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yukisdomain · 3 months

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People need to learn how to differentiate between a good character and, well, whatever the hell feels convenient for them at the time (character that is a good person, hot etc).

Yuuta Okkotsu is not a good character. When I said how I wanted him to lose someone asked what he's done to me and some other people to wish that. And the answer is nothing, that is the problem.

A character that just gets a random power up/learns about their powers and then proceeds to use them without any training, the only development they have is from awkward and confused to "badass" in span of like 3 seconds because they are angry, and then the only times they appear afterwards is to do a quick job because someone else can't, is not a well rounded and good character. So yes, Yuuta losing would actually force his character to develop in some way if he were to stay alive and have some progress in the story while his personality would gain some more substance.

Also, a good character doesn't mean a character that you like. Mahito was an excellent character. Did i like him? No. But he felt real, pushed the plot onwards and gave meaning to every scene he was in. That's why that part of the story felt so satisfying inspite of negative emotions I felt towards him from time to time.

And you know who else is a good character? Yuuji Itadori.

Not only does he have a character development unlike Yuuta, it seems to me he's already gone through one and is going through another one during the current events in the manga.

His first character development was actually a negative one. And yes, negative development is still a development.

He went from: someone/random kid sentenced to an execution > no one/cog > only one (who unsettles Sukuna and, possibly, who can kill him).

Whether you want to see it as one long development or two separate ones is up to you, but Yuuji is constantly growing. Growth doesn't only refer to that of a physical kind, but mental and emotional growth too.

But if you want to speak physical growth, okay. I'm too lazy to calculate exactly how long it has passed, but it couldn't be more than 4 (maaaybe 5) months since he learned about the world of jujutsu sorcerers and curses. Less than half a year. And yet:

-He's on a level of a grade one sorcerer. Do I need to remind you that the 2nd year students, emphasis on 2nd, meaning they had at least 1 whole year to train, aren't on his level (except Maki and Yuuta).

- He's learned reverse curse technique in a month. Geto, a fucking special grade, didn't know how to do it. And he had more time to practice too.

- took on four special grades (Hanami, Mahito, Eso, Kechizu); no he wasn't alone, but students have been killed by less

- speaking of his battle with Hanami, he learned how to do a black flash during it and seems to have some level of command over it, inspite of black flash being known as a spur of the moment thing. Were Todo willing to show him how to do a simple domain, he would have probably learned that too

I need to add this as well:

- Went through severe trauma, lost people, killed people when Sukuna took control over his nody, and still hasn't given up

- Oh, also has experienced being killed (detention centre anybody?); somehow that always flies over people's heads

Conclusion:

Yuuji is one of the best protagonists I've read about. GIVE 👏 HIM 👏 THE👏 RESPECT👏 HE👏 DESERVES

#jujutsu kaisen #jjk #itadori yuuji #okkotsu yuuta #jjk rant #character discussion

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ofoceansandtombsanew · 1 year

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Tohru Honda: a Subversion of Shoujo’s Nice Girl Trope

Fruits Basket absolutely nails subverting your expectations of character tropes in anime.

Momiji is introduced as the cute childish boy but boom we are slapped with the fact that he a mother who hated him so much she had her memories wiped of him. Shigure right off the bat looks like the typical perverted uncle of anime when in reality he is one the most manipulative characters in the series. Ayame is the flamboyant, boisterous one whose bravado hides his regret and desire to repent for his past neglect of his younger brother. Which ultimately brings me to the protagonist of Furuba itself, Tohru Honda.

I'll make it no secret that I have a huge soft spot for Fruits Basket as a series. It was the first manga I read, I watched the 2001 series and I was right on the hype train when I saw it was getting a remake that would follow the manga storyline. But I did my best to be as objective as possible in this essay of sorts saying why I believe Tohru is a great example of subverting the "Nice Girl Protagonist" of Shoujo. Tohru is the protagonist of Fruits Basket and when it comes to those who don't like her, it seems she can be hit or miss due to the assumption that she is perfect.

The general consensus of those who do not like her or find her bland compared to the rest of the cast is that Tohru is a perfect and bland protagonist with no issues of her own. That all she does is wave her healing wand of warm smiles and makes everything better for those around her.

However, that opinion couldn't be more misguided. In reality, Tohru is just as emotionally broken as the Sohmas and they mend her heart just as much as she mends theirs. As such, I hope to show those who find her bland or otherwise boring that there is more substance to Tohru's character than they believe.

At first glance, Tohru does seems like your typical Shoujo protagonist. She's nice, almost to a fault. She would rather talk her way out of a situation instead of throwing hands, she doesn't get mad in situations other typically would, and she has a hard time asking for help. Oh and with a dash of anime originality, she's an orphan. However even as early as episode 1, you can see hints that Tohru is not going to be the usual nice girl protagonist with her desire to work and be as independent as possible. The mangaka does a great job throughout the series showing with hints and broad examples that Tohru is just as complex as the colorful cast around her.

Ironically enough though, when hints of Tohru's trauma are sprinkled throughout the series it is seen as annoying even when the Furuba takes time to give insight into why she does the things she does.

She mentions her mother constantly in anecdotes of whimsical stories or snippets of wisdom her mother imparted her with.

Compared to the death of parents to other anime protagonists, Tohru's situation is a bit more unique. Tohru's father may have died when she was young but the same cannot be said for her mother, Kyoko, who died fairly recently. When the series begins, Kyoko has only been dead for a few months and it is more than apparent as early as episode 1 that Tohru is desperate to keep any semblance of her mother's existence alive. Kyoko died before Tohru's first year of high school even ended and worse, was told in the middle of class. Tohru has had barely any time to heal from this loss and it is evident in how she talks to her mother's photo.

Yes, in Japanese culture, it may be typical to have photos of departed family members, making a shrine for them and leaving offerings from time to time. But Tohru takes this to a completely different level, showcasing how deep her trauma runs.

When she is digging frantically to take out her mother's photo after the landslide destroyed her tent, she cries "She can't breathe in there. She's in pain." And that's just episode one.

Nobody completely over the death of their parent would speak like this, referring to a photo as a living person. She lost her mother and she didn't even get a chance to say goodbye, even feeling guilt to an extent about the situation. Tohru didn't wake up to tell her mother that she would see her later. There is no way that simply getting up to tell her mother goodbye would have changed the outcome of her fate, but Tohru still feels that way. That it didn't matter if she had tests or work or the next day, the one she should have put first was her mother.

Anyone who has or is currently experiencing the grief of losing a loved one has likely done the same. Wondering if, if the situation was anything other than illness or old age, there was something they could have done. Things they should have said or could have said differently. What more could they have done to help and the feeling is all consuming. Even if it is unprompted, they somehow will manage to insert their lost family or friend into a conversation that didn't include them or may randomly begin talking about them. A lot of the time, these people don't even realize that they're doing it which is shown in season 2 with Tohru when Hiro asks her why she talks about her mother so much.

She is too positive.

Tohru's positivity is one of the most easily seen aspects of her character. Where others might see the glass half-empty, Tohru sees it as half-full. Her positivity is even noted upon by characters within the show, Saki (Hanajima) mentioning that she doesn't believe she could personally smile like that so soon after the death of a loved one.

Tohru doesn't like thinking about her problems. She doesn't like expressing her sadness. She doesn't want to worry those around her when they likely have their own problems to worry about. Saki predicts that this ability Tohru has to act this way is because she would scold herself if she ever showed a hint of sadness. And Saki was right because we see Tohru later on doing exactly that, crying but forcing herself to try and smile and scolding herself for not keeping it together.

Rather than let Yuki comfort her when she is in tears, she smiles and completely changes the topic even though tears are coming down her face.Tohru tells Kyo that she needs a minute to get herself together because breaking down in tears in front of him wasn't what she planned. She was supposed to smile when she saw him again.

Tohru would rather pretend everything is fine even when she is seconds away from falling apart because toxic positivity is something she struggles with.

No one can be that positive all the time, not even Tohru.

Tohru has a hard time asking others for help.

Yes, Tohru is kind-hearted by nature but she genuinely does believe that she could burden those she troubles for help. Considering how her maternal side of the family wanted nothing to do with her and her paternal side of the family talks poorly about her, it isn't difficult to see where that frame of thinking came to be. When her mother died, her paternal side of the family didn't argue over who wanted to take Tohru in, they argued over who should take Tohru in and that is an important distinction. Even more so the fact, they had these arguments in front of her. When it was finally settled that she should live with her grandfather and that was uprooted due to upcoming renovations, it makes sense that she would rather be homeless in a tent than bother her friends who don't have the space to provide for an additional person even if that.

In Tohru's mind, it was shown very clearly by her family that she is a burden. She's an extra mouth to feed and an unwanted mouth at that, as her family never holds back in disparaging Kyoko even if Tohru is present.

As such, when Tohru is in a situation where she has no other choice than to accept their help, she believes she should be extremely grateful. They're taking their time to help her when they easily could have done otherwise, so why should she want more? Why should she complain? If she has any desires, she pushes it down because of that belief because she feels awful and that she shouldn't want for more when people are already going out of their way to help an extra mouth to feed. Because of this mentality cultivated by the bulk of her paternal relatives mistreatment, she will seldom voice her wants.

She never gets angry or upset.

To say Tohru never gets angry or close to physical in her reactions is far from the truth. Tohru gets angry when the issue impacts those that she cares about.

Tohru can tolerate being mistreated but she will always draw the line at the abuse being directed to someone else. When she first meets Akito and she sees Yuki's clear discomfort and fear, she pushes Akito away from him immediately. When she witnesses Momiji being punched by Akito, she immediately steps in and places herself in front of Momiji to physically shield him. When Rin tells her not to meddle with the curse and involve herself, Tohru, without cruelty, shoots back that she will absolutely meddle and involve herself because she refuses to lose the people she cares about to someone who has clearly been abusing them emotionally and physically for years. Tohru's tolerance for mistreatment has a limit, she is just unfortunately not included in that limit. So when we finally see her get angry in a scenario that includes herselfー when Kyo tries to run away because he feels he doesn't deserve her love, it's incredible.

There is so much more to Tohru than meets the eye. Tohu's reaction to Yuki getting a cold isn't just Tohru overreacting for the sake of being a nice girl, it's because her father died from a cold he brushed off and that cold turned into a fatal illness. For Tohru, colds aren't something that can just be brushed away because what if it turns into something worse.

Tohru would rather wear clothes until they practically fall apart than buy new clothes because she knows that she can't just spend her money haphazardly. But when it came to Valentine's Day and wanting to express her gratitude for those who cared about her, she had no problem dropping an entire check to purchase the ingredients to make enough chocolate for everyone.

She disregards herself and the efforts she puts forward. When she feels she has failed in helping Arisa, she specifically says "everyone around me has always helped me and when it is my turn to do the same, I can't." These aren't problems she overcomes herself by simply "smiling through the pain" as some who discredit her argue. Tohru is repeatedly loved and helped by those around her who care for her and opens herself up to receive that love and help over time. She is taught by her grandfather and Sohmas that is okay for her to be selfish and ask for things.

Her friends teach her that she helps them so much and that in reality they feel like they are never there to help her when she needs it.Her friends get upset that the same amount of money she would spend on them, she wouldn't spend on herself.

She is told that the way she villainized Katsuya after his death because doesn't make her dirty or a bad person because she was a child that was scared to lose her mother. That her fear and desperation to make her mother acknowledge her was understandable. That mimicking her father in her attempt to draw her mother's attention probably helped more than she realized.

Tohru is not just a "Nice Shoujo Girl" Protagonist, she is a girl with trauma who would rather focus on the issues someone else has than look to her own.

Like I said before, this isn't me trying to get Tohrus haters to like her. People are entitled to like and dislike whichever characters they please, but it is a complete disservice to Natsuki Takaya's writing to say Tohru is bland and has no struggles of her own. Tohru has many problems and struggles she has to deal with throughout the series and seeing those issues she overcomes being brushed aside as her being perfect and having no problems is a complete oversight. As such, I just simply wanted to peel back Tohru's layers and showcase that just as characters such as Momiji, Shigure and Ayame are more than the tropes they are introduced as, Tohru is as well.

[i wrote this on reddit too]

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yes-these-obsessions-are-healthy · 3 months

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Ok, so he’s fictional yes, I know, but when you learn about Astarion’s backstory, a lot of people feel weird sexualizing him, since he has lived two hundred years operating as a sex doll for his targets under threat of punishment by Cazador, but I figure that, and these are post-game spawn headcanons, in time Astarion relearns to see his body as something his own and reclaim his sexuality for himself as an instrument to make people horny, but that he doesn’t need to follow through on anything. He can flirt, seduce, tease, and revel in how gorgeous and attractive he is to others, he can even delight in how people trip over themselves over how beautiful he is, but he can say no. Beauty is not an invitation or an obligation to sleep with anyone. In the same way a burlesque dancer embodies sexiness as a performance rather than a mating call, in the same way some acespec people embody eroticism while having no personal desire to ‘follow through’, Astarion can do the same.

And tbh it’s super sexy to think of a post-game Astarion that feels comfortable to perform and show off and knows that he has the power to say no, to deny people and have the opportunity—the right—to fuck someone up if they insist on pushing him. They say “consent is sexy” and damn right it is, but what’s even sexier is seeing someone establishing boundaries and enforcing them, recognizing and reclaiming their personhood within the amorphous zone of sex and sexuality.

Recovery looks a bit different for everyone, of course, and there is no one singular trajectory toward healing—Astarion’s ideal ‘perfect’ endstate is neither one that relishes sex nor outright abandons it, but I cannot help but think of an Astarion who might flex his prettiness here and there to bewitch a person because it is something he wants to do because he’s a scheming rapscallion that finds it fun, not because it is something he must do.

#astarion #character discussion

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carrymelikeimcute · 6 months

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I'm in my feels again so lets talk about Izzy Hands and violence.

I read a novel ages ago, where an older guy takes a young orphan boy under his wing and teaches him a trade - it's medieval times and said boy becomes a young adult and wants a sword, but his pseudo-father/boss/friend tells him he can't have one, because if he has one, he'll draw it and if he draws it, he could be killed. The safest thing is, paradoxically, to carry no weapons. To learn control of one's temper and control over your surroundings.

The scenes of Izzy and Stede in ep.7 at Jackie's reminded me of that novel.

Obviously Izzy has weapons, tends to put his hand on his sword during arguments and we do see him fighting and killing people. HOWEVER, I think it's really interesting that, given how often we talk about Izzy being repressed (emotionally/sexually/gender-ly) and how controlled he attempts to be, we don't often talk about his controlled approach to violence.

A lot of fic characterises him as someone who is hot tempered and violent, but looking at s1 with fresh eyes, between him and Ed, he's definitely not just the cooler head when it comes to instigating violence, but the one who takes less interest in violence for its own sake as a performance - e.g. Ed's very creative instructions with the tiny fork, the toe thing etc vs Izzy just stabbing Stede. It's a means to an end.

Don't think I'm not saying he has a fucking temper and a half, because he obviously does, but that seems to mostly be vented non-violently through yelling - not yelling at strangers either, but at people he knows and can (usually) judge where the line is.

Until he puts a toe over that line and...oops.

On first meeting Stede, Izzy cuts up his shirt without actually hurting him. It's a threat, but he hasn't drawn blood, hasn't started anything violent...yet. It's almost a display intended to dissuade actual fighting, by showing your potential opponent that they're probably going to lose.

I think one of the reasons Izzy's so annoyed about their losses in the battle with the Spanish is that it's not their fight. They didn't get anything from it - it was pointless (to him, not to Ed obvs). He wants to avoid facing the Spanish again in the following episode, because they stand to lose more than they will gain.

Even when he's actively calling for Ed to kill Stede, he isn't fussy about how. (And he uses manipulation to keep his hands clean - something he does again when selling Ed out to the navy.) Stede needs to be gone, and this is the easiest way to do that. And when he does finally lose it he doesn't just attack Stede without warning - it's within the controlled setting of a duel, which, when Stede starts improvising, breaks down Izzy's control and leads to him becoming emotional, making a mistake and getting his sword broken.

In s2 the pointlessness of the raids is obviously getting to him, disrupting a wedding for no real gain. Losing Ivan for nothing. I don't think the violence is what bothers him, he's a very active participant, but the fact that it's not for anything - it's not enough of a reward in and of itself. (It's like not really caring one way or the other about being a barista, it's just what you do and it's fine, but then suddenly you're not being paid and also your boss keeps burning you with the steam wand on purpose and you just sort of wish you could just get on with your job and make rent like before.)

S1 Izzy seems to lack the whimsy and imagination that Ed/Stede bring to piracy and to violence, but that doesn't make him stupid. They're playing some kind of made-up game that only they know the rules for, and he's trying to play chess with everyone, even when the rules are only a burden to him.

When we see him training, he's being a dramatic candlelit bitch, but he's also measuring his movements, focusing intently and not just hacking away at everything. Even the candles are interesting to me in this context - we see him playing with candles several times in S1/2 and while yes, there is a certain amount of 'Izzy likes pain' in there to unpick, it's also kind of a metaphor for control - fire is one of the most dangerous things to have on a 'wooden vessel' but a candle is like a tiny pet fire that you control - so long as you're careful and respectful. It's all about risk management, respecting dangerous forces and being aware.

When Stede kills Ned, Izzy looks impressed, even seems to smile for a second, but then he looks more subdued and tells Ed that the first kill is a head-fuck. It's like he's proud of Stede being ABLE to kill, but regretful that Stede CHOSE to kill in a situation where it wasn't necessary at all.

I don't think for a moment that Izzy regrets killing most of the people he kills as part of pirate life, but I think he would regret killing someone he didn't have to. Most people wouldn't want to carry that around with them.

We see in ep7. that Izzy is well respected at Jackie's. He tells bigger guys than him to fuck off and just takes people's chairs. He gets called 'Mr. Hands' instead of by his first name. There's a lot of respect there and I think some of it comes from his reputation with Ed, but also, from people knowing that he's not insane - he can be treated respectfully and everything will be fine for all involved. He's not some menace that's going to stab you as likely as pat you on the back.

For all that people are afraid of Blackbeard (and maybe slightly in awe of Stede as of the Ned thing) for their unpredictable natures and occasional violent outbursts, people are still attacking them or pandering to them, actual respect is something else entirely.

Later, Izzy doesn't pull a weapon and tries to discourage Stede from doing so, even tries to get him to leave to prevent a fight from starting. In the fight, he smashes a stool over someone and doesn't just start killing people - it's an appropriate level of violence for the situation, not an escalation.

It feels like Izzy is very much in that place of controlling himself, being aware and knowing when and how to use force practically, proportionally and effectively. This might be age related, but it's also a big part of his personality. I think that's also why he looks impressed by what Zheng does to Steak Knife (rip) because it's so precise, bloodless and quick. She's basically the best captain for him - she's efficient and controlled.

It's easy to confuse 'is willing to kill' with 'is eager to kill'. I don't think Izzy necessarily loathes that part of his job, he seems ambivalent, but it is still a job to him. It's what pirates do, much as the crew of the Revenge do still kill people, it's just part of their life and not some kind of performance or fun activity. It's work, and it's hard and it's unpleasant and if something can be done an easier way - a smarter way - then that's probably the best way.

#ofmd #ofmd spoilers #izzy hands #israel hands #ofmd meta #izzy hands is a character and a half #character discussion #long post

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pumpkinnsoda · 1 month

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I am of the opinion that Felix has a lot of sex, but not good sex. Oliver’s the opposite.

Felix fucks like how a poor man eats Chinese takeout and Oliver fucks like how an aristocrat eats fine dining.

Hunger vs reverence

(I didn’t make that up on my own, I got the analogy from a tiktok about Hannibal Lecter and Will Graham eating ass)

#saltburn #oliver quick #felix catton #cattonquick #hannibal #hannigram #will graham #character dissection #character discussion

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in-flvx · 1 year

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Okay, so: dumbledore is not a fan of Sirius Black. We see that in their few interactions I think, and most definitely in the way he harshly critiques Sirius' character right after his untimely death.

My theory on that is that sirius' pureblood status and large generational wealth and influence defy dumbledores usual tactics of emdebting marginalized people to him - by doing the bare minimum (employing hagrid and filch, letting Remus go to school) but no more than that. We know dumbledore has major political power, but we are never shown how he uses that. Only that he does.

With Sirius he fails to do so, and Sirius actually dares to defy him again and again. Sirius is a rogue cannon to dumbledore, and he's one of the only people whose direct, independent actions actively move the plot along, and I think dumbledore hates him for this. The only way he managed to deal with Sirius, and to taper him down, was to lock him up in grimmault place, but even from that point Sirius has incredible influence over the plot

#sirius black #anti dumbledore #Character discussion

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box4brains · 3 months

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I just want to talk about Law…

Kinda hc-y, could I get other ppls opinions and views on these things?

So!

I hc Law as someone who has extreme issues with control. In fact, he knows he can be unreasonable and extreme when it comes to being in control, however due to his trauma he associates not being in control with the worst moments of his life and thus fear it more than anything else.

He can’t not be in control and not fear he’ll lose anything and everything he holds dear.

I know there’s a lot of jokes about how relaxed Law was before the time skip and while it’s possible that it’s just Oda not having cemented his character, I generally look at it as Law just… being a cocky little shit.

Law is someone I see as extremely cautious, strong and clever. He wouldn’t put himself or his crew in danger if he could avoid it. And in case he can’t avoid it, try ending it as fast as possible and in whatever manner is safest to him and his crew.

So unlike Luffy he never had any close calls all through the first half of the GL. He never encountered any truly strong marines or enemies the same way Luffy did.

I don’t think he’d go out of his way to be antagonistic or pick fights like Kid either.

Law is definitely still cautious, but the first half of the GL basically being a breeze would definitely make him a cocky little bastard. At least until the war between the WBP and the marines gave him a wake up call in the form of a metaphorical slap to the face.

But it it still doesn’t adequately explain his “new” personality in Punk Hazard (imo).

He appears to act hastily, is grim and severe and appears to be in the middle of a suicide attack. Seems weird and kinda ooc… at least without a good reason for it.

I generally look at it like this;

Law is acting more hastily than he’d prefer, because he knows he’s running out of time.

We know his original plan to take down Doflamingo wasn’t what he’d actually wanted to do. Law wanted revenge, he wanted to fight Doflamingo himself, not set up this elaborate scheme that basically used Kaido to do what he couldn’t.

So what’s the rush?

I believe that Law designed the Heart pirates logo/jolly roger and picked the name as a way to honor Cora’s memory, but it was also meant to send the message to Doflamingo “I’m your Corazon, I’m coming home”. That’s why the flag look so alike, remember, Doffy doesn’t know that Law was present when he killed his brother. Doffy doesn’t know that Law knows that Doffy means to use him to further his own agenda.

From Doffys pov it probably looks like Law disappeared only to appear maybe 5-6 years later as a pirate, practically wearing his symbol and carrying the title/name he raised him to inherit.

I believe Law would know Doflamingo well enough that Doflamingo would take it as a sign that he was (perhaps slowly and meticulously, just as he was taught) making his way back “home”.

Hell, Doflamingo probably was all happy and smug about it. His 3:rd Corazon was working his way up in the world, making his way back to his side, despite his own brother having done everything in his power to mess everything up.

Remember, Law was in no hurry to make his way into the New World. I think it’s because he knows he can only prolong his appearance in front of Doffy for so long if he did.

Now, I hc hard that Law and the Heart pirates deal in the black market, specifically because Law knows that Doflamingo is Joker, and he needs all the dirt and information he can get to try and stay one step ahead of Doffy, and to try to find his weak spots.

Well, he finds out about SAD, Smile and Kaido. Finally he’s got something he might use to his advantage. However, he also finds out that Kaido’s almost done creating his army of world domination. Maybe he gives it a year or so before the whole world will be dragged into a war guaranteed to change the world forever, both politically and geographically. And then all his knowledge will be useless.

And Law knows Doffy won’t wait another decade or so before he might be able to tackle Doflamingo again.

No, his only choice is to get in front of the storm brewing on the horizon, to take charge and use the pieces all around him to place himself in the eye of the hurricane and use the powers around him to accomplish his own goals.

He needs to use Kaido to take out Doflamingo. It doesn’t matter if Kaidos army of beasts is almost done, practically done or just a single person short. Kaidos temper is legendary, and his rage against Doflamingo failing to fulfill his duties would lead to a clash between them, a clash Doflamingo has no hope of winning.

A strong and clever pirate could sweep in after an stake his claim in the New World. The probability of coming out on top is abysmally small, but Doffys defeat is practically guaranteed, and the rewards of success is incredibly enticing. Not to mention he has no other choice.

Now Law is a warlord during this. He needs the contacts in the navy and he needs something to be a plausible reason for not turning up at Doflamingos doorstep with a smile and begging to be his puppet.

Law knows, Doflamingo likes useful pawns, but Laws biggest use is to die so Doffy can live forever, and Doflamingo isn’t going to wait forever, regardless of how much Law improves his abilities and allure as someone who’s usefulness is off the charts.

So he gets his hands on a eternal pose to PH and says goodbye to his crew… They don’t want to part, but they know that his orders are absolute, to disobey orders is to be kicked from the crew, so they go, and pray to anything that will listen to please let their captain come back to them.

And Law negotiates with Ceasar. He gives him his heart, his freedom, his most precious thing, what Cora-san died slowly and agonizingly to give him. And then… Luffy

For the second time in Laws life, Luffy crashes into his life, turning everything upside down and blowing all his carefully laid plans out of the water.

Luffy who’s freedom itself, Luffy who’s the very definition of the D that Cora-san spoke of. The storm that declared war against the world, the enemy of the gods that punched a celestial dragon in the face without a moment’s hesitation.

In the face of such an free soul, the invisible leach that Ceasar has around Laws neck chafe something terrible. Listening to the clown happily talking about how he made drug addicts of small children, something in Law finally snaps and he ends up hunting down Luffy with the goal of making an alliance.

Because some part of Law trusts Luffy, regardless of how much he hates it, swears up and down that he doesn’t, that he shouldn’t…

After all, Luffy and his crew are perhaps the definition of the type of people that he can’t help but open his heart for. (Strong-willed, happy-go-lucky and determined with a tendency to do everything in their power for those they care for). And that terrifies him. Because Luffy can’t be controlled, and therefore Law cannot protect him.

And Law just can’t handle losing a loved one again. Never again. There’s a reason he always makes sure to place himself between anything that would do them harm and his crew.

Anyway, I sure would like to hear other people’s thoughts and/or hc of Law and his character

… I spent most of the night writing this 🙄 oh well…

#trafalgar d water law #trafalgar law #trafalgardwaterlaw #character discussion #one piece #heart pirates #rant

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redtoondevils · 1 month

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I can't stress this enough. I just cannot agree with the idea of Sun willingly turning himself into Moon. If he get's pissed off enough. Because, he is popular opinion from those who say,

And agree he's mentally disturbed, and that's what he (Resort to do.) would do, kind of thing.

Yet, I feel like that's an over statement of what kind of person he is. I have a couple of things to say. That, from the book cannon, he's designed to be an entertainer.

And is a performer for young ages, and older ages. Then after get assigned to be an attendant.

Let's take one at a time, and so he's been moved over. Straight away, that is stressful.

And he felt, an a different atmosphere that would normally change the mood of someone. But for what he's going through, is different.

When he is with kids, I believe he does feel better. But, he'd never come to the point where...If he is feeling angry about something, the right thing to do is to walk away for a while. He takes himself away from the situation, he struggles to keep control.

Just so he can decompress, because he doesn't to do anything horrible. He does this a few times. When he was hiding himself from underneath the table.

When he flew himself away from Cassie, to a further away spot. So that way, he doesn't come close to her. When he tried to intervene from Moon jump scaring her.

For a character who is mentally disturbed, to do something like that. That is actually Selfless! It's minimal, but it is something big!

If he were to use Moon for anything, id think it would be for something dire. If it's a last resort thing. If he really, really needed it. Then maybe.

I typically thought he would threaten that to evil people. Not to people that he doesn't like.

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skxawngonearth · 3 months

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I'd like to make an proposition for my blog: every weekend (saturday&sunday) I'd like to talk with you about your OC's.

Personally I love hearing about other peoples stories and characters, and what they do within the world of Avatar.

It's probably stupid and childish in a way, but who cares on this site anyway?

#avatar #avatar 2009 #james cameron avatar #james camerons avatar #avatar james cameron #avatar frontiers of pandora #frontiers of pandora #afop #fop #ocs #oc #na'vi oc #avatar oc #original character #avatar pandora #character discussion

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dross-the-fish · 4 months

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Phantom Ramble

I think one of the reasons I'm personally so resistant to viewing Erik and Christine's relationship as a romantic one is due to the fact that for most of the book I don't fully trust Erik as a character and I can't imagine Christine does either. Erik has a pattern of creating himself, whether it's the phantom of the opera, the angel of music, or even "Erik" we never really find out who he is. He says he wants to be loved for himself but he never is himself. He keeps himself hidden out of fear of rejection. Not just on a physical level but on an emotional one as well.

The name he gives Christine "Erik" is a name he came upon "By accident" and I've seen some people mention that in earlier versions of the story, like the original newspaper in which it was serialized, Christine stated that Erik picked that name because it's Scandinavian and he was hoping to use it to get closer to her, which is definitely a thing he would do and if not for the fact that the Daroga also knew him as Erik in Persia I would agree that's the most likely explanation.

I've always felt strongly that Erik cannot be taken at his word. He strikes me as the type to say anything he has to say to get what he wants and he has grown so accustomed to wearing masks that he is unable to take them off. Even when he's physically unmasked he still can't bring himself to reveal who he really is. Perhaps because he doesn't really know anymore, he has become his masks. His deformity made it necessary to hide from the world and every angel, phantom, friend, teacher or father figure he became feels like had to be meticulously created so he could slip on the role and play the part convincingly enough to fool those around him. This includes Christine. I think he was hoping that Christine would be the one who could see past the performances and I don't think she's able to for the majority of the book. Even when she's fascinated by him or feels pity she never comes across as someone who really KNOWS him. That's not her fault he has, intentionally and unintentionally, made himself unknowable.

Even the Daroga doesn't really know Erik, he has more insight than most people but Erik is as much a mystery to him as to anyone else.

Erik's world is the theater and he is a perpetual actor in his own narrative. It's instinct for him to simply become whatever he needs to be to frighten people away or draw them closer and I don't think he knows how to stop doing that anymore. He's so distant from himself that views his real self as dead, the real him is nothing but a corpse.

I think that's also what makes the ending, the final unmasking so poignant to me because that's the moment when Erik, the living person, not the character, is seen for the first time. It's the mask coming off for real at last.

"I tore off my mask so as not to lose one of her tears… and she did not run away!…and she did not die!… She remained alive, weeping over me, weeping with me. We cried together! I have tasted all the happiness the world can offer"

What Christine offers him in this moment isn't what I interpret as romantic love it's acceptance, it's compassion, it's seeing him and understanding him. She gives him this when he least deserves it and I feel like this is what makes Erik's redemption meaningful. That his humanity is acknowledge in his darkest moment by the person he's hurt the most. That he is shown that much grace and kindness and that he lets her go without getting the romantic fulfillment he was trying to coerce from her will always be infinitely more touching to me than seeing them in a successful romantic relationship.

I think I also just get tired of seeing romantic love touted as some be-all-end-all redemptive healing force and the thing that could "fix" this character and give him a happy ending.

Again, not saying people can't or shouldn't write their fluffy comfortable or their dark twisted Eristine fics, by all means, have fun and enjoy what you do, but I feel like there's very little appreciation for the redemptive arc in the book that isn't viewed through a romantic lens.

#Phantom of the Opera #poto Erik #Character discussion

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secretsofflowers · 26 days

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Hairstyles of Shinobu Kochou

Today, I'm discussing hairstyles of Shinobu and Kanae. Throughout the anime, we see two styles of hair for Shinobu. Earlier on, when it shows a younger version of Shinobu (image below), she has short, mostly black hair with slight purple ends, and tied up neatly in the back. The way Shinobu's hair is tied back makes her look stern, and fierce. And the way only two strands hang down in the front make her look angry, and short tempered. Some may say this hairstyle character design is similar to Aoi Kanzaki's, which is also short and stern. Young Shinobu wore her hair like this because she wanted to seem tougher than she physically was. Shinobu was never strong physically, so she had to make herself look tough in order to get by. She made herself look like that, even though she knew that Kanae's looks were enough to help them both get by, and that no one would mess with Himejima-san, who was the size of a bear. As mentioned in the anime and in the manga, Shinobu always had a boiling rage inside her, which is why she was open about her anger to a point in the beginning.

Later in the story (picture below) after Kanae died and Shinobu moved out of Himejima-san's estate, Shinobu changed her hair. She grew out another strand on each side of the front, and worked on softening her facial expressions. She grew out her hair to look more like Kanae's, because Kanae had two long strands of hair in the front. Kanae also always had soft, kind, expressions, which Shinobu tried to model herself after, after Kanae's death.

Comparison below.

You can see a change in her eyebrows, eyes, cheekbones, and hairstyle.

»»————> below is a comparison of how Shinobu's hair would have looked in Kanae's hairstyle<————««

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breethenecromancer · 7 months

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I adore when people draw Mae as a small, chubby POC. It relates to her character while giving her a unique design that so many people keep avoiding.

#mae borowski #mae nitw #night in the woods mae #night in the woods #nitw #character discussion

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yes-these-obsessions-are-healthy · 7 months

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The thing about Astarion is that he isn’t just sexy, he’s also cute as fuck. He likes it when you make animal noises at animals or people. He’s all but clapping gleefully on the sidelines when you act like a little difficult shit to people. His laugh is like a mix of of pure childlike joy and the patronizing guffaw of a fop. He’s clearly partial to cats, or at least likes it when you humor standoffish cats because he sees himself in them. ‘This cat just like me for real’. He pouts and complains in such a melodramatic way that manages to be hilarious every single time.

#astarion #bg3 #character discussion

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xerith-42 · 3 months

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Stop blaming characters for bad writers

Seriously, stop fucking doing this. While this is a post that could certainly be applicable to MANY fandoms, I'm mainly directing this whole rant at my target audience which is mentally ill minecraft obsessed freaks.

If a character is written badly, gets badly fumbled by the creator, or has the ball dropped in regards to their arc in some way, a lot of people will blame the character, as if they're a real conscious person making these decisions. When they aren't. They're a block man literally being controlled by two people who just aren't very good writers and one or both of them are incredibly sexist, kind of racist, ableist, and just bad writers in general.

Yeah, Laurance does some pretty shitty things through out Season 2 of MCD, actively crossing lines he wouldn't have previously crossed. We as fans can cope by saying something something calling, or just saying Laurance is a bad abusive person, but the reality is that the writers wanted to force the series to fit a specific vision and as a result were willing to do anything to get the series to that point. In order to make Aaron the most favorable suitor for Aphmau, her previous suitors need to be out of the picture, or clearly inferior options.

Garroth suffered the out of the picture, being mostly absent outside of a few cutscenes here and there until episode 81 of season 2, but episode 81 is the culmination of the writers goals to make Aarmau happen. By the time Garroth has returned to the series, the damage has already been done. He's not getting the life he wants. And Laurance is written out of the picture as well, but only after being shown to be inferior because Jesson were pushing an agenda.

Laurance didn't deteriorate as a person due to neglect of his physical and mental well being after a severely traumatic experience. He deteriorated as a character because the writers stopped giving as much of a shit about him and instead were using the series as self indulgent fanfiction of alternate versions of themselves. That's not Laurance's fault.

And this applies to any character who was completely fumbled in MyStreet due to this similar focus on wish fulfillment from the writers. Jess has stated that the relationship between Aphmau and Aaron in Phoenix Drop High is reflective of her relationship with Jason, we all know this. This means that any characters who come off as total fucking creeps in that series (namely Gene), are not actually acting on the whims of their own autonomy or desires as characters. They are acting in service of telling a predetermined story that they are retroactively being added into for author fulfillment.

In this regard I fully support fandom cope and say that you should rewrite your little guys to your hearts content. But if you're going to criticize these characters for their actions, don't criticize them. They didn't do anything wrong. All characters are just puppets in service of the story or themes a writer is trying to push. If a character acts in an objectively terrible way, especially a way that isn't in line with their previous characterizations, that is a failing of the writers, not the character.

And I feel like largely a lot of us can and frequently do this. We're actively criticizing Jesson for being terrible low-key bigoted writers all the god damn time, it's like half of the content here. But when we get into character discourse I feel like some people cling onto bad actions of the canon too closely and I've seen more than a few posts presume some pretty terrible interpretations of characters based on these actions. Obviously Laurance is a character I and a lot of others are fixated on so a lot of discourse revolves around him, and it was seeing some... interesting takes on him that prompted me to start writing this post.

But this happens to everyone. Quite personally based on the character I was shown in MyStreet, it feels really weird that Garroth would make an insensitive comment about his brother's weight. Yeah siblings poke fun at each other and often cross lines, but if that was something Zane was seriously insecure about (which it seems like he might be) then it does make Garroth come off as a really insensitive brother, which just doesn't gel with how hard he tries to bond with Zane despite their tense relationship. And I don't think Garroth should be criticized for making those comments.

Whoever wrote those lines (Jess and/or Jason) should be criticized for writing a scene where a character is mocked by their older sibling over a physical insecurity even if said sibling would not normally do that. It's not Travis' fault that Jesson never decided to give him more of a character beyond "funny pervy guy" that's not funny in every anime they've watched until Season 5 of MyStreet. It's unfair to try and say Travis should be scrutinized for his borderline sexual harassment of some characters when it's not his fault that happened, he was written by writers who don't think this sort of behavior isn't all that bad if they make it out for comedy and punch him in the face.

And god dammit it's not Laurance's fault that his jealousy became the most prevalent emotion he felt. Laurance has always been a character to give into his vices and yet fight against them at the same time, it's what makes him compelling. If they were going to pull on those vices in order to make him a less appealing love interest, he never had a chance to really be his own character after a certain point. Because at a certain point in Season 2, Jesson stopped caring about the character they had been writing for over a hundred episodes at that point. They just wanted to canonize their self insert ship and were willing to do anything to get it.

Laurance isn't an abusive angry person who would have killed Aphmau if they got together. He's a flawed character being handled by incredibly flawed writers who are prone to making some of the worst decisions you have ever seen a creator make in regards to their character writing. He was caught in the crossfire of the adoration he received from a very dedicated fanbase, and the creator who would rather pretend he and his previous arc didn't exist for the sake of her fun. It's not Laurance's fault his arc was stilted, jerked around, and ultimately ended with him completely face planting. And yet still reliably dragging his bloodied body up at just the slightest glimmer of hope (Void Paradox).

It's deeply poetic and tragic that I can describe his character in universe and in the meta-textual sense that way, but we should never blame Laurance, or Aaron, or any other characters for things being like this.

They didn't write the show. Jess and Jason did.

#minecraft diaries #text post #aphblr #aphverse #laurance zvahl #garroth ro'meave #minecraft diaries laurance #mystreet #mystreet garroth #mystreet travis #bad writing #fandom discourse #fandom discussion #character discussion #character discourse

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fanfic-lover-girl · 7 months

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Anti Tagging is a Broken System

So there was this anti Zutara post that I saw a while ago that was tagged as both 'anti zutara' and 'zutara'. As you can imagine, zutara bloggers were mad and the OP claimed they tagged the post as 'zutara' as payback for zutara fans bashing kataang in the 'kataang' tag.

There was also a jedi critical post that was considered to be insulting to someone's religion or culture or some other nonsense. The person asked (**demanded**), the post be tagged as 'anti jedi' because seeing it in the 'jedi order' tag was causing real-world harm.

It confirmed my belief that the tagging system is severely broken and lacking.

These are two issues at play that I notice:

Villain vs Hero Double Standard

What's interesting is that this issue is mainly relevant for protagonists. If I want to bash Ozai, Palpatine or Joker on Tumblr, I don't have to tag my posts as anti. Maybe their fans would prefer it but we all know that these men are villains and the lowest scum in media. It's not bashing - it's the cold hard truth.

So why is it that my calling Ozai a bad father is not Ozai bashing, but me calling Aang a bad father is Aang bashing?? Why the double standards?? Sure, the hero will likely be more sympathetic because we are meant to root for them. But at the end of the day, just like Ozai, Aang played favourites and this left scars on his kids even in their fifties. If you are an Aang fan you can try to justify it, but his actions still hurt his kids no matter how you spin it.

What Does 'Anti' Even Mean??

There are too many ways to be anti character, anti ship etc which makes things murky.

Let's use Kataang as an example. Are you anti Kataang because you objectively looked at the ATLA show and you think how it is presented makes it a bad ship? Are you anti KA because you genuinely like the ship but you think it was not developed properly or did not go the way you thought best? Are you anti KA because you are just emotionally repulsed for whatever reason even though canon may give you reasons to support it? Are you anti KA just because it may be popular to be so in your circle?

That's the problem. Theoretically, the first two scenarios could be classified under the general 'kataang' tag. Because people who hold those opinions are not just bashing it for no reason but have objective truths that they have observed about the ship. Saying that Aang kissed Katara without her consent is an objective truth. Why should that be labelled as 'anti kataang'? It's the truth about the ship.

How would I address this?

The general tag should not be treated as a safe space. If you want a safe space, stick to a 'pro' or 'anti' tag. The general tag should be treated like a neutral zone where everything is laid on the table for debate and discourse. So if I browse the Jedi Order tag, I should see metas about cool Jedi powers and master-padawan relationships but also metas about the separation of families and the social harm it causes kids.

People need to stop being babies and grow up. If someone posts a critical meta about the Jedi order, it does not mean they are attacking whatever religion you have or calling for genocide in real life. Do you know how much witchcraft, paganism, atheism and other kinds of Christian bashing posts I see in the Christianity tag?? If you don't like something, just scroll past it like a big kid. Don't send death or rape threats to someone if you disagree with them.

I think if someone does not have substantial or accurate reasons for hating something, they should stick to the anti tag and avoid the general tag.

What do others think?? Tagging is hard because it's up to the discretion of the poster but I hope my arguments here made sense.

@caripr94

@tragicfantasy-girl

@sokkastyles

@the-badger-mole

#tumblr discourse #fandom etiquette #tagging #shipping discourse #character discussion #atla aang #aang vs ozai #character bashing #atla #anti tagging #jedi order #jedi order critical #toxic fandom #star wars discourse #star wars #atla discourse #anti kataang

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wordsformizu · 4 months

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Mizu zodiac placements 🌊

So I know everyone has given a few head canons for Mizu, but I'd like to add more if that's okay ^^

🌊 To start this off, I really enjoy zodiac conversation so for everyone who does too I welcome you to a seat at the table! I welcome all levels of knowledge to the table.

🌊Okay so don't shoot me but I think Mizu would be a Taurus sun. The stubbornness, the hard work, the determination to get what they want. Taurus's know grind and focus and every taurus I know is determined to accomplish their goals. Ms. "Through the front door" over here gives that energy. Also Taurus is an earth sign and seeing Mizu enjoy the spring, the fresh air of the mountains and the horses so much it just made me believe that she was in her natural element. No I didn't miss their biggest stereotype: they're foodies. Have you seen Mizu eat?

🌊My immediate thought was she has to have a fire placement somewhere. Her rising I believe. Your rising is how the world perceives you/ how you come off. I came down to thinking she may have either a Sag or Aries but after some elimination, I believe she is a Sag rising. Facial features wise (because yes, having certain placements can show on your features as they rule different parts of the body) Sag placements are known for having oval and long shaped facial features with well proportioned bone structures. Strong noses, long faces, very horse like (Sag's are represented by the centaur, a half human half horse creature that balances both man and animalistic desires) She's also a runner, and very independent, and will go her own way, travel her own path. Sag placements are known for being wanderers and always being on the go. Nothing and no one will hold them down; as wild as horses.

🌊There's a water sign somewhere in there and Im saying scorpio moon!! Moon rules the emotions and how we express/feel our emotions. Scorpio, ruled by mars (planet of aggression and war). Scorpio's are private, quiet, secretive and VERY revenge heavy if need be. Though they're a water sign, they have a passion that could radiate a great flame. They're as emotional as the other signs, they just hide it a lot. They also wish to be understood completely and fully, and a lot of people are either scared of their depth or cant swim that deep without drowning (looking at you Mikio) so vulnerability comes hard for any scorpio placement. They'd rather go alone than risk being hurt repetitively

In conclusion: Mizu's big 3 would be Taurus sun, Scorpio moon, Sagittarius rising. We can go deeper into this and discuss houses and degrees of her planets (your rising in the 12 houses is the first house. Sag rising makes her scorpio 12th house and that would mean her SCORPIO MOON is in her 12th house which is ouch already. Like explained before she's emotionally private and seclusive because of the pain she's experienced and one of the things the 12th house rules is secrets and things hidden and aaagh I could go into this but basically It takes Mizu forever to open up because she's scared )

What do you think?

#blue eye samurai #mizu blue eye samurai #mizu #blue eye samurai fanart #blue eye samurai mizu #zodiac #zodiac signs #scorpio moon #taurus sun #sagittarius #character discussion

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