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infernalwitxhcraft · 1 year

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All About: House Spirits

Well, it's about time I brought them up once again, in their own post. This guide may be on the lengthy side, but it's here to explain what they are and how to begin working with them.

What the hell is a house spirit?

House spirits come from all different cultures and folklore. Known as, you guessed it, guardians of the home. They protect the house itself, the land around it (they get along with the land spirit(s) most of the time), and they also protect the family if treated right. A home certainly doesn't feel like one without these presiding spirits helping. In fact it gives the home a life of it's own.

What do they look like? Are there types?

Across many cultures, there are these spirits and the folklore varies for each. In my tribe, we consider them to usually be little dwarves or goblins that must be appeased, otherwise they will cause bad luck or even resort to curses. Regular offerings are required. Then there are the land spirits, which is a whole other topic. If given regular offerings and respect, we believe that they will not only generate good luck and events for us, but protect us and help with our daily lives. For the witches of the tribe, they will often assist in rituals and spells. That all being said, this has carried over into my personal beliefs. Many cultures describe house spirits assisting with the same things and if they are displeased, bad occurrences following. As far as looks go, it depends on the folklore surrounding your area and your cultural background(s). You may believe in one or two types or an entire spectrum of house spirits from the realm of the fair folk. You could have one house spirit or twelve. It's entirely up to your home. In some cultures, there are door spirits (yes, that guard the doors) and ones that work in the kitchen, among others for different functions of the home.

Okay so, I live in an apartment building. Can I still work with them?

Yes. When I used to live in apartments, I found it was an either/or situation regarding how many were there. Some buildings have only a few that roam around, sometimes only one that protects the entire building, or there may be multiple hanging out in one apartment. Most complexes have multiple however. And then for the lucky buildings that have one for each apartment...those are nice. I've included a short offering ritual at the end of this post, which you can use to ask questions about whatever you wish to know, including how many there are in the building.

What kind of offerings do they like?

Milk, honey, bread, and herbs are a safe bet. They especially like bread baked by you, as they see it as a labor of love and that your energy is in there. Taking time to tend to the garden and taking care of your property & home in general are things they like to see. Don't leave the house a huge mess, as many prefer a tidy atmosphere. Not an offering per say, but important to mention nonetheless.

What should I put on their altar?

I keep my altar for them in the kitchen, as it is in a place that is undisturbed and can't be torn up by my land shark (aka, my dog). I also feel that most of the house spirits I have worked with in my life enjoy hanging out in this area of the home. They seem to like assisting in kitchen magic and cooking in general and the warmth of the stove. You may also want to include a small area near the front door if you believe that there are separate spirits for there. I'd recommend a shelf, as it won't take up as much space in the entryway.

Okay, back on track. Plants (if the space gets enough light), a cauldron, candles, offering bowls, a chalice, glass, or mug of some sort. A special spoon to stir the drinks or potions with. Decorative pieces from nature. Things you craft by hand.

How can I begin working with them?

Anytime, in reality. However, you do have to develop an actual relationship with them. This can take time and the more you speak to them, give offerings, and invite them in as you cook or clean, the more they will be willing to help with your spellwork, wards, and healing. Try the introduction ritual I've included. See what happens. Document it. Try again another time the following week. And just...keep going. Make sure that they know you haven't forgotten about them by leaving a small nightly glass of milk out before you head to bed. It doesn't have to be filled to the rim (hey, cost of living is ridiculous right now). It can be a splash with a squirt of honey added. Or a sprinkle of herbs on their bowl. Or maybe a small helping of what you whipped up for dinner. Point is to show them that you acknowledge and respect their presence. That will be the biggest component. Do the ritual once a week until you start seeing signs of contact. Once you do, make your own ritual with them. Incorporate them into your daily life. Ask them to help with blessing your cooking. Ask them to make sure your wards are in tact. Ask the door spirit to purify the energy of anyone that walks in & make bad people resist coming by. Start seeing if they'd like to sit in on a ritual, if you feel comfortable with that idea. Ask for a blessing when you clean the house & to assist you in removing all the bad energy.

Brief introductory ritual

To introduce yourself to your house spirits, I recommend sitting in your kitchen. If you consider your hearth to be the living room, you can choose to do it there. Make sure to bring offerings with that you feel will be applicable. Freshly baked bread (from your own hands) and some milk with honey stirred in would make a wonderful first treat. I usually introduce myself in a new home by bringing these treats to the location of choice, and start by speaking my intention aloud which goes something like:

"Spirits of the home,

Guardians and Protectors of this dwelling,

Please come sit with me and enjoy these offerings.

I wish to have a working relationship where we can honor, respect, and help each other."

I usually spend about ten-twenty minutes meditating after this is spoken aloud. Sometimes you will feel a strong presence. This is the time I take to set up my kitchen altar as well. If there is a place that I am able to create a mini-altar by the front door, I do so there for the door spirits. The land spirits get their own little thing out in the backyard. I've found in the many places I've lived, they almost always work together and some house spirits spend quite some time out there too!

From here on out, you'll develop your relationship with regular offerings and take it from there!

#witchcraft #witch #witchblr #green witch #house spirits #hearth witch #kitchen witch #faery folk #beginner witch #witchy guide

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call-me-strega · 9 months

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Dc x Dp Prompt #4: Ghost Selkie

Disclaimer: references and facts about Selkies are based on Selkie folklore, true facts about seals, and stuff I just made up because it works well with the story

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Okay so Urban Fantasy inspired au where turns out there is some Selkie blood mixed up somewhere in the Fenton bloodline. As such Jazz and Danny exhibit a few Selkie-like traits but nothing too serious: a playful nature, a certain grace and agility, attraction to shiny things (stars and microscopes), a decent singing voice, being strong swimmers, and seeing in the dark better than the average person. After The Accident™️ and being more involved with the super natural world some of those aspects get a bit stronger for Danny but he just chalks it up to being a Halfa. That is until Skulker catches him on an off-day and manages to capture him by snagging the back of his jumpsuit. Phantom, in a moment of panic and desperation, decides to try and rip off his bodysuit to escape. The suit comes of alright but out tumbles Danny Fenton rather than a de-clothed Phantom. Skulker, in a moment of shock, drops the suit and Danny catches cradling it to his chest while every fiber of his being screams “MY COAT. MY PELT. MINE, DONT STEAL IT.” Skulked realizes what’s happened before Danny does and nopes out of there bc “ This is not what I meant when a said I would have your pelt whelp!” Danny is left sitting there feeling stunned. A quick round of experimentation leads him to figure out that he is now able to take off the suit in Phantom form, but it will de-transform him into Danny. Furthermore, the regular "going ghost" transition still works both with and without him physically holding the suit.

A quick consultation with Clockwork and Frostbite reveals the Fenton Selkie heritage and he goes back to report to Jazz and his friends. Due to Jazz’s instance the siblings get a crash course in Selkies through a community of Selkies and Part-Selkies in the Infinite Realms as well as having a younger ghost show them where to find the modern underground Selkie-Community. Which leads to them getting emotionally adopted by their (dead and alive) Selkie mentors. They learn about eating habits, behavior, culture and customs (including the in and outs of courtship and mating), and camflouge/blending into society.

Jazz learns to tap into her vocal magic/manipulation. Her voice has a deeply calming effect on others and they feel more compelled to listen to her. This comes in handy with some of her more rowdy patients at her internships and stuff. She’s also to taps into the physical aspects of her Selkie blood and gains enhanced dexterity, agility, balance and reflexes. She’s also working towards improving her strength and stamina. Needless to say her aim has definitely improved. Nothing too wild but as she gains more liminality, those aspects become stronger so she’s definitely a cut above the average human though not as crazy as Danny.

Danny on the other hand gets the ability to “shed his pelt” by being able to physically take of his suit and de-transform as well as how to disguise the suit as a jacket or something (maybe a romper or a cardigan?) so that he he can keep it on him for quick, more discreet transformations if he wants to. His ghostly form takes on more Selkie traits like fangs for a powerful bite and more muscle mass and fat in certain areas to improve his endurance and cold resistance. He also learns to manipulate his ectoplasm to be able to shapeshift into the seal version of a Selkie. He is able to practice and manipulate his Ghostly Wail and hone it into a Siren Song and Sonic Singing too.

So basically both the Fenton siblings get cool Selkie power-ups (and unbeknownst to the two, admittedly already quite attractive siblings, their looks take on an otherworldly allure too). As well as a new community eager to take them in and provide them with support. That's why when Danny decides he wants to get away from Amity for college (the ghosts have agreed to a truce as long as Danny pops in for a spar and some shenanigans every now and then. He acquiesces because playing and roughhousing is a part of building social relations for both ghosts and selkies) some of their Selkie contacts help him apply for the Wayne Scholarship at Gotham University and get him set up in Gotham.

Let’s switch gears for a moment here. Gotham has always been a weird place full of weirdos, magic, and cursed energy. Basically, overall chaotic, edgy, and somewhat rancid vibes. It also is entwined with the supernatural. Lady Gotham, the spirit of the city, has allowed many a supernatural community to remain well hidden in her realm including but not limited to fae, witches, gargoyles, vampires, and of course, selkies. There is a huge underground supernatural community in Gotham, part of which is the Selkie community. Most of the Selkies moved out of the harbor and onto land due to pollution. The luckier ones who managed to gain some quick wealth settled in the Upper East Side or Coventry while others ended up in Burnley, the Bowery, and Crime Alley. However, family is very important to Selkies, so there is little resentment between the areas. They try to help out each other and the other members of the supernatural community in Gotham whenever possible. The overall magical community is spread out over Gotham with a few hot spots like Old Gotham, Robinson Park, Crime Alley and the Bowery, and Chinatown.

Now enter: Jason Todd (or a different member of the batfam of your choosing but you’re on your own to figure out how that’ll change the story). Jason grew up around a large portion of Gotham’s supernatural community. There were plenty of fae, selkies, sirens, vamps, and various other magical beings within Crime Alley. He discovered the community early on when he found out that the abuela who used to feed him tamales was in fact a Bruja (witch). Her name was Señora Mariana Soliña and she swore him to secrecy and taught him some basic knowledge on how to recognize and avoid being screwed over by the supernatural.

When his mother died Señora Soliña revealed her surprisingly large amount of wealth to him. She chose to live in Crime Alley to be closer to magical friends and people who would seek out her services as a witch doctor (her cover bc the best lies have a hint of truth). She offered him a hot meal and some spare cash when she could but they weren’t able to run into each other as often as they liked. After getting adopted and becoming Robin Jason made periodic visits to her before his death.

Jason’s resurrection didn’t happen in a Lazarus pit but when he crawled out of his grave. It was due to the magical energy(read also high ecto-concentration) in Gotham he had been exposed to that he became a Revenant. He was able to develop a core through the latent energy and become a spirit/reanimated corpse that sought to avenge both his death and countless others at the hands of The Joker. His dip in the Pits (polluted ectoplasm) brought him out of his catatonic state but triggered his obsession and left him with Pit Rage. Yada yada yada, trains with the League of Assassins, yada yada yada, trains with All-Caste and gets the ability to wield the magical All-Blades, yada yada yada, returns to Gotham for revenge becomes a crime lord, etc., etc., you know the drill.

Fast forward to when he’s made up with the BatFam and is now an antihero. His pit rage has gotten more controllable as the natural ectoplasm and magic in Gotham is slowly filtering out the polluted ectoplasm in his system but it’s still a long process. The supernatural community, however, is happy to have him there. You see Red Hood is actually quite a popular vigilante within the supernatural community. Among his many monikers, they were the ones who gave him the nickname “Avenger of the Unavenged”, and nod to his nature as a Revenant, as well as the aura of the All-Blades (which are meant to defeat absolute evil) that most magical beings recognize.

Jason is fully aware of the presence of the supernatural community in Gotham, as well as members of it who live within his haunt. Once things reach a new “normal” for him he tracks down Señora Soliña only somewhat surprised to see her alive and kicking. He asks for her guidance in the supernatural past the basic knowledge she gave him as a kid. Señora Soliña recognizes his magical aura and status as a Revenant and agrees. (Note: Jason is aware that he has some magic in him, but he attributes it to the All-Blades. He is not fully aware of his status as a Revenant. Señora Soliña assumes he knows and thus does not inform him.) She teaches him and helps him start getting integrated into Gotham’s supernatural community. She offers to “adopt” him as her grandson "Jason “Pedro” Todd Soliña" so that he can take on a civilian identity and attend college. He agrees, eager to resume his education and take on a semi-"normal" life.

And thus we've reached the part of our story where two worlds collide. Jason and Danny first meet peripherally during orientation at Gotham U. They don't really have a direct interaction, just learning each other's names during the icebreakers and some eye contact during the tour. Danny is dorming and Jason commutes so the don't see each other much past running into each other on campus or in the dining hall. That is until they spot each other at an underground, supernatural beings-only, cafe called Xenia a few blocks away Robinson Park.

The two realize the other must have a supernatural connection and start up a conversation. The conversation is illuminating as they learn they're both fairly new to the supernatural community and mostly ghostly. Danny reveals himself as a halfa and of selkie descent and Jason uses his cover to introduce himself as the grandson of a bruja with magic, a brujo-in-training if you will. Upon being asked what a halfa is Danny realizes Jason doesn't know a ton about ghost culture and gives him a quick crash course leading them both to figure out that a) Jason is a Revenant and b) Danny could probably help the Pit Rage by giving him some ecto-supplements. Due to this newfound information Jason conveniently forgets that his new friend mentioned having Selkie blood.

The two meet up more after that, intentionally this time so that Danny can continue teaching Jason about ghost culture and just to hang out. (Note: Danny isn't teaching Jason about selkie culture as he assumes the grandson of a bruja would know that stuff already. Jason has been taught a bit about selkies but they haven't thoroughly covered the topic of courtship yet). As they hang out and develop a friendship with each other the seeds of romance are planted.

One day after they wrapped up lunch at Xenia, Danny left the cafe, accidentally leaving his pelt/jacket on his chair as he's still getting used to having to keep track of it. Jason not realizing the significance of his actions picks it up and takes it with him. Later that day Danny freaks out realizing he left it behind when he runs into Jason. Jason was actually looking for him to return the jacket. So he's like "Hey man you left this at the cafe so I took it and now you can have it back" assuming the redness on Danny's face is just embarrassment. Danny, while mortified, is also extremely flustered. Selkies typically only let close family and lovers have access to their pelts because it implies a deep and intimate bond built on trust that they'll give it back. For Jason, who should know about such Selkie customs, to not only take his pelt but then also return it so easily is some very straightforward flirting. But hey, Jason is good friend... and easy on the eyes too. He wouldn't mind if there was something more there. So Danny decides that he wouldn't mind courting/being courted by Jason.

Jason on the other hand has in fact caught feelings for his friend but hasn't realized he already initiated courting by doing this. He plans to do it the ghostly way engaging in some bonding through sparing and roughhousing and building up their feelings before asking him out. Unfortunately for him, there is a lot of overlap between Selkie courting and ghostly courting so Danny believes that Jason has been courting him for some time now. There are also some things that are specific to Selkie courting Jason unknowingly does, such as buying Danny a bracelet (shiny rocks as a courting gift), beating up a couple of guys trying to mug Danny (defending/showing off for your mate), and introducing Danny to his family/agreeing to meet Jazz (family is very important to Selkies).

That's why when they go out to dinner, and Jason embarrassedly corrects a waitress who thought they were on a date by saying "Oh we're just friends", Danny is understandably upset. He was under the impression that their courtship was getting rather serious since Jason had met Jazz and Danny had met Jason's family. When he asks Jason why he told the waitress they weren't dating he replies "Umm because we're not?" in an uncertain tone. Danny feeling hurt and upset takes his glass of water splashes it onto Jason's face and storms out of the restaurant. Jason is left there soaking, confused, and wondering what he did wrong.

That night Jason goes to visit Señora Soliña to see if he messed up some ghostly custom for Danny to get so upset. When he arrives one of the first things she asks him is how it's going with Danny. When he recounts what happened at dinner and explains his confusion, the bruja takes a deep sigh before smacking him upside the head. Jason is like “wtf abuela?!” And she just shakes her head at him and calls him an idiot. She then reminds him that Danny is part Selkie and explains all the ways Jason has been courting him during the past few months. Jason, realizing he screwed up grabs one of his leather jackets and goes off to track down Danny.

Danny has returned to his dorm to cry and eat ice cream in his pjs from the comfort of his own room. He’s about to watch some comfort tv when there is a pounding at his door. He gets to find a disheveled looking Jason standing at his door. Danny frowns and questions what he’s doing here. Jason’s like “Look I know you’re upset and understandably so but please let me in and I can explain”. Danny’s care for Jason wins out over his anger as he resigns himself to letting the other in. The first thing Jason does is apologize for hurting Danny, saying it was never his intention to do so. He then goes on to explain how he hadn't realized that he had been courting Danny in Selkie customs. Danny is understanding but still upset and voices his feelings to Jason. Jason allows the other to get his anger out and then continues to say that he was actually trying to court Danny through ghostly bonding, and he would still like to date him if he’s open to it. Jason then takes off the leather jacket that he brought with him and offers it to Danny, saying that he doesn’t have his own pelt to offer, but this is the next best thing. This gesture nearly brings Danny to tears and he throws himself to hug Jason, accepting the jacket. The pull back and look into each other's eyes before sharing a kiss and spending the rest of the night cuddling before Jason has to leave.

From then on Jason ramps up the courting to 12, determined not to mess it up again. He reasearches selkie and ghost courting customs in depth to properly woo Danny and personalizes dates to their personalities. Danny is happy to be lavished with the attention and returns the favor. The two of them also make an effort to make sure the have clear communication to avoid having misunderstandings again. A few months later Jason decides to re-introduce Danny to the batfam as his partner and brings Danny along to Wayne Family Dinner with a ring around his finger. It’s a promise ring not engagement ring, but what Bruce doesn’t know will surely give him a heart attack and Danny is happy to go along with it. Danny and Jason become the longest and most stable relationship in the batfam. Tim and Damian even come to them for advice when they try to romance their own partners.

The story kind of just finishes off with the two of them being happy with each other and leaves an open ending to add in small scenes that happened during a time skip or after the story (e.g gushing to siblings, an actual proposal, identity reaveals, batboys seeking advice, them engaging in pda, interaction with other supernatural beings, gossip surrounding their relationship, ect.)

[Edit: additional oc info now found here]

#dp x dc prompt #dc x dp #danny phantom #dead on main #jason todd x danny fenton #jason todd #danny fenton #selkies #urban fantasy #misunderstandings #long post #Ghost Selkie au #ghost selkie Danny Fenton #Strega’s dc x dp prompt

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neechees · 2 years

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Which legendary Cryptids are appropriated from Indigenous Alaskan/American/Canadian/ cultures?

Honestly, most of them.

Wend!g0: appropriated from Algonquian cultures. The word itself (at least this version that I've censored) is Ojibwe & is an evil cannibal spirit

Sk*nwalkers: Navajo. Evil medicine men

Ravenmockers: Cherokee, called the Kâ'lanû Ahkyeli'skï in the Native language

Deer Woman: various cultures, including Ojibwe, Cherokee, Seminole, Oceti Sakowin, Haudenosaunee, & more.

Bigfoot/Sasquatch/various other giant hairy humanoids: various cultures, especially the Pacific Northwest. My culture also has them, & they're called Mistapew in our language. The word & "cryptid" Sasquatch is a bastardization of the word (& spirit) se'sxa from a Salish language (might be Nlaka'pamuctsin).

Lake Eerie Monster/Ogopogo/various other lake monsters: based on Algonquian horned serpent spirit & other similar spirits. Ogopogo in particular was stolen from the Secwepemc spirit Naitaka & the Sylix spirit nx̌ax̌aitkʷ

Thunderbirds: frequently found in many cultures, but most popular in Pacific Northwest Coast cultures, as evident in their art. Also found in some Algonquian cultures, including mine, & my Cree name has this word in it. This one was just straight up stolen & had a "cryptid" label slapped onto it

Caddy/Cadborosaurus: found in various PNWC cultures, called the hiyitl'iik by the Manhousat people, t'chain-ko by the Sechelt, & numkse lee kwala by the Comox in Vancouver.

Skunk Ape: bastardization of the Seminole Esti Capcaki, fitting the same description.

Shunka Warak’in: based on the name, it sounds like it was stolen from Oceti Sakowin legends, since "Shunka" (šúŋka) means "dog", particularly in Lakota

Adlet: stolen from Inuit legends

Thetis Lake Monster/Canadian Lizard Man: very likely based on & stolen from Haida Gwaii legends

Michigan Dogman: might be a mixture of Odawa legends as well as overlap with wend!g0

Owyhee Mountain Dwarves: stolen from Shoshone and Bannock legends

Nain Rouge: bastardization mix between French folklore called the lutin, and Native legends local to the area

Wampus Cat/Wampus: appears in multiple cultures, including Cherokee.

La Llorona: this one may have been influenced by a "weeping woman" figure that is seen in a few central american cultures, like Cihuacōātl, who has a really similar story with her son Mixcoatl.

Piasa Bird: spirit from Mississippian culture, often depicted in murals and art, including at Cahokia

Pukwudgie: from Wampanoag legends, & is a Wampanoag word. I think similar spirits exist elsewhere

A cryptid is an animal or creature that may or may not biologically exist but has a lot of tall tales surrounding it, and so people into "cryptids" (specifically ones that are appropriated) will use Native legends to fuel their argument & use as "proof" that these "animals" exist/existed, rather than the other way around that these are actually Native spirits that White people got a hold of, decontextualized, bastardized, and then spread inaccurately as "cryptids" or simply "folklore", with the latter being correct. Or people who think that these are just fun stories think "here's a cryptid and oh hey here's a Native spirit fitting the exact same description and the area the cryptid originates from is in the traditional territory as the Native culture this Native spirit is from. It's just a coincidence." & don't think it's because of appropriation at all.

I'm very likely missing some so there's probably more, but I also wouldn't be surprised if multiple OTHER "cryptids" have their origins in Native spirits that we haven't investigated yet. I've also been seeing White people talk about "cryptids" and then just straight up listing Native spirits, even ones that aren't widely known and don't even have a history of being called "cryptids". Which is fucking racist.

Native spirits aren't cryptids.

#edit: fixed!!

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the-cypress-grove · 9 months

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Worldbuilding Checklist (STILL UPDATING)

This is basically a bunch of worldbuilding checklists crammed together. Use what works for you, leave the rest. This is fantasy orientated and I will continue to update it regularly so reblog or comment something you think should be added.

History:

How far back does recorded history go?

How does history interact with myth and folklore?

How did the current system of governance come into power?

What are some notable figures of history?

Is your world's history broken down into eras?

What events have been twisted and changed as they've been passed down through the generations?

Geography:

What is the climate of this area?

What are the common plants of this area? Are there any fictional plants?

What are the common animals of this area? Are there any fictional animals?

Are there continents? Islands?

How much of this area is inhabited?

What area is known?

Country borders?

What are the major geographical landmarks i.e. rivers, mountains?

Where are the major trade routs?

What are the seasons like in this area?

Magic System:

How is magic practiced? Using wands, staffs, runes, etc?

How is magic learned?

Can magic be taken?

What can't magic do? What are its limitations?

What is the first thing a person learns when learning magic?

How are magic users perceived by others?

What are the laws regarding magic?

How does magic link to religion?

How has magic influenced history?

Politics and Law:

What style of leadership rules the area i.e. theocrasy (ruled by religion), monarchy (ruled by a royal family)?

How are laws created?

What is the process from the conception of a law to the point where it passed?

How is the law enforced?

What is the judicial system of this place?

Is there a death penalty?

Society and Culture:

How many major cultures are there?

What is their global population?

Where are they located geographically within your world?

Is there a social hierarchy / a division between the classes?

What are the major pieces of art in this world?

What does its music sound like? What instruments are used?

Are there well know folk songs?

What food is eaten by each group of society?

What are the treat foods of this area?

What are the foods saved for special occasions?

What holidays / special occasions are there?

Religion:

What are the major religions in this area? Do they get on with each other?

How are these religions viewed by their worshippers? By those who worship other religions? By those who worship no one at all?

How much does religion influence politics and the laws passed?

What do these religions believe in?

Are there divisions within these religions between groups who believe slightly different things?

How old are these religion? Which came first?

Which religion has the biggest influence on the world?

What are their opinions towards the government?

What are their opinions regarding the poor and the rich? Do they differ?

What are their opinions towards magic and technology?

Commerce and Industry:

What is the major industry?

Main imports / exports?

How wealthy is this country / area?

What valuable resources does this country / area have?

What are the common crops / livestock in this area?

Is this area coastal? Is there a fishing / trade industry?

Is this area forested? Logging and timber?

Technology:

What are the transport option available? For the poor? For the rich?

#writing #writing prompts #writeblr community #creative writing #writing prompt #prompt #fantasy prompts #prompts #writeblr #fantasy worldbuilding #fantasy #writing fantasy #worldbuilding #world building #worldbuilding stuff #worldbuilding questions

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eye-of-enigmatic-thought · 1 year

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“I know I can never defeat you Lobo, but I will never stop fighting for this life.”

[ID: A digital Persian Miniature styled art of Death and Puss In Boots’ final battle on the Wishing Star from the movie Puss In Boots: The Last Wish. The background is a blue with darker cracked textures signifying the area of the star, and the borders are purple with pink and white flame patterns across. Death can be seen raising his sickles at Puss with a feral snarling smile on his face, meanwhile Puss is knelt in front of him holding out his sword as his terrified expression is reflected on one of Death’s sickles. End ID.]

A Persian Miniature-esq styled art of Death and Puss’ final battle on the wishing star. This took me a long time to finish but it was a blast to paint!! Both Puss and Death ended up looking more 3D than what is typical of the very flat and 2D styles of Persian Miniature art, but I feel I managed to capture the energy and ‘flow’ of them well enough!

I adore the use of fairy tales and folklores in the Shrek universe and so I thought the idea of using the Persian Miniature style would have fit along with it, as these artworks were often used for book covers and illustrations. I’ve also wanted to create art with more influence from my culture and background, so I thought it’d be a perfect fit!

This was digitally painted with Krita, did I manage to make it look ‘traditional’ and painterly enough despite the digital medium?

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eregyrn-falls-art · 1 year

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Gruß vom Krampus!

December 5th is Krampusnacht, and I've done some pieces related to that over the years. This year I decided to update my depictions of Stan and Ford in the older two pieces (from 2016 and 2017 respectively), and to put the three all together. The original piece from 2016 was done for the 2017 Hunkles calendar (December of course), and the sequel was done for New Years the following year, with the final pic in the sequence appearing in Dec. 2020.

As I said in the original post, my version of the Krampus is based on looking at traditional folk costumes actually worn by krampus figures in Austria for the Krampusnacht festival.

And finally, just to keep it all in one place: after posting the 2020 piece, I got an ask about the little collection of Pines dolls that hang off of Krampus's basket in the second pic, and that Stan is holding in the last pic. I went into a long explanation (including an overview of the Krampus tradition and celebrations), so I'll put it below a cut here:

fernikart57 asked:

In your Krampus art... what's with that belt, neclace, bead (?) of plushes from the Pines Family?

Okay so like… the explanation is probably kind of dumb. And it’s me making stuff up, rather than relying completely on the actual folklore.

So the Krampus figure is actually a collection of figures from Central Europe, particularly in the Alps, and the specific traditions associated with the Krampus can vary from region to region and town to town. Thus, while a set of the Krampus tropes have kind of been exported and caught on in popular culture, that pop culture figure now only resembles *some* Krampus traditions. I don’t think it’s accurate to talk about “a” Krampus or “the” Krampus, exactly, because of that regional variation. It’s also worth noting that Krampus celebrations are very much alive in various towns in the Alps.

Generally speaking, though, Krampus is a “wild man” figure, often with a demonic face (mask), a furry body, and goat-like features (especially horns). There are some theories that the basic figure itself is pre-Christian (like a lot of the wild-man traditions of Central and Northern Europe). (I personally think that’s pretty plausible, given the range of costumes we see.)

After the advent of Christianity, though, the Krampus became associated with “the devil” or demonic figures. And eventually, in a lot of traditions within the Central European mountain area, Krampus got paired with St. Nicholas, as a kind of tag-team. St. Nicholas in those traditions is almost certainly one of the origins of Santa Claus, in that he rewards well-behaved children with presents. (But, traditionally he dresses like a bishop, and not in the outfit that a lot of Americans are familiar with.) The 6th of December is the Feast of St. Nicholas, so Krampusnacht (”Krampus night”) is the 5th of December. And Krampus acts as the opposite of St. Nicholas – if presents are a means of encouraging good behavior, then Krampus is the threat used to discourage bad behavior.

So, some of the accreted trappings of the Krampus are a whip and a bundle of birch branches, for beating children / people, and a basket that he carries on his back, into which he puts the naughty children he finds, to carry them off for punishment. (Obviously, the message there is: don’t be naughty or the Krampus will get you.) A number of the Krampusnacht traditions involve men costumed as Krampus running wild through the streets, threatening people with their birch branches or whips and so on, making noise (thus all of the bells worn around the neck) and kind of terrorizing people (not just kids), as a set-up for St. Nicholas to come in the next day and reassert order. (Sometimes it’s only “terrorizing” in an “all in good fun” sense, similar to Halloween scariness; but apparently in some towns, it can get kind of rough.)

So with all of that background… I was originally just looking for a sort of “crytpid” or monster for Stan and Ford to be fighting, with a December theme, for that 2017 calendar piece. They are encountering more of a magical, “real monster” version (rather than the folkloric ritual version), and therefore I took some liberties with the idea, even though I incorporated a lot of design elements from a variety of real Krampus costumes.

I didn’t want to put any actual children into Krampus’s basket for Ford and Stan to rescue, though (in the original calendar piece, they wouldn’t have been that visible). But when I did the second piece, I included the doll versions of the four Pines, hanging from Krampus’s basket, as a sort of… symbolic magical threat, an expression of the idea that the Pines are its supernatural targets. The dolls act as kind of representations of Krampus’s targets, and I also thought of them, in that sense, as a darker reflection of the St. Nicholas gift-giving tradition (still toys, but toys with a sinister meaning). If Krampus was a “real” supernatural being that goes around punishing the “naughty” or “wicked”… then what is its definition of “wicked”, and would it be a fair one, or unfair?

In this scenario, Stan and Ford are not in the mood to debate with it over whether it is fair to take them to task for being “naughty”, but they are DEFINITELY not going to stand for the idea that the Krampus might go after Dipper and Mabel, so – time to take it down!

Anyway, for more about the actual Krampus, I recommend taking a look at the Krampus article on Wikipedia, or listening to this excellent podcast (which I was listening to as I finished the piece the other day; am very interested in getting that guy’s book!).

#gravity falls #stanford pines #stanley pines #sea grunks!#krampus #krampusnacht #gruss von krampus!#holidays #folklore #my art #id in alt

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wanderingsorcerer · 11 months

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Spectral Whispers: Exploring the Enigmatic Realm of Celtic Faeries with W.S.

The ethereal world of Celtic faeries, where tales of magic and wonder entwine with the whispers of the wind, guiding us through enchanted forests and across shimmering meadows. So, brew a cup of tea, settle in, and let us unveil the captivating allure of Celtic faerie folklore.

Firstly while I will be using the term Fairies in this article for continuity, the Irish refrain from calling them the Fae or Fairies and Prefer to call them " The Good People' or " The Little People". The Fairies of the Emerald Isles were said to reside in a parallel universe to that of the mundane world.

Usually stated to be underground, the realm of the Fairies is said to be mostly invisible to human eyes. These are unlike the Fairies found within the writings of Disney and Modern Pop Culture. They are of a darker brood, Still Majestic and Beautiful, even downright awe inspiring. But many are said to be dangerous and uncaring for the mortals they Encounter in these folk tales.

So Let us go over some of the most well known Irish Fairies in celtic Folklore

The Who's Who of Tír na nÓg

There are hundreds of stories of faeries which stem from ireland, and while we won't go into every single one, here are some of my favorite honorable mentions from Ireland's beautiful folklore

Pooka: The Changer Of Forms

Commonly Referred to as Puca, it is a type of shape shifter in Irish Folklore which takes the shape of Animals or Humans. Commonly seen with forms similar to cats and horses, it was seen as unwise to anger these fae. Depending on the Area of Ireland, they are seen as either helpful, or as embodiments of chaos.

Dullahan: The Headless

The Dullahan is a malevolent harbinger of death. It is said to be the embodiment of Crom Dubh, a fertility god who demanded blood sacrifice in the form of decapitation.

This aspect of Irish folklore has been incorporated into American folkloric traditions as well, specifically in the stories of the Headless Horseman. His stateside debut was in Washington Irving's 1849 short story " The legend of sleepy hollow" while inspired by the original Irish works, The headless horseman has become an American Halloween staple.

Giving nightmares to children for decades since its release :)

Changelings: Stealer of babes

A fairy that was left in place of a human child or baby who had been stolen by the fairies. The baby was to live amongst the humans as they raised the other in the fae realm. The stories differ depending on the situation, it was often used to explain away different developmental delays, or even unexplainable deaths of their small children.

Humans would often leave these babies out in the woods to parish if they believed they were changelings, to them they hoped by leaving them the faeries would take the trade and give them their baby back.

Banshees: Screams Of Warning

a female spirit who wails outside a home to warn of the imminent death of a family member. The scream is also known as "caoine," which literally translates to "keening". She has also been called woman of the mound as in many of the stories she stands outside the homes and cry's from the fairy Mounds.

Leprechaun: Punishers Of Greed

a type of fairy that is often depicted as a tiny, bearded man wearing an emerald ensemble. Leprechauns are said to live in remote places and make shoes and brogues. They are solitary by nature and are a symbol of what happens when you let your greed win. Quit literally the Folly of the Get Rich Quick Mentality Of Many Humans.

These are but a small sample of the many fairies found throughout Irish and Celtic Folklore, These specifically can trace their origins back to The Tuatha De Danann or fairy nobility. Also seen as Gods and Demons depending on the era. As well as the original inhabitants of Ireland who only Tolerate our existence so long as we don't disturb the places and sacred sites they hold dear.

Faeries impact on Modern Day

All over Ireland, farmers have left portions of their land, in the form of Ring Forts untouched for centuries. These are believed to be the homes of the fairies and are overgrown with shrubs and bush. But farmers would rather see this resource go to waste than risk incurring the wrath of the fairies, which can result in anything from crop failure to DEATH.

This a recurring theme you will see throughout Irish history a respect for the property owned by the Fae and a rightful fear at the consequences of disturbing sacred ground.

How to not Piss Off The Fae

Folk Practices to appease fairies or at the very least keep you on their good side include Offerings of sweets and goods in which holds value to the person leaving the offering, back in the day it was things like this

Milk or cream

Bread

Honey

Butter

Porridge

Gold

Tobacco

Poitín

I hope you enjoyed learning about the faeries of Celtic Folklore with me today, remember to stay curious my friends.

Thank you for sitting down and having Tea with me on the Other side of the Great Divide

𓆣Patreon Saw It First, Come Join Us For Early Access To Wanderers Tea Time𓆣

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statecryptids · 5 months

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DEVIL MONKEYS- VIRGINIA

Though South America, Central America and southern Mexico have a great diversity of primates, northern North America has none aside from humans. This is ironic given that the earliest known primate- a small, squirrel-like creature called Purgatorius- evolved on this continent. Descendants of Purgatorius and its relatives diversified into several lineages of tarsier- and lemur-like forms that inhabited North America during the warm Eocene epoch before supposedly dying out as the land grew cooler and grasslands became more abundant.

A fossil find in 1960s altered this view when molars from a lemur-like creature dubbed Ekgmowechasala (Sioux for “Little Cat Man”) were unearthed on the Pine Ridge Indian Reservation in South Dakota. This animal lived in the Oligocene, millions of years after other primates were thought to have died out, proving that at least a few of these lines had continued. Though no younger North American primate fossils have been found since, what if descendants of Ekgmowechasala survived into the present day?

In 1959 a couple by the name of Boyd were driving home near Saltville, Virginia when a strange, monkey-like beast attacked their car. They described it as having light “taffy-colored” fur with a white belly, and powerful, muscular legs. Other people in the Saltville area reported seeing a similar creature around the same time.

Then in the 1990s a woman driving on a dark Virginia backroad saw a creature run in front of her car that she described as black and sleek with a long tail, pointy ears, a short-snouted face, a man-like torso, and powerful hind legs. Though the earlier Boyd cryptid bears little resemblance to this animal- and may in fact have been a different species- both incidents have been conflated in pop culture as encounters with what have come to be called devil monkeys.

While the Virginia encounters are the most well-known sightings, devil monkeys have been seen throughout North America. Coweta County, Georgia, for example, is haunted by the Belt Road Booger, a simian creature with a “flat, beaver-like tail covered in hair”. Run-ins with the Booger began in the 1970s, many of them now believed to have been hoaxes by pranksters dressed in gorilla costumes. But other encounters have not yet been fully explained. The Belt Road Booger has become such a local sensation that a taxidermist in Newnan, Georgia even made a fake “Booger” head out of a white-tailed deer’s posterior as a decoration for a friend’s hardware store.

There is also possible photographic evidence of a devil monkey. In 1996 photos surfaced online of a strange, furry, baboon-like carcass lying along the curb of a Louisiana highway. Dubbed the Deridder Roadkill, the body bears a distinct resemblance to descriptions of these cryptids with its long snout, bushy-haired body, and ape-like feet. While some have suggested the carcass was a devil monkey, others have proposed that it could be a rougarou, dogman, or even a chupacabra. More mundane suggestions include a large Pomeranian dog, or even a prop. However, as so often happens in these cases, the body disappeared before samples could be taken, so its identity could not be proved definitively.

Devil monkeys are often said to have powerful kangaroo-like hind legs that allow them to jump huge distances. This feature has led some cryptozoologists to wonder if widely reported “phantom kangaroos” sighted throughout the US and Canada might actually be these animals.

While stories of large non-human North American primates like sasquatch and skunk apes are abundant in folklore and cryptozoology, no fossil evidence for these creatures has been found. Thus if they are real, one could argue that they likely migrated to this continent late in geological history along the same routes that humans used. Devil monkeys, on the other hand, may represent a species of home-grown North American primate possibly descended from Ekgmowechasala or similar animals.

REFERENCES

Eons. (20, November 12). What happened to primates in North America? [Video]. PBS.org. https://www.pbs.org/video/the-first-and-last-north-american-primates-dztigm/#:~:text=Why%20don't%20we%20have,and%20eventually%20they%20all%20disappeared.

Gilly, Steve. (2018, April 20). The Devil Monkey. MountainLore. https://mountainlore.net/2018/04/20/the-devil-monkey/

Grundhauser, Eric. (2016, December 22). Does America have a secret kangaroo population? Atlas Obscura. https://www.atlasobscura.com/articles/does-america-have-a-secret-kangaroo-population

Leftwich, Rebecca. (2023, October 30). Who put the “boo” in the Belt Road Booger? The Newnan Times-Herald. https://www.times-herald.com/news/who-put-the-boo-in-the-belt-road-booger/article_ee9d689e-770f-11ee-a003-8bb851ca9cb4.html

Lynch, Brendan M. (2023, November 6). Fossils tell tale of last primate to inhabit North America before humans. University of Kansas. https://news.ku.edu/2023/11/06/fossil-evidence-tells-tale-last-primate-inhabit-north-america-humans#:~:text=The%20first%20primates%20came%20to,about%2034%20million%20years%20ago.

Morphy, Rob. (2010, January 13). Deridder Roadkill: (Louisiana, USA). Cryptopia. https://www.cryptopia.us/site/2010/01/deridder-roadkill-louisiana-usa/

Morphy, Rob. (2010, December 6). Devil monkeys: (North America). Cryptopia. https://www.cryptopia.us/site/2010/12/devil-monkeys-north-america/

Spooky Appalachia. (2023, April 26). The story of the Virginia devil monkey. [Video]. YouTube. https://www.youtube.com/watch?v=Nsv-mBSEX74

Taylor, Jr. L. B. (2012). Monsters of Virginia. Stackpole Books.

#cryptids #virginia #cryptozoloogy

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maverick-werewolf · 11 months

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Werewolf Fact #69 (dude!) - Ancient Egypt

Well, I thought this month would be about something else, but my patrons spoke differently! And I always listen to my patrons when it comes to folklore facts.

So, without further ado, let’s finally get back to werewolf facts! This is a big one, as it’s a lifelong favorite topic of mine!

An ancient Egyptian mask worn by a priest during rites performed for the dead, who would have “taken on the aspect” of the wolf-headed god Anubis

Let me just open by saying that I absolutely love ancient Egypt. It’s fascinated me since I was a small child and I was reading a tiny children’s book about cats, and ancient Egypt was discussed. Naturally, when I found out about Anubis, I was even more interested. Then came games like Age of Mythology and many movies... especially The Mummy (1999), of course. Anyway!

Ancient Egypt didn’t have a negative opinion of wolves. In fact, several important deities had wolf heads and were associated with wolves. Let’s begin with something that’s always interested me, which is the city of Lykopolis (as it was called in Greek)...

More under the cut, since this post got so lengthy!

Lykopolis (ancient Egyptian transliteration is something like “Zawty”) was an important city located on the western bank of the Nile, capital of the Thirteenth Nome of Upper Egypt during about 3100 BC. The primary deities of the city were - as you might imagine - Anubis and Wepwawet, both wolf-headed gods. Mummified wolves (golden wolves, not jackals; more on this momentarily) have been found in various excavated chambers throughout the city ruins, of which very little still survives.

The city has a very fun story behind it, as told by Greek historian Diodorus Siculus. In the first century BC, an army of Nubians invaded from the south - but they were repelled by packs of wolves. These wolves drove the army from the southern borders of Lykopolis and then back beyond the borders of Egypt. According to Diodorus, this is why Lykopolis was called “the city of the wolf” and revered wolves and wolf-deities so greatly.

Some sources claim that these wolves were summoned by the god Osiris, who was also worshiped as a wolf in Lykopolis, and had also, at one point, taken the form of a wolf. I will admit I personally haven’t read this source, as it’s in French, so I can’t fully attest to that element of the story - I haven’t seen that one cited very often in various specifically ancient Egypt history sources. Regardless, it’s fun if true. Either way, the tale of the wolves driving back Egypt’s enemies was definitely recounted in detail in a primary historical source!

By the way, you’ll hear a lot of people refer to these deities as “jackal-headed.” It’s very popular still to call Anubis the “jackal god.” We now know, though, that the animals in question were in fact not jackals - they were indeed wolves. Scientists for a long time asserted that they for some reason knew things better than the ancient Egyptians and Greeks who actually lived during the time period and retroactively dictated that they weren’t wolf gods, they were jackal gods.

However, the Egyptian jackal was discovered to be a species of gray wolf. You can read a lot about that here in this article, regarding how people didn’t believe wolves lived in the area during those time periods, but we found out they did, and we also found out that the mummified wolves in Lykopolis were - yes - wolves, like their contemporary cultures said.

A quote from the article: “the Egyptian jackal is in fact a gray wolf. ‘We now know that wolves were indeed in Africa in the days of the ancient Egyptians—and long, long before,’ says Stenseth.”

I honestly don’t know why everyone thought wolves couldn’t have lived in the area during these time periods (when we know perfectly well a wide variety of animals inhabited regions they no longer inhabit, and that we discover new species in the deserts even to this day) or decided the ancients didn’t know what they were talking about, but anyway...

Another fun fact, by the way, is that the word “jackal” didn’t even enter the English language until the 1600s, borrowed from French, which in turn was most likely borrowed from Persian - not Egyptian. The animals in Egypt were wolves, and we now know that they were also wolves scientifically. In fact, some scientists even believe it’s possible that jackals (as in actual scientific jackals, not golden wolves) didn’t find their way into the Egyptian region until much later, when these wolf gods would have been well-established. They may have followed travelers out of Arabia. This is speculation, though, but regardless, the long-believed-to-be “jackals” of ancient Egypt were all wolves. So it sounds like we should’ve believed the ancient Egyptians and Greeks in the first place, huh?

Long story short - Lykopolis was indeed a wolf city, wolves drove invaders out of Egypt, and Anubis, Wepwawet, and Duamutef were wolf gods. Not jackals.

Please note that there are those who would argue with me that some of them are jackals and some are wolves, or that they were all jackals, or whatever else, but in my personal opinion (and the opinion of many historians and scientists), it’s very clear across depictions, mummified wolves, historical accounts from both Egyptians and Greeks, etc., that these many Egyptian wolf-related beings were what we now call “golden wolves” or “Egyptian wolves” (and sometimes referred to as “jackals” still despite their genetics), which are indeed gray wolves, and not a species of true (genetic) jackals. There also exist theories that these wolves are something that no longer exists, and also that the modern animals we have are interbred wolves and jackals. Theories abound, whatever the case.

Then of course there are those who say that Anubis was the jackal-headed god and Wepwawet was the wolf-headed god, due in no small part to inherent biases that wolves only come in “gray.” I think those are all very silly, especially as we already know that colors in ancient Egypt were highly associated with ritual and meaning, rather than directly stating that Anubis’s head was black because he’s some kind of black-backed jackal - which don’t even have black heads, anyway. We have multiple associations between Anubis and wolves, and just because Wepwawet was often depicted with a grey or white head doesn’t make him a wolf and Anubis something different. Therefore, I personally will continue to refer to all of these as wolf-headed gods, and I apologize if that bothers anyone.

Sorry. Brief Mav-rant there. More important things to follow, because we haven’t even talked about those deities yet!

So now let’s talk about these gods themselves...

Anubis in the book of the dead (which was not actually a book)

Easily my favorite thing in all of ancient Egyptian mythology, Anubis (known by many other epithets, including but not at all limited to "Lord of the Sacred Land," "He Who is Upon his Sacred Mountain," "Master of Secrets," and "He Who is in the Place of Embalming”) is the god of the dead. He was the protector of graves, guardian of the dead, the shepherd of souls passing into the afterlife, and many more roles, including the ever-important Weighing of the Heart (as seen above), the results of which would dictate whether or not someone was allowed to enter the afterlife - or if their heart was devoured by the monster Ammit and their soul destroyed forever.

Anubis was depicted with the black head of a wolf. His head was colored black because black was the color associated with life, the life-giving soil of the Nile River, regeneration, and embalmed bodies, and he, of course, is also the god of mummification. Anubis is one of the single most important deities in all of ancient Egypt, depicted and mentioned very frequently, even more than most any other deity - however, despite this, there are almost no stories actually involving him.

But no, Anubis was not “evil,” as much of modern pop culture would have you believe! (Sorry The Mummy Returns, I love you to death, I really do - but it was super rude to make Anubis evil.)

Long story short, Anubis was freaking awesome, and there’s way too much to say about him and his awesomeness for just one post. Maybe I’ll do a separate post all about him later, because he’s a personal obsession of mine.

Anubis’s brother (at least, he is considered to be this by some) was the god Wepwawet, another wolf-headed deity. Wepwawet was a man with a white or grey head of a wolf (though some think he may have also had a black head like Anubis, but others claim that is not the cause and the coloring was on purpose as we have seen it in too many different places - still more claim it was just the artist’s preference; it’s hard to know any of these things for sure)...

Wepwawet with Pharaoh Seti I (try not to read that in Ardeth Bay’s voice, I dare you. I don’t know why you wouldn’t want to, though)

Like basically all deities of ancient Egypt, Wepwawet is a complicated god, a deity involved in some funerary rites, but especially associated with war and royalty. Wepwawet means “opener of the ways,” and he was depicted as a man with the head of a grey or white wolf, as well as wolf at the prow of a solar boat, sometimes said to lead armies, to scout, and even to have the honor of going before the pharaoh himself. He is also known by the title “one with sharp arrows more powerful than the gods.”

A very important god, Wepwawet is one of the oldest gods of Egypt ever recorded, and he was always associated directly with royalty and specially the pharaoh. He was said to accompany the pharaoh on his hunts, as well as protecting the pharaoh in life and the afterlife - he is a symbol of divinity of rule and of kings in general. He is, for certain, a very good deity, rather than some kind of evil wolf of Western literature.

And lastly among the prominent wolf-headed deities, we have one of the four sons of Horus, Duamutef...

The four sons of Horus were depicted upon the canopic jars (jars containing certain organs of the mummified dead) starting in the First Intermediate Period of Egyptian history, which was around 2181-2055 BC. Each deity protected a different important organ; Duamutef, the wolf-headed god, always protected the stomach and represented the direction of the east. Please note he was not always depicted with a black head like Anubis; sometimes he also had a white or grey head. It varied. Likewise, in later periods, the forms of these various gods were sometimes mixed up, and a different son of Horus would have the wolf head. These deities were depicted not only on the canopic jars, but also on many other funerary artifacts, including the sarcophagi that would contain the jars.

So we have all these wolf-headed deities... but does any of this tie into werewolves at all?

Well, it doesn’t, really. There seems to be no indication that Anubis, Wepwawet, Duamutef, or anyone else did any particular shapeshifting, and they certainly weren’t cursed. They were gods. Anubis and Wepwawet are both sometimes depicted as simply a wolf as opposed to a wolf-headed man - as many of the Egyptian gods are depicted as their animal counterparts, including Ra, Horus, Hathor, Sobek, and many, many others - but that’s merely his animal aspect counterpart. Depictions and aspects of the gods of ancient Egypt (and also, later, how Rome and Egypt intermingled some of their deities during the Roman occupation, such as Hermanubis) are extremely in-depth topics. I’ve always loved studying them, but they are immensely complicated - certainly far too complicated for this post! So let’s get back to the matter at hand...

I’ll be honest, I have yet to find a credibly-sourced legend that talks about anything like an ancient Egyptian “werewolf.” I’m pretty darn sure they didn’t have anything remotely like what we consider among actual werewolf legends, my friends, and especially none that meet my personal criteria. The ancient Greeks, however, absolutely did, as you probably know if you’ve spent time browsing my werewolf facts masterlist (link at the bottom of this post!).

Wolf-headed gods, however - yes, they definitely had those, and no, they were not “evil gods.” In fact, some of them were very highly revered and associated directly with necessary aspects of life and death, as well as with pharaohs.

Speaking of, if you love ancient Egypt (and also adventure movies), you should absolutely check out my new novella that came out just this past June - Wulfgard: The Tomb of Ankhu!

It is the first of two short novellas that tell an exciting tale about adventure, an ancient curse, mummies, memorable characters, and last but not least lots of Anubis and other legends, all of it set in the vast ancient-medieval dark age fantasy realm of Wulfgard: a world where all myths are true.

Every book release means the world to me, and this one is no different. I’m very proud of this story, and I really think you’ll enjoy it.

Deep in the southernmost deserts of Wulfgard lies the resting place of Pharaoh Ankhu the Endless, one of the greatest evils the land of Kemhet, or the world, has ever known. So terrible was his power that the gods themselves cursed him, sealing him away in an underground labyrinth. Ankhu rises with each darkening of the moon, a walking mummy, wandering this tomb in search of his own still-beating heart, without which he can never reach the afterlife.

Over untold ages, Ankhu’s tomb remained undiscovered, a secret protected always by the loyal Medjai, an order sworn to guard Kemhet from all threats. And now, a new threat has arisen: Lord Tefnahkt the Red, a powerful warlock, drives his cult and his many slaves to uncover Pharaoh Ankhu’s resting place and steal the mummy's power.

While a small group of Medjai desperately work to stop Tefnahkt’s plans, one slave may become the key to putting an end to this evil once and for all: Djedar Rath. In a race against time, Djedar must lead the Medjai to prevent Tefnahkt from opening the tomb of Ankhu before the coming of the new moon, when the undead Pharaoh will awaken once more. For, if Ankhu escapes, the world will never survive his wrath.

Inspired heavily by real-world ancient Egyptian and other mythologies - but with many original additions and elements - as well as the classic character-driven adventure genre that mixes aspects of action, thriller, and horror, with a tasteful sprinkling of levity, The Tomb of Ankhu is a tale of non-stop adventure and excitement that will leave you on the edge of your seat! Now available in ebook and paperback!

Go here to purchase on Amazon! https://www.amazon.com/dp/B0C8897R1K

Readers have been really enjoying this one! The second one has been in the works for quite some time already, so expect news about that in the coming months, as well.

Hope you enjoyed the werewolf fact this month, even if it was kind of more a wolf fact. But, myself, I have spent my entire life captivated by ancient Egypt, so I love this kind of stuff.

Thanks for reading, and until next time!

( If you like my werewolf blog, be sure to follow me here and check out my other stuff! Please consider supporting me on Patreon or donating on Ko-fi if you’d like to see me continue my works, including my folklore blog and writing my own novels, werewolf and otherwise. Every little bit helps so much.

Patreon — Personal Website (new and improved! Great starting point!) — Ko-fi — Wulfgard — Werewolf Fact Masterlist — Twitter — Vampire Fact Masterlist )

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call-me-strega · 5 months

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Ghost Selkie AU Tidbit: Abuela Soliña

I’m still playing with my Ghost Selkie Au, tossing it around like a cat toy trying to decide if and how to write it and one figure that I’ve kinda developed a backstory for is Abuela Soliña. Now said backstory may never see the light of day in the the main story so I thought this’d be a fun tidbit to throw out while I’m still considering the main story overall.

Okay so my inspo for Abuela Soliña, or Señora Mariana Soliña, actually came from a couple of different sources. I took some of the general headcanon from the DCU; Crime Alley has a large population of people of color, specifically Hispanic in the area Jason lived; that Jason has Hispanic heritage; that some of the older women in the alley occasionally feed street kids; and took them to create a person that would be a maternal figure for Jason bc I’m all for giving him Good Adult Influences.

She functions a bit as a plot device taking up the role of Jason’s magical mentor and helps move the story along. However, I wanted to give her more depth so I based her off an actual figure in Spanish history. Once I had decided a witch was the best magical figure to live in Gotham and guide Jason I actually did a bit of research on famous Brujas in folklore and came across María Soliña/Soliño a famous witch from Galicia who inspired the women of her village to fend off Ottoman raiders and survived the Spanish Inquisition without being burned at the stake. She was the main inspiration and namesake of Abuela Mariana Soliña. She did have children, though not much is known about them, so I wanted it to be implied that Mariana was a descendant of María. I wanna say I’m placing her around age 50 when she first met Jason and 65-ish(?) when he returned to Gotham.

Anyways, like I said I didn’t want her to remain a plot device and actually have depth so I kinda started building a backstory for her. Her grandparents or parents were likely immigrants who moved to Gotham from Galicia, Spain back when the city was younger. Back then the different magical communities were a bit more segregated. Vampires stayed clans with vamp doctors and leaders, gargoyles in their own community, fae in their courts, etc., but she did let that stop her. She was always deeply involved in the inter-magical community and was a central figure due to her interest in learning other supernatural cultures of the city.

She eventually grew up to be a full-fledged bruja who sold her magical remedies, charms, potions, etc to any supernatural being willing to pay her. This actually helped her amass a large amount of wealth quickly, especially when her charms, totems, and remedies caught the eyes of superstitious crime bosses across the city. She always insisted to cover her face with a shawl to protect her anonymity and had several mob bosses sign magical contracts agreeing to protect her and her rights to do business thus making her virtually untouchable in the Alley.

I wanted her to be a very strong influence on Jason. She is very strong, sassy, confident, clever, and street smart and taught Jason some of those traits. She actually meets Jason through Catherine. Mariana had many close friends with children though she herself never married. Catherine was actually the daughter of one of her close friends and Mariana was like an aunt to her. When her friend died and Catherine was left on the streets Mariana did what she could but her fear and unreadiness for motherhood held her back.

Catherine was taken in by her uncle’s family and the two were estranged for a time. In that time she falls into addiction due to her uncles on involvement in drug running as well as bad peer influences. She reunites with her Tía Mariana when she marries Willis and reaches out to invite her to the wedding. Even though they are no longer very close, after Catherine becomes pregnant Mariana offers to help out when she can. She lives in a different (read: magical) part of the Alley so she only sees Jason occasionally but makes a point to feed him, and when he discovers her secret, to teach him some basics of the supernatural world to help him get by.

After Catherine’s death Abuela Soliña is distraught. She offers Jason a hot meal and some money she had set aside (Catherine’s old college fund she never got a chance to use) but hesitated to offer a place in her home so soon after the loss. Jason sees her grief and hesitation, mistakenly assuming it’s unwillingness to deal with him full time and runs off. She tries to invite him back a couple of times but he mistakes it as one off events and remains a street kid until Bruce adopts him.

He still occasionally goes back to the Alley to visit her after that, usually as Robin. The first time he went to let her know he was okay she immediately clocked him as Jason but wished him well with Bruce. When he visits she still feeds him and gives him luck and protection charms to help with crime fighting. (Side Note: on one of his visits Jason finds out the Alfred and Mariana know each other and Have Met Before™️. Neither explains how or why)

When Jason dies Mariana grieves him deeply. When he comes back as a revenant she is both relieved and guilty. She’s happy to have the boy back but a revenant’s existence is not a peaceful one. When he searches her up and comes to see her he looks like he’s survived hell and back and he probably has. He seek out her guidance and help and this time Abuela Soliña is more than willing to pass on her vast wealth of knowledge of the supernatural community and its cultures to Jason.

One of the biggest two regrets Mariana holds with her is not adopting Catherine or Jason when they were at their lowest and she had the chance. That’s why as Jason’s rage cools and he begins looking to return to a (semi-)normal life she offers to adopt him as her grandson for real this time. She has a friend who owes her a favor and can fabricate the paper work to turn Jason Peter Todd into Jason “Pedro” Solina (and his mother posthumously Catherine Soliña-Todd). She offers to officially make him her little witchling and he emotionally accepts.

Mariana is still an active and well-known figure in Gotham’s underworld and supernatural community so having her backing gives Red Hood a lot of pull and credibility. Plus his revenant titles increase his claim to fame in the magical community. Red Hood is well loved and “Pedro” is well accepted with in the community. He’s kind of a public figure, bordering minor celebrity due to his connection to famous Bruja and witch doctor, Mariana Soliña. Not that he is aware of that fact.

Lastly I’m gonna tack on some nicknames Jason receives pertaining to his connection with Señora Soliña:

Soliña’s boy (el chico de Soliña)

Little witchling

Pequeño niño brujo or pequeño brujo (little witch boy)

Young brujo

El neito guapo (the handsome grandson)

Alborotador (troublemaker)

Heredero (heir/inheritor, referring to Mariana’s kowledge, wealth, and position in the community)

(P.S I tried my hand at drawing what I think Abuela Soliña would look like but I’m not super confident in it. I think I’m a better writer than drawer, but if you guys actually wanna see the drawing anyway let me know and I’ll make another post with it)

#long post #dc x dp #jason todd #oc:#Mariana Soliña #just a tidbit #oc lore #ghost selkie au #Dead on Main in the au but not this specific post #dead on main

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dailycharacteroption · 2 months

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Class Feature Friday: Bell Implement (Pathfinder Second Edition Thaumaturge Implement)

(art by cobaltplasma on DeviantArt)

A marvelous property of pure metals is their ability to generate such clear notes of sound when struck or vibrated. So beloved is this aspect of them that we’ve devised all manner of ways to shape metal for that exact purpose, be it complex instruments, wind chimes, or indeed bells.

A bell can be a simple instrument, or it can be a powerful tool of communication, often both at once. Bells can inspire fear and alertness when used as an alarm, or comfort when used to signal times of day or even times of worship.

Indeed, bells are strongly associated with various religions for their ability to signal when certain religiously significant times were approaching over a large area.

Its no small wonder that bells are often considered sacred instruments, and that there is a lot of folklore that paints the sound of bells as able to drive away evil spirits.

It is that significance that thaumaturges capitalize on with their occult arts, and many of them do adopt bells as one of their implements. These are often handbells, though handchimes, windchimes, and even larger bells such as those used by guards in some cultures. Anything that is notable for it’s ability to signal with sound might be appropriate. Such chiming instruments are associated with the cosmic caravan astrological signs of the daughter and the blossom.

Such implements, empowered by the belief and knowledge of a thaumaturge, become especially useful in driving away and disrupting the actions of monsters.

When their chosen foe casts magic or attacks, these thaumaturges can ring their bell to disrupt their concentration. Why they can’t lose the spell because of this, it can still reduce the intensity of the effect or throw off aim enough to help allies avoid the attack or magic.

Later on, their bell continues to resonate afterwards, causing the effects of the chiming to last longer.

They also learn to link their own strikes to the resonance of their bell, causing foes they exploit the weakness of to be more vulnerable to the bell’s disrupting chime.

Finally, those who master the bell learn to intensify it’s effects, as well as use it against all foes, not just the one they are currently targeting with their expertise.

Beyond that, a decent handful of feats are useful and/or thematic for those specializing in using the bell implement, such as Divine Disharmony, Haunt Ingenuity, Root to Life, Esoteric Warden, Turn Away Misfortune, Shared Warding, Thaumaturge’s Demesne, Esoteric Reflexes, Sever Magic, Unlimited Demesne, or Wonder Worker, though obviously your build will differ.

The bell implement is there to give you a way to help protect your allies by debuffing your foe as they attack, potentially protecting allies as they make saves and avoid attacks. That alone makes your thaumaturge a bit more of a support character, so you might consider building in that direction or diversifying to provide a more even approach of attack and defense.

Though thaumaturges aren’t quite the same as their predecessor class, the occultist, they share some of the same bones, so thinking about what sort of significance the instruments that thaumaturges might use as bells is interesting. One might be the bell of a town crier whose alert saved a village, or perhaps a bell from the parade raiment of a priest meant to frighten evil away, and so on.

A child of a magically-assisted union, Vokuss the Horn is a dromaar, or half-orc, but his other half is one of the stout kashrishi, those crystal-horned psychic beings. Though his appearance is unusual, he has a special knack for psychic resonance, particularly with his set of crystal chimes. As such, he has long worked a monster hunter, able to understand their weaknesses by listening to the notes of the chime.

Acclaimed monster hunter and thaumaturge Poculus has gone missing, and whats more, his signature brass bell has turned up, half-melted in the a forge downtown. The owner claims no knowledge, but his fire mephit assistant, Scorchfingers, is being evasive, as if he witnessed something, but it too afraid to reveal it.

The Nomoon community is a collection of various “monstrous” creatures living in the undercity far from the street level of Moonsilver. Though distrustful of outsiders, they are a surprisingly good-hearted band of misfits. They are a bit superstitious though, and refuse to move the bell left behind by a would-be monster hunter they drove out some years ago.

#pathfinder second edition #thaumaturge #implement #bell #dromaar #half-orc #kashrishi #fire mephit #mephit #Dark Archive

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stagkingswife · 1 year

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hi! do you have any tips on getting to know local fae and any anecdotes? also any warnings if you have them. ty!

Getting to know you tips:

Most of the folklore I draw from in my work with the Folk is specifically Irish, and it seems like the Celtic types of Folk are the ones you see most commonly spoken about online (I believe they were spread via human immigration - i.e. the American Gods theory). Many cultures have folklore of spirits that people often lump into “ the fae,” but I think this over is a mistake. A Russian Domovoi and an English Brownie might seem like the same thing because they’re both house spirits, but they operate on very different rule sets and have different roles within their cultures. So I find it important to get to know the Folk around you on their own terms. Are they native to the area, or are they essentially immigrants? My own work is so Irish flavored because I believe the Folk I work with came here from Ireland.

We’ve talked about human culture, now let’s talk about Otherworldly culture. A lot of working with the Folk for me has been like learning a new culture. You’ve probably seen a lot of “Rules for Working With the Fae” around, and while those are great general guidelines they aren’t always necessarily applicable in their entirety to every group of the Folk or every individual spirit. Every time I encounter a new group of the Folk it’s like moving to a new city, there’s a unique culture to learn and internalize. Each Court, Clan, Troop, Mob, etc is going to be unique, and solitary types even more so. At first I recommend listening more than you speak, ere on the side of too formal rather than too casual, and try to get just one or two close allies who will help you learn and practice, and hopefully kindly point out your mistakes before you make them with someone less forgiving.

Some words of caution:

Don’t be afraid of the Fair Folk if you want to have a successful relationship with them. There’s a lot of fear mongering that happens about this particular type of spirit, and yes there are particular dangers to seeking them out, but that can be said of any type of spirit in my opinion. And in this particular case fear will not serve you well. Be cautious, yes, but not timid or afraid. The Fair Folk I’ve been close to reward clever cautiousness and only mock fear.

You’ll notice that I called them the “Fair Folk” try not to use the f-word you used, and never the f-word that rhymes with airy. Now this is informed by my particular experiences and specific cultural beliefs that calling them those terms is…. Let’s say less than flattering to them. It's also a cultural belief that these words attract their attention when one may not necessarily want it, so there are all sorts of traditional epithets and euphemisms. But not all of those terms apply to all of the Folk, for instance the courtly types might like the classic “Lords and Ladies” term, but the Clan I have ties to hates being called this term and would take it as being mocked if someone used it with them, they prefer simpler options like “The Gentle Folk” or “The Folk Under the Hill.” So the warning/tip here is to figure out what the Folk you’re getting to know prefer to be called and stick to that. (Of course this only applies if you’re operating within a paradigm that has similar cultural taboos, but these cultural taboos aren’t uncommon, so it’s worth checking if you don’t already know)

Story time:

I think I've mentioned before that two Folk from the Clan that I'm allied with now were the first spirit encounter that I can remember from my childhood. Their reaction was very much "You can see us!?!?" They clearly weren't used to being noticed by humans. They starting bring others to see me see them. Eventually they brought the leader of their Clan, who became my trusted ally who helped me learn the culture and practice the rules. He was ancient, even by the standard of the Folk (so old he looked look) but he had a soft spot for children, so he was more forgiving and patient of my learning curve than anyone else in the Clan likely would have been. I was working with him at the same time I was studying with mentor, so I would learn spirit work and Otherworldly travel techniques with her, and then practice them on/with him. He treated me like a beloved pet with an amazing repertoire of tricks, and the rest of the Clan treated me like a team mascot. I've grown in skill and power, and for the most part the members of the Clan treat me as an equal now, but there are still a few old timers who still act like I'm their mascot. But I don't begrudge them, change is hard for them.

#spirit work #ask stag stuff #the fair folk #fae

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talonabraxas · 7 months

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Hongos Sagrados. "Cure yourself with the light of the sun and the rays of the moon. With the sound of the river and the waterfall. With the swaying of the sea and the fluttering of birds. Heal yourself with mint, with neem and eucalyptus. Sweeten yourself with lavender, rosemary, and chamomile. Hug yourself with the cocoa bean and a touch of cinnamon. Put love in tea instead of sugar, and take it looking at the stars."

Maria Sabina (via the Santitos) 🍄 Mushroom stones dating from 3000 BC were used in ritual contexts across Mesoamerica and into South America. The majority were found in Guatemala in the highlands or in areas along the intercontinental mountain range which were heavily influenced in Pre-classic times by the Olmec culture. 🍄 The Olmec, Zapotec, Maya, Aztec and Inca all used hallucinogenic mushrooms as a catalyst for spiritual insight, poetry and philosophy. To this day the Mazatec use them ritualistically and primarily to cure illnesses. Additionally, much like the early religions and philosophies of Eurasia and their sacred, mediating substance called Soma (see previous post on Scythians), these transcendental substances were undeniably at the very core of all world religions. 🍄 It is suggested that European ideas of heaven and hell may well derive from the same cult mysteries. Tlaloc, the mayan rain and mushroom god was created by lightening, so was Dionysus; in Greek folklore as in Mazatec, so are all mushrooms - proverbially called ‘flesh of the gods' in both languages. Tlaloc wore a serpent crown, so did Dionysus. Tlaloc has an underwater cave, so did Dionysus… 🍄 What all these cultural links seem to suggest is that entwined within the physical world is a realm concealed to ordinary sight. Just as Maria Sabina claimed that all her poetry was not hers but was given to her by the mushrooms, so too the most ancient living traditions claim that their knowledge is not their own but was handed down to them from much older civilisations - sometimes in the form of pure, non-material consciousness. art by Ventral is Golden

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blazescompendium · 1 year

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Blaze's Compendium Entry #6: Helmet is required to deal with the Muh Shubuu.

Warning: Faith and religion are important real life topics, that tackles the culture and way of life of millions of real life people. It is a cultural expression, and must be respected by all means. Here, we use a video-game series only to ignite the flame of learning about the matter, using its art when well depicted, but we do this with all due respect to the cultures we talk here, grounded by real life sources, cultures and people. And i mean this with respect. Hope you all enjoy.

Moh Shubuu, or Moh Shuvuu is a fantastical creature from the Buryati Folclore, nomadic people from Asia in a region between Siberia and Mongolia. Their are treated like a Mythological bird, that is born when a young girl or young woman dies by violent means, without knowing true love. (This can imply chastity, but it will vary in how explicit it says it). Normally, Moh Shubuu will attack man that she could seduce using her young girl looks, bringing the victim to isolated areas of the desert and killing them with a blow to their head, using their ominous sharp beak. Then she would proceed to suck and consume the brain matter out of the person.... Yikes.

According to sources (as always, will be in the boton) There are other ways for a Moh Shubuu to be born, we will explore those later.

This is one of those legends that, finding a single western source on it is way harder than actually understanding it. Not even Wikipedia is of any help here (That is, if it was of any help, any time). The only real English source i was able to locate was a book: ''Christian Demonology and Popular Mythology, Central European, 2006''. Although this book was a verifiable source, it was not from much help because of the biased view of the tale, from a Christian perspective. Which is not exactly wrong. There's whole fields of theology dedicated to this , but we gotta exercise the Methodological Agnosticism here, which means i can't analyze a culture going from other completely biased point of view, but rather try to see by the eyes of said people considering their time and space, which is also not a easy task by any means.

Moh Shubuu hides her beak with her hands, and sleeves.

The book offers little to no insight about more than what is commonly associated with the Moh Shubuu. The western internet is filled with texts and people talking about this legend, in the way i told above. But the creature name gets a bit confusing. Usually, in the west people call it Moh Shuvuu, but it seems this is a western way of spelling the name, which is actually Moh Shubuu or Moh Shubuun. This means literally somehting like ''Evil Bird'' According to most sources, but i was unable to independent verify this claim. So, take it with a bit of salt. I am sure though, that this could not be so much far away from what it really is.

Going by Muh Shubuun or Moh Shubuu makes it more easier to research it, in Russian the name is spelled like: Муу шубуун. In using this language, there is a good amount of sources going from sites that talk about mythology, to museum pages in general, to books. This did not surprised me, because Buryatia being part of Russian territory for centuries now, and Moh Shubuu being a relatively obscure, and oral folklore, makes it very niche to research indeed. Specially from a culture which is in high danger of disappearing. [2]

But by far, the most complete work in Buryatian culture research i was able to find, comes from a renowned Russian folklorist: Matvey Nikolaevich (1858-1918). His work is extensive and very detailed, he spent his life and career studying and documenting Buryati culture. Matvey was celebrated in his time by his expeditions to Buryati settlements to study their culture, and he was elected in 1888 as a member of the Russian Geographic Society. So much so, that a Museum in Buryatia is named after him, and display many of his belongings and researches there. (Linked source, and Museum)

If you happen to speak Russian, and is interested in learning more about Buryatian Folklore, culture and more i heavily suggests you to read more of Matvey books. As for me, i do not speak Russian, so i am relying in software translations. If you notice anything wrong, please let me know!

I can't go too deep in his work here, because our main goal here is to explore the Muh Shubuu lore. Luckily for us, Matvey catalogued this very tale (along with another multitude of Buryati folklore) in some of his work. Here, i will use as a basis his book:

‘’Хангалов М.Н. Собрание сочинений в 3 т. Т.3. / Под ред. Г.Н.Румянцева.-Улан-Удэ: Изд-во ОАО «Республиканская типография», 2004.- (Reprint)’’

Translated roughly as:

‘’Khangalov M.N. Collected works in 3 vols. T.3. / Ed. G.N. Rumyantsev.-Ulan-Ude: Publishing House of JSC "Republican Printing House", 2004. (Reprint)’’

This work was originally published between 1889 to 1903, in 3 volumes focusing on Buryati Folklore. Sadly, i could not locate this book anywhere on the web, at least not using software translation and all my power to do so, i could not locate a physical copy of easy access for me. But, luckily the book is partially transcribed in many web pages and that's how i guided myself.

So, about the Muh Shubuu!

There are some legends Matvey catalogued about this demon in Buryati folklore, but they vary a bit. This can be because of the nomadic nature of the Buryati people, and how the tale can evolve and change between groups and settlement. But nevertheless, the essence is still the same. Here are some tales that Matvey could comply about the Muh Shubuu:

There is, for instance the tale of a young couple, that went to live in the woods together. Sadly the man dies from illness shortly after, leaving his wife alone and depressed. The woman could not bear the loss of her husband, and was driven into madness. During this time, she decides it is a good idea to consume the dead decaying liver of her late husband. After that, she dies as well.

The woman's soul is back as a Mu Shubuun, because of her terrible act. Still according to this particular legend, this demon can change forms into different types of birds. (like some kind of warebird) But, when she transforms back to her more humanoid form, only the beak will remain. (Some times, this beak is described like her lips) The beak will always be visible, no matter how many times she transforms back.

Another tale tells about a hunter, who was hunting alone in the desert. (or woods, depending on the mood of my translation software) After taking a rest, a young woman approaches him. She starts to kick a conversation, cracking jokes, and getting along with the hunter. He noticed that the woman always tried to hid her lower face with her sleeves, and found it suspicious. He notices this is a Mu Shubuu, and asks her to get logs to the fire he is preparing. She goes, and while she's away, the hunter puts some branches and his stuff into his blanket to give the impression he is sleeping in it.

When the demon returns, she thinks the tired hunter was sleeping already, and she could finally attack. She jumped in the blanked with her beak, stabbing the branches and logs he put inside it, and it got stuck. That's when the hunter shoots the thing down with his gun. After that, he burns the remains in a fire.

This story is particularly interesting, because it involves guns, so it was probably not that old. At least this version, it could have changed with the years, with regular weapons becoming guns, once they were invented and got popular. Or... My translation software got something as an bow and arrow as a gun.

This tale also makes clear that the creature was about to kill the hunter, with her classical ''beak to the head'' and would probably consume his brain matter. But there is evidence Mu Shubuu diet consisted of more than just brains. like the woman in the first tale eating the liver of her husband.

This amazing artwork was made by NATZ they are amazing, and let us use it to illustrate this text. Go check them out! I am a big fan!

In another tale, there is also other person who win in a fight against this demon by getting her stuck in a tree. This seemed to be enough to the creature promise not to bother anyone anymore.

Matvey also complied the information that, some tales described that Mu Shubuu had two ''flints'' with them, usually in their armpits. The right one is a bright red flint, very good looking. The other one is a decayed and rotten tool. The disgusting one is the one to destroy, or take from the creature, because it is linked to her vital forces, it seems. During a fight, Mu Shubuu will try to convince you that the red one is better, but this is a trap. This flint will weaken you instead, making you the easiest prey to this demon.

Buryat knife with a suspension, a tube, a pouch, a flint. Silver, coral, malachite, mahogany, leather, hardened steel, corals, chasing, punching, forging. I dont know, but maybe this legends of a ''flint'' could be referring to the tools here.

There is also the implication that there are male Mu Shubuun as well! According to Matvey there was a tale about a forest where lots of Mu Shubuun inhabited, and they always caused mayhem in the region, attacking and eating people's brains.

One day, a warrior decided to go there, and was (surprise surprise) attacked by a Mu Shubuun. In this story, the flint version was accounted for, and the warrior win the fight taking the ugly looking flint from the demon. But, she ends up fleeing.

The man follows the creature trail up to a well, where he found not only the female Mu Shubuun that attacked him, but a male Mu Shubuun. It was the male that convinced the guy not to harm them, explaining that attacking humans was an habit of the female Mu Shubuun only. As a way to apologize, the couple of demons teach the man how to defend himself from their relatives, using magical phrases. I could not translate them very well using software, but in Russian it goes as:

‘’Хадалан долон - Хадалаевы семеро

Хамнагахи найман - Хамнагановы восьмеро’’

Female and (possible) male Mu Shubuun from the game Blood Brothers. I like this interpretation very much, because of the bloody beak.

This tales are interestng, because they are very small but they manage to convey a lot about this creature, which is sadly not very much available to western sources. It is evident that in Buryatia, this is a relatively known folkloric tale, and in Russia and Eurasia it was spread by books and the internet, much before the demon was explored in the Shin Megami Tensei series.

For instance, the Irkutsk City Museum, in Russia has a page dedicated to Buryati culture, and also shows some Mu Shubuun texts. Irkutsk is not in Buryatia, rather is a bit north, after the Baikal lake that separates Buryatia from the rest of Russia. But it is close enough to have some cultural connections.

(Again, i am not going too deep into the Buryati belief system as a whole. Not only because that's not the foccus here, but because it would need much more research. If you want me to talk about more of this culture in the future, let me know!)

Much is talked about the Buryatian Shamanism when talking about the Buryatian folklore. This was present in Matvey's work, as well in official government sources as the Irkutsk Museum. This Shamanistic culture often deals with lots of problematic spirits. Those are usually translated as bad spirits, ghosts, or even demons. This means our little devil bird girl is not alone in this pantheon. Just to be brief about some other Buryatian mystical creatures:

Ada: A spirit that manifests itself as a small crature with only one eye, and one teeth. Their mouth is on her lower jaw. Can appear as a dog, children or even inflate itself as a balloon. (This one is specifically creepy, and it is also cited by Matvey works)

Anakhai: Also spotted on the before told sources, this is a cyclop-like creature that attacks children.

Ezykhe: A spirit that causes harm to domestic animals. Usually it appears as a decaying old hag, that steals cow's milk. This can cause malnutrition to calfs, and even death of livestock.

The Buryati usually are practitioners of Tengrism. This is a belief system that is sustained by the relationship with the Earth, being protected by it and the ancient spirits. It is interesting that, in some sources the Tengrists believe that the skeleton is sacred, because it stores a part of the Soul. They went as far as to not damage animal bones during sacrificial rituals. So, since Mu Shubuun has to break open the skull to eat its prey's brain, i wonder if it is seen as a even more evil act by them. [sourced by Buryati Religion and Society’ from Lawrence Krader, 1954]

As is the case with any culture, we need to know a bit of the time and place to understand the collective consciousness that give birth to such myths. The Buryatia territory as a place and the way of life of the Buryati people is essential to this mixture. For instance, being nomadic people that relies a lot in livestock and surviving the harsh Eurasian deserts and the SIberian tundra, the worst fears would often be dictated by those essential pillars of their lifes.

A creature that can slowly kill your livestock? A predatory demon that kills you alone in the desert, sucking your brains? Those were real fears. It is hard to dive deeper into Buryati culture in this text, because it is just a crop honestly, but is also very important to remind ourselves that the Buryati are a diverse people, and some behaviors, tales and even words can change from place to place.

There is definitively a lot to learn from their culture, and a lot to preserve. Being endangered to disappear, it is always interesting to spread the word to more people that could study and preserve Buryati history.

If you are interested, i can recommend also the paper ‘’Buryati Religion and Society’ from Lawrence Krader, published originally in 1954. It is not perfect, and it is pretty old, but it is a good start! It is one of the few English sources about Buryatian culture out there.

Mu Shubuun is a very interesting case of a regional folklore making a trip from it's mother culture and ending up appearing in pop culture. Even with UN classifying the Buryati language to be highly in risk to be extinct, this predatory bird devil ended up in games and known in many parts of the world. In SMT for instance, she ranked 9th as the most popular demon in recent years, as well is a recurrent character in almost every franchise release since the 1990s.

Kazuma Kaneko's design is great for me, because it interprets the beak as disguised as the creature hair, or is it hair and just looks like a beak? That is the magic of his take on the creature. I am just curious on how he got to this specific folklore in the first place.

Kaneko took inspiration from Buryati female clothes when designing Mu Shubuun appearance! Very neat. SMT Moh Shubuu lacks the beak, but its hair its styled like a bird's beak, head and wings in a very cool nod to its nature.

It is fascinating to think this happened, but it got me thinking that Mu Shubuun was a product of a culture, and real people that lived by this for centuries. As the warning says in the start of the text, we can use popular media to spark a flame of interest in the matter, but this has to be done with all due respect.

The next paragraphs are based on my personal opinions upon studying this tale extensively. But you feel free to disagree with me, or even correct me!

In my personal belief, Mu Shubuun is one of those Folkloric cautionary tales. Not only not to wander alone in the desert, which could be fatal by very real means, but also that violence against the more vulnerable could have consequences. In the case of Young Woman, this could end up as a Muh shubuu coming to enact her revenge.

Another personal observation of mine: The creature carrying flints reminded me of the old Korean tradition of young virgin woman carrying daggers in her clothes (usually in their arms as well), so they could commit suicide if endangered to be sexually harassed. [1] This could be nothing related, but i thought about it immediately after noticing the flint trope with Moh Shubuu.

As why the bird connection, i really can't say for sure. Probably because raptor birds could be menacingly common, around. But i should study Buryati culture deeper in order to be more accurate about it. End of my personal opinions

Be any reason why this tale survived centuries and ended up here, in the internet, videogames, and other works, is a mystery to me. Maybe the idea of a vengeful spirit taking her grudge on male society is alluring to some, maybe it was because Kazuma Kaneko really did an amazing design, and maybe it is because there is something about regional tales, folklore and beliefs that really fascinate some of us. Some distortions may have occurred in the way, but it is also part of this process. To me, it is important that Buryati traditions and culture can be preserved, and for many, Mu Shubuun is the link to this cosmos. That is a very interesting thing, and i am quite fascinated by it as well.

Thank you for reading up until here!

Sources:

-Matvey, Collected works Volume 3, pages 25 to 26 (reprinted in 2004) - (Хангалов М.Н. Собрание сочинений в 3 т. Т.3. / Под ред. Г.Н.Румянцева.-Улан-Удэ: Изд-во ОАО «Республиканская типография», 2004.- С.25-26’’)

-Irkutsk City Museum

-Buryati Religion And Society, Lawrence Krader 1954. (Sadly paywall...)

[1] - Korean Perceptions of Chastity ceptions of Chastity, Gender Roles, and Libido; F , Gender Roles, and Libido; From Kisaengs to the Twenty First Century (This one is just to back my claim about similarities)

[2]- The troubled state of the Buryati language today, Dulma Batorova

#blazescompendium #blazescompendiumentry #buryati #mongolia #shin megami tensei #kazuma kaneko #atlus #megami tensei #folklore #mythology

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