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quietwingsinthesky · 3 months

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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:

rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)

i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.

donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.

#i am so enthralled by this concept you have no idea #also like. i mentioned in rose’s section how this is a genuinely scary situation for her.#but to be clear. it is for all three of them the moment they realize that this Is Not Their Doctor #because theyre suddenly on a ship going through time ans space with. almost a stranger. and one who has proven that he’s break laws #fundamental to his worldview rather than let them go #doctor who #rose tyler #martha jones #martha girl get the fuck out of there oh my god #the doctor comes out looking the worst in her section rip to him for not handling her leaving him in a normal and healthy way very well #i think it would be very funny if the doctor said goodbye to her and then immediately went. ‘oh! right! martha is the only thing keeping me #from jumping off a cliff! brb i need to get martha back at whatever cost!’ sir go to therapy #donna noble #also also to be clear im not trying to insult rose in her section thats just how she is #remember that time her boyfriend turned into plastic in front of her and she. didnt notice. or that time the doctor was being strangled in #the other room and she. didnt notice.#rose tyler girl that you are. you never know what the fuck is going on around you and i love you for that. how are you still alive.#REMEMBER THAT TIME SHE GOT BACK FROM AN ALTERNATE DIMENSION AND DIDNT EVEN NOTICE THE DALEK ABOUT TO SHOOT THE DOCTOR IN THE FACE #ROSE TYLER. GIRL. LOOK LEFT AND RIGHT BEFORE CROSSING A STREET AT LEAST #donna’s here is the most fucked up i think because even if this situation is ‘resolved’ and she goes back to her doctor like. how does she #keep going with that fact in the back of her mind at all times. that he can and will do this to her. that he’ll take himself and everything #else away from her while she begs him not to.#angst <3

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puppyeared · 3 months

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sketches for sleight's van, the Magicmobile ^_^

#I had a lot of fun designing this!!!!!#i used the volkswagen kombi van as the base model and drew inspiration from modded cars with high rides #to kinda mimic those old horsedrawn caravan wagons.. i tried to keep functionality in mind so the tire covers on the chassis have #grips for where you would put your feet if you were to get in the drivers seat kinda like those huge freight trucks.. and since the ride #height is a little high theres a pool ladder attached to the back to mimic a caravan and to help ppl get in from the back #also exciting coming up with the stage side door.. i dont know exactly how it would work but i imagine the handle at the top #has to be turned and pulled in order to set up the stage.. and then theres a locking mechanism to keep it in place..??#theres also a stage curtain right behind the door where sleight would come out to do his performance so thats fun!!!#i dont have much to say abt the interior except i forgot to include the ladder which would help reach the skylight #the skylight is a little domed and i riffed that off the kombi camper too but its to contain his butterflies before and after shows ^_^#the hatch is inspired by the net stormdoor at my aunts house.. kinda like chicken wire?? and then there are flowers and pupae #idk if im ever gonna get around to coloring this but im happy finally getting my ideas down and turning it in my head lol #my art #myart #my oc #oc #sleight #concept art #interior #laikas comet oc #fan character #doodles

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iztea · 5 months

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now make fem!skk interact with skk!!!!! /nf

whoa this is too powerful anon im afraid it would break the matrix

#it's too meta i can't handle it #i genuinely don't know how they'd interact 😭#head empty #if anyone has ideas drop them below this is a public domain now #ask iztea

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starry-bi-sky · 28 days

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my body's aching like a knock-down drag-out

and my poor heart is an open wound A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident. CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.

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What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it.

Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.

He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats.

Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.”

Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.

He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died.

Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream.

He’s dead. He’s dead. He’s dead.

He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.

He has no mouth, but he must scream.

Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood.

Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.

With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off.

Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts.

Scrappy is just not enough.

He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all.

Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash.

But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane.

With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings.

Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice.

He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail.

Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.

Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it.

Being dead is agony.

Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow.

His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever.

In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be.

Being dead hurts.

#tw mild gore #cw mild blood #cw mentioned violence #dpxdc #dp x dc #danny fenton is not the ghost king #dpxdc crossover #dpdc #dp x dc crossover #dead on main #dp x dc au #dp x dc fanfic #cfau #cfau danny #obsessed with the fact that danny just has the WORST fucking time after jason dies and baby i can make it worse #*kills you and makes you a banshee and puts you in an irrevocable state of grief*#delicious angst. danny is having the wORSt time ever lol. lmao even #was originally meant to explore the idea that danny can survive lethal injuries as phantom. which briefly got mentioned.#but i got away from myself. leaning reaaal heavy into the fact that danny's a banshee. At 19 he's got a pretty good handle of himself #but imagine being a fresh out the gate banshee. usually they get time to themselves in the zone to cry until their heart's content.#sorry danny. you have school tomorrow and family sleeping in the bedroom next door #kinda proud of myself. you can kinda see how Rath would've occurred here.#danny is going through it rn #was gonna add a snippet about the city's thoughts on phantom but couldnt fit it in

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nerfpuncher · 9 months

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Echo discussing a plan with Wrecker for the first time like:

#star wars #the bad batch #the clone wars #tbb wrecker #tbb echo #echo is just so shocked #he has no idea how to handle thia #wrecker just having the time of his life #with like 20+ more grenades on his person.#echo desperately trying to find all of them

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bloobluebloo · 5 months

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Was listening to someone's review on TotK and he approached the "LoZ should get rid of Ganondorf" topic in a way I couldn't help but agree with. Essentially his point was that if they create a new villain and he's bland, returning fans and new fans will just shrug and be like fine he's a bland villain, but when you bring back Ganondorf and make him bland it becomes a huge negative of the experience given all the history he has. Either give Ganondorf the characterization he deserves or don't put him in at all.

#as much as it pains me to say it of course I want to always see my wife #but it honestly feels like nintendo has haphazardly created a villain that has a lot of potential depth #and now have no idea how to handle him anymore #if leaving him in the past means they will stop butchering his character so be it #skyward sword and totk were too much man #ganonthots

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merakiui · 1 year

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ALIEN SCARAMOUCHE WITH OVIPOSITION MERA ARE YOU TRYING TO KILL ME 😭 I need more, what would he look like, what are his motivations... Omg... Maybe some kidnapping going on...some experiments on humans...him studying how humans reproduce and if his race can use them... Aaaa my mind is going crazy with ideas, please do share yours too! <3

What if he doesn’t have a form of his own (something that sort of ties into canon Scaramouche’s obsession with wanting a heart and a purpose)? And maybe he’s more like a shadowy mass that can take the form of anything so long as he’s encountered said thing (i.e. made contact with it? Or maybe he has to kill the original in order to take its form? Or it’s something like a reflection where if you happen to look at him long enough he’ll have a good enough idea of how to replicate your form from staring and analyzing it.) and since he’s so dedicated to having a form that really fits, that truly feels like him, he’s continued to adapt and evolve as the years pass throughout every planet in the solar system.

Perhaps he does have a few features of his own, but maybe they’re sort of scattered?? Or they aren’t really features his species is known to have? He’s like a mixture of various things he’s observed over the time he’s spent on your planet in an effort to shape himself into something beyond the formless shadow he’s lived as for so long. Like a patchwork copycat composed of so many different parts because he’s desperately trying to understand all of these things. It’s like his version of trying on clothes and new fashion styles. So maybe he has horns or maybe cat ears because he’s seen so many stray cats and they’ve always fascinated him for some unexplainable reason (maybe in order to have these features he’s had to ingest part of the living thing he wants to replicate??? Just something a little extra horrifying for our beloved alien mouchey. <3) And maybe the only thing he has from the one who created him (Ei) is the same piercing stare in a pair of brilliantly colored eyes she graciously bestowed upon him.

Maybe Scaramouche can’t understand human emotion in the usual sense that other humans might, so he assigns flavors to these unusual feelings. When he hurts the things he likes or is interested in (cats, the human he stole his current appearance from (i.e. Kabukimono; let’s pretend they’re two separate individuals hehe), and even other gentle things or creatures who are completely innocent), the taste in his mouth is sour or bitter or so very intolerable. I think over time he hardens himself and learns to live with the foul flavors he often encounters when he attempts to blend in with humans and utterly fails because he can never replicate their emotions as well as he can copy behaviors or appearances. He starts his journey so curious and sweetly innocent, albeit murderous and eerie, and he tries so hard to learn and be good and explore the world with the eyes his mother gifted him and yet he always finds himself hurting. He hates it. It tastes terrible. It feels terrible, and he has never truly felt before. This is new.

When Scaramouche is captured by Dottore, a human scientist who is a little too dedicated to the pursuit of forbidden knowledge, he finally tastes the cruelty of humankind—learns of the lengths they’ll go to in the name of scientific breakthroughs. The researchers run dozens of tests on him. He can’t feel external or internal pain from wounds or injuries; he’s sturdy, birthed from a substance foreign to humans, intended to survive the harshest conditions. But Scaramouche feels pain—the emotional kind. He’s never felt fear; he’s what humans would call an apex predator. He’s strong. He’s never needed to feel fear, and so he doesn’t fear the unknown. He isn’t scared of the sharp tools, of the peculiar creatures he’s shown in hopes that he might replicate them and their features, nor does he fear the trajectory of this new life. The concept of ethical practices means nothing to him even though he’s aware he’s a lab rat, a grotesque curiosity that doctors poke and prod at. He reacts to everything in unique, defensive ways. He impaled a doctor through the throat with a strange shadowy spike. It moved as though it were liquid, yet it struck very solidly, sharply, deadly efficient. Dottore likens its movements and behaviors to that of an octopus’s tentacle; Scaramouche is unsure of this comparison. This is merely a shadow of something he has observed—a reflection. A cheap copy. He has never been original.

You’re the first human he meets who isn’t adorned in sterile white. No lab coat, no gloves, no goggles, no protective gear. Just clothes. Normal clothes. The both of you are separated by indestructible glass, placed in two very white rooms, and you can see one another so clearly. Scaramouche hates the purity of white because he knows that when he’s forced into a white backdrop he’s meant to stain it red. And lately he doesn’t want to break things that are undeserving of it. Perhaps he’s feeling too much. Perhaps he ought to tear these human feelings out and go back to the blank, shadowy slate he once was. How he intends to accomplish that, he has no idea.

He’s uninterested in you at first. You’re a human. He’s seen humans. He interacts with them daily. He’s killed plenty. But you spend nights in that white room and he watches you sleep. He tries to sleep in the same way you do; he has no need for sleep. He regulates his energy differently. He tries to breathe like you. He blinks at the same times you blink—or he comes awfully close. He tries to copy your movements and mannerisms. One night he presses himself to the glass and takes your form and watches you, counting every rise and fall of your chest as you lie so comfortably on the very uncomfortable cot. With hands that mirror yours, he pokes at these human features. He fits one hand in the other and pretends he’s holding your actual hand. There is no warmth, though. Humans are warm; Scaramouche is not. He’s frigid. His home planet is gloomy and cold and desolate. He thinks humans are lucky for cyclical days—for being in close proximity to the sun. There is no sunshine where he hails from. He likes the way the sun feels on him. It used to burn terribly when he first arrived on this planet. Now it’s like a hug—a hug that still singes, but a hug nonetheless. He’s never known what a hug is, but he thinks this is what it must feel like—like the burning warmth of a sun.

Scaramouche feels true, raw, animalistic, paralyzing fear when you’re taken out of the room after two weeks and replaced with a new human. You’re gone. Replaced. Are you dead? Did he kill you? Did he stare too long? He’s distraught, overcome with a horrifying emotion that has him curled and trembling in the corner of his white room (a cage if he’s ever known one). Why aren’t you here? And why is he so…restless? He can’t call it fear because he doesn’t know that word. But oh he’s scared. He’s so scared. You were the first human to smile at him, to put your hand on the glass where his rested, to sit close to the glass and eat meals alongside him. You were like the stray cats he’s interacted with: kind, soft, gentle, sweet. He’s so scared he loses the ability to remain in his human skin, and he practically melts into a shadow, clinging to the corner like glue or slime. He’s empty and alone. It tastes terrible. It feels terrible.

The humans that follow are terrified of him. Either that or they’re disgusted, baffled, cautious. He hates every one of them, so much so that he’s tried to break through the glass numerous times to dispose of them. Weeks pass; he’s forgetting your features. There are no mirrors here, so he must rely on the reflections shown in the glass. Some days he thinks he looks just like you; other days he’s certain he’s a monstrosity—a sloppily stitched version of you. The you he saw did not have pointed fangs or curling horns. He hates his reflection because it isn’t you. Most importantly, he hates that the humans he’s forced to look at are protected by this thick layer of glass. If it wasn’t so indestructible, he’d tear through every human nuisance until he reaches you.

Scaramouche is not sure how many months pass, but you return. And when you do the fear ebbs away. He feels…happy? Is that the right term? He’s pleased to see you, and for the first time in a while he returns to his human appearance—to the one he took from a young man many centuries ago. You’re back. You’re here. He’s so happy. He detaches himself from his corner and he tries to smile in the way you do. And, though it’s awkward and strange and sharp-toothed, you smile right back.

Dottore decides then that you are to be the next subject in this experiment. He’s observed Scaramouche’s reactions to you and compared them to reactions to the other humans and found that you are the best suited to this role. If anything, the alien couldn’t have picked a better specimen to adore. You’re helpless and so naïve. You need the money; it’s why you allowed yourself to live in that room for a few weeks. You were paid handsomely for it. He’ll pay you beyond handsomely if you agree to what’s next. And, really, when you’re in between a predator’s jaws do you really have much of a choice?

Scaramouche needs a human match, and the scientists need to study more than just the social biology of an alien. They promise you he won’t hurt you, and if he does it’s all right. They’re kind enough to respect the wishes of the dead. You must let Dottore know if you’d prefer a burial or a cremation. There’s nothing special in this distinction; it’s just a precautionary measure. You’ll agree to participate in this experiment whether or not you want to.

Your new home is the white room that faces Scaramouche, and after some more time and observations to ensure you won’t be killed the moment you step foot in his space the glass barrier will be lifted. Dottore wonders how Scaramouche’s kind mates and reproduces.

There’s only one way to find out.

#genshin chit chat #alien scaramouche #yandere scaramouche #scaranya #please forgive me for rambling orz #i just think there’s so much potential for aliens and scara #I PROMISE I HAVE OVIPOSITION THOUGHTS FOR HIM TOO OTL #i just wanted to world-build a little >_<#(adding more tags because i have so many ideas but!!!)#maybe you can’t kill his species in the way you might kill a human #maybe the only thing that kills his species is heartbreak (or extreme emotions)#because his species cannot handle just how overwhelming heartbreak and things like fear are #maybe because his species was never intended to feel to the extent humans feel #because scara has evolved to withstand any and all dangerous threats #he hasn’t evolved enough to defend against emotional threats #so essentially he is physically very strong but mentally/emotionally he’s weaker because he does not know how to feel or comprehend feeling #and too much of a certain emotion if felt in extreme amounts is detrimental and even fatal to him #because he doesn’t know how to protect against that or repair the damage that has been done from strong emotions #he can be beheaded and he’d easily repair the wound #but heartbreak… he can’t repair that (not after he’s formed such a strong bond with his darling)#AAAAA TOO MANY THOUGHTS

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