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#don't answer the questions at the end lol
rafesfavgirl · 2 days
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i just want to know — r. cameron
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another sad one bc i apparently don't know when to stop lol
❝ you didn't measure up in any measure of a man and i don't even want you back,  i just want to know ❞
pairing: ex-situationship!rafe x fem!reader
context: on the night of your 21st birthday, you run into rafe cameron—the boy who broke your heart.
words: 1.3k+
warnings: mentions of a toxic situationship, drunk!reader, word vomit, alcohol use, cigarette use, might make you cry, so much ANGST
you tumble out of the bar, your vision getting hazy from the amount of alcohol you'd drank, when two hands reach out to steady you.
"woah there, doll," the familiar drawl of his voice catches your attention, the alcohol haze fading for just a second as your eyes meet his.
rafe cameron.
"those are bad for you, you know," you point at the unlit cigarette hanging from the side of his mouth and he narrows his eyes at you, amused at your drunken state.
"and alcohol's not good for you either, but that didn't stop you, did it?" he kinks an eyebrow and you giggle.
"touché," you nod once and slip out of his arms to walk along the sidewalk, before slipping down against the brick wall of the bar to sit down on the concrete.
"alright, what are you doing?" rafe walks over to you when you begin unstrapping your heels from your feet.
"these shoes have been killing me all night," you complain, letting out a sigh of relief and tossing them off to the side.
"then why do you wear them?" rafe asks, taking a seat beside you.
"because they make my legs look hot," you say, causing him to chuckle.
he couldn't exactly argue. when the two of you used to go out, your legs were one of his favorite things about you—especially the way they looked wrapped around his waist.
"where are your friends, doll?" rafe takes the cigarette out of his mouth and shoves it into his pocket.
"don't know," you shrug. "making out with some guys, maybe?"
"and why aren't you?" he asks. "isn't it your birthday?"
that makes you snap your head towards him. "are you stalking me?"
"i-"
"i'm just kidding," you playfully hit his arm and giggle, causing him to shake his head at you, amused. "and to answer your question, i prefer to be single."
"oh?" his eyebrows raise, his blue irises boring into yours. "and why's that?"
"it keeps me focused," you say, pointing a finger at your forehead.
"focused on what?"
"school, college, my career…" you begin listing things off, and rafe listens intently. "i wanna be a doctor, you know. can't be out and about dating guys and getting my heartbroken."
"just 'cause you meet a guy in a bar doesn't mean you gotta date 'em," he reminds you. "don't you wanna have fun?"
"i tried that already, remember?" you allude to the situation you'd put yourself in with him a year ago, the alcohol clearly clouding your judgment—you'd never bring that up to him sober. "it didn't work out quite how i wanted it to."
a sigh falls from his lips, as he glances down. "y/n…"
"hey, can i ask you something?" you cut him off, and he picks his head up to look at you again.
"are you in the state to ask me something?"
"probably not," you shake your head, a smile on your lips. "but i probably won't get the chance to ask again."
"alright, shoot," he nodded.
you tilt your head to the side, eyes locking with his. "why did you end it?"
by the way his shoulders shift and his posture straightens, it was clear he wasn't expecting that to be the question. he always thought it ended amicably because you both agreed to it—or maybe that's just what he's told himself to prevent himself from feeling bad for breaking your heart.
"i mean, was it me?" you continue when he doesn't answer. "did i do something wrong? was i not experienced enough? did you just feel bad for me? what was it? cause i've driven myself crazy trying to figure it out and i just— i thought we were having fun."
you knew that you'd began to ramble, questions slipping out of your mouth with no filter, the alcohol winning over.
his eyes scan over your face, which looked to be in agony, your eyebrows scrunched and your eyes pleading.
"we were," he nods. "y/n, it never had anything to do with you."
"then why?" you asked, voice cracking.
the alcohol was now making you emotional, and there was no stopping it.
"why did you end it, rafe?" you poke a finger at his chest. "i thought you liked me."
"i did," he said, hand reaching up to push a piece of your back. "oh, pretty girl, i did."
his touch lingers for a second before it's gone again, and your eyes are welling up with tears.
"then why were there always other girls?" you ask, surprising him—he didn't know you knew about them. "if you liked me, why was there always someone else? why were you always with someone else when you weren't with me? why wasn't i enough for you?"
"i— i didn't think you knew about them," he admits.
"i pretended not to," you shrug, sniffling. "thought if i said something, i'd lose you. i mean, it's not like we were dating, y'know? i wasn't your girlfriend— it wasn't my place to tell you not to be with other girls. i just thought that if i'd stuck around long enough you'd realize that—" you stop and shake your head. "you know what, it doesn't even matter. it's not like it's gonna change anything."
well now, he felt like shit. you'd played it off so well when it ended—or maybe he was just too high to notice—but seeing you like this… he'd be lying to himself if he said it didn't break his heart.  "i didn't know you cared that much."
"well, now you do," you tell him, before pushing off the ground to stand up. "and if you'll excuse me, i'm not really in the party mood anymore, so if you see my friends, tell them i left."
"y/n, wait," rafe scrambles to his feet, his hand reaching out to clasp around your wrist to stop you from walking away.
"what?" you turn to look at him, defeated. this wasn't exactly how you expected the night of your 21st birthday to pan out.
"i'm sorry, a'ight?" he drops his hand from your wrist, shoulders shrugging as his sad eyes met yours. "i never wanted to hurt you, i just— i wasn't ready."
"and that was fine," you tell him. "but you should've told me that. not pretended like you were taking me seriously when you weren't. i asked you so many times, rafe. and you lied, every time."
rafe sighs, hand motioning to you. "you were just so pure. perfect. i didn't have it in me to hurt you."
you scoff, head shaking as you eyes averted to the side. "doesn't mean you didn't."
"i know, i know," he closes the distance between you, taking both your hands in his. "and there is not a day that goes by where i don't kick myself for how horribly i treated you."
well, this was definitely news to you. when he called things off with you, claiming that it'd be too hard because you were going off to college and meeting new people, he made it look so easy. the words rolled off his tongue as if he'd said it a thousand times before. while you were falling for him, you were just another girl.
"i am so sorry," he says, eyes zoned in on yours. "the last thing i wanted was for you to feel as if you weren't enough for me. if anything, you were too much. and i mean that in a good way. i was too much of an idiot to see how special you were then."
though you'd waited for him to say those words the last six months, they didn't mean much to you now. you'd already come to terms with the fact that he just wasn't the one—hearing him say this now only provides you the closure you so desperately needed to move on for good.
"god," he brings a hand up to caress your cheek, and for just a second, you let yourself lean into it. "some guy is gonna be lucky as hell to get you one day."
"that guy just isn't you."
a small, sad smile forms on his lips, but he nods. "happy birthday."
y'all i think this one triggered something in me bc why tf am i crying rn 🌝
promise i'll start working on some cuter fics that aren't so heartbreaking!!!
reblogs and comments are deeply appreciated <33
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tags: @chiaraanatra @ijustwanttoreadlols @wearemadeofstardust0 @rafesgiirl @solanathascientst @10ava01 @werewhatkilledthedinosaurs @emotionsmgcbabe @outerbankspov @letmeintourheart @gublerstylesobrien1238 @deadgirlwalkingirl @my-fabulousness-has-arrived @jul1ettt @ihe4rttwd @samkickikc @ramblingsofadramastudent @maibelitaaura @vilentia
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seraphimnoir · 22 hours
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don't call me | S. REID
summary: spencer finds himself on the verge of relapsing, surrounded by symbols of neglect and chaos around him — in a moment of desperation he calls his only hope.
warnings: mentions of spencer's addiction, betrayal, non-bau!reader, spencer is on break(?), fem!reader, reader only referred to as 'her' & 'she'
genre: angst
authors note: first fic wooeeee yeah! I hope you enjoy this as much as I enjoyed writing it. the ending kinda sucks but WHATEVER!!!!!!!! by da way not proofread (may have grammatical errors LOL)
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There were piles of brown snow on the pavement, scattered by the cars, but on Saturday at noon it rained, the drops immediately froze, and the whole city became a frozen palace. Spencer went out to buy newspapers at the little booth next to the dimly lit café, he narrowed his eyes as he realized that he didn't want to go home — to the crumbs on the table, to the unmade bed, the coffee-drenched Physics textbooks, the scattered mail and the unfinished note for his mother. He jumped over an ice block on the sidewalk with newspaper in hand and made his way into the café. At this hour it was empty, only the bearded man behind the counter and the what looked like a ten year old Siamese cat were present.
He made his way to the counter and cleared his throat, gathering the pennies from his bag to pay. "Black coffee, please." he said as he looked at the man. The barista silently nodded as he put in place the coffee cup he was cleaning, his eyes fluttering towards the coffee machine. Spencer placed the coins at the counter as he waited for the coffee.
He looked at his watch. Seemingly lost in thought for a second — but his mind quickly rebooted as the carton cup of steaming black coffee was placed Infront of him. He gave a weak smile and took in the cup carefully. He didn't wait for the change, nor the receipt. He lunged out of the cafe. He looked at the cup of coffee, a look of disgust overcame him as he realized what he had ordered. He never drank black coffee, it was always too bitter for him. But today he hoped that the dark chocolate charcoal would drown out the urge to get his fix.
He passed by an old black phonebooth with plastered obituaries, campaign posters and scribbled graffiti. He coughed almost silently and looked at the numbers on it, some of them almost invisible. He picked up the receiver and dialed the six digits. She picked up on the third ring. "Good day," he said. "is this the library?" he continued, his voice calm and collected.
"Who's this? Spencer, is that you?" she said, as she propped up her receiver with her shoulder, her hands busy with the stack of papers.
Spencer was silent. He shifted the receiver to his left hand, took a sip of the bitter coffee and sighed. "Where are you calling from?" She asked, not a tinge of emotion in her voice.
"From the city" Spencer answered and squeezed his cup a little tighter. He looked down at his feet, his hairs drifting to his forehead. She were silent, only the clicking of the pen and the papers could be heard. "Are you here?" he stuttered out. A sigh escaped her lips "Yes, I'm here."
"Please, let's see eachother." his voice guilty and full of desperation. the grip on the cup and the hot liquid inside made his hand burn slightly. "Now?" she questioned, her voice monotone.
"Now." he continued. And he realized why he shouldn't have called. If she told him "no", he would not bear it. He had lasted so long with no word from her, but now he was going to break down. He moved the receiver slightly away. Her voice came to his ears very far away. "What did you say?" he asked nervously. the wind hit his neck, making the strands of hair on it stand up.
"Spencer, we cannot. Don't call me again, okay?" she said, her voice hitting the last word. Spencer stood at the photobooth — dumbfounded, as if time had stopped. The awkward silence was followed up by "Hello? Are you there?"
"Okay," Spencers voice cracked. He hung up the phone. The street was brown and dirty. The facades of the buildings were wet. The buzzing of the city continued. Taxis were waiting down at the intersection. He imagined that a huge bouquet was in his hand and not a — now almost cold coffee, he imagined that it was a summers day, and he was going to her house — like he used to do after he came back from a case. He roamed the streets as he finished his coffee, throwing away the carton cup in an almost overflowing trashcan, his mind re-enacting different memories. But the pulsing in his veins and the voice on the back of his head couldn't stop thinking of the needle — the one thing that could save him from his misery.
His hand came in contact with the door handle, his keys wiggling vigorously in the keylock. He entered his apartment and took off the purple wool scarf that he threw on the couch, the bag was left on the table. He sighed and stood upright by the window and looked out. It was dusk, it had started to snow again.
His heart sank further. The empty ache that lingered deep within him roared harder. The craving that refused to be ignored — it called out his name. He sank to the floor, clutching his cardigan as tears began falling down.
The snow outside continued to shed, the streets soon were hugged by a new icy embrace of the snow. The buzzing on the streets continued. The world didn't end today.
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meanbossart · 2 days
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I normally don't get too invested in other people's characters (bc I already spend so much time thinking and promptly forgetting stuff about my own) but I've really liked how you flesh your characters out and how they interact with one another in your fic! So I wanted to ask if you have a process when getting asks about your characters or writing chapters for ANE.
Thank you so much! For lore asks I don't have much of a process besides for spilling out whatever information I have as comprehensively as I can. I do try to make it an enjoyable reading experience and to establish a bit of a mood through the writing (for the longer/in-depth replies, at least) to make it more fun for both myself and whoever is reading it.
As for how I come up with them, it's usually something I have already thought about prior, other times I might take a few hours or days to think it through. I'm just having fun so I take my time.
Questions about Companion Drow take some minor research. For the Dryad's love quizz ask, for example, I went and looked at the questions the rest of the companions got and their answers for them - broke it down in a kind of pattern that I could identify and then wrote my Q&As based off of it.
Naturally, ANE takes a lot more prep lol the first 4 chapters in it were complete stream-of-conscious stuff, but it was soon after that when I figured out where I wanted the story to go and outlined the plot for myself. Each chapter gets a bullet-point list of plot beats I wanna hit and roughly how to get there, dialogue is often pre-written in as little or as much detail as I feel necessary. Main plot/twists/ending is already set, with some connective tissue in-between roughed out and subject to change as I write more.
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sarahmackattack · 23 hours
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Hi Sarah!
I have a cephalopod question: do ceph’s ever lose their suckers, and if so are they able to grow new ones?
And a SciComm question: do you have any advice for someone who wants to grow their career in SciComm? It’s my dream career but it seems like opportunities are few and far between.
Is it “better” to pursue a degree in a specific science, or to focus more on the education/teaching side of things?
(although a huge shoutout to you and the other SciComm folks sharing your passions! I did manage to get a part-time internship and job at my local zoo in their education department, and I only had the courage to pursue those opportunities thanks to people like you! Didn’t think I’d get this far, and now I can’t wait to take it even farther; I’ve just got to figure out how to get there first!)
Do ceph’s ever lose their suckers, and if so are they able to grow new ones? I'm sure they do! The regeneration of some species has been studied but not all of them so there's likely some species that are a little better at it than others (for example, it's probably something a predator that attacks very strong fast animals needs than an animal that primarily eats bivalves).
Do you have any advice for someone who wants to grow their career in SciComm? The trouble with this is that my job is very very weird, and doesn't exist in the kind of structure where you apply for a job →you get the job → you have a stable job. It's more similar to the safety and job structure of being an artist, but with a nonprofit thrown into the mix. It's... complicated! And not necessarily stable! All that to say, how I got here is not going to work for everyone and I honestly sometimes cant believe it worked/works for me at all. It might stop working any second.
But whatever here's what I did. I practiced science communication on social media and locally in Connecticut (where I was at the time). I tried to consume a lot of science communication and consider what was working in those pieces, and thought about what I enjoyed doing within that whole huge ecosystem. There's one zillion ways to do science communication, and different approaches will hit different audiences. It's totally critical for a lot of different people to be doing science communication in a way that feels genuine to them, in their own voices, with whatever methods they like doing the most so that as a collective, we hit the broadest patch of people. No one science communication technique is perfect for every "audience" member, so the diversity of approaches is so so important. I don't think that gets said enough. So explore! See what you like, see what you get joy out of doing, see how people react to it. Producing science communication as you're practicing will build out a portfolio of work that you can point to when you graduate.
There are a lot of kinds of science communication jobs. There's the freelance/DIY approach like having a podcast like Alie Ward, or founding a nonprofit (this is very hard and i don't recommend doing this lol), or having a successful youtube channel/social media situation like Hank Green or doing TV like Emily Calandrelli/Bill Nye/Phil Torres. Then there's working for an existing science education nonprofit like Biobus or Science Friday or working for institutions like museums/zoos/aquaria, etc. Theres also a whole field in the university system called "extension" where you're taking the work happening at the university and connecting the surrounding population with that work. Each of those jobs, particularly the older institution-based ones have their own structures and will come with different advice on how to get into those jobs. I'm not really sure about those. Having that science communication portfolio will likely help for all of them though!
As far as what to do for school... I think the true but kinda complicated answer is that often what we do for school isn't directly related to what we end up doing. The skills we build while we're in school, and the connections we make are really what determines where we end up and what we end up doing. So... really take seriously the stuff you're doing that nobody's telling you to do. That's as important as class... and honestly, in my personal experience, it's way more important than what you do in class.
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Hi! I got your ask and I'll answer it soon <3 in the meantime, I was curious about
Ka-freaking-boom, baby | Pinning (against a wall) | Renegades
👀👀
The titles/descriptions are a net, and I am but a fish you caught with it
majinbangus 🥛🐟
Hiii! Tysm for the ask! 💕
For the WIP ask game.
Alright, here we gooo *rubbing hands with glee*
Ka-freaking-boom, baby
That line by Soap drove me insane, so I came up with a Reader feeling the same way lol. It's very short so I'll post it entirely here:
“Ka-freaking-boom, baby.”
The perfect mix of rasp and silk in his voice seemed to drain all the blood from your brain and send it rushing south. It was almost worse than having his fingers stroking every inch of your skin.
Before Soap had any chance to react, you dragged him away into the nearest dark alley and kissed him furiously.
A confused moan escaped him under your assault.
Once you’ve had your fill, you withdrew, glaring at him. He was panting, eyes wide, cheeks flushed, torn between bafflement and pleasure, and, a rare occurrence, at a loss for words.
“Fuck, what the fuck… was that!?” you yelled in a whisper. “Do I have to be a freaking bomb for you to talk to me like that!?”
His eyes widened even more before understanding spread across his face. A chuckle left his lips.
“Jealous o’ an explosive, hen? Yer too cute.”
Not in the mood to play around, you grabbed his flak jacket to pull him where you wanted and, lips pressed against his ear, you described all the unspeakable acts you would do to him if he used that voice back at the base.
He let out an agonized sound at that, as if you were torturing him.
“Steamin' Jesus…”
He covered the hand that was holding him in place and took a deep inhale, most likely to keep it together.
“Bonnie, love ye, but the mission…”
You aggressively shoved your index in his sternum, looking him in the eye.
“You're making it up to me later, you hear me?”
His head was swaying with the contrast between your filthy promises and your harsh gestures, but he straightened up, recognizing an order when he heard one.
“Yes Ma'am.”
Pining (against a wall)
I read a fic where in one chapter, Soap and Reader hide from enemies with Reader stuck between the wall and Soap, and our beloved sergeant gets...hum... affected by their proximity lol. So I wanted to do a version where Soap is the one pinned between Reader and the wall. It's also the same vibe as The powder and the fuse, aka Soap sees his gf in action being very badass and finds it hot. It's smut tbh, with their clothes on tho.
WIP:
"At the sight of your enemies getting closer to your location, your bodyguard training takes over. Before you can even think about it, you grab Soap by his flak jacket, drag him into a dark alley and end up half-pining, half-slamming him against the nearest wall without warning, shoving your hand over his mouth for good measure. It's a professional reflex you'll have to apologize for later.
That, and if there's one thing he's never been good at, it's keeping it shut.
Not that he ever gave you a reason to call his skills into question, always proving himself serious and reliable on the job, but missions with only the two of you together are few and far between, and he certainly never stops running his mouth over comms during them.
Wholly focused on your opponents’ behavior, head turned away from him, on the lookout, the hand on his mouth keeping him against the wall, the other by his head, caging him in, you don't pay attention to your newfound proximity. How your faces are barely a centimeter away from each other, how his warm breath strokes your skin with each respiration. You don't notice either how much you’re pressed against his body, how your chests are touching, the contact exacerbated by each inhale, or that one of your legs is nudged between his.
Or the way his cerulean eyes are devouring you, drinking in your every move."
Renegades
It's a retelling of MW2 with Shadow!Reader, from the mission Alone until Graves die. Lots of action.
Reader kills her own coworkers when they go after civilians and deserts the Shadow company. She comes to the rescue of an injured Soap in the hopes that she can ally with the TF to take down Graves.
It's called renegadeS because It's not only about Reader's treason, but also because the TF is considered treators thanks to Shepherd, and that Reader consider that Graves betrayed her for sending her after civilians when she stated from the start she wouldn’t go after unarmed ppl/civilians.
Something about having to betray either your community/organization/group, or your own moral code, but doomed to be a traitor all the same…
WIP:
"Joining the Shadow Company had never been your first choice. Military organizations tended to be bad news, and private ones were even worse. However fate forced your hand. Or, more exactly, capitalism did.
The pay offered by the Private Military Company exceeded your wildest dreams. You've made more in a week than in one year of your regular job as a bodyguard. And you were in desperate need of money; a lot, and fast; it was the only way to afford your sister's cancer treatment.
Things weren't so bad at the start. The commander was a bigmouth, but he was sensible, and he got the job done. At some point, the corporation allied with a special task force, an international group of elite combatants, some sort of legendary military unit. You hadn't paid them much attention, since they weren't the enemy.
Until they were.
Somehow the General that commanded both those guys and the Shadow Company decided to betray his own men, turning them into traitors. At the same time, your orders brutally changed. You were expected to turn the whole town upside down to pinpoint the ex-Special Forces, and if civilians happened to be in the way, well… there was no one to hold you responsible if you put a bullet in them.
You didn’t care about the Task Force. Sucked to be them, but surely they could handle themselves.
However, the moment your coworkers started to execute unarmed civilians right in front of you, you snapped.
The latters’ screams for mercy still resonate in your ears. The racket caused by the bullets you sent through your former companions in arms hadn't been enough to make you forget their bloodcurdling yells. 
You hadn't even had time to ponder your actions. Your body acted on its own. You slaughtered them without batting an eye. They probably didn’t even understand what happened to them, not expecting your betrayal. You didn’t regret it.
You hid the bodies to the best of your abilities, and slipped away.
Now here you are, lost in Las Almas, a small city in Mexico, operating in the blind. Between the dark of the night and the rain, your vision is execrable. You have little time before your ex-colleagues’ death and your disappearance get noticed. The clock is ticking, and you can see only two options presenting themselves to you: fight or flight.
You eventually stumble upon a squad of Shadows. You've been monitoring the comms, and your treason hasn’t been noticed yet. 
So, in a rush of insane hope, you do the unthinkable and reveal yourself to them.
Maybe, just maybe, not all Shadows are bloodthirsty mercenaries who shoot innocents at the first opportunity. Maybe they can be reasoned with. Maybe you don't need to fight alone. Maybe…
You salute them as you approach, acting with as much natural as you can muster.
One throws one look at you and turns away. The other two stare with curiosity.
“Whattya doing here? This isn’t your area.”
You play dumb. Easy to perform when your interlocutor is already looking down  on you. The only perk of being a woman in this field of work is idiots underestimating you.
“Lost my way. The others left me behind. Mind if I join?”
You make your tone as silly and harmless as possible, turning your voice higher pitched than normal. It works like a charm.
You put up with their mockeries that sound a lot like insults and other jeers, keeping a naive smile on your lips.
Following on their heels, it's easy to fall back into the routine that's been yours for the past few weeks, since you became a shadow. But that illusion of normality shatters the moment you come across inhabitants.
“They don't know shit,” grumbles one of the shadows, after barking orders at the civilians only leads to desperate pleas for mercy in spanish. “Might as well get rid of them.”
You stare at him with incredulity, your bewildered expression hidden by your balaclava. How could someone be so callous with human life was beyond you. Yes, you were killers for hire, but between fighting seasoned soldiers on a battlefield and slaughtering unarmed families in their own home, there was a world of difference.
“Sure,” shruggs another.
The third one doesn't even bother answering, already taking aim with his rifle.
You feel trapped in a horror movie, an alternative reality.
“That's not necessary,” you step in, loud enough to be clearly heard, but still attempting to not sound too authoritarian. “Killing them isn’t gonna give us any answer.”
“Who cares?” snarls the first one at you, irritated by your intervention. “We get a bonus for each target, it's all that matters.”
“But they're not targets,” you hiss, getting riled up despite yourself. “Is that what your morals are worth? A bunch of zeroes?”
“For the love of… knew admitting women was a bad idea. You’re too soft-hearted for this job. So either shut the fuck up, or-”
He never gets the chance to finish his sentence, as the bullet you fire lodges itself between his eyebrows.
As the other two squad members let out expletives in shock, you’re already shooting again. The one who was aiming his rifle at the denizens drops dead just as he gets you into his sights. The last one scrapes your side with his handgun before you make him join his teammates.
Panting, you lower your weapon and kick at one of the corpses in rage.
“Fuck! Why did you have to be such a rotten piece of shit!”
From the corner of your eye, you notice the group of civilians nearby shaking with fear, glancing at you with horror and uncomprehension. You sigh and tell them to leave, unable to look them in the eye, ashamed.
Once left to your own devices, you let your fury and your frustration explode.
“Shit, shit, shit! Never should have taken this fucking job!”
Overwhelmed, you crouch, covering your face with your hands, and swear some more.
“Why'd ye do that?”
The hoarse, foreign, barely audible voice coming out of nowhere makes you jump. You point your handgun in multiple directions, in vain.
“What the…?”
You cautiously inspect your surrondings, on your guard, ready to open fire at the first sight of an enemy. Eventually you find the owner of the voice, inside a nearby building, slumped against a crumbled brick wall, and immediately take aim at him. 
“Hey there.”
The salute may be casual, but his body language shows nothing but extreme vigilance and sharp suspicion, his own handgun pointed at you. The tone of his voice isn’t exactly warm either.
At the first provokation, he will swiftly end your life without any qualms.
Your eyes roam over him and, as you take in his bare face, the soaking wet blue t-shirt adhering to his skin, and jeans, you realize you're not dealing with one of Graves’ guys. The british flag displayed on his bulletproof vest silently answers your interrogations.
“You're one of those brits,” you sigh in relief.
Well, half-relief. You may not consider them your enemies anymore, but unfortunately, that doesn't mean the opposite is true.
He scoffs at your remark, apparently mildly offended.
“Scottish.”
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shadow-the-crow · 1 month
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Listened to mag 83 and had some thoughts:
I love the "i need to record it" - how it's becoming a recurring thing.
In season 1 Jon was only recording the statements, just because it was the next best thing to digitalizing them (or at least so he thinks).
In season 2 he starts recording his conversations with his coworkers, and he says "i need to record it" at least once (i don't exactly remember), but he has the excuse of wanting to record exactly what they said so he can construct his paranoid little theories.
Now, in season 3, he has no excuse - there's no logical reason why he would be recording this statement. Saying it's part of his job doesn't make any sense, as Georgie points out, because he was fired (or fled because he was accused of murder, idk). So his only explanation is that it's just what he does - and, again, "i need to record it". Said 2 times, without any further explanation, almost obsessively (funnily making him sound like an addict, right after he said "i'm not on drugs"). And his stammering is making me think he's becoming aware of how illogical this need is. This development is so interesting...
He really must be hungry, huh? I can totally imagine Elias slipping this in the letter box thinking "gotta feed my little archivist"...
Or maybe it really was a warning? Was the mannequin Nikola?
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mae-dwrites · 2 months
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“You remind me of someone.” her voice was contemplative.
“I do?” she could hear him quirk his eyebrow.
“Yeah.” her voice was unusually quiet.
“Is that good or bad?” he gave a nervous laugh and leaned back watching her.
Dani sighed looking down at the city below them. She didn't quite know. She’d found him but he didn't recognize her.
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hiraganasakura · 3 months
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Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.
Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol
I put it under the read more for easier scrolling due to how long this post got!
I immediately noticed smth in the very first lines of the interaction:
Raven: "Hello, brother." Qrow: "...Raven."
You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)
On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name
It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting
Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."
Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment
Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind
Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."
Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board
Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point
Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"
A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:
Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."
And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite
Bcus they have different definitions of family
Another thing to pin (I promise this will all become clear soon)
Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."
Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!
Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!
Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"
Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)
Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow
A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him
And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving
We've finally reached the end of the conversation. Now what does all of this tell us?
And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently
Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem
Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her
I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely
As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?
Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth
As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho
And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay
This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did
Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.
And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways
I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks
But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.
In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies
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elitadream · 8 months
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Hello Elita!👋 I can’t remember if you’ve ever answered this (if you have, apologies!), but in your AU, does Peach and Mario ever get married? Again, if you’ve answered this already, sorry!😅
No worries! 😊 I have indeed been asked about this a few times, but my answers were admittedly always hypothetical. I don't think I've ever officially confirmed or denied this. 🤭
The thing is, I honestly don't know whether they'll ever reach that point in my art or not. 😳 I've been in this fandom for almost a year, and they haven't confessed their feelings yet; let alone kissed or gotten engaged! 🙇‍♀️😅 As of right now, they sort of exist in this "in-between" zone that is neither platonic friendship nor full on romance, pretty similarly to their game counterparts. 🤔
I want to say "Yes" to your inquiry, but at this point in time, it's still a bit abstract. There are a lot of things that need to happen before they get there, and there are yet many concepts I want to draw in that "before" phase. 🫠
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paimonial-rage · 9 months
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will they try to fix you and tighnari?
[Character Analysis Ask Meme]
Will Tighnari try to fix you?
Though he may garner the fear of many, for people that know him well, it is quite easy to see that Tighnari cares for the people around him. And, well, he is also a bit of a nag too. How quick he is to notice when you haven't been showing your face around as much as usual or if you're finding yourself in more and more trouble. He does not hesitate to call you out right on the spot and point out your faults before a listening crowd. But that isn't all, isn't it? Then his voice will soften after scolding you. And with a scowl on his face, he'll soothe the harshness of his words with an invitation to dinner or to an academic lecture he will be having soon. He may complain about your various shortcomings, but he'll never abandon you. He will not let you go through your problems alone.
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the-arteest · 9 months
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Good Luck!
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he appreciates the cookies :] also she loves Paris's fishnets!! he's wondering where she got them from? @1v1-tmntiteration-battlenexus
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todayisafridaynight · 8 months
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dodging-the-question ass type of answer i have to lay down
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brehaaorgana · 3 months
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i've gotten TWO different government phone surveys about Public Health in the last 2 years
and i did them both even though they were long because those poor poor government employees just need data that proves people are:
capable of being normal for a voluntary poll and not wildly abusive
also not all conspiratorial wackjobs when it comes to vaccines.
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meadow-roses · 10 months
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HOW DID FELIX LOSE HIS EYE???????
Let's just say it was an, unfortunate accident -twirls my cape around to conceal my dramatic exit-
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everyday I miss miitomo .. aaa
#these screenshots are not even good or the most interesting/funny/cool ones from back then#they just so happen to be ones I found in a folder so am thinking about them solely for the memory of it all#WORST thing is I never even had friends (still don't have friends really that have many similar interests to me lol..epic hermit moment) who#played or were willing to do I didn't really use the social aspects much. if there were any?? maybe I'm just making up a better game in my#head lol.. I thought maybe you could visit your friends apartments at some point or something? I know you could have multiple mii characters#and put them in their own apartments too.#I could also be mixing it in my mind with tomodachi life. which is a superior game. but also I think mostly I just loved the dress up and#photo creation aspects of this. That you could spend like 30 minutes putting your little avatar person in different lttle poses with differe#nt backgrounds and import your own custom background and etc. etc. And the community questions & answers section was always ridiculous#WHY is it that all actually good and cool things end up shutting down and nobody cares about them but then some tv shows/games/etc. can keep#going for like 808989598590 years when they are actually very bad and stinky and pointless#I know probably something somehting profit motive. if something sucks but is hyped blindly and sells then that's all that matters.#things that are cool and innocative but have a small audience get poo poo pee pee Not Good Enough For Shareholders whatever#>:(#This is why I don't play apps or online games /anything live service or that is dependent on external things to function#Like every once in a while I do but for the most part if something is not it's own self contained experience then I dont care to even get#invested in the first place because it could just randomly be taken away from you at any time without warning or etc.#Also just charmed by anything that incorporates personality tests into part of the structure of an app even in a minor.comepletely trivial w#ay due to my preexisting obsession with anything in the realm of that topic (enneagram. mbti. etc. even astrology. just any way humans categ#orzie and analyze themselves. NOT because I think they're all scientifically valid methods and swear by them in practuce but like. the theor#y of it. I love personaliy testing from like.. a cultural perspective? like the fact that humans make this stuff up at all. and how they use#it and conceptualize it and apply it to their lives. the different frameworks within which the same traits can be categorized in different w#ays. one person looks at X trait and says its bc theyre a virgo. another explains the same exact trait by saying it's bc theyre an infj. etc#I mean some of them I do find actually personally fun to get into themselves (enneagram mostly) but mostly I just like the.. analysis#tfw you're such an analytical person you like to spend time analyzing analysis. Thinking abt the ways people think about thinking abt things#Actually Ive talked before about how I don't relate to/care about/get emotionally attached to media/dont exhibit Fan Behviors or join fandom#s or etc. BUT that is actually the one vaguely media related thing I WILL do. after watching something I like going to places like that#'personality database' site which is the public voting on character's personality types. and I do enjoy going to read the comments. not bec#ause I care about the character themselves. but I love seeing the paragraph long debates about like.. why Whoever is actually an intp NOT an#intj . or like 'OBVIOUSLY theyre 3w4 so/sp ILI are you FUCKING BLIND??!'. essays breaking down every cognitive function they ehibit and why
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deepestbluesky · 2 years
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a guide to Rong Changqing's famous swords in TYK
i was talking about the three swords rong changqing created with @minnarr​ recently and decided to write up what all we know about them in TYK. if i've gotten something wrong or missed anything, let me know! i'd love to add to this or fix it if needed
Names:
重剑大荒 - zhòng jiàn dà huāng - Dahuang (kexingzishu) - (the Heavy Sword of) Great Famine (chichi) - Great Desolation (xuxunette)
古刃龙背 - gǔ rèn lóng bèi - Guren Longbei (kexingzishu) - (the Ancient Blade of the) Dragon’s Back (chichi)
灵剑无名 - líng jiàn wú míng - (the Spiritual) Sword of No Name (chichi)
白衣 - bái yī - Baiyi (sparklingwater and chichi) - White Clothes (xuxunette)
Timelines:
Great Famine
the first famous sword rong changqing creates
rong changqing trades the sword to a wandering beggar in exchange for a cultivation manual (partial Liuhe Xinfa/Six Harmonies cultivation) and some wine
??? [originally i thought maybe yby had given it to a previous da wu since he seemed to know one when he went off to get help for zzs, but then i rediscovered the beggar story and had to scrap that idea]
supposedly, jing beiyuan's "subordinates" give it to him [i don't believe anything jby says when he's being cryptic, as a matter of principle]
jing beiyuan gives it to zhang chengling
Dragon's Back
rong changqing creates the sword
ye baiyi ends up with it [did rcq just give ALL his swords to yby????]
ye baiyi gives it to rong xuan
rong xuan is buried with it, or at least dies with it
ye baiyi retrieves it along with the remains of rong xuan and long fenger. he seems to intend to keep the sword with him
Nameless Sword/Baiyi
rong changqing creates the sword
it ends up with ye baiyi at least temporarily [VERY unclear to me whether this literally means he just has it for a hot second and then gives it to qhz or whether he actually wields it for a while]
ye baiyi gives it to qin huaizhang
qin huaizhang gives it to zhou zishu [my extremely unfounded headcanon is that ye baiyi gives the sword to qin huaizhang as payment/reward for looking for rong xuan]
Descriptions:
Great Famine
It was a sword of black iron [...] That sword was extraordinarily wide, even twice the width of Cao Weining’s. There was no glint to be seen, but it had an ancient, primitive air to it. Shining with a dull light, the blade was mantled with the dense miasma of carnage. When held in the hand, it had a solid, abundant heft, and was about two to three times heavier than an ordinary sword. There were two words carved along the fuller: Great Famine. - Chapter 67, wenbuxing
Cao Weining: "The Heavy Sword of Great Famine is a general amongst swords, solid and unsullied, unequaled in bravery and ferocity." - Chapter 71, chichi
the treasured sword, its jewels coated in dust - Chapter 71, chichi
Dragon's Back
the sword on Ye Baiyi’s back. It was unclear where the man had gotten it from; if it was not carefully examined, one would almost think that he was carrying a giant anti-cavalry sabre, as it was extremely wide and long. From his broad shoulders, a slanted head and a tail were revealed, as a life-like dragon had been engraved into the hilt and scabbard, its back arching like it was about to fly off into the rolling cloud cover at any moment. Merely by looking at it, one could feel its ferocious air of wanting to move, which seemed to stretch over all the way from the end of the sky. - Chapter 71, chichi
Cao Weining: "Neither of them [the nameless sword and Great Famine] can compare to the Ancient Blade of the Dragon’s Back, though. It’s a soldier of great viciousness, said to be cast from divine iron, where not even divinities can withstand it…" - Chapter 71, chichi
Nameless Sword/Baiyi
That was when Zhou Zishu was reminded that there were the words “Baiyi” carved on his sword. He once thought it was some kind of mysterious motto, but turned out it was this man’s name. His face turned sullen and he felt incredibly uncomfortable; involuntarily, he reached down his waist and felt around a bit before pulling out an impressive whip sword. - Chapter 28, sparklingwater
Cao Weining: "The Spiritual Sword of No Name, despite having no sword inscription, is a celebrity amongst swords, extraordinarily bright and unmatched in the world." - Chapter 71, chichi
Other Facts:
cao weining recognizes Dragon's Back and recites information about the other two swords from memory. wu xi also recognizes Dragon's Back.
rong changqing's moniker of "ghost hand" comes from Great Famine (it's unclear to me whether it's about forging it or using it or giving it away or something i've missed).
zhou zishu does not recognize that Baiyi is the famous Nameless Sword, and at the end of the book, ye baiyi thinks he still doesn't know.
cao weining doesn't know that Baiyi now has a name. also, it's unclear exactly who named Baiyi (whether it was named such while ye baiyi was using it, if he ever did, or if qin huaizhang named it such in his honor).
cao weining hilariously freaks out when he realizes that not only is zhang chengling carrying around Great Famine, he's wrapped it in old rags to make it less conspicuous.
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