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#he's not power hungry. what he wants is in fact reasonable- he's just willing to do a lot more than most to get it
lgbtlunaverse · 10 months
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Could someone tell me where the interpretation that, in book canon, the promotion Nie Mingjue gives Meng Yao made Meng Yao's life worse than it was before, came from?
I have seen that claim made multiple times now and I've looked at the text over and over trying to see where the basis for it is and I. Can't find it? Don't get me wrong, it absolutely spells out that it does not and cannot fix everything for Meng Yao, but the idea that it was actively bad for him?
Lacking other evidence, I kind of have to assume that it comes from cql canon being sort of projected backwards onto book canon. In cql canon, meng yao is suffering active and explicit bullying and abuse from the captain while under the nie, and does so because the capain believes he has risen above his station via nmj's promotion of him. (In book canon this... isn't happening. It happens with the captain in Langya instead) However, in cql canon he has also been with the nie for years and is openly close to both Nie Mingjue and Nie Huasiang, whereas in book canon he has only been working with nie mingjue for a few months (though has, in that time, apparently become close enough to him for Lan Xichen to explicitly state Meng Yao is able to calm nmj down in ways no one else can? Ofc he does this... Right after that stops being true. But. Food for thought. Not what this post is about tho.) So, if you project the much more explicit abuse from the nie sect captain in cql back on novel jgy who has a presumably much less stable position in the sect overall you get... a meng yao for whom the promotion only means a bigger target on his back and virtually no protection from nmj, who we must assume he can't trust to talk to his about because he never mentions it. (This also explicitly violates book canon when it comes to meng yao's general behaviour, we'll talk about that in a sec)
And look. We all do frankencanon in this house. I get it. And for fanfiction that is very fun. But for a serious reading of the character, his situation, and the actions that lead from that this... doesn't make much sense, in my opinion.
So. Why is that? Why did I say this was out of character for the novel? Because Meng yao spoke up about the jin captain mistreating him. Multiple times! It's just that none of it mattered because no one cared to listen to him. This is a pretty important line for his character because it flatly shows that meng yao is not and has never seen murder as something trivial. He's not trigger happy. He will only do it if he sees no other way out that doesn't end in himself being seriously harmed. (Whether he's right or justified in these cases is not the point of this post.)
If anything remotely similar was happening in the Nie sect, he would have said so. Cql Meng Yao doesn't do this because cql Meng Yao is a different character, and also the plot wouldn't work if he did. Cql Nie Mingjue, by extension, comes off as a fundamentally less trustworthy figure in cql Meng Yao's life because apparently for whatever reason, he cannot be trusted with the information that the deputy he has already publicly defended is still being harassed, and doesn't notice even when it is really blatant. The assumtpion the audience is given is that, like a middle schooler getting the principal involved when being bullied, it would only make the harassment more viscious.
This... actually has a somewhat solid basis in the book. Because after nmj yells at the bullies in question Wei Wuxian says this.
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And it is important to keep in mind that this is Wei Wuxian saying this. Not Meng Yao, not an omniscient narrator. Wei wuxian is drawing on his own experiences, likely from the Jiang family, to conclude that if someone is angry at you and thwarted by someone defending you, this generally does not make them less angry at you.
This is leaving out two crucial things, though.
Firstly, this worry isn't about the promotion at all.
The promotion hasn't even been brought up. In the novel it doesn't ctually happen immediately, it takes another few battles where meng yao continues to do his job well and nie mingjue continues praising him for him to eventually go "yeah, you deserve a raise."
This is another aspect that is being projected from cql canon onto book canon I presume, because it does happen quite quickly there, and it's a throwaway line in the books so it's easy to miss. I can't be mad about anyone forgetting the difference, but it is important to mention for this particular analysis.
Which is the second point: change in status
Wei Wuxian couldn't exactly change status within the Jiang family. (And if he could, that would just fuel rumours that he was jfm's bastard even more and make madam yu even angrier at him, etc etc.)
This isn't comparable to Meng Yao. The worry Wei Wuxian is talking about is explitly about Nie Mingjue's initial very loud defense of him. Before he has any idea Nie Mingjue is going to promote him.
Promoting him would likely decrease his chances of cultivators coming after him because now he was in a higher standing in the sect than they were. If applied to that earlier metaphor of middle school bullying it's like if the bullied kid suddenly got hired as a teacher. Which. Doesn't work with the metaphor at all. Touché. But what I am trying to say is that any payback they would have planned for him relied on the fact that they could make sure that Nie Mingjue wasn't going to be within very convenient earshot a second time, and as a random disciple Meng Yao couldn't just go complain to him every time.
But as his right hand man? Who spends most of his time working directly alongside him? Lmao. Good luck. Oh, sure, it is very likely that they feel offended a son of a whore has been raised in status above them, and many will continue to do so as jgy rises through cultivation society (in fact, Wei Wuxian's observations are absolutely on point for how Madam Jin will be treating jgy later on). But as we can also see from the way jgy is treated and how he treats others throughout the story: you can be upset all you want, but if that person is higher than you in status there's jack shit you can do about it.
If I am correct and Wei Wuxian is basing this on his experiences with the Jiang family, it makes sense why he'd miss this. Madam Yu gets to be way angrier at Jiang Fengmian as his wife than some random disciples can be at Nie Mingjue. Insulting Meng Yao, suggesting that he didn't deserve his promotion or that he earned it through less than proper means (you know who is mother is) is also an insult to Nie Mingjue and the way he chooses to run his sect. They can't do that.
Another thing I see brought up in this regard would be the tea scene. There may be no explicit harassment like in the show, but cultivators still don't respect him! The disrespect is just quieter and more subtle.
Tiny detail: these are actually not Nie cultivators
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They're cultivators Lan Xichen is escorting with him, making a pitstop in heijan.
The book confirms this by basically outright stating that this is the first time they see his face, and recognize him as Jin Guangshan's bastard son.
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Now, just because there is no proof that it happened doesn't mean it definitely never happened. Mdzs is a novel that often leaves stuff out or up to interpretation. Similar stuff to the tea situtation could very well be happening in the background. But I do think it is pretty significant that there is no mention whatsoever of Meng Yao having any negative treatment from Nie cultivators betwen him and Nie Mingjue meeting and him executing them while spying for Wen Ruohan, and the most we get is Wei Wuxian's personal speculation, after which he immediately goes to wax poetic about how surprised he is that Meng Yao and Nie Mingjue are getting along super well.
And, again, novel Meng Yao would have said something. He doesn't say anything about the tea scene. - Or? Does he? Notably 3zun have some very long in depth conversations that Wei Wuxian zones out from because he's busy thinking about Lan Zhan again. But let's not rely on what-ifs. Let's say that neither he nor Lan Xichen find it worth bringing up. Major reasons for that would be that a) these are not nie cultivators, nie mingjue wouldn't really have the authority to scold them. Especially because b) it's such a subtle offense it could easily be handwaved as coincidence. "They just always brush their cups clean like that!! It's wartime you know, and they were traveling! They're used to drinking from vessels that aren't thoroughly washed everytime! It's just a habit!" And would therefore not be worth reporting.
But anything worse than that? A "price tens or hundreds of times greater" like wwx mentions? He'd report it! I do understand that "well if it was happening why didn't he say something?" would, in real life, be victim blaming. This is not real life, and I am not talking about this in a matter of blame. If Meng Yao was being mistreated in the Nie and stayed silent about it, it would still not be his fault. I am talking about this in a manner of character consistency.
His admission of seeking help in the Jin sect shows that at that time and prior to it (a very good argument can be made that he loses faith in this idea) he believes that if he is being mistreated and someone with the authority to say something about it takes his side, things can improve. If Nie Mingjue standing up for him in Qinghe only made things worse, he would not have tried to ask for help in an even more hostile environment. You can call Meng Yao many things, but naïve isn't one of them.
Meng yao's later habit of completely isolating himself and lying to everyone around him comes from the fact that revealing his suffering would mean explaining several horrible things he's become complicit in and he does not feel safe admitting to that. But he's done nothing wrong here!
The reading where he says nothing would imply an either correct or incorrect belief in Meng Yao's eyes that Nie Mingjue did not much care for his wellbeing or safety. Oh sure he defended him once but doing so again multiple times would be such a bother. This also contradicts his later behaviour, where he banks solely on Nie Mingjue's protective instincts to seal his qi and escape during the confrontation in Langya. After having been caught murdering a man, he is still convinced Nie Mingjue will immediately try to help him when he is in serious danger.
And even if you very badly want to characterize Nie Mingjue as a blundering idiot who is apparently less trustworthy in Meng Yao's eyes than the jin cultivators who had already resoundly rejected him by the time he tries to ask for help with the langya captain. He doesn't say anything to Xichen either! Lan Xichen, who has explicitly and exhaustively been portrayed as kind and understanding to Meng Yao's circumstances and very willing to talk to Mingjue if Meng Yao wants something from him he doesn't otherwise think he'd get. The conversation Mingjue overhears where Meng Yao's new position in the Nie is explictly brought up would be kind of the perfect time to go "yeah I've been promoted but I'm not treated well by other soldiers" aaaand. Nothing. So unless you come to the conclusion that Meng Yao trusted the Jin he told about the captain's abuse more than Lan Xichen you kind of have to conclude that Meng Yao's treatment after his promotion improved significantly. And that even if people still disliked him they could not openly do anything about it because he was high enough in status for that to be socially inappropiate. Which is, explicitly, one of his main motivators over the entire course of the story: Avoiding mistreatment by getting high enough on the social ladder it doesn't matter what people think of him, they can't hurt him.
And I'm not sure how to reconcile that character journey with the idea that he would, at any point, have preferred to keep his head down and stay where he was. When he was so desperate to crawl his way out.
#the main tragedy of his character- of course- being that he keeps achieving that status and it is never enough#he achieves standing with the nie and the favor of a major sect leader and it's not enough for his father to even give him the time of day#he kills wrh amd becomes a war hero and gets acknowledged by his father!!#and all it gets him is nmj's constant distrust abuse at the hands of his stepmother and complicity in mass murder by his father's orders#he gets to the HIGHEST POSITION SOCIETY HAS. LITERAL CHIEF CULTIVATOR. And the moment he stumbles everyone turns on him immediately#like they were all just waiting for him to get low enough again that they could kick him further down#it's a rise-fall-rise-fall-rise-fall journey with every step up being a desperate fight and every tumble down being way too quick and easy#but! that rise still needs to be there!! for the story to work!!#the tragedy of qinghe for meng yao is how easily he loses nmj's fsvor. NOT that having it was bad in the first place#I understand that this reading is mainly done to put nmj in a bad light but I do genuinely think it does jgy a disservice#people more often apply this to him becoming jin guangyao which does in a lot of ways doom and trap him#and yes fuck jgs fuck that guy all the way to hell#but the key is that meng yao can't just get a happy ending by refusing power#he's not power hungry. what he wants is in fact reasonable- he's just willing to do a lot more than most to get it#'things would've been better if nmj didn't promote him/didn't send him to langya'#feels as reductive to me as the 'why can't he just be xichen's house boyfriend and join the lan instead' takes.#mdzs#meng yao#jin guangyao#mdzs meta#? sorta#feels too ranty to call meta#this is what i was talking about in my past post about how frustrating it is to base metas around disagreeing with others#makes analysis feel like discourse when that is NOT what i am trying to do#long post with long tags
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snarky-art · 7 days
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Chimera and Cassandra!
In my rewrite, they’re both Lunarian , aka Deliosians (the actual name that most of them use to refer to themselves as)
Cassandra does indeed use Valtor’s influence to get them a higher ranking, in fact, the highest ranking one could get under Solarian rule.
Chimera is just a pawn in that, and although isn’t enthusiastic, is non the less shunned into obedience by their mother.
Info on their general storyline, content within my lore, and why I drew them Cassandra with a different skin tone and Chimera with a different hair texture below!
Cassandra ends up tanning to pass as more Solarian since they have an ethnic ancestry from those who stayed underground on Lunaria, which in my thing, results in them tending to have a paler complexion as well as increasing the likelihood for a paler hair color. Blond is considered a Solarian trait by those from Solaria, although the lightness of it would be considered Lunarian. Cassandra can just pass it off as being the result of some “impure Ancestry” though and that she’s mainly Solarian because,, the color of her hair, you see? Blond! And her iris color (also Lunarian, but she can claim the paleness is because of the small Lunarian part “tainting” it and resulting in phenotypic traits being less intense in hue) and that combined with her tan, she can prove she is Mostly Solarian,, right????
Spoiler alert: she’s totally 100% Lunarian.
In my thing, Stella will realize fairly quickly that Chimera is not someone who has much choice in this. On top of not being a willful participant, they hate pretty much everything about it. They straighten their hair because it’s easier than curling it to the 3c and various 4 texture curls that Solarian’s can have, but they still hate it. They refuse to tan or add glimmers or contacts to change their eyes. They don’t want to. Why should they?
Cassandra allows it, VERY begrudgingly. She can blame it all on Chimera’s father anyway (he had an ancestry from those who lived above ground hilariously enough, meaning his skin tone and hair color were darker overall, and he could’ve passed better as Solarian if he wanted to ((he didn’t for obvious reasons. Fuck Solarian Imperial rule.)) but shhhh he’s not in the political sphere there’s no reason for that information to pop up ever).
Even with all of this though, when all of this stuff is said and done, Stella can’t even really blame Cassandra.
For Cassandra, yes it is an attempt at a power grab, but, Stella also kind of Gets It.
“Well,, I can’t really blame her for this at the end of it all. I understand why she would want that power. How else would she get it? She’s Lunarian.”
She’s still pissed at her for doing what she could to get rid of her obviously and she thinks she’s a shitty mom, but the actual goal of trying to get on the throne? Stella goes, “well I think it’s fair to see why she would want more power. It’s not like they have much compared to me. To Solarians.”
And people are pissed she’s saying this, it was cute she was trying to play Dress Up and shit (how they referred to her connecting to her heritage from her mother, wearing actual Deliosian garb and paying respect to the Moons equally as much as the Suns). But she’s taking this seriously? Cassandra was just another power hungry Lunarian trying to get into court in a higher position. They’ve always wanted more than they have, say the Solarians in power.
Stella’s response? It’s because what they have isn’t equal.
The rest of the panel she’s speaking to during the court session: well,, I mean, that’s not the same as wanting equality-
Stella: why not? Because you’ve refused to give them independence. This wouldn’t be an issue if you did that. Or are you actually going to concede and give them equal representation?
The panel:…..
Stella ends it by pointing out she’s just as much Lunarian as she is Solarian. The panel hates it.
Stella and Chimera end up as sisters when everything is done, with Stella and Chimera referring to each other as such, and Chimera becomes one of the loudest people and a head representative for the Delios Independence Movement.
Cassandra is still in court sessions as a political figure, but is given shit for being such an ass to Stella and being seen as a shitty mom, forcing her daughter into this and using her mainly for a political pawn. It’s too soon to let her continue to hold influence though after the Valtor incident the others present decide, and she’s kicked out for a while. She’s still shit talked for the reasons previously mentioned, and for being a Lunarian that dared to want power, according to the Solarian Imperialists in court.
Stella invites her back after a time. Stella appreciates her thoughts on how to make things better for those of Delios because she knows Cassandra will never hold back on her real thoughts and feelings. Chimera and Cassandra don’t really talk after everything for a while, but eventually things do get better, and they do resume regular correspondence and communication. They’ll never be super close, but they know they can rely on each other when it counts.
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zyrimix · 3 months
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Alastor's character analysis based on his part in "He did it for us" and some other
"This place reeks of death, There's a chill in the air."
These verses put a very visual and sensory emphasis on Alastor's state of mind. They can be taken as a statement of fact too, of course. The Hotel was ruined, turned into rubble and dust. Lifeless bodies still lie all over the place. It reeks of death.
But there's more to it.
From the tone of his voice, the shake and hesitance, to the descriptors he uses, Alastor presents his feelings on a plate.
This place reeks of death. There's a chill in the air. Those are bodily sensations. An over-awareness to them.
Is there a chill in the air, or did your body lose its warmth? Does the place reek of death, or did you feel death's touch on you? Is this why you don't like being touched so much?
His voice is shaking with fear.
"And I barely escaped Being killed by a hair"
This is where he gains a little bit of control over his voice. It stops being so shaky. He masks his fear with different emotions.
These lines are spoken with disgust; followed by calling himself "great Alastor" it puts to mind an image of someone who considers himself superior to dying, or at least dying like that (more on that later). It sickens him to the core. He's disgusted with his weaknesses. Disgusted with himself.
But why?
He's scared, but by directing the feelings of disgust and anger towards himself he can pretend his true feelings don't exist or don't affect him.
Why is fear of dying so bad for him? Acknowledging it would be like acknowledging his lack of control over death. He can't be scared of death, because that means someone can kill him. Turning his emotions around is just another one of his attempts at staying in control. If he can pretend like he isn't scared of death, then he can pretend he still has control over his fate (bUT MORE ON THAT LATEr).
To conceal his uncertainty he puts on an act of self-confidence. Even in his lowest, he continues to smile, as "it ensures that no matter what, you're the one in control" - this belief is so ingrained into him, that even after receiving lethal wounds he keeps himself smiling. It's almost like it's a self-soothing gesture. If he's smiling, that means he's safe.
The mere idea of not being in control cracks something within him. It's why he hates Lucifer so much. He can't overpower him just like he can't overpower death. He puts his fear of Lucifer behind several layers of annoyance and disgust just to cope. He's unable to accept the mere existence of things above his power - beyond his control. The reason why he reacts to Husk reminding him he's "also on a leash" in such a harsh way is denial.
"Great Alastor altruist died for his friends?"
It's disgusted mockery directed at himself for almost dying. And something... deeper.
It seems like the chilling realisation of why he put himself out there to die. The meaning of his "I admit one could get accustomed". He didn't even realise when he grew so attatched to them.
Whatever was the real reason why he appeared in the hotel in the first place, he didn't expect such turn of events. Did he forget these people were supposed to be his pawns? Did he really risk his life for them?
Nah. It's not about that. (not yet.)
"Sorry to dissapoint, that is not where this ends!"
He didn't die. It's a shoutout to his disappointed enemies. It's also breaking the fourth wall - he didn't have a change of hearts. He didn't put his life on the line because he wanted to protect the hotel and its residents.
It could also be foreshadowing of his character arc in the next season
"I'm hungry for freedom like never before"
Oh my god this verse did something to me.
It's like the entire soliloquy leads up to this sentence. It solids his character. It confirms his tragedy.
His "altruistic" act was not of his own volition. Hes desperate not only because he barely escaped death. He is not willing to die for someone as a part of a deal. His entire part of the song is a scream of not even belief, but only hope that he'll manage to escape whatever shackles were put on him.
Nearly dying like a meat shield strenghtened his need to somehow bypass the confines of his contract.
Freedom is so little to want. Having control over your own body is so little to want.
It's no wonder he makes such a show of self discipline and etiquette if those are some of the only means by which he can retake control. The reason for his entire obsession over remaining in control is his lack there of.
And what is lack of control? It's doing the things he'd never do. It's losing everything he'd worked to accomplish. It's anger. It's disgust. It's the humiliation of bleeding after being wounded, of hiding from the world's eye beneath his own shadow. It's fear. It's chill. It's death.
It's a reminder of his past life, perhaps.
"The constraints of my deal surely have a back door"
WHAT IS THE MAN'S DEAL? In every meaning of this sentence.
Whatever these constraints he talks about are, they must be painfully binding. He says the word "constraints" in such a heavy way like he regrets ever making that deal at all.
At first, he probably thought his newly gained power outperformed any bindings the deal could have. Then, he had to pay. Bypassing his part of the deal turned out to be harder than what he thought it would be.
Was getting out of his shackles something he wanted to do ever since setting a foot in the hotel, or did the idea sprout somewhere along the way? He's been setting something up, that much is obvious, but it could just have had to do with getting closer to the future queen of hell. Becoming her trusted counselor. A puppeteer (especially since she's supposed to look like a doll, allegedly).
"Once I figure out how to unclip my wings, guess who will be pulling all the strings?"
But please don't pull an Icarus tho
"She's filled with potential that I could guide" didn't seem to have that malicious undertone "pulling the strings" has, if not for his expression when saying it. He really seems to enjoy Charlie's company, but it won't stop him from completing his plans.
If freedom is his main motivation, the one he's willing to do anything for, it will be the cause of his betrayal later on. (his betrayal feels inevitable really.) Still, such motive can be quite easily forgiven by other characters.
If his ultimate goal is gaining absolute control, though...
It's something impossible to achieve, something that will hurt people around him and something that will be his hamartia ass's demise if he doesn't get over it.
End notes: Writing this down was supposed to straighten my thoughts but instead they started wiggling? Making this avalanche of words coherent nearly killed me. But it was a fun challenge! Will use all the gained knowledge for evil deeds
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Serious question. With the direction of RWBY going doing you think their is some favoritism over the female villains than male villains?
Exhibit A: Adam and Ironwood treated badly even though they have justified motives.
Adam being an extremist with how mistreatment of Fanus, being a product of child slavery by a white privilege company, and joined WF that is equivalent to any modern radical group fighting for rights (Black Panthers). Got reduce to "crazy stalker bf, disregarded his fellow fanus comrades, became power hungry for no reason, and what he was suppose to be got dumped on Ilia".
Ironwood a dignified and selfless military leader. Willing to help team RWBY with anything, risked his life to evacuated the citizens when Becaon got under attack, and gave team RWBY extra training with a senior group that put his trust in him and vice versa. Got reduce to a "liar, manipulator, disingenuous, child shooter" even though he gave RWBY man signs to put his trust on him and the situation in Mantel could've ended differently.
Exhibit B: (Bit bias cause I really hate Cinder and wish the worse for her and I hope you get betrayed by Salem). When compare to Salem, Neo, and Cinder.
Salem the first women with magic and was locked in a tower Rapunzel style. Barging with the brothers to resurrected Ozpin and discovered the see humans as playthings and wanted to change the cycle. Started to get a little power hungry and when she found out Ozpin betrayed she tried to kill him AND ALSO KILLED HER DAUGHTERS WITH NO REMORSE. Responsible for the destruction of Mantel and Beacon and the deaths of civilians. Torture and manipulate Cinder to do her bidding knowing Cinder is disposable. Uses people with Silver Eyes as weapons.
Cinder a product of child slavery and trafficking. Abuse by her elder sisters and mother. Eventually killed out of revenge and killed her mentor and the only person that cared for her. Threatened Adam to join Salem or else she killed the Fanus. Was responsible for the death of Penny TWICE. Throws a tantrum when things don't do her way and gets owned by Watts. Betrays Neo to get the lamp to get her praise by Salem when next volume Salwm will torture her again for her handling of Mantle.
Neo is the partner in crime with Roman. Manipulate by Cinder to kill Ruby when in reality Cinder is really at fault since she hired them. Emotionally Manipulates Ruby in her weakest state to commit sucide and use her deceased friends to her advantage. Realize that her whole goal of revenge is pointless and she never think this through. Get used as a puppet by the cat forcing her to talk. Gets her happy ending and stay in wonderland.
Tell me out of the two groups who gets love by the fandom and which gets hate?
I just think that RT is bad at writing for this show-
Long Post Ahead
For the writer's side on this, it's clear that they simply do not know how to process the nuances of morally gray characters like Ironwood, that's why he was straight up villainized by them. As for Adam, it's just because they're racist. That's it.
The nuances of both of these characters were beyond the scope of understanding that CRWBY were willing to explore, or else they will be confronted with the fact that they're racist as fuck, and their stupid fucking pride about being rightfully criticized prevents this show from actually improving. People wanted Blake and Ruby to talk? Ham-fist it in. People want the criticism about how the world of Remnant was written to be heard? Let's have this cat character mock them via sarcastic inquiries about said critiques on said world.
As for the FNDM? Yeah, there is a blatant disconnect when it comes to atrocities committed by female villains versus male villains in the fans to the point that it treks into full-on bigotry at times.
This isn't to say that the writers didn't fuck up on both, oh no. Salem is a boring ass main villain, James got fucked over, Cinder is a nuisance, and Adam got butchered. All of their villains aside from Tyrian and Watts suck ass, and Watts also got killed off! By Cinder!
But the FNDM has a habit of disregarding abuse when it's a male character being abused by his female confidante (Ozma, Sun, Ren, and Whitley), but are willing to completely demonize a morally gray male character like James in V7 when he would not agree with Ruby's plan. WHICH IS COMPLETELY FINE IN A WRITING STAND POINT.
The RWBY FNDM, to me, has been dragged along by a shitty lie made by RT that "this show is a feminist show because it has female main characters" and are now desperately trying to keep up that lie themselves, even though RWBY has stopped being about the girls for a while now. There is no passion behind their characters, it's all for Jaune. But admitting that will mean admitting RWBY is bad and not feminist, so they lash out at people who rightfully criticize the show and demonize the characters they don't like despite their reasons being stupid as hell.
I've seen people making ableist fucking comments to James, denying that Adam was a slave, and calling Ozpin a groomer. These same people would woobify Cinder, Salem or Neo all the while, even though all of these characters has all done terrible things to our protagonists. Keep up the same energy for both or stfu.
Sorry for the rant. This is just a topic that I really despise because people would act like rabid hyenas, which will turn into harassment which is something I do not want on my blog. But yeah, there is a favortism towards the female villains by the FNDM, but CRWBY hates all of their characters aside from Jaune equally.
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wri0thesley · 2 years
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cw; dark content, yandere, kidnapping, dub-con/non-con.
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i am thinking about a fatui harbinger developing a certain fondness for the pretty, loving spouse of one diluc ragnvindr. i am thinking specifically here about pantalone; a man who has plenty reason to dislike diluc even without taking into account his slaughter of fatui members (that whole business with the breaths of barbatos has cost snezhnaya more than pantalone would even like to consider entertaining).
and with diluc persona non grata in snezhnaya as it is, once pantalone has lured you into a place where it’s easier to abduct you, smuggle you out of monstadt, bring you to his own palatial property—
(of course, he has people to his bidding for him, but that does not at all diminish the fact that having you brought to him was his plan and design and he should still be the one in receipt of the credit).
and pantalone considers it a service to you, too - for when all this is said and done and the tsaritsa has emerged victorious, people like diluc cannot be allowed to remain unchecked. he is really saving you from a terrible fate; and that is what newspapers and gossip magazines will say too, simpering at your luck (and their luck for falling into such a romantic story)
on the surface, it is not so different. from one rich man to another; one powerful figure of awe in one country to a slightly different one.
in practise, though—
diluc is a man who sold his father’s properties, maintains one impressive but warm home base where the staff know him by name and one is surrounded by warmth and friendliness. pantalone is a man who owns homes among all seven nations; but there is little warmth to be had in any. decorations are chosen for their lavish ostentation, staff taught to be neither seen or heard unless they are wanted. coldness seeps into every part of his home, but none so more than the gilded cage he considers his grand snezhnayan abode.
diluc holds you with gentle reverence and adoration; kisses you until you feel fire run through your veins, lowers you onto feather mattresses and silken pillows and makes you come with cries of his name, pausing with his mouth all over wet with your slick to ask you if it feels good with tender earnestness—
and oh, pantalone holds you. he holds you just a little too tight; a possession, a trinket that proves that he has won the game he was playing.
and oh, too, pantalone kisses you - hungry and wanting of more than you are willing to give him with diluc still burning bright in your heart.
and yes, pantalone fucks you.
he fucks you like a gentleman; though the events that brought you here prove him nothing of the sort. long fingers touch and caress every inch of you as if learning you by heart - and he relishes in making you come.
he does ask you if it feels good, dark condescension dripping from his words because the proof is in how your body reacted, spasmed and gushed for him. goads you into saying his name, asks you who you belong to, demands you tell him that you love him—
and in a strange nation, with but one connection in a whole landmass and with diluc feeling further and further away every night you spend in pantalone’s cold bedroom tangled in silk sheets . . . you bite your tongue and feed him empty lies because you feel you have no other choice.
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howlingday · 8 months
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My idea for a DEATH BATTLE!
I'm submitting it here because I think more people will see it. I'll post it on my own blog later.
August 16, 2023
Azula vs. Cinder Fall (Avatar vs. RWBY)
Avatar's sadistic princess confronts RWBY's Fall Maiden in this cruel flame fight!
Azula: Avatar's power-hungry prodigious Princess of the Fire Nation.
Cinder Fall: RWBY's scorching Fall Maiden.
Wiz: Fire is the element of power and passion, caressing us with warmth and light...
Boomstick: ..but these psychotic ladies have burned so much and yet can't satisfy their thirst for might. He's Wiz and I'm Boomstick.
Wiz: And it's our job to analyze their weapons, armor, and skills to find out who would win... a Death Battle.
PREFACE:
I get that Cinder isn't popular but please don't give me heat. If this is already a popular matchup, please don't gut me, I came up with this MU the same day the day before Stitch vs Rocket Raccoon was released. I don't follow the VS. community outside of DB! I did this because I had an idea, I thought others should hear it, and I thought it would be novel since Avatar is one of, if not the biggest, pieces of animation to influence RWBY. There's no thumbnail and I don't go into as much detail as in an actual episode, this is just my idea.
My format: I'll explain why I want this battle to happen as well as the possible connections, the art style, and how the battle could go down. Since I don't do VS. stuff, I won't give calcs.
WHY:
Connections: megalomaniacal prokinetics. One is born into royalty and power, a princess to a lord, and set to inherit the throne. She is a prodigy, a strategist, and a careful planner. However, she is an excellent manipulator, sadistic and cruel. The other was born a street rat that was abused and had to claw her way to power, eventually selling part of her humanity. She is impulsive despite initially giving the impression of being a femme fatale mastermind. She loses battle after battle, starting conflicts in the name of her thirst for power and might until she is put in her place by her associate. Both eventually suffer a major loss (Azula on the day of Sozin's Comet and Cinder to Ruby during the Fall of Beacon) that exemplify the downfall of their characters. Both are traumatized due to family (Azula being traumatized because she thought her mother didn't love her and her father's expectations and Cinder because of Madame and her daughters abusing her and Rhodes being willing to fight her). Both contributed to the downfall of meaningful landmarks (the Earth Kingdom coup and the Fall of Beacon) after infiltrating the locations with disguises (Cinder as a Kyoshi Warrior and Cinder as a Haven Academy student). They have connections to speeches of power, which I will elaborate on with my...
Personal reasons:
I admit that I want these two to get their teeth kicked in, but there is a bigger reason why I am "pitching" this MU: the character interactions. Recall this quote from Azula: "You were born with nothing, so you've had to struggle, and connive, and claw your way to power. But true power, the divine right to rule, is something you're born with. The fact is, they don't know which one of us is going to be sitting on that throne, and which one is going to be bowing down." Then, there's Arthur Watts's famous monologue to Cinder: "Oh, of course you are! Because that's just what you do, isn't it? And how has that worked out for you? You stormed into Fria's room, thinking you can take on Ironwood's top fighter and war machine. But you couldn't. And that machine became the Winter Maiden. Oh, and let's not forget your deal with Raven Branwen. Get all your enemies in one place so you'd have a shot at revenge. If only someone could have warned you against such a miserable idea. Oh wait, I did! But you pushed ahead and you lost it, when all you had to do was your job! You think you're entitled to everything just because you've suffered, but suffering isn't enough! You can't just be strong, you have to be smart! You can't just be deserving, you have to be worthy! But all you have ever been, is a bloody migraine!" which leads to Cinder crying. THIS is the big reason why I want these 2 to fight. Azula is a good reader of people, so she'll have no problem dissecting Cinder's megalomania, and imagine Cinder's reaction when she is exposed by Azula. Cinder struts around like a big shot, but Watts revealed that she is not only not what she thinks she is, but idiotic and entitled, undeserving of her power, so being toyed by Azula could lead to a meltdown. Regarding their abilities, Azula's blue flames and lightning would be a great contrast to Cinder's red and orange flames and glass manipulation. There's the possibility of a close-quarters fight due to Azula's martial arts training and Cinder's blade training. There's also the possibility of aerial combat due to Cinder's flaming flight.
THE FIGHT ITSELF:
Art and animation:
The dream is that it'll be a hand-drawn fight, but it'll realistically be a sprite battle (all Avatar fights have been w/ sprites) or 3D (all RWBY battles have been in 3D). Going with the infamy of both characters (at least Cinder's), I don't think they'll pour a lot of resources into the project, so I'm guessing sprites. Sozin's Comet will NOT be a factor in this fight.
Possible setup:
(Think Ganondorf vs Dracula) Cinder, being the power-hungry hothead that she is, storms into the throne room with a flare. Azula is unphased, lounging on her throne casually like in the Day of Black Sun, though she was not expecting a challenger. However, she sees something in the one-eyed woman. Azula smirks; she knows what kind of person is confronting her, and she's ready to have fun. It's almost as if Long Feng was an insecure firebender.
"I'm here to claim what is mine." (Like in volume 8's "Take what is mine.")
They banter, Azula being the narcissist that she is, provokes Cinder into attacking her. Azula catches the attack, and Cinder starts to lose her cool.
FIGHT!
So, they fight. Notable highlights:
1. There's fire everywhere, but Azula notices that her opponent isn't a good martial artist after a close spar, but she is proficient with blades, and they're made of glass, too. She's never seen this kind of firebending.
2. Trying to keep her distance, Cinder launches fireballs, summons explosions from the ground, shoots arrows from Midnight (that's right, I'm bringing this relic back), and launches small glass projectiles.
3. Azula catches Cinder off guard with lightning.
4. At one point, the two cause a giant explosion (I'm sorry for reusing this so much), with Cinder soaring to avoid the blast. Azula doesn't come out unscathed.
5. Azula knows what she has to do though, and she smirks. Her opponent may be floating above her, but she is beneath the Princess. Azula pulls a Long Feng, exposing Cinder's insecurities, the fruitlessness in Cinder's pursuit of power, the missing eye, and how shoddily she fights, and Cinder breaks down, shouting and charging headfirst at her enemy. She lost to Little Red, Raven Branwen, and even Watts; she won't lose to this prissy girl.
6. Azula, smugly manipulates her opponent: "I know why you fight. You fight for power, for strength, for superiority. Admirable though your efforts may be, it's meaningless. Your eyes alone reveal your story: a powerless runt pushed around and abused, even betrayed. You killed almost all that stood in your path until you lost your eye and your arm. You willingly sacrificed yourself for power, but you fight so poorly, and it didn't get you anything except misery and defeat."
7. The battle ends with Cinder shooting Azula and using Scorching Caress like she did with Pyhrra, leading to her crying like with Watts or Azula using lightning to shock Cinder to death like she would've done to Zuko.
Azula is the smarter of the two, is the superior martial artist, and has the faster attack in lightning manipulation, but Cinder has greater mobility with her flight and if scaled to Emerald and Mercury like in Blake vs Mikasa, she's capable of dodging lightning, can likely end the fight with Scorching Caress, and theoretically won't run out of weapons since as long as there's dirt, she can turn it into glass. Azula is at the risk of a mental breakdown and Cinder is prone to manipulation and has underestimated her opponents.
Ending puns:
"Azula simply made Cinder fall."
"Azula got flamed, and got her glass kicked."
Possible track names:
"Fallen Hot Megalomania"
The names would be in reference to Cinder's last name, the idea that both have fallen from grace or power and their unending drive for power.
It would take elements and cues from Cinder's theme from Vol. 8 and the final fight between Zuko and Azula.
THANK YOU AND I HOPE YOU ENJOYED THIS!
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Wow... Just... WOW!
I've honestly considered these two in a fight, and honestly, I'm still not sure who would win.
Next Time on Death Battle...
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VS
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ROYAL FLAME
Princess Azula:
+ Master manipulator
+ Fire-bending prodigy
+ Skilled martial artist
+ Outwitted the entire Earth Kingdom
- Emotionally unsound
- Quick to anger
Cinder Fall:
+ Skilled in armed combat
+ Responsible for the destruction of Beacon, Haven, and Atlas
+ Effective airborne combatant
- Easily tricked
- Grimm arm cannot recover with aura
What do y'all think?
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So I have this fanfic idea but I’m not sure if I’m ever gonna write been busy with other projects and fanfics it so I’m gonna just make it an AU for now. Where all the Jostars are vampires. Calling it the Bloody Star AU.
Basically in a timeline where Dio never tested the mask and didn’t know he could make vampires with it, used it on Jonathan to try and kill him… but turned him into a vampire (this happened in dio’s confrantaon for when he was caught poison gorge.) Jonathan with his anger and new monsteious hunger attacks dio (he lived but got badly injured). By the time Jonathan snapped out of it the damage had already been done and the cops saw him as a monster. They shot at Jonathan but bullets don’t really work, Gorge tries to step in but ends up getting shot. He apologized to Jonathan before dying. While Jonathan and Speedwagon were destractive the cops set the manor on fire in an attempt to kill Jonathan. But he managed to survive and save Speedwagon, the two of them go into hiding. (Jonathan eats suicidal people and freaks who want to be eaten, he is not happy about it and is remorseful about it saying sorry everytime). Erina finds him and gives him comfort and help, telling him about how he was still the same kind soul she always known despite the fangs, and that he was not at fault, it was just a lot of unfortunate circumstances, a fate he couldn’t fight even if he wanted too… the best thing to is enjoy the now, and hope that things get better.
Meanwhile Dio meets Zeppeli and learns hamon from him (he is super good at it) and the two of them go to try and find the vampire that was once Dio’s beloved brother.(dio is lying about what actually happened, the cops were there just mentioned how scary Jonathan was (despite not attacking and was more scared of them)) . Word spread about a monster that feeds on the willing, who is often accompanied by a gangster and woman who practiced medicine wich was kinda terrifying back then. Tracking him down the hammon users finally cornered Jonathan in a valley after he saved Poco. Zeppeli did kinda find it off putting how uncharacteristically kind, polite and sweet the vampire is but he shouldn’t let him stop from saving the world from this horror! Then he gets backstabbed by Dio. While Speedwagon and Erina is tending to Zeppeli wounds. Jonathan and Dio fight, during the fight Jonathan acedently revives the knights, witch is a double edged sword, he has no idea how to control zombies or how they work but managed to scare dio off. He managed to befriend Bruford for a while before his soul is laid to rest but Tarkus has more of a bone to pick and ends up going wild, heading to town, Jonathan has to stop him. Ultimately he gains zeppeii as a friend who finished Tarkus, but just to be save he puts Jonathan in hamon infused restrains and locks him in this special cage.
Dio ends up requiring new people on his side to try and end the rieng of the vampire named Jonathan basically create an Anti-Speedwagon foundation/cult of sorts that I don’t have a name for yet and ends up basically becoming another ruler of London. Playing to their fear and sympathy. Getting more and more help. The people are becoming more paranoid and turning on each other in fear of vampires. Doesn’t help that a lot of other hamon users end up joining with Dio. In some ways Dio was a bigger threat as a hamon user then his vampire counterpart. This does not help the fact he is now getting more and more power hungry and just as roughless. This messed up culture takes more after him and prays on the weak for multiple things with ‘protection’ being the biggest reason they should comply. You know that things get messed up when the safest place in London now is Ogre Street.
Zeppeli does his best to reson with people and his colleagues but they are not listening, even though he has the vampire contained and everyone can see him, along with all of the damaged Jonathan has from hamon and is now patiently waiting for them to finish him off (both Erina and Speedwagon are objecting and trying to convince him not to give up) despite all his attempts and reasoning he is badly injured by the hamon mob, he besides to save the creature who didn’t let fear or his rage take over his soul and saved his life. He frees Jonathan from his cage. The entirey of the mob runs away when Zeppeli, Dio made them a bit too fearful of vampires to the point no one thinks they can stop Jonathan who is literally crumbling away due to hamon. Zeppeli tells Jonathan that he was sorry, that he couldn’t believe that the very thing he learned to try and stop the horrors of the stone mask, hamon, the power of life, turned into something so horrible. They need to stop this raging fire before it consumes the world, they need to stop Dio.
The four of them start traveling to the Keep Dio has taken refuge in. Jonathan now knowing he has to fight him begins training, eating those who Actually deserve it like Jack the Ripper and testing the limits of his abilities, often sparing with Zeppeli as well as healing others with his blood. But not raising any more zombies or messing with life in any kinda way. Fun times when Jonathan learns he can shoot eye beams and make his body super cold. While dealing with goons that are a minor annoyance at best, there too scared to actually try and directly attack the Vampire. They get horses, (Jonathan’s horse is named slow dancer) and then they actually get into an fight with a high rank fallower and a few goons on horseback, it’s a race against the sunrise of sorts but Jonathan wins.
They finally raid the keep Jonathan goes to fight Dio while Zeppeli, speedwagon and Erina fight the three hamon users that helped Jonathan in the original part (I can look their names but I don’t want to bother). Thankfully Zeppeli was able to have them see how messed up everything is by showing them the people who were ‘saved’ by their cause. Meanwhile Dio and Jonathan are both at their wits ends, Jonathan throwing everything he knows at Dio, how to counter hamon, and Dio who studded vampires and had extensive hamon training since their last encounter. But ultimately Jonathan wins by using his environment to his advantage and tricks Dio into falling to his death.
After the fact a huge discussion was held on what to do after the fact, everyone is still in fear of the vampire, no one wants to kill Jonathan, he doesn’t deserve it. After a while they come up with a solution. “Dio gave his life to the country, he died trying to fight the vampire, and thankfully he managed to kill it” they spread a zombie’s hamon ashes around to sell the illusion. They destroy the stone mask as well. Meanwhile Erina smuggles Jonathan out of the country to the colonies using a special trunk(aka Dio’s coffin in the original just a bit different so that Erina can pass it as luggage, the secret compartment was always there) until the whole mess is over. The hamon users give Jonathan a special collar that they made him weaker and curbed any vampiric hunger that he couldn’t remove. I mean they’re not gonna just let a vampire roam free, that just seems like a bad idea. On a more happier note Jonathan and Erina become an official thing a few days after the fact. Even though they couldn’t get married, they vowed to be together as long as possible. However a day after they took off Zeppeli finds out that Dio’s corpse has been stolen from his resting place before his memorial.
The pair at see enjoy the nights on the ocean, Erina often falling asleep in Jonathan’s arms, just enjoying their time together. Jonathan has to stay cramped in her room and not speak a peep out of fear of being found out especially after someone ransacked her room, but they made the most out of it. But the day they see the new land on the horizon, several zealots of Dio attacked, they were hiding among the passengers. They were after Erina, because they believed that he had some secret vampire relic to revive the dead, when they couldn’t find anything from their earlier raid, they went into the deep end and were convinced the entire ship were secret vampire worshipers, and started Killing the passengers and ringing the boat to explode. They also were the ones-who stole Dio’s corpse, putting it in a special blast proof glass/crystal coffin that keeps his body from decomposing so that their lord can watch over them fulfill their purpose. Jonathan has to step up however due to the collar he is taking a lot of damage and can’t fight back well but managing to save a few of the passengers, including an infant who he gives to Erina to keep safe. He makes make shift boats. Jonathan, Erina and the baby are the last’s ones to leave, they use the special trunk as a makeshift boat. But before they can leave Jonathan gets snagged by a harpoon like hamon weapon, and gets dragged back. Erina tries to save him but can’t free him, when she can’t she tries to die with him.
“If you die, who will I live for?”
“Live for the baby who lost her parents, live for our child…” Jonathan says while putting his hand over her stomach. “I can already sense the little one’s life… please… Erina…. I’m sorry about putting you though all this…..”
They kiss for one last time before Jonathan is dragged into the depths of the ship. Erina escapes on the trunk turned boat with the baby and joins the other survivors shortly after the boat explodes. After that the fable of “The Vampire and The Sun Cult,” spread all over the colonies and gave the people a good discussion on what makes a monster. Sorrow is felt among Jonathan’s comrades, even little Elisabeth could feel the cold feeling of dread, but at least the nightmare was over finally.
Until George II born with fangs…. Everyone knew that the blood of the vampire was now ingrained with the Joestar bloodline.
Will do part 2 and 3 later this took so long to write.
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hidden-highlands · 10 months
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xenoblade 1 spoilers under the cut // just some musings & ramblings
i just reached satorl marsh in my current replay of xenoblade and the more i replay the game the more i appreciate this section in terms of its narrative implications
and i'm mostly talking about dickson here (because let's be real when am i not) but like ??? everything he says during the brief segment that he accompanies the party is absolutely loaded with double-meaning. damn near every sentence out of his mouth is cast in a new light upon completing the game and learning of his true identity & motivations
which is why i find it so intriguing that during that one scene between him and shulk ('so it is written') he brings shulk's parents up out of the blue for seemingly no reason ??? specifically he says "forgive me, shulk. sorry i couldn't save your folks."
at this point shulk's already moved on to talking about exploring the world; it's dickson who circles back and drops this comment about shulk's parents, rather awkwardly at that, into the conversation. and it just kind of struck me how weird that is? most of what dickson says in that scene alludes very subtly to his identity and motivations. he initially starts the conversation by reminiscing about finding shulk on valak mountain -- which, ymmv here, but to me reads very much as, like, "shit that time's flown by and you're already stepping into this destiny that's been set out for you pretty much from birth". all his talk of 'shulk being part of a higher plan' seems, on first watch, to be extremely heavy-handed writing for the sake of the audience; only on subsequent viewings does it become clear it's dickson trying to nudge shulk in the direction he wants him to go.
but the parent comment. in a scene so full of double-meaning and hidden intentions, it sticks out even on subsequent replays for not seemingly having a double meaning ?? and yet. i can't quite settle on a satisfying reason for dickson saying that. he would have known there was no way to save shulk's parents, given how they died. shulk himself hadn't mentioned them before that point in the convo. and, if we accept the game's characterisation of dickson as this duplicitous, power-hungry guy who's remorselessly willing to kill those he's been closest to for the last fourteen years, then why would he care at all about the deaths of shulk's parents, these two people he didn't even know?
the only way i can make it make sense in my head is by rejecting that characterisation. by rejecting the idea that dickson was nothing more than power-hungry and remorseless. sure he was duplicitous as all hell, and he probably didn't start out caring about shulk (and the others) but i think he did, by the end. (i have so many reasons for thinking this but i'm not gonna elaborate bc this is already turning into an essay lol) and i think his comment about shulk's parents is his way of... admitting guilt? or remorse? at the fact that it's shulk who got wrapped up in this. at the fate that shulk has in store for him. and that if they hadn't died in the tower that day, shulk probably would have lived a normal life, raised by genuine people who cared for him, instead of by someone who was deceiving and manipulating him to satisfy the whims of a cruel god.
because dickson wound up caring, too late, and that comment is perhaps the only means he has of admitting his regrets (even to himself)
(besides, it would also explain that "can't say i feel so good about deceiving these kids" line at the end of satorl marsh)
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lapetitsorciere · 1 year
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The Crown… Who now wears the Crown?
It was more than just a terrible idea to bring back the Crown that caused so much trouble before. Pix as an archeologist and a historian, one of his kind on the server should have thought everything through before putting it on, or even before taking it from the place, where it was hidden, he should know more than others do about it and the things that were happening because of it. He shouldn’t have been so naïve at the first place and here are some reasons:
1) The catastrophe which caused the end of all the empires thousands and thousands years ago and the awful things that happened through its fault. 2) There is three villains on the server already: Jimmy (the most safe from all of them), Shelby who isn’t yet sure of what she is doing and proclaimed herself a villain almost for no reason at all (+ she just feels comfortable with her sculk) and Sausage Supreme – one of the most powerful creatures, probably in all dimensions, who is hungry for power and for blood. And it is more than enough, considering the fact that Lizzie has a great villain potential. 3) Goodness Gracious! There are too much people who’d like to try the Crown on and take advantage of the power that it is giving, but it is unknown how exactly would they use it. Pix made it even more tempting to get setting his rule. 4) The Crown itself might be cursed.
Now something about what could the Rulers ask for, wearing the Crown and the consequences of it:
The Ruler – The Rule – The way of getting the Crown – The way of losing it.
King Pix – Bring one item of national importance to your Empire to donate to the museum. – Got the Crown from the chest that was hidden behind the mural in the catacombs. - Was withered away on The Princess Tea Party and became a ghost, so his reign didn’t last long. (There are two possibilities – either it happened because of the Crown itself, or it was a Sausage Supreme move. Yeah, or in was all because of the Fae we know nothing about or something else we have no clue about either.)
King Scott – Build something of your choice in Chromia. – Got the Crown when Pix died, because he was close to the place of his death. – Who knows what can happen to him, because there is too much going on – the evil ones and the people who can decide to get the Crown for themselves for the reasons of their own, and also he is an adventurer, so he may give up the Crown for somebody else, or the mysterious something cam kill him. • From here on no order yet:
Queen Lizzie – ? (Can be anything, including something mischievous) – Probably killed somebody just for fun or made them give it to her to try on for the same reason, or found it when the current owner was away fighting something, which could make them loose the Crown, so they decided to hide it in their Empire somewhere in a safe place, or because he was close to the place of death of the previous Ruler. – The same as with Scott, except for the traveling aspect and giving the Crown up for somebody else.
King Joel – ? Probably something that can praise him or entertain him. – Probably killed someone, because he wanted to find out how it would feel to be a God and a King at the same time, so it is almost the same as if it was done just for fun. – The same as Lizzie, but also can make a tournament in his own honor.
King Sausage – ? Most likely – the Establishment of peace in all of the Empires (and maybe – build a temple of Saint Pearl in each Empire), and/or assemble the forces to defeat the common enemy. – Either got it, because he was close to the place of death of the previous Ruler, or because he won the tournament for the Crown, or because he killed its previous owner, because they were possessed by someone or something. – The same as Joel, but would give the Crown up for Pearl if she would be willing to take it.
King Sausage Supreme – To become his slaves and to serve his needs and/or to accept their death. – Most definitely killed the previous owner of the Crown, because wanted to rule the whole world and have his revenge on Sausage, or ordered someone, for example: Shelby to do it for him, for the same reason. – Most likely was defeated by Sausage, or Sausage and Joel, or Pearl, or any other combination of the same people, or by the collective forces of all of the Empires.
King Jimmy – To be finally respected properly and to be returned his normal size (may be also – to bring Tiny Tom to their dimension from the Hermitcraft). – Most likely, because he was close to the place of death of the previous owner of the Crown, because he can hardly do anything properly and the chances that he won’t fail to kill somebody are very, very low. – the same as Lizzie.
King Joey – To get him anything valuable, everything valuable that can be found on server or becoming his crewmates in case of the appearance of Sceletrone. – Most definitely killed the previous Ruler just for fun and to find out whether Katherine would love him now and so he would have a higher position than Shelby to make her go out of his way. – the same as Lizzie, but would give up the Crown to Katherine if she would ask him about it the right way.
Queen Katherine – ? Probably to help her to bring her kingdom back to normal. – Either got it because it was given to her, or because he was close to the place of death of the previous Ruler, or because she had to kill them for they were possessed by someone or something. – The same as Lizzie.
Queen Shelby - ? Maybe – save her from the sculk if she finally understands that it is not good at all or to follow Sausage Supreme, or to become officially accepted by the witch society. - Either got it because it was given to her, or because he was close to the place of death of the previous Ruler, or because she had to kill them for any possible reason. – the same as Lizzie, but possibly would give the Crown up for Sausage Supreme if he would manage to convince her to do it.
Queen False – ? Maybe – to get her back to Hermitcraft and/or to restore her memory completely. – Because she was close to the place of death of the previous Ruler (unlikely) or because she found out that someone mysteriously gave the Crown up for her (highly unlikely). – the same as Lizzie, but probably will give it to somebody else, for example to Pix to get read of it. (It is unlikely that she will even get the Crown at the first place.)
King Fwhip – ? (Can be anything, including something mischievous) – Probably killed somebody just for fun or made them give it to her to try on for the same reason, or because he was close to the place of death of the previous Ruler. – The same as Lizzie.
Queen Gem – ? To get into her Sun religion. – Because he was close to the place of death of the previous Ruler. – The same as Lizzie.
King Oli – ??? Maybe – to help him to bring up his Dragon-baby? Or to forgive all of his debts? - Because he was close to the place of death of the previous Ruler. – The Same as Lizzie, but if he would decide that it is too much responsibility for him, he would, probably give it to Eddie and establish peace between Empires or to Sausage, hoping for the same thing. (How would he even manage to get the Crown?)
What can even go wrong?
Can we just give the Crown to Hermes? It would be fun and by all means great, and the world wouldn’t face any catastrophes.
P.S. The Fae is an interesting creature – it asks for something and gives something in return, but there is a big But – it causes a lot of damage and harms the one she benefits if the one does something wrong or just not quite the way it was asked to be done. It told Sausage that it appreciates Sanctuary and then asked for help (after him and Joey tried to bring turtles to the isle, because the pirate called it Plantina and decided that it is his child now and sausage is the only one who is a good patent capable of raising a child, so he can give him some good advice), obviously understanding that Joey is not very good at granting its wishes. It asked Joey for help and Joey did it, it asked for help once again and Joey and Sausage did what it asked for, but it didn’t satisfy the Fae for the first time, so Sausage had to sit on the isle and wait for turtle eggs to hatch for a long, long time as a punishment and only then it was satisfied. It asked Jimmy for help and gave him wings when he needed them the most, but he was cursed, when he did what it asked then not completely as it told him, so now he can’t get rid of the Scull of the First Creeper (it doubles each time Jimmy tries to destroy it and he can’t manage to give it to the Fae) and unintentionally destroys everything around him and it almost threatened him. It asked Katherine for help and asked for it again when she and Lizzie fulfilled but nothing else has happened yet. It asked Lizzie for help and told her that it will help her to get a Princess Dress and it did, but Lizzie had to fight a warden to get it. And the other interesting thing is that nobody can hear it, except for the person it talks to. P.P.S.: Plus, there are very few people on the server who know the secret of the Fae (That’s a Behind the Lore bit.) and that’s not a Sausage thing! Sausage confirmed that he knows nothing about it (yes, not as he didn’t ever lie to us for the lore purposes, but now it is most definitely so), Jimmy is as confused as always and as he told on one of his streams he was partially banned from the Empires SMP chat, for sometimes he accidentally leaked the information that was important for the lore (spoilers) and now he sometimes doesn’t know what they are even doing at all, if they forget to tell him and the messages are hidden from him. Who?… What else?… So this is another mystery.
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justatalkingface · 10 months
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I'm really sorry if this will sound confused...I think I saw a post of yours talking how MPA wouldn't mind a quirkless as long said person proves to be strong.
You think MPA hates quirkless or mutants? Bc the idea of them not hating a quirkless person(proving said person is useful) is interesting way more than (they want to to kill everoyne who is quirkless)
Also what was their end goal?
Alright, I know what you're talking about. The ask on my Quirkless post has the anon mention, among other things, the MLA... but ultimately, I thought they were irrelevant to the question at hand, so I didn't mention anything about them in the post.
But, well. It's relevant now!
Alright, so. On MLA and the Quirkless, I think to be through I have to say that, while they don't actually care about the Quirkless now, in the newer incarnation, since they're almost extinct and thus are a non-factor, the original MLA probably cared a whole lot, because they were fighting against them.
In the original conception of them MLA and Destro were fighting for Quirk rights against the government who was trying to control them (this is the point where the draconian and honestly kind of nuts Quirk laws come from), and while it doesn't mention it, considering their general... Quirk supremist, militant nature, and the fact his mom was killed by an anti-Quirkist (which, by implication, means they were all Quirkless, even if the term wasn't a thing at that point), I can't really see them not fighting against the normal people.
Interestingly, despite this being a seemingly obvious point for them do, somehow no one ever... says MLA did this? Which is strange. Or, maybe 'strange'. Hmm. I wonder, why would Hori not want to mention something obvious about a topic he stopped talking about years ago?
*judging look intensifies*
But yeah. That's first generation MLA is defined by the Quirk vs Normal political landscape. The second generation is focused around Quirk rights as well, but more focused on the heroes as the extension of the government and symbol of society. I can't really see them thinking about a Quirkless person, but if it ever came up, there's no way they would let on in. Unlike heroics, where it's a question about abilities, and everyone looking at what heroes do and say, 'But, a Quirkless person could do that!', the MLA are fundamentally extremists. Sure, the higher ranks are probably more practical (and hypocritical, and generally power hungry), and they'd be willing to use a Quirkless person if it was relevant, they'd never let someone so fundamentally opposed to the very foundation of their ideals into their organization. Hell, there's a real question if they'd even let them live.
Mutants... actually, that's an interesting thought.
On the face of it, they have Quirks, so of course they'd be fine with them, right? But, when you look at the main MLA members... oddly enough, you find not one mutant in their ranks. In fact, they're the only villains without one in their leadership somewhere (admittedly, I'm a little hand waggly about Chronostasis as a mutant Quirk, but whatever).
I can see a couple of reasons for this: Option One, Hori was tired, and doesn't want to do the extra work making a mutant character. Harsh, but possible. Also boring.
The second option is that, well, the mutants just... aren't strong enough to make it into higher levels of their organization, or versatile, since it is theoretically built around Quirk strength. I... when I think about it, I can't really point out a 'strong' mutant Quirk. Oh, sure, there's decent ones, but, but when compared to the highest end Quirks we see (ignoring AFO and OFA), they're not comparable to people like Endeavour, or Geten, or even Bakugou, they can't match sheer firepower they can offer up. Nor can I really think of a supportive one like Shinso, La Brava or Trumpet. A mutant Quirk will make you stronger than a Plain Jane human, sure, but if your power is 'I'm big and strong and I can survive a car hitting me without major issue', and my power is, 'Fuck you, I vomit lasers'... as long as I don't fuck it up, the odds are going to be in my favor. Mutant Quirks, in that respect, seem inherently limiting on a sheer power level kind of basis, and MLA is exactly the kind of organization to focus on that in a more realistic way than the heroic rankings do.
The third and final option is... well. They're racist. Or Quirkiest? Mutantist? I'm not actually sure we have a term for people who are opposed to mutants... but yeah. They are a modern organization, built from modern people, and anti-mutant sentiment is (theoretically) a thing that is happening in MHA. Quite simply, their biases could be influencing them to not value mutants to their full extent.
Ultimately, that's me just thinking too much on a minor detail, but hey, that's probably why people keep asking me things.
On their end goal... you know how the Quirk laws in MHA don't make sense, for an average person? Why can't a random person use their minor Quirk to help them do something when it doesn't harm anyone or cause disruption?
It's because those laws are set up to restrict Quirk use and try to force everything to be like it was before Quirks, and were created in those earlier times when Quirks were coming in and society was trying to adjust; the powers that be fought against the Quirked, but the realized it was hopeless to stop it, so they changed their tactics. If the government couldn't stop people from being born with powers, and can't take away the powers, it settled on taking away the right to use those powers. The MLA is opposed to that, considering it a basic human right, but they're the crazy radical end of that spectrum, who has skipped over things like, 'reform the laws' and went straight to 'Let's overthrow the government and make a new one!'
Theoretically, they're going to make a new order built around Quirks, where the strong dominate... basiclly, a place where everyone runs off Bakugou-logic. I say theoretically, because, well, you need a lot of people to run a country, and they need skills beyond having a magma fist. Because, you know, there's a reason why the world isn't run off of Bakugou-logic.
In all honesty, I think it would, in an 'ideal' situation for the MLA, where there are no AFOs or OFAs to stop them, end up being more about putting Re-Destro in charge than anything, since I'm not sure what they have, plan wise, for a Quirk based government beyond, 'Powerful Quirks and Freedom, ???, profit!', and I doubt that long term they'd have any stability. Ultimately, grand ideals aside, they're more focused on the 'bring down the government now!' than anything about what happens after that.
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docholligay · 6 months
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Ep 9: The descent
Hello! This is about up to Episode 9 of Yellowjackets, and ONLY episode 9 of Yellowjackets. I have not seen beyond the ninth episode, at all, and know NOTHING about this show. Please do not spoil it for me.  Things that are spoilery in nature, for me, include: saying things like  “Just wait!!” confirming or denying anything I put forward, outside information about the cast interviews or creator statements, leading questions like “Do you think “blank moment” means anything?” etc. Remember  that Y’ALL HAVE SEEN THE SHOW AND I HAVE NOT. This informs the way you  talk about things relating to the show. Just be really careful is all  I’m asking. Also: If there is LITERALLY any stance I  could take on this show or character that would make you upset, please  just fucking block the tag
If you WOULD like to discuss the show and my takes on it, the Discord is right here! I don’t go there, so it’s a great place to get every emotion out.
Please thank @sailorsunspot and @moonlight-frittata for backing this odd way of doing a liveblog, and remember my tip jar is always open
Man, this is such an evocative part of the episode, and I almost feel unequal to the task of saying something about it. 
I love that there is no real blame to be had for this. Misty had the mushrooms, of course, but it was never her intention to drug everyone in camp. She was absolutely going to drug coach Ben, so I guess there’s that, but it wasn’t her fault, and nor is it the fault of the cook, who had no idea that they were those kind of mushrooms, only thinking that it would be a delightful addition to the stew. 
The reason for this is because the show doesn’t want us making this into an event with a wrong doer, it wants to use this to talk about the girls and the way the show is heading. 
There’s a definite quasi-Roman bent to the whole thing here with Travis. Travis, the boy who has seen them in every aspect here. Seen them in their nakedness, in who they are when they are separated from society, and I think it’s not for nothing that we shift from this sort of sexual sharing of Travis, this erotic consumption, the way he becomes community property, to a very literal calling him the stag Diana and the hunt thing going on, where they pursue him like hunting hounds. 
THIS is the whole reason it was so careful earlier to tell us that they were in fact still very much human because it needs us to know that this is coming out of something that already exists in the girls. Nothing has been lost here, just enhanced, and these girls are hungry and they are predators, and it is speaking to the wildness of women, that terrifying truth that so few people can live with. 
The whole of Lottie’s “Something’s coming” thing is of course the wildness and how it moves to control and own and kill through the girls, but also, I would argue that it can’t bring out something that’s not in them. It would be easy to say. “Oh this was all because of the evil whatever in the woods” but I think this was always inside of them. THey are soccer players, and they hunt in packs, and I think this spoke a lot to that level of power in the group, maybe that’s even why this whatever in the woods thing that I certainly hope the show has plans for took them in the first place. Violence isn’t a part of doing shrooms, really. What it did was allowed them to see themselves as part of this wilderness, this forest, that cries out for blood. 
Important social shift for this moment with Jackie being told she doens’t matter, the one-time leader of them, the domesticated one more than all of them, the one who cannot adapt to 
The wild and so will be slain by it. And of course it’s Lottie who says this, and of course it’s Lottie who calls for Travis’ death, because Lottie is going to be their leader now, their spiritual guide, a girl who lost her light in the darkness and does not understand that she herself is no lighthouse but a bonfire. 
But it was Shauna who was ready to make the cut. Shauna who was willing to kill, and maybe it’s always been her.
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eyecicles · 1 year
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Since Breaking Bad is now a topic in the fandom I wanted to ask how similar Light and Walter are in your opinion?
That question doesn’t have an easy answer. So let’s compare them:
Similarities:
-- They were both meant to be relatively good people in the beginning (yes, I know some people disagree, but this is specifically about what their creators said about them), but then something happened that made them the worst versions they can be of themselves. Neither of them were flawless at any point, but let's not forget that people aren't just doomed to be either all good or all bad. It's all about the decisions we make (+ random stuff that happens to us). That's exactly what I like about DN and BB, by the way—you can see that if things went a little differently, both protagonists could have turned out alright.
-- At the beginning, they do horrible stuff for—seemingly—noble reasons. I know, I know: they also greatly enjoy being on top, making people do what they want them to do, and taking down powerful, smart people. But I don't think they knew how much they would like that right from the beginning. The desires to change the world or financially secure one's family aren't fake, just because they are also power-hungry.
-- They also both think (know, in Walter's case) they're going to die soon. It's often overlooked that Light wrote so many names in the Death Note before Ryuk showed up, because he thought Ryuk was going to take his soul. He wanted to make a difference in the world before that happened. So they're both driven by a sense of urgency. Cancer and Ryuk aren't the same thing, of course, but honestly? Ryuk as a metaphor for a terminal illness could be quite interesting.
-- Both are extremely smart and they know it. They aren't just book smart, either, but know how to plan ahead, creatively work around obstacles, and accurately predict their enemies next moves. They're sly and resourceful.
-- They look down on other people for being less smart, less controlled or less proactive. And while Light is the one with the outright sexist thoughts, I think Walter's treatment of Skyler is partly sexist as well. He doesn't respect her autonomy, dismisses her concerns and ideas unless things get dire, confines her, and, of course, assaults her at one point. While he treats other people worse, you can't help but notice that what he puts her through resonates with many women in unhappy relationships. In any case: they're both quite arrogant and don't care much about other people's perspectives.
-- Their partners in crime (Misa and Jesse) are less brainy than them (sorry), more impulsive and emotional, and regularly get them into precarious situations.
-- Both have a member of their family on a task force meant to hunt them down. And both use that fact for themselves. Ah! They also see them die right in front of their eyes and are partly to blame for that.
-- They are seen as too nice and upright to ever do crimes of that calibre throughout most of the stories.
-- Pride plays an important role for both. Their enormous egos aren't apparent to the people around them, but you can still see it even when they put on an act.
-- Thinking about it, they also went through something similar regarding their first murders. It was more deliberate in Walter's case, but also not actively malicious but a form of self-defence. How they became murderers against their will certainly was part of what made them go down a dark path.
-- And although they become practically monsters, both are still willing to risk losing for the sake of someone they love (Sayu in Light's case, mostly Jesse in Walter's case).
-- Fun aliases: "Kira" and "Heisenberg"
-- Both like khaki pants...
Differences:
-- Breaking Bad has no supernatural elements. It feels less grand, but more personal. Kira attempts to dominate the entire world, while Heisenberg is a more local problem.
-- Light is popular; he has conventionally good looks, is athletic, and people expect a lot from him. Walter is more seen as a pushover, little more than an, albeit very smart, high school teacher.
-- This is why Light is very confident right at the beginning, while Walter feels completely out of his element. He also makes more obvious mistakes than Light. (I have to mention here yet again that a lot of what people commonly see as a mistake on Light's part was actually deliberate, like letting the entire world know that Kira exists or letting L know that he has connections to the police).
-- Walter comes to fully embrace his crimesona, while Light fights to change the world's perspective of Kira as a just God. Heisenberg is meant to be an intimidating drug lord—Kira is meant to be justice.
-- You know, Misa and Jesse have kinda similar roles, but their dynamics with Light and Walter respectively are almost opposite. Light is forced to work with Misa, has to act as her romantic partner and sees her as easily replaceable, while she practically worships him. But Walter approaches Jesse, has to regularly persuade him into helping him, and they're at the beginning openly hostile towards each other. And it's debatable what Walter thinks of Jesse in the end, but he regularly saves and protects him, even after he no longer "needs" him. (Not all that relevant, but I just realised that Mikami and Saul are polar opposites.)
-- Light pretty much ignores that Ryuk tells him he's the one who will kill him in the end, while Walter is quick to accept his eventual-too-early death. Light doesn't even take the Shinigami Eyes deal, because he wants to live as long as possible, while Walter wants to die at several points. He's in general much more miserable than Light.
-- Their endings are also pretty different. Walter roughly knew what was going to happen, attempted to make some amends, and did one last kinda noble thing before he died. Light died humiliated after his plan went completely wrong. Anime!Light's death is more similar to Walter's. At least they both got to be completely honest about who they are + their motivations right before they die.
-- There's also one important element in Breaking Bad that Death Note lacks: Walter constantly tries to save his relationships with his family, both before and after they knew what he's doing. Light manages to keep being Kira a secret from his family forever. Light isn't as conflicted, and certainly never has to fight for his family's affection.
-- Light being a young guy and Walter being in his 50s gives them pretty different outlooks from the get-go. It wouldn't surprise me if a teenaged Walter was a bit more like Light. But yeah, Light has his entire life ahead of him and wants to take on the entire world, while Walter wants to do something exciting, something that makes him feel alive before he dies.
-- Breaking Bad also doesn't have someone like L: the one true antagonist who plays a part in the protagonist's downfall even after his death. It gives Death Note a specific atmosphere. Walter doesn't have a nemesis that matches and contrasts him in equal parts, because his story is more about his family and knocking criminals down to take their place. Hank and Gus sometimes fulfil a similar role, but they're still not comparable to L (or Near).
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pastelwitchling · 1 year
Text
Malex VegasPete au chapter one teaser.
Alex thought he’d gotten used to working as a bodyguard for the mafia... until a psychotic member of the family, Michael Guerin, joins their midst. Suddenly, Alex discovers a violence and something else in him that he’d never felt before.
trigger warnings: graphic violence, domestic violence, gore, self-harm.
***
               When he’d joined the Evans family’s secret service, Alex Manes had told himself that he was a retired Air Force captain. He was the best there was in getting people to do what he wanted them to. The Evans had asked for him specifically, and even when their business had turned out to be on the darker side, Alex had told himself that he’d never really been good anyway.
               He was clever, strong, and had always been willing to do what he needed to. He hadn’t used his heart in too long for it to start mattering now. That was simply fact, and over the years he’d found less and less reason to remind himself of it.
               The closer he got to the Evans, the more family he made, the more threats he saw, and the more willing he was to dispose of those threats.
               Like now. As he stood behind the bars of what Max Evans had long ago deemed, The Dungeon, watching a man that looked like he could’ve been a father strung up to a steel chair bolted into the ground. He was coated in blood, his clothes torn, and his shoes and nails removed. His voice was hoarse from screaming, and his tears mingled with the red down his face. Not that tears would save him now, not from the man across from him.
               “You gentlemen can wait outside,” Michael Guerin had told them at the start of this. Just as he’d done then, he wore a smile now that was far too entranced for a so-called sane man doing what he was doing. “Wouldn’t want to dirty your suits.”
               It had been a cheap insult, and Alex had known it. They’d tortured themselves, and he’d had blood on his hands long before the military ever took him in. But on the other hand, none of them ever tortured like Max and Isobel’s relative. None of them took such meticulous time with it. None of them enjoyed it.
               In a dimly lit cellar with nothing but a single bulb hanging over their heads and casting shadows along the walls, one bodyguard after the other slowly walked out. Michael stood in what could only be described as a raincoat, but the victim’s blood had already coated his collarbone, his chin, the tips of his curls.
               One by one, they all left. Unable to take the sight.
               All but Alex.
               He stood there with his arms crossed. He could feel a disturbance in him, a jolt of pain at every one of the man’s pathetic whimpers. Alex told himself there was no pity. The guy should’ve thought harder before he’d aligned himself with the drug cartel and made the Evans’ business dealings so much tougher.
               Still. Something in Alex poked and prodded every time, the sounds too close to the screams of the innocent in Afghanistan. Yet it wasn’t the victim Alex studied. It wasn’t him who Alex couldn’t take his eyes off of. It was Michael. The man who’d come in with a cowboy hat and a ridiculous belt two months ago, and while everyone else had scoffed at his appearance, sure that he couldn’t be the monster they needed, Alex had known there was something wrong about the look in his eyes. Something too hungry.
               “Pier 21,” the victim cried. More blood poured out of his gums where four permanent teeth had recently been. They now sat in a pool by Michael’s boots. “They’re meeting . . . at Pier 21.”
               Michael lazily turned to Alex, smirking. “There’s your answer, pretty boy.”
               And his gaze lingered on Alex’s. There, Alex thought. That. That was the most disturbing thing about Michael. The way he would rake every other guard’s body like they were potential playthings, but with Alex, he only ever held his eyes hostage.
               Alex looked away, freeing himself. He ran a weary hand through his hair. No one else ever shook him to his core the way Michael did. And Michael seemed to realize that power. His smile widened, but Alex was already heading for the door, gesturing to the two security standing guard there to get rid of the prisoner.
               “I’ll let Mr. Evans know,” was all he said as he walked away. He could feel Michael’s eyes on him until he closed the cellar door behind him. Then he stood there, his hand on the door handle, his knuckles white.
               He had no idea what was wrong with him. He never did when it came to Michael’s effects on him. But he pinched the bridge of his nose, worked his jaw, and took the long, carpeted corridor down to where he knew his boss, Max Evans, was waiting for a progress report.
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baahsu · 10 months
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"i think im going off on a tangent now" op PLEASE go off on a tangent!! i already had the idea of reiju joining in on her brothers fun in the back of my mind and now these recent conversations have hurled it to the front
just. sanji somehow meeting up with his siblings again, jaw dropping as he sees just how *whipped* 124ji are for reiju (he has to act like he isnt as well lol) although he doesn't realize the extent of The Whippening until reiju gets him alone and quite literally hands him their individual leashes. she'd talk him through what each brother responded to better; praise, degradation, punishments, rewards... sanji going from confused horror to eager intrigue all too quickly
im so sorry for flooding your askbox but this is such a fun concept. sanji getting his revenge sweet with his big sisters help <3<3
yonji would be the best first option with him arguably being the most behaved, (but being 'well behaved' for 124ji is a loose term. the bar is in hell, yonjis just slightly above it lmao) he's all excited to please after crossing the emotional barrier between them and allowing himself to get lost in this newfound pleasure. i think sanji would agree on him being a good start too, considering how noticeably eager yonji is to see reiju coach someone else into reeling him in- and the fact that its *sanji* is better for the both of them!! *cough*sanji DEFINITELY doesnt have a kink for yonji calling him 'sanji-nii' or any iteration of the term nope definitely not*cough* ichiji and niji would watch on with hungry eyes, *knowing* what yonjis packing from previous experience. he can be wild, sometimes
next would probably be ichiji. he's compliant and mostly willing- its just very hard to get a good reaction out of him. he'd try to act sooo tough at the start, desperately trying to keep his face blank, but then his heartrate would spike and his body would get all shaky as reiju guided sanjis hands on where to touch him and how to do it, where to be gentle enough to make him melt, and where to press and bite into to make him scream. the fact that niji and yonji were off to the side, not-so-subtly whispering about how hot he looked was also *not* helping. (he secretly loves the attention >:])
aand niji. whoo boy, the brat himself, niji. theres a reason reiju started training him before the other two, and that's because hes an absolute *brat*. a bottom brat? oh, *absolutely*. but still a brat. he'd try sooo hard to get someone to touch him by being all whiny, pouty, and mouthy- they'll shut him up *somehow* if he just keeps talking, right? reiju would probably have to whisper in sanjis ear about 'leaving him out to dry until he comes crawling over, begging to be touched *nicely*'. and lo and behold, after being forced to watch reiju and sanji torture yonji and ichiji in the best ways possible, he *broke*, doing exactly what reiju said he would. but, when niji finally broke and asked? oh you KNOW that boy is getting wrecked. reiju and sanjis notable ignorance and/or mockery of him turning into sudden back-handed compliments about him being such a good boy, so polite to ask for help. yonji and ichiji watching from the sidelines, definitely wishing they could make niji squirm like that, too.
even better if at the end of it, when sanji thinks its all over, reiju decides to reward 124ji by letting them go at him however they'd like (with her supervision, of course :])
WOW THIS IS LONG IM SO SORRY ANYWAYS UHH MOMMY DOMMY REIJU FOR THE WIN SHE CAN FIX THIS FAMILY WITH THE POWER OF PUSSY ALONE 💃💃💃
Anon. ANON!!!!!!!! This is amazing??????? I'm- let me take a second to breath here, this is just so good so perfect so accurate and everything I've ever needed??? They each fit perfectly in their roles and the end was such a treat, I'M FOAMING AT THE MOUTH you captured their personalities so well I want to scream
Yonji's definitely eager, but they can't underestimate him, he's bigger than all of them and it'll only take a second if he decides to stop complying and have things the way he wants them. So while reiju gives him more leeway she also needs to keep a closer eye on him
Ichiji's so stoic and calm and cool qnd collected, it takes a lot for him to express anything and even longer for him to finally let go. Reiju needs to go slow with him, like she's dealing with a scared animal, and coax him into realizing he's in good hands and he can let go of his role as the responsible older brother for a while
Niji is a brat, he doesn't listen, refuses to admit he's enjoying it, but his body betrays him and from then it becomes so easy to tease him and make him putty in reiju's hands. If he's being particularly difficult she just ignores him in favor of the others and she can't help her smirk when she sees how dejected he looks all pouty but still refusing to beg for it until she asks him if he'll be a good boy now
Sanji watches all of it with an open mouth, he's always known the power reiju had but this totally exceeded his expectations. He doesn't know if he can control the three like she can, but he tries and it's going well until a mischievous glint crosses reiju's eyes and she gives 124ji the green light to ravish him instead
I also like to think reiju likes to pair 124ji up and watch, see how they interact with each other so she can have a better grasp on how to handle them and on what they like, and if she gets off on it too then that's just a bonus
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baconcolacan · 11 months
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KC interacting w/ everyone else gave me a stroke. Sorry for the swap asks, im just, im just too invested it'll be my demise. Anyways, ready?
1 how would Red and Blue (KC) react to THEMSELVES from regimen?
2 i was curious, does A.K. know about what happened to Tords arm and Toms eyes? Does he know the story behind his parent's quite important injuries? But most importantly, who caused them and how
3 look, i know i know, and i apologize in advance but hear me out, im just, just feeding your imagination- your creativity, yeah! Its, its for your sake..
..so, what if Church's Grimm met Stay and Regimen- I KNOW CG might not even be finished and its the least of your priorities!- but its so different- i cant help but wonder how the others would react to a younger version of them, that isnt in war, ruling, in the military, but are..different in their own way. Also we dont know much about them- And in this one, Tom is quite literally *dead* so im quite curious of how they'd face his spirit, or ghost (who probably has a supernatural power that could be dangerous..or useful..)
I hope you're doing well and taking breaks, you can skip last ask if it spoils too much or for whatever reason! Please remember to appreciate yourself, also know that Castling was fire and insanely fun to read! leader x leader au *chefs kiss* could go on about it for hours, istg you're really out to get us with that talent of urs
PHEW OK CONFERENCE TABLE ASKS LETS GO!
If Red met R.L. I think he'd be very understanding of why he's like that. They virtually have the same goals, although Red isn't as power hungry, he knows that he's more than willing to mutilate the entire world for his own selfish goals, which both he and R.L. will happily admit to. He might be a bit uncomfortable with how off the rails R.L. is mentally, but it's not like he has any room to really judge, he's not as sane and sound as he likes to pretend to be anyway....
If Blue met Tom. Well first of all, Tom wouldn't react too well to the fact that Blue is essentially a mirror of his own Tord, they're both military leaders with a proclivity to violence, and Tom is still at the stage where he's trying to justify everything he's ever done. Blue on the other hand, will happily admit that he's doing what he's doing for his own sake, and since when have we ever cared about other people? They mean nothing to us, might as well have some fun.
Blue thinks this version of himself is pretty funny for being so uptight about his "morals". Then again...he might still have something to lose, so he supposes that's just natural.
2. All AK was ever told when he asked about his parents' injuries was that it was an accident, and that it happened when they were out in an active war theatre. Tord wanted to admit that it was his fault, but Tom stopped him because, to be frank, it wasn't really his fault, he started the war sure, but he wasn't the one that sent the bomb towards them.
3. HSASFJ OK I'll just give a general answer to this for all the aus cause I cant write them all one by one at the moment.
I think, on the side of the Tords, they'd all be surprised that a clearly younger version of themselves (CG Tord is in his early 20s) is such a wallflower, cringing away whenever there are eyes on him or hiding as much as he can in his hoodie. KC and Stay Tord would be pretty sympathetic, Regimen Tord would be appalled at how "weak" he presents himself.
CG Tord just hates looking at them, they're all marked by death, the veil is touching all of their souls, and they're damned. What does that say about his own fate?
The Toms on the other hand, I doubt they'll be able to see their CG version, so I'll just stick with their reaction to CG Tord. KC and Stay Tom will think CG Tord is absolutely precious, more so with Stay Tom because he reminds him of when his husband was a shy little nerd bird teenager, always refusing to go outside to hangout with them unless it involved something he really likes.
Regimen Tom thinks he's creepy, especially because CG Tord would stare at him a lot.
God, what the fuck, now there's a stereotypical creepy ghost-seeing version of Tord who seems to be interested in him?? Fucking kill him now.
HAHAHA AND TY FOR LIKING CASTLING! I'm actually surprised that there isn't a lot of Red x Blue fics out there?? Like damn, I love a dynamic where they're on equal ground, why isn't there a lot more fics like that?? HKDSJFHHG FINE I'LL DO IT MYSELF.
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Awkward. They'd be awkward about it.
Let's say, hypothetically, they both get spat out into the Stayverse. Freakouts and initial explanations aside, Tord and Tom take advantage of their temporary presence to leave their son with them while they do RA stuff (after they vet them ofc, they dont just trust their son with anyone, even if it's another version of themselves.)
Red and Blue aren't sure how to react around AK, seeing as he's their son in another life. Red would definitely be the one whispering shit to Blue like; "Does he want..a hug? Kids like hugs right?? How do I- do I just open my arms or...?"
"No you fu-"
"Don't swear in front of the child, Blue."
"Piss off!"
They stop being awkward eventually because AK will force them to watch cartoons and build legos with him.
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Regimen: :]
Stay: Well, of course they still have fights sometimes, and they're both bullheaded and too prideful to back down, but this time since they're older, they don't escalate their fights like they used to anymore, and would much rather prefer to separate and cool off.
Although, Tom has more of a penchant to hold on to his anger than Tord, who would often feel much better after letting out his frustrations in explosively violent ways. This would of course, lead to Tord wanting to talk but Tom is still seething, therefore would not want to talk to him yet.
His silent treatment often leads to Tord being a bit gloomy but definitely more snappy, which would lead to days in the RA where he would be a bit more unforgiving with his army and how they run their operations.
It'll be tense for a while, until Matt steps in to gently remind Tom that he needs to actually talk with his husband if he wants to sort things out.
I'm not sure if you wanna know what happens with KC Tord, as Blue's silence often means he's getting paraded around again like a showgirl, so he'd be more irritated and aggressive than usual, which would bring Blue back to the warfront.
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Stay: Tom would recognize immediately that Tyler is biologically his son (Due to his hellhound genetics lmao). He'd probably act a little bit stiff towards him, only because he's trying to be polite, as every bit of his instincts are on the fritz, telling him he has to protect his progeny.
Tord would probably clock in on his husband wanting to adopt the kid, and would come to the same conclusion that Tyler might be related to him in some way. I think he'd be more neutral but warm towards Ty, since he doesn't have a personal tie with him.
Regimen: I really don't think you want Tyler to be in this universe lmao. Both Tom and Tord would be pretty cold with him, especially Tord if he figures out Tyler is related to Tom. at worse he might even kill him. And like I said before, this Tom isn't good with kids, so he'd try his best to avoid Tyler at every chance he can get.
Sorry Ty :[
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flightfoot · 1 year
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You ever notice how a lot of miraculous salt against Adrien and Marinette is just two bad faith interps of the same narrative problem?
Narrative problem: Ladybug has to do all the work and come out the reigning champ, even when it doesn’t make sense for Cat Noir not to be more competent/helpful in these moments.
Bad faith interp 1: Cat Noir is incompetent, dumb and lazy. He always looks to Ladybug for help when things get sticky and rarely tries to offer ideas even when she is floundering. He’s just there to flirt and let her do all the work.
Which is so not true because Cat Noir makes sacrifices in battle all the time. He’s a smart dude. While it’s true that he likes to have a good time out there, character wise he would love love love to help Ladybug when she’s floundering. When the writers need him to have ideas or make a good move or call, they let him. He’s more than demonstrated that ability. They just nerf him when they need Ladybug to look a certain way and suddenly he’s goofing up in unbelievable ways or acting as if she is the only one who can think and neglecting to process things himself. Which comes off really inconsistent and is more a statement on the writing than it is on his character. He’s not the only victim. A lot of the other holders get nerfed for the ‘Ladybug must do everything’ narrative too. Like RIP to Scarabella’s chance to be awesome in hacksan. Speaking of,
Bad faith interp 2: Ladybug is an arrogant, power hungry girl who loves the attention and doesn’t allow others to shine. She shoots down others ideas and is determined to come out on top.
Which is so not true because, first of all, the writers rarely give the other holders actual agency to act or ideas for Ladybug to shoot down. Characters who would normally be full of ideas are suddenly all “What do we do now ladybug?! We can’t think for ourselves, Ladybug!” And she follows suit because what else are you gonna do? And the times when the writers do allow Cat Noir to have an idea or disagreement (happened a lot more in season 1. I think the writers were more about the team dynamic then) she’s… pretty cool about it? There were a couple times when she disagreed initially and then came around pretty quickly like when she wouldn’t listen to Chloe or in the giant baby episode but usually it’s “you’re right, cat noir!” “Great idea Chaton!” Ladybug gets unfairly secretive when she anticipates danger, but the ‘Ladybug is too arrogant to share her spotlight’ pov is hella exaggerated and it totally ignores the fact that characters who would normally jump at the chance to help or act often turn into mindless zombies around her. I’m still puzzled by that scene in the season 2 finale where she is clearly at a loss and everyone is just staring at her like “you’ll think of something!” The writers kind of created their own issue with the uber stressed Ladybug.
Maybe you haven’t but I seen both these takes and im not trying to make it a competition. I hate them both. Season 5 seems to be fixing things in part but it may be too late for the Saltdom…
Tldr: I guess it can be hard to distinguish, but I really wish people would stop blaming the characters for writing choices that reflect poorly on them. Especially when the character themselves haven’t indicated they would behave in this manner. It exhausts me. I try to curate the best I can but salt is everywhere around the Mira fandom.
Yeah agreed on this, both these takes ignore context, as well as what the writers are trying to say.
Oh yeah, as far as the "Ladybug is arrogant and power-hungry" thing goes, I agree with your take, and wanted to add onto it.
Ladybug ain't super arrogant or power-hungry. Heck, she'd prefer to not have quite so much pressure on her shoulders. She IS willing to listen to others ideas, though she will sometimes shoot them down. The reason she has so much spotlight is mostly due to the show revolving around her rather than her, as a character, trying to hog the spotlight.
I sort of see where this interpretation came from, since she doesn't really collaborate with others all that much, but that's less of an unwillingness to consider others ideas, and more it just not coming up very often. I would like to see Marinette have to work as part of a team at some point with someone else who is also used to being the team leader, with someone who's used to being the final authority on things, because I think that'd be a valuable experience for her and would inform the way she approaches the rest of the Miracuteam. But she definitely at least tries to listen to others when making plans.
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