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sistertotheknowitall · 2 months

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Some Guy Bingo

Masterpost.

Nearly three months into (what Jason called) The Haunting, the siblings kinda started a game. (“Either we're haunting him or he's haunting us, I haven't decided yet." "Considering he's the one appearing randomly, I'd say he's haunting us.")

Technically Tim had started it with, “five bucks says Danny went to class today.” (Gotham university was having an out break of fear toxin curtesy of Dr. Crane.) However, it was Jason who kicked it off with, “ten if he says something about actual scarecrows.”

Dick had snorted and said, “fifteen if it’s a personal experience about a farm.”

“I call bingo if he makes a vague statement on agriculture.” So it was actually Steph who started it.

“Bingo? We were placing bets.”

“Unlike you Hood, some people don’t get adopted by money.”

“As if Bruce doesn’t give you an allowance.”

(“As if he didn’t offer to adopt you,” Tim tacked on.)

It became a running joke where they started calling out "bingo if -" whenever they had to go out on a call. The joke had later formed into a running game when Danny had told Cass, “fighting gods is a pass-time, it is humanity that the real fight is against.” (He had trip over a curb and laid on the ground for several minutes before she asked if he was okay.) She said it wasn’t the most concerning thing he said to her and Steph chimed in claiming, “on a scale of one to ten that statement rates at a three.”

Jason had asked why Cass and Steph always got the weird ambiguous statements and he got cryptic shit about his “soul”.

(Damian had pointed out that at least he wasn’t being constantly referred to as a baby.)

I Call Bingo, which they still played whenever a situation required more than one of them, became “on a scale”

Dick was sure that “having given up on optimism, I find your enthusiasm to be overly bright” should be ranked higher then “I don’t like two-stepping but I’m from the mid-west, so do you know how to line dance?” (Danny and Duke had gotten into an awkward side step where they kept blocking each other.) Damian said the wording seemed passive-aggressive but the tone was too positive to be rude so he gave it a three. Jason said it sounded like a bad pick up line and gave it a two.

They often debated and defended the score they gave with Barbara chiming in over coms. She had never met Danny as Oracle but he was a regular at the public library. He was always polite and respectful and had quickly become one of her favorite patrons. Like Steph and Cass she also got odd statements but hers felt more like half-hearted jokes.

Bruce didn't always join in on their game but it wasn't surprising to see the occasional score placed in their reports. (They had a file dedicated to Danny's remarks. Originally it was to keep track of what they knew about him but at this point it was just to let the others know what he said this time.) Alfred was roped into it even if he didn't really participate unless asked. ("Hey Alfie, what would you give 'i'm glad i don't have to fight my food to eat it but if Batburger keeps giving me the wrong thing I'm summoning Lunch Lady.' Cause Tim says two but I think it's a five.") (He gave it a four.)

Post 4

#I just realized that i'd been forgetting Barbara and that is unacceptable #i hope this is coherent #danny is just some guy #the batfam are mostly use to him #batfamily #dcxdp #dc x dp #dp x dc #dpxdc #dp crossover #dp x dc crossover #danny fenton #danny phantom

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fox-guardian · 8 months

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hey guys did you know that um. did you know. first of all did you know i'm losing my mind, secondly, do y'all remember in tma how when someone reads a written statement, they don't really Stop unless they're interrupted? and they read the whole thing easy cheesy, no issues with reading whatever words are there? like. jon literally could read french for a whole statement and was Fine. granted, that's Jon, but like nobody else struggled with pronunciations and whatnot (that i can recall)

presumably, this is an eye thing. either as employees of the institute, or because everyone there is just also eye-aligned in some degree (melanie had the ghost hunting show, the eye is fond of martin, etc)

and then there's tim in season 3 ep 86

[Sigh] Statement of… uh, Benjamin Hatendi… Hateendi? Regarding a… [papers rustling] a blanket. Dead friend. Monster. Regarding his unavoidable and gruesome end. How he tried to hide. He couldn’t. Statement is from… 1983, March 2nd. And I guess… [long sigh] I guess I’m doing this one. Tim Stoker. Archival assistant… Archival prisoner at the Magnus Institute.

correct me if im wrong but i don't recall anyone struggling with pronunciations before this bit. but that's not even the biggest thing here, that's just a lil Taste, a lil Flavor.

note the phrasing there. "Regarding his unavoidable and gruesome end." why would he say this when the written text on the statement says this:

Uh, right. Benjamin Hatendi’s account of… [rustling pages] oh for… a, a strange encounter. Er, statement date, March 2nd, 1983. Melanie King recording. Apparently.

"a strange encounter". that's it. nothing about an unavoidable death, just a "strange encounter". Tim Why Did You Say That.

why would our dear timothy bimothy, who is being pushed to the brink, who is becoming rapidly more depressed and losing hope, say this?

this isn't the only time he's said some weirdly grim shit tho (ep 104)

There was never really any hope for me, though, was there? This was how it was always going to go.

and then there's this bit from elias apparently having Looked into tim (also 104)

TIM All right, hit me with your X-ray eyes then, boss. What do you see? ELIAS Disruption. An unpredictable, angry man with nothing left but the desire to feel in some way revenged. TIM [Sarcastic] Ooh, terrifying! Surely only magic could have let you see so deep inside my very soul.

"nothing left" but the desire to feel revenged. and tim doesn't dispute this, because it's true.

when he first joined the institute he did so in order to look for answers about danny, but then he stopped seriously looking. and now that the circus is back, this is all the drive he has left. not looking for answers, just wanting revenge. closure. an end, if you will.

this is Literally It For Him. a couple lines later he suggests elias kill him, he's At The Breaking Point.

he is so tired, he's lost all hope, and he's saying all this grim shit about "unavoidable death" and "this is how it was always going to go" like hmmmm sounds familiar doesn't it. DOESN'T IT (<- is going insane)

(ep 11) [....] despite the rapid response of the paramedics and how much of his medical history I had immediately to hand, there was nothing I could do to save him. (ep 11) I have no responsibility to try and prevent whatever fate is coming for you. Based on my previous experience, such a thing is likely impossible anyway,[....] (ep 121) There. That was it. That was our fate; where we would always be.

hmmmm sounds a bit like oliver huh? everyone's favorite ex-accountant avatar of the end?? right??

but then there's this last bit i have from ep 86.

why did he stop reading the statement

Statement. “My parents never let me have a nightlight. I was always afraid, but they were ju–” Ugh, this is stupid.

why did he do that. again, correct me if im wrong but when else has someone just Stopped Reading like that without someone or something else interrupting them? why could tim just stop himself?

my theory is this: at this point, tim is completely gone from being aligned with the eye. he no longer seeks to know what happened to danny, he just wants closure. he doesn't wanna do any statement work, and he keeps mentioning these tidbits about hopelessness and the inevitability of terrible events, specifically death.

the eye isn't compelling him to read the statements like it does the others, because it doesn't have as strong a hold anymore. the grip is slipping from him. and by the time the unknowing rolls around, maybe it's lost him for good. maybe he finally fell into a different power he never meant to serve, and yet, he does.

and maybe. just maybe. because i'm so not in denial. but MAYBE. he did die in the unknowing. but maybe he got better.

basically end!tim truthers rise up, this is how end!tim kayaking with his bf oliver banks can still win, etc etc I'm Going Feral <3

#ramblings with major #the magnus archives #tma #tim stoker #oliver banks #timoliver #lil bit uwu #tim stoker tuesday #end!tim #cursing #tma angst #ig #i hope this is coherent and makes sense im losing my MIIIIND im losing my Mind

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sapphire2626 · 4 months

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Something something the incident report that Norris (aka Alex's voice aka maybe my beloved Antichrist's plus one) starts with the person having written "I just couldn't face the thought of the rest of my life never hearing him again" and how Martin's tma s5 arc culminated with him having to kill the person he loved, something he couldn't fathom doing even in his worst nightmares

Something something the incident report that Chester (aka Jonny's voice aka maybe my beloved Archivist) read was about someone whose curiosity ends up killing them (with The Magnus Institute and eyes involved) and the parallels that has with Jon's entire story from tma

Something something Chester read the report with emotion, sounded excited, scared, disgusted when the author's must've been feeling those things, while Norris was dead-pan and robotic and how the Archivist powers drew out stories in the most dramatic and vivid way possible

#im not coherent enough to give more than this so i hope it makes a bit of sense #tmagp #tmagp spoilers #the magnus protocol

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onismdaydream · 4 months

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its hard to say no to yuuji when he gets needy. he's never been afraid to be vocal about what he wants, but it cranks up to the max when he's desperate. he'll be pressed up against you, his lips never leaving your skin as he begs you to let him fuck you. please, please, promise i'll be gentle, i'll be so good, please, just let me feel you - his hips stuttering as he bucks them, wanting to relieve any of the pressure that's been building up - anything, i'll do anything, baby, please, need to be inside you.

and when you finally let him, he still can't stop. he groans loudly as he slides inside, mouth wide open and eyes screwed shut, sweat beginning to bead at his hairline. god, baby, feels good, so tight, so fucking good - his thrusts are sloppy, never able to find a steady rhythm - perfect, like you were made for me baby, so good, never wanna pull out, wanna fuck you forever.

most of his words are slurred and mumbled, far too drunk off your body around his throbbing cock to make any coherent thoughts. not like you're faring much better, though, what with yuuji fucking you like it's his last chance, his drippy cockhead rubbing against that sweet spot that makes you clench around him. yeah, fuck yeah baby, do that again, oh god, i'm gonna come, you're gonna make me come - he holds you close to his body, his arms wrapping around you as if he's afraid you'll disappear - please, please, so close, wanna come inside you, can i baby? wanna fill you up, oh god, please.

you're barely able to nod your head before he's spilling inside you, his forehead pressed against you as he catches his breath. fuck, thank you, thank you, don't deserve you, you're perfect - pressing soft and gentle kisses to wherever he can reach, his fingers moving down your body to make sure you get off - love you, love you so much baby, gonna make you feel good too, promise.

#i didnt even look through this again so i hope its coherent lmao #jujutsu kaisen #jujutsu kaisen x reader #jjk smut #yuji itadori #yuji itadori x you #yuji itadori x reader #perce.doc #.jjkai

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patsmassivekeychain · 4 months

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Ok more coherent thoughts now. I can already see how this ending is probably going to be divisive and to an extent I understand why. Before it aired, I wasn't keen on the idea of the show ending like this. People don't like endings where the found family go their separate ways, except that isn't really what's happening here. And I think the way they did it was perfect.

Alison has come in and completely turned these ghosts' unlives around. She's given them purpose, connections with the outside world and each other, and above all a lack of boredom. Boredom is one of the main existential challenges the ghosts face. Alison isn't abandoning them to what they had before she came - she's leaving them with the tools to actually live rather than just exist after her.

And she's not gone forever! Families don't have to live together to be family. She comes back and visit them regularly! Maybe it's just because I moved out from my parents' in the last few years and I'm back for Christmas, but her being a regular at the hotel, coming back and visiting them at least every Christmas (maybe more) was very moving to me. Just because she's moved out doesn't mean they're not still family.

Having it become a hotel is a nice bookend and I bet it's improved the ghosts' quality of unlife a lot. As I said, their biggest challenge has always been boredom. A hotel/golf course probably isn't at all boring. How many affairs do you think Julian has watched? It's perfect for them, with all the people coming and going. I bet they even stage the odd haunting for fun. A constant, varied existence is a great fate for them.

Ending the episode with the plague ghosts was PERFECT. Obviously, it was great to see them again and it was hilarious as they always are. But it struck me just how much this decision has improved their situation - they've gone from dingy cellar to sauna. And that's the analogy of how much things have improved for all the ghosts.

Change is scary. It's sad when things come to an end. But sometimes it's for the best. And an end doesn't always mean a closed door.

#bbc ghosts #ghosts spoilers #ik i said more coherent and then just wrote a blob of steam of consciousness #but this episode WAS sad and devastating #i hope this makes people feel a bit better about it #if at least one person feels better ill be happy

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maythearo · 10 months

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" Welcome back to Night Raven College's 'Ghostly Gossip'! The school's unofficial main online source for the latest news, articles and trending topics circulating around campus! "

" Your eyes don't deceive you. He really is real. And an actual monster too, not just a 'weird looking dog', as those funny human legends say... "

Navigation:

R. Rosehearts - T. Clover - C. Diamond - A. Trappola - D. Spade - L. Kingscholar - R. Bucchi - J. Howl - A. Ashengrotto - J. Leech - F. Leech - K. Al Asim - J. Viper - V. Schoenheit - R. Hunt - E. Felmier - I. Shroud - O. Shroud - M. Draconia - L. Vanrouge - S. Zigvolt - Silver

Messy design notes:

I have mixed feelings over his design. On one hand, the outfit itself looks cool... and on the other hand it turned out to be nothing like what I had envisioned in the beggining 😭 I wanted to stick with muted colors, in the vibes of that pic next to howleen's I guess, but it's like Ruggie's design had a mind of its own, and would always lean to more punk-looking no matter how hard I tried to avoid it, which don't get me wrong- punk style does fit him well, the problem is that I had it reserved for another character already, and I wanted to repeat themes as little as possible between entries of this project.. that just may be my perfectionist side speaking though, and there is no reason why I shouldn't post this version here for the time being! If I don't get tired of working on this series by the time I finish all the main cast's designs, then I suppose I could try to make an alternative version of Ruggie with a slightly different theme! I'd do the same with Jamil's entry since he is yet another character I have mixed feelings about the design lol

Aaaanyway, the mood for chupacabra Ruggie is grunge/thrifted fashion with diy details he would add to make his looks feel unique to him I think? The spikes on his skin, although he can partially control (?) them, still get stuck on cloth every now and then. Nearly all items of his closet are a bit torn from it, but he doesn't mind all that much. I got no particular designs for the pins and badges he wears, maybe except for the brazilian flag and the trans pin which I rlly wanted to include somewhere on his clothes whsdbdshewbdi

The chupacabra's appearance vary from place to place, but for this, I based his looks on how I personally grew up hearing and imagining this creature to be like! Baisically a fucked up looking dog, sometimes with spikes and scales on its body? Yeah 👍

And he remains the same personality-wise in the AU, pretty much! At the moment I can't think of many fun facts or character quirks for him, aside from how impossible it is to take a selfie with him, much to Cater's dismay. He swears he doesn't do it on purpose! The moment the camera clicks his body moves on its own to be out of frame. Ruggie's entire instagram (or whatever the monster high equivalent of that may be) account are either pictures of a moving blur or a vaguely distinguishable sillouette of him, taken from far away and zoomed in 10x

I think that's all I remembered to say? Here's a Ruggie core meme I found on reels as extra content lol

#.the ghostly gossip #ruggie bucchi #twst #twisted wonderland #my art #twst fanart #monster high #twst au #monster high fanart #savanaclaw #I'm so sleepy i hope I was at least a bit coherent on this post ejrh3jrej ⚰️⚰️

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meanbossart · 2 months

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How did your DU drow react when he got told he had to kill his spouse? and then when he went to wake up Astarion and get tied up? I think I just wanna know how your DU drow mentally/emotionally is doing during and after that part, and when talking to Astarion afterward, I'm a sucker for hearing about those deep kinds of moments (hopefully that makes sense?) Also, how did your DU react when you met Kressa Bonedaughter and learned all about what was done to him (again, I know none of the companions really comment on literally something horrible being told such a shame, honestly) but how would you say or think that Astarion and Shadowheart might have reacted hearing that info? Again, thank you for all your art and for answering these questions! PS: (I really don't care if your answer is super long; I WILL EAT IT UP)

Sooo for the first question, I wanna preface by saying that I personally don't think their relationship was that in depth yet, at that point. Yes, DU drow enjoyed Astarion's company and relied on him in a similar way which he relied on Shadowheart. And also yes, Astarion saw DU drow as the first person who ever took him and his agency seriously - but I think feelings were still in their infancy. DU drow's mind was a mess through and through; he drank constantly to keep his urge at bay, he kept his distance from everyone most of the time, and when he did seek out comfort in either Shadowheart or Astarion (the non-sexual kind, they didn't really fuck at all), it was a kind of primal instinct and desperate longing for companionship - if you asked him if he was in love with anyone, however, he would have said no.

Similarly, while I think Astarion's act 2 confession is sincere, I also think that he's being sincere when he says that he doesn't know what you are yet. You're not really a lover, but you aren't a victim, either; what you are is a person who he would rather not have to murder eventually, and as someone who has had their empathy squeezed out throughout the course of two centuries, that's meaningful enough. He may fantasize about the best case scenario for you two - but he has no expectations that whatever this is will last. But it is nice, for the time being.

So the "murder your darling" scene, rather than a proof of love and trust, is to me the turning point where:

A) DU drow has to come to terms with the fact that he doesn't have as much control over the Urge as he thought, and B) When Astarion snaps out of his care-free, just-go-with-the-flow nature around his plan and this relationship. They both realize they bit off more than they could chew and are now caught in each other's crossfire.

Which is to say that I don't read Astarion's words of comfort to him as entirely honest - specially when you compare it to certain dialogue deliveries later in the game. I think he's still, to a degree, telling you what you need to hear so that you hold out for just a bit longer and kill Cazador. You probably can't be together forever as he idly fantasized about once or twice, when he let his mind wander - but god damn it, he needs to at least be free, and it seems like you have bloodlust to spare to make that happen.

Meanwhile, DU drow finally comes to confront the fact that he is not in control. Doesn't matter how hard he tries or how much he drinks, the urge will do to him as it will, and when it wishes. It stops being fun and it gets scary, from that moment on.

But here's who did stop it: Astarion. Where alcohol fell short and his willpower failed, Astarion stepped in.

So, more interesting than the scene itself to me, is how from that point on DU drow would have no choice but put his trust entirely on the vampire to control him. He ties him up, he keeps an eye on him, he has full spoken-word permission to kill him if necessary - he is forced to be as vulnerable at humanly possible under his hand, every night. Regardless of whether or not DU drow realizes that Astarion is doing it for his own reasons, he doesnt care, because Astarion has now become his rock and his bondage - hell, if Astarion does have a reason to keep him alive that's all the better; someone else might just slit DU drow's throat and be done with the concern altogether.

And so, it's only from that point on that DU drow truly starts to see Astarion as an equal, and even a partner. He's thinking that, if his whole life has to be like this, at least he has someone who can handle it.

Astarion, meanwhile, I believe only comes to truly consider (and wish for) DU drow's freedom after he's free from Cazador - and after he bestows that freedom upon his siblings and the other spawn. That's when he finally understands the length of DU drow's devotion to him and the value of freewill as a concept- and how he wants it for both of them, instead of being content with his own.

Not to mention... I think in Astarion's mind he was 100% not going to survive Cazador LOL so when he succeeds he's like "oh shit I guess anything is fucking possible huh. Yeah fuck it lets go fight your dad, also I've decided I want you for realsies, now."

Anyways, can you believe I thought this was gonna be a short ask. Here have a doodle I made while thinking about all this bullshit:

As for Kressa, I got an ask about that before but I can't find it now LOL to summarize; he was pissed, angered, and in a far more personal level embarrassed to have had his dirty laundry aired (AKA, victimized) in that way in front of the others - but this isn't something he would have expressed outwardly, and I think both Shadowheart and Astarion would have known better than to inquire him about it. It's not really something he would have sought out comfort for in anyone, so, I think the subject died as soon as Kressa did. In this case, their lack of commentary was completely appropriate - If they had reached out in any way (which would have been, in my opinion, completely out of character) DU drow would have shut them out with a quickness.

#I'm a little drunk so I hope this is coherent LOL #THANK YOU FOR THE ASK #ENJOY THE ELF BASED ESSAY #DU drow lore #sketch #bg3 spoilers #ask

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kaladinkholins · 4 months

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We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

#blue eye samurai #mizu x taigen #taigen x mizu #taimizu #taigen blue eye samurai #blue eye samurai meta #hope yall enjoy my thesis on virgin mikio vs chad taigen #this was written last night when i shouldve been writing the new chapter for my taimizu fic that i promised i would work on....whoopsies...#i will get to it eventually but i just have to get a firmer grip on characterisation before i can delve further into it yk #on that note. i kiiinda regret posting the fic on a whim!#my last longfic was written better because i had the whole thing complete and could go back and edit/polish/revise before posting #so it came out much more coherent and consistent ykwim?#this fic might suffer a bit for this reason 🤒#but its fine i have to remind myself im just doing it for funsies #anyway here have another long ass meta post from yours truly #meta dissertations.pdf #shut up haydar #fandom.rtf

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canon-gabriel-quotes · 1 month

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i just have one simple question for you why gabriel ultrakill? what is the appeal behind this angel

aaauughhhh uhhhhhauuuuuuu uuuuuhaaaaahhhhuuuugff bhhjjhshhh i nnneeedineed

bite it Bited it

uuuuhhhahhhh WHHAHAHHHHH AHHHHHHHHHHHHHH GRAHHHHHHHHH

GRRRRRRAHHHHHHHHHGRRRRGGGRRRRRRR

#growling like a starving animal #GGRRRRR GRRRRRRRRRRR #sorry if you expected a coherent answer #i did not make this picture. surprisingly #more intelligible answer #1) wearing armor (based) 2) no canon face (BASED) 3) i need him on a leash #i hope that helps #I have to stop or the anons will return #ask #asks #non voice post

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dandylovesturtles · 5 months

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havin' all these Splinter and Leo thoughts. augh.

this is partly the fault of @/turtleblogatlast's post about Leo just wanting to make Splinter proud.

post-movie

...

Seven days post-invasion, and Leo is feeling (relatively) pretty good. Sure, he's still on a truly ridiculous amount of painkillers and he can't walk two steps without collapsing, but he's able to stay awake and talk to his family and considering where he thought he would be right about now, well... that's everything.

So yeah, he's feeling pretty good. He just finished his lunch of soup and a protein shake, warm and a little drowsy while he listens to April talk about some of the more ridiculous conspiracy theories that have started spreading on the surface. Donnie's tinkering with one of his smaller inventions while he listens, Mikey is nestled in Raph's lap, and everything is calm and cozy in their makeshift medbay.

And then his dad walks in and says, "I would like to talk to Blue, please. Alone."

And suddenly Leo doesn't feel so good anymore.

"Aha, wait," he says quickly, reaching out and grabbing April's sleeve just before she rises from her chair. "Whatever it is, you can say it in front of everyone, right?"

Splinter shakes his head. "This is a conversation I think it is best we have in private." He makes a shooing motion at the others, and April pulls her sleeve from Leo's fingers with a helpless shrug.

"See ya in a few, Leo," she says, then walks out. The others look from Splinter, to him, then back to Splinter, and one by one they each get up and shuffle out, too, with their own hasty farewells.

Traitors, every single one of them.

The door closes, and Leo finds himself alone with Splinter for the first time since coming back from Staten Island. Or at least, the first time he can remember. He was pretty out of it the first few days; most of what he remembers is muddled and confused. And embarrassing. He cried a lot more than he'd care to admit.

Splinter hops into chair April was sitting in and pulls it closer; he has to stay standing to be anywhere near eye level with Leo. He wishes he could read Splinter's face, but his expression is giving nothing away. Sometimes it's easy to forget he spent a not-insignificant part of his life as an actor, until something like this happens.

Leo decides to speak before he can. Head him off at the pass, or something.

"If you're going to yell at me, just remember my eardrums are already damaged."

Which is true - turns out being 1, too close to an exploding alien spaceship and 2, getting punched in the head repeatedly by an alien very mad about said exploding spaceship is bad for the ears, even when you don't have outer ears like a human. So super loud noises are a bad idea right now, and thus Leo cannot be yelled at. Flawless logic; maybe he can keep using that every time he gets in trouble.

For the first time, his dad's expression shifts, just a little. A deeper frown, a heavier set to his brow.

"You think I came in here to yell at you?"

Leo feels his stomach twist. Does he have to spell it out? "I mean, didn't you? That's usually what kicking everyone else out is leading up to."

"I see..." Splinter is still unreadable, looking a little too intensely at Leo. "And what do you think I want to yell at you about?"

He really does want it spelled out. Leo suddenly realizes that there won't be any yelling because this is his punishment: to admit everything he's done, to speak all his sins for his dad's ears. Lay it all out in his own tongue and show that he understands, really and truly, the depths of his screwups.

Oh, he understands. He understands it so well he may choke on the words.

"...For losing the key," he says finally, and it stings on its way out. He hasn't talked about it since it happened; every time he tries to say anything to the others, they shush him, saying, "It's okay, Leo, everything is fine now."

It's not okay, and everything isn't fine, and this is when he finally hears about it.

Finally, an identifiable emotion on Splinter's face: horror, dawning clear and present. And Leo doesn't understand that, because doesn't Splinter know he lost the key? He was there for that conversation, wasn't he? Leo's memories of that day have grown a little hazy between the drugs and the recovery and the fact that thinking about it for too long makes him go fuzzy around the edges, but he's pretty sure he remembers Splinter being there. He flicked popcorn at Leo's head. He probably should have done more than that; maybe then Leo wouldn't have made such a mess of things.

Splinter doesn't say anything right away, just stares at Leo with that horrified expression, and the silence is so scary that Leo starts filling it without even thinking.

"I was kidding about the whole... not yelling at me thing. I know I deserve it. I mean, I was fooling around, doing what you and Raph told me not to do, and I doomed the whole world doing it! Some leader I am, right? And I know I'm not exactly your favorite son to begin with, and that's fair, because I keep letting you down, but this is definitely my worst screwup to date, and you yell at me when I don't close the fridge door all the way or throw balls around the TV room so why wouldn't you yell at me for destroying the planet, right...?"

His voice peters out at the end, too hoarse to continue. That's the most words he's strung together over the last week, and for the first time he's glad for his injuries, for stopping him from spewing any more embarrassing word vomit just to fill the air.

Splinter is still looking at him with that same horrified expression. If anything, he just looks more upset, which means that Leo at least accomplished his goal.

Leo's waiting for the yelling to start, but when Splinter finally says something, it's, "You think I have a favorite son?" throwing Leo for a loop once again.

"Uh, yeah?" he says, because that's all there is to say. He's always assumed it's Donnie - the "funny one", the one who fixes Splinter's TV when it's broken, and the only one of them likely to get a real job and move out of the house. But even if it's not Donnie, it's gotta be Mikey, or Raph. His brothers are amazing and talented, and all Leo has ever been good at is winning the Lair Games.

Splinter closes his eyes a moment, and when he opens them his face moves back to a more neutral expression. "I do not have a favorite son," he says, firm and serious. "I love all of you just the same."

Leo thinks that can't be true - if it is, he feels bad for the other guys. But he doesn't think he can just say that, so he says, "Yeah, Dad, of course," instead.

Splinter looks a bit crestfallen. "You don't believe me?" he asks, and shoot. Leo has no idea how to respond to that.

"...I know you love us," is what he says. And that's true, it is! He just doesn't know how his dad could like him as much as the others.

Splinter's expression turns sad. He reaches out and lays a furry hand on Leo's arm, careful of his bandages and all the many wires he's hooked to. "You think you doomed the world?"

"I lost the key," Leo repeats. "It was all my fault. It's why I had to..." His voice fumbles over the words, and he revises. "It's why it had to be me."

Splinter's mouth twists. He climbs out of the chair and onto the mattress, careful not to jostle Leo as he settles down on his knees.

"Blue," he says softly, gently palming Leo's face this time. "None of this was your fault."

Leo's stomach twists again. He thought he was being punished, but somehow this is worse.

"Yes it was," he argues. "I lost the key," for the third time, "and... and I ignored the order to retreat, and got Raph captured, and and and, I ignored the guys and tried to force our way into Metro Tower, and it was me who told Donnie to try to fly that stupid ship, and because of me Mikey had to-"

"Leonardo," says Splinter, sharp, and Leo goes silent. His dad looks devastated, but he keeps his hand on Leo's cheek, brushing with his thumb, and for the first time Leo realizes his skin is wet. Splinter sighs heavily, his entire frame seeming to droop with the weight of it.

"Leonardo," he repeats, softly this time. "You did not doom the world."

"But-"

A furry finger on his lip quiets him.

"You did not doom the world," Splinter repeats, once again firm and serious. "You did not take the theft of the key seriously, because you did not know what it was, the threat it represented. But it was the Foot Clan who chose to use that key, fully knowing what evil it would unleash. That is not on you, my son. The responsibility falls squarely on them."

Leo doesn't know how much he can believe that - isn't it their job to stop the Foot Clan? But Splinter looks so sure as he says it, and his hand is still tender on Leo's cheek, and for the first time a little bit of doubt seeps into Leo's heart, telling him that maybe, just maybe, this wasn't all his fault after all.

But still...

"Even if that's true," he says, with heavy emphasis on the if, "everything I did after that-"

"You are young," his dad interrupts. "You are inexperienced. You are learning. And the amount of growth you showed us all, even over just that one day... You shined as brightly as I know you can."

Again, Leo's stomach does a twist - but it's a happier one, this time. Splinter's voice is sincere, leaving no room for doubt, and Leo can almost, almost believe that this is true, that his dad has believed in him from the very beginning. Has seen something in him, whatever it was that led him to make Leo the leader, that lead to him putting trust in Leo.

He just wishes he felt like he'd done more to earn it.

"You did not doom the world," says his dad again. "You saved it. But, it never should have been like that to begin with. You should never have been facing down such a fierce foe so young, especially as alone as you boys were. And you-"

His voice becomes choked up, and Leo's heart lurches.

"You... sacrificed yourself to save us all. I... I am your father, and I... could not protect you."

He's crying. His dad is crying, and Leo feels panic, reaching out to try and stop this.

"Dad-"

"No." Splinter holds up a hand, giving his head a hard shake. "All I ever wanted for you boys was to save you from the sacrifices asked of our family. And yet I could not - and for that, you paid dearly. You almost paid the ultimate price, and we almost lost you forever."

A thick knot forms in Leo's throat, and he can barely get out, "I'm okay, Dad, I'm here."

"Yes you are." Splinter squeezes his shoulder desperately. "You are here. You are safe. But that doesn't change that it should not have been you to begin with."

Leo watches in dawning horror as Splinter steps back, then kneels over on the mattress.

"This is why I came in here, Blue. Not to yell at you. To apologize."

He presses his forehead against the sheets.

"I am so sorry that I could not protect you."

He's crying. So is Leo, openly now. He reaches out for his dad, fumbling for his shoulders and urging him to straighten up.

"No, Dad... This wasn't your fault!"

"But-"

"No! It was just... it was just a really, really shitty thing that happened, okay? It was the Foot Clan, and the Krang, but it wasn't- it wasn't..."

Splinter raises his face and looks at him, and suddenly the words he's been trying to get Leo to believe for the last several minutes barrel into him and Leo crumbles.

"...I didn't have to do it," he says.

"No." Splinter gets up, coming closer. "You had nothing to atone for. You did it because you are brave, and you are kind, but this was never yours to fix."

Leo sucks in one harsh breath, then another, and then he's sobbing harder than he ever has in his life, and his dad hugs him tight, his arms warm and his fur soft where Leo buries his face in his shoulder.

All the feelings he's pushed aside - the ones he didn't think he had the right to feel, because he'd had to do it, he had to make up for his mistakes - bubble over, gripping him with grief and despair but also relief, that he's still here to cry and be hugged by his dad.

"I was so scared."

"I know."

"I thought I wouldn't see you guys again."

"I know. We thought we had lost you, too."

"I just... I didn't know what else to do... I couldn't let him... I couldn't..."

"Shhh, it's alright. It's over now. We're all safe."

Leo hugs his dad back, as tightly as he can with his injuries, and sobs and sobs until he's all out of tears. And all along, his dad tells him he is safe, he is good, and he is loved.

Later, Leo feels even better than he had before.

#dandy fanfiction #rottmnt #rise leo #rise splinter #this is probably the most self-indulgent thing I've written in like #A WHILE #I hope this is coherent at least lol #as usual I have no idea how to end anything #god this is sappy but whatever #I AM CRINGE BUT I AM FREE

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