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#but i think she still thinks will will be a martyr
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lmfao yall i had a whole 20 minute argumentdiscussion today with an irl friend who thought will's feelings for mike came out of nowhere and was convinced they were gonna kill off will as a martyr. i literally pulled up evidence from past season dialogues and somewhat successfully convinced her that no it didnt come from nowhere and also managed to convince her that mike's not straight so she's now of the opinion he could be bi 😅
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sleepdepravity · 9 months
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Okay so like, Stella mentioned that she thought there was a compilation of whenever usopp said “sanji-kun” and out of curiosity I tried doing a little search of it and I kept getting results about nami saying “sanji-kun” which was annoying. Then I saw a Reddit post that apparently was like “why did nami give up on Sanji immediately when he beat up Luffy?” (This referring to of course whole cake island) and just auauururrughhhhhhhhhhhh!!! Aaaahhhhgghrrgh!!!!!
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rosykims · 5 months
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they make me so fucking insane. absolutely bananas mode
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mossmx · 9 months
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I know Ygraine in fanon is like this good person who would have been proud of S5 Arthur and all... but hear me out!
Morgause summons what might be her in S2, by that point she tells Arthur it's Uther fault she died: kinda shitty to snitch on your husband if you loved him??
Also Uther did not know she would have died (he tells as much to Nimueh, and we have no reason to believe Uther would have willingly exchange her life for Arthur's seeing how he reacted afterwards) and she should know that! So either 1) that is not true Ygraine therefore telling Arthur she's proud doesn't make real Ygraine proud of him.
2) That is actual Ygraine and she's a crappy wife.
Either way she might have been proud of Season 2 Arthur but not of S5 Arthur: she might not hate magic, but still hate that Arthur married Gwen and knighted peasants.
What if she was as shitty as Uther in that regard?? like, your vibe attracts your tribe... what if she was the standard noblewoman, we know Queens are as bad as Kings, come on: Royalty sucks!
I think exploring the fact they could both be fucked up people is more interesting than a martyr saint of a mother.
She was a noble woman and all the laws Uther made before her departure would probably have been ok with her.
What if she would have axed Percival herself if Arthur had summoned her with the horn in 5x03??
I want to explore this!
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agentravensong · 2 years
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you know that post i made a while back about how singing saved hannah (in witch the web) but is what doomed paul (in tgwdlm)?
well, thinking on it, yellow jacket has provided its own version of this parallel:
lex succeeded in blowing up the source of the apotheosis when paul did not.
paul, to his last words, hated musicals.
but lex?
It's not a trope I'll be an actress 'Cause I've had practice Selling hope
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nsewell · 8 months
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playing nat’s romance is so wild you bitches were getting romantic scenes in book 1???? adam was self flagellating and nailing himself to the cross every night
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henryhas2moms · 2 years
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ouat s7: regina is doing great! she has finally found some peace with herself and she is not drowning in self loathing anymore.
me: that’s wonderful! she’s come so far and it’s good to see her happy🥰🥰
ouat s7: she still has no sense of self preservation and she’s gonna try to sacrifice herself at least twice though.
me: 😅🙃🫠
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docholligay · 2 years
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I just think you should be able to yell "what the fuck is wrong with you???" At main characters, in a genuine way, because they have a flaw a reasonable person could hold against them. As a treat!!
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lilgynt · 2 months
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people in the street who aren’t marching or whatever will laugh when you pass by for some reason like if the person wasn’t like fuck yeah and being like good job it’s either laughing or filming on their phones
#personal#one dude did get arrested ✊😔😔#also the energy was more violent with people this time?#like less yelling back but i heard more threats#when we were having a vigil for martyrs some dude came by screaming ISREAL ISREAL ISS#but he got drowned out really fast#on the walk back obviously we’re still chanting but i was on this escalator and this dude next to me#first one white boy blue polo khakis and glasses#but he’s standing next to me as we’re going down then he starts telling someone they can’t think for themselves and i’m gonna lose it#and i can’t tell if he’s talking about the marchers or like otherwise#but he starts saying he’s gonna beat the shit out of the next person and then the next chant starts so i’m like 😳 and start chanting#but i’m like don’t push me down and when we get off he starts getting in an argument with several people but i couldn’t see for long#and then at another turn police stopped like 4 hijabi women a few members stayed with them while the cops talked to them from what i saw#and this one chick was getting in this girls face like free palestine from what#and the girl was like i don’t want to talk to you so i walk over like is she bothering you a#and push her away telling her we don’t want to talk to her#so she starts hounding me so i just start screaming in her face and then she left#honestly a little embarrassed now but also it worked so#but turn out was huge i’d look in front of me and the group kept going on and i’d look behind me and the same
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joycrispy · 8 months
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Awhile ago @ouidamforeman made this post:
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This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...
It. It kind of fucks. Severely.
And in a delightfully Pratchett-y way, I'd dare to suggest.
I'll explain:
As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.
Crowley, of course, is the serpent of Eden.
(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)
Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:
"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV
Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.
(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.
...Put a pin in that. We're coming back to it.)
So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.
But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:
The Sword was never intended to guard Eden while Adam and Eve were still in it.
Do you understand?
The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.
The flaming sword was given to be used against them.
So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.
That's how it's supposed to go. It is written.
...But, in Good Omens, they're not just the Serpent and the Sword.
They're Crowley and Aziraphale.
(author begins to go insane from emotion under the cut)
In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.
It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.
...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.
And the Serpent--
(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)
--just goes ahead and falls in love with him about it.
As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:
"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll
The first to ask questions.
Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).
And Aziraphale loves him for it, too. Loves him back.
And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--
(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)
--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.
To write a story about the Serpent and the Sword falling in love is to write a story about transgression.
Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.
It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.
And then you keep writing.
And what emerges hits you like a goddamn truck.
(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).
It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)
...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:
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I love this shot so much.
Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.
You know what a shot like that establishes? Likeness. Commonality. Kinship.
"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.
But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.
Godfathers. Sort of.
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doomedbythe-narrative · 3 months
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reading that letter from raskolnikovs mother to him — that entire long paragraph from where he kisses the envelope (such a tender gesture), to the way she writes him, with such love (raskolnikov hates himself because he’s planning a murder and all she tells him is you’re loved, you’re loved, you’re loved) is sooooooooo heartbreaking. especially with the context of the chapter just before (a daughter sacrificing for her family, giving her last hard earned money so her father can drink it away and dunya marrying a man she doesn’t love). ohhhhh it’s good. It’s soooo goood
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swallowtail-ageha · 5 months
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I am a big fan of the laurence reincarnated as the hunter because i think it'd be hilarious if mr super stuck up crazy priest got reincarnated into a syphilis ridden albino woman with the most stray dog mentality ever
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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wherewolf · 11 months
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the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.
i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.
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it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.
at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.
so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.
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her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.
so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.
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she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.
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so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.
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he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.
siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.
and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.
so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.
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vasilissadragomir · 5 months
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people often use snow’s experiences with lucy gray as an explanation for how he engages with katniss, but i think that the true story of his downfall lies not in how lucy gray and katniss are similar, but rather in how they are different.
snow knew that it was never him that made the games what they are. it was lucy gray, with her scrappy, passionate artistry, that put on the show that kept people watching. more importantly, it was lucy gray that put on the show that kept HIM watching. all he ever did was give her the stage.
ergo, snow recognizes that the person with the power to usurp him is his natural counterpart, someone like lucy gray, who possessed both the charisma and humanity that he sorely lacks. however, in his mind, those traits are not real; they’re performed in order to obtain power. how could he know better, when he’s never experienced them himself, and the only person he ever truly believed possessed them betrayed him?
so snow keeps his eye out for performers, people with gravitas who could capture the heart of the nation, and squashes their spark as soon as he can. people like haymitch. people like finnick.
and that’s where snow goes wrong. he doesn’t see katniss’ similarities to lucy gray from the start, because while they both demonstrate astonishing, intriguing bravery at their reapings, their actions and motivations are completely different. lucy gray is motivated to perform by anger for herself, and katniss is motivated to sacrifice herself by fear for her sister.
but then katniss starts to put on a show for the audience, kissing peeta and being willing to die with the berries at the end of the 74th games. snow starts to see an entirely different side of katniss that resembles lucy gray to a concerning degree. he sees how, with peeta at her side, she could beguile the nation the same way lucy gray had. and, even worse, she was using the poor, helpless boy who had the misfortune of falling in love with her to survive. the moment katniss started performing, he finally sees lucy gray within her. but it’s already too late.
by catching fire, katniss is the spark fanning the flames of the resistance, but snow fails to understand why. as far as he’s concerned, katniss’ star power comes from her connection to peeta. he tries to weaponize their “love” for his own gain, but it doesn’t work, not because people don’t believe that she loves peeta, but because, for the first time, a victor offers their winnings to the family of a fallen tribute.
snow is caught in a catch 22 of seneca crane’s making—if he kills katniss, she becomes a martyr. but if he lets her live, she’ll be a revolutionary icon. either way, she’s the spark. so he has no choice but to allow the spark to flicker, just for a little while. enter the 75th games. snow knows he needs katniss to die a tragic death in the games. more specifically, he needs it to be a brutal death at the hands of a tribute, not the gamemakers, because he understands that as long as the districts see the capitol as the one who ended the life of katniss everdeen, she’ll still be a martyr.
but snow still doesn’t get it. in the quarter quell, the prey does not become predator. katniss’ allies protect her, ensuring she survives until district 13 rescues her. why would they protect this girl, assuming such a steep personal risk? why would they put everything on the line for a revolution they personally stand to benefit little from? he doesn’t know. but he does know that lucy gray katniss is at the center of it all, so he tries to eliminate what makes her look best: peeta.
and that is snow’s fatal mistake. what he, coin, and everyone but haymitch fail to understand is that it was never peeta that made katniss look good—it was katniss, who befriended and put faith in rue. katniss, who recruited mags, wiress, and beetee as allies. she is the source of revolutionary inspiration. it isn’t her charisma or even her compassion, and it certainly isn’t how well she performed those virtues.
katniss becomes the mockingjay because of her solidarity.
lucy gray was charismatic, like peeta, and compassionate, like both peeta and katniss, but she did not demonstrate solidarity. she was never truly “district” in the way katniss is. she showed kindness to jessup, not because he was from 12, but because he showed kindness to her. lucy gray left behind everything and everyone she loved when she left coriolanus, because she was first and foremost a survivor.
katniss was a survivor her whole life, but she survives exclusively to ensure the people she loves are protected. she always does what she can for people more vulnerable than herself. lucy gray couldn’t have sparked a revolution on her own because she lacked the solidarity that makes a hope for a better future authentic to others. katniss is the human manifestation of solidarity, and to a people divided by a common enemy, that’s the most inspiring thing a person can be.
only in the end, when katniss shoots coin, does snow realize none of it was a performance. choking on the blood of his countless adversaries, snow’s final moments are consumed by what he got wrong. what made lucy gray and katniss different ends his reign, but ironically, the final nail in his coffin is an act that both lucy gray and katniss share in their last moments with snow. they both prove, unequivocally, that he is not the center of their worlds like they are his. lucy gray put her own survival before her love for him, and katniss puts the future of her nation before her hate for him. in the end, he simply doesn’t matter. and that’s greater justice than could have ever been achieved if katniss had fired her arrow into his heart.
the greatest enemy to coriolanus snow could only be the person who reignited the embers of a dying revolutionary fire, who demonstrated to a broken people that while one spark alone might not be enough, thousands of sparks uniting in solidarity is an unbeatable force.
and really, he should have known better. after all, even when snow lands on top, fire melts snow.
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munsonson · 1 year
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𝐇𝐮𝐫𝐭 𝐅𝐞𝐞𝐥𝐢𝐧𝐠𝐬 𝐏𝐚𝐫𝐭 𝟏『••✎••』
𝐒𝐮𝐦𝐦𝐚𝐫𝐲: 𝘌𝘥𝘥𝘪𝘦 𝘣𝘳𝘦𝘢𝘬𝘴 𝘶𝘱 𝘸𝘪𝘵𝘩 𝘙𝘦𝘢𝘥𝘦𝘳 𝘧𝘰𝘳 𝘣𝘦𝘪𝘯𝘨 𝘣𝘰𝘳𝘪𝘯𝘨, 𝘨𝘪𝘷𝘪𝘯𝘨 𝘩𝘦𝘳 𝘵𝘩𝘦 𝘪𝘮𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯 𝘵𝘩𝘦𝘺 𝘫𝘶𝘴𝘵 𝘸𝘦𝘳𝘦𝘯'𝘵 𝘳𝘪𝘨𝘩𝘵 𝘧𝘰𝘳 𝘦𝘢𝘤𝘩 𝘰𝘵𝘩𝘦𝘳. 𝘜𝘯𝘧𝘰𝘳𝘵𝘶𝘯𝘢𝘵𝘦𝘭𝘺 𝘧𝘰𝘳 𝘩𝘪𝘮, 𝘩𝘦 𝘳𝘦𝘢𝘭𝘪𝘻𝘦𝘴 𝘵𝘰𝘰 𝘭𝘢𝘵𝘦 𝘩𝘰𝘸 𝘣𝘪𝘨 𝘰𝘧 𝘢 𝘮𝘪𝘴𝘵𝘢𝘬𝘦 𝘵𝘩𝘪𝘴 𝘸𝘢𝘴.
𝐏𝐚𝐢𝐫𝐢𝐧𝐠(𝐬): 𝘌𝘥𝘥𝘪𝘦 𝘔𝘶𝘯𝘴𝘰𝘯/𝘍𝘦𝘮!𝘙𝘦𝘢𝘥𝘦𝘳, 𝘚𝘵𝘦𝘷𝘦 𝘏𝘢𝘳𝘳𝘪𝘯𝘨𝘵𝘰𝘯/𝘍𝘦𝘮!𝘙𝘦𝘢𝘥𝘦𝘳
𝐖𝐚𝐫𝐧𝐢𝐧𝐠(𝐬): 𝘈𝘯𝘨𝘴𝘵, 𝘗𝘳𝘰𝘧𝘢𝘯𝘪𝘵𝘺
𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 2.4
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This shouldn’t hurt as much as it does. 
Things could’ve ended far worse than they actually did. Hell, most of the couples in their school tended to make breakups as dramatic as possible, normally painting one half of the relationship as some kind if irredeemable monster, if not to paint them as this sympathetic martyr, than just to save face that it actually hurt. 
In her case, Eddie Munson told her they just weren’t a good match and he wanted to be friends again instead. That was as healthy as they could possibly get. And in the best case scenario, too, she’d still be able to have him be a part of her life. She didn’t think she could stand the thought of seeing him in the halls and not being able to acknowledge him. 
She’d fallen hard and fast for Eddie, embarrassingly so. 
Given the heavy duty of designated driver for the little hooligans she’d somehow decided to adopt with Steve Harrington, she’d gotten accustomed to waiting in the high school parking lot, her nose pressed into the creases of her current novel while she waited for them to finish their important campaigns, all procured from the brilliant mind of Eddie Munson. 
She’d known him before then, too, but only in passing. He’d often make a big spectacle of himself in the cafeteria just to bug the other students, and he held the record as super senior. But she’d never even talked to him until she saw him walk the boys out after a seemingly successful campaign, his arms wrapped tightly around Dustin and Lucas’ shoulders as he praised them.
He’d acknowledged her when he got to her car. 
“My fair maiden,” he’d said, “I apologize for the delay.”
She’d blubbered out some kind of half-hearted response, good enough to make him laugh, and that made her heart go a million miles a minute. 
It didn’t take long before she’d gotten the courage to ask him out, even if it was just for coffee. He was surprised, but he agreed. 
It had been nice, he even drove her home after. She probably should’ve seen the signs then because he didn’t suggest a second meet up, she had instead. And he’d agreed.
It was about a month before they made themselves official, in Hawkins High language, practically married. But it really just meant she got to hold his hand between classes and get quick kisses goodbye when it was time to separate, somehow always on her cheek than her lips. 
She’d thought their dates were fun; it was a lot of pressure since he always left it up to her, never having any other idea than lounging about her home and just watching TV. But she was the one who thought of renting movies for horror marathons, figuring it was up his alley. She thought of bowling and drive-in theaters and picnicking near the quarry for its desolate atmosphere, another thing she figured was right up his alley. 
But things came to an underwhelming end when Eddie approached her at her locker on some random Thursday to tell her things just weren’t working out and he wanted to stay as friends. Despite how much even that had hurt, she agreed. She didn’t want to make him do anything he regretted. 
She could still be friends with him, happily so. That meant she could still sit with him at lunch, hear his outlandish tales, and be able to admire him from afar, even if she was no longer able to touch him and hold his hand. 
“Be honest,” she’d heard Gareth say as she approached with her tray, “what really happened? You know, most guys woulda killed to be able to take her out, the fact she stuck around for months is surprising enough.”
Eddie shrugs, chewing absentmindedly on a pretzel he’d brought. She would pack him lunches when they were together since he always forgot and resorted to eating prepackaged things instead. Since they broke up, it seemed like old habits really did die hard. 
“To tell you the truth,” he starts rather dramatically, “no substance. Pretty face, nice voice, real sweet, but God, boring as all hell.” He runs a hand down his face. The other boys seemed surprised. Dustin and Mike share a look, but say nothing, clearly waiting to hear more. Because there was no way it could be just that. There had to be more. They knew her better than anyone, had been through so much with her. What could be the real reason Eddie broke things off?
“And?” Dustin coaxes.
“And what?”
“Dude, seriously?” Mike scoffs. “She wasn’t interesting enough for you?”
Eddie shakes his head. “Look, she’s a great gal. And I know you guys are super close, which is awesome, but we just weren’t the best match. And I felt like shit that she was putting in all of the effort when I wasn’t interested. Now she’s free to...I dunno...find someone boring, too.” He sniggers, elbowing Jeff beside him trying to get him to laugh, too, but he could see how upset Dustin and Mike were. 
Luckily, for her sake, they didn’t notice her standing there, having overheard everything. Spinning right back around, she’d ditched her tray onto one of the trash bins before leaving the cafeteria completely before there was a chance anyone could see her tears. 
God, it shouldn’t hurt as much as it does, she thinks again. He was more than welcome to have his own opinion, but why did it have to be something like that? 
He was right, she wasn’t exactly Chrissy Cunningham or Heather Holloway, being this huge spectacle that made every new day more exciting than the last. All things considered, sometimes too much excitement frightened her. Having risked her life at least once a year for nearly four years now made her yearn for the more simple things. It was stupid of her to think Eddie would want the same. Eddie Munson, who liked to make scenes in the cafeteria and rock out in a bar with his band. He didn’t crave the simplicity of life like she did.
She didn’t go back into that cafeteria for the remaining of the lunch period. In fact, she’d decided to skip the rest of the day completely, knowing she shared three periods with Eddie and right now she really didn’t want to see him. She just wanted to get away, leave herself to her own thoughts to try to calm down. 
Well, that really only lasted for ten minutes because she found herself pulling into the small parking lot into Family Video. She spots Steve’s car at the far end and knows he’s inside. It was childish of her to go running and crying to Steve Harrington, who she knew would take her side and say all the cruel things about Eddie that she couldn’t bring herself to because she really just needed someone on her side right now. Aside from Dustin and Mike, of course. She wouldn’t forget how they jumped to her defense. 
The little bell rings at the top of the door as she walks in, startling Steve into consciousness, who seemed to be snoozing on the edge of the counter, drool pooled across his forearm. He wipes feverishly at his face and blinks unfocused in her direction, trying to situate himself quickly into his customer service face.
“Welcome to Fam-Jesus, you scared me,” he cuts himself off when he at last realizes it’s her. Confused, he turns to glance at the clock hung up on the wall. “Don’t tell me school’s out already? You beat Robin here.”
“No, I’m playing hooky,” she shakes her head, unsteadily moving towards the counter. 
“What? You? I’m sorry, am I still dreaming?” Steve asks dramatically. “Since when do you, of all people, ever skip class? I’d sooner believe Nancy doing it than you.”
“Just...needed a break s’all,” she says with a shrug, looking around. “Keith not here?”
“Nah, he’s off today. Something about a new graphic novel he’s been dying to get. Says he’d have to wait overnight just to get one of the first editions. I don’t know, I don’t really listen to him unless he’s handing over my check,” Steve said. She leans up against the counter, trying to act casual. “Everything okay?”
“Yeah, why wouldn’t things be okay?”
“Well, for one, having to clarify that things are supposed to be okay when asked if everything’s okay is a pretty big indicator that things aren’t, in fact, okay.” Steve says with a laugh. “So everything’s not okay, then?”
“Everything’s okay,” she lies. “I just...can I ask you something?”
“Yeah?”
She isn’t sure how to come out and say it without sounding stupid. Better, she can’t figure out a way to come out and say it without sounding completely pathetic. But this was Steve, he was the king of asking her embarrassing things. He even called her once at three in the morning to ask how long you were supposed to leave cookies in the oven for. The follow up question was how to get the burnt smell out before his mom came home. 
“Am I boring?”
Steve tilts his head. “Huh?”
“Am I boring, Steve? Am I boring?”
“No? Who gave you that idea?” Steve snorts, like he thinks it was a foolish thing to ask. “Whoever it is clearly hasn’t seen you handle a crowbar.” He was referencing when she’d nabbed a crowbar from the junkyard lot to fend off the demodogs with him, all to protect the little ones in the bus. She doesn’t want to remember that right now, not when it makes her feel cold inside. 
“Nobody, I just...I dunno, I just think that maybe I’m not as exciting as, like...you o-or Rob or Nancy or, hell, even Jonathan.” 
“Nonsense, you’re a badass! True story, you know I wouldn’t say that about just any...” Steve trails off, finally really looking at her. “Hey...hey, why are you really askin’ me that? Something happen? Someone say something to you?”
“No, Steve, I was just asking.”
“You’re lying,” he accuses. “Who was it, was it Byers? Nancy? Not Robin...”
“No! No, Steve, they didn’t say anything, please just drop it. I shouldn’t have asked.”
Steve’s face eventually relaxes, having realized he knew exactly who she was talking about.
“Munson.”
She shakes her head. “Stop it, Steve.”
“What did he say? I thought he just wanted to be friends, where’s all this coming from?” he asked. There were too many questions being thrown at her. She doesn’t want to cry, especially not in front of him, but as soon as she feels her cheek dampen that was it. Soon she was burying her face in her hands and trying to stop the little whimpers from coming out.
She doesn’t notice Steve leap easily over the counter. He pulls her close, shushing her quietly. 
“Hey, I’m sorry, I didn’t mean to make you upset,” he says. She sniffles, wrapping her arms around him. He’s petting her hair, kissing the crown of her head, trying his damndest to get her to calm down and talk to him. He was the perfect person to come to, she now realizes. Her subconscious knew Steve was the answer.
When she finally stopped crying, he at last let her go, giving her some space.
She rubs the tears from her eyes and wipes the tears on her jeans.
“Want me to kill him?” he asks jokingly. She laughs. He smiles again. “What happened? Can you tell me now?”
She told him what Eddie had said, the real reason he’d broken up with her and how she ran from the cafeteria and came here. Steve was reasonably upset, but he didn’t want to make it all about pounding Eddie into a pulp, he knew she needed her friend right now and he was prepared to be just that.
“Hey, screw him,” Steve scoffs, throwing an arm over her shoulders and pulling her back into his chest. “You’re far from boring, believe me, and honestly if you ask me you could do so much better than Eddie Munson. The guy picks his nose. I saw him once. It was gnarly.”
She’s laughing again, playfully hitting him. 
“Thank you, Steve,” she says, “I’m sorry to dump all this on you, I just needed someone to talk to, you know?” 
“Well, you came to the right guy. I can’t tell you it gets much better from public humiliation, but I can tell you that you find much better shit to focus on. Like this obviously stellar job. Robin. My new stereo I saved up for. And...well, you.” He playfully flicks her nose. She wrinkles her nose and swats his hand away. “Eddie doesn’t know what he’s talkin’ about. But I know he’s gonna kick himself in the ass when he realizes he lost a girl like you.”
“Yeah, you’re just saying that ‘cause you’re my friend.” 
“Not true, I also wanna bug you for your famous cookies.” Steve winks.
“I can bring them to you tonight, then.” she said, patting his arm. “I should get going. Um...you clearly are very busy and I don’t wanna keep you from doing your job.”
“I know, such a bad influence. The gateway rebellion was skipping class. Now it’s job defiance,” Steve chuckles, rubbing the back of his neck. “Hey, um...if you want, when you come by tonight, maybe you could stick around? Was gonna rifle through the back, borrow some flicks to waste my evening away. Free to join me if you want? Robin flaked out on me, says she’s doing some band practice with Vicky. Didn’t ask for details.”
She thinks about it and smiles. “Sounds like fun. Girls’ night.”
“Invitation rescinded!” Steve shouts, turning away. 
“No, I’m kidding, I’m kidding, stop!” she protests, giggling. “I’ll bring cookies and pizza, Steve. I’ll be there.”
“Alright, then,” Steve said. “Um...hey, don’t worry about Eddie, alright? He’s just being a dick. And honestly, apart from his relationship with the rugrats, he’s still gonna be a dick. He missed out on a girl like you. Clearly he’s a martian.”
“Doesn’t mean much when I’m from Hawkins. But thank you, Steve. I’ll see you tonight,” she says, squeezing his hand and finally leaving the store back to her car. She left feeling much lighter than she had going in. He was right. Forget Eddie. If he thought she was so boring he clearly didn’t need her around him. She had other friends, friends like Steve.
Smiling to herself, she climbs into the driver’s seat and turns the key into the ignition, hearing the engine roar to life.
Things would be just fine. 
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