me, and the way he uses what little time he has left to encourage Ren into blossoming on his own is absolutely beautiful. I think his enmity with Ogami is criminally underexplored in series, considering he killed several of the previous Riders and how Ogami's in desperate need of screentime.
Then there's our main villain, Kamen Rider Storious. Robin Furuya brings an incredible amount of charisma to this character, expertly portrayed as both a sinister, manipulative bastard , and as a lonely, tragic figure that arguably makes him feel even more villainous. Speaking as a struggling writer myself, it's easy to feel stuck in the idea of "fuck it, who cares, maybe everything is predestined", but I can't imagine what it's like to know that as the truth and carry it with you for all that time. All of your grand ideas have roots from your experiences, and you're not the only one who even could have those experiences. It's easy to just fall into despair and give up trying, but would that make you happy? Sure, Storious is sadistic, he may be fulfilling his goals, he may be ungodly powerful... but it's not enough for him, is it? All of his friends are gone, one of them even at his own hand, he probably doesn't have any idea what to do after he destroys all the world's stories, Touma even reached his full power before he did, and his downfall is so predictable that even a blind person could see it. He even seems to welcome it, what's up with that? But then I realized... OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD. He's so far gone, he's so desperate to stick it to the Almighty Book, he's willing to twist the archetype of the Hero's Journey so hard, it snaps in two. What I think is interesting is that he's ironically trying to chase the trend of "edgy superhero story" that became super popular in the 21st century. The Boys, Brightburn, Kamen Rider Amazons, The Sentry, No More Heroes, Magical Girl Site, even mainstream comics from DC and Marvel... Surely Storious must've seen the cruelty and tragedy these stories are filled with, but he chooses to go through with trying to force the world into this direction anyway. Did they, along with seeing the ever-popular tragedies of legendary playwrights and bleak satire of the twentieth century fuel his despair?
And yet... there's one who stands in determination against his ideals.
Our hero, Touma Kamiyama, the titular Kamen Rider portrayed by Syuichiro Naito and Kousuke Asai, he speaks to me on a personal level. There're plenty of jokes to be made about his procrastination in early chapters, his godless fashion sense, and him doing the funny run up the slope, that's all fine and dandy, but I rarely feel so connected to a character the way I did Touma. The struggle to create, find companionship, live your life, reach out to others... these're things a lot of people struggle with, and of course you see them depicted a lot in media about creators, but Saber gets to the root of what the greatest thing about storytelling really is. Giving people hope, while using the pain of the past as fuel for the future. Sure, Storious may be right about how every story has been done as far back as human civilization gets, he may even be right about how any spin or creativity humanity has is outright predestined. It should be pointless to even try, right? That's where Touma Kamiyama disagrees. He didn't spend all that time fighting and creating just to give up at the idea of predestination. His novel writing-fueled creativity in his early training, his devotion to his friends that let him surpass Kamijo as Dragonic Knight, his compassion for the Primitive Dragon that let him combine their powers to destroy Legeiel as Elemental Dragon, his resolve that let Xross Saber dethrone Solomon, and his passion for the craft of storytelling that let our heroes channel their wishes into Wonder Almighty... all stemming from the belief imparted onto him by his predecessor that "Hope lies beyond your resolution." And that you decide how your story ends. He may not be the greatest Rider to some, he may be as lame as others think he is, he may not even be my favorite, but I have no issue calling Touma Kamiyama... Kamen Rider Saber, one of the all time greatest carriers of the Kamen Rider name.
The final chapter's definitely not as great as some other Rider finales, but goddamn. Primitive Dragon consciously choosing to save Touma is so sweet and such a great emotional payoff, I loved jamming out to the opening theme while our boys lay the smackdown on Storious. Wonder Almighty's a fitting final bit to close the main series out with, if not exactly a great one. I think the cover is great, and the book's body is a lovely shade of candy apple red, but I really don't like how its pages are just the covers of the other books copy-pasted onto onto the pages, that feels lazy. Maybe if it were a panorama of all the books' characters, I'd like it a lot more as a symbol of how unified the Swordsmen are, but eh, what can you do? On a related note, does this mean all the "last episode extra final forms" of the Reiwa Era are gonna be named after their series's opening? That's a neat idea.
I felt a lot of feelings seeing all those video messages of Rider fans all across Japan talking about their favorite stories, and how their passion and fond memories help reshape the world. Mei's monologue at the ceremony about is also really touching and- IS THAT A HUMAGEAR!? :O
Y-yeah dude, it is! Wow, where have you guys been for the past 48 episodes?! Are you guys doing okay? How come you're like... the only one here? Is the technology of Hiden Intelligence only really that prevalent in that very specific metropolitan part of Japan and they're just not coming around much over here? Is it like Dragon Ball where anthropomorphic animals are just vibin' with humans while the heroes are off kicking ass? Apparently he's played by Hasegawa Keiichi, who wrote this episode and had the award ceremony named after him. ...is Hasegawa Keiichi a HumaGear in this universe then? Did he set up this award ceremony in Touma's honor? If so, why is it named after him? Did reading one of Touma's books lead to his Singularity? I know this is just a cameo, but... god, I have so many questions that probably will never be satisfactorily answered.
Overall, if I had to compare Saber to anything, it'd probably be Sam Reimi's Spider-Man trilogy. It's awkward, stupid, overwrought, undercooked, illogically written, scattershot, cheesy as fuck, and has a tendency to squander its otherwise fine execution; but the sheer passion for storytelling, sense of spectacle, deeply fascinating characters, and belief in the ideals set forth by the cast, crew, and fans are absolutely admirable. Improvements would certainly make it an overall better experience, to be sure, but there's something deeply captivating about how wonky this series is. Seeing everybody get their happy ending after all they've been through felt extremely gratifying though, and I may have to wait another for the epilogue to and then wait for Revice, but... man. I'm hella proud of our awkwardly-emoting, fashion disaster novelist and all of his heavily flawed friends for carrying the Kamen Rider name on to the future. Here's hoping Revice will keep it going.
Alright, that's everything I wanted to talk about. Sorry this was so long and ramble-y, I had a lot to say. I'll probably be liveblogging Revice as episodes of that come out, so... look forward to that, I guess. See ya.
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side-shawty · 4 years
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Burn V (Stark!Reader)
V: On Each Others Team
Fandom: Marvel (MCU)
Type: series
Prompt/Summary: Things are looking up
Pairing(s): Tony Stark x daughter!reader, Peter Parker x Reader, Avengers X Reader
Requested? YES
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PREVIOUS CHAPTER
“Wow, I knew you guys were nerds before but this…this is a new level of nerd. A level unseen, unheard of ever before,” MJ said to the boys as we stood in line for Star Wars. Ned was dressed as Han Solo and Peter was Obi-Wan Kenobi.
You couldn’t help but laugh, and Ned and Peter both glared at you but only the superhero spoke up.
“Why aren’t you saying that to Y/N too? She’s dressed up just like us and everyone else here,” Peter said gesturing to the rest of the line who were all dressed as various characters from the series.
You decided to go as Rey, you had always liked her character and there was a sense of kinship in both being abandoned by your biological mothers. No matter, the one you had now was perfect.
“Yes but she actually pulls it off, without looking like a geek,” MJ turned to you. “Did you make that costume yourself?” She asked.
“Yeah, my mom helped,” you said, a smile on your face. It came out nearly perfect and your hair was pulled back in a bun with a few curls framing your face to complete the look.
Under her breath, MJ whispered, “Geez, maybe you’re a nerd too.”
You and the boys all laughed, “Look who’s talking. I know you didn’t borrow that shirt from anyone,” you said and all of your gazes shifted to the vintage Star Wars t-shirt she wore.
“I happen to enjoy thrifting and this was a very reasonable price,” She attempted to argue unconvincingly.
“Uh-huh,” you replied as the line began to move forward, before you knew it you were sitting down, junk food in hand ready to hunker down for the next few hours.
————
It was nearly one in the morning when you were on your way back to the tower with Peter at your side. He insisted on taking you home as MJ and Ned took the subway back to Queens.
After you got off of the subway Peter had taken your hand in his and hadn’t let it go since. He had also held your hand through the movie and the intermission.
In the back of your mind, you knew you should have been tired of it but you truly couldn’t get enough of the feeling of his hand in yours as you made your way through the still-bustling streets of Manhattan.
“Thanks for coming tonight, Y/N. I know Ned and MJ can be a little much sometimes, especially when they start to argue,” Peter began his apology but stopped when he heard your light laugh.
“It was honestly a highlight of the night. No one can be so intelligent and articulate when fighting about Star Wars except them. I’m honestly surprised you didn’t join in,” You said glancing at him and giving his hand a light squeeze.
He squeezes back before saying, “I did have other things to think about,” he said and halted his steps, you were almost to the tower now, only a few blocks away.
You turned to find him already facing you, he was so close. You felt your breath begin to pick up, “Superhero things or, like, other things?” You asked feeling all the confidence you inherited dim to almost nothing.
“Definitely other things,” Peter said, his voice was quiet like he’d in destroy the still air that this rare quiet street in the city held. Like it was made of dandelion fluff that would blow away with a single breath.
He was coming closer and closer, his hand left yours to place itself on your hip while the other rested softly on your cheek. Peter held your gaze and you couldn’t help but think his looked eyes like melting amber under the orange-tinted street light.
Your eyes shut slowly as his lips came to rest on your own. They were soft, inviting, and every bit as amazing as you remember from your last kiss. As you moved apart again you kept your eyes closed, knowing this feeling would never get old.
When you finally did open them, Peter was already smiling at you and he silently took your hand in his again before continuing the walk to the tower. Once you got to the private entrance Peter turned to you and gave you one last peck.
“Goodnight, Y/N,” he said, happiness dancing in his eyes.
“Goodnight Peter,” you said and felt a smile tug at your lips.
Peter waited until you were fully inside with the door locked until he walked away and as you made your way up to your bedroom you finally felt as if everything as alright.
———
The first thing that woke you up was Morgan’s scream of joy just outside of your bedroom door. Which was strange because you were on the first floor of the Stark apartment in the towers and her room was on the second with Tony and Pepper.
So you figured the best way to investigate would be to actually get up and see what was going on. You straightened out your leggings and tank top before throwing on Army pullover that you had stolen from your Uncle Rhodey. You silently cursed yourself for not covering your hair last night and fluffed and shook it out in the mirror until it looked decent enough.
Upon entering the living room you found the usual suspects; Morgan, Tony, and Pepper. Until you caught sight of who they were all standing around.
Without thinking you let out a scream even more acted than Morgan’s and everyone immediately turned to you but it was the fourth person who screamed with you as you sprinted towards each other.
When Shuri hugged you it took everything not to fall apart. It had been so long since you had seen one of your best friends but before you got the chance to pour your heart out you both pulled back with ear-to-ear grins.
“How are you? I’ve missed you,” She said as you both moved back into the living room to sit on the couch. Your family had left to give you a bit of privacy and from the sound of it, you assumed they were starting breakfast.
”I’m doing well actually, especially after everything that’s happened. I’m—“ you thought for a beat, getting comfortable on the couch, “I feel like I can breathe again, y’know?” You said genuinely even though you knew your smile was a bit tight.
You continued anyway, “What about you? How’s T and everyone?” You asked.
“Well the new wing to my lab just opened up, you should come to see it, we took some of your creative designs you suggested and added them in. As for my brother, he’s as lovesick as ever, especially since Nakia has been spending more time in Wakanda,” she told you and you let out a laugh at the last part, just picturing the King tripping over his own feet at the mere sight of Nakia.
“I’ll be sure to make a trip out there soon, I miss everyone,” you said and the two of you continued to catch each other up until Pepper called you over for breakfast.
A few hours and a shower later you found yourself in the main lab that you shared with Tony and Bruce. You only wanted to pick up a tool or two that you had left here last time in order to finish up your dad’s birthday gift. And with Shuri here you had just the right set of extra hands you needed.
When you go back to your private lab Shuri had happily made herself at home, playing music and messing with holograms.
“I have to say Y/N your newest suit is incredible, a total upgrade from the last,” Shuri complemented as she zoomed in on the fingerless gloves feature.
“Thanks, my dad helped and Peter picked out the color,” you said placing your tools down on the workbench nearest your friend.
“Ah, yes my second favorite teen hero. How is he doing?” Shuri’s question was innocent but because you hadn’t told her about recent developments you felt your cheeks warm and you thanked your lucky stars she wouldn’t be able to see it against your skin. Your hesitation made her squint.
You cleared your throat, “He’s good, I’ve enjoyed having him around,” you told her and pulled up the blueprints for your dads present.
“Enjoyed having him around, huh?” Shuri repeated and without looking up you knew she had put air quotes around them.
“Yeah, you know Peter. Good ol’ Peter,” you said and looked at her with the beginnings of a goofy smile.
“Oh my gosh, you’re dating him,” Shuri said and her hands dramatically covered her mouth as her eyes lit up with excitement.
“We are not dating, we’re just hanging out, enjoying each others company. I don’t want to rush anything too soon,” you told her and she stared at you.
Shuri rolled her eyes, “That’s exactly what my brother and Nakia said. Now, look at them, practically married.”
“Practically but not actually,” you reminded her and she groaned.
“We’re counting down the days until his proposal,” She said and you laughed before heading over to retrieve the half-finished gift and heading back over to the workbench.
“So...” you trailed off looking at Shuri with puppy dog eyes.
“Yes Y/N I would like to hear all about you and your newest white boy. Jeez I need to bring you to Wakanda,” She told you rubbing at her temples and you laughed.
You spent the rest of the morning and most of the afternoon catching her up on your “love life” and were slightly surprised to hear about a crush she had on a young man from the Jabari Tribe. Something she probably wouldn’t act on.
You hadn’t realized how much you missed her until now.
NEXT CHAPTER
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erictmason · 3 years
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The Road To “Godzilla VS. Kong”, Day One
KING KONG VS. GODZILLA (AMERICAN VERSION)
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Originally Released: June 26th, 1963
Director: Ishiro Honda
Writers: Shinichi Sekizawa, Paul Mason and Bruce Howard
Starring: Tadao Takashima, Kenji Sahara, Ichiro Arashima, Mie Hama, Michael Keith, Harry Halcomb
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“King Kong VS. Godzilla” is a movie whose reputation often precedes it amongst certain circles of Genre Film fans.  Even if one is unaware of the convoluted, more than slightly seedy story behind its creation (short version: the original “King Kong”’s special-effects artist, Willis O’Brien, was interested in creating a sequel that would have pitted Kong against a giant animalistic version of the Frakenstein Monster, but shady producer John Beck wound up stealing the idea and, when American studios balked at the project for fear that the use of stop-motion animation to realize the effects work would be too expensive, wound up shopping it to the more cost-effective Toho Studios in Japan, who reconceived it as a new “Godzilla” project in hopes of revitalizing interest in the character), it is still one of the most singularly important Giant Monster Movies ever made.  For one thing, it basically defined The Kaiju Movie as we know it today; sure, the original “Gojira” from 1954 (and by extension its Americanized adaptation, “Godzilla: King of the Monsters” in 1956) may have effectively created the genre, but you’ll notice the majority of such movies that exist today are more about Fanciful Title Bouts between two Clashing Monsters rather than somber moody Allegories about the horrors of Nuclear Weapons.  For another, it’s the movie that really put Godzilla himself on the map as a Big Star in his own right; at the time, he only had two prior films to his name, and while one of them was the aforementioned genre-creating watershed “Gojira”, the other was “Godzilla’s Counterattack” from 1956, which proved such a box-office disappointment that it put the character into retirement for the better part of a decade (and to give you a sense of just how much less weight the name “Godzilla” carried back then, when that movie was released in America in 1959, it was initially re-titled “Gigantis The Fire Monster”).  With “King Kong VS. Godzilla”, however, he would begin to star in more and more movies, building a film franchise that continues to this day.  
So it’s a bit of a shame that I’ve never liked it all that much.
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To be clear, the “it” in question here is specifically the American version of the movie, which is the one most Western audiences would be familiar with since, until recently, it was the only one readily available to us (though Criterion finally corrected that back in 2019, when they included the original Japanese version of the movie as a bonus feature in their “Showa Era” collector’s set).  Certainly, it’s the one that I grew up watching as a kid, when my mom, ever so protective and knowing how easily upset I could be when Fictional Characters I Loved got hurt, made sure to watch ahead to see who exactly won the title match-up (and since it was Kong, I wouldn’t actually get around to finishing my viewing of the movie for a good long while).  Back then, of course, I viewed it very much through that childish prism of who I thought should win, and it was exactly the kind of Schoolyard Logic you’d expect: Kong was supposed to be a great deal smaller than Godzilla, and where Godzilla had his iconic fire breath, Kong had no extraordinary powers; Kid Me understandably concluded that this match-up really ought to be a shoe-in for Godzilla, which worked out well since Godzilla just so happened to be the one Kid Me actually cared about.  Kid Me was thus quite irritated to discover that, for the sake of this movie, Kong had in fact been significantly sized up and given random electricity-absorbing powers.  It felt like cheating to Kid Me, and it left me less than positively disposed towards the film proper.
These days, of course, I’m able to give the film a somewhat fairer shake, though I would be lying if I said that My Inner Childish Fan-Boy is completely quiet on the matter (in particular, it always bothers me that, to emphasize the advantage Kong’s electrical powers give him in their fight, the movie explicitly cites Godzilla’s “vulnerability” to electricity, despite one of the most singularly iconic images of the original “Gojira” being his ability to walk straight through a power-line barricade).  Indeed, my most recent re-watch for this very review honestly left me feeling fonder toward it than I was even on my last most recent re-watch (back in 2014, in preparation for the then-upcoming Gareth Edwards “Godzillla”, which we’ll also be getting to in this re-watch soon).  The portrayal of the title monsters themselves in particular left me much happier this time around than it has in the past; the design for Godzilla himself- thick around the center with big heavy-browed eyes and what appears to be a constantly self-amused grin, huge sharp claws that dominate the fingers and a tail that moves with a real sense of weight and purpose-took me a long time to warm up to, for example, but these days I would happily cite it as one of the very best of the original series.  Kong gets it a bit worse, sadly; the suit they design for him here (a fact that original “Kong” director Merian C. Cooper openly despised, incidentally; the idea of portraying Kong as just some guy in a gorilla costume was one of the things he explicitly set out to avoid in the original movie) has a distinctive enough face if not an especially memorable one, but the costume always looks and feels a bit raggedy, with the sagging pecs and ill-fitted arms (throughout the movie the suit switches between “regular” arms designed to allow the actor mobility, and extended arms to help give it a more ape-like gait; the result is that both versions feel weirdly out of place on the costume a lot of the time) looking especially awkward.  However, even beyond how they look, the way the monsters act is genuinely enjoyable, with Haruo Nakajima as Godzilla and Shoichi Hirose as Kong both putting in fantastic performances that imbue them with a great sense of personality that is just consistently delightful all movie long.  Whether it’s Godzilla hopping around, arms flailing in triumph whenever he manages to pull off another victory, or Kong drunkenly swallowing up giant pots’ worth of a narcotic usd to keep him docile, the movie very visibly delights in imbuing these creatures with fun foibles, and It’s no coincidence that the it’s at its strongest, not so much when the monsters are fighting, but when they are simply interacting as actual Characters: Godzilla here feels often like a particularly arrogant, boundlessly-energized child, while Kong is a bit more confused and subdued but quick to anger when irritated; their first meeting, when both these strong visible personalities most openly bounce off each other, is unquestionably my favorite moment of the movie.
The rest of it isn’t exactly bad, per se, but it is a lot less entertaining.  Some of that is simply what the American version inherited from the Japanese original, not least of all the noxiously racist portrayal of the Natives living on a remote pacific island with Kong (here named “Faro Island” for some reason instead of the usual “Skull Island”).  On top of the sins it recreates from the original “King Kong” (a fairly ooga-booga understanding of What Islanders Are Like, all of whom are portrayed by non-Native actors slathered in brownface make-up), it also includes a decently insulting bit wherein the initially-hostile islanders are pacified by the introduction of “magic” in the form of a hand-held radio and cartons of cigarettes.  There’s also the fact that the plot is driven almost entirely by Random Contrivance rather than anything that flows naturally from either the characters or the premise; Godzilla and Kong have no real compelling reason to meet, let alone fight, other than the pure coincidence of their both happening to be active at around the same time in the same part of the world (the American version attempts to ameliorate this somewhat by stating that the two are “instinctive rivals” who will be “naturally driven to destroy one another”, but that flimsy lip-service to Motivation just winds up making the otherwise-arbitrary plotting feel all the worse), and we are constantly bombarded by Total Coincidences as a way of shuffling the characters around from place to place with dizzying frequency.  But some of those troubles are only exacerbated by the approach the American version has taken to the material.  We’ll talk about this more tomorrow, but the Japanese “King Kong VS. Godzilla” is, at heart, a Satirical Comedy; this, unsurprisingly, was not an idea that went over well with Universal Studios in America, who chose to try and reshape that comedy into a more traditional Monster Movie.  An understandable objective, but not one the Japanese cut of the film made easy to achieve; to avoid the most overt Comic bits meant cutting almost all of the human characters in the film (most notably the eccentric executive Mr. Tako, played by Ichiro Arishima) down to only their most essential appearances, which in turn means that they all wind up feeling vaguely undefined and out of place in their own story (this feels especially true of our ostensible main character, Tadao Takashima‘s Sakurai, who is present enough to FEEL like a main character but has little left to do in this cut of the film). To make up the weight of all that cut footage, meanwhile, we get gobs of new footage consisting mostly of Michael Keith as a United Nations reporter talking at us in the most stultifying way possible, often joined by Harry Holcombe as an equally stultifying scientist (who apparently gets his knowledge of dinosaurs primarily from children’s picture books, which in fairness would explain a lot of the nonsense he ends up saying), though he also frequently talks with a fellow reporter played by James Yagi.  These scenes are not, perhaps, without their charms, but they also deaden the movie’s pacing, especially since nine times out of ten they exist mostly to reiterate stuff we already know because it literally just happened.  Given how much a faster pace seems to be one of the American cut’s top priorities (a sub-plot from the Japanese version about a submarine inadvertently encountering Godzilla is reduced to a single sequence for this version), that choice proves a counterintuitive one.
Because the other major problem with the American approach to this movie is that, to be frank, the Monster Action is nowhere near Epic enough to bear the weight this new cut puts on it.  Again, it’s not without its merits; Godzilla and Kong’s outsized personalities do a lot to lend even the less effective sequences a certain fun spirit, and there is still an unmistakably strong sense of craftsmanship to the miniatures used throughout the movie to create the appropriate sense of scale for our Monsters to play around in (the demolition of a recreation of Atami Castle shines a spotlight on that very fact).  But in terms of both their scope and their choreography, there’s just not enough There there; far too often, “King Kong VS. Godzilla”’s Big Marquee Action Scenes amount to the monsters just sort of lazily throwing rocks at each other, or else engaging in less-interesting recreations of their previous Iconic Moments (Kong especially goes through a truncated version of his original appearance’s third act, though here he ends up on top of the National Diet Building rather than the Empire State Building).  That’s slightly less of a problem in the Japanese version; again, there, the main thrust of the film lies in its comedy, and thus the Monster Action being relatively lightweight is less of a hinderance and more a spicy Flavoring to the main story.  But here, it is the main story, and while it’s pretty clear some real love went into the Effects Work (the puppetry especially is very solid; there are a few instances where the switch from Suit Actor to Puppet for Godzilla is borderline seamless, and I also enjoy the decently-animated feel of Kong’s facial puppet as well) it ultimately doesn’t have nearly enough substance to fill that role. This comes through especially clearly in the Final Showdown between the monsters; again, there is some deservedly iconic stuff here (Kong trying to shove a tree down Godzilla’s throat only to have it rebuffed in a puff of flames has become an impressively-enduring Meme for a reason) but, much like most of the story, winds up being driven far more by Contrivance than anything clever or satisfying (a bit where Kong knocks himself over feels especially annoying for how unmotivated it seems to be). It was always going to be a tall order to make a match-up with as much implicit weight to it (both metaphorical and literal) live up to the heightened expectations placed on it, maybe.  But even taking that into account, it’s hard not to feel like “King Kong VS. Godzilla” could have put a little more effort into things.
Still, I was saying, at the start, that I walked away from “King Kong VS. Godzilla” happier this time than in many of my past viewings.  And that is ultimately true: for as much as I find myself often wishing it could be a different movie, the movie it actually is already does manage to work decently well on its own terms.  The dub-work here in particular honestly deserves notice; in contrast to the standardized casts Toho would start using for most of its “Godzilla” movies moving forward, here we get a more distinctive sounding voice-cast who manage to put some real Life into their performances (the voice they give to Kenji Sahara’s Fujita stands out especially to me, nasally and over-earnest but capable of some real Fire when the moment calls for it, as befits the character).  And, again, whatever my beef with the Action Scenes, the actual portrayal of the Monsters really is uniquely fun (indeed, given how many other elements Toho would consistently crib from it, I’m often surprised that Godzilla’s distinctive body language throughout isn’t one of them), which winds up giving the movie enough Real Heart in the end to make it a positive Experience overall, even against the stuff that even now stands out to me as Not Up To Snuff.  At the very least, it’s a lot easier for me to recognize how and why this movie created the Legacy it did, even if the American Version makes a bit more of a mess out of it.  
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365days365movies · 3 years
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February 8, 2021: The English Patient (Review)
Coming up to reviewing this film, the following question arose: did this movie deserve 9 Academy Awards?
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Some of them, I think for sure. As a taste, here’s what the film won:
Best Picture (ooooh, Fargo, though...)
Best Supporting Actress for Juliette Binoche (deserved, I think)
Best Art Direction (...yeah, Romeo + Juliet. ‘Nuff said)
Best Cinematography (I dunno, Evita and Fargo are good...but maybe.)
Best Costume Design (Hamlet ain’t bad, though...just saying.)
Best Director (mmmmmmmmFARGOTHO)
Best Film Editing (MMMMMMMFARGOTHOOOO)
Best Original Dramatic Score (yeah, deserved)
Best Sound (...wait, Twister was nominated for an Oscar? TWISTER).
THIS TWISTER?
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...Oh, right! This analysis doesn’t actually mean anything! Why? BECAUSE THE OSCARS ARE NOT A BASTION OF FILM QUALITY HOLY SHIT.
Let’s just get into my opinionated Review, huh?
Review
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Cast and Acting: 8/10
OK, here’s the real truth. Ralph Fiennes is a great actor, and plays a great character both pre-and-post burns. Honestly, he’s fantastic in this role...except for being a bit unpredictably emotional. He doesn’t really convincingly show his hidden emotions towards Katherine in any way, making it a huge surprise once that’s revealed. As for Kristin Scott Thomas, it’s a bit smoother for her. However, she’s also not the most memorable character, despite being a very good actress. And the chemistry of the two together...well, it spikes SIGNIFICANTLY when they’re in the throes of passion, which is one of the reasons I think this film was as popular as it was. Well, to each his own; I chose my path. But here’s the thing...they were both nominated for Best Actor and Actress, and lost. And I know that I JUST SAID that the Oscars don’t matter...
...but the fact that Juliette Binoche won for best Supporting Actress, I think, is entirely not surprising. Because Hana is the best character in the film. And while there are some other actors that steal the show, I knew from the beginning. Binoche was the best...the best...finish it....FINISH IIIIIIIT
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...OH, RIGHT! Why in the ever-loving hell was Willem “Green Goblin” Dafoe not considered for Best Supporting Actor? Not saying he should’ve won, but he deserved a nomination at least! Had one of the most memorable and gripping scenes in the movie, and I think his snub was unfair here. So, yeah, poor Willem definitely deserves some high points here, too.
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Plot and Writing: 9/10
Anthony Minghella, the director of this movie, adapted it from a book by Michael Ondaatie, and did a good job! The plot, while broken up by flashbacks, is good! It might be a little too broken up at times, for my taste, but it’s not to obtuse to follow. And so, high score for this one.
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Directing and Cinematography: 8/10
Anthony Minghella and John Seale handle those respective categories well...but I don’t know if it was Best Director worthy. I dunno, it was great, but it wasn’t amazing for me. Same with the Cinematography, which is leading me to give this the score I gave it. Not many major nitpicks, but no gigantic accolades either.
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Production and Art Design: 8/10
Same goes for the Production and Art Design, which should’ve lost to Romeo + Juliet, let’s be honest here. Garish as that movie might be, it’s diverse and iconic in appearance, while this movie...looks like a WWII film set in Italy and Egypt. Nothing wrong with that, and the film does that VERY well, but...it’s not R + J iconic, sorry.
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Music and Editing: 9/10
And finally, Gabriel Yared’s score and Walter Murch’s editing is...pretty solid, all around. Music’s a great score, and some of the editing here is top-notch. I wouldn’t necessarily get this for my playlist, but it’s still a fantastic score. Honestly, though, the extra points come from the fantastic editing, which somehow maes the flashbacks less jarring when compared to the modern day.
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84%! Award-winner for a reason, but...9?
Well, unsurprisingly, it’s a pretty high score. And yet, not my favorite. Probably also doesn’t help that this is a LONG-ASS movie as well. How about, for the next one, we still go historical, but go shorter? Or maybe...do I go longer...
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February 9, 2021: Doctor Zhivago (1965)
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chessiesystem · 4 years
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StEx Appreciation Month, Day 31: Nitpicks
SO, I have a LOT of nitpicks about literally every aspect of the show, like I could go on and on, but then this post would be the embodiment of this gif:
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So for today I’m just going to focus on costume nitpicks! Like with everything in the show I have an ideal version of everyone’s costume/wig/makeup, so today I’ll just go over my main nitpicks with the various costumes and post my favorite versions!
Obligatory JapanAus picture because those tours overall had the BEST costume aesthetics.
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Let’s get started:
(Also just to go ahead and get this out of the way, this post is almost completely ignoring the 2018 redesigns, like. Those don’t live in my head. I’ll just be focusing on the Broadway/Bochum/tour designs.)
Rusty:
Okay so with Rusty my main nitpick is!!! That stupid empty black space that’s above his chest plate in SO many of the costumes!! Like WHY is that there?! Here’s a good picture of it:
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It drives me absolutely insane aljsldf. Luckily Bochum eventually corrected this but that it was ever there drives me up a wall.
Another nitpick is his headband… I can tolerate it when it’s paired with the hat, but I can’t stand it on its own, it just looks ugly to me. And speaking of his hat, I love most versions of it, EXCEPT for the New Starlight Express one where it was styled after a baseball cap. That bothers me on a level I don’t even fully understand alsjflds.
Anyway, I think overall my favorite version of Rusty’s costume is the 2018 version… I think the silhouette looks strange, especially from the side, like kind of too baggy? But overall it’s really cute, I love the colors and the new chest plate design, and the HAT. Also really like the new makeup!! It was looking rough for a minute lmao.
This is Peak Performance (not the Pearl…definitely not the Pearl):
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Pearl:
Being as I’m in love with most of Pearl’s costumes I actually don’t have a ton of nitpicks. I think my main one is that I’m not a fan of the salmon/gold tones that were sometimes used for the bodice. For example:
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I think moreso than the costumes I’m critical of Pearl’s wigs. I HATE when she has straight wigs… the only exception to this rule is Stephanie Lawrence’s and Nikki Belsher’s because those wigs were also big and fluffy. But that lanky thing Bochum had in the early 2000s? Terrible. Pearl should have big, dramatic curls. Also, this should go without saying but her hair should be PINK. Blonde Pearl actually gives me acid reflux.
Also I don’t think much attention is given to her headpiece, but I really love when they’re big and princess-y. Like, this headpiece with these earrings? I love:
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As far as a favorite Pearl costume, that’s really hard because I love so many of them, but I’ll say this one. I think it’s a nice balance of pink and white:
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Greaseball:
I don’t have a ton of nitpicks about Greaseball’s costume… like, it fucks pretty hard? I moreso have beef with his makeup. NONE of these men know how to blend and it looks terrible. I get that it might be a stage makeup thing that looks better under stage lights but I still don’t even really buy that because every other character blends?? Also, I don’t like how the makeup is just contouring… I get that it’s to make the actors look more masculine, which does suit Greaseball’s character, but PLEASE give that diesel some character makeup!!
I really stan the Broadway makeup for this reason. Look at this Jareth-looking bitch, he looks amazing! And it’s just SO cool:
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Idk even this London makeup is pretty okay imo… anything to make him more visually interesting 😭:
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Dinah:
My main gripe with Dinah’s costume will forever and always be the apron lmao. I’m very, very picky about it because it’s SO easy to make look tacky as hell. The 2018 apron is the ugliest its ever been, I’m sorry:
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LIKE WHY IS IT SO BIG AND LONG. Also the silver strap around her chest is WAY too high now. I swear they tried to make the 2018 coaches more modest in the ugliest ways possible. But anyway.
I prefer for the apron to only be beneath the belt, but if it also has to be above the belt I can tolerate it if its small, like the Broadway design or the earlier Bochum designs. I also prefer when her leggings are on the more silver/metallic side than just straight up blue. Broadway and Japan-Australia had the right idea with how metallic they made everyone look.
As far as Bochum goes, I feel like the costume’s peak was from like 1997 to 2007:
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PERSONALLY, though, my ideal Dinah costume would be Debbie Wake’s from the Japan tours. The color, the leggings, the wig, it’s all so… Peak! I also really love how the top of her skirt is divided into sections?? It’s really cute. The only thing I’d change is I’d remove the part of the apron that reaches above the belt and adjust the color of her wig. But otherwise I love this one so much 🥺🥺🥺:
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Electra:
I have a lot of very disjointed thoughts on Electra’s costume, but bottom line is I’m rarely content with it… but my MAIN nitpick is definitely the color scheme. I know that it’s intended to be blue/red/silver but instead it often looks blue/red/white to me and I just CANNOT dissociate that from the American flag/overzealous patriotism alsjdlf, it kind of gives me heartburn. I’ve seen some fan redesigns of the costume that incorporate a blue/red/gold color scheme instead and I think that could REALLY fuck, though I don’t know how it’d translate to the stage/irl. Or just?? Design his palette after the bi flag colors??
Another nitpick is how boxy and bulky his chest box often is. I feel like I can’t criticize this TOO harshly because, in my opinion, this musical should be FIRMLY 80s, and that’s probably what counted as “futuristic” in the 80s, but it’s just a personal preference of mine that I wish his chest piece was more slender and streamlined. I think it’d make the silhouette better and just?? Look better??
I also don’t like most of the mohawk wigs… they just look… VERY cheap and fake to me most of the time. I prefer the looser/wilder wigs because they look softer and more natural.
ANYWAY I’ve found that the costume that actually sates most of these complaints for me is the Japan-Australia costume. The palette actually looks blue, red, and SILVER to me, and the body suit is just?? Sooo shiny and metallic and sparkly?? It’s so pretty. The wig is a perfect balance of the looser/wilder London wigs and the early mohawk wigs, and the MAKEUP is so good, it’s the only time I’ve seen a silvery/metallic base on Electra work and NOT whitewash the fuck out of the actor. Not to mention the base in JapanAus matched the body suit REALLY well and aaaah idk I could wax poetic about this costume all night aljsfld it’s really good and I appreciate it for being the, like, one (1) Electra costume I vibe with 😭.
Again, I’d streamline the chest box if I could but overall? This is peak performance:
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CB:
Off the bat I’ll say I hate how big his shoulder boxes have gotten over the years. Like they are just ridiculously massive, it looks kind of awkward when the actors can’t even rest their arms by their sides due to it. They look like little kids wearing arm floats. Also not a fan of how much lower the neckline has gotten, and how much smaller the bandana has gotten?? His chest and neck are SO exposed now when they use to be completely covered and it irks the hell out of me.
Funnily, this one picture pretty clearly displays all three of these nitpicks:
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Compare this to back when the neckline was higher/the bandana larger, he’s completely covered. He also isn’t fucking DROWNING in his shoulder boxes:
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Also not a fan of the hair piece Bochum has used in recent years. Like it was just so much cuter when the actors used their real hair :^//. And I just Do Not Vibe with how straight and neat the hair piece is, CB has wild, curly hair and I’ll die on that hill.
ALSO, and this is more specific to just one actor, but I kind of hate Dan Ellison’s makeup aljsldf. Like it’s well done but it just has far too much going on. All what CB needs done is his cheeks, his eyes, and his lips— all that extra that Dan does on his jawline and with the laugh lines around his mouth and eyes is just… too much. And it frustrates me so much because he would be SO much cuter if he went with a simpler makeup!! Ugh. But anyway.
This was 100% the makeup at its best, like. Absolutely peak, thank you Thierry Gondet:
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And my favorite costume comes from the 1990 Japan tour. I ADORE how this chest box is fitted and designed, and it just looks so shiny and red? Like it was freshly washed and painted 😭. Not to mention the red contour on his temples is kind of a Look:
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The only thing I’d adjust is I’d give him the suspenders present in most of his costumes, because they’re honestly adorable. And, of course, he needs his Chessie System sticker. But otherwise? This is Peak Performance.
Okay I was gonna do more but this thing is fuckoff long as it is, so I’ll just stick to the Big Six. If you made it this far you’re a trooper, thank you for taking the time to read my ramblings aljsldfs.
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theadorablespderman · 5 years
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Everything to love about Far From Home not in this order:
Literally seeing that opening with all our loved avengers that are no more.
Whitney Houston “I will always love you” made me cry because damnit Tony’s face was right THERE! NOT OK!
The blip footage was pretty damn funny not gonna lie.
Peter’s cute ass plan to tell MJ how he feels.
MJ’s favorite flower being a Black Dalia because of the murder. Literally a girl I can relate too. Murderinos for life sister. Idk but it just made her sooo relatable!
The fact that Brad is a kid grown up from the blip and that made him seem all the weirder for MJ.
Jealous Peter was so freaking amazing! Oh my gosh! That face he’d get. I’m a sucker for jealousy and they did it so good.
Making MJ this awesome character she was before but also obviously has this softer layer where she does have flaws and insecurities and she’s really sweet but also so badass. That was amazing.
The starting relationship between Peter and Beck. It was cute and so I was sad knowing that Beck was somehow going to be the villain.
Also let’s talk about how Beck is basically Syndrom from the incredibles.
That scene with Peter and Brad....the pure terror when he snapped that picture
Also seeing how big of a dick Brad is and how unhealthy jealous he was.
“Nick Fury” getting ghosted, showing up in Venice, tranquilising Ned (don’t touch him you monster) and then promptly highjacking Peters Summer trip.
Showing the emotional trama Peter is going through. The anxiety, the greiving. It was very reminiscent of Iron Man 3 when Tony suffers from PTSD after the battle of New York. I loved that they showed Peter reacting as any kid would, many adults too, which is to just try and forget anything happened but being faced with the reality every day. So well done.
Happy and May’s relationship. Enough said 😂😂
I feel cheated we didn’t see Mr delmore again.
Addressing all the problems the Blip/Snap created. High school aging, school, drinking ages, homelessness and housing issues. That’s just the start of it I’m sure but they covered those pretty well and I love that.
The technology that made Beck into Misterio was so well done. Instead of some frankly, kinda far fetched story that he came from an alternate earth (which I was willing to believe but felt it was a cop out in terms of plot and character) they showed the real world issues that superhero’s can create. The Enemies that have a real deep rooted hatred for hero because they’ve personally been betrayed or wronged by them. Because marvel has always made clear, everyone is not on the hero’s side.
Steeping Misterio’s powers in tech which is classing marvel but again, so brilliantly done in this movie. I loved the development. Because at first glance, half way through, I was thinking “wow this is really kinda weird and unexplained and too witchcraft for what marvel usually brings to the superpower backstory” I know it’s weird to say after everything marvel has done. But it seemed just a tad out there without being too hard to grasp. Which again was brilliantly done because that was the whole point.
The nod to Misterio’s helmet even when Beck was in the hologram suit watching everything play out. I guess it was his screen? But I loved the staple of even without his big over the top suit he still had the trademark helmet. Great costume design.
Peter’s soft gazes towards MJ. Nearly gave me a cavity they were so sweet! Ahhh sooo cute
Mr. Harrington’s marital problems nearly made me pee my pants....we all knew here in the fandom that shit like that would half to happen but my god lol
The opera scene was sooo freakin cute and that one step Peter took when he saw Brad move in was so freaking cute and hot!
MJ running after him and finding the critical peice of information to crack the case wide open. Loved it.
Betty and Ned’s Sicily sweet romance that you knew couldn’t possibly last. They really nailed the realistic high school romance. But I still ship it.
The bus scene was epic. And when Peter knocked Flash out...god it was amazing.
Mj obviously having love eyes towards Peter same as he does for her.
THE FACT THAT HE ACTUALLY BOUGHT THAT NECKLACE FOR HER OH MY GOD! I CANT GET A GUY TO TEXT ME BACJ LET ALONE BUY A NECKLACE LIKE THAT WHICH PROBABALY COST A GOOD CHUNK OF CHANGE IT WAS SO FREAKING AMAZING AND CUTE AND TOUCHING.
All the iron man images got me feeling depressed as hell
“are you being serious because I was only like 67% sure?” That was amazing. Seeing MJ get so excited and trying to keep that hidden was awesome
The fact that she was so pleased with herself but also played it hella cool when Ned walked in and she said she figured it out. Literally that is me.
The shirtless Peter trope that we all wanted and freaking got! So freaking cute how she tried to peak at his abs. Like understandable girl.
The fucking illusions. Turning our sweet trusting Peter into a ball of mess. I was too.
God when he had to tell himself it wasn’t real but it still totally feels like it is.
Him trying to save MJ when she’s “thrown off the Eiffel Tower”
Every traumatizing thing Beck shows and tells him during the illusion. So shitty.
Seeing Tony’s grave, seeing iron man come out. That was awful and we all felt it in the movie because we’ve lost him too. We could FEEL that slap same as Peter.
Beck telling Peter that Tony’s death was his fault. I was abouta hurl myself at the movie screen.
Every illusion done in a way that just when you think it’s over, it’s never stopped. You forget what’s real and you feel trapped in it same as Peter does.
WHEN HE GETS HIT BY THE TRAIN!!!!!!!!!! Nearly had a damn heart attack!!!! My mom had to look over and ask if I was ok because I literally stopped breathing for a solid 30 seconds.
Showing gradually just how insane and evil Misterio was.
HAPPY BEING CONCERNED FOR PETER! LIKE SINCERELY AND HONESTLY CONCERNED! It’s good to know he’s got Happy to take care of him and May but that Peter still has a father type figure he can count on after Tony. Because you know Tony wouldn’t have put up with any of that getting hit by a train shit.
Also where the hell was Karen? We missed her. We got Edith but Karen wouldn’t have let Misterio take her over. WHERE WAS KAREN!!
Peter crying and needing to know Happy was real. Broke me heart
That hug between them was so sweet and you can see the concern on Happy’s face
Happy and Peter opening up to each other was so awesome considering their relationship in Homecoming.
ALL THE TONY and PETER PARRELLS! All of them!!!!!!!!! Not the people saying “Spider-Man’s the next Ironman” no the actual hints and glimpses at how similar him and tony actually are. The hologram gauntlet shot, a straight parallel to Iron Man when Tony is building his first real suit. Obviously “Back in Black” by Led Zeplen (formally known as AC/DC) playing. Another obvious hint toward Tony. The Stark sunglasses. Peter falling with the parachute and it literally looks like Ironman with his jet stream behind him from a distance. There’s so much more I’ll do a whole other post on.
Of course: “I love Led Zeplin!” Hahaha it’s such a kid thing to say! I’ve said it before I knew the big differences between AC/DC and Led Zeplin. It was so freaking perfect.
Peter making his suit and Happy’s face. Bittersweet and I live for the affection he holds for Peter now.
The Netherlands Holding cell...must I say more?
Brad’s downfall and MJs amazing comment about him taking pictures of people in the bathroom. Ep-ic. Even flash was like “bro that’s so weird”
Mr. witchcraft was hilarious and I loved his aside with Brad “I’m gonna be the cool teacher and tell you you can’t do that anymore.”
Flash is definately Gay or Bi and I’m so here for it. That wink he makes to Peter proves it.
All the near death truths in the vault of the tower.
MJ BADDASS COMES SWINGING WITH THE MACE AND IT WAS LEGINDARY OH MY GOD! YES GIRL! She’s my idol I love her so much.
Peter and his “Peter Tingle” And while we’re on the subject the banana he gets to the face while packing.
Important. His amazing skills at the end trusting his instincts (which is great because May says in regards to MJ, but it applies to this too) May tells Peter to trust his instincts and don’t think too much. And that’s what he does when he defeats Beck.
The bad ass “you can’t fool me anymore” after redirecting the gun away from his head at the end. Literally was so intense and well done.
Peter and MJ’s kisses! I loved how awkward it was at first and the slightly less awkward one. They really accurately captured the awkwardness of teenagers in love. Like that’s what it’s like guys.
Show me MJ’s parents you cowards, or show me something. Anything. I just want to know the nature of the situation.
Ned and Betty’s breakup. So funny and honestly not surprising at all. But still I ship them.
The hand hold. So cute.
May and Peter still being the cutest aunt and nephew duo there ever was.
I totally thought Peter was going to end with telling the world he was spiderman....BUT SOME OTHER ASSHOLES DID IT FOR HIM AND MADE HIM INTO A VILLAN AND IM PISSED. LOOKING AT YOU MR JAMESON YOU PEICE OF SHIT.
The movie ended and I have no idea what’s next.
Mid credit of MJ swinging through New York. Home girl doesn’t like and neither do I. Looks full on terrifying we don’t blame you hun.
After credit where the skrulls have been playing Maria and Nick fury for the whole movie. Honestly it made more sense because Nick fury seemed just a bit off. ALSO WHERE IS THE REAL NICK FURY at and I’m so psyched to see where this new movies are gonna go!
Alright that all for now folks!!!! Everything about the movie was great!!! I will have to watch again ad see if anything more pops up. Sorry for any spelling errors I’m on my phone.
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destiny-smasher · 3 years
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My personal 2020 GOTYs
1) Hades
This game, dudes. THIS GAME. A fraction of the budget, a fraction of the dev team size, reportedly HEALTHY development schedule and management...and imo it offers at least some of everything I want out of a single player video game. I have poured over 60 hours into this and I see myself putting in some more over time and ALL of the time I have spent has felt rewarding and edifying. Clever design, smart writing, organic voice acting, sharp gameplay, and all done at a fraction of the resources of these big budget, bloated games. You love to see it.
2) Final Fantasy 7 Remake (Part 1?)
I went into this year not caring much about this game at all. FF7 was a game I played as a teen, enjoyed, respected, and moved on from pretty easily. This Remake, so far, has done more than I could’ve expected in terms of actually REMAKING a game. It’s literally a new adaptation, and I as pleasantly surprised at just how hard it went. From realizing the world of Midgar into something so full of detail and plausibility, to reiterating and doubling down on its postmodern anti-corporation themes, to making Barret the character I loved the MOST somehow?? Combining everything I love about real-time RPG action with a tactical strategy element long missing from the genre, reimagining and fleshing out characters and concepts into something deeper and more meaningful...I’ve never considered myself a huge FF7 fan but this game was really something, and I absolutely cannot wait for more (and praying they do my girl Yuffie justice). I’ve been super skeptical of Nomura as a director given...the mess that has become Kingdom Hearts, but as it turns out, when he has others to reign things in, some surprisingly nuanced stuff for an anime game can come out of it. It has its flaws, to be sure, but it’s still the most enjoyable experience I had with a big budget game this year.
3) The Last of Us Part 2
I feel conflicted over this one in particular - I feel Neil is not longer a director I respect the way I did back with the first game. I feel Naughty Dog is falling victim to all of the late capitalist issues plaguing big budget game dev. But I also love this game. It’s much more flawed than the first, but that’s mainly because it’s more ambitious and complicated. It’s THE most flawed game on this game, honestly, but overall as a game I am compelled to respect its writing, its gutsier decisions, its art direction, acting, presentation, etc. It’s an impressive game and the most technically impressive game I played all year if not all generation. Props where they’re due, but at the same time, I think this game was poorly directed and I love it in spite of issues with its production, rather than because of some strong vision. That’s the big Sony bucks, I suppose, matched with a dev team willing and apparently somehow able to fulfil what they want to create. I still get the impression there was a bit of ‘design by committee for a mainstream audience’ kind of shit going on - how could there not with something this big? - and as a result I think the game is a bit bloated. Shave off about 3-5 hours from a few spots and it’d be a more focused game, and maybe I’d feel more edified and satisfied rather than weirdly conflicted. Even so, a huge accomplishment and I hope to see more games tackle premises as ambitious as this down the road.
4) Bug Fables
This game technically launched last year but it debuted on console in 2020, and I didn’t play it until then. This is as close to a follow-up to old school Paper Mario as it gets, while simultaneously doing a lot to forge its own identity and even improve on the formula presented in the previous games. Its rough around the edges but that’s mainly because it’s an independent game, and it’s amazing just how well the dev team was able to reproduce the scope and details of this specific subgenre of RPG, all while continuously implementing new game design elements and multiple features that make it feel more modern in its direction. Fantastic stuff, I’m still not even finished with it because I’ve been taking my sweet time, though I intend to finally finish it this month, and I have to say, it’s quite a special game in my opinion.
5) Fall Guys: Ultimate Knockout
Absolute banger of a multiplayer game, really love the presentation, the concept, the overall execution, the way the team has been updating the game every month or so in response to feedback and implementing new content. So good to see the battle royale genre FINALLY pushed beyond just...arena shooting. Can’t wait to see where else this game can go over time.
6) Animal Crossing: New Horizons
Somehow this one slipped my mind when I first wrote this up, despite having poured well over 100 hours into it this year. I think part of it is that New Horizons did a lot of things I’ve wanted the series to do for so long, and yet is still far behind in terms of so many other things I wish they would do. Quality of life things prevent me from really re-investing into it, and yet despite that I have to admit it REALLY sucked me in for a solid few weeks and I continued to play off and on for months. It was the perfect game we collectively needed right when it came out and graphically I can’t think of how to really improve on that style. A really relaxing getaway I needed earlier this year, though like with previous AC games, I don’t find myself going back to it as much as I’d think I would.
7) Going Under
A surprise hit for me, this rogue-like swooped in from ‘heh that looks amusing’ to ‘oh wow this is legit just a great game.’ Its weird visuals, funky 3D gameplay, and surprisingly sharp storytelling make for a rogue-like unlike any other and one totally near the top for me.
8) Marvel’s Spider-Man: Miles Morales
Squeezed this in just this past week or so, and this one also satisfied me greatly. I wish we’d see more big budget open-world games like this -- laser focused, not wasting any time, and not being repetitious aside for completionists. So cool to see another team’s take on Miles after how much I fell for Into the Spider-verse, and very glad the team both homages that movie while subverting some expectations fans of the film might have, all while continuing to adapt Insomniac’s take on Spider-Man from a couple years ago.
9) Demon’s Souls (Remake)
As a big fan of FromSoft who never got too far into this one originally, it’s been great to visit it as if it’s a new Souls game with an alternate art style. And a very clean art style it has. This was a good pick to be remastered because many, even FromSoft fans like myself, missed out on it, and it feels unique from its predecessors while still showing a solid foundation they’d go on to build from.
10) Crash Bandicoot 4
An amazingly well done follow-up to the original trilogy, this game GETS what makes old school Crash games good, and it improves upon things in a number of ways, from making Coco the alternate hero, bringing back old faces in new lights, going ham with the visuals both in raw art and unique filters when replaying stages, and giving incentive for completion with so many great costumes. Well done, great old school platforming with modern design sensibilities. 
Honorable Mentions:
CrossCode
This also technically launched before 2020 but I didn’t play it until this year, and I don’t think it hit consoles until this year. I wasn’t exactly sure what to expect going in, just remembering that I had enjoyed the demo well enough. This game delivers in most ways you could want from an indie game, with an expansive world of sidequests and RPG growth, a flexible combat system that can be nailbiting and engaging, and old-school dungeon designs with lots of environmental and elemental puzzles that really ask a lot of you. All of this capped with a surprisingly great narrative with characters I grew to love, including a much needed protagonist with a unique identity unlike any in games that I’ve played, as well as extra bits of detail and production values invested at JUST the right moments where the story needs it the most. It feels a bit tedious at times and part of me wishes more of the sidequest content involved direct interactions with the named, recurring characters, but it’s still one of the most impressive and well-done indie games I’ve ever played.
Katana ZERO
Razor-sharp game design, this one. It’s a brief but intensely focused experience that feels like the video game equivalent of a slick, experimental indie film. Could do with some more replayablity for those who want it but what’s here is just damn good and I gobbled this game down like a fantastic, hand-cooked meal at an atmospheric dive bar barely anyone knows about.
Necrobarista
Haven’t quite finished it yet but this is definitely one of the best visual novels I’ve ever experienced just due to how hard it goes on presentation and pushing for a more cinematic and thoughtful vibe than any other VN I’ve ever experienced. The characters and writing feel ripped out of an early 2000′s webcomic, for better and for worse, but all the same, it’s some fantastic stuff and it’s so refreshing to see a game set in Australia tackling a well-worn genre by giving it a new spin.
Slay the Spire
Another personal pick since this released in 2019, and I’m not quite sure which consoles it hit or when, but I didn’t get into it until early this year, and was totally hooked. Fantastically addictive, probably the most well-design deck-building rogue-like I’ve seen, certainly one of my favorite deck-building games in general. Apparently I’ve sunk 50 hours into it this year, more than most on this list, and I wouldn’t be surprised if that number spikes up again at some point.
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for the character thing; cody, obi wan, and ur oc pova (is that how you spell it?)
YEAHYEAHYEAH (also that is how you spell it) I see we’re doing the whole family and I LOVE it.
I was in the middle of answering this and then I went to find my favorite episodes and Tumblr ate whatever I was working on sooooo I start over.
Cody
Why I like them: Sass. Fandom’s interpretation as Ultimate Big Brother (behind Alpha-17, of course). Mysterious scar. And he’s pretty.
Why I don’t: Honestly? The fact that the clones are slave soldiers, and the fact that fandom tends to give racially biased interpretations of the clones (I’m guilty of this too). Nothing to do with Cody himself, honestly, which isn’t to say he’s perfect or anything, I find him to be rough around the edges but who wouldn’t be in his shoes?
Favorite episode: s1e16 The Hidden Enemy. This one is probably on my top 5 list even without Cody. But guys. GUYS. “Hey there, Slick. Gun’s empty.” WHAT COULD BE MORE ICONIC?
Favorite film: Okay technically these questions were “episode/scene if a movie” and “season/movie” but because he’s in both I’m gonna have to go with a film for this one. Revenge of the Sith. Listen, I can’t watch ROTS without crying but damn if I don’t love Cody in it anyway. The lightsaber scene will ALWAYS get me. (Season 1 gets an honorable mention.)
Favorite line: Uh. Well. Okay so. “Hey there, Slick. Gun’s empty.” *holds up mag* LISTEN GUYS I LOVE THAT ONE. Although he also gets points for “I’m putting you in charge of this one.” I don’t know if season 1 just has a lot of iconic Cody lines, or if it’s because I’ve been watching that season in Spanish lately.
Favorite outfit: ... his armor? No actually though, I love his Phase II armor. Phase I is cool but Phase II has the cool ventilators. And how can I not make fun of his antenna?
OTP: Codywan. Ideally in a post-war fix-it or semi-fix-it where there isn’t a huge power imbalance, but I’ve been known to read Codywan stuff that takes place during the war, especially before I was as cognizant of the power imbalance as I am now.
BroTP: Cody and Rex. I’m sure y’all saw that one coming. I mean it’s CODY and REX, I’m pretty sure that’s everyone’s BroTP!
Headcanon: So this might be a good time to mention that I headcanon everyone everywhere as autistic. Everyone is autistic. Cody is autistic. Okay actually though, I headcanon that Cody has a great deal of anxiety. He handles it well, and he has a support system, but given his entire life, and the fact that he’s a Marshal Commander, and further more the headcanon we collectively have that Obi-Wan insists on promoting Cody to get out of paperwork because Cody deserves it, he’s probably anxious. And man, same.
Unpopular opinion: Do I have one? Tbh I don’t know how to determine whether an opinion about a character is unpopular. How do we define unpopular? Do we mean just like, not commonly known or shared? Because if so, I once again raise for your consideration: everyone is autistic, therefore Cody is autistic.
A wish: For Disney to retcon Order 66. Barring that, for the Bad Batch show to give him a happy ending involving the removal of his chip and the opportunity to live happily ever after with Obi-Wan on Tatooine. (Is the Bad Batch show going to be live-action like Kenobi? Because PLEASE give me Temuera Morrison playing Cody in both.)
An oh-gosh-please-don’t-ever-happen: Don’t laugh. Order 66. Listen I KNOW it’s canon but that doesn’t mean I have to like it!
5 words to best describe them: Salty. Snarky. Protective. Competent. Thoughtful.
My nickname for them: honestly, just Codes or Kote. Not much to get out of Cody, really.
Obi-Wan:
Why I like them: HE’S PRETTY. And sassy. There’s a pattern here.
Why I don’t: I don’t think there’s ever a time in canon that he acknowledges all the issues with the clones’ existence. He does in fanon, which I can appreciate, but canonically he’s like, “ah yes, we bought 3.2 million humans. We’ll just stick them in this war I guess.” Also frankly he’s a bit oblivious, bordering on daft, especially considering he’s the Negotiator, I mean he KEPT HIS LAST NAME when he went into hiding. I still love him though.
Favorite scene: That deleted “good girl, Boga” scene, which just hits different when you’ve read Master & Apprentice and know how much he loves varactyls. I don’t care that it’s deleted. It’s my favorite. (Plus you’ll probably like this better than my favorite episode, which is the Kadavo episode.)
Favorite film: Attack of the Clones. Listen listen listen, he has a lot of good moments in TCW, but hands down it’s AOTC.
Favorite line: Eheheheheheh. Eheheheheheheh. Eheheheheheheheheheheheheheheh. “Hello there!”
Favorite outfit: Was gonna make a comment about Jedi robes but then I remembered his stolen Mandalorian armor in The Lawless and *swoons* that’s one pretty outfit.
OTP: ... also Codywan. Again, ideally in an AU with less of a power imbalance, I mean it doesn’t matter how much he promotes Cody, canonically he’s still a Jedi and Cody is still a slave and I just don’t love that but I live for Codywan. Domestic Codywan? *chef’s kiss*
BroTP: probably Obi-Wan and Anakin. Maybe Obi and Padmé? Idk I have Thoughts about Anakin, he’s a problem child, but not much can top the agony in “You were my brother, Anakin! I loved you!” (I like whump, okay?) Also just. Can you imagine the Negotiator just being buds with Senator Amidala? Helping each other with domestic disputes and speeches? Working on a Clone Rights Bill? Yeah. Can it be a broT3? What if we just don’t have Anakin and Padmé dating? It’s such an unhealthy relationship. That’s it, broT3 is Anakin, Padmé, and Obi-Wan.
Headcanon: ACE!OBI ACE!OBI ACE!OBI!!!!!! Also,,, autistic!Obi. I know I know, but actually genuinely @fromryloth-tocorellia has some pretty good autistic!Obi-Wan stuff, including Obi-Wan being semi-verbal, low-verbal, and non-verbal. Autistic characters is a hill I will die on, and Obi-Wan is a character I happen to enjoy projecting on (oops). Plus, if I headcanon Cody and Obi-Wan as autistic, then the entire Ibonek family is autistic, and I love that.
Unpopular opinion: The only reason Obi-Wan “left Anakin to die” was because there was nothing he could safely do to help. When I was taking first aid classes, one of the first things they told us was that, unless there is no danger to yourself, you do not help. You wait for actual first responders to show up. If Obi-Wan had tried to help Anakin, either Anakin would have killed him or Obi-Wan would also have been severely burned. And if he had stayed, he may have been caught by Palpatine. Is it sad that he left? Absolutely. Heartbreaking. I don’t think it was a GOOD decision. But he didn’t just leave him to die; there was no other safe option. There were no good decisions here. I have a lot of thoughts about this, I have half-written essays on Discord about it, feel free to ask further questions.
A wish: For Qui-Gon’s dying words to be retconned. I know I wrote that post about how his dying words were full of trust in Obi-Wan and I stand by that, but that doesn’t mean Obi-Wan realized that, or that they were a good choice.
An oh-gosh-please-don’t-ever-happen: For the Kenobi show to be sad. It’s not allowed. Obi-Wan can have one fight, and that’s it, he is happy as a clam on Tatooine because he DESERVES GOODNESS DAMNIT.
5 words to best describe them: Kind. Soft. Warm. Compassionate. Daft.
My nickname for them: Obi
Pova:
What I like about them: They’re my OC and I can do whatever I want with them!
What I don’t: They’re my OC and I’m in charge of them.
(Okay actually though:)
What I like about them: Nonverbal. Pink. Perpetually grumpy.
What I don’t: perpetually grumpy. Seriously how did that happen? Why did I do that? Why is the only time they AREN’T grumpy around Rex or when shopping with Obi-Wan?
Favorite scene: The adoption scene in “Observations on the Nature of Cody Ibonek”.
Favorite work: Probably “Observations”. It’s the first one that’s entirely from Pova’s point of view.
Favorite line: “He was making fun of my stimming. I was already having a bad day. I punched him. It’s whatever.” POVA NO. (Pova yes.)
Favorite outfit: Uh. Haven’t given it much thought yet? Haven’t done many character designs, although fromryloth-tocorellia did one for me and it’s my icon at @ver-writes-things if you want to check that out? Also my Halloween costume is gonna be a super basic cosplay of them and I’ll probably post that.
OTP: None. First of all, the oldest I’ve written them so far is 14. Second, I don’t have any other characters their age yet. Maybe the six kids from the Gathering episode survived? But even then I probably wouldn’t ship it. And I mean, not every character needs a romantic ship.
BroTP: Either Pova and Rex or Pova and Luke. Rex is like big brother/cool uncle, and Luke is like little brother. As of right now, though, definitely Rex, as I haven’t written much of anything with Luke.
Headcanon: I don’t have any because all my headcanons about this character are CANON! Man I love having OCs.
Unpopular opinion: to quote Paige Layle on TikTok: “Stop using the term low functioning autistics when you really mean that they’re just nonverbal. And nonverbal autistics still have a lot to say, they just have a hard time talking.” Basically, I’m certain that as this AU gains traction, Pova’s gonna start getting flak from readers for being nonverbal. It hasn’t happened yet, and maybe I’m just being pessimistic, but just in case someone needs the reminder: No. Stop now. Pova’s autistic. And nonverbal. And not a savant (man I fucking hate that trope). But they are a capable Jedi and, with Cody and Obi, developed a very functional sign language comprised of Jedi hand signals, trade sign language (like from episode 5 of the Mandalorian, that the Tuskens use?), and ARC signals. There will be NO functioning labels on this AU, and Pova has and will continue to have PLENTY to say. If you have a problem you know where the door is.
A wish: For everyone to love my kiddo as much as I do!
An oh-gosh-please-don’t-ever-happen: Listen Pova is gonna have a good and happy life. There is trauma and there is bullying and there is heartache but they are going to live a good life with two AMAZING dads. So there is no “don’t ever happen” because it won’t.
5 words to best describe them: Sneaky. Quiet. Excitable. Compassionate. Snarky.
My nickname for them: Kiddo or my kiddo.
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noyin · 4 years
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🤔 what are your top favorite musicals? Also loz headcanons? Or I'd like to read a rant on why you like skyward sword or phantom hourglass. -💖
Lol okay here we go
Top musicals
Les Misérables! (I have so much love for this musical. It's so beautiful)
Cats (the costumes are great and the songs are super catchy)
Aida (Very underrated, and the songs are great, and Adam Pascal)
Phantom of the Opera (I love this, it's a classic)
Sweeney Todd (Funny, dark, and also gory? My aesthetic)
Count of Monte Cristo (The songs are great, the costumes are so good, and the story is emotional and I love it)
I'm not sure I have any Zelda hcs but I CAN and WILL gush about Phantom Hourglass and Skyward Sword.
Okay where do I start. Phantom Hourglass. What is there NOT to love about it? The story is so heartwarming and it makes me cry every time.
The world is so creative with so many different kinds of themes. Like, honestly, the isle of ruins, the isle of ember, and the isle of frost are brilliant.
Also the temples and bosses? I loved King Mutoh's Temple and the Temple of Courage, and how the bosses in those two include the use of ds' split screen. Also ghost ship part? I loved that we got the opportunity to go on it!! ONE LAST THING the Temple of the Ocean King gets unnecessary hate! I think the idea of going back to a Temple is very clever, not only that, but the Temple itself is very fun and has the potential of being challenging (I've cleared the Temple without using any time) - and BELLUM!! one of the most interesting and fun Zelda bosses in my opinion
AND lastly!! The CHARACTERS!! I love Ciela, Linebeck, Tetra, and Oshus. Honestly I could go on with Linebeck alone. First he's a prideful, cowardly jerk who you sorta grow to love anyway, and THEN he genuinely starts to care about Link rather than himself, even when he's afraid. I just love him sm (also his theme is one of the best themes I've ever heard for a Zelda companion)
So!! Skyward Sword! Holy crap!! First off?! The story is so good?! Like the only reason Link goes on a journey, the PRIMARY reason is bc he wants to rescue Zelda, his childhood friend. So. Pure. Yeah, call it linear, but it what it does, it does REALLY WELL.
Anyway the ART of this game?! The watercolor aesthetic?! YES PLEASE. This world feels so soft and nice. The scenery is beautiful!! And the TEMPLE DESIGN is so brilliant. Not only are the puzzles great, but the aesthetics are mm!! Like the Ancient Cistern? The Sand ship? The Skyview Temple? I love.
Also let me gush a little about the characters. I need to show some respect to my guy Groose. He goes through such an amazing arc, from being a bully to someone who's found a purpose and has become accepting and kind? We stan this himbo. Also Ghirahim may be the most INTERESTING rival to Link. He's super weird fabulous and he definitely leaves an impression. Even his arc from being a conceited adversary to a rage-filled and desperate is really great.
Oh oh oh and one last thing!! The ENTIRETY OF THE SKYWARD SWORD OST IS ABSOLUTELY STUNNING
Anyway!! I think I should stop there!! Thank you for letting me gush!! 😊💕
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alanna-artroid · 4 years
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Cookies I Have From Cookie Run So Far! (And My Thoughts On Them)
Alright, I’ve gotten pretty far in Cookie Run: Oven Break, and I felt the need to share my thoughts on all the adorable cookies I’ve unlocked so far. So far, I have 50/100, so I’d say I’m making good progress. On to the list!
GingerBrave: The bravest boy. If this was a show, he’d clearly be the main character. I recently got him a little suit, so now he’s a gentleman! 
GingerBright: Sweet little lady. She looks like she’d be nice to get a coffee with or help you with homework. I definitely ship her with Brave, no doubt about it.
Strawberry Cookie: Precious baby! She’s super shy and I am compelled to protect her at all costs. Her pet is also a Tamagotchi, so she must be a gamer! Sweet!
Skater Cookie: HE WAS A SK8TER BOI! SHE SAID SEE YA LATER BOI! 
Zombie Cookie: This is one of the fastest zombies I’ve ever seen. They seem like a nice guy overall though.
Princess Cookie: Heck yes, a mischievous princess! Those are the best! I love her dress and hair bows. I bet she just pretends to get kidnapped for the lols.
Pilot Cookie: Is it just me, or is this little old man smaller than most of the other cookies? Whatever, he’s got a cute mustache and he’s adorable. Go and fly!
Vampire Cookie: As a vampire nerd, I immediately adored this guy. I will gladly give him grape juice and chill with him under the light of the moon. 
Gumball Cookie: Is this was Splatoon is like? This boi has a lot of chaotic energy and I like him.
Pistachio Cookie: I love this warrior woman so dang much. Look at that minty green hair! Her power is also SUPER helpful. She a speedy knight!
Pancake Cookie: HE’S A FLYING SQUIRREL! HE’S TOO CUTE I CAN’T EVEN! LET ME HUG THIS TINY CHILD!!!
Peppermint Cookie: Sweet baby. Good baby. My mom would probably adore this baby. (She loves mint and she’s not even a big sweets person.)
Muscle Cookie: As a lesbian, I’m not into big abs and muscles, but he’d probably be a good gym partner. Don’t mess with him is all I can say.
Cherry Cookie: Little Red Riding Hood got some bombs! I hope she and Gumball can go cause chaos on the weekends.
Hero Cookie: Precious nerdy boi with science! I saw his Island of Memories intro and his bond with Jellyco Cube is just the sweetest thing! Follow your superhero dreams, my baby!
Fairy Cookie: I didn’t know Tinkerbell was in this game! Also, I got her a bee costume and that looks super cute on her. Love her hair bun.
Werewolf Cookie: ULTIMATE FLOOF! Doggo here has a lot of angst and I worry for him. Maybe Vampire Cookie can teach him to chill? That’d be nice.
Rockstar Cookie: Oh, the songs I could sing right here. High tier rocker boy. Loving that flowing white hair. Rock on, buddy!
Soda Cookie: Go-to starter for my Breakout runs. I love him very much, he’s super cute! Let me go to the beach with this righteous dude! 
Dark Enchantress Cookie: Oooooh, she is GORGEOUS!!! I love her design~! I’ll be sure to invite her to any fancy balls I might have, as to avoid any Maleficent scenarios with this savage woman.
Moon Rabbit Cookie: My spirit animal! I love how she constantly munches while she runs. This girl is such a mood for me. Cute little bunny ears~!
Space Doughnut: Awww, look at this alien dork! Their design is very cute, and I love how their expression of >:3.
Macaron Cookie: Such a sweetie pie! Why must they all be so adorable?! She’s a little drummer girl! That is too precious! Look at her dress and hat!!!
Pink Choco Cookie: She reminds me of a show I watched when I was younger. It was about a space girl, does anyone remember it? This girl will save the day, I can tell! 
Avocado Cookie: Strong girl on the loose! My pun-loving friends would adore this cookie. And she’s a blacksmith, which is always cool.
Whipped Cream Cookie: Elegant ballerino!! He’s definitely one of my favorites! Such a beautiful boi~! I love his design so much, and he’s very useful. <3 <3 <3
Blackberry Cookie: Yeeees! Gothic girl for the win! She is SO dang pretty! I am WEAK for gothic lolitas, and she even has ghost buddies! I bet she’ll love spooky games like Luigi’s Mansion and Hollow Knight.
Lemon Cookie: Edgy boi is trying way too hard to be Shadow the Hedgehog. I mean, can you SMILE for once dude? It’ll take me a while to bond with this guy.
Salt Cookie: He strikes me as a wise old man you’d find meditating at the top of a mountain, or in his case on a boat in the ocean. I bet he has lots of knowledge to share.
Squid Ink Cookie: AWWWWW, SWEET BABY SQUID!!! Guys, I think they might be my favorite! They’re so squishy and mighty, and they need all my love and huggles!!! Don’t be sad baby, I’ll be your friend! <3 <3 <3 <3 <3
Lime Cookie: Beach girl! She’s like Lemon Cookie, but slightly nicer! I really like her hair and beach ball. Very cool girl.
Ninja Cookie: FINALLY! SOMEONE WITH MORE THAN TWO JUMPS!!! I went kind of crazy with his jumping powers at first. He’s super cool. Not sure why his pet is a ghost though.
Pomegranate Cookie: Oooh, I love Asian fashion~! Look how fancy and elegant she is! Her story concerns me, and I’m worried about her.
Angel Cookie: Good cookie, sweet cookie. Wouldn’t hurt a fly. It looks like they trust the devil boy, which is beyond kind of them. I love it when angels get along with demons. Defy angle roles!!!
Devil Cookie: Speaking of, they’re a cute little bean too! I love the naughty demon trope, and this cutie is so mischievous! Call Angel your “rival” all you want, I’m still shipping you dorks.
Roll Cake Cookie: Imagine, if you will, the world’s biggest game of Whack-A-Mole! With that hammer, this boy would win without question.
Popcorn Cookie: I’d be happy to go with this girl to the movie theater! Also, I love how she had popcorn for hair buns. She seems like she’d be up for a fun time!
Carrot Cookie: Oh my lordy, her ponytails are carrots. The artists for this game are so clever. Strong but tiny farmer, I approve.
Ion Cookie Robot: Yes! A robot! I love robots, and this cookie is no exception! Definitely one of my favorites, up there with Whipped Cream Cookie. They’re super powerful too, and REALLY useful in Breakout and Trophy runs.
Dino-Sour Cookie: Gee Dino-Sour, how come Devsisters let you have two pets? Very cool punk boy. I can see him going to Rockstar Cookie’s concert.
Plum Cookie: Aren’t plums purple though? This boy is one tough cookie! Look at his karate moves! Honestly, I thought he was a girl at first. Why must these boys be so pretty?!
Yogurt Cream Cookie: PRINCE ALI! FABULOUS HE! ALI ABABWUA~!
Alchemist Cookie: Look, it’s Twilight Sparkle! Apparently, Vampire boy is her brother? I really like her hair braids(?), I just wish she’d loosen up a bit. She seems like a nice girl.
Roguefort Cookie: Aaaah yeah, elegant thief! This cookie is the coolest! I love this aesthetic so much~! Blue cheese has never been so fancy. Just look at this charmer, stealing hearts!
Pitaya Dragon Cookie: OOOOOhohoho! THIS is what I’m TALKING about! Look at this beast, they’re GLORIOUS! They’ve probably killed a bunch of people, but They’re crazy powerful and I adore them.
Knight Cookie: This guy is SO much fun to play as! He just won’t stop, he’s too fast!!! I couldn’t stop laughing once I found out just how fast this knight could go! Somehow he controls better than Pistachio? I don’t know, I love him!
Birthday Cake Cookie: TOO PRECIOUS FOR WORDS! SHE’S SO DANG CUTE!!! Also, her “Bonus Time” changes to “Happy B Day” and I... I just can’t! She’s the sweetest thing!!! <3 <3 <3
Cocoa Cookie: Awww, look at this sweet baby! I wanna snuggle her! Her design looks so warm and comfy. I have plenty of hot chocolate to give her. <3
Raspberry Mousse Cookie: Ah yes, the pretty boy that got me into this game in the first place. Along with Squid Ink, he’s probably my favorite. There’s a reason he has the highest affection so far with me. I just adore his design, and he’s very powerful! I will ALWAYS have him ready for Breakout and Trophy Runs. Well worth all the hype. <3 <3 <3 <3 <3
Rose Cookie: Finally, we have this lovely lady. Everyone is shipping her with Raspberry, and rightfully so. She is a high-quality woman that makes gay men straight and straight girls lesbian. Look at that outfit! And those dance moves!
Aaaand that’s everybody for now! I’ll update this once I get more Cookies. So far, I like most of them a lot. Anybody got some favorites they’d like to share? I’m still new to this game, but I’m happy to hear what others have to say!
UPDATE 1: 
I went back and fixed all the gender mistakes I made. (I’m so sorry! D:) Also, I got a few more cookies! So here we go!
Walnut Cookie: Precious detective baby! The newest update is only making her cuter! Probably the shortest of the bunch, and I adore her design~! <3
Cinnamon Cookie: Super useful power so far, and they have a really cool cape! Those cards are very handy! (I promise I’ll pay attention to the genders of these cookies from now on! I don’t want to misgender anyone again!)
Sparkling Cookie: Oooh, a sparkling cider cookie! That’s honestly the only boozy thing I enjoy drinking. He is super classy and seems like the life of the party. He strikes me as a Great Gatsby kind of host.
Moonlight Cookie: OOOOOOOH~! LOOK at this GODDESS! I love the nighttime/dreamy aesthetic. This girl has Luna’s hair and a wizard’s outfit, high tier cookie!
White Choco Cookie: This game sure likes it’s knights, huh? This girl is a fine lady and apparently, she attracts all the lesbians. Can’t say I blame those girls, I do love that hairstyle. 
Spinach Cookie: Aaand the newest cookie to hit the scene, this girl! I have never met someone so dedicated to vegetables, so I have to applaud that. She’s a super sweet girl, and I hope we find who stole her precious vegetables!!!
UPDATE 2:
More Cookies! It’s been a while since I’ve updated this, so I have quite a bit to share. On to the new ones!
Mustard Cookie: Look at this punk girl! Street artist on the loose in the streets! I always admire people and characters in this style, so I’m supporting this rebel all the way!
Herb Cookie: Now THIS guy is everywhere! It seems the fandom really likes him, and I can see why. He seems like a very nice boy, with a sweet plant baby. I like the leaf hair, very cool.
Sea Fairy Cookie: I love how everything on her flows. Her hair, her dress, she’s so beautiful~! I will say though, Legendaries are SO DANG HARD to level up and get affection with! WHY?!
Cream Puff Cookie: Awwww, look at this precious baby girl~! Look at her soft hair and little dress! I almost feel bad running with the super cute ones, I don’t want them to get hurt! 
Matcha Cookie: Oooooh, all these ancient-looking cookies have the coolest designs! She’s probably insane, darkness will do that to ya, but she seems harmless so I like her!
Ice Candy Cookie: This chick could crush me like a grape and I don’t know how to feel about that. Hopefully, she’s only savage on the ice rink. I do NOT want to mess with this girl.
Cherry Blossom Cookie: Awww, look how pretty she is~! Cherry blossoms are always so lovely, and this girl embodies that. She has a PARASOL for crying out loud, I CAN’T EVEN!!
Grapefruit Cookie: This game sure likes sports, huh? She seems really cool, I love her colors! Do you think she’d play Skate 3? Hopefully, she’d get a laugh out of that game.
Pirate Cookie: This guy has been a long time coming. I’ve been curious about him since the Breakout episode. He’s pretty neat, I appreciate how he naturally comes with an extra revive.
Kumiho Cookie: Cool! A Kitsune! I love the spin on the concept of cookies. Let this marshmallow fox live out her reverse-furry dream! I’m loving her design too, look at that hair! 
Marshmallow Cookie: Oh cute! Another marching band cookie! According to her story, she and Macaron had a falling out. I hope they can reconcile and be friends again. :(
Dark Choco Cookie: WE’VE REACHED MAXIMUM EDGE! WITH OREO SHOULDER PADS!!! Interesting how he’s still trying to be a hero, which is a nice spin on the “I have evil powers so now I’m evil” trope. Here’s hoping he stays strong.
Fire Spirit Cookie: Ah yes, the classic lord of fire. A staple for any fantasy story that includes the elements. Again, it’s impossible to get the affection for these guys.
Mala Sauce Cookie: Yay! I got Pitaya’s girlfriend! I always love it when there’s a tribe/society of warriors and the WOMAN is the strongest one there. Heck yes! This warrior lady is a badass!
Firecracker Cookie: I didn’t know I was invited to a rave party! Love the neon colors on this cookie, that’s something this game really excels at.
UPDATE 3:
I’ve reached 90 cookies! I’m on the homestretch!!!
Cheesecake Cookie: OH MY LORDY LOOK HOW FANCY SHE IS! I adore her already! Fancy ladies are the best ladies!
Kiwi Cookie: This game REALLY likes sports. He looks cool, can’t complain.
Yoga Cookie: Awww, a pretzel is trying to be loose! I’ve done yoga a few times, and it is very good for your body. Nice colors, simple design, nice.
Dr. Wasabi Cookie: I’d reference some mad scientist, but I know a lot of them so we’d be here for a while. Her combi generator has been very helpful.
Tiger Lily Cookie: IT’S THE EYE OF THE TIGER IT’S THE THRILL OF THE NIGHT, RISING UP TO THE CHALLENGE OF OUR RIVALS!
Chili Pepper Cookie: Uh oh, this one’s a troublemaker! I really like her hair, it’s very bright. Secure your pockets around this chick, that’s for sure.
Millennial Tree Cookie: These cookies are too pretty, I keep thinking they’re girls! This guy is so beautiful~ truly a being of nature!
DJ Cookie: Ooooh, I love her design~. Rainbow colors will win me over every time. And look! She’s wearing a Bi Pride shirt! This girl is awesome! I like how her special power is basically tiny Guitar Hero.
Snow Sugar Cookie: Soft baby, sweet baby. Looks very cuddly. Their level was very helpful during Sandwich Cookie’s event in getting frozen jellies. Those blue bears aren’t easy to come by!
Fig Cookie: CENTAUR! I wasn’t expecting one of those here! She’s such a sweetie pie~. Since everything and anything is allowed in this game, can we get mermaids or harpies next?
Cotton Candy Cookie: PRECIOUS BABY! She’s so gosh darn cute, I can’t take it! I personally can relate to falling in love with things so easily. And there are official plushies of her now! ONE DAY I WILL BRING HER HOME!
Purple Yam Cookie: Bro needs a chill pill. Not ONCE have I seen this guy smile yet. And I thought Lemon needed to lighten up. Milk seems to care about him though, so I guess he can’t be that bad.
Milk Cookie: The softest of warriors! Look how cute he is~! I adore him! Plus he really shines in the stories. I can only assume Yam is his boyfriend or something. Am I wrong about that?
Cyborg Cookie: Hey! I saw the storybook for this one! I’m surprised I haven’t unlocked this “Aloe Cookie” yet. Are they still in this game? I can’t find them on the chart. Anyway, Cyborg is cool. Very nice design.
Mango Cookie: Newest baby! I love him, and would love to learn all about the islands from him! I’m gonna say it, I already ship him with Ananas Cookie, no questions asked.
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uzuuzuking · 4 years
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so this started out as just a general post about why i like cinderella adaptations, but slowly spiraled into a ranking/review of all the cinderella adaptations i’ve seen in my short, young life. so strap in for possibly the longest post i’ve ever made on this blog. (look, i never know how much i have to say about something until i really get going lmao)
idk why i like cinderella adaptations/remakes/spinoffs so much? most of them are garbage (especially the ones within the last 10 years don’t @ me) but fuck it i like this brand of garbage. it’s fun to watch these movies and rework the bad plotlines and dialogue in my head as i go along.
i guess i like the source material and some of the aspects of all the different adaptations, but honestly i just like re-imagining them because there’s only so much cringey script-written-for-teens-but-clearly-written-by-40-year-old-adults-who-have-no-idea-how-teens-or-even-people-for-that-matter-actually-talk-and-interact i can take in one excruciating sitting.
anyway here’s my personal ranking of all the cinderella adaptations i’ve seen that no one asked for. (not including stage productions because i haven’t seen any and have no opinion of them. also not including into the woods because that’s not just cinderella, but a spectacular amalgamation of fairytale mishap and shenanigan.) and reviews because apparently i had more to say than i originally thought when i first started constructing this list:
cinderella (1997) - the absolute best cinderella adaptation of all time, hands down, this is non-negotiable. this movie has it all: an excellent and diverse cast, gorgeous costume design, beautiful sets, some of the most dazzling dance numbers i ever witnessed when i first watched it at the wee age of 4, and a positive, progressive message that was accurate for its time yet also so ahead of its time. i cannot praise this version of cinderella enough, it is my all time favorite and one of my top 3 feel-good movies. if you watched it today, the effects might not be as magical compared to what we have now, but keep in mind it was released in 1997. anyway, the cast is truly amazing and so effortlessly inclusive (and honestly the fact that the prince was asian with a black mother and white father and they literally never addressed it was such a power move). i could go on about this movie forever (i’ll probably make a whole post dedicated to it in the future) and what it meant to me and many others as young, impressionable poc. in conclusion, this movie set an exceedingly high standard for me and destroyed the chances of any other cinderella adaptation even hoping to live up to that. i love it! so! much!
ever after: a cinderella story (1998) - tbh i never saw this until i was in college but i immediately fell in love. i love the flow of the story as a whole - i never felt like anything was missing. i love the costumes and i especially love how danielle and henry’s relationship progressed throughout the film. slow-burn comes to mind when i watch their interactions and we all love a sweet, sweet slow-burn. it’s romance babes! it’s Dramatic in a few scenes and all i can say is that it really works because drew barrymore’s performance is exceptional, fantastic, engaging, more adjectives to describe how enthralled by her i was. above all, her character is compassionate - she uses her voice to speak in support for those who are suppressed by the flawed government systems and law enforcers, and influences the prince to use his status and power to better his people who lack the privileges of the nobility. she’s such a strong female lead (emotionally and physically - she literally fireman carries her love interest, who is taller than her and definitely exceeds her own bodyweight) and truly the mvp of this adaptation. watch it. watch it for Her.
enchanted (2007) - amy adams and idina menzel - ‘nuff said. okay but for real this one is so unique with its transition from classic d*sney 2D animation style to the real three-dimensional world and i adore it to the ends of the earth. the music? slaps! the story? slaps! the development of the main character? slaps!! she’s so princess-y and d*sney cartoon-y and struggles in the real world, but she adapts at a good pace and i love that she learns to be realistic while also keeping hope and love close to her heart. also her mother figure / daughter figure bond with morgan is so so precious. the only constructive criticism i have for this movie is the fact that we were robbed of idina menzel singing!!! did they know all along she was destined to play the frozen queen years in the future and decided against her singing in this one?? is that it? ridiculous. it’s been over a decade and i’m still seething over this. other than that this movie is *chef’s kiss*
ella enchanted (2004) - anne hathaway’s back must still be hurting from carrying this film. (no shade to the other cast members, they’re good, but anne is a queen and i forever love her.) this is another childhood favorite of mine. the story itself is a refreshing take - hats off to gail carson levine for the source material! i’ve talked about the differences between the movie and book before in the midst of my reread of the book a few months ago, but i don’t remember how much i focused on the movie. it’s so different from the book that it might as well be its own thing. on its own, the movie is pretty decent! again, mostly because of anne. it’s funny, it’s sad (especially that scene towards the beginning between ella and areida, i’m in stupid tears every time), and it gets weird but it’s a fun time. the chemistry between char and ella is so zesty i can feel it through the screen, i swoon over both of them. tbh i probably wouldn’t like this movie so much if not for the fact that anne hathaway is truly talented and i spend most of my time watching it just looking at her. 
cinderella 3: a twist in time (2007) - i genuinely enjoyed and appreciated how the characters were written in this one. they all had clear motives and became much more dynamic through their lines and actions (drizella is arguably the most static character here but she still amuses me so it’s fine i guess). cinderella has more agency since the stakes are higher. prince charming actually has a gotdamn personality and has some of the funniest scenes and dialogue. good for him. i was kind of sad that anastasia’s story with the sweet baker boy was thanos snapped by the stepmother, but she and baker boy get a cute credits illustration together so it’s still canon! maybe i’m more biased on this one because i grew up rewatching it A Lot, but i definitely prefer it to the first and second movies.
cinderella (2000) - this one is kind of weird but i like it? the film has a really interesting vibe that i’m still trying to figure out how to describe even after seeing it like 5 times. wikipedia refers to the aesthetic style as “the glamour of the 1950s” which just might be as close as we can get. it follows the general guidelines of the cinderella plot, but the main differences were: zezolla (cinderella) was already helping with the chores before her father remarried, claudette (stepmother) was actively trying to murder zezolla’s father during their marriage, the stepsisters were much more violent and crass (they hunted zezolla’s beloved farm animals for sport and talked about getting “a man in [their] bed”), zezolla’s father was manipulated by everything claudette did and said and treated his own daughter poorly as a result, and prince valiant is honestly kind of a douchebag but seems willing to improve himself after meeting zezolla (basically his vibes are iffy but he’s willing to learn). this whole movie is pretty niche and i have yet to interact with someone who’s also seen it. and the only reason i’ve seen it so many times is because i just like listening to how the dialogue is delivered. (except for prince valiant’s random song at the ball, i kind of hated that and i skip through it every time lol).
a cinderella story (2004) - the classic hilary duff version. very cliche early 2000s high school romance, but it works for the cinderella narrative. not particularly diverse. a classic nonetheless. in my mind this is the pinnacle of the “modern cinderella movie” type. this is one of the most iconic movies for us zillennials and i’d like to think it’s known well enough for me to not go into a lot of detail about it. basically it was fresh and new for its time, had plenty of memorable scenes, and did i mention hilary duff? the film kind of plays into the “not like other girls” trope - as do a couple of the movies i listed above - but i’m just going to acknowledge that the early 2000s were Wack and simply move on. all in all, i like this movie for the nostalgia, iconic scenes, and hilary duff. also jennifer coolidge is pretty funny as the stepmother.
another cinderella story (2008) - again, an early 2000s classic, but this time with selena gomez. i liked the dancing in this one. i like selena’s quiet, somewhat timid characterization of her character, mary. and jane lynch in the stepmother role is perfection. she’s so fun to watch and is always hilarious. the story is nothing remarkable, but it’s okay and i liked it as a kid. after the hilary duff version, this one still managed to feel fresh because, though it was similar in its modern era approach, it focused more on the performing arts and dance. “cinderella” is an aspiring dancer, rather than the 2004 aspiring scholar. the “prince” is a famous popstar, not a football player. the stepmother is an outdated popstar desperate to stay Hip and Relevant with the kids, not a cranky botox lady. honestly i just love watching this one for the dancing, mary’s genuine and innocent love for the “prince”, and literally everything that comes out of jane lynch’s mouth. that woman is a dialogue gold mine.
a cinderella story: once upon a song (2011) - lucy hale is good. missi pyle is good. they play their roles and lines that they’re given fairly well. over all, it’s entertaining. lucy, of course, has them Pipes and i do like the songs in this movie. the only major downside for me was the “token best friend of color” trope. lucy’s best friend is an asian girl who’s good at sports and is there for one liners and support. the prince charming character’s best friend is a black guy who he only knew for probably a month at the most. he can beatbox, sing, and dj. basically he’s also just there as support. they really don’t do much for the plot but they’re there for diversity and whatnot. this movie is.. fine.
cinderella (1950) - the only reason this ranks so low for me is because i watched it a lot as a child when it was on vhs and it always felt like a fever dream to me. i was just really young and didn’t feel invested in any of the characters. it is a classic, though, and i would watch it again and be able to enjoy it.
cinderella 2: dreams come true (2002) - i liked cinderella’s and anastasia’s stories from this one. jaq’s was meh. it was fine.
dj cinderella or cinderella pop (2019) - netflix knows i like cinderella adaptations so, naturally, they shoved this into my recommended and, naturally, i watched it. twice. which is more than i can say for the following review... so this movie is brazillian and is pretty much the cut & mold of modern cinderella movies. but she wants to be a dj. she stars out living a perfect life as a wealthy girl with a loving family, but turns out her dad is cheating on her mom with his secretary. that’s when she “stops believing in love”. which is actually valid bc if i saw one of my parental figures cheating on the other, i honestly wouldn’t know what to believe in anymore. anyway, cíntia dorella (yes. that’s her full name.) and her mom move into her aunt’s place. a year or so passes. stepmother/secretary/cheating lady is throwing an extravagant birthday party for her daughters and hires freddy prince, a popular musician who cíntia doesn’t really like. meanwhile, cíntia gets a dj gig she’s excited for until she finds out she’s the opener for freddy prince at her stepsisters’ party. she ends up disguising herself as “dj cinderella” and freddy is super into her. it’s pretty generic from there but i was entertained enough to watch it twice. take from that what you will.
cinderella (2015) - ok so we been knew that d*sney’s live action remakes ain’t shit, and this one is no exception. d*sney within the last few years has been like 99% aesthetics and marketing. this movie was visually stunning, especially with the settings and costumes. those were the only 2 things i truly liked. everything else was forgettable. in its defense, i did read a post about the “have courage and be kind” message which is something wonderful to hold onto, especially for anyone in an abusive situation like ella. that’s valid and i respect that. i still lowkey hate this movie tho. i started getting a headache about 4 reviews ago, but remembering how much praise this movie got has reignited my fighting spirit. honestly if you like it, that’s good, you like what you like and that’s that. but this is my review and i hated how proper ella’s posture was (she’s been doing physical labor hunched on the floor for years now, how does she not slump around in exhaustion at the end of the day??), i hated how perfectly curated the whole thing was (again, that’s mostly because of d*sney and their aesthetics), and i hated how hollow everything felt. i can’t perfectly describe it, but i never felt emotionally invested in any of the characters. something about their performance was lacking and yet again i blame d*sney. i actually really like lily james, but something about the way she was directed left me devoid of emotional attachment to ella. i remember nothing about ella’s step family or the prince. that’s how much of an impact this adaptation had on me. also i just remembered the fairy godmother as i type this. i ADORE helena bonham carter, but this movie does a horrible disservice to her. if she liked working on this movie, then i’m happy for her, but even she wasn’t strong enough to sell this to me. i saw this movie in theaters and came out of it lamenting my waste of money that i could have spent on something i would have actually enjoyed. but the thing that enraged me the most, the thing i despised, i detested, the thing i seethed over and rant about to this day was the ONE (1) token black character. i don’t even know if he had a name but he was captain of the guard or some shit. if i remember correctly (but probably not tbh this movie was so forgettable), he was the one who heard ella singing and was the whole reason the prince was able to have her try on the glass slipper. this man, who had zero character development, zero relevance to the plot, an insignificant amount of screen time, is suddenly the reason the main character is able to finally connect with her love interest. um. What. i hate how the writers treated him and i will forever be filled with every last grain of salt over this. anyway he’s my favorite character and everyone else is just eh. to conclude this ungodly long review, i don’t like this movie. i tried to watch it again once but got so bored i quit 10 minutes in. do yourself a favor and watch cinderella (1997) instead. (the only reason this movie is ranked above the remaining 5 is the production quality. but i guess that’s unfair bc d*sney has the big bucks. and maybe i wouldn’t be so harsh if i weren’t sleep deprived and grumpy from a sugar-induced headache, but these feelings still come from my Chest so idk.)
a cinderella story: a christmas wish (2019) - i think we all secretly enjoy christmas-themed movies and this has got to be someone’s guilty pleasure. i was mildly entertained (but again with the cringey dialogue written by people clearly not in high school...) and i do like laura marano. but they autotuned her to hell and back - which i loathed - because the woman can actually sing and she has a lovely voice. she got to sing candidly one (1) time and i relished the experience. my ears thank her beautiful, un-autotuned voice. other than that it was.. fine. i didn’t hate it but i didn’t like it either. laura marano deserves better than this. (can’t say the same for the other actors tho because their roles were unmemorable.) also laura marano was super cute in her elf costume!
not cinderella’s type (2018) - i legit forgot about this one until after i compiled the entire list lol. i saw it on youtube and it was decent as far as i remember. it’s another modern day cinderella. i think the “prince” runs over “cinderella’s” cat or something?? i’m pretty sure it was her mom’s cat so now she has nothing left to remember her mom by. prince boy feels awful and tries to befriend her or do something to make it up to her, but she just doesn’t really like him. i think her aunt and uncle are emotionally abusive to her and prince boy does his best to be there for her without making things worse. if i remember correctly, i liked that aspect of the movie because it’s hard to be there for a victim of any kind of abuse if trying to help them could potentially hurt them more, especially minors still under the care of abusive guardians. anyway i think cinderella girl’s best friend is in love with her or something but she ends up not being into him and slowly gets together with prince boy. she eventually moves out of her guardians’ house and into the spare house at prince boy’s home (he’s rich or something). i need to rewatch this movie tbh i could be wrong about everything here lol.
rags (2012) - not amazing, definitely not memorable because i have nothing to say about its plot or writing, but it has keke palmer which is its one redeeming quality. also it’s the only one on this list where the male protagonist is the cinderella. so that’s solid i guess.
a cinderella story: if the shoe fits (2016) - this was a movie. it happened. i vaguely remember how ridiculous it was and sometimes i felt secondhand embarrassment. i don’t remember what about specifically, but i remember the emotion. sofia carson is a talented singer. i think she’s a decent actor but this script was Bad.
elle: a modern cinderella tale (2010) - i only watched this one because i was bored out of my damn mind and saw it on youtube. i felt bad for all the actors because this script was terrible. i don’t recommend this unless you’re about to sit down with your squad and make fun of it.
apparently descendants is on the “cinderella adaptations and references” list on imdb but i refuse to put it on my list because it’s not a cinderella-specific adaptation and i don’t like the descendants franchise. now, if we’re going to discuss a quality series about the children of fairytale characters, that would hands down be ever after high. but that’s a different topic for a different day.
thus concludes the ranking no one asked for but i felt compelled to make. thank you and goodnight
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