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sundrop-writes · 2 days

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When Doves Cry

Jason Todd x Gar Logan

How can you just leave me standing - alone in a world that’s so cold? So cold. Why do we scream at each other? This is what it sounds like: When Doves Cry.

This fic is dedicated to a husband who has never given up on me.

Love is infinite, patient, and always welcomes you home.

Summary:

At Dick's insistence, Jason comes back to Wayne Manor to help the Titans end Crane's deadly plan. Jason doesn't want redemption or forgiveness - he's done believing that he's worthy of those. Once Crane is back at Arkham where he belongs, Jason plans to disappear, never to be heard from again.

But Gar - someone who never stopped loving Jason and never stopped believing in his goodness - has other plans.

Jason Todd x Gar Logan. Friends to Lovers/Lovers Reunited. Smut and Emotional Angst. Set during Season 3, Episode 13.

Word Count: 11,100

DC Titans Masterlist | AO3 Link

Detailed warnings and author's notes below the cut.

Warnings: this is a character x character fic - no reader character here; this is M/M; emotional angst - Jason's self deprecating inner monologue; Jason being emotionally constipated; mentions of Jason's past trauma - including being kidnapped by Deathstroke, and his canon suicide attempt; canon level violence (mentions of guns/gun violence, mentions of killing/mentions of Jason killing people); mentions of Jason's death and resurrection; mentions of Gar mourning Jason's death; mentions of Gar's canon trauma - being forced to murder people while under Cadmus' mind control, having brain surgery performed on him to achieve that mind control; implications of Dick/Hank/Dawn being in a poly relationship because I literally cannot help myself; mentions of Jason being injured from the confrontation that goes down at Wayne Manor in 3x13 (which is canon) - the injuries are vaguely described as 'bumps and bruises'; mentions of Jason's substance abuse - including the Anti-Fear Gas (which yes, even though it's fictional, is still substance abuse), alcohol, and implications toward other unnamed drugs; there is mentions of Jason/Rose - but in this version of things, their interactions were one single kiss and Jason never had any true feelings for her; because of his attraction to Rose - Jason is very much bisexual in this, and though it's not mentioned that Gar has been with a woman (or anyone aside from Jason lmao) - I always headcanon him as bi and write him as bi just so you know; mentions of Gar and Jason having a previous sexual relationship during their time living together at Titans Tower (but that relationship was purely sexual and not romantic); implications that The Pit changed Jason's body somewhat, including making his dick bigger; smut - M/M smut; biting/marking kink (from Gar toward Jason) - at one point, Gar bites down hard enough to draw blood; wet ?? humping/grinding; mentions of Jason and Gar masturbating; passing mention of sex toys (a dildo); anal sex with lots of (real!!!) lube; unprotected sex - they don't use a condom (but there is no mention of STDs and technically they are monogamous even if they didn't discuss it, but irl you should always use one!! don't be like them); Jason bottoming while Gar tops; scent kink - Gar and Jason both really like the way that the other person smells; Jason is a power bottom at first and then becomes more submissive; Gar is very possessive/animalistic during sex; some dirty talk; emotional/passionate sex; creampie kink - Gar cums inside of Jason and they both really like it; a warning for literally licking wounds - Gar licks a cut on Jason's forehead that he has from the fight (this IS NOT blood kink - it's about him caring for Jason because his animal instincts are telling him licking the wound will make it better/soothe it) (btw I am not shaming those with a blood kink, I have written blood kink before and I love it - I just wanted to clarify the tone of the moment); this fic does have a happy ending if that makes you more motivated to read it. I believe that is actually, finally it.

A/N: In case it's not already clearly labelled - there is no reader character in this fic! It is very different from what I usually write, but I felt very inspired and the request that @nctzenkane gave me was just too good not to write. Jason and Gar have so much chemistry in the show, they are such an obvious ship, and they never even got to say goodbye to each other. (The writers make it so convenient that Gar is just not in the room during Jason's pivotal moments - sigh.) Anyway - I love JayGar as a ship and I feel like this fic sums up everything I love about them, as well as giving them the ending they should have gotten. They should have ended up together and Jason should have gotten forgiveness from the Titans family. I hope you guys enjoy this fic even though it's not like my typical stuff, and if you sit this one out - please know that this one did wonders for my creative flow as a writer, and I will be back with more amazing things later. Also, I know that this fic is gonna make my Top Ten Favourite Fics of the year when I make that list for 2024. I was not at all expecting to write this fic but I absolutely love it so much omg. Also - even though I started my taglist a little while ago, I decided not to use the taglist for this particular fic because it's so different from my usual stuff. But the taglist will be used for all upcoming fics.

...

“I have to believe that this dude we fought alongside - my friend - he’s not all bad.”

Gar purposefully put emphasis on those two words, trying his hardest to remind Dick of what Jason was to them. At least, what he should be. A friend. Even if Dick wanted to deny it, Jason had been a Titan once. He had been part of their family. Even if Gar was the only one who still remembered that; even if he was the only one who still remembered Jason’s good side. Even if Gar was the only one who had ever truly loved him - the others needed to remember what being a part of that family meant, and what their obligations were to Jason because of it.

No matter what Dick claimed, Jason hadn’t turned into some evil villain overnight. He had his own reasons for what he was doing, and that meant he could be reasoned with. (Gar knew that it was difficult to reason with Jason - but he knew it could be done.)

Dick’s silence was deafening. Maybe he didn’t want to tell his tender-hearted friend what he really thought of Jason now; those tiny streaks of things that he had been secretly thinking for a long time. Or perhaps - Gar was really getting through to him.

Jason needed to come home. Despite what everyone else believed: he could be saved.

…

All of it was Dick’s idea. Gar still wasn’t even entirely clear on half of it, but the bulk of it involved using his newly acquired - still very undeveloped - ability of turning into a bat so that he could fly up to Jason’s unlocked bedroom window and breach the house’s security system undetected.

No matter how much Gar stressed the fact that he can’t fly, Dick kept telling that it would be okay - that he just had to believe in himself, blah blah. The typical leader speech jargon that he used to convince people to do dangerous things. Gar felt like he shouldn’t have been so easily convinced, but he knew that a lot was on the line - he knew that Crane needed to be stopped. So he put aside sense and transformed, and flew off toward the window even though he barely knew how to control himself in this state.

He was so damn dizzy when he landed. He could taste vomit swelling up inside his mouth and he forcefully pushed it back down. The world was spinning around him in an utterly cruel way and he could barely comprehend anything - he was naked and he needed clothes, so grabbing Jason’s shirt off the floor was nothing but pure instinct. The smell of Jason’s stupid strong cologne - so entrenched in the bedroom’s walls, mixed with the natural musk of sweat in the bedsheets - it should have made Gar even more dizzy and nauseous, but instead, it grounded him. It made him feel safe.

Dig, if you will, the picture of you and I engaged in a kiss. The sweat of your body covers me. Can you, my darling - can you picture this?

It was one of the only things that gave him a true, firm center while the world was spinning so damn hard, still undulating under his hands and knees while he dug his fingers into the expensive carpet, gritting his teeth with how much he absolutely hated the sensation.

Gar and Jason have always been the same size.

It was something they found out days into living together at Titans Tower, when Jason got out of bed and put on one of Gar’s favorite hoodies without a word. He never apologized for getting milk chocolate on it and letting it stain. From that point on, their wardrobe easily blended into one. Jason wore ‘nerd shirts’ with logos that he had no clue about the meaning behind, and Gar found himself wearing more black and more band tees with logos for bands that he couldn’t stand the loud, angry music of.

After Dick had confessed everything that had happened with Jericho, Jason pulled away on the screeching tires of his motorcycle, and ended up taking some of Gar’s clothes with him. This left Gar with the pain of accidentally pulling something out of his drawer that still smelled like Jason - sleeping in sheets that definitely still reeked of that strong cologne. In fact, Gar had been wearing one of Jason’s black hoodies on the night that Cadmus had stormed the Tower - on the night his life had forever changed.

In the present, when Gar left Jason’s room dressed head to toe in Jason’s clothes, it felt natural. It felt natural to be surrounded by that scent. It gave a certain kind of unconscious comfort to his overwhelmed instincts during such a chaotic time. It wasn’t even something he had put that much thought into. Instead, he was far more focused on using the remote Dick had instructed him to grab in order to disarm the alarm system - a task he was incredibly worried about getting right.

With Dick in his ear giving him instructions to defuse the alarm, even with the terrible itch of anxiety creeping down his neck - he felt a certain sense of safety from being wrapped in Jason’s clothes. Even when the sound of gunfire came from down the hall - something that nearly paralyzed him with fear, part of him still foolishly felt bulletproof because of that familiar shirt on his back.

When he rounded the corner, the first thing that truly made him freeze up during all of this was actually seeing Jason for the first time in so long.

It was a true shock to his system.

After all the talk of Jason - a death that he barely had time to mourn, so heavy in his heart and barely processed by his mind. After finding out that the person behind Red Hood’s mask had once been his best friend, somehow stolen from the morgue and woken up from what should have been a permanent sleep due to the treacherous waters of the Lazarus Pit. After spending all that time talking Dick’s ear off, trying to convince him to let Jason come home, where he truly belonged; after feeling so damn fruitless in doing so. After tracking down Molly, trying to stand united with one of Jason’s last true friends in an effort not to see him hurt.

After all of that, everything Gar had been through over the past few weeks, actually seeing Jason in front of him - it was like having ice water poured down his back.

He froze up standing there, and he knew that the expression on his face must have been that of dumbstruck delirium.

He hadn’t expected their reunion to be anything like this.

When Jason had first stormed out of Titans Tower, Gar had imagined that he would come back. Even after he had screamed at the top of his lungs, telling Dick to fuck off, and followed that up by screaming at Rose not to touch him when she had tried to grab his arm in some poor attempt at ‘comfort’, daring anybody else not to follow him - Gar had thought that it would be only a matter of hours before Jason came back.

At the time, he had texted Jason after everyone else scrambled out like cockroaches fleeing from the light, and he had told Jason that it was safe to come back because they would be alone together (save for Conner’s unconscious body). He had expected that statement alone would cause Jason to eagerly come running back.

He thought that it would be a predictable reunion.

Jason would come back puffy-eyed and stinking of booze, stumbling, furiously denying that he had even been upset, saying that he would never let Dick Grayson get under his skin. Slurring his words while also denying that he had been drinking and driving his bike - because he didn’t want Gar to ‘narc’ on him about it.

Gar would put him in the shower and douse him in cold water to sober him up while trying not to scold him about the potential of crashing the stupid speeding death machine due to being drunk. They would go to bed together and Jason would fall asleep holding onto him for dear life. And he would still make Jason the best hangover breakfast that vegan soy substitutes can offer (and Jason would complain about Gar not cooking with ‘real’ bacon, but he would still clean his plate). And Jason would sneak a kiss over the sudsy dish water that would turn into soapy grab-ass, and he would have wanted to fuck Gar across the kitchen counter just because nobody else was around to complain about it.

(Maybe that last part was just a fantasy Gar cooked up with his hand on his cock in his bed at the Tower when he was missing Jason a bit too much. But still, it felt like something Jason would do.)

When the days passed and Jason still hadn’t responded to him - still hadn’t come home, Gar tried to deny that he missed the mouthy asshole. He tried to weed those shirts out of his laundry so that he could stop being constantly reminded of Jason. He tried to keep his crying limited to the shower, or muffled into his pillow at night.

And then, he didn’t have to worry as much about that stuff, because he got distracted and busy when Conner woke up. Introducing the clone to the world, teaching him to be a Titan.

When he got his brain scrambled, between the taste of blood in his mouth and the distant sound of a done drill - memories of Jason flickered in front of him, and when he was present enough in reality, he knew that Jason running far away was a good thing. It meant that Gar couldn’t hurt someone like him. Someone he loved who didn’t have any meta powers to defend himself - someone who was only flesh and bone with no way to defend against a six hundred pound uncontrollable tiger pouncing on him.

There were moments of mental clarity, tiny little moments when Mercy wasn’t humming in his ear. Moment when he prayed that he would never see Jason again - because he never wanted the blood in his mouth to belong to Jason.

After Rachel helped him gain back control, he still wondered if he was capable of hurting Jason, even by mistake. He was almost glad when Jason rode away from Donna’s funeral in the opposite direction. (Almost.) Because that feeling of missing him came back harder than ever days after the funeral, when the dust had settled. When he realized that he was fully in control of his powers - working well as a Titan, and the only thing missing from the picture in his mind was having Robin right there by his side, working as the perfect duo Jason always knew they could be.

When Gar found out about Jason’s death, he felt numb. It had never felt real. Sure, denial is the first stage of grief - but Gar never truly felt like he was living on the same earth where Jason was not. He felt like the world should have stopped. Or at the very least - he should have gone down with Jason.

He kept imagining that someone would wake him up from the nightmare - that someone would shake him and he would wake up in his bed months earlier, with Conner still in a coma, only to find out that everything that had happened at Cadmus had been one big horrible dream. He would open his eyes to find out that Jason was still alive, waiting to sneak out and get veggie burgers with him at three in the morning.

But no. There was a grave in the backyard of Wayne Manor with his name on it - even if Gar had seen it empty after Dick had dug it up in a manic state. Just to make himself feel like he wasn’t totally crazy, Gar had searched through Bruce’s files and found Jason’s morgue paperwork, wanting to fully confirm that Jason had even died in the first place. After seeing the attached photos of Jason’s bashed-in skull caused him to lose his lunch, he knew then that it was very much real. It wasn’t just a horrific dream.

Jason had died and somehow been brought back from that.

Even then, Gar imagined their reunion to be very different from this.

But here he was - standing in one of the many hallways of Wayne Manor, staring Jason down like a deer in headlights, his heart pounding while his wide eyes fixated on the person he thought that he would never get to see again. Someone covered in bumps and bruises from a fight, looking much more worn down by the world than the guy who used to laugh at Gar’s shitty puns.

Dream, if you can, a courtyard- An ocean of violets in bloom. Animals strike curious poses. They feel the heat - the heat between me and you.

Jason’s eyes flickered down and locked on Gar’s chest, or rather - fixated on his shirt. Jason’s shirt that Gar was wearing. In a moment, he felt more naked than he ever did when he stripped down in public to transform. He felt so fucking caught. Of course Jason knew that Gar was wearing his clothes. Gar could have claimed that it was out of pure convenience, but somehow, as if he was part animal himself - Jason’s pupils dilated and his Adam’s apple bobbed as he swallowed thickly. It was almost like he could smell the fatal yearning coming off Gar, everything about him that said: ‘I love you, I missed you, I need you’.

“Jason-” Gar croaked out.

There was no chance for conversation.

A streak of movement behind Jason’s heavily armored shoulder realigned Gar’s priorities in a snap.

“Look out!” He shouted, pointing sharply behind Jason before he ducked for cover himself.

Jason didn’t hesitate - he fired his gun, taking the enemy out. He did a visual check of the hallway to make sure that nobody else was coming before he turned back to Gar - who was crouching tightly against one of the divots in the complex design of the old house.

“I’m here for you.” Jason said - finding that he felt far too naked in his own way with how utterly vulnerable this sounded.

Especially when Gar’s lips quivered, almost as if desperate to cry out for him, to thank him for coming home - something.

“I’m here to help. Dick sent me.” He quickly amended, attempting to clarify that this was all business.

Even though, with Gar’s large, glassy eyes staring him down - he couldn’t be sure that’s what it was.

He didn’t have too much time to grind through the details of it, though. They had to get through the business aspects of it or there wouldn’t be any personal details left to untangle because they would all be dead.

They split off, following a plan that Dick had carefully laid out, and Gar was proud when Tim and Dick led Crane out of the Batcave in shackles.

With the relief of knowing that they had won, Gar quickly set about finding Jason once again - to thank him, to ask him what their next move was, to kiss him - he wasn’t quite sure yet. But he felt gleeful.

All that glee was slashed when he caught Jason in his old bedroom, packing a bag.

He had stripped out of his Red Hood armor from the waist-up, and Gar was met with the shocking sight of bright purple welts smothered across the broad of his back. It made Gar’s natural urge toward sympathy ache, especially when it came to Jason. But that feeling conflicted with nothing but boiling anger at the sight of him furiously stuffing things into a duffle bag he had placed into the middle of his bed - clearly trying to rescue everything he could from his old life on the way out.

How can you just leave me standing alone in a world that’s so cold? So cold.

He was running away. Again.

“Going somewhere?” Gar asked, trying to sound tough when his voice was trembling at the very thought of Jason leaving him again.

If he was less mature, he would have dropped to the floor and thrown a catastrophic toddler fit, flailing his limbs and screaming at the top of his lungs. He would have demanded that Jason stay, telling him that he simply wasn’t allowed to leave.

He knew that it was selfish, but it just made Gar feel so disposable. The fact that Jason came into his life, made him laugh, made him smile, fucked him like they were in love, made him care - and then he wanted to run away like Gar meant nothing to him. He knew that Jason had his own issues - a list of problems and past traumas longer than his arm, but Gar would have run away with him. Jason didn’t have to be sentenced to solitude.

All these thoughts caused a sheen of tears to form in Gar’s eyes - the sadness battling with the anger inside his chest. He was threatening to spill those tears by the time Jason whipped around - partially startled, partially angry that his plans to disappear again had been disrupted.

Jason mirrored back his own wet eyes at seeing Gar so upset, but quickly blinked the tears away.

“I was never here.” He quietly croaked. “I can’t-”

“You can’t ‘what’?” Gar barked back, cutting him off.

This was the most cruel way that he had ever spoken to Jason, but he was fed up, to say the least. All of the emotions that he had been politely festering with now boiled over. The grief, the mourning, the loneliness - all of it spilled over at once.

“You can’t stay?” He asked, raising his voice in anger. “You can’t admit that someone actually cares about you for you for once in your fucking life?”

Maybe I’m just too demanding. Maybe I’m just like my father - too bold.

Jason’s face quivered at this.

He knew Gar cared about him. Of course he did. But that was why he had to run. He couldn’t let Gar risk his place with the Titans for a murderous piece of shit like himself. He threatened to break into sobs and he forced himself to become steel. Without Crane’s drugs running through his system, he felt even more weak and chaotic - but he couldn’t let Gar be the drop of water that broke his dam after all these weeks.

“I can’t stay.” He said solemnly, his eyes glued to the floor, refusing to look at Gar. “I - I can’t… stay.” It hung in the air for the moment as the words truly sunk in for him. He had been so busy packing in order to flee that he hadn’t even fully realized why. Now it was even more painful. “They won’t let me.”

The realization pierced through Gar’s heart like a knife.

This wasn’t just about him. Of course it wasn’t.

The thing that he had been fighting for, fighting against all this time - the idea that Jason wasn’t even worthy to come home because he was some crazed killer. Gar wasn’t the only one who got a vote. Gar wasn’t the only one to claim love for him or deny him.

If Gar’s love for him was the only thing that mattered, then the whole thing could have been smoothed over weeks ago. Maybe Jason wouldn’t have left in the first place. Maybe Jason wouldn’t have been balanced on the edge of a roof about to jump off while Gar had been sleeping.

Gar wheezed out a harsh breath - almost as if the pain of the realization had literally pierced his lung, and he was having difficulty breathing because of it.

“Stay.” Gar begged, hardly realizing that he was crying openly now. “I’ll talk to Dick, I’ll-”

Maybe you’re just like my mother: She’s never satisfied.

“I can’t.” Jason said bitterly, entirely defiant. “You know I can’t. Not after everything that’s happened. Especially not after Hank.”

There was a careful kind of mourning in Jason’s voice when he said the name - and potently, he flipped back around then, unable to face Gar after bringing it up. He continued to pack his bag as Gar stared at his back, his throat tightening harshly around everything that he had to say in reply.

Gar loved Hank as a friend - as a mentor, someone to look up to. But even now, he couldn’t fully blame Jason for Hank’s death. He knew that it was all a part of Crane’s plan. He knew that Jason was sorry. Before, that fact was something he had based solely on his knowledge of Jason - but now he could base it on Jason’s very clear guilt towards the situation.

Gar knew that if he told Dick that he forgave Jason for Hank’s death - it would put them on bad terms. Dick had known Hank for longer. And there had been something more there (something more between Dawn, and Hank, and Dick). Something that made that scar extra tender for Dick.

Gar had to find a better way to explain it. Perhaps tell the team that he had once been a pawn himself - he had been to Mercy Graves what Jason was to Crane. And he knew that if she put him alone in a room with Hank and told him to kill, he couldn’t have been sure that his sterling morals and his willpower alone would have held up against everything that she did to him.

Why was the situation with Jason any different?

Why were they so determined not to forgive him?

Out of the corner of his eye, something broke up his contemplative thinking - Jason slipped a tee shirt over his head, and Gar couldn’t ignore the glaring shade of green that said it was one of his. It caused a possessive streak to roll through him - he had a difficult time holding back a feral growl as it flared up in his throat.

It made him only able to focus on one thing.

“What about before?” Gar croaked out, disappointment apparent in his voice.

Jason looked over his shoulder with gentle confusion, and he felt the need to clarify.

“What about everything that happened before Hank?” Gar rephrased the question. “Doesn’t that matter?”

Why do we scream at each other?

Jason wanted to say - yes, of course it does.

But it felt so much more complicated than that.

“Gar-” He barely choked the name out before he was cut off.

Gar couldn’t stand to hear more excuses - more reasons as to why Jason was going to cut and run. He reached a hand up to Jason’s neck and pulled him into a kiss before anything else could come spilling from his mouth.

It felt like trying to desperately claw his way into the front door of a home he once knew - a house that was now cold and abandoned as Jason stood stalk still, purposefully not kissing him back. Jason wasn’t letting him in - not giving him a single sign that there was any love left there. That there had even been love here in the first place.

Deep down, Jason was terrified. If he gave in and kissed Gar back - he would be done for. He would be opening himself up to a world of hurt that he once thought he could erase with doses of Anti-Fear Gas.

Gar was used to playfulness; teeth nibbling on his lips, laughter in the air. He was used to a hand reaching for the tie on the front of his sweatpants while that cocky voice muttered lustful ‘threats’ against his mouth - something about how he was ‘going to get it’ - when in actuality, Jason was always the one who ended up a moaning mess on his cock.

Tears spilled hotly from the corners of his eyes and a sobbed choked out from the back of his throat when Jason was completely still against him. He was being so coldly denied - Jason was like stone, fighting off everything he had missed most from Gar because he still felt like he had to run, and this was nothing more than a distraction from that.

“Please.” Gar wept against his mouth.

It was one of the hardest things he had ever done, but - Jason didn’t move.

This is what it sounds like: When Doves Cry.

Gar pulled back harshly then. When his wet eyes fell to the Triforce printed in the middle of Jason’s chest, further signaling that it wasn’t his shirt (because he likely had no clue what the symbol meant or what it even was) - Gar felt a wave of rage overtake him. He gripped the hem of the green shirt and didn’t hesitate to yank it up over Jason’s head. Rather than the typical heat that this action would lead to, there was nothing but bitter tension in the air as Gar waved the ball-up fabric in front of Jason’s face.

“This is mine.” He choked out, barely holding back a wave of sobs. “So - so if you’re leaving, you can’t take it with you. You can’t be that much of an asshole. You can’t just take everything that belongs to me.”

Gar choked on his own words, holding back more.

They both knew that the words held a dangerous double meaning. If he was going to run, he would be taking so much that belonged to Gar - so much more than some fabric that they had once blissfully shared.

He would be ripping Gar’s heart out of his chest and taking it with him.

Jason looked at him with tears now leaking from his eyes. Oceanic blue swimming in bloodshot red - not a pretty sight, by any means. He took in a heavy breath, but his stomach was visibly trembling where he was holding in his own sobs.

He wanted Gar to tell him to stay. He didn’t want Gar to be okay with him leaving - he wanted it to be such a fight that he couldn’t just walk away.

Touch if you will, my stomach. Feel how it trembles inside. You’ve got the butterflies all tied up. Don’t make me chase you - even doves have pride.

Gar - still feeling the need to comfort Jason, even stewing in all his anger toward this man he called lover, enemy, or friend - dropped the shirt on the floor and reached out, smoothing his hands over Jason’s hips. He leaned in and laid the most feather-light butterfly kisses across Jason’s shoulder, and Jason choked on another sob.

Gar smoothed a hand over Jason’s stomach, and under the intense heat of Gar’s large palm - his muscles calmed. Any cries of anguish died off inside of him and he was able to gather enough breath to speak as Gar laid a gentle cheek on his shoulder.

“You - you can’t do this.” Jason whispered, the weakest protest he could have come up with.

Gar only hummed in response. This close to Jason, he could almost feel that thing inside Jason, yearning for him, crying out to him.

He knew that Jason didn’t want to leave. He knew that if he was patient, Jason would crumble to the need as much as he was.

He already felt as though he had won.

“You’re a fucking hypocrite.” Jason added on, his words slightly steadier now. He curled his fingers into the fabric of the shirt Gar was wearing - the one he had picked up off of Jason’s bedroom floor when he had landed. “This is mine.”

Gar wanted to make some sarcastic jest about how he wasn’t planning on leaving while wearing it - but he became choked up at how the words sounded. As though Jason was truly claiming him - something he had been waiting to hear for so damn long.

He lifted his head to ask if it was true - if Jason would stay for him or if they could flee together - but Jason caught the back of his neck and slammed their lips together, stealing any words that Gar was planning to speak.

There was a certain fierceness that followed next - a battle of stubborn wills that was as stiff and tense as their words.

Passion and love and anger are spears all lined up on the same fence, all equally sharpened - Gar was still angry with Jason for leaving in the first place and never coming back. He still blamed Jason for all those months of bitter loneliness that he had felt, for being left there in the Tower with no help when Cadmus had attacked. Deep in the back of his mind, there was a fantasy of the night they attacked - of Beast Boy and Robin operating as the perfect team to snub out evil.

Jason was still mad at Gar for not chasing him, for not asking him to come home. Mad at him for not making more of an effort, for siding with Dick on seemingly everything.

He had no clue how hard Gar had fought to bring him home. How much Gar’s voice had burrowed into the ears of the others, especially Dick, being the only remaining one to speak up, vouching for Jason’s good side. If he had been a fly on the wall, perhaps he would have bowed at Gar’s feet, thanking him.

But instead - these lopsided views created a bitter stubbornness. Something that made the kiss feral and angry - gnashing teeth and hot, hard breaths as they grabbed and groped at each other, battling with their own anger and swelling up with that love they tried so hard to deny.

Why bother staying so angry with someone if you didn’t care about them? Why take that much time and effort to be pissed off if you wouldn’t just forgive the person out of love at the end of the day?

Jason ripped off Gar’s shirt - the borrowed shirt that only further reminded him of everything he had missed out on, the home he couldn’t come back to. He threw it to the floor, trying his best to forget about it - but this only made way for Gar’s hot skin underneath his own, forcing more temptation as they made more skin-on-skin contact.

He let out a kind of wounded sound when Gar gripped the back of his head and swept down, his mouth tracing along Jason’s neck, digging his teeth in. He was still unsure if he was trying to claim Jason in that animalistic way and make it impossible for him to leave or if he was just taking that anger out on him, trying to cause a little bit of pain - trying to make Jason feel a fraction of what he had felt. Either way, his teeth were savage and frantic on Jason’s skin, and Jason’s nerves screamed pleasurably with the full effects of it.

“Fuck,” Jason moaned out as Gar sunk his teeth in harder. “Fuck you.”

Gar was about to make some clever reply - the typical ‘you should’ or ‘I’m trying to’.

But he was caught off guard, silenced when Jason put a hand in the middle of his now bare chest and shoved him back toward the bed - causing him to sprawl beside the bag that Jason had been trying to steal away with. He poofed out across the luxurious, expensive mattress; there was a worrying second as he looked up at Jason when he believed that Jason might just pick up that bag and run.

He could use this as his opportunity to flee.

But instead, Jason eyed him up and down heavily - lustful eyes casting a thick gaze over Gar’s body. Looking over every inch of him carefully, from his now ruffled hair, down across his heaving chest, to the place where Jason’s borrowed pants were hanging low on his hips - the thickness of his hard cock very apparent between his thighs with no underwear on underneath them.

Jason knew it was temptation. Fondness.

At the time, perhaps he considered it ‘one last hurrah’. But in truth, it was the breaking point - the point of no return. The point at which Gar had truly hooked him in and reeled him back. Between those big, beautiful brown eyes staring up at him with a combination of intense affection and fear at the possibility of him leaving and that fat cock practically calling to him - Jason was done for.

Jason reached for the button on his own pants, and Gar remained frozen for a moment.

“Well,” Jason said impatiently. Gar still didn’t move, unsure what was expected of him in that moment. “Get your fuckin’ pants off. I know you’re not shy about stripping down, ya damn nudist.”

Gar felt the tension leave his body with a stiff exhale. He wanted to make some smartass comment, but found himself lacking. Instead, he became distracted by rushing to get the pants off and watching the flexing of Jason’s muscles while he worked to get his own pants and boots off.

All he could muster up was:

“You - you’re an asshole,” Gar chuckled out, throwing Jason a genuine smile as he kicked the fabric off his ankles, leaving himself wonderfully bare in the middle of the bed.

Gar’s eyes traced over Jason’s naked body - he seemed more thick and muscular than the last time Gar had seen him. Had he been training harder in the time that he’d been gone? Though his overall build was still much the same - matching Gar in stature, though Gar’s muscles were leaner and softer compared to Jason now. And if Gar wasn’t mistaken, Jason’s cock was bigger? Though that seemed more like a trick of the eye. (Though, it was still a good two or three inches smaller than Gar’s, which Jason often called ‘monstrous’ and joked that he could barely walk after taking.)

Gar didn’t have too much time to admire Jason’s nudity before Jason was on top of him, bumping their cocks together as he climbed onto Gar’s lap.

Gar let out a harsh growl from deep within his chest at the feeling of his sensitive dick being touched by someone else for the first time in months - for the first time since Jason had stormed away from the Tower in a fit. Since then, he’d had nothing but his own hand and distant memories of Jason fueled by the fading smell on the clothes he’d left behind.

Even then, it’s not like he had the opportunity or even the desire to touch himself all that often - not with the chaos going on in his life. So having a warm body in his lap again - the warm body of someone he had missed so fucking much - it reignited the fire inside of him like poking holes in a gasoline tankard and lighting a match.

“Fuck, Jay.”

Gar reached up and tightly, possessively grabbed Jason by the ass, pulling him closer instinctively. This caused the echo of a whimper from within Jason’s throat as he bent down to take Gar’s lips again. Jason’s hands planted firmly on the hard muscle of Gar’s chest and Gar kept that needy grasp on Jason’s ass - wanting to keep Jason as close to him as possible.

The touch quickly turned into moving Jason on top of him, grinding Jason’s body on top of his so that their cocks were gyrating together - a perfectly filthy clash of hot skin that fit together so well after they had been apart for too long.

They moaned into each other’s mouths and Jason forced his tongue past Gar’s sweet, pink lips - as if he was still trying to put up that fight, still trying to show that he held some power over the man underneath him. Gar’s cock was leaking furiously and soon the slide of their two cocks became wet and glossy while Gar’s bright pink cockhead was continually nudged against his stomach, making a mess against his abs and staining slickness all over Jason’s eager, throbbing dick.

“Fuck. Fuck, man.” Jason hissed, pulling away from the kiss, a new urgency pumped into him.

Gar felt a slight streak of disappointment when Jason looked away from him - like a fictional pixie, fading away for the slightest moment without Jason’s attention. The feeling was doubled when Jason took the touch of his chest. He actually found himself whimpering like a pathetic puppy as he wondered what Jason was doing.

It made a bit more sense when Jason frantically unzipped his would-be getaway bag - rifling through the pockets, ripping out spare underwear and - fuck, of course, more of Gar’s bright green shirts that he had stolen - until he came back with a bottle in hand.

Lube.

Of course. Of course that would be something Jason considered to be an essential to travel with when he was stealing away into the night, never to be seen or heard from again.

Gar would have made some kind of joke about it, but he found his mouth dry, and he was far too horny and mesmerized, his blood pumping through him at top speed as he watched Jason. Who uncapped the bottle and squirted some onto his fingers - then his hand disappeared behind him while he tensed his thighs and hiked his body higher up onto his knees, clearly with the intent to finger himself open in preparation for Gar’s cock.

Gar huffed out hot breath.

It had been so damn long.

He felt his cock pulse with fierce need and spurt out more pathetic spurts of precum, making his stomach even more shiny as it began to pool inside his belly button. He rubbed his hands lovingly over Jason’s thighs as he continued to watch with the utmost rapture, his eyes drinking in every single inch of the beautiful body in front of him - the flexing muscles, the sharpness of Jason’s hips, the thickness of his thighs, the way his perfect, modest cock bobbed between his thighs while he worked. His plump, pink bottom lip snagged between his teeth while he tried to contain his moans. Something that turned the sounds into the most beautiful little grunts that Gar had ever heard.

After a few moments, Jason pulled his fingers from himself with a sinfully wet sound, and then he reached for the bottle of lube again. Gar was surprised though when he went straight to pouring the shockingly cool liquid across Gar’s cock.

Typically it took them a lot more work to get Jason ready to take Gar, seeing as he was a bit longer than nine inches, impressively thick - and though he tried his hardest to be gentle - when Jason begged him and nagged him with purpose, he could sometimes get carried away. (Jason claimed that he liked the feeling of soreness afterwards, but Gar sometimes felt guilty for letting go of self control and pounding into Jason like an animal.)

“You - you want more help?” Gar choked out.

With Jason’s hand on his cock, spreading the wetness, he was already pushing his orgasm down past the onslaught of sensations - the lube warming under Jason’s hot touch, the purposefully loose grip that Jason had on his dick that just made him itch and made him want more.

Jason grunted in reply.

“I fucked myself this morning.” He said, distinctly not making eye contact with Gar. Instead, continuing to stare at his own hand as he picked up the bottle and poured more wetness around his grip on that impressive, thick cock, and then spread it around.

He almost added on: ‘I was thinking about you when I did it.’

But somehow, even now - that felt too emotionally vulnerable.

Gar quickly became swallowed up by heated thoughts of this. He became consumed by the visual image of Jason splayed out on a bed somewhere, (wherever he had been staying since he had left), fucking himself with his fingers shoved deep inside his well-lubed hole while his other hand moved frantically on his cock. Or even better, pounding a toy inside of himself like the one Gar had found snooping through his room while looking for anything he could use to help Jason against Crane.

He would look so fucking good like that, spread open on the unforgiving thickness of the silicone, desperate whines and moans coming from his lips because it was good, but it just wasn’t right. It wasn’t enough. It wasn’t perfect like having Gar’s hot body on top of him while Gar’s big cock carved out a spot deep inside his guts-

While Gar was distracted by these thoughts, Jason took the opportunity to line up the now well-lubed dick with his prepped hole and sink down onto Gar without another word. This caught Gar off guard, stealing his breath in the best way. It was smooth and slick and he didn’t waste a second before putting his entire body weight onto Gar, letting his ass rest flush with Gar’s pelvis so that Gar’s impressive cock was fully inside of him.

“Jay - oh, fuck.”

Gar let out a chest-rattling moan and quickly became dizzy, and it didn’t even occur to him that Jason had skipped putting a condom on him. So, this was the first time that he was bare inside Jason, absolutely no barriers between them. He couldn’t mentally comprehend it, and all he could think was - of course it was hotter, of course it felt better - he hadn’t seen Jason for so long, he had forgotten how perfect Jason felt around him, he had forgotten that it felt this fucking good.

“God, fuck, Gar, your dick-” Jason mumbled out, clearly lost in a haze of pleasure himself.

Jason didn’t waste a second - with Gar too pleasure-numb, Jason simply took what he needed. He planted his hands on Gar’s chest while Gar’s hands rested dumbly on his thighs, and he began frantically bouncing up and down on Gar’s dick, impaling himself on that beautiful big cock, quickly creating a good rhythm. He watched with awe and swelling adoration as his eyes locked on the man below him.

Gar looked so perfect like this.

His body was a sculpture of perfection, like Adonis himself, carved from marble. Every single time Jason got him naked in bed, he wondered how the hell he had gotten so lucky. With his pink lips parted as increasingly loud moans escaped him and his brows creased with pleasure, bits of that distinct green hair stuck to his forehead from the efforts. His stomach fluttering and flexing every single time Jason slammed his hips down and took Gar back inside him fully, Gar’s body glistening with sweat, slick from their encounter so far - he was a picture of perfection, not a single flaw that Jason could pick out.

And while his hole was tingling with the pleasure of having Gar inside him again and his cock was throbbing as it danced between them, beginning to sputter out precum now - he was beginning to ache with a brand new need.

He was chasing a sexual need, of course, but he was also growing frantic with an emotional need that he had pushed down for so many months. He had missed Gar so fucking much. So much it hurt - and he had used so much to try and forget about it - the Anti Fear gas, the intense focus on Crane’s mission, the booze, the distance.

But now it was all right here in front of him - those moans he had missed so much, that green hair, the smell of someone so distinct that he had tried huffing off clothing like a drug that he couldn’t buy anywhere off the street. He swallowed thickly and tried his best to hold back tears, and was only reminded of this more when Gar’s fingers dug into his hips - a firm but loving grasp that only more deeply reminded him of who he was fucking. Reminded him of what he had missed out on.

“Dammit,” Jason huffed out. “Fuck - your-your cock is so good,”

Usually he was a motormouth during sex. He was infamous for never shutting up until his orgasm hit him like a truck. If it was spitting out ‘fuckboy’-esque promises that he never could keep because he usually wasn’t the one fucking Gar’s brains out (but rather, mindlessly taking a cock), or horny blabbering as he begged for more - his tongue was constantly sputtering out something while Gar touched him.

So he thought that talking would be a good distraction from the horrible knot in his gut - from this thing that he was feeling. He didn’t need to deal with those stupid fucking feelings right now. He just didn’t.

“So fuckin’ big.” Jason whined. “You feel so good inside me.”

Gar grunted in return, taking a tighter hold on Jason’s hips and helping more now. He helped Jason slam down harder, causing a harsher collision of their skin each time - a sharp, wet slapping that sounded absolutely sinful in the room. It made Jason feel fuller somehow, and he let out a downright whorish sound, struggling to get out his next words.

“God - I - fuck -” He whined. “Your cock - Gar - you feel so-”

“Yeah.” Gar breathed back in reply, encouraging him. “Yeah, Jay.”

With another hard slam of Gar’s hips up into his hole, Jason’s mouth was knocked loose.

“Missed this dick.” He breathed out. “Missed this - missed this so much. Missed you.”

It was a stubborn admission that even the world’s harshest torture couldn’t have pulled out of him. But the feeling of Gar’s cock deep inside of him, those fingers digging into his flesh like he owned Jason - that was enough to have his tongue loosening around his secrets and have him spilling into vulnerability like it was his fucking job.

Jason didn’t have enough time for the sting of regret to settle over saying the words, because something inside Gar snapped. The mourning in Jason’s voice, knowing that Jason has missed him just as much - he went from dumb and lustful as Jason bounced on his cock to swelling with that passionate anger once again. He had missed too much time with Jason, and he needed to make up for it. He needed Jason to know that he couldn’t just run away - that he mattered.

He became filled with the determined need to show Jason that he couldn’t leave - he could never leave, because Gar had missed him too.

Gar loved him. Gar needed him.

They needed each other.

Gar grabbed him around the waist and with a deep growl that was truly bordering on animal this time, he flipped Jason over onto his back. His cock slipped out of Jason, slick from the lube, causing Jason to make a startled, disappointed noise as he suddenly felt far too empty. When Gar leaned over Jason and felt Jason’s getaway bag brushing against his knee, a swell of offense came over him. He reached for the bag, shoving it off the bed without a second thought - spilling clothes and other random items across the floor out of the open zippers, something that neither of them paid any mind to in the following hours.

“Please, Gar-” Jason breathed out, and from there, anything else in the world was shut out for him and Gar.

Maybe what they had done before could never be considered making love - but they certainly had their moments. Times when Jason would kiss Gar’s forehead after making him cum, before getting out of bed without a word. Times when Gar grabbed both of Jason’s hands and interlocked their fingers while he rocked his cock deep inside of him. But for the most part, they fucked filthy and horny and desperate. They fucked like two guys in a race to get each other off - and it worked for them.

But this felt different.

As Gar slipped his cock back inside of Jason, he locked eyes with the man below him and a spark ran through him that said this was different. This wasn’t turning to the closest warm body out of convenience or boredom. This wasn’t just a friendship with some very particular, spectacular benefits. This was the intense gaze of a lover, locked into a stare that said the rest of the world was locked out, completely forgotten just because Gar was touching him.

This was coming home.

This meant that nothing else mattered - no past transgressions, no supposed mistakes, no demanding corrupt figures that had used them as pawns in their own games - none of it could even be seen as Jason locked his knees around Gar’s lower back, holding him tightly in place, silently begging him not to go too far.

A quiet: please, don’t leave me, I need you.

I need you just as much as you need me. I swear it.

Gar held back more tears, and his next huff of breath turned into another low growl - a sound that had Jason whining quietly and clenching down on his cock. That hint at his more animal side had always been something Jason had liked - especially knowing that Gar was the most tame ‘beast’ he had ever met. Ironic, considering that Gar could turn into a six hundred pound tiger and he could shred people with his teeth at will. But Gar was the most gentle person Jason had ever known - someone he trusted with his life within a day of knowing him. Someone better than his own blood relatives and shitty foster ‘families’ who had tossed him out onto the street without a second thought.

Gar was never a beast, no matter what he was capable of.

“Please.” Jason begged, his voice slightly choked and breathless.

He held on tightly to the side of Gar’s face, the other hand straying around to grip the back of Gar’s shoulder - and though Gar’s cock was already throbbing and threatening to blow far too early, he knew he couldn’t deny Jason any longer.

Gar pressed his forehead into Jason’s neck, unable to stand the piercing interrogation of that gaze - looking for atonement, looking for validation, looking for love. Gar would give him all of those things, and he fucking will - but he couldn’t concentrate on that and delivering a quality fuck at the same time. Jason deserved that, too. He deserved to cum in a spectacular and satisfying way.

With his concentration a bit steadier, Gar began to fuck his hips forward - fucking into Jason in slow, smooth strokes.

“Jay, fuck,” He moaned out. “So fucking good. You’re so fucking good.”

Jason let out a high whine in return and Gar sped up his hips - fucking into Jason faster, but nowhere near as fast as Jason had been riding him. It was still so tender and slow, deep and firm as the thickness of his cock truly made a home inside of Jason that reminded them both exactly where he belonged.

Jason’s voice warbled - becoming nothing but a nonsensical echo of weak sounds dispersing into the air. Gar couldn’t help himself; he kissed a trail from the middle of Jason’s chest up his neck once again, taking the time to lay a few more possessive bites across Jason’s neck before he reached his face. When he felt roughness under his lips, it truly sunk in that Jason had been hurt - he had picked up a few injuries while fighting to defend him and the other Titans. Jason had put his body on the line for them.

How could Jason ever be bad if he was willing to get hurt in order to protect his family?

A swell of passion and possessiveness streaked through him again.

His tongue sneaked out of his mouth and he licked over the cut above Jason’s eye like a cat trying to lick the wound clean, all of his instincts heightened with the lust pumping through him. Something in his lust-drunken brain was screaming at him that Jason needed this care, and nothing more than the saliva from his tongue would make Jason feel better.

He did this, kitten licking across the cut, while he continually ground his hips deeply against Jason’s, stuffing his cock ever deeper into Jason’s needy hole. It made for a breath-taking combination of care, attention, and heat that made Jason’s stomach curl.

“Gar-” He gasped out. “I - ah - fuck!”

Gar gave another little lick and then moved to grab both of Jason’s hands, entwining their fingers on both sides as he had done in the past. Previous times Jason had laughed about it or called him cheesy, or even suggested that Gar use handcuffs instead if he truly wanted to pin Jason down. But this time, as Gar brought the grip of their tangled hands up above Jason’s head and continued fucking him so deeply. Jason only let out another shuddering gasp and looked Gar in the eyes with a glassy look that said he was truly gone.

He had surrendered everything to Gar now.

He couldn’t have run from this if he tried.

“Come on,” Gar grunted, slamming his hips a little harder, a little more determined - pulling back a bit more, going a bit deeper. It was a motion that pulled louder sounds from Jason, that made him tremble.

“Cum for me.” He breathed into Jason’s ear. “Cum on my cock - so good for me. Cum for me, show me how much you missed me.”

Gar kept Jason pinned by their joined hands and by his hips holding Jason tightly to the bed. With his cock slamming into Jason in fierce, heavy, hard strokes - and with Jason’s cock jostling between them, brushing against Gar’s impossibly hot stomach - it was difficult for him to deny the order. With those words spoken in that perfect voice, floating in his ears, the orgasm shot through his body like his soul awakening - like he was truly feeling himself for the first time since he had woken up after The Pit.

“Shh - shit! Ah! Fuck!”

He gasped and struggled to get air into his lungs, and Gar cloaked his mouth over Jason’s gaping lips, fucking him right through it. Jason’s cock jumped and jolted between them, painting both their stomachs with his cum while his hole tightened and clenched around Gar - while he shook beneath Gar and tightly grasped Gar’s hands.

It was utterly perfect.

“Please, please, please-” Jason gasped, frantic.

He needed Gar to cum, too. He needed the feeling to be complete.

Gar let out another growl, shoving his head into Jason’s neck, taking a healthy whiff of his sweat as he fucked his hips hard into Jason.

“Mine.” He growled possessively into Jason’s skin. “Mine, mine, mine-” He punctuated each slap of his hips into Jason’s ass with the word, his mind filled with this as though it were the one true thing in the world.

“Mine.”

A final pathetic dribble of cum escaped Jason before Gar’s cock began pumping into him. As he came, Gar’s teeth latched onto his neck once again, biting down hard enough to pull blood this time - creating a twinge of copper under Gar’s tongue and wringing even more inhuman sounds out of Jason.

Gar pressed his hips as deep as possible into Jason, making them both utterly high on the feeling of his cum fucking deep into Jason for the first time. Jason feeling it so warm inside of him and having it pool and leak down over Gar’s balls - it only further reminded them how utterly close they were, how deeply Gar had marked Jason, how Jason was cursed to return back to Gar because he needed this - it was a deep reminder of how Gar was his home.

Tears leaked from Jason’s eyes and Gar licked them away, grinding his hips deep into Jason - causing stray whimpers and aftershocks of pleasure while his cock began to soften.

“God, oh-”

“I know.” Gar replied, his voice more ragged than he imagined it should be.

When he pulled out, it felt like a shock to both of their systems. Too empty, too distant - even still so close to a warm body, too cold.

Jason’s first instinct was to get up and go to the bathroom to clean up. Especially feeling the stickiness and the mess all over his body as he came down from the high. But Gar rolled onto his back and put a tight arm around his back.

“Sleep now.” Gar told him, puffing out an oddly cute little yawn. For someone who had just fucked his brains out - he now resembled a sleepy little house cat.

Jason found that he couldn’t really argue with that.

…

Even though Jason was exhausted and hadn’t slept much in the past few weeks, he woke up long before Gar did.

There was still so much worry plaguing him.

Oddly enough, Gar’s snoring was more of a comfort than it was a disturbance. It reminded him of sharing a wall with Gar when their bedrooms had been so close together; when he had laid awake at night after scurrying out of Gar’s bed at top speed after they had fucked, wondering what it would have been like if he had decided to stay.

Back then, it felt like the end of the world to open up to Gar. But now, he couldn’t help but to wonder if it would have saved him in the long run.

Titans Tower was never the perfect place for him. It only ever felt livable because Gar had been there. They grew so close so quickly - at the time, Jason had tried to convince himself that it was just friendship. That it was the delusion of being stuck in close quarters. Gar was convenient - he was a good fuck, close by, and he was hot. He was someone Jason could get off with while Dick and Bruce had him locked up. And most of all, Gar was pleasant to be around. He didn’t look down on Jason like he was just some street rat, and he didn’t expect Jason to perform miracles just because he had taken on the mantle of Robin.

Gar treated him like an equal. At the time, that was the best that Jason could ask for.

Jason didn’t think there were any possible downsides to being close with Gar, and letting himself have some sexual relief in the process.

Until Deathstroke.

If he had any feelings for Gar, he had been suppressing them, and then - Gar argued with him about going out to hunt down Doctor Light. He felt betrayed. He felt like Gar didn’t understand him anyway, like Gar would always side with Bruce’s favorite - Good Old Dickie. The one thing he had been putting Gar on a pedestal for - treating him as an equal - was slashed away within seconds.

Back then, Jason couldn’t think rationally. He felt like he needed to capture Doctor Light and bring him in to get back in Bruce’s good graces, to show the Titans what he could do. He had no clue that Gar was scared for him; that he was acting out of fear, trying to protect Jason. (Something he would continue to do no matter what, apparently.)

At the time, Jason was insecure and stir crazy and he let it get to him.

And then, he was blindfolded, strapped to a chair, stabbed, and beaten, and all he could think of was how much he was going to disappoint Gar. How much he was going to hurt him. Bruce, Dick, and the other Titans were the farthest thing from his mind - all he could think about were the last time those soft lips had been on his, the flash of green hair. The utterly disappointed look Gar had given him when he had declined to call Dick for back-up before going into the train tunnels.

Gar thought Jason was stupid. But Gar was so damn soft-hearted. And Jason couldn’t stop thinking about how much he was going to hurt Gar with his idiotic antics. How much he was going to take from someone who didn’t deserve it.

As he was strapped to that chair, watching Deathstroke sharpen the sword, all he could think about was the look on Gar’s face - the tears he was going to cry when he was eventually told about Jason being sliced open. Especially because he knew that Gar would blame himself for not saving Jason, for not calling Dick sooner - and it was all Jason’s own stupid fault.

When he got back, somehow unscathed, he kept his distance from Gar. It hadn’t happened then, but the day would come when he would bring Gar a lot of undue pain - and if he started severing their ‘friendship’ now, then he could eventually soften the blow. At least, that was his line of thinking. He kept far away from Gar’s room when he needed that comfort more than ever, thinking that it would both do them better in the long run.

When a knock came on his door, he was surprised that it was Rose, and not Gar - and he was pissed off and annoyed more than anything. She was persistent and he was tired.

When she barged her way in, he found a particular part of his brain nagging at him - telling him that technically, he was still single. He shouldn’t get so attached to Gar anyway, because it would only hurt them both later on. Maybe it was because he didn’t want to be attached - he wanted to know that he could run at any time. He needed to know that he wouldn’t get hurt. More importantly, that he wouldn’t hurt someone soft and caring like Gar.

He wanted to be able to say that everything going on between him and Gar was just sex.

So he let himself kiss Rose.

And he felt absolutely nothing.

When she told him: ‘Don’t be stupid and maybe it’ll happen again.’

He wanted to bark out: ‘It won’t.’

But he didn’t want to lay it all out. He didn’t want to tell her of all people that he was in love with his best friend and that’s why he wasn’t available. He wasn’t ready to say it out loud - and that’s why he settled for simply telling her to loudly fuck off as he stormed out of Titans Tower, determined to be alone. Especially when Gar did nothing more than stare him down with sad eyes, not moving a muscle, making no efforts to chase him.

He was meant to be alone. Or so he thought.

It was very clear that Gar had other plans.

Gar - who was currently snoring beside him with the presence of a slumbering lion. Perhaps Gar had skewed his idea of what it might actually be like to sleep beside a lion - wholly warm, downright hot, with heat radiating off his skin like a furnace, utterly soft and cuddly even though he was so muscled, someone who slept with his mouth agape and snored loudly - but in a pleasantly rhythmic way. He was a perfect, quaint, slumbering beast.

He made Jason feel safe.

It was not a luxury Jason had often in life. Maybe it was the thing that kept him coming back to Gar, again and again - that precious feeling of safety. It truly was better than any drug.

More and more presently by the minute, Jason was reminded of the mess - the unpleasant drying cum between his cheeks and on his lower stomach, leaking out of him and no longer pleasantly warm. It made him want a shower. He didn’t want to scare Gar by having him wake up to an empty bed, but he also didn’t want to wake him, steal sleep away from him when he clearly desperately needed it.

Jason nudged his way to the edge of the bed, trying to sneak away to the bathroom - but when he heard a harsh snort from Gar, he knew him well enough to know that this had signaled the end of his sleep; a harsh jolt awake.

“Where are you going?” Gar mumbled tiredly, not even having his eyes fully open yet before he frantically looked around for Jason.

“I was just gonna go shower, crawl outta my ass.” Jason hissed back, still feeling a bit raw and defensive.

He knew that Gar would sacrifice anything for him, but he still felt unworthy. Like a puffer fish growing big in defense, Jason was spitting out sourness in a last-ditch attempt to get Gar to change his mind - to shift his thinking last minute and suddenly see the truth: to find him unworthy.

Jason was almost shocked when Gar smiled.

Gar held back a clever quip about how he had made a home inside Jason’s ass and he wasn’t going to change that now.

“I’ll come with you.” He said instead. “Hot shower sounds nice right about now.”

“You should stay and sleep.” Jason told him, still teetering on the edge of the bed. “You’re clearly tired.”

“And you’re not?” Gar probed back.

There was a moment of tense silence. Jason didn’t offer up a reply.

“Come on, what’s this about?” Gar asked, fully opening his eyes now, propping himself up on one elbow to stare Jason down.

“After I get dressed, I have to go and talk to Dick.” Jason declared.

The words were heavy in the air.

The admission that he no longer felt the need to run. That he wanted to make an effort to stay, that he actually wanted to ask for his place back with the Titans.

Gar wanted to squeal with glee. Naturally, he held himself back. There would be a few more bumps in the road before Jason was officially home.

“Not by yourself.” Gar told him sharply.

Jason’s jaw clenched. He was afraid to admit that he needed the help. It was something he had been afraid of for a long time.

But he knew that without Gar’s help, without Gar vouching for him in Dick’s eyes, the conversation would likely only go one way.

And he needed to come home. He needed to stay.

Jason felt weak, and his voice was quiet when he finally mustered it up.

“Okay.”

It was a weak surrender. But things between him and Gar had never been that kind of battle. Not the kind of battle that he had with Bruce, or with Dick, or even with himself. There was never any true hatred there. Just the kind of fierce anger you feel when you love someone so much that you fear losing them.

So this surrender didn’t feel like a stain on his record - didn’t feel too much like giving up, after all. Not when the picture he ended up with had him and Gar in the same frame. It was something that made him feel more content and less defeated when Gar poorly concealed a smile in response - and then pulled him in for a kiss before getting up to grab towels for their shower.

...

A/N: This is a standalone oneshot, so please do not ask for a second part or a continuation. If you are going to comment, please comment about the body of work that has been written.

Also, typically, I don't write character x character fics, so if you randomly found this in tags and you really like it - I apologize, because the rest of my masterlist is not like this and I won't be writing anything else like it anytime soon. I do write a lot of Titans fics and I have a lot more of them on my masterlist, so if you enjoy my style of smut or if you really enjoy my characterization of these two, then you should definitely check out the other things I have written - particularly No Place Like Home, which has a lot more JayGar scenes in it.

If you do really like my writing style and you want to see Titans x Reader fics (which is what I typically write), then you can follow me and sign up for my DC Titans Taglist by replying to this post asking to be put on the taglist or sending me an ask about it. Anyway, glad you enjoying the fic if you read this far, thanks for reading!!

#sundrop writes #dc titans #titans fanfiction #jaygar #jason todd x gar logan #jason todd fanfiction #jason todd smut #gar logan fanfiction #garfield logan fanfiction #gar logan smut #dc titans fanfiction

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doodlebug-aboo · 1 month

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“evERYONE STOP TALKING EXCEPT FOR ADAINE!! ..and maybe me” murph the way you embody riz so perfectly <3

#fantasy high junior year spoilers #fhjy #gotta hand it to murph #he becomes his characters no matter the season and he never fucking misses fr #you cannot convince me he is not a rat man in usc #you cannot convince me he is not a large gummy bear in full plate armor in acoc #he is his characters each season in such a real way and i do love it a lot

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holysainz · 10 months

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silly season - lando norris

pairing: lando norris x girlfriend!reader

warnings: innuendos

summary: fans get a glimpse into your relationship on a stream

You walk into Lando’s gaming room, a cup of hot chocolate topped with tiny marshmallows in hand. His back is to you, headphones clamped over his head, eyes focused on the screen. Lando is always in his element when he's streaming — it’s a joy to see. But today, you’ve been the one tasked with interrupting him. Not that you mind, of course.

“Got your hot chocolate, sweetheart,” you startle him, setting the cup down beside him on the desk. You look at the screen, recognizing the familiar game of F1 2023. “Who’s winning?”

“Verstappen. But it’s just a virtual race,” Lando chuckles without taking his eyes off the screen.

“Ah, so you admit you’re losing?” You tease, earning a playful glare. You laugh at his mock annoyance, then start to saunter out of the room.

Before you can make your exit, however, Lando grabs your wrist, pulling you back. “Wait, I need you.”

You spin around, your eyebrows raised in surprise. His words hang in the air, and for a moment, a suggestive smirk plays on your lips. “Really, Lando? On a live stream?”

His cheeks flush as he quickly shakes his head, his laughter joining yours. “Not like that, you minx! I need you to stay here and distract the competition with your terrible driving.”

“Ah, so that's how it is,” you retort, grinning at his playful sidestep. “I’m your secret weapon now, am I?”

With a chuckle, he grabs the spare controller, throwing it to you. “Only the best for Team Norris.”

“Well then, prepare to lose!”

What you don’t realize is that Lando’s stream is live, and all his fans are eagerly watching the banter unfold.

Lando chuckles, setting up the second controller. “Oh, we’ll see about that.”

The race starts and immediately, it’s a comedy of errors. You’re not very good at the game to say the least and you crash into a wall within the first thirty seconds.

“Hmm, you do know the point is to avoid the walls, right?” Lando teases, his fingers moving deftly over the buttons of his controller.

You shoot him a feigned glare, and he laughs, his attention fixed on the screen as he smoothly overtakes one of the opposing cars. “Maybe you should stick to delivering hot chocolate, love.”

“No way,” you say stubbornly. “I’m going to beat you at your own game, Norris.”

“Ah, spoken like a true underdog!” He laughs, and the sound of it makes you grin, even as your car crashes into another wall.

Meanwhile, on the other side of the screen, Lando’s fans are loving every moment. Their favorite F1 driver showing his fun side, coupled with your charming wit, is an unbeatable combination.

The chat box fills with amused comments:

‘OMG, she’s hilarious!’ ‘Lando, you’re losing your touch!’ ‘Can we have her on every stream?’

Laughing and teasing each other, you keep trying to maneuver your car with minimal success. You playfully jab at Lando’s concentration, saying, “Hey, aren’t you supposed to be good at this?”

“I am good!” he protests, “Just not when you’re trying to distract me.”

“Oh, am I a distraction, Norris?” you ask, raising your eyebrows suggestively. “Is it because I make your gear stick shift?” The playful innuendo makes Lando choke on his laugh.

“A very attractive distraction, yes,” he responds, and it’s your turn to blush.

The comments explode:

‘Did he just—‘ ‘They are too cute!’ ‘I can’t even.’

Eventually, Lando wins the game, but not without a few crashes of his own. As you watch the virtual champagne spraying over his character, you say, “Well, you won. But I’d like to see you do this in real life.”

Without missing a beat, Lando responds, “What, win a race or put up with you?”

“You better keep it clean on the track, Norris,” you retort, giving him a sly wink. “Because the way you’re driving here, you won’t be able to handle the curves!”

You gasp dramatically when he laughs at your comment. “Lando Norris! I’ll have you know I’m a delight to put up with.”

He laughs, pulling you into a hug. “Yes, you are. You’re my favorite distraction.”

With that, Lando ends the stream, laughing at the barrage of comments from his fans. You sit there with him, sharing in his laughter, completely oblivious to the fact that you were just part of an international live stream.

But you don’t care. All that matters to you in that moment is Lando’s laughter, the warmth of his arm around you, and the joy of sharing these simple, perfect moments with him. And if his fans loved it too, well, that was just an added bonus.

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obae-me · 4 months

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The Reunion We Deserved

I said I would do it and so I did, all in one night, one sitting, fueled by nothing but determination, random inspiration, and spite. I re-wrote and created my version of what I would've liked to see at the end of Nightbringer Season 2. Is this a bit dramatic? Yes? Is this the kind of thing I wanted anyway? Yes. I want sobbing, I want people being pathetic, I want emotion, I want it all. So, if that's what you were hoping to see for lesson 40, I hope this can ease some of that anger we had.

Spoilers ahead for Nightbringer since this is quite literally my "remaking" of the ending, which includes in-game references to later lessons!

TW: Blood mention, injury, angst.

Word Count: 4,391

Tears pricked your eyes as you looked upon the several smiling faces of the demons you had come to care for. At the beginning, all you could think of was returning to your home, your time-line, your brothers. You had coped thus far by constantly reminding yourself that these were not the same people you had come to know. But now… after delving into their souls, reforging the pacts, fleeing down the different circles of hell to save one only to nearly lose them all… they’d found their way into your heart once more. How could you? How could you leave them so easily? And tell them to their faces that you’d meet again soon when you knew it was a lie. It might be soon for you, but it would be nearly an eternity for them. Not to mention that the way Solomon and Barbatos described it, this was almost like another universe… Would another version of you show up for them? Or would you leave these particular brothers for good?…

Feet frozen in sorrow and anxiousness, you could only look at them and cry. What were you feeling in this very second, now that you were on the cusp of what you had worked so hard for? The way back home was right above you, the air and magic inches away from sucking you up into it’s mystical vacuum. Your precious family, your home was one step away. So why did it also feel like your heart was being torn from you? “I—“ Your words choked up in your throat. You were tempted to tell them everything right there and then, spill the burden you had been carrying on your shoulder this entire time.

“It’ll be alright,” Lucifer spoke up, seeing your worry, but exuding nothing but confidence himself. “I gave you my blessing after all.”

“Plus, with the Great Mammon’s pact, you’re hella lucky! You’ll get home with no problems, I’d bet on it! S-So you better not make me lose, got it? Get home safe…and happy.”

Levi shook his head a little. “You’d bet on anything wouldn’t you…” But then he turned his head back towards you, nearly just as bold as Lucifer in this one moment. “If someone like me can have courage, you can too. Don’t worry! You’re just like a Main Character! You have indestructible plot armor!”

“Did everyone already forget the white dragon I helped summon?” Satan scoffed. “Their safety and success is guaranteed. So don’t give us that face,” he addressed you.

“Besides!” Asmo perked up. “If anything happened we’d all come rushing to save you! Just like we did for Lucifer. If we can do that, we can do anything! Oo, I just said something real dashing just now! You better take that to heart, hun!”

Beel nodded several times. “You have Luke’s wish egg too. I also made wishes over my eggs at breakfast this morning. I wished for you to always feel healthy and full and loved. And that we’d get to see each other again soon.”

“Those eggs might’ve tasted magical Beel, but they weren’t really…” Belphie looked up his twin as he shook his head, but then he shrugged, coming to the conclusion that it wasn’t worth explaining. “Hey,” he stared at you. “Don’t waste your energy crying now. You’ll need all your strength for your journey. I won’t forgive you if you leave too sad.”

All their words ended up making you laugh, the smile across your face twitching as you worked to force out trembling words. “You all better be kind to one another.” Someone behind you was tugging on your arm. “And make sure you don’t tease Luke too hard.”

“Come on,” Solomon whispered softly to you, tugging you a little harder, making you take a few steps back. The rift in space-time started to roar, attempting to drown out your voice as you struggled for these last few seconds.

“And make sure you all remember to eat and sleep properly. A-and, tell the others at the ceremony that I love them. I… love you all so much.”

“We have to go…” Solomon’s voice sounded tense, like he was nearly ready to cry himself, only keeping himself strong for you. Wrapping an arm around your waist, he nearly hoisted you back himself. Before you left, you reached into the pocket of your pants, fishing out the letter that you had written alone in your old room, what seemed like forever ago now, the one still stained with old tears. You tossed it to the ground in front of you, hoping they would read it, hoping it would help…them live without you.

The last thing you heard was a chorus of cracking voices, getting cut off before they could tell you they loved you too…

And then you were gone. A harsh and forceful wind seemed to suck all the air from your breath. It was almost as if you were being plunged underwater, several forces of pressure from the thousands of years you were swirling past was threatening to crush you. The only sensation you were aware of was Solomon’s. His arms were holding onto you tightly, continuing to mutter spells over and over and over again to keep you safe, expending all of his waining power to push you both through the folds of reality and out on the other side.

Gravity. Disorientation. Falling. A heavy weight slammed against your chest so hard, you wondered if your ribs cracked. The back of your head hit something firm. Everything went black for a while.

After who knows how long, your eyes opened again, staring straight up into the Devildom sky, the shifted stars more familiar to you. Your head was splitting with pain, your breath a wheeze as you glanced down to see Solomon’s limp body keeping you pinned against the ground.

“S-Solomon?” It took a short while for the panic to settle in. “Solomon!” After a moment of struggling, you managed to get him off of you, setting him on his back in the grassy plane you had been spat back out onto. His face looked drained. A chant left the base of your throat, using the last scrap of magic you had to give him a spell to reinvigorate his body. His eyes shot open, coughing as he rolled over onto his side, pushing himself up onto his arms before he fell down again. “Take it easy!” Together, using each other as support, you both got back up to your feet.

“I’m sorry…I had meant to deliver us right in front of the House of Lamentation, but…”

“You did alright,” you assured him, rubbing his back to keep his dizzy mind conscious. “A bit of a rough landing, but we’re alive…” But then, the better question was… “Are we—“

“There you are.” A calm voice manifested itself as a demon in front of you. Barbatos stepped out of a portal, his expression nearly as neutral as ever, except there was something in his eyes that was shining, a strange tremor to his hand that was completely unnatural for someone as him. Then he frowned as he took in the state of both of you, his nostrils flaring as he took the both of you with him, each with one gloved hand. You were pulled into a much less chaotic rift this time. Although the jolt was still enough to nearly cause both you and the sorcerer to fall back to your knees. Before that could happen though, you were shoved into a bed.

The guest rooms of the castle appeared the same as always, but something in particular felt nostalgic, like you’d just returned to a childhood home. Solomon appeared to be ushered into a bed right by your side, both your minds too rattled to resist, as the butler threw open the guest room door from the inside and summoned nearly every Little D in the entire building. “I need human medication, bandages, two sets of pajamas, the herbal tea I set aside in the kitchen. I need the oven preheated, the counter prepared, two trays set, and need them all done within the next two minutes.” There was a very subtle raise to his voice, the seriousness of his tone sending a chill down your spine and sending every Little D scattering for their lives. Barbatos spent one second observing them flee before he dissipated once more, getting wisked away through another portal of his own making.

This all felt…so surreal. Perhaps it was the pain that you were in that was making it feel like a dream. Like you’d wake up in Cocytus Hall and be right back at square one. And yet, something in you was missing that place… that house that you had just started to get used to. The furniture and things both you and Solomon had bought to make it your shared home. But your real home was here. Well, hopefully here.

You wouldn’t get your hopes up over anything yet. Not until you got to see them.

Barbatos returned before you could even begin to ask Solomon about any of this. A whirl of varying shades of green caused your vision to do somersaults as you were quickly fretted over. Salves and bandages were wrapped around your torso and a damp cloth gently touched the back of your head. That splitting pain resurfaced, joining forces with an added stinging. Maybe it was your body going into shock, but you could’ve sworn you heard a shaky shush coming from your current caretaker as you were cleaned and patched up quickly. Luckily, it wasn’t too much longer after that till the aches went mostly away, your head clearing up again as a set of your own pajamas were settled at the foot of the bed, a silver tray stretched over your lap and propped up on two stands. A small plate with a single pastry sat in front of you, along with a bitter smelling dark-green tea that you could tell you’d rather avoid imbibing.

Swiveling your head to the side, you saw Solomon leaning back against the headrest and a few pillows, a bit more vibrancy in his eyes, although those intense dark circles were hard to miss. He was okay. Thank…everything.

“Eat. Drink. Both of you.” The butler stood between the beds, realizing he’d spoken quite against his normal demeanor, he cleared his throat, his palm pressed between his collarbones. “Phoenix’s Breath Tea. You’ll both need it to recover. I apologize for making you both consume something so distasteful, but I’ve found it goes down a bit smoother paired with something sweet.”

A single whiff of the hot beverage in your hand was enough to make you cough, some sense burning in your nose. You settled the cup back down, taking a deep breath, trying to get your head on straight. “Barbatos… Are we…?”

The butler’s eyelids fluttered slowly. “You are,” he stated, his voice quiet, almost in awe. “You’re home. Back in the world you belong.”

A lump immediately formed in your throat, pushing the tray forward and turning to get out of bed. “I need to go. I need to see them, I—“ Before you could get one foot touching the ground, you were wrangled back into bed.

“I’ll fetch them. I swear you won’t have to wait too much longer. But you must drink the tea and you must take a moment to recover. If the others were to know the state you both were in right now, the castle would be torn—“

A banging sound ripped through the room like a gunshot. The guest room door was busted completely off it’s hinges, the wood of the frame splintering, the door soaring across to the left and fully embedding itself into the wall like a dart stuck in a board. If it weren’t for Barbatos’ inhuman skills, you’ve spilled the tea and dessert all over yourself. The royal attendant audibly sighed, sweeping himself to his feet and holding his arms out, his demon form manifesting, wrestling back a writhing and screaming black mass.

Your eyes went wide.

The mass stopped fighting, going rigid, stepping back to form seven different individuals. Three more non-hostile forms stood back in the wrecked doorway, two white, one red.

The bottom of your lip trembled as an overwhelming surge of joy and despair and relief and guilt all flooded out of you in tears. Your fears were pushed away. Your soul seemed to click back into place, like you’d been the last puzzle piece just waiting to finish the picture. “I’m home…”

Chaos erupted in the castle guest room. A few cracking wails nearly burst your eardrums. Asmo’s arms were the first to wrap around you, mascara running down his cheeks in large inky trails, but he didn’t seemed concerned in the least. Kisses lined your face with each sharp intake of breath, too shaken to even speak, he could only address you in his cries as he clutched onto you, trembling. His hand stroked your head, his breathing stopping for a moment when he saw the damage the landing had caused. This only caused him to whimper and cry harder, his thumb running over the outline of your features, running the back of his fingernails over your cheeks.

Levi was stuttering incomprehensibly. As he fell to his knees, he clutched at his head, going through an entire panic attack. He clawed at his chest, tearing gashes into the front of his clothes, looking up at you behind large welling tears as his tail wrapped around his entire torso. Mist filled the entire room as he continued to shake and cry so fervently he couldn’t even stand.

Luke was quite a ways away, holding onto Simeon’s clothing as he screeched out painful genuine child-like cries. The Angel curled over him, shushing him, getting to his own knees to hold the fledgling to his chest, assuring both the little angel and himself that you were okay. You were alright. Miracles had brought you together again. They didn’t have to worry any longer. The sleepless nights, the endless nightmares, the never-ending cold grip of sorrow could go away. He spoke this mantra- this prayer- over and over again, taking deep breaths between the words, blinking rapidly as he had to sway him and his charge back and forth to keep themselves both at ease. The older angel took the occasional glance over Luke’s shoulder, muttering a thankful blessing on repeat every-time he locked with your eyes.

Satan was thrashing around the room, screaming wildly, out of control, ready to beat Barbatos and Solomon for making you arrive in this condition, for not bringing you sooner, for not telling them sooner, for— Eventually, after getting thrown around the room a little, he ran out of things to be angry for. All it took was one look at your face to calm him down. He approached carefully, angry at himself, angry at whoever it was that took you away, but trying to keep himself together. Satan gingerly pulled Asmo off of you, turning Lust over to Solomon. Clearly, he’d been worried about his other pact-mate, hugging the sorcerer and crying a little more softly into his shoulder. Meanwhile, Satan reached a hand out hesitantly, like you were a feral cat he was trying to pet, worried you’d run away. His hand brushed through your hair and settled at the side of your face. Once he realized you weren’t going anywhere, his arms pulled you to him, pressing your face against his shoulder. “You’re here. You’re here again. You’re—“ His voice went hoarse, like he was losing it, like he’d been doing nothing but screaming for the entirely of your absence. Soon his words were nothing but faded squeaks, trying to portray his words but unable to. He simply held you instead. Then he tore himself away from you, heading over to the back wall and punching holes into the structure till his knuckles turned bloody.

Someone crawled onto the bed. Belphegor peered at you with an almost blank expression. His hand reached out, touching your knee, flinching as soon as he made contact, like the very act of him doing so would hurt you further. You could tell that maybe he felt like some of this was his fault, like he’d deserved the pain of having you be sent away from him, like if he did anything wrong again, you’d vanish for real this time, How many times could you come back from the dead? How close was he to losing you entirely? For good? As soon as his warmth mixed with yours, he collapsed on the mattress, curling up at your feet. He gathered the blanket towards his face, the end of his tail twitching erratically. His sobs were silent but violent, the entire bed shifting and bouncing as his body convulsed, his chest pounding as he broke down. Every once and a while, he would become extremely frightened, needing to gasp and look up to ensure you were real. You weren’t a dream. He pinched himself, shook his head, even almost bit at his hands to snap him out of this vision. But you were really here. He would curl back up and continue to cry.

White hair bobbed in front of your vision, two hands going to your shoulders and shaking you, pinning you against the headboard, fingernails careful not to dig themselves into your skin as they gripped your body. “What the hell is wrong with you?! Huh? Huh?! Do you have any idea what you put us through?! What you put me through?!” Mammon growls and screams shocked you.

“Mammon.” Lucifer’s voice settled as a stern warning, but something about it seemed weaker than usual.

Greed ignored him, continuing his rant. “You were just gone. Gone! You know that?!” He shook you again, careful not to rattle you too much. “And what am I supposed to do about that, huh?! What did I say?! I said—“ His voice cracked, trails of moisture streaming from his eyes and over his lips. “I said,” he repeated, “if you’re ever in trouble, you have to let me save you. What part of that didn’t you understand?! How dare you get taken somewhere where I can’t reach you?! How dare you?! How dare you?!” His voice continued to raise in pitch, sounding more and more unstable with each accusing question. Then he slumped, his forehead pressing against your chest as his hands held onto your shoulders tighter, almost bruising them, fearful of letting you go. He began shaking you a few times more, each shake meeker than the last. “How dare you. How dare you… How… W- What was I supposed to do if you didn’t come back?… The world is nothin’… I’m nothin’…”

Beel came over and helped his older brother to his feet, allowing him to sit on the side of your bed as Mammon furiously used the back of his wrist to rub at his cheeks. Gluttony stood over you, looking down with a wide close-lipped smile. “Welcome back.” He leaned down, pressing his cheek against yours as his large arms wrapped around the back of your neck. He took in the scent of you, burying his face into the crook of your neck for a moment. His body didn’t shutter, didn’t make noise, but you felt a few warm tears of his drip onto your skin. He silently and secretly teared up for just a few moments before he stood back up straight, gesturing to the tray with your items on it. “Eat, please. It’ll make you feel better.” The sixth-born took a few steps back to let you breathe, and as he moved back, someone else moved forward.

Lucifer stood at your bedside for quite some time in silence, looking down on you with a rather unreadable expression. He had a frown, eyes squinting like he was upset at you. He scanned you over, his brows furrowing, his jaw clenching. He refused to move, refused to say anything, refused to look you directly in the eyes. You moved forward a little, grabbing his hand, holding it in yours. All the sudden, the tension released. His eyes widened before his eyelids lowered, glancing at you past the vulnerable shimmer past his irises. Wrinkles of stress deepened in his forehead as his whole face contorted in agony. He held your hand tightly, bringing the back of it up to his lips. After that, he pulled you against him, his forehead pressed up against yours, his wings in his demon form acting as some sort of visual blocker, as if he couldn’t stand to have the rest of the room see how he was acting right now. He rubbed his face against yours back and forth, one small touch away from cooing, his hands caressing the sides of your neck, feeling your pulse, hearing your breath, taking in every detail and confirming to himself that you were indeed in his arms again, alive and mostly well. “You’ve come back to us,” he whispered, the end of his nose touching yours as one of his hands cradled the back of your neck. “Back to me.” His breath was hot as he panted for a moment, taking a deep breath and speaking in a hushed tone. “I had nearly begun to entertain the thought that…”

You pulled him closer to you, letting his head rest on your chest as you reached around to his back, grasping the cloth of his clothes in your hands. “You know I would fight through all the layers of hell to get to you.”

That seemed to resonate with him, but you weren’t quite sure he remembered that you were speaking quite literally. All those adventures…the things you’d all learned. How lost were they?…

However, Lucifer simply smiled, laughing a little, squeezing you before laughing again. “Yes, if anyone would do such a thing, it would be you. I shouldn’t have doubted you.” He straighted, fixed his clothing, lowered his wings, and moved further back into the room, rubbing his eyes with his thumb and forefinger as he paced towards a back corner.

Levi had finally soothed himself enough to move, walking on his knees towards the bed. His hands were fidgeting with every part of his outfit. Eyes puffy from crying, throat raw from his collapse earlier, he kept himself from speaking. You managed to smile down at him and wipe away the last few of his tears. His lips shook again before he lowered his head into your lap. Face-down in the fabric of the blanket, he kept shaking his head. He didn’t stop until your fingers ran through his hair. With a forced gulp, he eventually vocalized words. “I missed you… I was- was- was so scared I would…”

“Lose you.” Belphie sat up in bed, ignoring the fact that his face was now a mess. He scooted closer towards your side on the bed. “We thought we lost you.”

The youngest was able to say what none of the others could. Full silence washed over the room as the reality of the situation fully seemed to hit them, their shock slowly starting to fade.

Diavolo strode in, everyone moving out of the way to allow him to have his own time with you. The corners of his eyes crunched in happiness. His tight and broad shoulders sagged. Both of his large hands scooped up one of yours, bringing your touch to the side of his face. He closed his eyes, almost appearing as if he might purr any second. As he opened his sight back at you, a fire of positivity and excitement lit within him. “A party! We must throw a party! A welcome home celebration! This is…this is… a joyous day.”

At first, the others seemed confused. Then, one-by-one, small determined smiles spread across their faces. The sorrow melted and gave way to pure uncontrollable elation. People hugged each other, danced around the room, cheered, bounced, came back to kiss you, came back to hug you, nearly passing you around the room till Barbatos barged back in and took your hand, bringing you back to bed.

For a while, you assumed he would shut the idea down entirely. But then, the butler grinned. “I figured you would all say as much. Some preparations are already being made. In the meantime, we should let these two rest. They’ve had all too much excitement today.” Barbatos pulled the blanket back over your legs, readjusting the tray and giving you a biting glare that told you you wouldn’t be able to get out of drinking that god-forsaken tea. “But after that, we will celebrate. We will take every day and night to cherish you, and make up for the time we lost.”

Most of the brothers tried clinging to you, demanding they get to stay, but Diavolo, Barbatos, Lucifer, and Simeon managed to corral the desperate demons and one small angel out of the room.

But before they all left, you shouted. “Wait!” They all turned, worried that something was wrong. However, you smiled, happy tears running down your face this time. “I love you all. So very much.”

“I cherish you with every fibre of my being.”

“There ain’t nothing more priceless than you.”

“E-Everything is so much more fun with you here with m-m- us…”

“I…don’t want to even try to imagine a world without you in it.”

“Nothing, and I mean nothing, hun, is as charming as you.”

“Our family isn’t complete without you in it.”

“You belong with us. End of story.”

“You are one of the most precious beings the three realms has ever known.”

“I find myself discovering new things to enjoy every moment I spend with you.”

“Listen, you are a shining beacon in the night. Know how special you are.”

“You teach me so much! If it weren’t for you, I might still be scare— I mean, dislike demons!”

“My dear apprentice… We couldn’t have gotten home without you. You deserve the world. I will stick by you no matter where you go. And you deserve to know—“

“How much we love you too.”

#obey me #obey me shall we date #obey me headcanons #obey me imagines #obey me lucifer #obey me mammon #obey me levi #obey me satan #obey me asmo #obey me beel #obey me belphie #obey me diavolo #obey me barbatos #obey me simeon #obey me solomon #obey me luke #obey me nightbringer #nightbringer spoilers

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destiel-wings · 8 months

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Dean Winchester & hug dynamic analysis

I was thinking about how whenever Dean hugs someone he's almost always the one hugging the other and how this links to his psychological trauma of always being the caretaker of people, making himself bigger to protect them.

Because that's how Dean sees himself, as a shield for others, and then I thought about how Cas actually is the shield, and he's HIS SHIELD, specifically, the only one who's really there to protect HIM, which is why it hits so much when we see this:

The way Cas wraps his arms around him, trying to protect him with his whole body--that he'd use as a shield and give up in a second if he could spare him from any pain and save him.

(for context: Dean was about to go use the soul bomb on Amara there, it was a suicide mission)

Bobby is another one that hits, he hugs him as the big hugger because he's his father, he loves him and he's actually here to protect him (and Dean LETS him -barely, but he lets him *and Cas* - in a way that he doesn't let Sam)

I watched a compilation of Sam & Dean hugs to check if i was right about it, but it's almost always Dean the big hugger with Sam, except when he's about to die or Sam sees him alive again after losing him.

Even then, Dean mostly tries to hug Sam as the big hugger anyway, with at least one arm, like a way to comfort him, making him feel protected, like his body language is saying "I'm here, I'm okay, I'm still strong, i can still protect you" (because their real father failed and Dean thinks it's his job).

He rarely lets himself be the little one hugged with Sam, unless he's barely conscious. Which is why it kills me so much more now that in this moment (s14, when Dean was going to lock himself in the Ma'lak box cause he was possessed by Michael) and Sam has a desperate breakdown and punches him (to stop him) he forcefully hugs him as the little hugger, the way Dean always kept him, like a way of saying "I still need you to protect me, please don't do this to yourself".

In the scene below he gives Sam his blessing to do a dangerous (possibly suicidal) mission, and one of his arms is down, but the other one tries to stay up--he's forcing himself to do it and he struggles because he still wants to protect him, but (as the seasons progress) he slowly becomes more prone to let go.

So in this view the hug dynamic becomes an indicator of how Dean sees Sam (and himself) and his protector role, how adult and self sufficient he considers Sam, and how much he lets people around him take care of him, lowering his walls and letting himself be hugged.

This is also why i think hugs from characters like Garth or Charlie are so special, because they're just like us: they see Dean and they just know that he needs to be hugged a lot, and that he's not used to it, so they just go for it-- and it's so normal and kind and spontaneous that Dean's just not used to it-- he doesn't know how to respond (especially with Garth, at the beginning, but as the seasons progress, he learns to, and he even initiates the hug eventually).

youtube

I love the hugs where they're 50/50 (one arm up, one arm down both), feels like they're equals, both taking care of each other. I feel like with Sam and Dean, this indicates a healthier dynamic, because Dean lets go a little of the role that was imposed to him and manages to see Sam as the strong individual that he is. But the same applies to 50/50 hugs with other characters, like with Cas, where I feel like it testifies how equals they feel in terms of being fighters, there's a show of respect of each other's strength that transpires by the gesture (which is even more astounding considering that Cas is literally a powerful angel).

And just to end on a destiel note, I'd like to note the possessiveness and protectiveness of Dean (rightfully so) whenever he finds Cas after he thought he had lost him, and how that translates into his body/hug language:

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nobodyfamousposts · 10 months

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Do you really think all of ML's problems would be fixed if Adrien never existed?

Good heavens, no.

Adrien isn't the problem. He's just a symptom of a much larger issue. That issue being laziness and poor writing that comes in the form of "tell, don't show", plot threads that go nowhere, and lack of character development or plot progression that leads to a setup of "Status Quo Is God". Removing Adrien wouldn't fix all of that. Heck, it wouldn't fix any of that.

I can't fault the writers for replacing Felix with Adrien. Even if I and others could write out a plot with Felix, that's not to say everyone could or that the writers could. It could very well be that Felix as he was in the PV simply didn't work for the setup they had in mind.

...the issue here is that the setup they had in mind seems to require stagnancy. Where Hawk Moth attacks without winning and the heroes fight off the akumas without really trying to track him as the source and the two leads chase each other around in circles without anyone making any headway in either of these battles. Marinette wants to date Adrien. Chat wants to date Ladybug. It's why all her plans to ask him out fail while his attempts to express his feelings aren't taken seriously. And there is no forward movement, whether in their arc or in the fight against Hawk Moth. There wasn't even build or lead up to the two falling in love. They just started out episode one with crushes on each other and remained having crushes on each other until arguably season 5.

But no good story is stagnant. In this setup, characters need to do things and there needs to be a feeling of forward momentum.

Break it down this way: What is Adrien's problem? What is his goal? What is the obstacle to his goal?

Yes, we could say Adrien's dad being a supervillain and a neglectful jerk is Adrien's main problem, but it's not the problem Adrien is actually focused on in the show. Instead, if we could say Adrien has a problem, it would be that he wants to date Ladybug. And his goal is to date Ladybug. And the source of the problem and obstacle to his goal is...Ladybug.

So his problem, his goal, and the obstacle are all the same thing. This ultimately seems to make his problems Ladybug’s fault then because the problem would be solved if she gives in to his wants rather than by any real effort on his part.

Adrien as he is in the show doesn't do anything. And he doesn't need to do anything because he is at his base a character that things are done for. He doesn't have a goal or direction or drive. He just comes out to deal with akumas as needed, flirt with Ladybug when he can, and then be sad because his life is so hard when he doesn't get what he wants. We don't see him doing anything else. We don't see him making friends. We don't see him engaging in school. We don't even really see how he interacts with the classmates he only recently met. Things happen around him, but he is not a driving force in anything in the show.

But Felix in the PV is a very driving character. He had a problem: he's cursed. What does he need to break the curse? A kiss from Ladybug. What are the obstacles to his goal: Ladybug refusing to kiss him and Hawk Moth trying to kill her. How does he get that kiss? By flirting with her and trying to earn her affections while protecting her and making sure she doesn't DIE against an akuma before he gets that special curse-breaking kiss.

It's the start of Felix's journey. His goal and the various obstacles to that goal that make his story interesting and his growth possible. As such, I see him as a character who would progress in his attempts to obtain his goal as well as one who would progress the storyline...which is also accurate of 3D Felix since that's kind of what he's done more in his relatively few appearances than the series has in 5 seasons.

Adrien didn't have to have Felix's personality. He didn't have to have the same goals or level of drive. But he could still have had things where he grows and helps to push the plot forward.

Adrien...

...just started school. He has no friends, knows no one, and is trying to learn the ins and outs of public education. How is he doing in the different setting with teachers instead of tutors? How is he trying to get along with his classmates? Does he experience bullying? Does anyone NOT like him? What is he going through as a new student who had been homeschooled all his life?

...is friends with Chloe. What's it like learning his "only friend" is a bully? How do people respond to this? Does anyone (besides Marinette) fear him or avoid him because if he's friends with Chloe, he must be just like her?

...is a superhero. He could have been spending time learning the history of the ring and trying to develop his powers. Trying to get stronger? Trying to get to know Plagg? What is he experiencing as a highly known model who is also a superhero and having to juggle those dual identities?

...has a dead mom who died of a "mysterious illness". Given that this loss supposedly occurred about a year prior, he could still be mourning her. Maybe trying to learn what happened to her.

...has a neglectful father. How is he trying to interact with his dad? How does he feel about his dad not being around? What is he doing to try to resolve this?

...has a supervillain father. Like, I cannot stress this enough! His dad is a SUPERVILLAIN! His dad is THE SUPERVILLAIN THEY ARE FIGHTING! People were predicting him finding out and joining Gabriel to try and revive his mom! People were living for the eventual heartbreak of when Adrien finds out the truth! Entire AUs, fan arts, and fanfics were born of this very idea! Going into the drama and struggle Adrien would be experiencing being caught between the "right thing" and the girl he loves and his duty vs his father and his mother and his family. HOW CAN THEY JUST IGNORE THIS?!

But we don't get any of that. Instead, we get Adrien...

...just acclimated with no issues in school and automatically friends with everyone. Good for him, I guess. Wish it was that easy for the rest of us.

...doing little besides occasional comments to Chloe as she is completely horrible for five seasons including Chloe stealing from classmates, getting the entire school punished for something she did, stealing a Miraculous, trying to crash a train, and betraying the city to Hawk Moth. But it takes him learning about something she did to Marinette a year ago for him to finally decide enough is enough and drop her as a friend.

...only goes out to deal with akumas as they come but does nothing to try and figure out his powers and history, get stronger, or try to track Hawk Moth.

...just moves on from dead mom. No relevance here aside from wanting to see a movie she was in or making a passing comment about how she got sick. No attempt to find out what happened to her. No questioning what she may have wanted for him.

...is just sad about his neglectful father neglecting him but seems to get over it rather quickly.

...never learns his father is a supervillain. Okay, I take it back. He learns twice and those timelines are erased with no real repercussions other than trauma for Marinette, so it really doesn't feel like they count. The pieces are all there, though! He knows his dad has the grimoire but never questions him about it! Never asks his dad what the deal was with Tibet! No question about how mom died or what is going on with Nathalie or what he's doing with a hidden mechanism in mom's portrait.

Adrien has potential. He has plot threads and aspects that could be used and goals he could have. But the writing does nothing with him, so while he has a number of things he COULD do to move forward and progress as a character or for the plot, nothing comes of it.

And that all boils down to a problem with the writing.

Adrien was chosen over Felix as an "easier" option to keep the story at a standstill so they could drag it out for as long as needed. That doesn't mean it should have been. There were so many paths that could have been taken, but Adrien was given the personality of a wet noodle, so he acts on none of them because that was what the writers wanted out of his character.

#ml salt #adrien salt #ml writers salt #ml spoilers #ml analysis

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marionthegeek · 6 months

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Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd. It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain. Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7. The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself. We need to go back to the beginning of season 2. The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate. He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe. I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans. So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head. Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot. So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius, and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies.

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean. It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple. Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5. He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.” Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids. Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit. Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”. He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times. Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s. Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew. Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However, Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”. The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all. The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack. Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn. We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending. Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending. But really Ed is still off finding himself, Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does. Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season. I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy. IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

#our flag means death #ofmd #izzy hands #stede bonnet #gravy basket #Izzy Hands lives #David Jenkins I just want to talk

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sixstepsaway · 6 months

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so here's the thing

i've seen a bunch of people say on twitter and stuff how... ed's behavior is very abusive and his anger is dangerous and he isn't romantic lead material because of it

and i get where they're coming from

but to me the main issue isn't putting ed in the position of a romantic lead, but not crafting the narrative around his characterization so that it allows for a spicy romantic pirates-in-love narrative instead of...whatever this is.

i'm going to try and explain this. idk if i'll do well but i'll try

the way she show presents stede is as an innocent baby who isn't really equipped for pirate life. he goes into a fugue/disassociative state whenever there's any real violence, apparently, and needs protecting by other characters when things get too rough - for example when ed is telling ned lowe not to take the poker to stede.

that's fine! it's honestly adorable to see a masc character being so soft around the edges and being protected by other characters this way.

(i'm not going to touch on stede's... eh... not great characterization this season rn)

then there's izzy, who is shown as a bit violent, a bit rough around the edges. he's more likely to draw a sword or throw a punch or hit someone with a chair or take a punch like a champ. violence is just part of life for him and that's okay, it just Is, from small things like smacking stede on the ass to bigger things like being wall slammed, it's not all that big or bad for violence to happen around and with him, he tends to give as good as he gets (there's some nuance here but i'm talking the macro themes not the micro of what izzy does vs is done to him)

and finally there's ed

ed is presented as violent (stabbing knives at guys, telling fang to use the snail fork etc) and used to a life of violence, and then in season 2 he's presented as really violent, his anger coming out in dangerous and terrifying ways

and frankly, i'd be super into it if he and izzy were the main ship and that twisted dynamic from the first two episodes of s2 was explored and fleshed out into something deeper

friends to enemies to lovers who fight and fuck. angry pirates who lay hands on each other, who break the whole ship with each other in the heat of passion.

except instead, s2 gives us... abuse. it gives us izzy cringing and lowering his head and trying to protect the kids crew from ed's angry outbursts.

so when stede comes back and he's still soft around the edges and ed headbutts him and it's deliberate, it's... not a great look, and the vibes are a bit skewed

if stede fought back, if when ed struck out at him he struck back, if they fought rather than it being one-sided, if it was friends to enemies to lovers and not presented as healthy, but maybe they can work their way there, who knows, maybe even more like anne bonnie and mary read because hey, they were doing something very similar?

except they were both into it. they were both enjoying the fighting and the fucking and the burning down the house.

stede's not enjoying it.

i cannot describe how much i hate this sequence just because of the way stede flinches

anne and mary don't!! mary jumps at the unexpected bang but she doesnt flinch, she doesn't cover her face like she thinks the vase will be coming for her not the wall and anne? looks so into it

and the thing is that in real life, no, you don't want to date someone who throws shit around, or headbutts you

but in fiction when it's two fucked up people doing this shit together like anne and mary?

that can be fun.

but instead what we've been given is stede flinching and apologizing to ed and then all of ed's...what, semi-redemption???? is done away from the other collection of people he abused, and then he spends some time on a fishing boat wearing a dog collar and everything is fine because he's good now and won't be doing anything bad ever again

and it's just... poor writing. the vibes are rancid.

i spent a really big chunk of time between s1 and s2 defending ed. i kept saying how what he did to izzy by making him eat his toe wasn't abuse, it was a one-off and abuse isn't a one-off thing it's a pattern, and then s2 made it a pattern.

explicitly. explicitly a pattern.

not just one toe but three.

jim saying "you're in an unhealthy relationship with blackbeard"

and all ed offered izzy was a "sorry about your leg" which might've been fine if izzy survived and they could work on this more, but instead that's all the apology and closure izzy will ever get

ed threw a chair and a vase and made stede flinch in fear and stede was right to do that. what part of any of this implies this will never happen again? that stede won't press the wrong button at some point and be on the receiving end? none of it

and if we'd been presented with a s2 stede bonnet who could handle himself and stand up for himself and fight back, then maybe i could imagine that turning into a weird sexy fucked up anne/mary like thing and maybe that could be why they put that episode in, but instead it feels like that episode was going, "look, see, ed's violence is fine because these two are fine with it with each other"

but stede isn't

ed and izzy or ed and stede in an unhealthy battle of a relationship could be such a fun, interesting and downright sexy thing to watch unfold on tv, and could honestly end somewhere far more down the chill end of the spectrum, but that's not what we've been given here

i cannot argue that ed isn't an abuser anymore, and not just of izzy but of the whole crew. he terrified frenchie.

it's not good writing to try and lean into the idea that ed and the pirates are violent and live a life of violence, so it's okay that ed's been violent, while simultaneously presenting his violence as traumatic and abusive, and then less than three episodes later saying oh it's fine now, he's just a little meow meow who can do no wrong, see?

especially considering they had him murdering people at the end of the season. and sure, you can say the english are just cannon fodder and they dont 'count', but they did before. ed explicitly did not kill before, and that included the english, or the spanish, or anyone else. so either they count or they don't, but flipping him on a dime makes no sense.

ALSO

having ed be the son of an abusive man who threw plates at his mother and made her cringe and then having ed kill his father to protect his mother and then a season later having ed become the kind of man who throws chairs and vases and makes his love interest cringe is, again, not bloody optimal

i want to say again i dont CARE about tv always presenting healthy relationships or tv always giving us aspirational goals. i want messy fucked up dynamics and terrible people making terrible choices, and still, to this day, i fucking love ed teach. i would honestly love to have seen them continue with ed's darkness and bring stede into it and see where they went with that, to have stede kill ned lowe and not just bury his feelings in ed but get off on it, enjoy the violence, and see where that led, but no

and so instead all we end up with is a protagonist who is being set up for a lifetime of abuse from an intimate partner, and a romantic lead who abuses his love interests (and yes. izzy is a love interest, he is set up like one and positioned like one and treated like one), frightens his love interests with his violence, is erratic and most of all inconsistently written. he was so sorry about scaring fang as though he hadn't been deliberately terrifying the whole crew for fuck knows how long? what?!

the whole fandom has spent so long saying, "no no, i know stede bonnet irl was a slave owner, but ofmd is using the names and not any real piracy, it's more disney piracy, you know? so that kind of stuff doesnt exist!" and then they flipped around and went "blackbeard is blackbeard and so he is evil and does all these horrible things" and i dont know how to rationalize the two sides of that because it feels so out of place

i'm getting rambly, this isnt a particularly well constructed thought process, i just feel like we were robbed both of a toxic, violent relationship that could be fun to see explored on tv and a soft and sweet love story between two middle aged men exploring their first loves in one fell swoop and there's no way for s3 to bring either of those things back because they got utterly torpedoed by making ed a horrible person

ugh

#ofmd critical #i hate that i'm using this tag now :c #edward teach #ed teach #ofmd s2 #ofmd season 2 #our flag means death #ofmd spoilers #ofmd meta #i guess #izzy hands #stede bonnet

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paperclipninja · 7 months

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Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.

And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.

A few examples (there are many more woven throughout but just to illustrate the point):

Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.

The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.

Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.

Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.

Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.

It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.

It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.

Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.

And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.

But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.

And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.

Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.

BUT

Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.

And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.

It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.

I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:

"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".

#good omens #good omens meta #aziraphale #crowley #aziracrow #honestly don't know if this even makes sense #middle of the night thoughts and all that #good omens thoughts

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asgardian--angels · 7 months

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Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

#our flag means death #ofmd #ofmd s2 #ofmd s2 spoilers #and after this i will speak of it no more ok #now once we're all calmed down i am really looking forward to meta about izzy's role in the narrative #i truly think izzy's one of the most well written characters on not just this show but on tv lately in general #suicide mention tw #I tried to put a read more under the first bullet point but tumblr's formatting basically deleted it #by automatically overriding it with an Expand #so sorry about the length and such

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sillyandquiteawkward · 5 months

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sillys (not so) lil info dump about how to be a human being. smiles

htbahb is an album from glass animals, of which notably, all the songs align with different people's lives, perspectives, and feelings, also of which are shown on the (various) album covers. so the easiest way to go thru the story is song by song. but i will show you the album art so you can get a gist of things before we go into details.

these are just some of the various album covers for htbahb, theres a bunch of them, but we dont need to see all of them to see the different lives of our characters.

1, Life Itself

this is our main character for life itself. you can call him a bit of a nerd if youd like. apparently his name is chuck rogers. they dont all have names.

hes an inventor, loves ray guns and strange technology, but as noted in his song, feels like he was raised with expectations hell never be able to achieve. his father as a child said he would be a superstar, but nowadays, he cant get a job and he lives with his mom. hes struggling with finding himself and his place in society and hes doing drugs and feeling like hes absolute rock bottom with everyone being against him. he feels alone and attacked and retreats back into his car or grandmothers basement and keeps folding back into himself.

in the music video for life itself, hes only seen in a few scenes, leading the charge against [popular st] with a smoke bomb as [mamas gun] watches knowingly from the sidelines as perhaps the real leader behind the assault. they seems to be accomplices with each other, as they ride in the car together and seem to be specifically looking for [youth].

2. Youth

now the main character for youth is tricky, it seems like we have two characters for youth, the small child, and assumedly, his mother the waitress. i think i like the interpretation that the mother is the main character for this song, and the child represents the album as a whole. alternatively i also like the idea that the child is youth, and his mother represents [premade sandwiches]. but for the most part, they are just both the characters for youth.

youth is a mother talking about her child, and to her child, almost in a detached sort of way as if they arent able to see each other. a mother speaking her hopes and dreams to her child. somehow these two have been separated when the child was young, perhaps through giving up to adoption, or hinted in the music video, abduction. she wishes best for the child, urges them to feel their mother at their side, and notes that theyve got her eyes. she lists off her wishes for them to be happy and have friends, and be silly. this perhaps is for the best, that they can be happy even without her. i particularly like in this song, the wordplay makes it sound like the singer is counting one, two, three, four, five, when they are singing other words like boy, to, free, funny, and fly respectively.

in the music video for youth, the child is seen almost haunting the mother as she works as a waiter, appearing in several locations playing and running around as she remains dutiful to her job. they briefly sit looking at each other in the same hotel room he had been taken to in life itself's music video.

3. Season 2 Episode 3

this is the main character for season 2 ep 3 and i think one of the cool changes between album covers, as we see a fully done up girl all put together with her make up on, and in the other, someone a bit more silly with her makeup removed. this might be the way she sees herself vs how other people see her.

the song is the lament of a boyfriend to his girlfriend, who seems to be glued to the couch, watching shows, getting high, not changing her clothes, and eating day old leftover food and most notably, mayonnaise straight from the jar. at the beginning of the song, the two of them are high together, however he soon sobers and realizes she refuses to get sober along with him. he tries to convince her that their relationship wont work if she keeps being like this and doesnt try, but she wants him back the way he was (high as well) and views him as a nag. she still makes him happy, but sometimes she makes him sad to see how she lives. even after an acceptance from the boyfriend that she wont change and will never be vertical and golden like he wants and that the relationship will never work out, the song ends hinting that hes picked up getting high with her again due to her calling him a killjoy and wearing him down.

in the music video we watch the girl splay out on the sofa, surrounded by her mess watching tv and doing nothing. halfway into the video, we are brought into the game she plays, as she battles [life itself] [cane shuga] and [the other side of paradise], all of which are men who could possibly be the boyfriend figure.

4. Pork Soda

this is our main character for everyones favorite pork soda. hes an older man, who for the most part seems pretty happy. wonder if hes harboring some long lost feelings or something.

the song opens with a street performance unintelligible to a normal listener, its like passing by a conversation, you are only able to hear bits and pieces of the spoken words. once the song starts you hear a story about this guy's girl who used to be fun and adventurous and would take him along with her. in the same breathe hes begging to go back to the days they were happy together. it seems like they fell out of love, or are in a struggling relationship bereft of communication or the passion it once had. shes only happy when theyre having sex together, and just looking at each other causes him heartache. the song talks about pineapples in my head, and being brain dead, as well as other references to diminishing mental facilities, that perhaps in their age, theyd forgotten about each other.

the music video gives us probably the most clear story line, as we see the wife prepare a meal before sending it through a dumbwaiter into the basement for the husband. there he sits alone, watching tv. up above the wife plays with their dog, imagining the dog is the younger version of her husband. all of her time is dedicated to the dog, and all of his time is dedicated to the tv. they have forgotten they love each other and live in the same house, but live in separate worlds. only after the dog destroys his tv and the husband destroys the floor above him and under her feet, do they finally get back together as he catches her as she falls, surprised and exhilarated for the first time in forever. and things seem to be better as they finally occupy the same room together again.

5. Mama's Gun

This is the main character for mamas gun. shes a victim of the perception of her mental illness. i think this is my fav song of the album.

during the song, the woman initially admits that she took her gun and made her husband go to neverland. however she also says she loved him a lot and he was perfect. through bits and pieces of the lyrics you can come to the conclusion that she has some sort of psychosis, or perhaps schizophrenia in particular as she notes many different voices and figures talking to her. the song references dr swango, a doctor who killed his patients, however he insists to her that him and all the other voices in her head are too from neverland, and that she was a murderer just like him. is she really guilty of murder? what really happened? the flute played during various instrumental parts of the song is a sample from the carpenter's mr. guder, a song about a man who does what hes supposed to in society and his job and gets nothing from it. karen carpenter herself was a victim of her own mental illness and they say that theres a specific purpose for the sample chosen. once the lyrics pick back up, the voices again pipe up and tell her she was a murderer, even the voice who had never spoken says so, so he must be telling the truth right? during the final bit of the song, it seems like her husbands voice joins into her collection of voices, as he bears a cheshire smile and asks her to lay with him once again, and that hes waiting for her. in the end, its unclear what happened with her and her husband, as she goes back and forth saying she was violent, she was doing nothing. this song was inspired by a story they heard of a woman going into a drug induced black out for a month and reappearing in another state with no memory, and the lingering fear that shes done something terrible wrong, and never being able to have the closure of knowing what happened.

theres no music video for this song, but we see her appear in life itself. she and [life itself] drive to the hotel where [poplar st] is holding [youth] captive and attempt to break into the room hes in.

6. Cane Shuga

this is our main character for cane shuga. hes exactly how he seems, a rich white guy who is, of course, using that cane shuga all day everyday.

cane shuga presents a dialogue from two parties, two people in a relationship. the singer promises he wont do coke anymore, that he wont be a john doe in the hospital. the chorus however is the high he rides on, where he thinks hes hot shit, hes 007 james bond, hes as powerful as kim jong, with a popped collar as he looks into the glare of the mirror and hypes himself up after using in the bathroom at work. hes untouchable. the second chorus is his partner, giving up on him, their love has burned up, just like his drugs. theres a humorous line of putting their foot down saying ive had quite enough, but corrects themself and sarcastically says or lack there of, that they arent being given anything anymore by him. regardless, their verses and conversation is short. the chorus of his high is the main focus of the song, and repeat over and over as the days continue.

[cane shuga] appears in season 2 ep 3's music video as [season 2 episode 3]'s potential lover. their stories do seem to entangle, they both are drug users dealing with partners who want to stop using. some people say that he is her partner, that he stops using for her, but falls back into the habit. however this doesnt exactly line up with her song, as she doesnt want him to stop. i think its part of that unreliable narrator theme weve seen in previous songs. people have different experiences with each other and get different messages due to the issue of communication. im not exactly on board with these two being together, but i do understand where people are coming from with this take.

7. [Premade Sandwiches]

this is a spoken word interlude, sped up and pitched down. there doesnt seem to be a character paired with this song, and on cd this song is simply a bonus track hidden behind cane shuga. on first listening its very difficult to catch what is being said, but over and over the speaker is talking about standing in line for various things. this song discusses mindless over consumption of drugs, of buzz words, of natural foods for your dog, watches, new clothes made to look old, the junk drawer filled with phones you dont use, with pens that dont work, with random shit you never needed just piling up. people stand in line and they dont even know why.

8. The Other Side Of Paradise

this is our main character for the other side. hes gonna be a basketball player and make it big babyeee.

so its a bit unclear and vague in the lyrics, but it seems our narrator and the basketball player used to be close friends. he even seems to be in love with the basketball player, calling him my love. but the basketball player leaves their home in new orleans to go chase his dreams out west and make it big, leaving our narrator's side. he told the narrator not to worry but after phone calls, it seems like basketball boy got a girlfriend. hes gloating to the narrator, hes got a girlfriend now, hes got a gold camaro, hes made it big, meanwhile our narrator is at the payphone hearing all this and his world turns in slow motion. no longer is the basketball player his baby blue anymore. hes moved on, hell never have another chance to love his friend. hes so angry and hurt, but he balls up his fist almost in a fight or flight reaction, and settles for the ghost of his love. hed always hoped for a paradise where they could be together but it seems like fate had other plans. he laments the basketball player for ditching them, saying here in new orleans people dont leave and ditch their lady (him). he wants to be loved and pampered by him, not her. heres where the vagueness comes back, the narrator seems to be so distraught that he rather kills himself, or finds that his body looks wrong, perhaps that hes not a girl that couldve been loved by the basketball player.

he only ever appears in the music video for season 2 ep 3 as one of the bosses [season 2 episode 3] defeats, claiming ball is life. there is a music video that was recently released for this song, however it does not depict the basketball player.

9. Take a Slice

this is our main character for take a slice, hes a bit of a slut but he makes it work :) the spoken intro to this song is the real recording the band took while talking to a male fortune teller, so the sausage candle is rather real or a lie from the fortune teller.

take a slice regales the story of a young man who finds pleasures in the sultry sexual aspects of life. hes sucking on cigarettes in a way freud would roll in his grave, hes painted his nails dark, has piercings, hes asking for another slice of cherry pie, cherries being a symbol for all things sex and lust. hes smitten with the idea of being a prize to be sought after, and after trying sex work for the first time, realizes this is the job for him. hes going to fuck his way through college, and sleep during class dreaming of you. wink. hes rolling in the dough, hes got a gold car, hes maybe dabbling in drugs too, and hes filthy and he loves it.

10. Poplar St

ms moore is the main character of poplar st, and shes a cougar, and not the good kind.

a young boy lives a typical suburban life. hes got bandaids on his knees and hes climbing trees. but one day, he sees mrs moore and mr keats have sex. immediately this drags him out of his childhood, hes such a man now that he knows what sex is. this is the first step of her grasp around him. as he gets a bit older, his mother calls her prosti-tits and looks down upon her. but the boy looks up to ms moore, despite his mothers words. mrs moore sees his desperation and pulls him into her clutches. theres a very specific voice crack when her teeth sink in deep and the note hes singing falls flat. this bit of pain expressed is highly contrasted with the chorus coming back in, the boy once again considers himself a real man, a true romantic, this is what all men dream of, isnt it? but there are dead flowers in the sand, hinting that these roses arent just romantic. the next bridge plays and interesting word switch up. it starts out with her begging him for more as she sits in her underwear, and then switches to him begging her for more in his underwear. theyve both wasted their days, but when it comes to his youth and her age, the only one wasting their childhood is him. the song concludes with mrs moore calling him up collect (so he has to pay for the phone call, not her) one day and breaking up with him. and then it all gets pulled out from under him and hes just a boy again. this tells the sad tale of how men and boys' sexual assault and grooming often is pushed to the side because they think this is how things are supposed to go, that they are supposed to have sex and to be used and abused from a woman is supposed to be an achievement. but really all it is, is abuse that leaves him feeling terrible.

11. Agnes

this is agnes :) i think it was mentioned at some point that he takes pictures of people when they arent looking, so to me, i like to think hes the one capturing everyone pictured in this album. bear witness to other humans.

the song starts out where the singer is appearing to try and comfort agnes. how did it get this bad, agnes used to just take pills and smoke a little, somethings changed perhaps. the singer notes agnes is just going through the motions every day, numb, and nervous, but hes swelling with emotion all the same. here the singer laments he wants to hold agnes like hes mine. theres a longing sadness in the lyrics. the next verse confirms the worst, while agnes was perhaps a genius when it came to the romantic, he was a deeply depressed and lonely person. he started to rely on the drugs and the alcohol he used to use recreationally, just to live a normal life. and he ultimately commited suicide. the singer wonders where the agnes he used to know went. however the singer reconsiders, and accepts that agnes did his best, life must feel so unbearably long when its soaked in sadness, living a false life filled with depression. so it goes, the singer thinks, but cant help but to feel lost. the only thing he can think of is agnes, perhaps considering all the art agnes made, all the photos he took of other people, perhaps just thinking about his friend in any aspect. grief is funny like that. on the vinyl record, this song's last seconds repeat over and over until you stop the machine from playing, like a lingering memory you cant stop thinking about.

the agnes music video is much different than the others, as it focuses on the singer, dave bayley as he sits in a centrifuge and attempts to sing the song. this causes a very physical reaction and he struggles to even lift his hand, by the end of it hes sweating profusely and unable to catch his breath, but he persists and continues singing. he mentions this was a mere fraction of what someone going through depression could feel like. during the music video as well, he appears to be looking across from a mannequin, perhaps the stand in for himself once hes put himself in agnes' shoes.

thanks for reading if you did i love being insane. all of these are my personal thoughts on the album, and might not exactly match up with your interpretation, but i have tried to keep to what we believe is what glass animals had in mind for the album and these characters.

#glass animals #how to be a human being #htbahb

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heytherecentaurs · 5 months

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Burrow's End is an absolute masterpiece.

In the span of ten episodes Aabria and Co. weave an exciting and emotional adventure story about a family of sentient stoats. It delivers huge laughs, interesting societal criticism, remarkably emotional and well-acted scenes and concludes with a series of epilogue scenes that feel appropriate for each character, some heartfelt and subdued and others bigger than life and all the funnier for it.

Siobhan and Izzy play the perfect pair of siblings. They fight and argue but they also love each other. Jaysohn (Siobhan) looks up to Lila (Izzy) and believes she's the smartest stoat in the world (and by the end she probably is) and Lila hypes up her little brother's athletic skills. They both fully embodied these kids and I could watch them do fun stuff for more episodes. Give me a version of Saved by the Bell with them. Stoat by the Bell.

Brennan and Rashawn, playing sisters, also knock it outta the park, showing a more mature sibling dynamic. Brennan portrays Tula as the quintessential overtired single mother of excitable kids, and Rashawn as younger sister Viola straddles a very interesting line of being intimidating to outsiders but very much more naive and looking to her older sister when she starts a family.

Jasper as Thorn, a guy everyone just lets be a cult leader because he really wanted to, is fantastic. His is a difficult role as the only non-blood relative. Jasper plays Thorn with such real humanity of a guy in over his head and letting his ambition wife call the shots, but also one who agrees with her goal, really loves her and has moments of real menace. He has some very funny scenes, his big speech is perfect, and I just enjoy him.

Erika is wonderful. They play the epitome of generational trauma as many have said but as much trauma as Ava has, she is also loving and willing to learn. The fact Erika took this adversarial role is incredible. The tense dramatic scene primarily between Ava, Tula and Viola is amazing. They act their asses off and make hard choices that I imagine are difficult even for such an experienced player.

Aabria's DMing always feels fun. She doesn't get bogged down in the rules. She knows them. She plays by them. But as a master, she knows how and when to break them too. Her seasons on Dimension 20 have all had a tenseness, a particular edge to them that can give me anxiety during dramatic scenes between two characters. It always feel like one of her NPCs may say something devastating and the tension between characters reaches really thrilling heights. This is present in other seasons, but I don't think anyone does it as well as she does. The first season of hers to have battle maps, Aabria really swung for the fences and gave us some of the wildest maps to date.

Shout out to Carlos Luna's voice acting. He did an incredible job. And shout out to the whole crew who have put together one of the best seasons of D20. They keep finding ways to build on what's come before and they should be commended for it.

Dimension 20 is most successful when the concept is very streamlined. They don't do huge 100 episode campaigns capable of handling huge winding complex narrative, but short focused D&D stories, which is why many of the Side Quests have been so fantastic. They embody this philosophy most clearly, but it's apparent in the most beloved Intrepid Heroes seasons as well—John Hughes/High Fantasy, Game of Thrones/Candyland, Retrofuturism, Film Noir but in a Brain... Burrow's End fits this perfectly. It's streamlined concept paired with great storytellers and great chemistry sets it up to be a smash hit before it begins. And goddamn does it deliver.

Thanks Stupendous Stoats!

#dimension 20 #d20 #burrow's end #aabria iyengar #brennan lee mulligan #izzy roland #isabella roland #erika ishii #siobhan thompson #jasper william cartwright #rashawn scott #rashawn nadine scott #carlos luna #dropout.tv #hey there centaurs

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skamenglishsubs · 20 days

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Subtext and Culture, Young Royals, Season 3, Episode 6

Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.

Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱

Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.

Culture: The third-years are painting the banners that go on the trucks on graduation day.

Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.

Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.

Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.

Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.

Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.

Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.

Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.

Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.

Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?

Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.

Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.

Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.

Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.

Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.

Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.

Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!

Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!

Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.

Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.

Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅

Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.

Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.

Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.

Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.

Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.

Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.

Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.

Meta: This is a brutal Fleabag reference.

Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.

Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.

Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?

Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.

Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!

Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.

Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭

Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!

Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!

Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.

Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.

Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.

Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?

Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.

Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.

Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.

Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.

Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.

Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.

Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.

Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?

Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.

Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.

Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.

Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".

Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.

Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...

Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.

Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.

Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!

Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.

VAD FAN TROR DU?

As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭

Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.

Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.

He is finally free.

#young royals #young royals subtext #young royals analysis #young royals season 3

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