.

You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.

You know what I do want?

I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy

I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good

I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.

I want Buck to be happy. To be happy and free and queer in the way we all deserve.

i love this album because for the first time in maybe her entire career she's not apologising for a single thing. the album is angry and raw and she's like "here's this chapter of my life, the sad, the bad, the terrible and it's all raw and fucking angry for you all to see and i don't need absolution for a single thing" like she's not asking forgiveness for a single thing from anyone and that's what makes the album so fucking heartbreaking

Prompt 168

So. Apparently halfas are like phoenixes or something, which Danny would’ve really liked to know. 

See, usually with ghosts if they’re forced to retreat to their cores they reform as was, but apparently, since they’re still partially living, schrodinger's people and all that, halfas have to regrow their body from scratch. At least that’s what he’s understanding from Frostbite. 

But how come he has to deal with it? It’s Dan’s fault for trying to pull such a stunt! Oh, it’s either him or Vlad? Well fuck, he might have calmed down and is going to therapy in both the living realm and the Zone, but he’s waaay not equipped to raise a child except for like, monetarily wise. 

Well dammit, how long will this core incubation thing last, he has his new job in… let him check which offer he accepted again… He has his new job in Coast City that he needs to finish packing for and then all the rest of the stuff to do. 

What do you mean it’ll take months?! He doesn’t have months?! Urgh, fine. At least being a mortician isn’t that exciting, nor dangerous. Just hand him Dan’s core and he’ll figure things out for the living side of things. He’s sure Tucker and Sam wouldn’t be against helping, if only to try and claim favorite aunt or uncle spots. 

🐉: "People used to make gargoyles with human features as well. Also referred to as Chimeras, these human-like gargoyles are famously known for being a hybrid creature with human faces or parts. Many common gargoyles are also called as such because they combine several different features from different animals such as its face, tail, wings, and body type."

🐉: "... But this is not your area of interest, so I likely must be boring you, no? Apologies. Let me instead think of something related to things you enjoy."

🌸: "No,

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

House's problem isn't that he lacks empathy. It's that he has too much. He cares to the point that it's self-destructive. That's why he avoids interacting with patients like the plague because he knows that he'll care. He knows that he'll get attached, and he can't cope with that kind of vulnerability. House can empathize with and understand people so well that if he didn't constantly fight against it, he'd lose himself. He insults people and hurts people, and pushes them away as a survival tactic. Nobody spends that much time trying to convince people they don't care when they actually don't care. He has experienced so much heartbreak and abuse that he's learned his only way to survive is to push people away. He's not just trying to convince others he doesn't care. He's trying to convince himself, too. And he fails every single time. Because Gregory House loves people. He relates to them, he cares about them, and he feels vast amounts of empathy for them. He never gives up on patients, and he'll try to convince you that it's just because he loves puzzles, and while he does, it also is because he cares. When you experience that much empathy for people, it saturates every single part of your life. Every interaction you have becomes painful and overstimulating. You start to lose yourself. House is desperately trying not to drown in the minds of others. His ability to understand and care about people is what makes him a great doctor, but it's a blessing and curse. So he bites and claws and avoids and fights because it's all he can do to stay afloat. He's trying to constantly battle experiencing the emotions of others, on top of his own emotions, all at the same time.

so much shadow around us. to think we almost missed the light...

(a belated entry for wyll week day 6! favorite ship...i adore them ok)

something something wei ying only accepting his feelings for Lan Wangji when he feels they are returned, despite knowing deep down (very deep down) that he's had a crush on him that blossomed into something more since he was 15.

something something wei ying only talking about it being actually hard to he coreless to anyone years and years after only when a secret he died with was exposed and he couldn't hide anymore; and his response being to just put it all behind.

something something wei ying blatantly questioning why he was treated unfairly in Lotus pier when he was younger yet glossening over those memories in a cycle of "it wasn't that bad," and "it was sorta bad."

wei ying not responding to any of Jiang Cheng's remarks or anyone else's but going to look at his face in a river after slapping himself and only standing up when it's Lan Zhan getting slandered

wei ying being his usual sunshine self at burial mounds and later revealing that of course, he knew at that time, that it was all a matter of time

in cql and in the donghua we get the "I threw him into the burial mounds" but in MDZS? we don't.

something about how anytime there's a scene we feel would speak to wei wuxian, the narration switches to someone else, whether it be Jin Ling finding it weird that he didn't say a word in Iron Hook Extra while figuring out that the hero just wanted to scream; or instead of his thoughts about the servant matter, being shown Lan Sizhui's "Wei wuxian looked confident so it shouldn't affect him"

something about Wei Ying stating he doesn't care for people's opinions and he doesn't really but still listening to what they're saying and thinking if they're right or wrong and hiding his face from Lan Wangji

something about Wei Wuxian looking into Lan Wangji's eyes during the Koi Tower scene and thinking he looks disgusting

AHHHHH

i am an unapologetically Pro Abortion On Demand At Any Time No Questions Asked and i think i am open enough about this that so is anyone following me so this is preaching to the choir. and i feel weird about it in some ways anyway because, again: the question of abortion is you trust women & others who are pregnant to make choices about their bodies or their lives, or you don't. period. end of story. don't care why, don't care about context, don't care about anything except: do you want to be pregnant anymore? no? okay, you deserve an abortion. but. even so. even with all that. i do still keep seeing takes on the internet (my first mistake) that make me want to print out copies of this interview with a woman who had an abortion at 32 weeks on every wall in the fucking country. i want everyone who feels the need ever but especially at this moment in time to proclaim that they're pro-choice but only up to X amount of time to read it and understand exactly what fucking cruelty they're supporting.

and i also want to point out that this woman was a woman carrying a wanted child, living in blue state new york, who found herself, against all her expectations, flying on a plane to fucking colorado and traveling back a day and a half later, because the alternative was spending another month pregnant and having a C-section to watch her child either be stillborn or choke to death in front of her right after being born. that's what people are endorsing when they endorse late-term abortion bans, and it is your first day on planet earth if you think that there is any degree of codifying medical exemptions that is going to prevent situations like this from occurring. and if your first response to that is to think about how lucky she was to be able to actually do that instead of how horrific it is that she had to deal with that in an already traumatic moment of her life, something important inside you has been badly broken and you need to reflect on how to fix it.

The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.

Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.

But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:

KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?

Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪

And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:

WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.

In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!

I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.

And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.

First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-

WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!

So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.

WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.

Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.

And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.

The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.

Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.

Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3

As of today I'm an extremist in my own country. Russia just declared LGBTQ movement as "extremist"

People just want to be happy with each other, live freely, hold hands on the streets

And now, if you show in any way publicly that you are a queer you will be charged as an extremist, meaning anything from a huge fee to imprisonment

I'm sad but I hope love wins at the end

This is probably a hot take but I don't think anybody actually cares who Batman is outside of the GCPD and conspiracy theorists.

When Batman first shows up he's a friggen poltergeist. He's a cryptid. For a second there maybe people thought he was just a creepypasta.

Then when people start to think… actually it kinda seems like he's a guy…? Like, he's a real…? Person…???

Then the GCPD is like, 'Okay, well, then he's breaking laws.'

But your average schmo is like, 'And? Yeah he's a guy; he gave me fifty bucks to get home last night. Right after he saved me from an acid piranha pit.'

But the thing is, Bats has his own personality. He's a whole person as the mask. People don't ask who Superman's secret identity is because, as far as they're concerned, Superman is just Superman, and when they can't see him, it's because he went home. It would be the same with Batman. They probably think he sleeps or hangs upside-down all day.

I think Gothamites like him as Just Batman; he's the city's pet monster, and they like it that way.

I think we get super caught up in the, "Batman's secret identity might be revealed! 😱" because Batman's secret identity is famous. But if someone unmasked Clark or Barry or Hal it would be like

"…I have no idea who this is."

And they expect the same of Batman.

GCPD wants to know so they can arrest him, conspiracy theorists want to know because they wanna know where he fits into the machine, gossip columnists want to know so they can get catch some drama, and real-person fanfic authors wanna know so they can accurately describe him when he takes his mask off to kiss Bruce Wayne.

The whole "humans are inherently awful and bad!" spiel is so tiring to me as a survivor of abuse because it comes off as abuse apologia. If humans are inherently awful, then why should it matter if you're abused - that's what humans do best! Like, genuinely, I think this mindset can harm abuse victims/survivors because they're being inundated with this idea that, well, how bad can their abuser be? All humans are horrific, why complain, why escape, and why try to resist it?

I really wish people would critically analyze where these ideas come from and where these lines of thinking can lead. Maybe it's a matter that I'm looking too deep into, but this very bleak ideology is not going to help in the long run, I think, and some of the first people who are going to be crushed by it are the people who are vulnerable or who are put in vulnerable positions in society.

quick tfp optimus