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#for example 'battle time' and 'game is over' in off and the like
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the legends of localization book has reawakened my love for the nuances of translation and now i REALLY wanna take all the undertale dialogue and narration and translate it into french. for funsies
#i know i know french bad and all that. fair. but also: it's the only other language i know and am good enough at to feasibly do something#like this#dr could be fun too. i've got some ideas knocking around for that as well#the intricacies between characters of which would call frisk tu right off the bat and which would use vous#and the point in the game at which the latter characters would switch to vous.#mettaton's dialogue wouldn't be fun though. there are VERY few gender neutral terms of endearment#that serve as a good stand-in for 'darling' in french#very few gender-neutral terms in french at all honestly. but that's beside the point#maybe since french people are accustomed to a certain amount of english in their media#for example 'battle time' and 'game is over' in off and the like#i could just keep darling in places. it might be easier to have him use gendered terms of endearment#for people other than frisk. i'm thinking 'ma belle' for alphys. just affectionately. my grade 5 french teacher#who was from france#used to call me and the other girls in our class that affectionately#i mean. i wasn't a girl really. but you get it#ooh and i wonder what pronouns napstablook should use. i know there are community-made#nonbinary pronouns in french#such as ol and iel#they seem like an ol to me#i know many nby people aren't happy about iel since it's a mashup of il and elle#and therefore still built around a binary#and i totally get that but i don't think they're useless or actively harmful as pronouns! i'm sure there are some who like them and use#them#seam seems like an iel to me tbh#anyways this has been my short ramble about how i would go about localizing undertale into french. thank you very much for listening. bows
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mauvecherie-writes · 2 months
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so ready: l.hamilton.
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pairing: lewis hamilton x pt fem!black reader
summary: you’re his trainer, he’s him, the chemistry is undeniable.
warning: 18+ mdni, EXTREME SEXUAL CONTENT, pwp, fast paced, teasing, dirty talk, degradation kink?, unprotected sex, guys, I’m a slut - we sucking and fucking over here.
notes: I put a break on working on endless melodies, this picture called for my attention and here we are 😩. I also don’t know where the 3.5K words came from 😭 this was meant to be short.
w.c: 3.5K
tags: @queenshikongo3 @dhlfastestlap @hersinsarescarlet @emjayewrites @saintslewis @serpenttines-library @hopefulromantic1 @cocobutterqwueen @bluesole16 @chaneajoyyy @melodichaeuxx-lacritquexx @felicity-x0 @lewisroscoelove @lh44adore @hellomadamebutterfly @scorpiobleue @qveenmelanink @tremendousstarlighttragedy
buy me a kofi.
You sighed as you walked through the underground garage of the building. You were mentally preparing yourself to be in your client’s presence. You wish you could have rejected his contract but it was such good money to resist - a resource that you needed at the time - and he was a good man. Refusing to train him would have not made sense outside of the biggest con being that you were attracted to him.
Deeply attracted to him.
Every session was a fighting battle and today would be no different.
It had been seven months since you started working with him. Lewis was very serious about his physical health but he was so flirtatious and it made it hard to concentrate on your job. But today, you promised yourself that you would be serious and not give into his little games.
On the elevator ride up to his penthouse, you trained your mind to block his advances and not give into his charm. However, whether you intended to or not, your outfit choice for the session was along the lines of cute and practical. The grey headband keeping your hair away from your face was matching the gym shorts that you were wearing. Your physique was on display without it coming off as a little desperate. It’s not like you needed to put in any type of effort anyway, you were beautiful enough on your own but the outfit was just a greater temptation for Lewis.
Even though you lied to yourself that you didn’t enjoy the game of teasing that you played with him.
“Lewis! I’m here!” You yelled as you walked through the lobby of his penthouse. The patters of Roscoe’s feet against the marbled floor rang through to your ears. The aging dog ran towards you and it brought a smile to your face. You bent down and grabbed the pup’s face into your hands and caressed the deep folds of his cheeks.
“Hi boy!” You spoke with a high pitch to your voice. “You’ve been good for your Dads when I’ve been away?” He licked the palms of your hands as he wiggled his tail.
“Yeah! Because you’re a good boy aren’t you? It’s your Dad that’s the trouble maker.” You said to Roscoe before standing up straight.
“Oh I’m a trouble maker now?” His voice was the first thing that you heard before you saw him. As you walked to the kitchen to wash your hands, you caught sight of him leaning against the living room area wall as he watched you.
Dressed in a dark grey fitted t-shirt and matching grey shorts with black thermals beneath. His locs were braided away from his face, forcing you to bare witness to his beauty.
“You’ve always been one, don’t act so surprised now.” You replied as you watched your hands. You may not be able to see him but you could feel his eyes on your back. You bit your lip as you wiped your hands and then turned around. Your hands were on either side of your body on the counter as you looked at him.
“When have I ever caused trouble for you darling?” He asked as he stood to his full height and moved closer to you in the kitchen area, stopping by the island and leaning fowards against it.
“Do you really want me to answer that question? Because I have a list of examples.”
He laughed at your response instead of answering. He knew exactly what you were talking about.
“Anyway. Are you ready for our session today? I don’t want any problems this time around. You have somewhere to be and so do I. So no funny games.” You stressed the last part of your statement - more to yourself than to him.
Lewis’s eyes were drooped low, his long lashes nearly touching the apple of his cheeks as they hung low before he trailed them from the exposed skin of your thighs to your flushed cheeks as you held in your breath. His teeth trapped the flesh of his bottom lip to restrict his smile from spreading as he stood up straight.
“I’ll be on my good behaviour. I promise.” His voice was an octave deep and laced with temptation. You knew then, that this training session would be anything but smooth sailing.
.
.
A good sparring session was a great way to end a productive session. Lewis stayed true to his word for most of the time but he’d throw in a flirtatious jab here and there that had you flustered. As much as you tried to hate it, you revelled in the way that those comments made you feel.
One last sparring session and you won’t have to see him for another three days.
You needed that breather.
“Come on baby girl. You can give it to me harder than that.” He teased as he bounced on his feet as he moved away from you. You rolled your eyes as you flexed your arms.
“I’m your trainer Lewis. I’m not supposed to be harder on you.”
“I can take it.” He shrugged. “That’s something you’re supposed to be saying in the right circumstances.”
“You’re a cocky little shit!” You stressed as your fingers flexed in the punching mitts before you began to run after him.
“There we gooo. Give me that fire, show me what you got baby.” He smirked at you. You fumed as you stopped chasing him and took off your punching mitts.
“Beating your ass would give me the greatest pleasure.” You said as you threw the mitts down before pulling the bandage wrap out of your open bag.
“I can do many things that can bring you pleasure that don’t involve us boxing.”
“Prove it.” You spat at him.
Before things moved forward, Lewis did the one thing that he knew would disrupt your focus.
He took his shirt off and kicked it close to the edge of the floor to ceiling mirror. All of the witty comments dried in your throat as you took him in. The defined muscles of his abs, the deep pelvis lines, the rich tan contrasting his tattoos and most of all, the budding chest hair.
Involuntarily, your thighs clenched at the sight.
He licked his lips as he watched you struggle for words. He could see the fight in your eyes as you were determined to not fall into the trap of your attraction but your body was failing tremendously.
Fine. You thought. Two can play that game.
Without warning, you grabbed the edge of your top and pulled it over your head. If Lewis thought his naked chest would disrupt you then you could pull the same card. Left in just your padded sports bra, you watched as Lewis became as speechless as you had been.
You were not going to make this easy for him.
Lewis finished wrapping his hands. “I’m ready.”
The both of you put up a good fight. Physically and mentally. Every hit, every jab, felt like a victory in the war of desire. Both of your bodies damp from sweat with how much energy you exerted during this ‘friendly’ sparring session.
You were winning. He asked for your all and you gave it. This was something just to prove to yourself that you could resist him. That you could withstand his charm and that your attraction didn’t lead you blind.
Then he grabbed your wrists and pulled younclose to his body. You gasped as he tightly held your hands behind your back trapping them by his torso as his other arm wrapped around your waist.
“Aren’t you tired of playing this game sweetheart?” He whispered in your ear.
“You started it. Of everyone, you should know how crucial professionalism should be.” You hissed back as you struggled to get out of his hold.
“How could I focus on staying professional when every part of me wants to explore every inch on you. And don’t try to deny it either. I see the way you look at me, the way you desire me in a way that would disgrace the gods.”
Your eyes rolled to the back of your head as he spoke. His words were the apple from the tree of knowledge and his voice was the serpent in the garden of Eden.
“I can’t pretend anymore.” He confessed. “I want you YN. I want you so fucking much.”
“Now you admit it.” You say as you squirmed. Lewis held onto you tighter.
“I never denied it darling.” He chuckled in your ear. “You did. We wouldn’t be having this back and forth if you had just admitted that you were into me the way I was into you.”
“That wouldn’t change the fact that I was compromising a client-employer relationship and my reputation just for some dick.”
“This dick would change your life baby.”
“You’re so fucking annoying!”
“Turn around and say that to my face.”
He spun you in his arms before another word could be uttered. You stared at each other with no words spoken as your eyes ventured from their eyes to their lips. The action causing you to lick your lips.
“Cat got your tongue?” He teased as his hands dropped to your waist and pulled you closer. The smile on his face held the promise of everything that he had teased and taunted you about. Wicked and sinful things that had your mouth watering at the mere thought of them.
Body to body like this, the wall that you had been building in your mind had come crumbling down. Not that you had put up that big of a fight anyway but the effort that had been exerted up to now was too much and you were giving it up.
You were ready. You were more than ready.
“You’ve been trying your hardest to break me. And for a while I forgot that I too can play this game very well.” You said as you hooked a finger around the strap of your bra and brought it down your arm.
“I want you Lewis, I do.” You finally admitted. “But you want me just as much, if not more.” You unhooked your bra and flung it across the room. He fought to push the bandages away from his knuckles before embracing you with his big hands running up and down your back.
“If you had just given me the chance, I would loved on you the second I knew that you felt the same.” He whispered as his hands trailed down your back and settled on your ass. He kneaded the flesh of your ass cheeks, drawing you closer so that you could feel his breath on the top of your lip.
You leaned forward and kissed him with all of your might. All of the pent up desire you had been holding at bay for the last seven months burst out of you. You pushed your body into his as he moved his lips roughly over yours, opening your mouth for the sweet intrusion of his tongue as he deepened the kiss. Your nails dug into his back as you wrapped a leg around his waist as you felt the lower part of his body pressing into you.
Lewis moved his hand from your ass, trailing it up your spine before cupping the back of your neck and pulling you inwards. You gasped as he nibbled on your bottom lip, pulling the lip into his mouth. Your pussy creamed at the realisation at just how hard his dick was as it rested against you.
“Let me taste you.” You said as you pulled your lips away. “Please.”
“Do you think you deserve it? After the way you made me feel for wanting you? You think you deserve my touch?”
“Lewis … please.”
“Take these off.” He growled as he tugged at your grey shorts. You made light work of them before stepping back into his embrace. Your small cotton panties were digging into the flesh of your hips but Lewis quickly tugged at the material and shoved them down the length of her legs.
His eyes focused back on your face as he felt your hands move down the back of his head and edge him closer to your core. He pushed your legs further apart as his fingers teased your hot skin. His eyes soaking in every reaction that he drew out of you.
“You have spend the last seven months playing hard to get but here you are, ready to crumble at the touch of my fingers.” Lewis whispered as he pressed kisses onto your stomach.
“You’re talking entirely too much for someone who has pussy staring them in their face.”
“And this pussy is glorious, believe me. But I need you to suffer a little bit.”
He gave you an inch by running his fingers teased along your slit but did not settle his fingers where you needed him the most. Instead of shoving his digits into your cunt like he wanted, he brought them to his lips and licked them clean.
“So good.” He said and then stood straight and buried his face into the crook of your neck. He licked at your flesh before sinking in his teeth. The way he drew your skin into his mouth caused you to moan.
“Lew, please. Please.” You begged before he claimed your mouth yet again. He kissed you hard with his tongue lashing against yours before his teeth sunk into your bottom lip causing the sweetest pain to shoot up your spine. You pushed your body against him as far as your standing position would allow.
He wrapped his hands in your sweated out hair which was reverting back to its natural curl pattern. He pulled away from your lips and stared down at you with the darkest look of arousal tainting his beautiful eyes.
You watched as a cocky smirk etched on his face. You knew Lewis had you. Once your inhibitions were shut down, it was very easy for you to turn to your desires. And that lust had you falling to your knees as you looked up at him as his cock swelled in the confines of his thermals.
You pushed the fabric further down his thick thighs until his cock was revealed and … holy shit.
You knew that Lewis had the inches and the girth to work with but you weren’t expecting it to be so … heavy? His dick was so big and thick but it was nothing you couldn’t work with. Especially with the smugness glazing his eyes, you took it as a challenge.
His legs were spread, standing tall and proud as his dick bobbed in front of you. Heavy, leaking and begging for your oral attention.
“Open your mouth.” He said as he held his cock by the base and pointed it towards your plump lips.
Your mouth quickly hung open and your tongue darted out to lick his tip. You swirled your tongue around the head before you slid most of his dick into your mouth and sucked. You were extra as fuck as you licked and slurped, wanting him to understand the sloppy, messy head that awaited him. That you had been fantasising about this moment for a long time and now you were going to show to show him what you were about.
“Sucking this dick so fucking good.” He groaned as he held your head and tipped it back before moving his hips so that his tip was brushing back against the back of your throat.
“This is what you needed huh? My dick in your mouth to turn you into a little slut for me.” You moaned around him as you stretched your hands out on his torso, feeling his chest hairs prickle against your palm.
You don’t answer him as you continue working your head up and down his length. He felt so good in your mouth. The muskiness of his scent was all that you could think off as your saliva pooled in your mouth the more he worked his hips, fucking your mouth.
You were so eager to suck his dick. You pushed your head down further, taking him deeper down your throat which caused his knees to buckle.
“Jesus fucking Christ.” Lewis groaned as he fisted your hair tighter, looking down at you as you moved your head fast, spit bubbles building as your nose brushed against his pelvis before your hand came up to fondle with his balls.
“Just like that. Keep sucking me just like that baby.” He gasped as you continued sucking on him as if you were trying to take his soul. Sure, Lewis had brought you down to your knees but you were making him regret ever thinking that he held all of the cards. There were no words to describe just how good you were sucking his dick. Your hands cradling his balls, his tip repeatedly hitting the back of your throat - this was more than otherworldly.
When you pulled your lips away from him, Lewis felt like he could breathe as you moved your hand around his length in tight, circular motions.
“If I didn’t want to come inside of you, I would have come all over your beautiful face.” He spoke with a hoarseness to his voice before he manoeuvered you underneath him. The gym mats were harsh against your skin but you were past the point of caring.
“Fuck me.” You whispered as Lewis shifted your legs into the crooks of his arms as his dick rubbed against your opening. You reached up and claimed his mouth. His saltiness lingered between each entanglement of your lips. You tasted the remnants of your sweetness in his mouth the longer you greedily moved your mouth against his.
You didn’t care for the way the hard mats were biting into your skin. All you cared about what the surge of lust that burst through you as Lewis rubbed his cock against your cunt. His hand travelled up to your throat and squeezed as he positioned himself in between your legs. Every single gasp and little cry that he pulled out of you pushed him closer to the edge. His lips sought your earlobe as he raised your leg to his shoulder before he finally sunk into your pussy.
You were so soft. So sweet. So tight. So wet. You accepted him like you’d been waiting for him all this time and then clenched onto him so hard that Lewis so felt lightheaded before he could complete his stroke.
Lewis needed to regain his composure but you were a withering mess beneath him. Your scent like a cocoon around the both of you, he couldn’t find his bearings as he found a rhythm to his strokes.
Slow and deep as you arched your back and dug your nails into the skin of his back.
Your lips parted as you struggled to catch your breath with the sexy sounds of your pleasure reverberating through the room, bouncing off the equipment back into his ears.
Lewis let your legs fall back to his waist as he dropped to his forearms so that his body, slick with sweat, pressed against yours. You immediately wrapped both of your legs around his waist, pulling him even deeper into you as he resumed his slow, deep thrusts coupled with circular motions that always pulled a sharp, little cry from you beneath him.
For months he had dreamt you like this. Underneath him, begging and crying for him as he deprived your body of pleasure.
Your nipples grazed his chest as he moved. You trailed your fingernails down the length of his back as you pulled him in for frantic kisses as the both of you moved towards the inevitable conclusion.
Lewis pressed his forehead against yours as your pussy started clenching rapidly around him.
“That’s it, baby,” he demanded through his teeth. “Cum all over this dick.”
You screamed his name and it was the sexiest thing he’d ever heard. He covered your mouth with his, swallowing your cries of pleasure, thrusting hard and fast into you as he chased the orgasm building in him.
You scratched at his back, gripped the sheets and bit into the pillow even as you started moving your hips up to meet his dick.
“Lewis!” You yelled as your eyes rolled to the back of your head, your orgasm plummeting through your body.
“That’s it sweetheart. Come all over this dick.” He growled into your ear as he bucked his hips hard and fast before the force of his climax had him tensing and twitching in between your legs.
You hummed softly as Lewis returned to himself once his muscles had stopped twitching. All that pent up energy had finally been released and the both of you were butt naked in his private gym.
So many lines had been crossed tonight but either of you cared. Especially when he kissed you senseless and promised you more orgasms than you were ready to give.
London fashion week be damned ….
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prokopetz · 1 year
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The thing that annoys me about the received wisdom of "tabletop RPGs are descended from fantasy wargames, and that's why Dungeons & Dragons is Like That" is that most of the time, when people bring it out they're drawing conclusions by comparing D&D to modern fantasy wargames, and consequently getting cause and effect precisely backwards.
The fact of the matter is that tabletop RPGs aren't descended from fantasy wargames – at least, not in the way that this claim is usually meant. When D&D and its contemporaries came on the scene, fantasy and sci-fi elements were a relatively new (and often controversial) entry to the wargaming hobby; the 900-pound gorilla of the tabletop wargaming scene at the time wasn't fantasy wargaming, but historical wargaming; i.e., re-creations of historical campaigns and such.
Fantasy wargaming and tabletop RPGs are less a linear progression, and more two parallel branches of the same evolutionary tree; they both split off from historical wargaming at roughly the same time, and for much of their shared history there wasn't a bright line between them; many early titles that are classified as fantasy wargames due to their publication history would probably be considered tabletop RPGs by modern standards, and vice versa.
Bringing this back around to my grump about getting cause and effect backwards, one of the consequences of this shared history is that many of the features of contemporary tabletop roleplaying culture that are often cited as reactions against the hobby's wargaming roots are actually directly descended from those roots.
The frequent preoccupation with separating player knowledge from character knowledge, for example? That's straight up an historical wargaming thing. When you're gaming out an historical battle, it makes a big difference whether the players' tactics are informed by contemporary knowledge about the situation, or whether they restrict themselves to acting only upon information which the commander of the side they're playing could plausibly have possessed at the time. Whether there existed an obligation to remain "in character" as your side's commander – and exactly what constituted breaching this obligation – is something people literally got into fights over.
Or the whole "rules versus rulings" nonsense? Arguing about whether it's more appropriate to resolve uncertainty with recourse to game mechanics or by deferring to the judgment of subject matter experts is so deeply embedded in the DNA of historical wargaming that it goes all the way back to the Prussian Kriegsspiel.
Like, I'm not saying that these things aren't worth discussing, but I think we've gotta recognise that when we talk about player knowledge versus character knowledge or rulings versus rules, we're not "evolving beyond" the hobby's wargaming roots; we're rehashing arguments that tabletop wargame designers were having two hundred years ago, in some cases practically verbatim.
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hamofjustice · 5 months
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y'know, it's funny, from replaying pokemon scarlet / violet basegame, i'm pretty sure if you're not internet poisoned, then one of the most memorable things about nemona could be that she only battles you half or less of the times that she checks in to help you because she wants it to be perfect and fair for you and really doesn't want to annoy you, to the point it almost seems like she's making excuses NOT to battle you, not that she's a wild dog that's stalking you and will not leave you alone. one of her earliest character establishing moments is looking directly into the camera with puppy dog eyes and apologizing profusely for wanting a rematch because she had fun
she's in the gyms because she's also doing the gyms! she gets really embarrassed that it looks like she's following you around and decides not to battle you to prove she's not! if she is, she's probably following you because geeta asked her to, and clavell literally said she should take you under her wing! she usually gives you advance warning that she's going to be taking you on soon!
in particular, once you're out of the tutorial she talks to and helps you without battling you for the first three badges of her own questline
it's always, like, clavell and geeta being like 'smh get a load of this girl, she needs to back off, who does she think she is, gary oak?' with their body language. the "oops, nemona didn't realize that cutscene didn't heal you" thing the game keeps doing feels kinda forced.
maybe it's just pokemon writing being what it is (i really don't know why they act like she'd use her champion team against your starter, she just picked a starter, what are you talking about. make her look overeager in a way that makes sense with her character or anyone over the age of 5 please) but the way nemona actually is not matching the way everyone talks about her seems to be a thing in universe and out, and i want to remember this rather than fall into a telephone game of what the plot actually was
if anything, I wish she was less afraid to annoy the player, and more present in the game! y'know, appearing in the sidelines during gym battles with the rest of the crowd rather than the text simply saying she was, for example
idk, I wonder if things would be different if the most vocal pokemon "fans" didn't hate characters interacting with them. maybe I want a brock and misty with me the whole game. maybe biri biri and after the rain are the experience I want
acting like the character who puts our enjoyment above her own and is afraid to annoy us still annoyed us is how we get a DLC that never mentions her or the other main characters of the story in 9 months of promotional materials and, maybe someday, a gen 10 with no friends at all.
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deargodhelpmeaaa · 4 months
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Evidence that Krerdly will/could in fact become canon
So usually when I ship something Im like yea this is not going to be in the actual thing but I always see other people all like "PLEASE LET THIS BE IN THE ACTUAL THING" and I genuinely can't tell if they're joking or not like do we actually care that much are we stupid do we need mental help
Anyway here's my evidence as to why it will (could) be(come) canon because fuck you.
Berdly saying he has a crush on Susie is extremely unreliable, as he just kind of randomly decides he has one out of the blue and it's obvious she doesn't like him back and he's stupid very smart and terrible great at reading the room and therefore thinks she does anyway.
the following dialogue is after the queen battle:
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(some trivia: dextrose refers to a type of sugar, I think our little boy was trying to sound clever with a big word and didn't use it right, or he meant to say "dexterous" which he would ALSO be using wrong btw, as it means "clever" and right now he wants to be stupid which makes him calling them clever out of character. )
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There's his first lot of dialogue. Then interact with him again and he says this shit
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His reasoning?
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There's a lot to unpack here.
Berdly tells Kris he must turn them down because he thinks he likes Susie and is under the assumption that she likes him back. Nowhere is it implied that he is not actually interested in Kris; it is only indicated that right at this moment Berdly's sights are set on Susie because there are things about her that he really admires, and so his interest is set on her. Notice how he refers to his life as a VN. That means visual novel. He sees himself as a man amongst a variety of love interests, and believes he can only choose one, as is the case with a typical visual novel, which indicates that Berdly thinks he is monogamous (I say "thinks" due to the popular theory that he might not truly desire romance at all and just claims to since that is what he currently equates any form of intimacy to). Among the people he has marked as love interests are Susie and Kris, and so therefore he is not necessarily uninterested in Kris. He sees them as a potential match, but they are not the one he's focused on.
He says Kris is being insistent about something. While this could be him misinterpreting them showing concern for him for romantic affection, as he does have this weird fixation on romance, this line of dialogue is actually really weird for a variety of reasons if we really look at it.
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He says that Kris is being "insistent" on something, and that he "must turn them down." While it is easy to assume interacting with him caused Berdly to think that showing him additional concern by talking to him means you like him romantically, you must also consider the fact that throughout the game Kris is implied to say things on their own, but we ourselves never actually get to see what they are saying. Take for example here:
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I'm certain this is the case with non cutscene moments, too, where you interact with NPCs and stuff. I can only really think off the top of my head to how even when u interact with one of the swords in ur inventory Noelle tells you to stop hitting you with it, and also there are times where Kris is moving on their own despite the soul not having wandered off like in the offscreen Ralsei dialogues, plus there's Kris removing their soul sometimes which always follows us controlling them... essentially they DO still have some control over themselves even when we are controlling THEM and they can still talk on their own, which I don't see how that doesn't include interacting with NPCs outside of battle or cutscenes. I just am too lazy to open the game up again and scour it for more NPC's responding to something we didn't hear Kris say, so instead I gave you an elaborate explanation of how Kris works and it works just as well so fuck you. But feel free to look for examples of NPC's outside of battle or cutscenes responding to something Kris probably said anyway and rb this with your findings that would be great.
Back to Berdly turning Kris down. Both of Berdly's dialogues are in response to something. This second line in particular looks really suspect, and makes me believe Kris may have actually done something overt in order to cause Berdly's focus to shift towards romance, and the reason Ralsei never says anything about it is so we don't notice that our character acted on their own- as he is definitely judging them for saying that LOL. I just don't see how it makes sense for him to just say that unprompted (granted, he is a weirdo, but in a cute innocent sort of way, and not the perverted incel freak some fans make him out to be but); it just feels to overtly a reply to something said to him than it does to him SIMPLY being interacted with.
Counterargument for this second point now: it's very possible that when we interact with Berdly, Kris did something to just comfort him, like put their hand on his shoulder or something like that, and them doing it more than once causes Berdly to mistaken the gesture for a romantic advance, and I was just over analyzing it because I ship them and I relate to Berdly which means I'm a nerdy idiot genius just like him. This still does not negate point number one, though.
3. Berdly is not disgusted by the prospect of romance with Kris. His reasoning for turning them down is because he's focused on Susie; nowhere is it said that it is due to their gender or appearance or anything like that at all. I assumed he was doing some hetero-normative thing with how Noelle and Susie are both girls and he's a boy but Kris lacking a gender and him not being like "eww no" to them indicates to me that he wouldn't necessarily mind something queer going on.
I want to look at the visual novel thing some more because I've honest to god never seen anyone else talk about it.
I think that he sees Kris, Susie and Noelle as potential partners. He's not interested in Noelle himself and says that he only pretends to be because he thinks she is. It's obvious he thinks that if he were to not, she might leave him, as this romantic interest he thinks she has in him is what he believes is the reason why she even tolerates him in the first place. Were she to ask him out (she wouldn't; this is from his perspective), Berdly undoubtedly would say yes, even if it isn't really what he wants, because what he really wants is to keep her around since he literally relies on her for his studies. He confesses to not liking her in chapter 2 because he wants her to know that his sights are set on Susie and doesn't want that to break her heart.
Susie is a new one, as he suddenly finds himself admiring her and confuses this admiration for her for romantic affection. He is undoubtedly going to continue trying to pursue her until he is inevitably not only shut down but learns about her and Noelle.
Lastly, there's Kris, who, besides Noelle, is one of Berdly's only friends. While he is their rival, he does show a lot of affection for them throughout the game, even back in chapter 1. In the library he tells Kris that he was worried about them.
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He also offers them a random discount on the overdue book just really randomly, which is so sweet of him honestly. There is a layer of pretentiousness, smugness, and condescending-ness throughout his dialogue in the library, which is just him trying to prove himself better than Kris.
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It is implied/shown that he sees a lot of potential in them. He refers to Kris as the third smartest student in class, which, despite seeming like an insult at first, is still a bit of a compliment in its own way. Talking down to Kris is sort of a defense mechanism for him. I think this is displayed really well in the scene below:
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He does, however, really care about Kris at the end of the day and it's clear he values them. I really want to bring up the scene where you give him the present. First, he doesn't even EXPECT you to be gifting him, and walks into the scene assuming you're not on his side, taking it personally when he sees you with Susie. Then, when you do give him the present, he's initially shocked, then genuinely really happy and appreciative of it, to the point that he kind of almost drops the snarky attitude. I also really want to note that he doesn't even say thank you. Like he doesn't even know how to react. Poor guy.
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Throughout chapter 2, we see that the two of them have played video games together, that Berdly trusts Kris enough to want to do puzzles with them while he's struggling to do them alone in the mansion, and so yeah, it can be concluded that despite Berdly's attempts to push Kris away and prove himself as their superior, he does genuinely care about them a lot.
So, Krerdly.
Krerdly.
The only thing getting in the way right now is that Berdly is focused on Susie. Though he might think what happened was a dream in the pacifist route, he probably is going to be fixated on her both there and in the neutral route due to now assuming he has a crush on her and her liking him back; he doesn't realize that he's mistaking his admiration for and desire to get closer to her for a crush. What will kill this for him is when he finally gets to see her with Noelle and realizes neither of them liked him romantically. He'd probably then turn to Kris and ask them if they liked him, since they're the one other person on that list of love interests I just did. And regardless of whether or not you say yes, he'd still be left thinking about them a little bit, and start to seek intimacy with them since Susie and Noelle are now fixated on eachother, and Berdly thinks he needs romance so he's looking towards someone who could potentially bring him that as well: his close friend who is still single.
And then you can date him and yay Krerdly real.
That's my theory.
Goodnight.
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howtofightwrite · 1 year
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Sorry if you’ve already answered this, I’m having trouble finding different posts in your blog.
I know a lot of your asks are more practical-related, but how do you suggest fully encapsulating the horror and tragedy of war in a (fantasy) battle scene? I really need that emotional and gory impact but it also to seem reasonably realistic.
My favourite references are Battle of the Bastards in GoT and scenes from Lord of the Rings.
Thanks!!
Martin and Tolkien are not two authors I’d ever expect to find together when discussing thematic and abstract concepts like the horrors of war in their writing. One of them is extremely deep, and the other is a puddle. Neither of them are particularly “realistic” but only one of them claims that pretense while drawing from real history. If you’re wanting horrors of war, you’re much better off moving away from Martin and taking a gander at the actual War of the Roses.
Let me explain.
Tolkien served as an officer during World War I. By sheer body count, The Great War was one of the most bloody and brutal wars in human history. As a point of reference, over a million soldiers died during the Battle of Somme. Perhaps as importantly, World War I killed the cultural concept of the Summer War. Before World War I, the British upper class viewed war as a game. War was an adventure, something young men did between reaching manhood and getting married. Watson from Sherlock Holmes is an excellent example of the end result for this particular outlook. They figured they’d go off, have some jolly good fun, get a few scars, and be back in a few weeks in time for tea. What they got was a meat grinder. Two of Tolkien’s close friends died during the war. He also lived through the bombings during World War II while working as a professor at Oxford, he experienced the devastating effects that war had on the civilian population first hand, and, likely, saw a few of his students die. Despite his hatred of allegory, the man was working through some shit in The Lord of the Rings.
If you’re interested in learning more about World War I or even about effectively demonstrating the horrors of war, I do recommend reading All Quiet on the Western Front. I read it once in high school (more years ago than I’d like to admit here) and, much like Elie Wiesel, it has stuck with me. It was also such an effective anti-war novel the Nazis banned it and it was one of the first books they publicly burnt, so you know it’s good.
Back to Tolkien.
What they don’t tell you about fantasy is that it’s real life, just with elves and dwarves and magic. The real world forms the foundation of fantasy and it’s the humanity of the emotional experience in war, the good and the bad, with both ends cranked all the way to eleven that really makes Tolkien’s work so impactful. LOTR is operatic by design, but what keeps the narrative from falling into melodrama is the core thematic message underneath the pageantry. One of the major themes is hope, which gets symbolized in light, and hope’s interplay with despair, symbolized in darkness. Not just a rosy view of it either, but the genuine struggle to keep the light burning against all the overwhelming reasons to give up or give in. Tolkien allows his characters to be corrupted and redeemed, their struggle with temptation before ultimately choosing the better path or failing and falling into darkness. He commits to the idea that hope can be restored in the unlikeliest of places.
Boromir’s death is, perhaps, one of the best examples of Tolkien’s philosophy in action. Boromir is a character we’re not sure of, he wants the one ring from the outset, he’s the only one advocating that it shouldn’t be destroyed. The hearts of men are easily corrupted. When he tries to take the ring from Frodo, he falls into his worst instincts and breaks the Fellowship. But then, against the overwhelming flood of Uruk-hai, Boromir tries to save Merry and Pippin. He fights wounded, shot again, and again, until he’s felled by twenty arrows and he fails. Yet, in his failure he restores Aragorn’s hope in his people, gives him a reason to fight for Gondor, and inspires the audience to believe in Man’s potential for greatness.
Tolkien could have left Boromir in the dark, but he didn’t. He could’ve given into cynicism, but he didn’t. In every adaptation, Boromir’s death never fails to get me bawling. Boromir is both good and bad, both dark and light, his best and worst instincts are driven by the same underlying, sympathetic reason—his desire to save his people and fulfill his duty to his father.
On the whole, I find Tolkien’s presentation of the human condition and war to be more compelling and realistic than Martin’s. Tolkien’s underlying themes have more in common with All Quiet on the Western Front, Saving Private Ryan, and HBO’s Band of Brothers. For all that his characters often feel larger than life (by design, he’s telling an epic) there’s always a grounding quality that allows the audience to connect with them. Whether we agree with Tolkien’s core thematic message or not, Tolkien genuinely has something to say about warfare and its effect, both on personal and world changing levels, and he communicates that message very well.
The irony about the “horrors of war” isn’t about the horrors of war. Thematically, the “horrors of war” is about who we choose to become in the face of them when trapped in the crucible. Do we rise to our best selves? Do we fall to our worst? When every illusion about who we believe we are is stripped away, what’s left? It’s an existential question, not a “realistic” one.
You can’t write about the horrors of war in fiction if you have nothing to say about war, humanity, and its effects. All you’ll end up with is gore for shock value. The world becomes hopelessly depressing, and, in the end, all the blood turns brown before it’s finally shat out.
Hi, Martin.
Don’t get me wrong, Martin is a very skilled writer. His prose is genuinely beautiful and his first book in ASOF, A Game of Thrones is actually a pretty decent deconstruction in the traditional fantasy narrative and a fairly realistic treatment of how events would go for the standard well-meaning fantasy protagonist. And that’s… the deepest we get.
Martin comes out of the 24/Joss Whedon death for shock value school of writing and the land of Iron Age comics that doesn’t have anything to really say beyond, “people suck.” Underneath it all is a level of cynicism in the human condition that would make Garth Ennis blush. The deaths are just shock value. There’s nothing more to it than that. Once you’ve acclimated to the gore, there’s nowhere else to go and nothing else to think about. Ironically, out of his contemporaries, Robert Jordan is better at giving both war and death in his narrative lasting effect, driving character growth, and real meaning.
Martin and Tolkien are opposite ends of the spectrum in their approach to war and their outlooks are utterly incompatible. One of them is a complete cynic and the other is facing himself honestly, openly, fearlessly, and without a smidgen of irony. (The true irony here is that the latter is the Englishman.) Following Martin’s blueprint won’t bring you to a Tolkien outcome. Tolkien’s genuine emotion is the subject of mockery in Martin’s world. Season 8 may’ve been clumsy and infuriating, but it was the natural end of Comic Book Iron Age cynicism. There are no good people, people with power can never be trusted, and all heroes, no matter how noble, reveal their true colors as villains in the end. As Christopher Nolan said, “You either die a hero or live long enough to become a villain.” This philosophical outlook may be sold as realistic but it’s really just Political Both Sidesism, Fantasy Edition.
The irony is that the real history Martin draws from, The War of the Roses, is simultaneously crueler, kinder, more noble, more horrific, more impactful, and ultimately more hopeful than Martin’s own work. And this was post the Hundred Years War and all the wars that preceded it.
I bring you, the Duality of Man.
If you want to write a realistic battle scene, start with real war. If you want to write about the horrors of war, start with real war. Pick a war, any war, and dig in. Reading the experiences of others is a way to gain insight into experiences you yourself don’t share and start to process the different philosophies born out of those experiences. The horror of war is a human one.
The most important lesson is that you won’t get there by focusing on the battle itself. To truly feel the impact, every character needs to be carefully built from the very beginning with a through line to every horrific event that happens to them. If you want to learn how to do that, then you need to go study every single war movie from good to bad (including the jingoistic rah-rah ones) like Apocalypse Now, Saving Private Ryan, Battle for Iwo Jima, etc, to really start internalizing the underlying storytelling structure and character design formula that makes those films tick. There’s no one better at portraying the horror and humanity of war than the war film industry. Part of what makes the best of these films really good is their willingness to allow their characters to be emotional and vulnerable. Which you won’t find in a lot of fantasy novels that run on machismo, but is the secret sauce that gives Tolkien his impact.
Having the confidence to allow your characters to struggle, be vulnerable, experience humiliating circumstances, and appear weak is an aspect of writing that a lot of men and women struggle with. Cynicism is a form of self-protection to keep those emotions away, to keep one from being emotionally invested, and is a means by which we protect ourselves from being hurt. We may portray cynicism as the more realistic reality but it’s just a cloak we hide behind. Martin’s approach to warfare is less realistic than Tolkien’s. Tolkien’s characters approach warfare with an eye toward protecting their civilians, safeguarding their future, or, in the case of his villains, focus on genocide. War for Tolkien is the eradication of civilization and the destruction of the future. Characters from experienced combatants to innocent civilians are willing to risk their lives for a world and for the people who matter to them. Martin has the Summer War. It’s there in the title, A Game of Thrones. An entertaining charade of musical chairs. And while all of his characters are chasing power, almost none of them have any sort of vision or goal for the future beyond the accumulation of more. In Martin’s world, the only way to truly win is not to play, but in the real world playing is the only way to create the world you want. Cynicism ends with no seats at the table and no means to change or save anything.
It’s funny because England during the War of the Roses had been in a state of near constant warfare for hundreds of years with their own domestic powers and France prior to the War of the Roses kicking off. The concept of a Summer War didn’t really exist for the medieval nobility. Much as we joke today about war being a game for medieval nobles due to their ransom protections, it really wasn’t. The peasantry was also much, much more dangerous en masse than they are in ASOF. They drove traveling monarchs to hide in monasteries plenty of times and, while that’s funny, it’s not actually a joke.
Now, picture Joffrey dragged off his horse in the middle of a riot and having his skull crushed by a local fishwife right before being trampled into a bloody, unrecognizable pulp by sharp hooves.
Or enjoying the Agincourt bathing route.
You’re welcome.
-Michi
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doobea · 9 months
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BLLK - Relationship HCs + Songs That Describes It PT. 2
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contents: gn!reader, super fluffy, sfw, established relationships, kinda proofread characters mentioned: sae, shidou, barou, oliver, yukimiya, karasu a/n: hehe part 2 c: (this ended up being WAY longer than the first one) also wanted to try my chance at writing for both yukimiya and karasu bc i feel like they're underrated
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sae - ride by hybs
not the biggest fan of PDA but will steal moments to hold your hand for just a second, giving it a little squeeze. for more physical reassurance, he loves taking his thumb and rubbing it across your palms and thighs.
he's hyper-aware of your surroundings whether you know it or not. if you're bending down to reach for something, one of his hands usually hovers over your head to make sure you don't hurt yourself on the way up. if he catches you shivering or sneezing for just a second then the next minute you're presented with a cup of tea and his demand for cuddles. you get the gist!
following up on the last point - whenever you get up from any surface, he always checks and dusts off anything that might cling to your bottoms or back.
sae is always out traveling and attending games, so phone calls are endless with him. even if the conversation has ended, there's something comforting about being on the line with him versus being in complete silence.
shidou - see you again by tyler, the creator
he is incredibly great with animals and that’s why you guys foster dogs together! it's no surprise for your neighbors to see the two of you walking an army of chihuahuas and german shepherds around the block every morning. it's also no surprise to everyone when he ends up adopting four of them; he claims no one can take care of them better than he can.
when it comes to washing dishes with shidou, he likes to make shapes out of the bubbles and blow them your way. this always ends up in a bubble-blowing battle that leaves the dishes to be washed the day after.
not really an extreme prankster, but what harm would an innocent sticky note on your back do? he likes to write jokes on them before sending you off to get errands.
gets abnormally invested in the drama in your social life. you tell him that one of your friends had just gone through a breakup? he's getting a bag of popcorn and already listing off questions pertaining to who's at fault.
barou - come inside of my heart by iv of spades
if you ever need to move he'll be there to help in a heartbeat. not only does he have the muscles to help you secure all the furniture, but he has the brains to let you know how to stack the items and what equipment you need to keep them pristine and in one piece.
even if he claims it’s a bother, it’s not! he’s the type to fix your messy cable management and will replace anything that looks like it needs “fixing” in your house. examples include buying you new sponges for the kitchen, restocking your fridge if you’re running low on essentials, and folding your laundry if you’re the type to leave it in the dryer after it’s done.
he hates having his photo taken but knows that you absolutely adore showing him off to your friends. when you first got yourself a camera, all the film was practically barou, barou and you, and shirtless barou. it took a while for him to warm up to the idea but when you came home with developed photos in hand, he can't help but litter the fridge with his favorite moments with you.
definitely listens to cheesy boy bands when he's tidying up the place. he gets easily embarrassed about it so he usually waits to clean up the area when you're out before turning the music up to max volume. there was a rare moment when you returned early and a flustered barou claimed that he didn't know how 'boyfriend' by big time rush came up in his playlist.
oliver - somebody by keshi
surprisingly one of the best people to go to IKEA with - and no it's not because of the fact that he's part Swedish. he'll be the type to get into character whenever you guys go into a showroom, acting as if it's an apartment that you guys share. he’s cute but be careful, he’s the type to sneak items into the cart when you’re not looking!
gets excited whenever pull him into the living room knowing that you'll be announcing a fashion show from your recent mall run. he'll play along and hype you up, taking photos and telling you to give him 360 spins.
a chronic blanket hogger! he complains about needing a bigger bed because his feet keep dangling off the edges and that he needs the blanket the most. if you offer to sleep on the couch so that he can get more space, oliver will just pout and join you wherever you end up sleeping.
when you guys were touring for apartments, it was your job to keep the leasing agent occupied with questions while he was in the other rooms subtly scratching the walls with his nails to see if the paint would hold up.
yukimiya - home by luke chiang
never forgets to bring the mail in. a majority of the time, yukimiya will throw away the useless magazines and ads, but on slow days he likes to sit down and sort through coupons and tries his attempt with the weekly crossword puzzles with you.
there's always a different scented candle in every room you guys share. when they're running low, the two of you typically go to the store and spend at least an hour trying out all the different smells that they have to offer. a new seasonal and two of the regular scents are the final items he settles for.
he'll drive to your workplace to bring you lunch if you've forgotten it for the day. most of the meals he ends up buying for you are typically way healthier and out of your budget than what you would usually make for yourself.
keeps your side of the bed warm for you after you come back from a long day! yukimiya believes it's bad luck to get in a cold bed so he's doing his job as a good boyfriend.
karasu - summer by brockhampton
expect a lot of late-night food runs with karasu and they're all unplanned. you guys could literally be driving back from a date night in the city and he’ll just be like “I want McDonald’s” and just pull in a drive-through. sometimes he’ll do it if he wakes up in the middle of the night and can’t go back to sleep.
is a very good listener but not a good comforter (he's trying to do better in the long run). due to his usual snarky personality, he's worried that he might say the wrong things and usually says little to nothing. when you're crying, the best he offers is back rubs and a long cuddle session afterward.
working out together with karasu is like having your dad help you with math homework. he's critical of how your form should look, always saying that you might hurt yourself in the long run if you're not placing your feet or shoulders at the correct angle.
it's canon that he's afraid of the ocean and can't swim that's why whenever you guys are at a pool, he requires you to hold onto his hand - claiming that he doesn't want you to float away.
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dare-to-dm · 5 months
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Bioware games in the aughts really went off with their cinematography. Like, the cut scenes are doing a lot of heavy lifting with their in game graphics. Obviously the graphics look dated now, but even for the time, they weren't top of the line. But they did such a great job setting the scene with camera angles, lighting, character animations, music and such that these cuts scenes are still pretty compelling.
For example, I always watch the full Battle of Ostagar cutscene in Dragon Age Origins because it does such a great job building tension and putting you in the mindset of the soldiers.
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Another scene that was done so well it pretty much lives rent free in my head is when Sovereign takes over the Citadel in Mass Effect.
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I don't really have any deeper analysis than that, I just think these scenes are really neat and I appreciate the artistry that went into making them.
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leahsgf · 9 months
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hey!! i love your writing omg, could you please try write some relationship headcanons for jackie x reader? thanks <3
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dating jackie taylor headcanons
pairings. jackie taylor x reader
finally writing for my favourite character!! to say i got carried away with this is an understatement…i’m apologising now! thank you so much for this request!
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for the entirety of her life jackie had been battling with almost two versions of herself, who she truly is and who people perceive her as. it was drilled into her, the need and ‘importance’ to have an uphold a reputation, to be a leader, an example.
but she also has a huge heart and wanted nothing more than to give in to her deepest desires, and unlearn the way of thinking that her parents had pretty much birthed her with.
this would definitely be something that complicated and blurred the lines in her relationships in both platonic and romantic form. she fought off her feelings for you for the longest time, instead allowing herself to settle for any boy that looked in her direction - convinced that it was what was ‘normal’ and that nobody truly loved their boyfriends, they just put up with them. she distanced herself from you massively, which strained your once close bond and had a huge impact on everyone around you, including the dynamic of the team and the way you played.
the tension between the pair of you bubbled up to the point that it was uncomfortable to even be in the proximity of one another, and the team decided to take matters into their own hands, confronting you both and refusing to play until you smoothed out whatever feelings you both were experiencing.
which is what led to the confessions from both sides and the beginning of your relationship.
when you first started dating, jackie was still very much reserved and preferred to keep the fact you were dating private, and only have the team know at first.
(who’s only issue with it was that they now all owed each-other considerable lumps of money after way too many bets)
if you were on the team too, there would literally be a ban on you guys from being within eachother’s eyeline in practices because i mean there’s only so many times you can take a soccer ball to the face and brush it off as anything other than you were too busy staring at jackie to be paying attention to anything else.
jackie would also be incredibly protective over you on the field, in both practice and in games.
if you weren’t on the team, you may as well be. you’ll be sat in the stands for everything, even if it’s just them running over drills. you sit in the same place every time - jackie somehow had an exact seat reserved for you year round, you were almost too scared to ask exactly how - so every time she needed a little hope, or silent reassurance, she’d look your way, and you’d be there.
“my little good luck charm”
one thing about jackie is that she is quite literally the most loving being on the planet. and she will not hesitate to show you it. she loves to be held by you, clinging to you almost like a koala. to hold your hand as you drive together, and playing with your rings as you talk about anything and everything.
jackie loves to take pictures of you, and a lot of them at that. no matter how long you’ve been together, best believe she’ll be pointing her finger at you, insisting you stand still because “you look so pretty” and grinning behind the flash of the camera at any given moment. she’d always been that way, for as long as you’d known her. you guys literally had a physical documentation of practically your entire lives together, from the first day in daycare when you had paint smeared across your face and four year old jackie was half laughing, half trying to eat a crayon on the stool next to you, to each of your date nights when she would stop a passer by and ask them to snap your picture, whilst the pair of you posed, completely and utterly wrapped up in each other’s love.
one day, she would gift you a huge photo album, full to the brim with every single picture you’d ever taken together, and her little annotations of what she was thinking about you in them.
alongside her love for the physical, she loved to do lots of little things to show her love for you like this, whether that be picking up your favourite food whenever you were feeling down, or slipping little notes and doodles through the gaps of your locker for you to read in between classes.
simply being around jackie lifts your mood. she knows exactly how to make you smile and is incredibly sweet and affectionate. she knows you completely inside and out and is your biggest comfort without even realising it.
jackie would say she loves to share your clothes, you would say she loves to steal them. there are endless items of your wardrobe that you’re convinced are gone forever until she walks into the room wearing them randomly. you don’t mind it though, they look cuter on her.
she always buys you more to make up for it.
she also loves to match with you in any way possible, whether it be through matching necklaces, or even just the same sock colour.
she is the one who says ‘i love you’ for the first time. she blushed furiously and actually cried whilst doing so, even more when you said it back, and she still blushes like crazy every time you say it to her.
you heal and bring out a huge part of jackie that she had always repressed without even realising, and are literally ‘her missing piece’ as she calls you. you complete eachother, and balance each other out in ways that are completely indescribable. you also help her see what love is supposed to feel like, and what it has been all along.
over time, you slowly stop hiding your relationship, waiting until she was ready even though everyone could already tell you guys were together.
she’d wait for you after every class, and walk you to each one, her hand in yours.
she’d help you choose outfits for parties, and loved to show you off at any given opportunity.
jackie has your entire future planned out. she always has done, from your college dorm to your future apartment together. she could ramble for days about it and would even make boards if she could.
you wake up with her sprawled out flat on top of you every single morning without fail, no matter what position you fall asleep in. she is also an incredibly light sleeper, specifically when it comes to you touching her. you have to go to the bathroom or get water in the middle of the night so slightly shift her arms off of you? she will absolutely be sat wide awake waiting for you when you return, her eyes somehow even wider and an almost pout across her face.
her favourite thing in the world was to kiss you. to coat your face in her cherry flavoured lipgloss as she planted a trail of kisses from your forehead, down your cheeks to your jaw, leaving a couple on your neck before making her way back up again, pressing one final peck to the tip of your nose before eventually reaching your lips, as if it were a routine. which it was, she did the exact same every single time. one time, you thought it would be funny to turn away from the last kiss for just a second.
she sulked with you for WEEKS. you spent a stupid amount of money on ridiculously extravagant flower bouquets to make up for it.
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Man, I like Daily Wire in concept but Matt Walsh needs to shut the fuck up about video games. The same guy who tried to resurrect the tired old "violent video games are harmful!" crap is now acting like he's the first person to notice that video games are pushing woke nonsense (even though there are about a hundred channels and outlets that have been talking about this for years) but his solution is to, of course, for the right to stop playing video games.
No. Just, no.
This is the same "bury our head in the sand and pretend pop culture doesn't exist" mindset that got us into this situation in the first place. You can't win a war (and there is a culture war going on, no matter how many people on both sides want to pretend otherwise) by retreating from every battlefield. You win by raising awareness of a problem and then offering a real solution.
And it's especially stupid seeing this cultural retreat mindset from someone working for DW because DW actually knows exactly how to fight this battle. They created their own media company to fight against woke Hollywood. Are all their movies and shows good? No, not at all. But they still did the right thing. They put their money where their mouth is, and created an alternative.
A much better example is Angel Studios, which is probably the only Christian movie studio I've ever seen that puts out top quality content with great acting, writing, and production values. They're raking in money and getting their content onto mainstream streaming services as well as theaters. In other words, they're taking their message to the people who need it the most. The ones who aren't already in the echo chamber. Unlike Daily Wire, which only offers its content on its own website through a subscription service to its own audience, and never advertises anywhere.
Another successful example outside of movies is Eric July's Rippaverse. He's been killing it with his comics, with every single one of his campaigns raking in over a million dollars, every cent of which is reinvested back into his business, helping it grow, creating more content, and expanding his already impressive roster of writers and artists. Mainstream writers and artists, by the way. Like Chuck Dixon, the guy who co-created Bane and wrote the seminal Tim Drake Robin comics, among many other credits, and Mike Baron, who wrote some of the best early Punisher comics. Eric had a following before he started the Rippaverse. He runs a successful YouTube channel and he's a regular contributor to The Blaze. He could have walled himself off with his fanbase, wrote comics about ancaps saving the world from the evils of government, and made some money while pandering to the people who already agreed with him. Instead, he went big. He invested his own money, runs his own distribution center, owns his own business with zero outside investors, hires the best talent he can, and offers a product that focuses on story and characters over messaging. His work isn't even "anti-woke". It's just not woke.
And that's what we need in video games. We need alternatives. We need to roll up our sleeves and wade into the deep waters and actually contribute our ideas and our talents. Offer an alternative. Hire people who know what they're doing, who care about quality content first and social engineering never. There is a huge untapped audience who would pay hand over fist for good video games free from microtransactions and woke nonsense.
But retreating is not an option. It's not brave or moral to hide in our echo chambers and scoff at anything fun. Entertainment is necessary. And maybe more importantly, it's not going anywhere. We will never live in a world where people go to work and spend time with their families at home and do nothing else. We need to engage with the world as it is. Not wait around for whatever our idea of a perfect world is to magically form so we can finally interact with it. You can't change society if you keep pretending large swaths of it don't exist.
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Hello i hope this isn't too specific, may i request in the self aware au, for a player that actually is a god? ( Examples: God of love and beauty, god of time and or night etc, etc)And for whatever reason they use their godly powers to protect them?(the twst characters) Separately for lilia, vil and jamil! Thank you so much!
Self-aware au
I do not take any responsibility for you reading this no matter which age group you are from!
My works are for entertainment and not meant seriously!!!
WARNINGS: Yandere themes, religion, suicide, obsession, manipulation, unhealthy relationship, death, war, blood, murder, violence, unhealthy mindset
Jamil Viper/Vil Schoenheit/Lilia Vanrouge-Player who is a real God
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God of wisdom
The Octavinelle trio and the fire rat had failed
We all remember Jamils Overblot happening, right?
Unlike the game however, they weren't able to beat him and despite the servant already seeing black spots in his vision the feeling of power and freedom was too wonderful just to give up on it
Deep down he also knew that this was his end, having heard the stories about other Overblots that also went terribly wrong
And then there was warmth in the cold desert night his heart had become, lulling him into a dreamless sleep and your voice telling him that it was ok, that he could let go, that you would protect him from his sorrows
Cue next morning and a crying Kalim later
There he was, alive
The one's that were present told him that he suddenly fell asleep during their battle
All they could say about the situation was that they surely had luck, after all it did end things in a positive, non-violent way
But Jamil knew what truly happened
You were a real God, not just an all-knowing scholar like they thought, the God of wisdom
If it weren't for your warning gaze he would have dropped to his knees, thanking you that you had saved his life
But apparently you didn't want them to know, so he held his mouth shut
This wasn't the end though
From then on out he started to become even more obsessed with you and whoops! Was that someone saying that you were just am otherworldly being and nothing more?
They jumped off the roof of the school on the next day, ending their life very early
Not knowing who you truly were was no excuse for denying you the worship you deserved. You, who knew about worlds beyond the stars and even much, much more
He had to know, he had caught a glimpse of it in your voice on that fateful day after all, telling him who you truly were
This had to mean that he was so important to you that you would tell him who you truly were, right? RIGHT??!
Jamil had learned how to serve and obey and who would he be if he didn't use that to show his loyalty to you. Even of it meant that there were blood sacrifices for which you never asked needed...
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God of beauty and kindness
Vil was at his end
He felt like there was nothing to look forward to anymore
After going into Overblot and then even losing against Neige the dorm leader wanted to just delete his accounts on social media and burn his contracts with the film and modeling industry
I think it was your sixth sense as a God but you were there, in the room right when he was breaking down with him
And how could you not help him, he who was so lost and helpless
After all, you were not only the God of beauty but also the God of kindness
And that was the day on which the supposedly magic-less student made a miracle happen
Igniting the embers of determination of the Fairest Queen who was sitting slumped over in front of you you showed him who you truly were, showed him that he was worthy to witness the God of what he wanted to be sitting in front of him
Vil swore to never give up again
Ok he is happy, case closed. Want to drink something? How about- WHY IS THERE SOMEONE SUFFOCATING??!
Isn't that the model competing against Vil for a spot in that magazine?
In true evil queen... I MEAN FAIREST QUEEN fashion the man poisoned his rival
And then suddenly accidents happen all over the place to models and other figures in the beauty industry
Just yesterday a light fell onto an actor on a set, killing him in an instance
But there is no need to worry over Vil
He will make sure that he is extra careful!
And if you wouldn't mind, would you give him that bag with the screwdriver in it to him? Thank you!
Vil would be a fool if he were to ignore the blessing his God had given him, giving him the mission to become the most perfect one if them all
No need to wait for too long. He will make sure that he is worthy of you...
Just ignore the red makeup on his jacket. An assistant on set spilled it accidentally on his uniform
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God of time
You and I, we both know that this will end in a tragedy and yet you still ask for him in this request
But ok, you are asking for it
Leonas Oveeblot, it happened so fast and unpredicted leading to him leaving for a short while to get help
And to what does he return? The other students lying knocked out on the ground and you standing there proud, not being afraid for a second
You stood there like the true God that you were
And it also ended so quickly, flicking the lion's forehead the student fell into himself like a house of cards
And then you turned around and oh... he was lost in time and space
Lilia is old. He has seen the rise and fall of kingdoms but there was nothing that could have prepare him for the eternity that he saw in your eyes
Suddenly he was nothing more than a child, suddenly realizing that all his joking about his age was truly nothing more than a joke to you
You were after all the beginning, the end and everything in between
The Headmage who had followed the general after the told him what happened seemed to be frozen in time, or rather was until you seemingly decided that it was time to move on in time itself
Of course everyone was confused why Leona was lying on the floor when he was the one beating others into submission just a minute ago
But Lilia knew, and Lilia knew that ou knew that he knew
This leads us to now, the time in which Lilia rests his head in your lap whispering with crazed whispers that all the bloodshed was worth it, that you were finally here
But for what happens next even you, a God, could do something against his next step
The Valley of Thorns is powerful if we are talking about magic
And they are more than looking forward to lay the world to your feet
It is like these peaceful times never existed, Lilia was once more a raging general who now even pulled his own son into the bloodbath he created
But even Lilia knows that you are just an excuse in his life. After all, worldly beings aren't meant to live so long as he already did, making him search for some reason in his life and if it is to end massive amount of life then be it that
And in all the sadness, in all the pain and blood there is a small, gentle part of him lost in time, cradled in your arms whilst it weeps tears of sadness and despair
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myx-on-earth · 27 days
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Content Warning: Landfall Game's April Fools Triumph
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For the Content!
It would seem that an April Fools joke of a game has resulted in overnight indie success. Landfall Games, a beloved indie game studio, has a yearly April Fools tradition they call “Landfall Day”, where their devs put together essentially a parody of whatever game is popular at the time. They’ve parodied everything from DayZ to battle royales (Twice, with Totally Accurate Battlegrounds and Knightfall), and this year it would seem it’s Lethal Company’s turn.
Lethal Company is a game known for silly co-op shenanigans that seem to instantly translate into YouTube content- and Content Warning takes that idea and turns it up to 11, making being an influencer a part of the game mechanics. You and a group of friends take a diving bell to “The Old World”, a spooky map filled with monsters and traps entirely for the sake of internet entertainment value. With a single camera and 90 seconds of film, your group has to make the spookiest, funniest video possible- because your only source of income is Spooktube, and that revenue doesn’t come easily.
It's such a brilliant parody of both the horror genre Lethal Company tapped into and the loop of content creation in the internet age that it, somehow, wraps around to being an excellent game in of itself, though Landfall is no stranger to finding gold through satire. Previously, their first battle royale parody (Totally Accurate Battlegrounds, a riff on PUBG) found some success, enough that Landfall turned it into a full venture. It’s not as popular nowadays, but it IS legitimately good- and Content Warning seems to be turning out the same way with its initial popularity and engaging premise.
Typical Content Warning video result, featuring myself, @thatpocketninja, @squiddskipp, and a third friend who requested to remain anonymous
In the space of video game development, April Fools seems to be not so much a “joke” day, but a day that allows ideas to be thrown around that might not otherwise have been considered, which can lead to majorly creative leaps of faith. With examples like the Yakuza series’ pivot to turn-based combat, Far Cry 3: Blood Dragon’s continued success in the midst of a floundering Ubisoft, and even Lilith Walther’s upcoming definitely-not-Bloodborne Kart (now known as Nightmare Kart), the idea of “joke turned legitimate gamedev venture” isn’t exactly new.
I actually had the pleasure of exchanging emails with Hanna Fogelberg (@thebirdmountain on Twitter), Landfall's Head of Community, who provided some insight into Content Warning’s development and the overwhelming response in the interview below.
1. What's it like to go to bed seeing some success, then waking up to find your joke game is a viral hit? Did you expect this at all, given the surprising amount of polish it has?
"We couldn't sleep to tell you the truth! Even if the team said good night at about 2am we kept texting the player numbers to each other throughout the night, we were very wired! We always knew there was the potential of the game going really well, there's something about the design and shareability of the videos you make that we knew could hit it big but it's still surprising it went THIS well."
2. How long did it take to develop Content Warning?
"Content Warning was made in about six weeks of active game development, but the idea came to us back in December!"
3. What were your main inspirations for the game? (Beyond Lethal Company, of course)
“Lethal Company and similar games were an obvious reference for the gameplay loop, we love that game! That said, what was most interesting to us was the core of the game - the filming and video creation. We were inspired by YouTubers and influencer culture, there's something interesting in people risking life and limb for content that we wanted to play off of. 
Other than that, the vibes of The Older World were inspired by Junji Ito and a specific H.R Giger painting while The Over World references the Swedish children's book Pettson och Findus.”
4. How experienced was the dev team?
“We're pretty experienced, the Landfall team has been making games for over 10 years with previous releases being Totally Accurate Battle Simulator, Stick Fight: The Game, Clustertruck and Rounds to mention a few.”
5. How does this experience compare to the last semi-viral success Landfall had with a Landfall Day game? (TABG)
“This game outdid TABG in player numbers several times over! So it's hard to compare, this is by far our most viral hit to date.” 6. Any plans for the future of the game? Or just basic bug fixes and some more content? 
“We will see! Currently, we're focusing on fixing bigger bugs and other issues but we already have some new content planned. We're kind of playing it by ear at this point, it all depends on how things go in the coming weeks.”
Some may attribute Content Warning’s success to multiple factors- the 24 hour free period, how it riffs on Lethal Company and the tropes it already employs, or even that it was “designed to go viral”- but you can’t deny that, even as an iterative piece, it still manages to find its own identity and already seems to have captured the content creation hearts of everyone who gives it a chance. Games like this, that aren’t reliant on micro transactions and are buoyed by the PEOPLE you play with, rather than the money that one must spend on it, are the hope- and, hopefully, the future- of the video games industry. You can find Content Warning (No longer free, but still very cheap!) at the link below: https://store.steampowered.com/app/2881650/Content_Warning/
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valyrfia · 3 months
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hi i came here from thearchercore where they said that you think there seem to be friendship cliques forming around the paddock as of late like carlando vs. lestappen. i've seen these divides between fans but what makes you think there's also that divide between drivers?
I wouldn't call them friendship cliques. More....workplace alliances regarding the way F1 is going and the way F1 should go.
(Full disclaimer. This is a theory of grid dynamics that's been brewing for a little while in my head and I've only really bounced it off people in dms so far, so feel free to critique or refine it.)
Now, why would these two camps clash? Apart from interpersonal reasons (power struggles at any of the teams for example, I think any of the drivers listed racing or PR would resent being labelled as the team's n2 driver), F1 itself as a sport is at a crossroads. We're seeing the obvious effect of DTS in popularising the sport and making these athletes world-famous. In the past, only the world champions really became world-renowned. Now, most drivers are massive social media stars, or even proper A-list celebrities in their own right (Daniel at the Met Gala, for example). This one one hand is brilliant for the sport, because it brings more attention and eyes, and F1 becomes far more popular than it ever has been in the past. Liberty media especially is fond of this, as it brings in more profit for them.
However, in a lot of ways quintessential aspects of racing are lost via appealing to the masses. We see this in the removal of traditional purpose-built tracks in the calendar to make way for street races, in team line ups prioritising the PR-friendliness of a driver much more than before. The question of can the individual personalities of these drivers be sold is now a much bigger factor when considering a line up now than it was even ten years ago.
Since the question of racing vs. PR is raging in F1 in general right now, I think there's natural battle lines being drawn up in the paddock at the moment, that seem to fall along drivers which prioritise racing results over PR, and drivers that rely on PR/sponsors to boost their image without the racing results to necessarily back it up. Let's call them the racing clique vs. the PR clique for simplification.
Furthermore, I think these battlelines are drawn between teammates more often than not. So for example, I'd say Oscar tends to fall into the racing clique, Lando the PR clique (because let's be frank, his level of hype in British media especially WITHOUT a grand prix win is a little ridiculous). Likewise, if we consider our once and future RBR teammate pair, Max is the racing, Daniel the PR.
Ferrari is a little trickier because Charles is a PR mastermind and plays the PR game well in order to manipulate public perception about him. However, I will say that above all Charles has a fair estimation of his own abilities, an incredible racing IQ, and a sharp hunger to win that shines through despite the scrupulous Ferrari PR training (lest we forget the origin of the Il Predestinato name). For this reason, I think I place him in the racing camp. Considering the way that the Sainz camp uses leaks, well-timed sympathy posts, and Carlando to boost the public perception of Carlos's racing ability, I would place Carlos in the PR camp.
There are also other natural flash tensions between these people, but from Lando and Daniel distancing themselves from Max post his Vegas derogatory comments (@tsarinablogs has written some good thinkpieces on this), to the Ferrari civil war (as currently being chronicled by @thearchercore, along with some pretty good evidence as to McLaren trying to copy Ferrari's contract renewal hype, which further puts Lando and Charles into conflict). I don't think the happy go lucky Landoscar dynamic will survive McLaren being a competitive car, especially if Oscar wins a grand prix before Oscar.
There are faultlines and flashpoints forming in the paddock, and I think that especially with the incoming silly season, this question of PR vs. racing when picking drivers will be thrown into haut relief and that'll serve to only heighten the natural and/or pre-existing tensions between these two different groups of people.
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bung3665 · 5 months
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Some Dynamics and Character Lore From GGZ
Given the title, this won't cover everything, especially the dynamics that are present for GGZ-only characters, but I thought I'd make a post for Hi3 characters that are present in GGZ for those of you who like to draw fanart/write fanfiction. As well as the fact that I like talking about GGZ.
Fair warning: this is going to be long, I have a bad habit of going into too much detail on things like this, so please bear with me.
For this post in particular, I was going to focus on multiple characters but this ended up being so long I relegated to it just being about Kiana and Mei, and more specifically two versions of them. I might make a follow up post for Bronya/Seele/Sin at another time.
Trigger warning for attempted suicide below. I feel like I should include this just in case.
Short introduction but that's all I have to say before diving into the material.
Kiana/Mei
It shouldn't really be a surprise that Kiana's greatest dynamic is with Mei and only Mei. The two are a lot more blatant with their feelings and relationship in GGZ. However, their relationship is also more tumultuous than in Hi3. They are a good example of doomed yuri, besides the ending to the Reborn storyline, which is bittersweet at the least and good at the most.
The writing of GGZ carries the same theme as Honkai 3rd, fighting against the fate of the world and for all that's beautiful. GGZ tends to explore the darker aspects to this setting, often times mixing in heavier themes while doubling down on the struggles of the characters. At times, it can be almost over the top, but I think its cohesive and still a finely crafted story.
It should come as no shocker that Kiamei is the primary ship of GGZ, it's outright confirmed that they love each other at points throughout the story. Sometimes it is for lesbian bait, but on the whole I think their writing is good and the way they rely on each other for support is nice.
Kiana and Mei are more grounded in GGZ, if I had to word it. They're still incredibly resilient, but there are times where they crack mentally. It happens to Kiana more than it does to Mei (save for the last arc, where it's all about Mei suffering), but seeing them work through these things does deepen the bond they have.
Now with all that said, let's move on to the actual content of this post.
Retrospective
Retro is the story you play when you first start the game, this is the "first half" of GGZ's story in some regard. GGZ's story and setting is divided into separate eras, with the main two being Retrospective and Reborn. Era Zero, taking place before both of them, was never fully completed unfortunately.
In Retro, Kiana and Mei initially start off on the wrong foot. Mei is sort of hostile towards Kiana (a result of her becoming a Herrscher) and Kiana is a bit insensitive to Mei on introduction, but after learning about Mei's past, Kiana manages to get through to Mei after their battle and the two make up.
Will put it out there that much like Kiana in the Hi3 mangas and early Hi3 story, she's a perv here. Yet her crush on Mei is a genuine thing.
Things calm down for a while, but when Bronya enters the picture and Mei begins to dote on her like a big sister, Kiana gets a little...possessive, and jealous. She's quite immature when it comes to romance in Retro. And while Mei is more serene about things she does care for Kiana too.
The two have their own unresolved matters, however. For Kiana, it's finding her dad who went missing when she was young (note: Kiana in GGZ is not a clone like in Hi3, this is the real and original Kiana Kaslana). And for Mei, it's regarding Ryoma's sentencing and his ties to Anti-Entropy. The two bring it up at points and reassure each other that they will find their dads which is sweet.
Things take a turn for the worse when Cocolia attacks St. Freya with the Moonlight Throne battleship. When the ship crashes into the church where the furnace containing the core of the second Herrscher is (yeah they stored Sirin's core there), Kiana somewhat fuses with the core and has a complete mental breakdown when Cocolia reveals the truth about Siegfried and how Kiana murdered him when she accidentally became a Herrscher while young.
This causes Kiana to become a Herrscher due to the rising amounts of Honkai energy in her body. If you're wondering about Cocolia, she dies by heading into the Honkai furnace and gets swallowed up by all the Honkai.
Kiana kills everyone after becoming the Herrscher of Finality (or Herrscher of The End, Final Herrscher etc), and the last person she kills is Mei.
It's a sad scene through and through, and the CGs are great. Even more so because at the end, when Kiana and Mei are floating above the world, Kiana still cries while the world ends.
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See you in the next world originates from this scene. Very good piece of music.
So what happens after? The world ends, Mei and everyone die, but what happens to Kiana?
Kiana became a puppet for the Honkai, even after the initial catastrophe that occurred at St. Freya, small groups of people managed to survive the world-wide Honkai eruption. But they too would be wiped out by Kiana.
She didn't move, she didn't think anymore, and she had no emotion. Only when the Honkai needed her to kill whatever remnants of civilization rose up did she move.
This carried on for hundreds of years, or tens of thousands, but by the end Kiana had killed all of humanity.
And then she regained her consciousness and was faced with the reality of how many she had killed and how much blood she had spilled. To save herself from the suffering she tried to end her life, but because she was a Herrscher, she was immortal.
No one could kill Kiana, not even Kiana herself. When Kiana realized this fact she gave up all resistance. She deluded her mind with memories of the past and paralyzed herself on the spear she had impaled herself with, until the day Honkai disappeared from the world.
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Quite the terrible end. I won't be covering Reborn in this post, but I thought it would be cool to write about the Fire Moth DLC side story, since their relationship in that story builds off of Retro.
Fire Moth
To understand Kiana and Mei's relationship in Fire Moth, you first need an understanding of the setting. The events of Fire Moth happen during Reborn's story, during the story chapters as a matter of fact.
But Fire Moth itself technically takes place in a stigma space where the world has turned desolate five years after Kiana became a Herrscher and destroyed everything. It should be noted that this is the world contained in the stigma space, so the setting of the story is not taking place in the real world. The backstories and characters are acting upon how they were in Retro (and were materialized by Kyuushou's memories of them).
This is Kyuushou's stigmata space, and she has the stigmata of both Kiana and Mei from Retro. Hence why this world bears so much familiarity to Retro.
Most life on the surface is dead, and the survivors in Nagazora have banded together to form the organization "Fire Moth", or "Moth Who Chases The Flame", under the leadership of an older Bronya.
Houraiji Kyuushou is the protagonist of Fire Moth, and you play through the story as her amnesiac self. Kiana is still the Final Herrscher, and rather than a being who is carrying out the Honkai's will endlessly, or someone who still has enough emotion and humanity to cry, this Kiana has gone deep into nihilism and has become devoid of most emotion.
This is a Kiana who knows what happened thousands of years ago and guilt has eaten away at her and left her with nothing.
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CG of Kiana when Kyuushou first meets her in a dream.
To get a good idea of what Kiana and Mei are going through in Fire Moth, how about this short conversation I machine-translated. Might be inaccurate, I don't know Chinese that well! But hopefully it helps. Some of it has been taken from Guns Girl Z Cutscene Interpreter as well, I translated some of the text that was still in Chinese.
(Mei's text is purple, and Kiana's is blue).
Mei…what would you do if the world didn't fall apart?
If it hadn't collapsed...
I would probably have been like an ordinary girl, studying something I like, enrolling in a university I wished to go to, and then starting my own family, and walking through a happy and uneventful life with the person I love.
Kiana, what about you?
For me…as long as I'm with Mei, I'm already satisfied.
Really…don't say such embarrassing things...If it's Kiana then there must be something more worthy of pursuing.
If it's the old me…I do have hundreds of wishes I want to fulfill...
I wanted to attend the same school as Mei, eat our bento together under a cherry blossom tree, and spend our entire lunch break lazily.
I want to travel around the world with Mei, take pictures of us in beautiful landscapes, and keep our figures in a precious photo album forever.
I want to build a small cabin by the sea with Mei, watch the tide rise and fall together, collect seashells on the sand blown by the sea breeze together, and then fall asleep under the embrace of the moonlight.
There are so many more wishes…well there are so many more plans too..
But now…
I just want to stay by your side quietly like this forever.
Mei...please give me your hand.
Yes...
If it's possible, will you stay with me until the end of the world?
Kiana…thank you.
Thank you for loving me so much. For protecting me so much.
But both of us, no, we all, we all understand.
That this is a long-cherished wish that simply cannot be fulfilled.
Because...because all of it...has been destroyed by your hands.
Every promise has been turned into ash... and we can never go back.
I'm so sorry Kiana...I'm so sorry.
It's time for us to say our farewells...
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(Kiana alone with Mei's ribbon).
...
I understand.
In fact, I understand it better than anyone.
This is the mistake I made...I've destroyed our future with my own hands.
Such an ending is the best punishment for me.
Alone in a world without you. Even death is too kind for me.
(There's a little bit more to this scene, but it's not relevant to this post).
During the final battle between Kiana and Mei (they're both in the same nihilistic and existential boat here, so naturally they are the two overarching antagonists), when Mei falls in battle, Kiana bids her farewell and calls Mei her "only regret".
At the end of Fire Moth, Kyuushou manages to reignite Kiana's wish from forty-two thousand years ago, which was to bring hope to the world. What Kiana was chasing all this time was a sliver of hope in a world that gave her none.
Kiana relinquishes her existence after their battle, so she along with Mei disappear from the world entirely. No one remembers them and nobody recognizes their names. Kyuushou remarks that Kiana's dream was to live in a world without Honkai, a sentiment echoed by both Kiana and Mei.
Fun fact: if you 100% all of Fire Moth, you get this wonderful CG of the two.
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Conclusion
If you made it this far, thanks. I'm a bit out of my element when writing things like this, so if you have any questions on anything I'd be happy to answer them. I appreciate GGZ a lot, so making this was fun and I hope I can do more of it for the others.
I have a nagging feeling this was a bit too long, so I apologize for that. I ended up explaining a lot of GGZ's lore when this was mainly supposed to be about relationship dynamics...oops.
But to summarize, Kiana and Mei's relationship isn't entirely different from what they have in Hi3, but just like in Hi3 they have their own struggles and nuances. Mostly in the formed of doomed yuri but that's beside the point. I like their relationship in GGZ, at times its as simple as a few exchanges before a battle, and at others its the crux of the story itself.
With all that being said, I hope you enjoyed the read!!
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autumnslance · 1 year
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The Game World is an Abstract
Various dungeons, trials, and instances, take place in regions of zones we cannot otherwise reach. We can see other parts of the world, continuations of those zones, that go off the walkable/flyable map. We only really get parts of the capital cities, more districts and buildings often visible but inaccessible. New areas get introduced all the time, such as Paglth'an in Thanalan--much of which we can't get to, only see as we fly over its golden fields.
But even in the places we can travel physically, those areas are...compressed. Made viable to move for game play purposes. It would be impossible to show the true scale of most regions, most towns, even many buildings; not only would that be a ton of dev time and resources the game cannot budget for, but it would make getting place to place extremely tedious for players.
(They tried to a degree in 1.x, but it was also a lot of "identical tiles duplicated and turned" to give the impression of massive world areas--which also made it hell to navigate in more ways than one)
A good example is the Steps of Faith, the bridges spanning the roiling abyss between mountains and foothills, Ishgard's link from its peak to the rest of Coerthas.
Now that we can fly on Coerthas, overworld, the Steps of Faith look like this:
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A very narrow bridge. Not terribly impressive--nor very practical, as it would be impossible to get multiple supply and trade carts in and out (their strict isolation was only really during the most recent Archbishop's nonsense in the last 20-odd years, hence the other city-states trying to get them back into the Alliance), nor march an army across. This is meant to connect an entire city to the world.
In the ARR Steps of Faith instance--reworked as a solo duty where the WoL fights alongside the Scions and various adventurers as well as Ishgardians--the bridges are massive, capable of fielding combat units as well as the giant siege dragon Vishap.
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And of course, the great battle on the Final Steps of Faith in Heavensward's patches, where two great wyrms of the First Brood are on the bridges, as well as various other dragons, Ishgard's defenders, and our own final battle against Nidhogg.
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In both versions of the Steps of Faith story instances, there are statues, towers, and defenses that simply aren't visible in the overworld versions.
So! Remember: the setting is MUCH larger and far more detailed than can be seen in the maps we have access to as players. The game world is a compressed abstract, travel times reduced for story as well as practical play reasons, and you have plenty of room in your writing and roleplay to expand on and add details to it as needed!
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jell-o101 · 2 months
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How dark could you see canon Super Mario Bros getting (either in the movies or the game's plots? The series has had moments where it's not all sunshine and rainbows (but considering the nature of Super Mario, it is sunshine and rainbows much of the time) The most obvious example I can think of is the recent movie where they dialed up the intensity of Bowser where he has a pretty strong bloodlust, a death row chamber, and a Luma who craves death.
Like I really don't see them going down the route of killing off a major character (without reviving them shortly after) but that does create a risk of cheapening death. One way they could do this is by making death reversible, but it still leaves deep seated psychological scars (think Steven Universe or Puss in Boots 2)
I also wonder if they could do a bittersweet ending sort of thing as well. I've seen some animated movies with a young audience in mind do this, but obviously they're not going go down the road of something like Grave of the Fireflies or The Little Matchgirl.
Ok ok so
Hers some random thoughts that the hardcore gamer in me thinks about.
We’re on the verge of a new console for the Switch. And that means a new 3D Mario game should be revealed soon after the new console is announced or released (stay with me, ok?)
In the personal opinion of a couple of people, Super Mario Odyssey was good! But it wasn’t AS GOOD as Super Mario Galaxy, which was a game that wasn’t really that dark, but had some moments that were out of place for an Mario game that had come before and after (not including spin offs, which seems to have the best plot of any Mario game than the mainline games).
If the next 3D Mario game is to be just as good, if not, BETTER than Galaxy, it needs to have an AMAZING story (gameplay is not my concern tbh).
As someone who enjoys a little bit of angst here and there, I had thought of two different ideas that could work for the potential Mario game.
Mario goes to a parallel universe where he lost an important battle and Bowser has taken over. Anyone who sees Mario would DEFINITELY not believe that it’s actually him and probably be enemies. And main characters like Luigi or Peach could be bosses. I imagine Luigi being the first boss completely in denial that Mario is right in front of him (imagine how cruel the realization would be SHJOSJKHSJASNOJ) and Peach could probably be the second to last OR final boss for the same reason. Idk it’s a neat idea in my head.
Another idea could be Mario accidentally being sent to the past. And I mean the FAR past before Bowser’s rein. Heck, before his birth! I see the way Bowser’s castle is themed after in Odyssey and I like to think that’s what Koopa culture looks like. I also just like the idea of Bowser being super formal when not in battle. Like the bowing, the utensil etiquette, etc. Bowser’s father, or grandfather if Nintendo decides to change it, could be the main antagonist and next to the throne could be a small nest of eggs. Mario’s goal is to use Kamek’s wand (or something magic) to get back home without changing the course of history or something. Yada yada yada, Mario learns more about Koopa culture, yada yada yada, he’s get destroyed except one, yada yada yada Mario gets back home,but Kamek catches a glimpse of him, setting up the plot of Yoshi’s Island (idk is that a good idea?) And Mario, after getting back home, just suddenly hugs Bowser and everyone is super confused. Idk I like the super sappy ending.
Idk it wouldn’t be TOO terrible in angst, but the slight change in tone for a Mario game makes the difference to me. Those are some ideas I had come up with (might draw them idk anyone’s allowed to draw this if they liked it so much) They might be terrible and overused plot points but it would be cool to see that in the next Mario game…
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Did this…answer the question? I feel like I got off track 😅
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