Y’all ever read a book that’s super relevant to your interests and it’s actually really good, but it just has such a disappointing ending and you just kinda sit there afterwards like

well

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

Haunted Library

A long time ago Ghostwriter and Phantom had some kind of rivalry with each other, the ghost was still upset with the halfa for sending him to prison while the halfa was still upset about being forced to celebrate christmas.

The ghosts watched them closely on days of truce, waiting for them to behave; the other days however, weren't their problem, so the rivalry just continued to grow.

Until eventually they got tired of fighting and made a deal of sorts, which ended with Danny opening a library in Gotham; It turns out that Ghostwriter had wanted to open one in the human world since a long time, but there were many things that prevented it, such as being human for example.

So yes, Danny ended up owning a giant library full of mini-portals to the Infinite Realms, Ghostwriter lectured him for hours on the proper handling of books, and while he didn't directly give out the originals there were plenty of copies of unpublished works, courtesy of the ghost personal library.

Danny doubted that people would pay much attention to such copies since those could be borrowed but not taken from the place or they would have an angry ghost haunting them.

Upon learning of the announcement of a new library the bats were suspicious, but they put it as a minimum priority. Noticing this, Jason couldn't help but take an interest and check it out for himself.

The place turned out to be excellent, albeit understaffed if you count the owner being the only one present managing everything, but the place was huge, Jason couldn't help but feel like a little kid in a candy store: this was so organised! the chairs were also comfortable! the atmosphere and decorations helped to feel relaxed too.

He cleared his throat in embarrassment at his own thoughts before heading to the Jane Austen section, gaping at the sight of copies of first editions and some books that hadn't even been published, how was that possible?

He looked at the owner but he only greeted him with a smile and decided to look away from him; In the end, he decided that this library would be his, perhaps not directly, but no one could approach such a sacred place with bad intentions. Not even the bats.

And as such, both Danny and an invisible Ghostwriter looked at Red Hood routinely coming in to read on some couch, no one else seemed concerned so they just let it be.

Danny was pretty sure he was the same guy who came to him in the morning asking for recommendations, the corrupted ectoplasm of him was a bit of a giveaway, but the guy was cute, so he just let it slide.

he'll burn himself down

gotta love a good fall from grace

magali villeneuve, greater good cover

lesser evil by timothy zahn

greater good by timothy zahn

lesser evil by timothy zahn

luke ross and nolan woodward, thrawn (2018)

thrawn: alliances by timothy zahn

pat olliffe, andrea di vito, and rachelle rosenberg, thrawn: alliances (2024)

star wars: rebels, "family reunion - and farewell"

thrawn: treason by timothy zahn

chaos rising by timothy zahn

star wars: rebels, "family reunion - and farewell"

vampire romance :)

Being ace can be pretty isolating at various times, for varying reasons that I don't feel like I have to explain because if you are ace, you probably get it.

Hiiiii guess who finished her pmv. finally. um enjoy :3

I'm writing an analysis of gender performativity in The Silence of the Lambs for my gender and sexuality class and in the course of my research I have encountered so many bad takes!! I can't not say anything so I've come to Tumblr to rant.

The most common criticism I see is that the ending of "Hannibal" discredits, undoes, or diminishes Clarice's feminism, autonomy, or power, or that it ruins the message of SOTL. That indicates a complete misunderstanding of Clarice and the point of the books! The point of "Hannibal" is to show that it does not matter how amazing, powerful, or how much of a feminist you are: if you are a woman in a career, especially a federal career, the system is designed to put you down and keep you quiet. I think there is nothing more she could have done and nothing she could have done differently to prevent her disgrace. When the system is set up to put men in power and keep them in power, your talent and integrity do not matter if they decide they don't want/need you anymore. There is nothing she can do to prevent the label of "female officer" from haunting her credibility. Even Crawford, who respects her and fights for her, sees her with the caveat of "woman." The one man who does not consider her gender any sort of detriment or a reason to treat her differently is Hannibal Lecter. They have genuine mutual respect. When she chose to be with him, she chose respect, love, and comfort over a life of fighting to be recognized, respected, or listened to. Just as much as it is respectable for women to fight for their right to be recognized in their careers, we must also recognize that that fight should not need to exist in the first place. So, why should there be any shame about choosing not to fight that fight anymore? She spent years in an uphill battle, and she probably never would have escaped it (to no fault of her own!). The ending of "Hannibal" is Clarice raising a middle finger to the system, the FBI, misogyny, and the patriarchy by recognizing that she deserves unconditional love and respect and that the system she fought so hard for was, in fact, completely undeserving of her talent or presence. Her decision is powerful and empowered!

"She was brainwashed!" she literally wasn't. Hannibal tried that (I believe because he was so unfamiliar with the idea of love or family that he didn't know how to understand Clarice outside of the lens of Mischa) but he was unsuccessful. If she was able to resist his efforts of brainwashing while in an altered state she certainly had the strength of mind to make her own decisions. Her decision was not impulsive. Also, I think it serves as a testament to her influence and power over him. She gained control of the situation and he didn't resist that. Ultimately, Clarice chose to spend the rest of her life with the one man who ever truly saw her as more than just a woman, who admired her intellect, and who respected her enough to challenge her. That is not weak, submissive, or misogynistic. Quite the opposite. She chose to leave behind the life she put years of effort into building (because she knew it would be fruitless) in favor of being finally honored and appreciated. That takes courage! She knew her worth, and she knew the FBI didn't deserve her.

Also, anyone who paid any attention to the books saw the romantic tension throughout the story. It didn't come out of nowhere. She really just needed an opportunity or an excuse to be with him, and she was finally presented with it.

I think reading the ending to "Hannibal" as anything other than empowering is a mischaracterization of both Clarice and Hannibal and shows a lack of understanding of the message of the books. I think it reflects a shallow understanding of not only the books, but of how feminism operates IRL (especially during the 80s/90s).

I also must give the disclaimer that I do not think these books are epitomes of feminism or representation. The transmisogyny, racism, queerphobia, etc., are obviously inexcusable. Just because I interpret their message as a story of caution about how misogyny operates, and how it is respectable to choose a path that does not work within that system, does not mean I agree with everything presented in them or any of their harmful rhetorics or stereotypes. I have a STRONG love/hate relationship with these stories and I don't ever mean to undersell the "hate" part of that lol.

so like do you ever think about john doe

I adore messy annotations.

A page suffocated by scrawls, scribbles, lines, arrows, circles, highlights, all near illegible. As though the reader couldn’t contain those thoughts. They were overpowered by emotions and ideas. A ruler-less underline because you read that quote and the pen couldn’t be in your hand any quicker. Scribbled sentences that require the book to be turned upside down or on its side to be read again. Exclamation marks, because you’re at loss for words and the author said it best. Books of mine start with ruled lines and perfect hand writing, but by the end are sometimes too messy to be reread. I find messy annotations the most beautiful, the most intimate.

Completely obsessed with Lan Wangji thinking he was about to have a tender moment of watching his husband sleep while Wei "middle child" Wuxian was simply Lying In Wait

Lan Wangji was moving soundlessly to begin with, but seeing Wei Wuxian already "asleep", he reined in his breathing as he slowly shut the doors. After a moment of silence, he approached the bed. Before he drew near, a blanket flew at his face and covered his upper body completely. Lan Wangji was struck speechless. (Family Banquet - Bonus Story)

Asriel Belacqua + his biggest weakness aka Marisa Coulter

2024 reads / storygraph

Those Beyond The Wall

sequel/companion to The Space Between Worlds, set a decade later

character-focused sci-fi set in an area divided in two, the rich protected city on one side and everyone else in the post-apocalyptic desert

follows a woman who works under the Emperor in Ashtown, keeping the peace

when mangled bodies start showing up with seemingly no murderer, she’s tasked with finding the cause, and finds out that it’s the result of corruption spanning both cities and multiple worlds

explores oppression and messy revolution, police violence and apartheid

bi & polyamorous MC

What we learned from the war

"Endings are hard" is a something of a truism, but it's borne out in Bleach, where every story arc besides after the first two stumbled at the finish (even the endings of the first two arcs don't really "end" so much as continue into a new story). In the Arrancar arc, the number of characters and plotlines got so overwhelming that an ending that had to be rushed if it was to arrive at all. In the Lost Agent arc, the characters were pared down, but the ending wound up thematically inconsistent with the story anyways, possibly due to real-life circumstances. And the Thousand-Year Blood War somehow managed to have both problems.

The change in direction from "tightly focused character drama" to "sprawling cast of soldiers" meant that it was unlikely to ever give us the development of our protagonist that we craved, and that lack of focus was only aggravated by the widely-reported health problems of the author. And yet, perhaps because we don't get that, because so little of this arc is filtered through Ichigo learning about himself, we get a much clearer statement of the values inherent in the work.

This is most evident in our antagonists for this Arc. Yhwach and the Wandenreich don't really have the relationship with Ichigo that previoius antagonists had. He never knew his Quincy heritage, never identified with their ideals, and so feels very little conflict about opposing them. He doesn't ever develop his Quincy powers, at least beyond integrating them with his already existing powerset. And he doesn't take much of a personal interest in Yhwach, who in turn, doesn't seem to think much of him when he's not directly in front of him.

But for all that Ichigo doesn't end up having much of a dynamic with them, the Wandenreich still manages to maintain a unique character. Every antagonist has a priority, something that they are willing to do great evil for. For Soul Society, it's its own existence, the continuation of the system they've built. For Aizen, it's his own self-aggrandizement. For the Fullbringers, it was simply living another day, screwing over others so that they can't screw you first. But the Wandenreich has no such priority. They simply want it all to end.

That's most obvious in Yhwach's ending monologue, but you can see it from the very beginning as he kills Yamamoto, the man who tried to move on from his bloody past being slaughtered by the man who would absolutely not let it go. Yhwach shows more emotion towards the skeletons of Argola and Huberdt, his dead soldiers from a war long lost, than he does towards any of his living subordinates. And his subordinates follow his lead in showing no love to one another, happily stabbing each other in the back without even the Arrancars' uneasy level of camaraderie. Their movement has no future, and neither do they, so nihilism is the only recourse.

Most of the time. I think it's important to note that every time a member of the Wandenreich expresses positive feelings towards one of their comrades, it's immediately followed by them turning on Yhwach. Liltotto, Bazz, Giselle, eventually, in her own twisted way…even Jugram, at the very end. Sure, Yhwach kills them for their impertinence (he is the bad guy), but he also massacres the Wandenreich faithful en masse. There's no salvation, only death, and he'll enforce that state on his followers rather than allow them to discover any alternative.

I imagine the lesson, and the general attitude of the Wandenreich, was not lost on Uryu Ishida. Even in his relative paucity of appearances, it's he who is at the moral center of the arc. His culture, which he had thought was nearly entirely dead, turns out to be alive, and out for vengeance against the people who exterminated them. It's something he probably fantasized about growing up, and I don't blame him for joining. How could he not?

But at the end, he makes the very easy choice. Calling it a matter of "life and death" is a little on the nose, but it's morally quite black and white. Yhwach has no hope for this world, or for his people within it, or even himself. He lost a war for the nature of existence to a monster a thousand years ago, and never got over it. But Uryu has the strength to look at the horrors of this world and yet hope for better. Because he has people he loves in life, and who love him in return, he can dream of a better tomorrow.

And that's what the ending is all about. Yhwach loses to Ichigo, and it is very much "good guy beats bad guy". But he also loses to Uryu, and to "I hope to have a family with my girlfriend who I love so much" Renji Abarai, and to "I have a tremendous amount of hope to eventually make myself king of everything" Sosuke Aizen, and eventually (in a way I'm still confused about mechanically) to the child Ichigo and Orihime will eventually have, the literal embodiment of the potential of the future.

The final villain of Bleach is not society's tendency to preserve itself at any human cost. It's not individual selfishness, or manipulativeness, or any of the many vices we saw embodied in the hollows throughout the series. It's despair, the idea that life might not be worth living even through all the struggles and horrors our protagonists have endured. Sure, it will always raise its head, sometimes at the most inconvenient, or ill-fitting times. But having its reincarnation be blown away by the supernaturally normal lives of our cast…well, that's as clear of a message as I can imagine.

tj klune you've done it again

motorcycle sketch featuring cross!! >:)