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#hmm yes I like it
merukins · 4 months
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Edgy Kieran is cool and all but I like the real Kieran better
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otpadsis · 8 months
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deep-space-lines · 1 month
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okay but like. I just had the weirdest thought about that ‘don’t look I’m naked’ comic. Which is that that’s essentially the same thing Adam and Eve did after they ate the fruit of knowledge of good&evil. So I feel like the theological implications of that could kneecap Gabe if he doesn’t think V1 is a being with free will.
yeah ok. i dunno man. is this anything
((side note. this isn’t necessarily meant to be in-character or story-accurate or take place at any particular point in time, just a way to explore some Thoughts. i was also imagining more that V1’s words aren't actually spoken, more like Gabriel’s more articulate interpretation of whatever garbled mechanical noise V1 is using to communicate. I think an angel could do that.))
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and then they fucked nasty the end
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spideryoink · 2 months
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My drug of choice? Any of the bats/birds saying “help” at a normal volume and their designated super is suddenly there
Mmmmmm
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obsob · 2 years
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hgrng...thinking of love 
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froog-water · 5 months
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glambonnie insane doodle dump,! im so totally normal you dont understand!! the silent hill tangent came about because i thought bon flirting with robbie the rabbit would be funny af.
also !! bonnie in a dress is inspired by sanydraws! idk if its okay to tag em :P
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egophiliac · 6 months
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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drippinonabuffet · 9 months
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Drew them. I'm not the strongest in the field of digital art, oi oi oi.
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fauxbia · 4 months
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me when i eepy
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suchawrathfullamb · 6 months
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transcription of dolarhyde's ledger by waywardfannibal.wordpress
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heich0e · 6 months
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you say "hi, baby" when you see geto and he gets sooooo smug
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kafka-pilled · 6 months
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they should give me a goddamn oscar for keeping a straight face while they talked about hypnosis in psych class
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i like to think of jam as such a “would you love me in another universe” type of relationship. or what could’ve been? that’s what feels so tragic to me. like - jay could’ve been the only other somewhat close relationship tim had in his life other than brian. or if they had met under different circumstances, would it have been healthier? or even how jay felt? he said it himself he wasn’t exactly doing anything pre-mh. hmm. he felt less alone; but i can only wonder how else it could’ve gone if they were close in another scenario. or ; if they could’ve met in a less depressing part of their lives. they are like a book with the last pages ripped out!
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unpretty · 1 year
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i swear to god i've literally made long posts of romance novel recommendations before, featuring book covers, which meant that:
the book was going to be about people falling in love. because that's the plot of romance novels. there might be other set dressings, like a murder or the reform act of 1867, but those are secondary to the main plot (some people don't want to kiss, but then they do, but they can't until they can) (this is an oversimplification but you get what i'm saying here)
the people who fall in love are most likely going to be on the cover, especially if they're marginalized because authors like to be clear about that kind of thing
and i still. STILL. on a post that was at least half diverse romance where various queer models of color were about to kiss on the covers. on a post where i mentioned the set dressing or any identities not immediately obvious from the covers, which were all pretty obvious. on a post that i mentioned was exclusively romance novels and were not going to be of interest to anyone who doesn't like kissin' books. got angry comments of:
but what is it about??????
i don't care about white people, this list is not for me
i don't care about straight people, this list is not for me
i don't have any money, where can i pirate these
some people have one standard accusatory response about every book they weren't planning to buy anyway and there is nothing, literally nothing, you can do to stop them from regurgitating it right up to and including telling them directly "this book is everything you say you want and also it's free right now"
... but at least the "is it gay" crowd tends to enthusiastically support your shit as soon as they find out the answer is "yes"
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wallapology · 7 months
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Talking with a friend who stopped watching Doctor Who after Matt Smith about Thoschei over the years and was like “Yeah funny that the only time The Master and The Doctor kissed on TV is when they were a straight couple lmao mysogyny” and my friend said “yeah, funny how they only made her vulnerable and needy of the Doctor when she was a woman, too” and my jaw was. On the floor
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astarlightmonbebe · 1 year
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the appeal of yeojeong as a normal guy who’s just a little bit off. not enough that you would notice when talking to him, of course, but it’s just there, under the surface. a disturbance. and i think it’s interesting because typically you have two types of guys somewhat adjacent to this: guy who seems totally normal but is secretly sadistic/a psychopath, and then guy haunted by a traumatic/troubled past, who has that secret layer of torment running beneath the surface of their image. but yeojeong breaks through these archetypes, and i think part of it is because he’s just so...calm. it’s not that he’s living a double life (kind doctor by day, killer by night) or hiding part of his past (everyone he worked with knew about what happened to his father, and watched his downward spiral during his college days). he’s not the typical male character who is, at every attempt, trying to outrun his tragic past (even though he does run once or twice); he’s not haunted by flashbacks, or suffer from PTSD in the way that is usually portrayed in dramas. and i think part of that is because the glory is a story about victims. it’s dongeun’s story, first and foremost, even though it is also yeojeong’s story, and hyeonnam’s story, and sohee’s story. but it’s a story about dongeun’s pain, and when it’s not about her pain, it’s just about the pain of victimhood - unlike other dramas, this isn’t a show where male pain outweighs the rest.
so yeojeong is just a normal guy. he’s handsome. he has a good career. he’s a plastic surgeon, an interesting choice when both his parents were/are hospital directors, and his father seemed to have worked in the er or something of the sort prior to his death (or at the very least wasn’t a plastic surgeon). something could be said here of yeojeong choosing the ‘safe’ path as a doctor, a path where he cures pain and makes people happy without the added risk of being attacked by one of his patients. there’s no proof of that in the show - why he chose to be a plastic surgeon - but it’s an interesting thought path to travel. 
dongeun says he must have lived a good life. that he’s never had to worry about the path that he’s on. and that’s true, to a certain extent. to everyone, including her in the beginning, yeojeong is perfectly friendly. he’s perfect, but not the perfect that people perceive as too perfect (i.e. the guy who’s hiding things); he has his moments where he spazzes out, gets into fights, goes crazy over dongeun texting him back, teases his mom. he’s perfectly well adjusted (a perfect contrast to dongeun’s ‘maladjustment’). he wears flip flops to work and gets the same coffee order daily. he plays go with old men in the park.
he likes to listen to the fizzing of vitamin tablets in water because it calms him down. is this a strange thing? only because he thinks it’s important enough to mention to his therapist. he does it at work too - drops the tablet in, closes his eyes, rests his head. he does it at home - drops the tablet in, opens the drawer, draws a knife. it’s about the noise. bubbles rising to the surface, like bubbles rising from underwater. he stays underwater until the last possible moment, when he has to break the surface in order to breath. dongeun makes him feel like he’s at the eye of a storm - a deceptively calm center, while everything else rages outside. and i think it’s kind of important that he makes that comparison, when he’s someone always seeking that calm. the soothing noise, that makes him feel lonely.
so he’s just a normal guy. a normal guy who receives letters on a regular basis from the prisoner who brutally murdered his father. he doesn’t like letters, he tells dongeun. who knows what he does with the letters - does he keep them? does he throw them away as soon as he sees them? he must have read some of them; maybe you only need to read one to know what is in the rest. maybe he’s still reading them; maybe he keeps them without reading, an invisible torment. it’s not what he does with the letters that matters, but that he receives letters at all. 
can you still call it a haunting if you’ve almost made your peace with it? if you’re living with it? 
he’s just a normal guy, who looks his therapist right in the eyes and tells her that she couldn’t fix him. he diligently attends therapy for years on a regular basis, even though it doesn’t work. he finally abandons it when he moves to semyeong, because he chooses to embrace dongeun’s revenge. he chooses his own revenge, too, in a way. the dark part of him that he can’t escape. the one that makes him pick up the knife, who asks dongeun who to kill before she even tells him she wants any of them dead, even when he’s a doctor from a family of doctors, and doctors don’t kill - they save lives instead. 
you couldn’t fix me, he tells his therapist calmly. so calmly. as if there’s not a bloodied man sitting next to him, a man he dreams of killing. the man is just life to him, just like the letters are life to him to. a dulled numbness. an acceptance of it. 
is your son going through hell? can you even tell it’s hell, if it’s what you’ve become used to? is it hell when you’re a doctor dreaming of murder? is it hell to no longer be tormented by dead men and living murderers who send you letters? is it?
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