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#but by no means are those posts intended to force you to change or to do things outside of what you want y'know?
uncanny-tranny · 10 months
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I love love love when trans women* give advice to trans men* about """manly""" things and when trans men* return that kindness with advice about """womanly""" things. I love the intracommunity commitment to supporting each other <<3
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romaritimeharbor · 28 days
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FAMILY, OF SORTS. — in which kafka, blade, and silver wolf are an odd but quite special found family to be a part of.
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— trigger & content warnings. mentions of unspecified injury.
— pairings & notes. fluff, found family. kafka & teen!reader, blade & teen!reader, silver wolf & teen!reader. 1.3k words. reader is a stellaron hunter. reader is gender neutral (they/them pronouns used).
— author's notes. the sillies <3 APHE POSTING???? APHELION POSTING REAL AND TRUE????????? i had a request for this on my old blog (from my dear beloved moot @starryshinyskies <3) so i decided to finish it 💪 nd tagging @www-brontide since i know you were excited for this post HEHE anyways how are we feeling about this formatting? if you guys don't like it i'm very open to changing it back. i'm just experimenting with my post format is all 🫶
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kafka seems strangely motherly to me. caring and doting in her own unique ways, but also quite strange and odd in those same ways. an enigma of sorts.
she is the kind of person to always send the stellaron hunters' youngest member texts throughout the day; these texts range anywhere from silly and inconsequential to sweet messages letting [name] know that she was thinking about them.
(her doting nature is not dissimilar to how she thinks of and regards the trailblazer... hm.)
KAFKA
My coat got stained again :(
Won't you help me clean it when you get home, little one?
[ 1:22 PM ]
KAFKA
I saw a new movie today.
It made me think of you. It was quite to your tastes.
Perhaps we should go see it together sometime, hm?
Ah, but you're probably asleep by now...
That's fine. You do need it more than the rest of us.
Sleep well, darling.
[ 11:34 PM ]
she thinks of her little one quite frequently and has been known to pick up little trinkets from different planets that reminded her of them. a phone charm, a set of rings, something more practical like a new weapon... she once returned with a nice coat that matches one of hers. her gifts are always unpredictable but nonetheless very thoughtful.
and when or if they get injured, she is the one who treats their wound(s) with a tender hand.
she does chide them, however.
"you are a stellaron hunter, little one," she reminds, pulling the bandages wrapped around their wound a little tighter, making them wince. it is akin to a slap on the wrist—not enough pain to seriously harm them, but enough to force them to take her words to heart. "if it is not a part of the plan, try your best not to get caught or injured, hm? silver wolf doesn't like to see you this way, and it causes a unique stir in bladie. your getting injured causes quite the unrest among us all! do be more careful next time."
if there is ever a night during which they are struggling to sleep, they are more than welcome to seek out kafka's company.
she would be willing to read them to sleep, if that is what they desired.
however... a far easier method that would ensure they would stay asleep? her spirit whisper ability, of course.
they know kafka would not use it to harm them.
kafka finds their earnest trust beyond endearing. the trust of a little one like them is quite an important gift! the least she can do, she thinks, is assist them when her assistance is needed.
and sometimes, that just means lulling them to sleep.
blade is quite a difficult person to read, regardless of whether he intends to be so or not.
some days, he is distant and prefers to keep to himself. others, less so.
this, though, should not be mistaken for a lack of care. in fact, he cares quite deeply. his care is simply very quiet and he desperately, earnestly, truly does not wish to cause [name] harm.
he is also most likely the one who spars with them and trains them in the ways of combat, which... he isn't exactly the gentlest at doing. training sessions can be quite frustrating in that they often emerge sore and with new cuts and bruises (but really, these injuries are small and insignificant; they are confident in saying that blade would never truly hurt them, nobody in their family would). he does mean well in his tough methods, though.
the universe is not kind or gentle. it will never treat them that way. therefore, he does his best to prepare them so that they can effectively handle the universe's cruelty and defend themselves from it.
one of the ways in which his quiet care manifests is through his treatment of the small wounds he gives them during training. kafka has said many times that she can treat them, but blade always insists on doing it himself.
out of all of their coworkers, blade becomes the most restless when they're away. he gets particularly antsy when they've been gone for a long period or when they're out there alone. kafka always giggles and points out to him how utterly restless he becomes when such circumstances occur.
(he should be assured that they can handle themselves, given that he is their mentor—there is surely nobody else who would know their skills as well as he would—but somehow he simply isn't.)
blade is also, generally speaking, the most protective.
should they come back injured... if it is anything other than a shallow scratch on the cheek, a rage hotter than the brightest star burns under his skin. in those moments, he almost does not dare to touch them, for fear that he might harm them unwittingly... but he does. his hands are somewhat rough when he snatches their face and tilts their chin around to get a better look at the blood (is it theirs? he hopes not) and grime dirtying their face. there is a terrifying threat present in his voice when he demands, not asks, "who did this to you?"
(if kafka was not present in these moments, he might worry that his mara would get the best of him. thankfully, kafka is intentional and present in such situations.)
unless the ones responsible for the wound have already been adequately... taken care of, he will do so himself. there is nowhere in the universe that the perpetrators could hide from him.
it's about protecting them, but it is also about sending a message.
something along the lines of "anyone who lays hands on them will suffer a fate worse than death," perhaps.
death is anything but a terrible fate to blade, but he knows that it is the worst imaginable to some. he will be certain to deliver something infinitely worse, something beyond imagination, to those daring to hurt his younger teammate.
silver wolf is perhaps the least enigmatic of their little family. she isn't an open book, per se, but she's easier to read than kafka or blade... at least, for someone like [name], anyway.
she never fails to harrass them to play a few rounds (which tends to spiral into many, many rounds...) of a game or two with her. why them, specifically? she insists that blade isn't good at them and kafka is kafka. really, it may very well just be that she enjoys spending time with them, but she—of course—will not simply say that.
however... she bullies them terribly about how bad they are. it comes from a place of affection!
she is also the type to win them every single prize at carnivals, just because she likes the joy it seems to bring them. when she encounters rigged games, however, she becomes all the more motivated by her unadulterated annoyance to beat them.
what do you mean she of all people can't beat this awful and horrible rigged game? her???? the silver wolf????? seriously????????
unfortunately, it does not always end in her victory, even when she is infinitely motivated by her anger.
...and she really isn't above just taking one of the prizes when the stall's owner isn't looking. she has done so multiple times for [name].
she would definitely try to teach them hacking (keyword: try) if they aren't already familiar with it. since it has come in handy for her, she figures that they might also find use in it. it's her quiet way of looking out for them.
(her more obvious way of looking out for them is often seen when she is on missions with them. most commonly, it manifests as her snatching their arm and pulling them out of the way of an enemy before obliterating said threat.)
silver wolf is totally the sort of person to pinch their cheeks (to different degrees, kafka and blade also do this!). they are very cute to her.
overall they are a weird but very special little family to be a part of <3
please consider supporting your writers by reblogging and leaving a kind tag or comment. it really helps me out!
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shuttershocky · 1 year
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this overwatch 2 shit has GOT to be illegal right? I mean, they sold the game on the promise of PvE and now they cancel it. This better earn them a false advertising charge
And the wildest part is that you can't even play Overwatch 1 anymore.
Anyone who's followed this blog long enough has probably seen me post a rant about how terrible video games are at media preservation, and how we should preserve games (even ones we don't like) to be playable in some manner long after the developers take the servers offline because games are art and deserve to be able to be experienced by the future long after they've been discarded by their makers as a product.
You can't do that anymore with Overwatch 1, a game that wasn't even free to play.
People paid 40$ in 2016, 60$ if they went for the deluxe edition, to play Overwatch. New heroes, maps, etc were promised to come as free updates, instantly accessible for anyone to play without grinding or microtransactions (though there were mtx for cosmetics) and that the game would be supported for many years.
This was one of the many reasons why Overwatch back then absorbed a large part of TF2's playerbase: TF2 had been chugging along since 2007, at the 8-9 year point its updates were winding down and people have accepted it was finally hitting the end of tis life, and were looking for a new cartoon team shooter that would last for years. OW was not TF2's successor and was never intended to be, but that promise of many years of free support was a major part of why people gave it a chance just the same.
And then just 3 years later in 2019 they announced Overwatch 2, a game that looked really, really similar to Overwatch 1, except it was going to have the actual story missions via PvE mode that Overwatch 1 didn't have. They said there would be enough new things to justify the '2', and that people who bought Overwatch 1 need not worry about their investment in the first game.
And then it turned out what they meant by that was that they were killing Overwatch 1 by closing its servers, forcing everyone to move over to Overwatch 2, a Free to Play game where you had to grind to unlock the new heroes (people who bought OW1 instantly had the new hero unlocked but come on), was chock full of the usual Free to Play engagement mechanics, and changed the 6v6 format to 5v5, if you had a full squad of friends before, you had to tell one guy to get fucked.
I think the worst part was that when people were understandably angry that Overwatch 2's actual changes from the original were almost all monetization based, games journalists that pressed Blizzard on why players now had to grind a battlepass for heroes, which Overwatch 1 had always given for free, were met with a "well, heroes are the strongest engagement point for our players" type of deflection where they didn't even try to hide their reasons behind something respectable.
Now they're announcing that OW2's PvE mode, the whole (public) reason they made OW2 a sequel instead of an update to OW1, isn't even happening anymore, and Overwatch 1's original 6v6 remains dead and inaccessible.
I didn't like Overwatch 1. I was really hyped for it when it came out, but found myself really disliking the gameplay (especially on its map design which I thought was terrible) which only worsened with its creative and balancing direction until I lost interest in only a few weeks.
Still, killing OW1 to force all players to move to OW2's free to play model was inexcusable. All art must be preserved in some manner, even ones we don't think are good enough to be worth preserving. Overwatch in particular was so massive in 2016-2018 that to kill it is to make inaccessible the source material of a kajillion other pieces of art from those years.
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david-talks-sw · 7 months
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So that whole interaction between Ahsoka and Huyang, where they talk about Sabine's choice to help the enemy find Thrawn (in hopes that she can then find Ezra) is clearly meant to be subtext for what happened with Anakin.
I mean change the pronoun from "she/her" to "he/him", tweak some of the names and...
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... it's just blatant.
The parallels were already clear in the previous episode, as pointed out in this post here, and it still holds true:
Sabine's struggle with attachment mirrors Anakin's.
We know Filoni's whole stance on why Anakin fell to the Dark Side: he'll usually acknowledge that Anakin was ruled by his attachments, got possessive of Padmé, but then adds:
"HOWEVER is loving that way really that bad?"
"HOWEVER he never stood a chance because Qui-Gon wasn't there to teach him properly and be the father Anakin needed."
I've already gone into why both these statements don't track with Lucas' intended narrative here and here... but I wanna touch on this notion that "Anakin wasn't trained enough to make a better choice."
He was.
You know how we know? Because we saw him overcome his attachments before.
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We saw him explain the theory of the non-attachment rule, before.
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In fact, wee saw him pass down a lot of the Jedi lessons, in The Clone Wars, including being disciplined, following orders and not acting impulsively.
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The issue is that - while Anakin knows the theory, even has a few minor successes applying it - he never builds the self-discipline needed to master it because... deep down... he doesn't want to.
This is partially because you got Palpatine telling him he doesn't need to, molding him into an arrogant, power-craving person... but the fact remains that Anakin made the choice himself.
Which Filoni acknowledges, sure... but not quite. The difference between his thesis and George Lucas' is that the latter picks a stance and defends it.
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"He started out as a very loving and compassionate person. And as he progressed, it was his inability to control his temper, his inability to let go of things, and his quest for power that were his undoing." - George Lucas, E! Behind the Scenes - ROTS, 2005
Anakin fell because he was greedy, just like any one of us can be.
Cool. Filoni, on the other hand, doesn't seem to land anywhere.
He dances around the issue (as can be seen by the debate between Ahsoka and Huyang, with no clear winner) and merely questions whether it's as simple as that.
Clearly he wants to justify Anakin's actions to some degree... but y'know, the narrative considers those actions so reprehensible that Anakin gets friggin' burned alive for it.
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"I felt it was important that we actually see that happen so that we could see the consequences of these bad things that he did. […] He forces his friends to turn against him. Which is heartbreaking." - George Lucas, “The Chosen One” Featurette, 2005
Because Anakin's actions are not meant to be justified.
It's easy to see why Filoni likes Anakin. One of the earliest tasks he had when writing The Clone Wars was humanizing a character whose sole functional purpose was to carry out a narrative about how:
"Without self-discipline, greed [can] force a character off the path to freedom." - Micael Hearn, The Cinema of George Lucas, 2005
And Anakin is a very sympathetic character.
His flaws are flaws that we all carry.
Q: Is it fair to assess Anakin is kind of cursed by his own goodness/good qualities? "I wouldn't say that’s true. He’s cursed by the same flaws, and issues that he has to overcome, that all humans are cursed with. There's a lot going on there. [...] The whole point is—and the reason I started the story where I did—is that Anakin is a normal, good kid. And how does somebody who is normal and good turn bad? What are the qualities, what is it that we all have within us that will turn us bad?" - George Lucas, Star Wars Insider #52, 2000
But narratively, Anakin is selfish.
He doesn't want to save Padmé's life, he wants to save himself from the pain of losing Padmé.
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And while you're supposed to sympathize with him, you're not meant to agree with him. He's Darth Vader, the space nazi. He messes up and consequentially "leaves the Force in darkness" for 20 years, instead of ushering it towards the light in the chancellor's office, when he has the chance.
So to shift the blame and say that...
HOWEVER, Anakin didn't have the proper support system or training to make a better choice.
... when the whole point of the narrative is about taking personal responsibility and being selfless instead of selfish... well, it is missing that point.
He did know better. He just didn't want to choose better, so he convinced himself he wasn't able to.
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seventeendeer · 5 months
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sorry to keep bitching about frustrating rain world fandom trends, but I think if you read downpour as a pure "being alive is good, actually" metaphor with a weird dissonant twist at the end (saint's campaign), that ... reveals a shockingly surface-level reading of the story that ignores every interesting question the game poses in favor of trying to force a comfortable, one-note moral that only actually works if you ignore a significant amount of canon.
like, I'm sorry, but there's no way to in good faith pry a straight answer out of this story. I know fandom tumblr is a hotspot for disillusioned former christians, and stories about how religion isn't all it's chalked up to be are comforting for many, but this simply is not that kind of story. if that's your takeaway from it - that the world the game presents is worth sticking with, that ascension isn't the right choice - that makes sense, it's a valid personal opinion to come away with. however, to argue that the void sea endings are objectively the "bad" endings, or that saint's campaign makes no sense thematically, is to overlook a massively important reason why rain world works so well as a game in the first place: it's intended to be a choice.
saint's ascension ability is in YOUR hands. the game is asking you, the player, what you got out of this, what you think is best. it is asking you to reflect on the themes it's been trying to communicate to you for the last several dozen hours
(can you cope with a life that brings you more pain than joy? if there was another way to exist, would you choose to change? what would you give up to attempt another existence? everything? what if you're being fooled and you're chasing a terrible fate? what if powerful people are preying on your misery and it's all a scam? what is left of you when stripped of all things that cause pain? is it your true self? in a world without pain, what is even left? what if it's everything that means the most to you? what if you're going home? what if you could love without the fear of pain, loss, sickness, death? is the grand more important than the small? is it better to stick with familiar pain, or to chase something frightening that may ultimately make you happy? who can you trust to guide you? who will take advantage of you on the way there? what would get in your way? your own ego? your guilt? bitterness? love for the world you know, an ability to see beauty in the midst of tragedy? is this weakness or strength? etc etc etc don't even get me started on the commentary on religious institutions, classism, structural and familial abuse, and how this is all woven together)
like, I'm sorry, rain world is not a saturday morning cartoon trying to teach you life lessons, it's a piece of interactive fiction using game mechanics as a vehicle for some extremely interesting philosophical discussions, which it politely asks you to actively engage with as you go along. I'm sorry if that's uncomfortable to people who don't relate to those topics, but declaring bad writing on a piece of fiction for not presenting you with a clear-cut moral stance at the end that already aligns with your personal lived experience is just ... a godawful way to interact with stories.
(deliberately handwaving or ignoring major and obvious pieces of symbolism for the sake of declaring it a Good Story That Agrees With You, Actually frankly isn't much better. stop making me read analysis posts where half the story has to be a drug trip for your point to make sense)
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iintervallum · 12 days
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Sometimes I think about how the dndads cast should be on tumblr, with them having a subreddit(you know how they can be) and dndadstwt being like 10 people, tumblr would be the perfect place for them to see more of the fandom, if they wish to that is. Since quite a lot of people on here are way less honed in on negativity than reddit and twitter.
My edit of this is getting long lol so I'm putting it under a cut
Especially reddit, the people on there honestly I think just get too attached to a specific format or way of doing things, its a common pattern in any long running show fandoms i've been in where its reddit that constantly complains about the "good ol' days" and hate any new changes made. I would sometimes drop in and just see a lot of Scary hate at times, or people getting very irritated with the rule breaking, or just complaining that they're "forcing" the humor. I saw a post like that when i just started s2 and that couldnt have been more incorrect (yeah the piss jokes got a bit much but every other part was golden!...pun not intended)
There were absolutely points where I felt my interest wanning, but I think people would get pretty vicious about it and make a lot of mean spirited accusations. Like if anything the things I really enjoyed about this season was how different it was to s1, the contrast was really nice and i liked a lot of the story choices made, i still think about the apollo four teens and the fucking goof realm episodes, they were amazing. Which is why I remember thinking it was odd that they suddenly started involving the dads from s1 more, but knowing now that Anthony was struggling with people not liking this season as much it makes perfect sense.
Idk if it were just me, but i liked the earlier parts of the season for how the teens were still kind of discovering more about themselves and through gathering each anchor, learning more that their parents are people too, with their own fuck ups revealed and the teens have to clean up after them, so having it shift to be about Willy again was a little odd if i'm being honest(I didnt hate it but a repeat villian is hard to do, and for what its worth i think Willy did get the end he deserved and i loved the finale).
Funnily, in its own way it fits the theme of being a teenager and having to live up to your parents expectations. In a meta sense this being the successor to the first season and it being awkward at points and having issues with its identity is very fitting and just like how teenhood actually is.
I've gotten off topic but my point is fandom is just fandom, and letting it influence the way creators can view their own work is an interesting side effect of the internet and the way we navigate with the media we enjoy or hate. And spaces like reddit are grown in a way to encourage more brutally critical ways of analysing media which has very little consideration for the creator. By no means am I saying that the creators of things should be coddled, heck I literally airing my own annoyances with the podcast in space where i'm uplifting the positivity of tumblr over those spaces lol. I just mean that seeing the more genuine side of the fanbase would be more of a better time for them.
EDIT: (I just phrased things better, fixed the spelling and grammer errors and added more thoughts) The more I ruminate on this the more I think that it would honestly be a good idea. Like I do get the base worry of being too close to the more intense side of the fandom, as people on here are unafraid to gush about the show in ways that can be a little much and theres parasociality and all that jazz.
But it would be really good at least to see some actual genuine positivity, so many people provide their thoughtful meta and theories that even if widely off base are just interesting to read through because of how various different people see themselves in the characters they play. And even the critiques people give are not unkind, they come from a place of wanting to understand the choices made better.
I mentioned this in the old version of this post but having a blacklisted tag that only the people who don't wish their post to be seen by the cast use, something along the lines like how the magnus archives fandom has "do not archive", would be a very useful tool to create a barrier in the fanbase. I know i'm someone who feels very nervous about creators seeing the posts I make. Something like "not safe for dads" could work well or any other joke or pun about it being hidden. I doubt it would be filled with discourse or whatever it would mainly be people hornyposting since i know fandom well enough lol.
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Idk who I saw it from but someone was talking about how Bakugou is one of those people who mates for life and being the sad bitch I am could not stop thinking of distressing headcanons….
After your breakup, he tries to give you space, he really does. He forces himself to delete paragraph after paragraph of texts telling you he’s still there when you change your mind. In a way, it’s funny. All you’d wanted was to feel like you were important to him when you were together, and now, after, all you want is for him to leave you be.
He finds you in every little part of his day. Where the excitement of getting to see you used to invade his thoughts at the end of his workday, he now feels that dread of going to the quiet apartment. Everything is just as you left it, except now your things don’t fill the empty space. He can’t bring himself to spread his clothes out to the drawers that used to be yours, can’t force himself to throw away the jar of pickles you’d left in the back corner of his fridge. He knows it’s silly, but part of him wants you to know you still have a home with him.
He doesn’t hate you, though he thinks it might be easier. In fact, having you gone just makes him realize he’s never going to love someone like that again. He’s not ashamed to admit it. He hates the way his friends look at him with barely veiled pity when he talks about how you might just need time and he’s willing to wait. If they’d ever felt the way he did with you, he knows they’d understand.
But they haven’t. And they don’t.
It’s been almost a year since your breakup when he sees the paparazzi photo of you in a magazine. It catches him by surprise as he’s getting coffee at the little cafe you showed him, hoodie pulled around his head to shield him from the cold.
It’s a grainy picture, but he’d know you anywhere. What he doesn’t expect to see is the arm wrapped around your waist or the way you’re laughing, despite the fact it’s a post-fight picture. It’s clear you had no idea it was snapped, he knows the difference between your posed appearance and your natural one like the back of his hand.
He knows the man holding you against his side is your new partner, as much as he tries to stay out of your work business, he can’t help occasionally misusing the privileges being the Number 2 hero gives him. He stares at the magazine cover for a while, until the baiting title no longer looks like words.
‘Has the Number 2’s ex found her new number 1?’
He doesn’t know how long he stands there, his mind blank, blinking at the picture as if that would make it shift. He wishes he would feel angry, or betrayed, but all he feels is that familiar ache start to consume him.
He doesn’t mean to get that drunk that night. He definitely doesn’t mean to walk to your new apartment. He never intended to knock on your door and wake you. But he does.
He knows he should shut up when you open the door, knows he should apologize profusely and just leave, but his heart and his brain aren’t on speaking terms it seems.
“I’m still here.” The words rush out before he can stop them, not nearly as slurred as they should be with how drunk he is. You blink sleepily at him, mouth opening to speak and he forces himself to continue.
“You left, but I’m still here. I’m still waiting. Still in love with you, and I’m going to wait the rest of my life for you.” He hates the way his throat tightens when he sees the hurt flash in your eyes, hates that he’s picking at an old wound, but you have to know he loves you. You have to know he’s yours.
“I can’t let you go. I can’t-“ his voice cracks and he has to take a second to clear it, eyes squeezed shut as he tries to collect himself. “I can’t love someone else. I miss you. I miss being loved by you. I just. I know you’re probably with someone new, but you’ve got my heart. And you need to know that,” he’s rambling now, losing the fight against his tears as he breaks, hanging his head. He opens his mouth again, having so much to say still, but nothing comes out.
He grinds his teeth as he looks down at his shoes, shame filling him that even after all this time, all this heartbreak, he still can’t just tell you how important you are to him. He watches a tear fall from his face down to the carpet between his shoes, watches it soak into the fabric as heavy silence settles into the space between you.
He’s sure this was a mistake now, sure he’s going to lose you forever all because he can’t get his fucking mouth to work.
He jumps when your hands cradle his face, soft fingertips brushing away tears as you step into his vision, your eyes reflecting the pain in his.
He breaks then, fully breaks, as you stretch to press a soft kiss to his cheek, and his large frame collapses against you. He clings to you as you walk him back into your apartment, struggling to close the door with him clinging to you so tightly.
“I’m still here,” he repeats through a choked sob, face pressed into your neck.
“I’m still here.”
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black-lake · 2 years
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astro observations 4
Hi besties,
So we got to the pluto post already? Ik y'all be thrilled for this. Everyone has a secret crush on pluto so let’s goo. 😎
I know that much of this post is advice, but I really felt the need to share what I learned too in hope it helps someone out there. You guys asked so many questions I tried to answer them here. If I don't then I don't have much experience and knowledge about it, but you're making me learn about it. ♥︎
Highlights: sun, ascendant, MC, scorpio, aries, pluto, chiron, mars, uranus, venus, 1st house, 10th house, 7th house, 8th house, celebrity charts
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🌑 Pluto square/opposite/conjunct sun, and positive aspects too but softer/easier. Your ego is dead every other week? You question yourself, you analyze yourself a lot. People who want to understand their personalities fully. The moment they got a grasp of it, it's dead again. Being misunderstood a lot, appearing more intense or forceful than you intend to, especially at a young age. Pluto is two steps ahead of you here, you need to catch up, you need to conquer your fears again, you need to strengthen your will occasionally. The epitome of transforming. Everytime you change, people are shocked, where did that power come from? Mixed impressions. Your intensity can come off the wrong way with your self expression until you understand where it comes from, until you integrate all parts of yourself and accept them fully. The more you understand how to use your power with intention and control the more you know how to express yourself, the more people relate to you, trust you, gravitate towards you and share with you. But again always carrying that inner power, that deep knowing, a layer of controlled intimidation with a hint of mysterious allure, pluto ain't going anywhere lol. 
🌑 Pluto aspecting ascendant especially square/opposition/conjunction, this is very similar to pluto sun aspects but a lot more visible. People don't have to interact with you to see the darkest parts of yourself and themselves in you. Conflicts and misunderstandings are much easier to happen here. You feel misunderstood, you want to scream "I didn't mean it that way" everywhere you step. Your looks are intense you already know it. Now with this aspect, any change that happens on the inside whether positive or negative is HIGHLY HIGHLY visible in your appearance, on your face especially, it's insane. Having a bad day? It's either visible on your appearance or absolutely unnoticeable, who knows what pluto decides to show that day. Controlled or unleashed? But you should know the what, where, how, why, you are meant to watch the way you come off. You don't change it from the outside in. It's your shadow, the emotions, how you resist certain behaviors, how you let it go. How you dig deep, find the pain, and feel it, cry it out, squeeze what's left, heal it, let it go, revisit it, show it compassion. Look at yourself in the mirror again? Extremely transformative, try and meet them once every two years, you won't know them. 
🌑 Pluto ascendant aspects especially conjunction have this astonishing almost unbelievable ability to become magnetic, that beauty you become hooked on. Features transforming. Eyes that make you want to come back again and again, endlessly mysterious, flirtatious without trying. Ability to appear extremely cool. Darkness that stays with you to help shine all those distinct features of yours even brighter. A lot of shadows on the face, under the eyes, on the cheekbones, on the neck. Their style is unique, there's always meaning behind it, it's never shallow for the likes of others, it's the way they embrace all they are and show it to the world. 
🌑 Pluto has this ability to make your aura mesmerising. Just like you were able to integrate those parts of yourself and fix them from the ground up with so much detail like you are some magical surgeon, all of this work is shown on the outside. You can seduce people with one small move, you don't have to try. A devilish ability to convince people of things, a trustworthy persona with a demand for respect. Pluto knows you got all it takes to dig deep and reinvent yourself, which is why you have these aspect. 
🌑 Now I have advice for people who got pluto harshly aspecting their ascendant, I have it opposite my ascendant on the 7th hear me out. You might appear exactly what you don't want to appear that day, it's frustrating. What's the meaning behind it? You won't know it until you see many other impressions of others and it becomes more real. That's because the 7th house is what others mirror to us and what we mirror back. Relationships are not easy for you. You might need to seperate yourself from others and watch how you act by yourself, then take those expressions of people as feedback. Where is your blind spot? Is it that serious or is it just a part you won't accept about yourself? Try to analyze how you appear healthy and rationally. Spend time looking in the mirror, cry in front of the mirror, tell yourself what you want to say, face the pain by facing yourself. You need to have empathy for yourself, it's a journey you're taking, don't overdo it or avoid it completely. Do what you can until you feel satisfied with yourself, don't obsess with it. Remember to see the blessing in it, the blessing is power, no one said power is easy to deal with.
🌑 People with pluto ascendant aspects, applies to pluto MC aspects or 10th too, with every death and rebirth in themselves, their personalities and life events, they feel the need to change parts of their appearance on the outside, whether through style, makeup, hair, or attitude. The types to cut their hair out of nowhere because they felt like it. They ain't waiting for a haircut they find them scissors and do the job. The types to shave parts of their heads, get piercings, dye their hair, bold makeup, new makeup tricks, new everything. Shocking people with "this is the new me" and feeling good about it. Each era has an aesthetic especially with pluto conjunct ascendant or 1st. 
🌑 Pluto trine/square/conjunct venus, have that strong ability to make their clothes appear expensive, or rather valuable, it's a mysterious, effortless, composed kind of value, with the way it fits their bodies, the way they style it, especially if they appreciate fashion and have interest in it. If they put time and intention on what they wear. If they feel worthy of all that they have and treat it like it's worthy. Aesthetics that are memorable, the way they present themselves is immaculate. People want to copy them, but again it's that aura and intention it's never the clothes. 
🌑 Pluto aspecting inner planets in general especially harsh aspects and conjunctions. Once these people understand their power and control it, balance it out, especially with the way it comes off. Once they stop hiding their compassion but rather embrace all that they are, without fearing losing other parts of themselves. Once they realize and face the effect of their words, their immediate responses and expressions, and their minds. Once they realize their motives and THIS one is important, that's when pluto truly truly shines, it becomes irresistible. The dark has been explored and now it can see the light, but it mastered both. You now see the power in others and appreciate it without feeling any less powerful, because you are firm in who you are and it's unshakable. The more work you do, you become the textbook magnetic, there's an undeniable pull to your energy. 
🌑 Aries and scorpio in ascendant/moon/mars/venus, their walk is powerful. You don't hear them walk tho, especially scorpio. It's like they powerfully silently walked to the end of the road but you'll miss it if you don't keep looking lol. A lot of charisma and seductiveness. Their style is just who they are. There's an individualism with the way they carry themselves, especially if aquarius/uranus is strong in their charts. They wanna do what they wanna do vibes. Accessories look great on them. Trendsetters just because of the boldness to break current trends and the idgaf aura. 
🌑  Pluto in the 12th house, very much like saturn 12th, have had their world shaken up. Individuals that are used to inner turmoils, and constant subconscious triggers. Profound eras of deaths and rebirths. Stillness and loneliness, traumatization, emotional baggage. Seeing their deepest fears in nightmares, in themselves, in others, overcoming their fears, facing them, discovering that they have power over their subconscious, they had it since the very beginning. They've started from completely being unaware to hyper aware of their subconscious patterns, habits and inner power. Bringing their subconscious to their consciousness and transforming it gives these individuals immense power over themselves and others. They lead and take on positions of power.
🌑 Pluto in the 12th can mean literal death, sometime in the 8th and 11th too. People whose deaths are a mystery, unsolved deaths, speculations over their death, dying young. Now this is especially prominent if they also have north node/mars/uranus in the 8th or 12th. It is very interesting to see how the north node, pluto, mars, and uranus can cause abrupt deaths! Steve Jobs with pluto in the 11th and 12th cusp, and mars in 8th. Princes Diana with NN, mars, pluto AND uranus in the 8th (mind blowing). Marilyn Monroe with pluto and NN in the 12th, AND mars with uranus in the 8th. Elvis Presley with pluto 8th. Michael Jackson with NN in the 8th cusp. bye I'm mind blown.  
🌑 Chiron conjunct/opposite/square ascendant, in the 1st or 7th. Wounds related to your self concept, expression and appearance. Such a difficult placement especially if saturn or pluto aspects the ascendant too. Through your experiences with others, you were made to feel doubt and confusion with the way you appear. Body dysmorphia is common with this placement. Your ascendant is a sensitive topic for you. One day you feel okay about yourself and the other deskilling it completely, you don't know which way is the truth. Your body image is unclear, but it becomes better as you learn to heal yourself and others. It's better to remember the positives about yourself and be rational. Constantly remind yourself and others of how beautiful you and they are. You are meant to feel compassion for yourself and others. If you can't convince yourself that you're beautiful that day try and say it to someone else, your words are healing, super healing especially to people that have the same issues.
🌑 Charts with chiron opposite ascendant, Chris Pratt, Dakota Johnson, Jenna Marbles, Keanu Reeves, Kendall Jenner, Kurt Cobain, Bill Gates. Chiron conjunct ascendant, Selena Gomez, Margot Robbie, Heath Ledger, Shakira, J. K. Rowling, Lily-Rose Depp.
🌑 This kind of applies to chiron conjunct/opposite/square MC or in the 10th, but moreso with how the public sees them, thus how they see themselves. Their skills and abilities never being enough to them. How they perform at work is never satisfying enough to them, thus they work harder, they put so much pressure on themselves to the point of exhaustion, especially if they are career driven. Their doubts can stop them from taking action. They might stutter or freeze whenever they have to act and take action. Fear of being at the center of attention but desiring it. Doubts about their life purpose, where they stand in their career. Distorted perceptions about how the public sees them. 
🌑  Chiron aspects to MC or in 10th people are usually respected and looked up to, unlike how they see themselves. Ironically, they can heal those wounds for other people through their work, strong ability to make others feel heard and understood when it comes to their career, self image and public opinions. They are remembered for their work and the effect they had on others. Individuals that have chiron in the 10th are many, Marilyn Monroe (makes so much sense because she wasn't confident in her acting and had speech problems), Kylie Jenner, Drake, Lorde, Miranda Kerr, Pharrell Williams, Pablo Picasso (remembered so much after his death), Sandra Bullock.. and many others.
🤍🤍🤍🤍
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chronurgy · 2 months
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I made a post earlier talking about three directions I thought wyll's quest might take in at the end of act 1/early act 2 and I wanted to elaborate on it a little bit. The three directions I considered were a focus on monster hunting and what that meant, a focus on his disdain for politics, and a focus on his relationship with his father. I didn't particularly consider any one more likely than the other, they all just sort of arose out of what I saw as "points of tension" in wyll's character. I'm also not trying to say that these are the only options or the best options, I'm just laying out what I personally thought might happen and how it was going to work.
Focusing on the monster hunter thing - was karlach the first innocent person he had been sent to hunt? What does it mean to be a monster hunter in a world where many monsters have human intelligence? Especially because of what happened with Karlach, I thought this might become a throughline in his quest and tie further into the ways devils twist words and contracts to use and manipulate people. What they call a "bloodthirsty rampaging monster" might have understandable reasons for attacking a village that had, say, stolen its eggs to sell as spell ingredients. Or even if they didn't have such a sympathetic reason, it's absolutely possible that they could be reasoned with and asked to stop. With wyll's already existing sympathy for karlach and astarion, I thought that creating sympathy for less human looking "monsters" might be the next step.
I actually still think this would have been a pretty interesting questline. His act two quest could have centered around a monster he'd been sent to kill at the edge of the shadow-cursed lands, returning to that area and meeting there a mate, sibling, or child that had possibly changed its ways (great durge parallel here!). There could be a lot of questions about whether or not someone can change their nature, about what redemption means, about who is afforded second chances, all of that. I think by nature Wyll would lean towards letting them live, but a player character could push him down a darker path (a la Shadowheart). This would also feed well into Wyll making choices about his pact with mizora - if he kills the mate or sibling, leaning into the monster hunter and no hope of redemption thing then he would choose to keep his pact, saying that it gives him the power to protect people from monsters while perhaps also believing that there's no way for him to be saved, but if he chooses to let them live and broadens his mind and understanding he would choose to break his pact with mizora, citing the fact that she's lied to him repeatedly and how he doesn't want to bring more harm on innocents.
Focusing on the politics thing - wyll's comment about how "a Duke shakes hands with more monsters than he slays" is really fascinating because Duke is a political job and the "monsters" he's talking about are people. He was the son of a grand duke and was intended to follow in his footsteps, but this is the view he has of politics? That's kinda wild to me! I assumed we'd get some sort of politically involved quest once we got to the city where Wyll would have to get over his distaste for politics and challenge his view of other people as monsters and overall examine what it means to run a city or something along those lines.
Like I said, I assumed any quest line would focus on a situation where Wyll would either overcome his distaste for politics and learn to appreciate the difficulties of running a city when your opponents are people you can't just kill when they get in your way or have a "bad end" where he decided that he didn't care and was happy to use force on political opponents. (interestingly I think you can see some potential remnants of this in his speech about becoming grand duke where he says something along the lines of "no one could stand against him")
Focusing on his father - I felt like there was obviously a lot going on in that relationship and that it had to come back up! Wyll acted so sanguine and understanding about the whole banishment thing even though it seemed obvious (to me at least) that he was deeply hurt by it and in denial about it. I thought for sure that would come to a confrontation where Wyll would accept that he was actually hurt by this and that his father had done him wrong. This was further reinforced through act 1 and 2 by the repeated references to how terrible the flaming fist were and how they weren't what they used to be. Since Ulder was their commamder, I assumed that this was also meant to be a reflection on him and that he wasn't the perfect and heroic man Wyll idealized him as. Act 3 actually reinforced this for me with its constant examples of just how corrupt and incompetent the fist were. I really thought we were going to see some emotional payoff and reckoning here right up until we actually rescued ulder and it didn't happen.
I wasn't really sure what form this quest would take but I was very convinced it would happen. Like I said, all the comments about the fist in acts 1 and 2 had me convinced! There's so clearly tension there, with ulder having been unwilling to show any sense of understanding to his 17 year old son. I assumed that the quest might involve puncturing the "myth" of Ulder for Wyll and him starting to see his father as a human with flaws instead of idolizing him. I also really thought that there would be a dramatic confrontation!
So there we have it - places I thought Wyll's quest might go based on what I'd seen in act 1 and early act 2. I was very wrong indeed - two of the three things I thought might be main drivers never came up at all, and one of them ended up being straight up ignored. Ah well!
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inficetegodwottery · 9 months
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So. Werewolf 5th Edition.
Werewolf 5th edition sucks. A lot.
Edit- I made some errors in my initial edit of this post that were fuelled entirely by being underinformed and almost insensible with anger, disappointment, and anxiety.
Some very informative responses have been made that I intend to incorporate into a much better and less rambling post with those updates and corrections. I'll probably delete this one soon as I type that one together, so folks only see the updated version.
Sorry for any mistakes I made on this old version, again, I was in an extremely poor place mentally and thoroughly dispirited by the total butchering of what was supposed to be a less shitty and mean-spirited version of a setting I care deeply for despite its foundational flaws and 30+ year history of exactly this thing happening.
I'm still very, very angry. But it's important to be angry and correct. This post was not made by someone informed of all the facts, and I intend to correct that.
Paradox Interactive has made the brave decision to reboot the controversial Werewolf the Apocalypse setting entirely rather than try and fix it, and have somehow done a worse job than the games studio that released an RPG book titled an ethnic slur.
It's taken me almost a month since this came out to be anywhere near mentally prepared enough to even collect my thoughts on it.
Man, it is rare to see an edition of ANYTHING that pisses off old players, new players, players who want to keep the lore the same, players who want to change the lore, conservative players, radical players, and even powergamers.
How do you set out with the intention of making an infamously dated and poorly researched/outreached setting LESS uncomfortable and racist from a modern perspective.... and end up with something EVEN MORE racist and uncomfortable, but also suffocatingly tonedeaf, insincere, and deeply sinister and corporate in its erasure of existing issues rather than addressing them whatsoever.
We made the Get of Fenris irredeemably evil because some of them in the past were nazis and also nazis like Germanic mythology, so the viking werewolves are all nazis now.
Okay, I understand why you did that from a modern political perspective even if its kind of heavy hand-
The Native American werewolf tribes have been removed entirely and replaced with American Murican werewolf tribes. Renaming and rewriting them to be more respectful was just too much work! Now they're more inclusive. :)
The Irish werewolf tribe is now the Nature Werewolves tribe, like every other tribe of Werewolves also is, but also stripped completely of celtic origins.
The Red Talons are openly genocidal ecofascist malthusians and somehow NOT IRREDEEMABLY EVIL like the Get of Fenris are.
Also the feminist all women werewolves are no longer all women or even feminist. AND ALSO SOME OF THEM ARE SOCIAL DARWINISTS AND THATS SUPPOSED TO BE A GOOD THING!?!
Also we entirely dropped the themes about how forcing children to be a part of a war they barely understand while also lying to them about the crimes their ancestors committed that led to the current crisis is fucked up and evil.
Now its actually awesome to be a child soldier born into a repressive apocalyptic death cult with a siege mentality and everything is cool about that actually, you're the Good Guys, and no amount of covered-up historic genocides or internal/external bigotry will ever change that! :)
Also we solved the way people were uncomfortable with the idea that werewolf society is transitioning messily from being horrible ableist assholes that discriminated for centuries against those they view as deformed, disabled, or sexual deviants to new generations that don't care about that stuff, by removing disabled werewolves entirely! Problem solved! No more discomfort or moral conundrums! We are the liberal-est!
There's just something so unbelievably fucked up and suspicious about erasing entire minorities from a fictional universe because they were handled poorly in the first edition, rather than talking to writers and outreach specialists FROM the real world equivalents to those minorities to try and rewrite them.
Don't worry, we removed the group the setting was bigoted against! Problem solved! Just remove the minority!
I've written my own post on why the Metis/Crinos-born should be renamed and probably rewritten, but as a severely disabled individual with multiple hereditary disabilities that severely impact my QoL, outright removing disabled characters in a work of fiction because the prejudice other characters showed them in-universe made people uncomfortable makes me want to tear out someone's throat with my teeth.
Sure, completely remove my ability to play disabled a character fighting back against prejudice and bigotry, rather than rewrite the most uncomfortable aspects of YOUR FUCKING PORTRAYAL OF THOSE CHARACTERS to make it more clear who the sympathetic one is supposed to be.
It's just so unbelievably cowardly and whinging and wretched.
So fuck it, I guess!
Fuck the deeply applicable themes of being born into a well-intentioned but deeply flawed and bigoted society, and trying to create the better world your parents always told you your ancestors fought for, while dealing with the fact that your world is built on mass graves those ancestors helped fill.
Fuck a game that deals with intergenerational trauma and the ethical hellscape that is a highly religious society devoted to the very same ideals it often violates just to win fights against the enemies it created through its own arrogance and prejudice.
Fuck a game that lets you play someone born different, born strange and sickly, bouncing constantly between people who pity you and people who view you as subhuman, before finally finding the people, the family who love and accept and fight alongside you for a world that has never accepted you, but WILL FUCKING KNOW YOUR NAME.
That's not relevant to the real world at all!
There are no kids born in deeply flawed and hypocritical societies, who grew up on stories of the glorious future their society would create, forced then to reconcile the hopeful dreams of a better world with the comprehensive list of horrific things done in the name of that future.
There are no children born confused and alone in their navigation of the maze that is past atrocities, ethnic conflicts, religious prejudice and dogma, or modern propaganda attempting to erase the histories of all of those things.
There are no disabled teens who spent their lives believing they didn't belong in the world, kept going only by the connections they forged with other outsiders and people who fought back against the kind of wretched bigotry that suffocates children to death, who found homes and families they could trust outside the pissant communities they were born into.
Apparently those people don't need a game! They don't need to explore those feelings!
Just throw some more nazis in, so we can pretend we care about social issues or understand the redeeming threads of a deeply flawed gameline, ostensibly so we market it to leftist youngsters, but while we also erase the entire point of a game WHICH IS ALL ABOUT BEING PUNKASS YOUNGSTERS DESPERATELY TRYING TO FIND THE REDEEMING THREADS OF A DEEPLY FLAWED AND PREJUDICED SOCIETY THAT CONSTRAINS THEM, FINDING A WAY TO REBEL AGAINST BOTH THE EVILS OF THE RACIST BASTARDS WHO RAISED THEM AND THE POMPOUS SHITHEADS WHO WANT TO DESTROY THE WORLD OUT OF GREED.
No! We want a squeaky clean, sterile white game that AmericanTM parents can be proud of their kids for playing! A marketable game, that advertisers will gladly pay Revenue to put their products in! Play the good guys, everyone! You're the good guys! Be a big werewolf UwU!
Don't worry about historical atrocities or the flaws of the society that raised you! That's Pentex propaganda!
Fighting bad guys means you can't do anything bad yourself! The Emperor told me so! Deus Gaia Vult!
A hollow, performative, offensive jizzstain that should've been scrapped in its crib. I have no idea how this edition got past a quality assurance team.
Hell I have no idea how it got past a legal team, given the number of real peoples' likenesses they used without permission.
Devoid of artistic integrity or merit.
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littlemessyjessi · 9 months
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You Change Your Aesthetic Constantly : Stray Kids Reactions
You Change Your Aesthetic Constantly:  Stray Kids Reactions 
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Chan: 
As someone who's wardrobe is literally all black… he can not relate, lol.   However, he doesn't mind it. It's a nice change to his constant look.  However, you can kiss matching couples outfits goodbye.  Though he's not so secretly very into the idea.   10/10 probably tries to match the 'vibe' out of your outfits through accessories… though it's not necessarily obvious.  You probably can't even tell but he knows and it makes him happy to know it. Makes him giddy as fuck to know that you wore all silver jewelry today with black ripped jeans and combat boots and so did he.  Probably snaps a picture of ya'll's boots together or your hands laced together with all the silver rings glittering in the light.  
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Minho: 
Insists that you get the cats matching outfits.  No but like seriously.   You post your outfit of the day and he just starts posting #ootds of the cats and tagging you.   He didn't intend for it to become such a thing but suddenly all the Stays are posting pictures of their pets and tagging you both.  Next thing you know the hashtag #ynthestayfashionmom/dad/parent is trending and you're giving him the stink eye.  He has the gall to look innocent.  But you continue to post your styles, he continues to post the cats and all the Stays continue to dress their pets.  
Suddenly, you become a mother to millions. Sigh. However, you get revenge because eventually… you force him to join you because… "It's a fucking family event, babe. And you started it.  So suck it up and put on the duck shirt." He pulls a face but actually that picture with him, you and the cats in a duck themed outfit is literally his phone background. 
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Changbin: 
Well as a self proclaimed lover of dark things… Idk if he's going to be matching you if you decide to go sweet kawaii.  However, he's definitely down to match on occasion.  He probably not likely to match you super often. However, he probably would enjoy the process of watching you lay out your outfits for the week and hearing your concepts for each of them.   Changbin strikes me as a very open person when he loves someone.  So I feel as if he'd very much enjoy lounging on the bed watching as you pick things out.  He'd offer his opinion if you asked but mostly he just enjoys hanging out and watching you express your creativity.  It's hard to bare your creative passions in front of someone.  It's vulnerable.  So he appreciates that not only do you not mind him being there but also value his opinion enough to include him. He likes the time and inclusion.   It's more about the time and the meaning but he looks forward to the lazy Sunday afternoons where you pull out the clothing rack and start crafting each outfit. 
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Hyunjin:  
100% steals your outfit ideas.  Not even a joke.   Specifically waits until you get dressed and then will literally copy it as close as he can get within his own wardrobe.  You didn't want a twin?  Too bad.   Has literally went into your wardrobe and online shopped the exact items.   The package arrived and he's pulling out the exact same shit in your close in his size.  And you just mean mug him.   "Outfit stealer." you accuse.  "I'm lazy and you're stylish."  he'd defend with a shrug.  "Don't try to flatter me!"   "That wasn't flattery.  That was factual information.  If I was going to flatter you I would've said that those pants make your ass look good enough to eat.  Matter of fact, lemme just-"  "Hyunjin!" 
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Han: 
Well, truthfully he probably finds it refreshing because in a way he gets it.  His hyperfocus has him into something like crazy for a while and then he's done.  So probably vibes with you on this.   He gets it.   Definitely expect him to take spontaneous burst of matching with you for like a week straight and then wearing the complete opposite for a like a month until one day he decides he wants to pick your outfits out for you like two weeks, lol. 
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Felix: 
Honestly?  If you're happy, he's happy.   Let's just call it what it is.   This little sunshine just wants you to do what brings you joy.  If you like dressing goth one day, cottagecore the next and naturecore after that, cool! He thinks it's great! He'll even help and make outfits with you.  Bonus, I could see him LOVING matching with you if you're ok with that.   Like that's epic couple goals and he'd likely to do anything to further that.  Precious.  He will plan them out with you.   He will get a calendar.  He will make posts.  He is all in.  
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Seungmin: 
Definitely going to tease you for it.   "Jagiya, can't you make up your mind?"  "Are you going to settle on one style this time?"   It's all in good fun of course.  He's only teasing.  And he makes it a point to let you know how lovely you look each time.  But he's definitely gonna tease you a little about it.  
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Jeongin: 
10/10 thinks it's adorable.  
10/10 kinda wants to join you. 
10/10 too nervous and anti social to actually do it. 
Lucky for him, you just kinda do it for him. 
And because you know him, you take the blame when his hyungs tease him. 
"It was my idea.  I just wanted some of those cute couple photos, you know." 
And when they inevitably tease him for the couple shit it's an instant, "Well, at least he has a partner." 
That little mother fucker's chest puffed out so big that you thought he'd explode.  Suddenly, he'd all in because he realized he can rub this in their single faces. 
—-
Hey loves! I'm back! Welcome to Kenny's Comeback! It's the Goddess Era yall!
Love, K
@thickemadame
@toomanyfictionalboyfriends
@blackirisposts
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@vj21
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@lyn-g
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@owenniasstars
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@leah-halliwell92
@amethyst09
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cyber-clown · 3 months
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i think that this tweet is art. i do NOT mean that i think the picture itself is art - i mean the tweet. i'm sure many people (probably including the shitposter who posted this originally) will disagree with me but i'm going to give you a quick surface level explanation of why i feel this way.
first of all, we're greeted with this vapid little soundbite of a comment. i think the cultural awareness of the piece in question makes this hollow comment with plasticine emojis ring even more frictional with the original work. instantly, we're given a stock, throwaway "wholesome" twitter caption to lead us into the "finished" work. there's something very interesting to me about this contrast - typically, captions like this are intended to be uplifting but shallow. their purpose is to bring attention to a little bit of context, gear the audience to feel a certain way, and then bow out, forgotten. this caption instead raises multiple ideas (incorporation of generative AI, the concept of "finishing" a piece that was intentionally left unfinished by its deceased creator) that are guaranteed to draw aggression from a large number of people
the contrast, then, of this piece is informed by multiple factors beyond it itself. it assumes the audience will have not just a familiarity, but a predisposed reaction to this kind of post - a kind of absent-minded, agreeable reaction to stimuli. in my opinion, this works to call into question the immediate context of the tweet:
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the piece is framed as a quote reply to this relatively standard engagement farm tweet. as we will briefly cover, the piece uses external conversations and contexts to call into question the relationship people, especially online on social media, have to art, its creation, its value, and its place in society. what i, personally, find poignant is the way this then goes on to prompt a discussion on the original tweet for which the piece is an addition to - is it vapid and disrespectful, or perhaps generating a conversation and teaching people about the poignancy of art? is this conclusion in any way changed by its structure and intent, that of a twitter reply chain aimed to generate algorithmic presence and attention? is it less offensive to use the work of somebody who died of AIDS to boost your twitter metrics than it is to force your way in to "fix" or "finish" it?
the piece makes its intention to call external biases and topics into question almost immediately - the concept of "finishing" Keith Haring's unfinished painting, the nature of our consumption of art, and the AI movement and frustrations that it is a spearhead of a wider reification and commodification of art. what is rough must become polished, what is abstract must become literal, what is unfinished must, then, be finished, even if its nature as an unfinished work has been subsumed into the wider conversation around it.
this is, frankly, inflammatory. the author is clearly aware that the character they are portraying here is one who many people - even those who may not otherwise have strong feelings on the topic of AI in art - will take issue to and challenge. it is an idea that generates strong animosity for a wide variety of reasons. it is in this animosity that i believe interesting discussions can be raised. what, if anything, would we consider a respectful way to build on this piece? for example, is the display of Keith Haring's unfinished painting in a way becoming a part of or extension to the art itself? after all, the mere act of deciding to exhibit an unfinished piece by a dead person is, in itself, a decision that contributes to the discussion and perception of the piece in its wider social context. are there pieces of art we wouldn't consider disrespectful to complete, and is that effected by the tools and techniques used, the people who do it, or the meaning they put into it?
finally - the image itself. the layout of twitter as a platform quite literally frames the "finished" artwork, thrusting it at the viewer as if to taunt them. it is a work that simultaneously completes the original piece while adding absolutely nothing. there is no new visual language, there are no new ideas. the author has left no personal touch on their attempt at an extension of the original work - neither any additional commentary nor some reflection of relative personal tastes or skill levels. this is no botched restoration of jesus. the generative algorithm used has, paradoxical to its flawless reflection of technique, made some clear stylistic errors - the pattern extends out to the borders, shapes are remniscient of Haring's work on the original piece yet lack any kind of grounding or believability, turning into an abstract jumble of distantly familiar shapes. it is, somehow, only evocative of the piece that it literally is. the image presented has nothing to say because it, by its nature, cannot say anything. and yet it has generated such a strong set of reactions to itself.
most notable to this abstraction of intent, in my mind, is the way that the algorithm has covered the original's running paint. the paint dripping from the borders of Haring's handiwork conveys a grim message - his signature bold, controlled brushstrokes are in stark contrast to the sharp, thin paint, evoking a similar discrepancy to that of Haring's inspired worldview to his cruel circumstances and tragic death. this is covered in the "finished" version. like a forest paved over, the poignant, challenging, and uncomfortable are replaced with the safe and standard.
this destruction of subtext is painfully remniscient of a time where it feels as though iconography refuses to die, constantly recycled by people who couldn't give a single shit about artistry or creativity unless it has the potential to be more exploitable than any alternative. in this environment, ground must be retread as much as possible. there is no prior character undeserving of a spotlight, no location undeserving of a setpiece, no event undeserving of retelling, no dead man undeserving of sparing his work the airbrush. it is a total stagnation - no corpse may be left to rest in peace if there is the potential that it may be continually exploited for gain.
so, to cut myself off a little, that is how i feel. this piece is subversive, it is frustrating. it calls our preconceived patterns, behaviours, and biases into question. it raises potential issues over how we engage with art - both the corporate subsumation of it in our culture along with the smaller scale calficiation of art into a tool to prompt brief, unchallenging reactions during periods of engagement with the corporatised internet. it also challenges the current direction and application of artificial intelligence as, effectively, an easy tool for those who do not care to engage with art to extract value from it, which raises further questions about the exploitation of artists and labour as a whole in our society. i think it is incredibly interesting how so much meaning, feeling, and conversation can be generated by somebody shitposting on twitter
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ineffable-suffering · 8 months
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Demonic Mental Health Awareness Post
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i'm not sure if occult beings are technically capable of suffering from mental illnesses but, watching S2 for the nth time now, i'm pretty sure that ever since Armageddon didn't happen, crowley has simply been a little, well ... depressed.
(just in case, a mild TW: depression, trauma, mental illness)
like, one of the firsts things we hear him say (to shax, out of all people) is: "do you ever think: what's the point of it all? heaven, hell, angels, demons, it's all ... pointless." which– whoof, that's heavy. i mean, fair enough, he's got a point, but it's still one hell (pun intended) of a statement to chuck out as one of the first things he says this season.
i think the way that crowley and aziraphale processed Armageddon is .. very different. we see aziraphale at the beginning of S2:
happy as always in his surroundings
chatting to the people in his whickber street community
buying music
humming along to it in his bookshop
and just frolicking, as he always does
crowley, however, is:
sitting alone on The park bench
questioning the meaning of existence
while also technically being homeless
and living in his car
for ... no apparent reason other than not being bothered to miracle himself up a new flat
of course, crowley's always been a bit of a grumpy goth boyfriend. but it doesn't take a licensed therapist to figure out that he's clearly Going Through something. and it makes sense, if you think about it. surely, Armageddon was traumatic for both of them. but i think aziraphale does have a bit more of a safety net to fall back on. he's got his shop, his books, his music and some of his neighbours he seems to like and know. and, of course, he has crowley. who's always just a phone call away and who he, as we are told, calls when pretty much anything does or doesn't happen.
crowley's main hobby and somewhat safe space used to be his plants and his flat, but those are kinda gone too now/crammed into the bentley and he clearly hasn't been able to move on yet since he a) hasn't bothered to get a new flat and (what i think is an even bigger indicator of him not being okay) b) hasn't told aziraphale yet. ("we talk all the time!" yup, but clearly not about the things that matter, hm?)
it's been four years. four years in which, seemingly, aziraphale had few issues with falling back into his old flow, picking up his hobbies again and even making more friends around Soho. and four years in which crowley lost his flat, most of his plants and apparently his will to change anything about it or share it with aziraphale.
having been through major depressive episodes myself, this does *david tennant voice* bingle-bongle-dingle-dangle all my alarm bells.
because people cope with trauma in different ways. some better than others. and crowley, having Major Unresolved Trauma from his Fall, always having been rather unhappy with the work he'd been doing for hell (aka only getting credit for things he didn't do and sort of messing up things he did do) and also having to face the fact that the angel he was head over heels in love with kept turning him down over and over again for reasons he didn't understand ... well, it didn't set him up for a great post-not-so-much-the-end-of-the-world start.
and sometimes, being forced to keep running under kinda shitty conditions (such as a crappy job or trying to chase after the love of your life) still keeps you running. but once that all stopped, once aziraphale and crowley were (at least for the time being) free of heaven and hell and could finally just live their lives, crowley seems to just have retreated further back into himself. questioning the whole meaning of existence and not really talking about it to the one person he'd always wanted to be with. which makes sense because more than anything, crowley wants to protect aziraphale. and he‘s definitely the type of demon person to think that sharing your struggles means burdening someone else with them. oh crowley, you and me would have so much to talk about, babe.
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so yeah. the world almost ended. and then it just went back to normal. and i think crowley is still stuck somewhere between thinking he'd lost his best friend and love of his life in a fire, almost being anihilated by his satanic boss and then everything simply snapping back into the way it always was – within the span of a day. no wonder he's finding it a little hard to move on.
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(addendum: there's a great piece of fanfiction called "Demonology and the Tri-Phasic Model of Trauma: An Integrative Approach" that deals exactly with that trauma, in which crowley goes to see a therapist. incredible character study and brilliant writing.)
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wartakes · 1 month
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Firewatch (March 2024 edition, Part 1)
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Yes, finally, the first War Takes essay for 2024. In it, I decided to take some time to consider some of the major flashpoints for crises and conflicts in the world, and I ended up writing so much I had to divide it up to post it on Tumblr (lmao). Part 1, under the cut. Enjoy.
It occurred to me recently, looking at my feeds on social media, that I've been (for the most part) laser focused on what's going on in Palestine and the broader Middle East. To a lesser, but still strong, extent, I've also primarily been focused on the state of the ongoing Russian war against Ukraine. While I think there are very good reasons for the focus on those two conflicts, its also made me realize how much more that has been going on in the world of conflicts and crises that has passed me by (or that I've intended to talk about and then completely forgotten about by the end of the day).
With all that in mind, for my first quarterly essay of 2024, I decided now was a good time to go around the horn, widen the aperture, and identify some other ongoing armed conflicts and burgeoning crises that are important to keep an eye on. It's been a while since I've done one of these in general, so I felt it was overdue (it also works out well for me because I had exactly zero ideas on what I wanted to write about for this one so consider this my equivalent of the teacher wheeling the big TV into the classroom when they're hung over).
I want to try and formalize this as a recurring piece that I do (at least) once a year to update folks on important goings on in the field of conflict and warfare, so with that in mind I have a fun new flashy name for it: "Firewatch." This isn't just me trying to be cute, but putting it in the context of "fires" also actually helps me a bit with trying to categorize things by severity and level of concern that (in my opinion) you should probably have at this moment in time.
Before we get into things, a few up front disclaimers. First: these are all entirely subjective assessments based on my own personal analysis and knowledge, with my being stronger in some areas and admittedly weaker in others; take it all with a grain of salt and know I'm not perfect; in that same vein, I picked conflicts that I thought in my opinion were the most important to keep an eye on at the moment, but that doesn't mean that others aren't worth your attention (again, this is all subjective and I'm not trying to overtly dismiss anything). Second: these are all based on what information I could find at the time of writing, and the situations could all change rapidly (my Haiti piece in this was literally changing as I was writing it), so keep that in mind too and know that this could all be made out of date rapidly by new events. Third and final: again, I'm not perfect; if I missed anything, I swear it wasn't a purposeful omission and I apologize and please let me know so I can reassess my analysis; I'm only one guy, and the internet is getting harder to search these days; I'm doing my best to just try and keep folks on the Left informed about what's going on.
Ok, with all that out of the way, let's dig in to what's going on with the fires out there.
Roaring Flames
These are the conflicts that are at the point that not only are things on fire, the flames are rising and being actively fanned in many cases. These are conflicts you've probably already heard about in between other pieces of news, but may not have as much depth on compared to other ongoing events (unless you're a weirdo like me who soaks up conflict news like a sponge).
Sudan
Sudan has been locked in a civil war (its third since independence, if you're counting) for what will be a year this coming April. Coming on the heels of years of political upheaval and a prior coup against a civilian transitional government launched by the Sudanese Armed Forces in 2021, the war was sparked by an attempt by the paramilitary Rapid Support Forces to then seize power from the SAF back in April of 2023 amid a power struggle between the two forces. When the RSF coup went off half-cocked and failed to immediately take over the entire country from the SAF, you'd probably have been making the smart bet by putting your money on the SAF as opposed to the RSF. While both forces were roughly comparable in numbers of personnel (a lesson in why you shouldn't build a parallel military to compete with your military), the SAF had all the advantages in heavy firepower, possessing tanks, helicopters, jets, and so on.
However, the SAF has proven unable to snuff out the RSF over the past ten months or so of fighting, with the group proving remarkably resilient in its ability to take and hold territory throughout Sudan. This is despite the fact that the RSF is widely feared and hated, descendant from the infamous Janjaweed militias that were used by Bashir's regime during the War in Darfur to commit numerous crimes against humanity. In fact, after much of 2023 being a stalemate for both sides in Sudan, the RSF has made notable gains against the SAF in recent weeks and months, with the momentum of the war seemingly shifting dramatically in its favor. Part of this has had to do with increasing international involvement, with the leaders on both sides of the civil war seeking and gaining foreign support on the battlefield, such as supposed weapons support provided by the United Arab Emirates to the RSF, or even reported support by the Ukrainian special operations forces to the SAF (facing off against the late-Yevgeny Prigozhin's Russian PMC Wagner Group who have also been providing support to the RSF). However, in recent days the SAF appears to have had a rebound of its own, securing some high profile reversals against the RSF, showing that the outcome of this war is anything but certain just yet.
The international involvement in Sudan belies why this conflict should be on your radar. Obviously, a civil war in any country with almost 50 million people, like Sudan, will have widespread repercussions. Add in the fact that Sudan is located along the strategically important Red Sea (very topical at the moment, as you may have noticed), and also lays astride the Nile river, and you see even more reasons why international interest in Sudan is high. Add in the potential of the RSF winning the war and taking control of Sudan after having cut a swatch of indiscriminate destruction across the country, and more problems seem almost immediately around the corner (let me be clear, the SAF junta is by no means 'good', but the RSF is a unique kind of bad in its own right). An additional complicating factor comes from Sudan being between Egypt and Ethiopia, which have both sparred and threatened one another over usage of the Nile River (to say nothing of Ethiopia's own internal issues, which will come up later). But if you don't care about any of that, there's the sheer human cost in terms of civilians brutally killed, forced to flee their homes, and potentially starve. In so many words: this is a conflict to keep a close eye on if you haven't been already, both for reasons of geopolitics and of simple humanity.
Myanmar (Burma)
Thinking about Sudan makes me depressed, because all I can think about is all the innocent civilians caught in between bad (the SAF) and worse (the RSF), just trying to survive it all. But if there's one conflict going on right now that actually gives me some degree of hope for the people involved – and for humanity in general, really – its the ongoing civil war in Myanmar (AKA: Burma), which I've covered to varying extents in several past essays of mine.
Like with Sudan, the initial spark that eventually led to Myanmar's war was a coup d'etat. The Myanmar Armed Forces (commonly referred to as the "Tatmadaw" - or more preferred by those resisting the military: the "Sit-Tat") had already previously been in total control of the country of decades, and the coup came after years of apparent shifts towards democratization in the country. However, this was all dashed in the course of a day on February 1st, 2021, after the election held the previous November failed to deliver the result the military wanted.
An ethnically and religiously diverse country, Myanmar was already host to a number of political and paramilitary organizations that have waged low-level conflict against the central government (largely dominated by the Burmans or Bamar ethnic group, which makes up around two thirds of Myanmar's population) for decades, in search of better treatment and varying degrees of autonomy. But the brazenness of the 2021 coup and the incredibly brutal and violent crackdown by the military that ensued against those who openly opposed the usurpation of democracy, has served to not only energize and encourage resistance to shift to outright armed opposition, but also galvanize a broad front against the Sit-Tat and create a new sense of unity between the People's Defense Force stood up by the anti-coup National Unity Government to fight back against the Sit-Tat (many of their members overwhelmingly young people and students from the Bamar majority who protested the initial coup) and the preexisting ethnic armed groups.
The unity and energy that the combined opposition is bringing to the table seems to be paying dividends, as in recent weeks and months the junta appears to be on the ropes. Previously propped up with support from Russia and China, the Sit-Tat has been left wanting in that department as Russia has been increasingly distracted by its own war of aggression in Ukraine and China has been perturbed by the junta's inability to control Myanmar's shared border with China (which is one of several factors that has led China to lend support to some of the opposition groups and attempt to play a double game and preserve its relationships and influence in the country no matter how the war turns out). Due in no small part to the drying up of support to the junta and increased coordination and unity among the opposition, Sit-Tat has lost significant ground to the resistance in a series of offensives that have been ongoing since late last year. The situation has become so dire for the Sit-Tat that it has reportedly had to resort to enforce conscription for the first time in years (a move that has made many living in Sit-Tat controlled territory reportedly very eager to move out of it, for obvious reasons).
The international isolation of the Junta and its constant reversals on the battlefield seem to suggest that its living on borrowed time. However, many questions about this war remain to be answered; not simply when the Junta will fall, but what comes next? There is admittedly a possibility that the situation in Myanmar may not improve once the Sit-Tat is gone, or could even become worse – with some worrying the country could be ripped apart entirely. The prospect of infighting among the diverse members of the opposition shouldn't be ignored given Myanmar's history of internal ethnic conflict, but the idealist buried deep down under my cynicism holds out hope that this time things may really be different for the country. While the number of armed groups opposed to the Junta in Myanmar is vast and varied, most seem to be generally united under the ideas that authoritarian rule is unacceptable and that there should be some kind of confederal or federal democratic system in Myanmar with respect for the rights of all the groups of peoples that live there. While a lot could still go wrong and many issues that will need to be worked out in the aftermath if and when the resistance forces win, I say that's at least a good starting point for a new Myanmar and worth supporting and hoping for. This is why I continue to keep a close eye on what's going on in Myanmar even as other crises and conflicts fill me with more negative emotions, and I continue to hope the best for Myanmar and its people.
Haiti
Haiti is a country that has been plagued by a myriad of issues since it first gained its independence from France, many of them the result of outside interference. The state wasn't even recognized by many countries for decades for reasons of outright racism and slavery, with France later forcing Haiti to pay it reparations for the loss of French planters' slaves in the revolt that won them their freedom. Haiti then suffered imperialism in another guise through a twenty-year long occupation by the US Marines starting in 1915, with the US later helping to prop up the brutal dictatorships of the Duvalier family that lasted from the late 1950s through the 1980s. The 1915 US intervention was only the first in a series of 20th and 21st century outside military interventions by the United States and the international community as a whole that typically did nothing to substantively improve the conditions within the country (and arguably making them worse in some cases).
Even given the scale of the prior trials and tribulations Haiti has experienced, be it coups and earthquakes and various interventions, the country now faces a crisis unprecedented for it in modern times, with the country in the midst of an open revolt by armed gangs that is bordering on civil war. The current crisis began with the dramatic assassination of then-President of Haiti Jovenel Moise in July 2021, when a group of foreign mercenaries (primarily Colombians but including two Haitian Americans) that were reportedly hired by a Haitian doctor with Presidential aspirations stormed into the President's home in the Haitian capital of Port-Au-Prince and gunned him down. The President's murder created a power vacuum in the country, which was filled by Prime Minister Ariel Henry. In the time since taking over, Henry has failed to hold fresh elections on multiple occasions as tensions mounted and conditions worsened inside of Haiti, with armed gangs steadily expanding their control of the capital and levels of violence rising.
It was the most recent delaying of new elections – despite an agreement to hold them and pass on power by February 7th of this year – that served as impetus for the violence to escalate to its current level. Gangs and other armed groups have stepped up their violence to outright attacks on government buildings and institutions and stretching already overtaxed and under-resourced police and security forces to the limit and reportedly taking control of over 80% of the capital. These gangs appeared to have coordinated their actions, launching their wave of attacks as Henry was out of the country on a visit to Kenya in search of foreign police and troops to intervene in the country on his behalf. As Henry struggled to re-enter his own country, the gangs called for his ouster. After days of stonewalling and radio silence, following a conference of the Caribbean Community in Jamaica, Henry did just that.
While Henry is now on the outs (and will likely be missed by few in Haiti or elsewhere), the crisis in Haiti appears to be far from over. While their principal demand has been met, the gangs appear in no mood to back down, refusing to accept any new government imposed from outside forces. Instead, the gangs themselves seem to be aspiring to power – in particular, their unofficial leader, Jimmy "Barbecue" Cherizier, a former police officer and leader of the gang known as G9 who has been crystal clear about his willingness to seize power violently if necessary. But Barbecue also faces competition, such as from fellow gang leader Johnson Andre (aka "Izo"), and former attempted coup leader Guy Philippe – recently returned to Haiti after serving a sentence in the US for taking bribes from drug traffickers, and making no illusions about his own desires to take power.
As the violence in Haiti continues with an associated and worsening humanitarian crisis, the United States and other foreign powers have debated and struggled to put together troops and police for some kind of intervention force and stabilization mission for months, with few governments seeming particularly eager to step into the breech after the past few interventions. Among those that are willing, such as Kenya, they've experienced various domestic roadblocks.. All while the and number of dead and displaced continue to rise amid worsening conditions (with some migrants to the neighboring Dominican Republic being forced back across the border into Haiti). However, in recent years Haitians have been understandably apprehensive if not outright hostile to the idea of yet another foreign military adventure in their country that will likely not solve any long term problems and potentially make them even worse yet again. Even as the gangs wage war in Haiti, its important to remember that there are regular people who are also protesting their frustration with their prior, ineffective, corrupt governments, in addition to foreign interference. The right path forward for Haiti remains unclear, all while foreign governments, the gangs, and other aspirants to power seem set on a collision course if nothing changes. Given conditions seem unlikely to change for the better at this moment in time, we should be prepared for things to get much worse in Haiti – and potentially the Caribbean as a whole – in the near future. (Note: I'm dumb and didn't realize how stringent Tumblr's character limits are now, so find part two here, with the rest of my thoughts and a conclusion) Photo credit: @operation1027 (on Twitter)
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amorisastrum · 10 days
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How to use tone tags! :D
Because @flaming-green asked and also neurodivergence !!
Long post woah
Commonly used tone tags:
/j = joke
/hj = half joke
/ly or /lyr = lyrics
/pos = positive
/neg = negative
/lh = light hearted
/nm = not mad
/s or /sarc = sarcastic
/nbh = no body here (this is used alongside a rant/vent that has not named a specific person- people may think you are talking about them and spiral)
/genq = genuine question
/nf = not forced
/plat = platonic
/r = romantic
/srs = serious
/t = teasing
Why use tone tags?:
Tone can be a very difficult thing to pick up, especially through text. Use of punctuation and capital letters and certain word choices can make a sentence seem completely different. For example, if I received a text saying "Come see me right now." I would instantly think I was in trouble and would panic. However, if I received that same message with a "/nm" I would feel much better about the situation. People use punctuation in different ways as well! I personally use exclamation marks to show how excited I am !! While for others, a multitude of exclamation marks could indicate sarcasm. Same with the use of emojis. I personally use some emojis to indicate sarcasm, but I know people who use those same emojis to indicate... Well, what the emoji is showing. So, to use a tone tag avoids any sort of miscommunication.
When to use tone tags?:
Deciding when to use tone tags can be difficult. I personally use tone tags when I reread a message and realise it is ambiguous in tone, or when I reread it, it sounds more aggressive or rude than I intended it to be.
If somebody asks you what you mean by a message, this is probably a sign that you need a tone tag of sorts. Not all people are going to interpret things the way you intend them to be, so tone tags as a whole are helpful to avoid miscommunication. Sometimes the context of the message being sent can change someone's perception so tone tags are not always needed e.g. "omg I love you so much! You're so awesome!" This may be seen as genuine, while "omg you're so awesome." Can be seen as sarcastic. It depends on how that person's brain works.
If you are talking directly with one person, or a small group of people, and you know their typing habits (such as using emojis for sarcasm or use of punctuation) then tone tags may be needed less! But if you are talking to a group of people, such as on Tumblr, it may be easier to use tone tags as more people will see what you've said and... Well people may not understand what you meant!
Some words may have different connotations through different contexts, such as the word "silly". But sometimes people may not understand that context. I typically use Silly in a positive way, but at one point I referred to a character I didn't like as a "silly man" with my friend who had no clue who this character was. To them, this meant I liked this character, which left them confused when I started talking about them in a bad way. So, I started adding "/neg" anytime I meant silly in a negative way to avoid confusion.
Other tone tag things:
Try and avoid piling of tone tags at the end of a message/post as this can be confusing. Id say try to use no more than 2, 3 at a maximum.
If you're cutting into the middle of a message with a tone tag, you can use brackets, but you don't have to! Do what makes you comfortable.
Use punctuation where you see fit.
You don't have to use tone tags for every message you send/everything you post! Use them when YOU think the tone could be ambiguous or if someone has directly asked you what you mean.
You don't have to know every tone tag ever. I've been using tone tags for a good 2 maybe 3 years now and I mainly use /nm, /j, /srs, /sarc and /pos.
I also use /silly, which I'm not sure is an actual tone tag. I use this if something I say seems passive aggressive or if I am in fact just being silly.
I hope this has helped! Tone tags are something that help me communicate with people and make me more comfortable! And I hope they can make it easier for you to communicate as well :]
Also sorry if this makes little sense it is 2am. Feel free to add any more information in reblogs or replies!!
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rweoutofthewoods · 25 days
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I don't think I have ever pretended I'm perfect or acted in any way like I am. I base literally all of my writing around the fact that people make mistakes, they fuck up, and that's human. There's not a single person on earth who hasn't done things they can't take back. Does that mean doing shitty things is okay just because everyone does it? No. What matters is taking accountability facing the consequences, and learning and growing from it. You can't control the way other people react, only yourself. There's so much negativity and hatred in fandom spaces and it's so easy to feed into it, egg each other on, and see the worst in every person. In February I was forced to face the fact that I was falling into that negativity and since then, I have worked hard to make sure my life, my blog, and the people I interact with all bring positivity into my life and that I bring positivity to them. I'm proud of that, and I've dropped a lot of bad habits and I'm learning to grant people grace even when they can't find it in themselves to offer it to other people. I've never had malicious intent to hurt anyone, and I truly believe most people are not bad people. Because I know I've made mistakes too, and I believe in granting understanding even if it's not returned. It's not transactional, and all you can control in this world is yourself and the way you react to things. And I spent a long time reacting negatively, but I don't anymore. I truly wish everyone well, even those who aren't in my life anymore.
I had to work hard to undo a lot of my first instincts and when I started posting online. I realized that I'd often say things brashly or harshly and they came off in ways I didn't truly mean. Or I'd get angry over something and instantly lash out. I saw the world as very black and white and I didn't often think before I spoke, because I knew that whatever I said was never that deep, but I quickly realized to some people it WAS that deep and whether I intended it that way or not, speaking harshly or meanly was wrong. It's so easy to get mean if someone disagrees with you or does something to make you mad. It's so easy to reply to asks in a cruel or passive-aggressive way if they say something you don't like and I regret times in the past when I did that. The past two months I've changed a lot about how I interact with people and the things I say, I learned my lesson.
There's a lot of drama, hatred, vendettas, and negativity in the marauders fandom. I can't control or change that or anything in the past, only what I do and who I am now. I have no ill intent toward anyone and I've never publicly acted maliciously even at my worst, and I would not ever publicly speak ill of anyone.
People fuck up, that's humanity, and you can understand that people grow and realize their mistakes or you can not, and I don't blame anyone for what they choose to do, the past has already happened. I believe so firmly in second chances and allowing people to learn. It's in everything I write, and I think that does a much better job of showing how I view the world.
I am very sorry for any occasion where I have participated in spreading negativity and to anyone who was hurt by it. I take full accountability no ifs or buts. I really have so much love for this fandom and the people in it and it should be a place where we can all respect opinions, ships, hcs, etc. I'm not interested in entertaining drama because we're all just here to enjoy our silly wizards and all I can do is continue upholding my vow to stay positive, understanding, stay accountable, and keep doing my thing, and I hope we can all try to do the same xx
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