Tumgik
#build a hear
loumands · 1 year
Text
I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
24K notes · View notes
vurelly · 5 months
Text
there is something about pathetic men that enchants and beguiles me
2K notes · View notes
intheholler · 6 months
Text
Tumblr media
1K notes · View notes
celebrate-lesbianism · 2 months
Text
"I'm too scared to ask her out"
Of course you are. Because she's gorgeous and funny and smart, and looking at her makes you feel all nervous inside. 
But you know what? Asking a woman out gets easier when you remember that she is just a human being. She has wants and needs and flaws, like you. She's neither a fairy or a siren, but a human person—like you. 
You're also a person, and not the ugliest or most terrible one alive like you tell yourself to get out of confessing your feelings. You're imperfect, as is everyone else, but you're equally worthy of love and you have a lot of good qualities to bring to a relationship.
And if you take the leap of faith only for her to say no? Well, she's allowed to do that. She has the right to say no to you, or anyone. Maybe she isn't ready for a relationship, or maybe she just doesn't like you that way. It hurts, but it doesn't say anything about your value as a romantic partner. 🤷🏻
Rejection is a normal part of life; Don't let it stop you from living.
607 notes · View notes
scribefindegil · 8 months
Text
As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.
2K notes · View notes
mechieonu · 4 months
Text
i know that disney is too big to boycott effectively but that shouldn't translate to "and so we should keep buying their products like normal" but rather "at the very least we should try"
876 notes · View notes
lelelego · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
distractions
3K notes · View notes
nethnad · 5 months
Text
watching nuwho and then classic who depictions of the master is so funny you have ten going "i know him... i could detect him anywhere if he was on earth...." and then in the sea devils the master is just meandering around the same building complex as the doctor and it takes jo looking out the window and going "WAIT A SECOND" for him to even notice he's there. bestie your husband is committing crimes as we speak ignore the golf guy for 3 seconds maybe
916 notes · View notes
lifeinacartoonart · 7 months
Text
CREATING AUTHENTIC DEAF AND HARD OF HEARING CHARACTERS: A WRITER'S JOURNAL
Introduction
Creating authentic characters in your writing is essential for engaging storytelling, and this includes characters who are deaf or hard of hearing. To craft a character that accurately represents this community, it's crucial to do your research, gain a deep understanding of their experiences, and portray them with sensitivity and respect. In this journal, we'll explore how to write a deaf or hard-of-hearing character, including key information and preparation steps.
Understanding Deaf and Hard-of-Hearing Characters
Research: Start by researching deaf and hard-of-hearing individuals' experiences, challenges, and culture. Read books, articles, and personal stories, and watch documentaries or interviews featuring members of the Deaf community.
Consult with Experts: Reach out to members of the Deaf community or experts in Deaf studies to gain insights into their experiences. They can provide invaluable guidance and help you avoid common misconceptions.
Diversity Within the Community: Understand that the Deaf and hard-of-hearing communities are diverse. Some individuals communicate using sign language, while others rely on lip-reading, cochlear implants, or hearing aids. Be aware of these differences when creating your character.
Character Development
Backstory and Identity: Consider your character's background. Were they born deaf, or did they become deaf later in life? How do they identify within the Deaf community? Understanding their identity and experiences will shape their character.
Language and Communication: Decide how your character communicates. Are they fluent in sign language, or do they primarily rely on lip-reading and spoken language? Their communication style will influence their interactions with other characters.
Cultural Awareness: Explore the cultural aspects of the Deaf community. Understand the importance of Deaf culture, including its history, art, and values. Incorporate these elements into your character's life when relevant.
Writing Tips
Dialogue and Communication: When writing dialogue for a deaf or hard-of-hearing character, be mindful of their unique communication style. Use visual cues, body language, and facial expressions to convey emotions and context.
Access to Information: Consider the challenges your character may face in accessing information. This could involve issues with closed captioning, subtitles, or accommodations in educational or work settings.
Social Interactions: Depict social interactions realistically. Show how your character navigates conversations, group dynamics, and social events within their community and with hearing individuals.
Preparation
Sensitivity Readers: Consider hiring sensitivity readers who are part of the Deaf or hard-of-hearing community to review your work and provide feedback. Their insights can help you avoid stereotypes and inaccuracies.
Learn Sign Language: If your character uses sign language, take the time to learn at least basic signs. This will not only enrich your writing but also demonstrate your commitment to accuracy.
Beta Readers: Seek feedback from a diverse group of beta readers who can assess the authenticity of your character and offer constructive criticism.
Engage with the Community: Attend Deaf community events, workshops, or online forums to immerse yourself in the culture and better understand the perspectives and experiences of deaf and hard-of-hearing individuals.
Creating a deaf or hard-of-hearing character that resonates with readers requires dedication, empathy, and thorough research. By following these steps and embracing the rich culture and diversity of the Deaf community, you can create a character that is not only authentic but also promotes understanding and inclusivity in your writing. In addition, when writing dialogue for your deaf or hard-of-hearing character, remember:
It's important to clarify why, when writing dialogue for a deaf character, you should continue to use structured English grammar and not sign language structured grammar.
Maintaining Structured English Grammar:
Readability: Writing in structured English grammar ensures that the text remains accessible and comprehensible to all readers, including those who may not be familiar with sign language or Deaf culture. It avoids potential confusion that could arise from using sign language grammar in written text.
Universal Understanding: English is a global language, and adhering to its grammar rules allows for a wider audience to understand and engage with your story. Sign language grammar varies between different sign languages, making it less universally applicable in written form.
Respect for the Medium: While sign language is a rich and expressive mode of communication, it is primarily a visual and gestural language. Attempting to replicate sign language grammar in written text can be cumbersome and may not fully capture the nuances of sign language communication.
Balance of Realism and Readability: Striking a balance between authenticity and readability is crucial in storytelling. Maintaining structured English grammar while depicting a deaf character's interactions helps convey the character's experience without compromising the reader's ability to follow the narrative.
As an illustration, consider the following text: Dialogues with Descriptive Sign Language:
Sarah greeted John with a warm smile, her hands moving gracefully as she signed, "Hi, how are you?"
John returned the greeting in sign language, his expressions mirroring his words. "I'm good, thanks. Did you see the new movie?"
Sarah's eyes lit up as she signed back enthusiastically, "Yes, I loved it!"
In summary, using structured English grammar when writing dialogue for a deaf character is a practical and respectful choice that ensures your writing remains inclusive and accessible to a broad audience while still authentically representing the character's identity and experiences.
Furthermore, it's essential to avoid creating a character who is overly perfect or one-dimensional. In real life, we understand that everyone has imperfections and complexities, regardless of whether they are deaf or hard of hearing. Therefore, it's entirely acceptable to depict your character as a villain with a hearing issue if that aligns with your storytelling goals.
1K notes · View notes
softle0 · 2 months
Text
Tumblr media
inspo
379 notes · View notes
turtleblogatlast · 24 days
Text
Unironically think that each of the bros (+April) don’t actually get how impressive their feats really are so they just do what they do and on the off chance someone comments on those feats they all react like:
Tumblr media
#rottmnt#tmnt#rise of the teenage mutant ninja turtles#no but really#I love thinking that they’re actually way more prideful about the stuff that does not even hold a candle to their other feats#like yeah Mikey can open a hole in the space time continuum but that’s nothing have you TRIED his manicotti??#yeah Leo has outsmarted multiple incredibly intelligent and capable people AND knows how to rewire AI but eh did you hear his one liners?#donnie accidentally made regular animatronics sentient but that was an oopsie check out his super cool hammer instead#raph was able to fake his own death to save the entirety of New York and then be the one to bring about his brothers’ inner powers-#but forget about that did you know he can punch like a BOSS?#and April can survive and THRIVE against a demonic suit of armor alongside literal weapons of destruction as a regular human-#but her crane license is where it’s really at#(not to mention all the other secondary talents and skills these kids all just sorta have like - they are VERY CAPABLE)#honorable mentions in this regard go moments like#donnie ordering around an entire legion of woodland critters to create a woodsy tech paradise#or Leo being able to avoid an entire crowd’s blind spots in plain sight#and also being able to hold a pose without moving a millimeter while covered in paint and being transported no I’m NOT OVER THAT#Mikey casually being ridiculously strong and also knowledgeable enough about building to help Donnie make the puppy paradise for Todd#Raph literally led an entire group of hardened criminals like that entire episode was just#basically they’re all so capable????#and at the same time prone to wiping out at the most inopportune of moments#love them sm
237 notes · View notes
intheholler · 6 months
Text
Tumblr media Tumblr media
716 notes · View notes
yjcorefourenjoyer · 2 months
Note
Hc that Robin Tim tried to condition Bruce into being better/less aggressive by using positive reinforcement (convincing Alfred to make cookies when Bruce has a good night), negative reinforcement (stops nagging when Bruce goes to sleep early), positive punishment (sleepy time bottle my beloved), and negative punishment (taking away his cases when he’s been up too late).
Like just the thought that Tim looked up ways to get people to do what you want and decided to go with classical conditioning is hilarious to me. He probably looked at the therapy pamphlet for two seconds before throwing it out and decided manipulating Bruce into being healthier was easier and more efficient.
HE ABSOLUTELY WOULD!
passive aggressive/manipulative (for the better) Tim drake my beloved!
Don’t mind him he’s just doing what all Robins do, Training Batman.
But like seriously Tim just wants to help and the only REAL way to help Batman is to beat him at his own game, planing and stubbornness. Same applies when you want to help Tim too, He probably thinks everyone gets help this way or something.
(Tim helps yj98 that way and it seems to work fine…. Tim just doesn’t know that everyone he hangs out with is a little weird)
347 notes · View notes
zerozeroren · 4 months
Text
Feeling wistful feelings over the fact that the form of Ahiru the majority of us viewers end up loving and rooting for the most (girl Ahiru) is also the most illusive and unreal of the three
218 notes · View notes
plusultraetc · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"No no no--not Yamada. Please call me Mic. My name is Present Mic.
162 notes · View notes
sidsinning · 10 months
Text
Nah guys that marichat kiss was still crazy got me barking like a dog fr
Tumblr media
427 notes · View notes