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#and it can either go that character B is acting like that on purpose but it's honestly more interesting when they aren't
rascheln · 4 months
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character dynamics where one character just dislikes the other solely based on vibes, but the vibes of the disliked person are wholesome and sweet. and everyone else doesn't really get it, some even get exasperated by the character's complete lack of interest in having any form of relationship with this perfectly sweet person. there's no hidden agenda either, it's just they're so fundamentally different in temperament that all of their interactions are either incredibly awkward or straight up communicating at cross purposes.
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liveontelevision · 3 months
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Okay, this started as a rant about Lucifer lore and turned into an argumentative essay on why Lucifer is a bottom. My b.
18+ Smut ahead, lots of angst
•••
Here's the thing about Lucifer. He was an awesome dreamer, fell in love with Lillith, and was banished to Hell. Literally forced to see what the gift of good will can do at its worse. Unless he's made some personal contact with a sinner to get like updates about what the gift of good will did right, he had to be stuck in a depression for centuries, at least until Charlie was born. And while that would've definitely given him a new passion, he'll never feel confident in dreaming again.
With how much he dislikes sinners and what they represent, i wonder if there had to be some strain on their relationship when it came to Lillith taking control? They never really talk about if they had a fallout or if she just disappeared, but i dont think they really got divorced either.
When Lucifer looks at that family picture and winces, does he feel bad about not contacting charlie? About something he did to make lillith leave? Or maybe he feels bad about being upset at lillith for leaving in the first place? There's so much to umpack there i live for the lore.
Love Interests:
But when that comes to potential love interests in the future, Lucifer hasnt had to court anyone before like ever. Not in the circumstances that they live in a big city like Hell. So when he finally ends up catching feelings, he has no idea. People around the hotel literally need to pick up on context clues for him and have an intervention to tell him he's in love again.
Even if he hasnt seen lillith in 7 years, their relationship had to be a drastic change compared to new love. I think that his love interest would also pick it up before he does, and you would let him work at his own pace. Fuck, it is so important that he goes through this process at his own pace.
With so much strain on his past relationships with loved ones, he fully gaslights himself into thinking he doesnt deserves and isnt allowed to feel affection anymore. I hate making characters i love suffer. But i feel like in his state of mind he'd go through depressive episodes and panic attacks, maybe some night terrors. Theyed be about his past and his subconscious would essentially tell him he has feelings again, and he shouldn't act them in case he scares you away and abandons you, like heaven. Or drives you away like lillith. Or purposely blocks you out like charlie. Mans is struggling i swear. He needs some comfort.
After finally coming to terms, hes a nervous wreck about every decision he makes. He'll constantly stare in the mirror in the mornings, making sure he looks his best, would plan mental scripts before even having a conversation with you, and would become a bumbling mess just trying to make jokes out of the situation, some base level actions, like how we saw in the show. He'll manage to finally ask you out, but all he really knows how to do is profess an undying love (i feel like his confession to lillith was hella dramatic) so it was a little awkward, but still cute. And of course you said yes.
So let's say its been 5+ years since he moved into the hotel, met you and finally managed to confess his feelings. When it comes to the actual relationship? You give him reassurance and support him through his mental episodes, and laugh at his jokes and praise him for everything he does. He has such intense imposture syndrome though, that even other demons have to reassure that theres no way you dont love him with all your being. Because it is literally obvious to everyone but him.
He's pretty good at doing the romantic fluff stuff in public, he loves to make a big show out of treating you like royalty and even trying to embarrass you when you become close enough. He's always more charasmatic in public, it seems easier than doing that alone.
Not in a negative way, but Lucifer is so never to be alone with you. You take the lead a bit more in those scenarios, suggesting ideas like movies or just coming up with small talk yourself. He needs someone who'll be patient with him. Being alive for millions of years AND being left or shamed by all your loved ones during that time is literally the definition of Truama.
Of course he's been bottling all that shit up, he has no one to confide with. There's no one who's been alive and witnessed it all the way he has. So bless you for loving and caring for him even without understanding all hes been through.
You'll have some rough patches, where this emotional side locks him away from you and everyone else. It might be a few days before you see him. He'll lock himself in his office, pumping out ducks by the dozen just to keep himself from sleeping, because he's scared he'll have night terrors if he feels asleep. He's in a constant loop;
"what if i fucked up?"
"what if i try to talk about it and then they realize how bad i fucked up?"
"what if that's enough of a reason for them to leave me?"
"what if i scare them away?"
"what if that fucks this up?"
"what if i fucked up.. Again..?"
After he leaves his office, youre excited to see him out and about, but you cant make a big deal out of it. You have to speak to him calmly, make sure he's physically okay before talking to him about his thought process. It might take awhile, but he'll eventually trust you enough to open up. And of course it'll never be bad enough for you to leave him, he's just struggling.
Physical Contact:
It takes him an even longer time to become physical with you. He hasnt been intimate for over a decade at this point, but as soon as he becomes comfortable with little affections like hand holding, cuddling, wrapping his arms around your waist, and kissing? Hoo boy, he melts after your first kiss. It couldve been even a small peck and he would still become a nervous wreck just trying to ask for more.
He'll ask for physical touch more than provide it at first. You'll give him a quick kiss and he'll look up at you super eager just like, "another?" He'll grow into tastful pda's, linking arms, quick hugs and smooches, holding hands all that.
He becomes putty in your hand when you're alone though. You'll nudge him to lean against your shoulder or even lay his head in your lap while youre lounging or watching movies. He becomes so relaxed in your presence, that you'll want to suddenly peck him just to see his suddenly flustered reaction.
You'd give him massages that he would always be hesistant over. He was always a little nervous that he wasnt giving enough to you, but you were quick to assure him that wasnt the case. You'd straddle his hips while giving him a slowww massage. It starts with light touches, tracing your fingers over his shoulder blades and spine. You'd trace your fingers over his chest when you would cuddle too, depending on the position. Or stroke his back sweetly. It was enough of a distraction to keep his mind occupied, away from any spiraling thoughts he might be having.
He purrs. Convince me that he doesnt purr. (You cant)
Being secluded for so long probably means that he doesnt fly as much as he used to. It was probably a passion of his, and he was especially delighted to share it with lillith and charlie.
So during those 7 years he barely flew, he also didnt take care of his wings. I feel like theyre something to be summoned, so they arent constantly tucked into his back. You'd basically scold him sometimes to just let you clean his wings.
You'd do it in like a spring-type bathhouse that Lucifer would have in his castle somehow. It was one of the first intimate moments he's experienced in years, so he was generally going insane. Feeling your hands and a little comb rake through the feathers on his giant wings? You'd have to tap his shoulder sometimes to keep him from falling asleep to the relaxation alone. After the first time, the water you used was pretty dirty and he had a lot of loose feathets that were combed out. Damn, he needed this.
Intimacy:
After awhile, you sit down and would have a discussion about being intimate in bed. Lucifer would be absolutely nervous about overstepping by asking this, (even though you've been together for about a year at this point). He would use his mental scripts and basically practice what he wanted to say.
It would mainly be him saying he wants to do this because he loves you and youve done so much for him that he wants to give back to you in this way. It would consist of him saying its okay if you dont want to, or if you ever want to stop to just say so. But of course you want to, how could you not?
It would start slow, he actually tries taking the lead in this specific situation. He would kiss you first, his lips trembling at the thought that this is actually happening. Feeling his nerves, you'd cup his face and stroke his cheeks with your thumbs lightly. That will help him ease up enough to start letting the passion take over more.
He'd become more confident in slipping his tongue into your mouth and placing his hands on your hips to pull you closer to him. Lucifer would get lost in the moment, pulling you to straddle his lap as he kissed and licked and bit his way across both your shoulders and down to the softeness of your breast. After leaning back to look at the damage his eyes would become increasingly wide, looking up at you with a flustered expression. Seeing you losing it as much as he was, gave him enough courage to keep up at it.
He would almost hesistantly take a hold of your breasts and would massage them softly, running his thumbs across your nipples and becoming absolutely delighted at the reaction you gave. The adrenaline from the pleasure would make you start grinding against his lap, which would make lucifer's hands on your hips pull away for a moment and make his breath stutter. Lucifer would look you up and down as if he didnt know what to do next, studying your body with darting eyes. You'd press a small kiss on his forehead before guiding his hands back onto your hips with yours, keeping your eyes on him the entire time.
"Are you okay, Luci?" He would gulp before nodding his head and turning ridiculously red across his face, maybe from the idea of what was to come, maybe just from your voice alone. You'd keep your hands ontop of his at your hips as you'd keep moving, letting out breathy moans. He would be holding his breath without realizing, an absolute nervous wreck just from the view.
He would already be hard just from the previous make out session, so this would cause him to lean his back against the bed, his strength giving out. You'd keep up at it, feeling his hips jolt up to meet yours at times.
He was a sweaty, twitching mess in front of you and you hated to admit how much that excited you.
His scripted plan was immediately forgotten, but he was quick to remember that he wanted to please you.
He'd snap out of his state of intense pleasure, to carefully switch positions, him looking over you with your back against the bed.
You both discuss it, of course, attempting to set boundaries before hand. Even just the tender discussion would get him riled up. So he'd lean foward and kiss you again, showing off his forked tongue before peppering kisses down your entire body, until he was close enough to let his hot breath heat up your folds.
You'd feel his nervous breath on you before delving in. He would be hesistant of course, but would be quick to get used to your entrance after running his tongue across your entirety multiple times. Lucifer loves providing pleasure this way, so his brain immediately knew what to do once the nerves past. He was quick to take a tight hold onto your thighs to keep you in place as he entered you with his demonic lengthy tongue. He would look up at you as he sort of aimlessly dug around at first, waiting for a reaction. Once he'd see you dip your head back with a muffled moan, he would close his eyes to focus all his attention to that one spot. He'd reach his thumb around to circle and massage your clit that he would find far too quickly. You'd arch your back and try to get more friction against his tongue, but it's easy to forget that he is quite literally the strongest being in Hell. You weren't going anywhere.
He'd love feeling your hands in his hair and would absolutely lose it feeling you pull hard when he'd hit just the right spot. As soon as he set a steady thythm and was hearing your voice become more unhinged, he'd speed up to an extent that you didn't realize was possible after going for so long. You discussed cumming before and he made it very clear that he was okay with you finishing on his face. Fuck, he wanted it. You still warned him, moaning out his name to get his attention, "I-I'm almost there- K-Keep doing that.. like that..! Luci-" you'd almost direct him though the whole process, but were quick to become a moaning mess unable to communicate with words. You'd reach your limit and he would let you buck up into his face this time, loosening his grip on your thighs. He'd pull away after licking you clean, sending overstimulated pleasure across your entire body, with a line of your juices following his tongue as he lifted his head. He would pant with his tongue still sticking out of his mouth, and even through hazy eyes you loved seeing his demonic tongue and thinking about how it just drove you to climax.
Things would switch up again, and you'd sit him against the back of the bedframe. you'd have another quick discussion before seating yourself slowly on his length, which had been throbbing for any contact since the night started. The first few times, he'd do his best not to cum immediately. He hadn't been touched like this in a while, after all. You'd only begin to move once you made sure he was okay since his struggle was written all over his face.
The moment you began to keep a steady space, he would jut his hips upwards, becoming needy to feel this sensation he hadn't felt in over a decade. The first time didn't last long. It was sweet, and he would constantly moan out your name and babble on about how much he loves you. The entire time, you'd be praising him through every move until he was going too fast for you to get a sentence out.
He'd cum inside of you, another previously discussed topic. You essentially had to beg to convince him it was okay. You'd collapse onto his chest, a position he didnt see often. While the two of you always cuddled, you were so focused on making sure he was comfortable, Lucifer realized you didnt often get the chance to just relax on top of him. So after realizing that? Aftercare was amazing.
He'd let you sit with him inside you for a while, before pulling you off and immediately cleaning you up. Some nights, when he felt especially dominant, he would lap up his own cum from your incredibly sensitive cunt. He would swallow some of it, but was mainly pushing anything that dripped out back into your entrance.
After cleaning you up, he would wiggle his way back underneath you and pull you onto his chest, enjoying taking care of you the way you took care of him.
After the first night, lucifer would be much more confident. He'd have that healthy glow, but would be more assertive during meetings, more communicative and wouldnt shut others out as often. It really helped him realize how much you gave to him, and he was determined to give all that and more back to you.
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kwanisms · 1 year
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[02:00], Vernon, requested by anon
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╰┈➤ M2 “don’t act so innocent, i heard you”
summary: your roommate comes home early to find you fantasizing about him in your bedroom.
wc: 646
warnings: adult dialogue, smut, 18+ (minors dni), sexual content: slight voyeurism, vague about protection (it’s not mentioned either way), roommates to lovers *gasp* omg they were roommates
a/n: i felt like this worked really well for a roommate scenario so here you go, nonnie! I hope you like it! As always, this is a work of fiction and all characters are not reflective of their irl counterparts. for entertainment purposes only. line breaks made by me. I do not allow reposts or reposts of my works. All my works are © kwanisms
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All he’d planned to do when he came home from practice was grab something to eat and settle down on the sofa and play some video games. It was supposed to be a relaxing evening with no distractions.
So when he came home, shut the front door and dropped his keys on the kitchen counter, he was surprised by the sound of a whimper that resonated through the apartment.
‘Was that Y/N?’ He wondered, dropping his bag off his shoulder and letting it fall to the floor before the kitchen island.
He walked past the living room, following the hallway to the bedrooms.
Another whine sounded from your room and Vernon was suddenly worried that you might be hurt which is what pushed him to cross the distance to your door and push it open, taking note that the door was cracked in the first place.
When he peered in, he expected that maybe you were sitting or laying on the bed, nursing some sort of hurt ankle or wrist, maybe even tending to a cut or something.
What he wasn’t expecting was you, lying on your bed with your hands between your legs, head thrown back in pleasure. His face burned in embarrassment as he realized he was spying on you and he pulled back quickly, hoping to shut the door back to where you’d left it but he froze, hand on the doorknob when you spoke.
Well, it was more of a moan, but it was still his name.
‘Fuck,’ he thought. Had you caught him peeping? He’d have to beg for your forgiveness if that was the case. Plead that he didn’t mean to spy, he was just checking in on you.
He’d expected you to call out to him so when you didn’t but merely let out another moan as you played with yourself, he knew he hadn’t been caught,
But you certainly had.
It only took another moan of his name from your lips and Vernon was pushing open the door before he could stop himself.
“You know,” he said, crossing his arms over his chest with a smirk on his face.
You covered yourself quickly, stammering out an apology, muttering about how you thought he wasn’t going to be home so soon.
Vernon ignored your incoherent mumbles, instead crossed the distance from the door to your bed, moving to kneel on the foot of your bed.
You watched as he slowly approached you, hands settling on your knees.
His eyes never left yours as he calmly and slowly caressed the skin of your legs.
“May I?” He asked softly, waiting for you to give confirmation.
The moment you nodded, your eyes locked on him, there was no going back.
That was an hour ago.
You were now lying on your bed, chest pressed against the mattress and your hips up in the air as your roommate thrust into you from behind, his fingers digging into your skin.
You bit your lips, trying to hold back your moans as your body rocked with each movement of Vernon’s hips.
“Oh come on,” you heard him pant, slowing his thrusts to rolls, burying his cock deep inside you.
“I know you can be louder than that,” he groaned, a smirk on his lips.
“Vernon I—” you tried to explain but in all honesty, there was nothing to explain.
“Don’t act so innocent,” Vernon said, giving you a sharp thrust and making you yelp. “I heard you, Y/N.”
“Vernon—” your words were cut off by a low moan that sounded from the back of your throat as your roommate started to move faster, the sound of his skin hitting yours filling the room but overshadowed by the volume and pitch of your moans.
“That’s it,” he groaned, his hold on your hips tightening.
“Let the neighbors hear how good I fuck you.”
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thydungeongal · 6 months
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What are your thoughts on situations where either a game doesnt have enough rules to cover particular situations and so rely on, or where the rules explicitly and deliberately rely on, irl skills (usually for social situations).
Like, for pathfinder/dnd, its obviously a lack of sufficient rules for how to mechanically carry out complex social situations. But there are plenty of games where this is deliberate, with the understanding being that you are supposed to resolve certain types of social conflict entirely via roleplaying the conversation.
Or another dnd favorite, riddles and puzzles, where it almost inherently requires the players to be good at that sort of thinking, regardless of the character.
I dont actually know quite where Im going with this, since the obvious answer is "play with players who like relying on out of character skills" or "play games where this isnt an issue, and all situations have mechanical means for satisfyingly carrying out stuff like this", but it still feels sort of.... those things are fun! A lot of people Do want to do those things, but just dont have the irl skill to.
It seems sad that a physically disabled player that wants to play as a super competent warrior can do that easily, but if someone with a stutter whos bad at social interactions wants to play a quick-witted bard, they either cant, or they have to do so with what feels like an extra step of removal (while both of them are only playing a character doing the thing, the one playing a warrior can decide exactly what they want their warrior to do in detail, whereas the one playing a bard only gets a summary of what they do/say, unless the GM Is very good at that sort of thing and on top of everything going on enough that they can effectively put the words in the characters mouth, which then opens up a whole new can of worms).
So yea, not even really sure what Im asking, this isnt even a major problem for any of the campaigns I run, was just kind of curious on your thoughts.
This is actually a really cool question, because it's a topic that I've gone back and forth on a lot over the years! I don't think I've yet reached, like, any kind of conclusion yet, but here's where I am at as of now.
So, I think there are basically conflicting ideas in tabletop RPG circles as to whether or not the purpose of RPGs is to challenge the players or challenge the characters. There's even a bit of controversy as to whether the purpose of these games to begin with is to be challenges or to be essentially shared narratives. I don't think these goals are necessarily contradictory, but I think they produce different types of gameplay: a traditional game like Dungeons & Dragons presents itself very much as a "series of challenges" type of game, where the production of a narrative out of the events is almost incidental, where a game like Apocalypse World isn't about presenting challenges, but presenting explosive situations for players to act in, and those situations pretty much by necessity produce interesting and dynamic narratives.
Now, here's one simple truth: games of the former type will always inevitably challenge players in addition to their characters. Character creation is part of play and part of developing as a player is to develop system mastery to be able to figure out which types of characters are most likely to succeed in the types of challenges the game often presents players with. So, even before the narrative starts, players will already be inevitably challenged. Even in game players will be challenged, because they will be asked how to best apply the character they have created. They'll have to think about which tactics are the best in combat, which abilities are the best for which situation, so on and so forth.
So yeah, I do think it's impossible for tabletop RPGs to entirely challenge just the characters, because play already begins at character creation and players will be expected to express system mastery. And I even think there's a bit of a disconnect when talking about your D&Ds and Pathfinders in that these questions of "is it okay to challenge the players" always seem to circle around talking and puzzles instead of what these games are mostly built around: tactical, granular combat. Because especially in combat these games do challenge their players with stuff like "this is your character; this is the opposition; this is the environment. Now how will you solve this goblin puzzle?" I have heard of people who will say stuff like "your Intelligence 8 Barbarian wouldn't know how to flank an enemy" to which I say bah humbug, and have my Intelligence 8 Barbarian flank an enemy, because I think my Intelligence 8 Barbarian can see the connection between having a friend attacking an enemy from one side and that enemy being unable to focus as well on defence. But to be honest, that's besides the point. Most people aren't like that.
Anyway, so yeah I do think that it's impossible NOT to challenge players. But also I don't generally vibe with the idea of expecting players to solve puzzles or convince me, the GM, that an NPC likes them.
I'll talk about the latter first: the mechanics exist for a reason. They're there to take the narrative out of the hands of the players, including the GM. Having to convince the GM to convince an NPC leaves the situation in the hands of the GM, and as you said, doesn't often allow for players to express the character they want to express if they, for an example, are shy or socially awkward. But there's a condition: I the GM still need to know what you're doing. This often gets misread as "You still need to tell me, the GM, what you are saying, exactly as your character would, using your character's voice, before I give you the permission to roll a Charisma check." I don't expect that much. But I need something specific and grounded in the fiction to work with so I know a) which specific skill might apply to this check b) what the potential consequences of success and failure might be. Specificity is what grounds these things in the fiction, and it's actually something that is useful for almost every kind of dice roll in the game (unless it's something where the input and output in the fiction is extremely specific): if you tell me your character wants to Strength check the portcullis I don't really know what you mean. If you say you want your character to lift the portcullis so the rest of the party can slip on under it, now we're cooking, at that changes the situation in a different way than bending the bars on the portcullis to create a gap your party can slip through.
Now the fact is that D&D and Pathfinder don't really have the deepest social mechanics, but that's okay in my opinion. The relatively sparse social mechanics should not, in my opinion, be paved over with a "we expect players do more talking because the mechanics can't." I feel that's fundamentally misunderstanding why these games don't have a lot of mechanics for talky talking: it's because that's not an activity these games have a lot to say about. A Charisma (Persuasion) check or Request action (handled as a Diplomacy check) is just about the level of social interaction these games can be asked to handle, and that's perfectly fine. The amount of social mechanics in a D&D you need is "mechanics for determining whether a creature wants to eat the characters right away and mechanics for convicing a creature not to eat the characters." And okay I guess having the characters ask around for rumors when in town.
So, yeah, players should be able to build Charismatic characters and be able to get meaningful and consistent results out of it in game provided they know where to point their Charisma at. And that's really the thing: we're challenging characters, but it's still the player's responsibility to figure out where they want to point That Thang at and where they want their character to shoot their Charisma beams. Just like a player in combat is asked to make a bunch of specific choices that inform their tactics, checks outside of combat also need to be grounded in the fiction. Your character won't just Charisma check their way through all obstacles, those checks need to be grounded in the fiction.
And finally, we get to puzzles. I emphatically think that puzzles in the sense I've seen them in RPGs are generally a bad fit for your D&Ds, because what they often are actually is singleton mechanics that player character's can't actually interact with meaningfully within the fiction and which are divorced from the rest of the game. Like, sure, they can be fun puzzles, but they're still often completely divorced from the rest of the game. I'm talking your chess board puzzles, your twisting gems puzzles, whatever.
But like, that doesn't mean there isn't a place for puzzles of a type in RPGs, but I think we need to move away from the idea of puzzles as, like, a separate board for players to solve while the game screeches to a halt. And I've already hinted at this: these games already have their own places where they intellectually stimulate and challenge players! More of that, please! So, like, instead of throwing the characters into a situation where they suddenly have to play tic-tac-toe to progress, instead introduce a situation where the players can gauge the situation through what they know about the mechanics of the game and assess the best way for their characters to act! Think about how the last two Legend of Zelda games did away almost entirely with your traditional video game dungeon puzzles and went almost entirely for physics puzzles which test the player's ability to engage with their physics engines! Do that, except with RPG rules! (This is why I actually feel systemic games like D&D 3e and, to a lesser extent, D&D 4e, as well as both editions of Pathfinder, the Hero engine, Rolemaster, and so on, are fantastic for challenge type gaming: because while there are lots of rules they produce consistent results and there's a degree of system mastery to be gained in learning to apply those rules as a player!)
Anyway, so to wrap things up: challenge type RPGs will inevitably challenge players as well as characters and that's okay; social mechanics are good because they allow for player expression and placing the situation outside of the control of all the players; traditional puzzles are not really a good fit for RPGs because they are usually divorced from the rest of the gameplay, and instead we should focus more on presenting game situations that provide a bit of a neat puzzle!
Thank you for this question! And I do think there's a lot of nuance to this whole situation and even though this is a very long answer I also feel that this is barely just scratching the surface.
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hellfireslut · 2 years
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Eddie Munson Nsfw Alphabet
warnings : nsfw/mentions of kinks/mentions of toys/
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A = Aftercare (what they’re like after sex)
Eddie loves affirm you after sex. If you did something intense or tried something new for the first time he’s there to comfort you with kisses after.
B = Body part (their favorite body part of theirs and also their partner’s)
Eddie loves your thighs. He squeezes them and loves to lay on them.
C = Cum (anything to do with cum, basically)
Eddie likes to cum on your back. Sometimes he likes to cum on your face because he likes the way it mixes with your makeup.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
Eddie is into pain. He likes to act tough and scary around others but has a total weakness for being dominated.
E = Experience (how experienced are they? do they know what they’re doing?)
When you and Eddie started dating he was a virgin. He had to build up his stamina and eventually got there.
F = Favorite position (this goes without saying)
Eddie loves when you ride him. He likes to be able to hold onto your thighs and hips as you bounce up and down on him.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Eddie is a naturally goofy person but likes to keep it serious during your intimate moments. He likes it to be all about you
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
The carpet definitely matches the drapes. Eddie doesn’t tend to shave down there. He keeps his garden full.
I = Intimacy (how are they during the moment? the romantic aspect)
Eddie is very romantic during your intimate times. He likes to set the mood before hand with candles and roses.
J = Jack off (masturbation headcanon)
Before being with Eddie he jerked off constantly. At home, at school, at work. While dating him his hormones calmed down and he jerks off less.
K = Kink (one or more of their kinks)
With a luscious hairdo like his, Eddie has a hair pulling kink. He likes candle wax play as well.
L = Location (favorite places to do the do)
Eddie likes to keep things safe. It’s either at his trailer or your house.
M = Motivation (what turns them on, gets them going)
Seeing you happy or begging for him gets him turned on.
N = No (something they wouldn’t do, turn offs)
He’s not too fond of water sports or anything to do with the subject.
O = Oral (preference in giving or receiving, skill, etc.)
Eddie enjoys blowjobs from you. He likes to lean his head back and let you work your magic. He’s a big fan of giving oral to you. He likes to watch you squirm as you’re overstimulated.
P = Pace (are they fast and rough? slow and sensual? etc.)
Eddie can do both. Most of the time he is fast and rough. But when he can tell you really need him he’ll take it slow and meaningful.
Q = Quickie (their opinions on quickies, how often, etc.)
He’s not too into quickies. He likes sex to have a purpose besides just getting off.
R = Risk (are they game to experiment? do they take risks? etc.)
Eddie likes to experiment sexually. He plays it safe when it comes to doing the deed anywhere that isn’t his trailer or your home.
S = Stamina (how many rounds can they go for? how long do they last?)
Eddie can go until the sun rises. It’s all up to you when he stops.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Eddie likes to use toys on you. He likes to watch you in pure joy and bliss as you squirm around.
U = Unfair (how much they like to tease)
Eddie likes to tease you when he can tell you really want him.
V = Volume (how loud they are, what sounds they make, etc.)
When Eddie is being dominated he’s extremely verbal. He whimpers and whines. When he’s the one dominating he’s verbal but in a grunty and deep way.
W = Wild card (a random headcanon for the character)
Eddie loves to lick your body up and down. He loves the way you taste and the way your body shrivels when his tongue glides around your body.
X = X-ray (let’s see what’s going on under those clothes)
Though I know you all like to imagine it large , Eddie has an average size dick. It’s how he uses it that matters.
Y = Yearning (how high is their sex drive?)
His sex drive has increased since the start of you two being together. He’s like a dog when he can finally get to you.
Z = Zzz (how quickly they fall asleep afterwards)
Eddie will be knocked out 10 minutes after.
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ironunderstands · 1 month
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I’ve already made several posts on it, but I’m again gonna go over how Aventurine’s and Ratio’s argument scene Has To Be Acting For Both Of Them.
So, I’m going to approach this by interpreting the scene as if it’s genuine, to demonstrate how that makes no sense.
Aventurine made the plan pre-Penacony, but he didn’t let Ratio in on it until after their argument, making Ratio’s end of the conversation genuine but not Aventurine’s.
This doesn’t make sense for several reasons. The most obvious being “why the fuck would he not tell Ratio of the plan if he clearly needed him for it?”. Did he want to cause Ratio severe emotional distress and confusion? What the fuck does that get Aventurine. And if this is the case, when Ratio supposedly goes to report the loss of the Cornerstones to the IPC, all that he would find out is that it was part of the plan the entire time, and he would reasonably be even more mad. Aventurine would then have to brief Ratio in on everything and somehow convince him to trust him in like not even a day’s worth of time they have free during the events of 2.0 and 2.1. If this is the case, then Aventurine was written to be a risky, selfish idiot, a complete contradiction of the fact that he is an amazing planner and geniunely one of the smartest members of the cast, who we know weighs every outcome and thinks of every possibility.
This also means he just fucking stood there while Ratio was yelling at him and was like “oh wait till this guy finds out” LIKE??? WHY. WHY WOULD HE DO THAT. Ignoring the fact that the shit Ratio says to Aventurine is completely out of character for him if it isn’t acting, would he not pick up on the fact that Aventurine seems rather unbothered about the stuff he’s saying. Like Aventurine visibly looks upset, but like, wouldn’t Ratio be a little confused about the lack of rebuttal? Also in what universe is Ratio going to agree to go to Penacony with Aventurine and be fine with not being told why he’s there? This scenario expects both of them to be incredibly stupid, ridiculously lucky (even for Aventurine) and somehow have magic time bending powers that allow a complete 180 in Ratios character.
But wait! It gets dumber!
2. Aventurine and Ratio make the plan AFTER their argument.
This interpretation is so flawed that I don’t even know where to begin, so I’m gonna start with the thing that stuck out immediately to me, ie WHY????? WHY WOULD THEY DO THIS?? We know Aventurine got the cornerstones pre-Penacony because a) how would Sunday confiscate them in the first place and b) his conversation w Topaz in 1.4 in which he asks for her help. So like, did he not have a plan going in? Did he somehow convince Jade and Topaz to give him their cornerstones with no plan?? “Oh yeah I know these objects are very important to yall can I just borrow them real quick??” Like??!? Did he have a plan but it completely failed and he somehow came up with one in the less than a day of free time he had??? Why do we hear no mention of it then??? And if he had another plan, then why are all the pieces for the current one perfectly in place. Why does Ratio as his mission partner luckily have access to the cornerstone box? Why can the Jade stone be a perfect dupe for the Aventurine one if that wasn’t its intended purpose? Why was the Jade stone luckily even in the random bag if he didn’t plan on it getting confiscated??
This also has similar problems to the last one, no way in hell is Ratio going to agree to an important mission with no plan or a clearly flawed one that immediately falls apart, and no way in hell is Aventurine gonna take the Fuck Around And Find Out Method.
Ratio and Aventurine both get the preverbal idiot ball in either geniune interpretation of this scene, if they aren’t acting then they are both varying degrees of incredibly fucking stupid and it heavily diminishes the impact of the plot. “Aventurine and Ratio planned it from the start” makes an amazing plot twist and demonstrates their characters perfectly. “Aventurine and Ratio made it up along the way and it somehow worked out” is very stupid and hinges on the writers bending the plot around them to have it function for them, rather than making the characters have the plot function for themselves. Playing this scene straight takes two incredibly smart, calculating characters and turns them into complete fucking idiots, and that’s ignoring the myriad of other plot and character reasons for why this scene can’t be genuine.
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mindstriker · 5 months
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top five things i am currently insane about in borderlands as usual:
a) timothy lawrence and the way that he's so commonly misinterpreted. i want to see an in-depth exploration of all the less "funny cute anxious bean" or whatever aspects of his personality. i want to see the remnants of jack still lingering in his personality and the way this makes other people uncomfortable sometimes. i want to see the fact that he's a resilient mf who survived being a vault hunter. i want a genuine exploration of the relationship (platonic or romantic) that he could have with moxxi, where they both simultaneously explore the people that they are underneath the literal mask/corporate image of themselves that they present. i want to see the crimson raiders send him to atlas for a new hand because rhys fucking OWES them after they saved his ass, and i want to see him have a conversation with zer0, one of the people who killed jack. i also want to see him accidentally scare the shit out of rhys on multiple occasions. I WANT TO SEE IT ACKNOWLEDGED THAT HE'S TERRIBLE AT ACTING LIKE JACK ON PURPOSE, but when he's not intentionally doing it? jesus, it catches you off guard. sometimes the things he says as himself sound like something that would naturally come out of jack's mouth.
b) katagawa jr. can i ever decide entirely whether or not i wanted him to be reworked into a more competent, long-standing antagonist that would EVENTUALLY be killed by rhys personally in a grand display of him killing a foil of himself/ a representation of the worst person that he could have become in order to protect the new future he built for himself and all the people working for him- OR an eventually slowly redeemed character who survived the vault hunter's attack only to be disgraced by Maliwan and forced to gain a new perspective on the world much the same way Rhys was when he was initially ousted to being a janitor at Hyperion before going to Pandora? no. i cannot decide which of these paths i like better, but i really want either of them to have happened.
c) pure unadulterated rage about what they did to vaughn's character post tftbl. that's it. no elaboration needed.
d) the lack of content about maya meeting and knowing about other sirens and getting to connect with them over their experiences. i want to see more about her personal horror encountering angel in bl2- realizing that this can be a siren's fate sometimes if they're unlucky or defeated, weaponized and used for their powers as a tool. i want to see her meet lilith, and bond with her over the weight on their shoulders- being a vault hunter and a siren all at once and being looked up to as a legend, a myth, and a saviour all at once. also why the fuck did they kill her off in bl3 it's so fucking awful she could've been an awesome returning character and instead of just having her return to athenas they could have done a whole arc about her begrudgingly returning to her place of origin despite complicated feelings about it because they're in danger.
e) TANNNNNNNNNNNISSSSS. i love patricia tannis. number one tannis fan over here. i just want to see more of her interacting with everyone in general, actually. sirens and eridian history are her favourite, let me see her talking lilith and maya into silly experiments for her own personal gain. making friends, slowly, as she connects with the crimson raiders more closely than she thought she would, with other scientific minds. like hammerlock! they have different realms of study, but i like to think they'd get along. have her wander begrudgingly into moxxi's bar (unpleasantly loud and busy, but needs must) and ask her for a favour because she needs someone persuasive to convince the vault hunters to spare a bit of eridium for a machine she's got in the works. more her please
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Rating Hazbin + Helluva Boss Characters based on if I could tell what animal/creature they’re supposed to be:
DISCLAIMER: This is not an attack on the creators or artists/designers for either show. I already went over the purpose of this on my first post here—I just like to review stuff.
Part 2!
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SIR PENTIOUS—SNAKE—5/5
Yeah that’s a snake, man.
While I find some of Pent’s design elements cluttered, he’s actually one of the stronger designs in my opinion. I think the having his cobra hood act as his hair is fun and cleaver. It’s very easy to tell he’s a snake. Not sure why he has eyes on his tail/body? I think they could have just made them red spots but eh.
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QUEEN BEE—FOX (?) WITH HONEY BEE ELEMENTS (?)—3.5/5
Bee’s a weird one for me b/c while her design is super super cluttered I can SEE how it could work, and I really do like fun cute fox and wolf girls. The ONLY reason that docked points is b/c she’s supposed to be a fox/bee hybrid (I believe?) but her “bee” elements are so minute that if I hadn’t seen her in a big beehive, I would have just assumed she was as a fox with fairy/insect elements—I wouldn’t have thought she was connected to a honey bee at all. It’s a weird case where she is VERY obviously a fox but it’s not obvious at all that she’s a bee/honey bee. I did want to give a little extra half-point tho b/c I do like her little antennae ears. They’re pretty much the only thing that screams “insect” to me.
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STELLA GOETIA—SWAN (?)—3/5
I think I may be going a little easier on the Helluva cast b/c overall they’re easier to figure out what animals they are. I’ve heard that Stella is supposed to be a Swan but I’m not 100% sure. This one is def more on me, but I initially thought that she was either a secretary bird due to her long lashes and the way her hair is styled, or a peafowl (which would make sense b/c her brother is apparently a peacock?) at least I can tell that she is a bird and her colors are accurate for a swan’s. I think the reason I would never have thought of her as a swan is mostly due to her beak size and color. But yeah b/c I can at least confirm that she is in fact a bird I wanna give her a higher score.
I would rate Pilot Stella too, but I don’t think at that point she was meant to be a swan, just a vague bird demon lady. At least I hope not.
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MAMMON—SPIDER (OR CENTIPEDE? MAYBE??) —0.5/5
So. Like Angel Dust. The only reason I know that Mammon is a spider is because he was shown sitting on a giant spider web.
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I really didn’t think he was a spider/spider-ish looking at all and I still don’t. Even the extra eyes they add to him sometimes didn’t immediately make me think “Spider!” just that it was a demon thing. He really just looks like a jester with extra arms.
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His full demon/mega form also doesn’t look very spider-ish tbh, and was what made me wonder if he was actually supposed to be a centipede? I was really disappointed by his “final form” because it’s pretty much the same as his regular form but with more eyes and what I assume is SUPPOSED to be a spider abdomen ?? But then he does kinda scuttle like a centipede at the end so maybe he is supposed to be???? But then why does he have a big spider web???
Also, and I’ll be honest, this is just me being needlessly nit-picky and it’s a small thing but it just irks me personally b/c I don’t understand the reasoning behind this but like. I HATE that his extra eyes DO NOT stay consistent.
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The first time we see his extra eyes it gives him a total of 8 so I was like “oh okay yeah so maybe just his final form will be a spider/spider-like BUT THEN HIS EXTRA EYES KEEP OSCILLATING BETWEEN 3 and 4 EXTRA EYES?
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These shots are only a few seconds apart like why did they give him MORE eyes when he got farther away? They’re so small that they barely seem distinct? Like if he IS supposed to be a spider you don’t have to keep giving him eyes!!! Stop, stop, he can already see!!! 😭
Maybe he IS a centipede tho? B/c he DOES seem to have the little centipede butt horns (which apparently are just their very hind legs in real life)
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And he def seems to move like one in that form. Man idk. Why even HAVE him in a spider web then???
Being an arthropod lover and not being able to figure out what the fuck kinda guy that’s supposed to be is driving me wild tbh 😅
Honestly if Mammon was just supposed to be a clown/jester I would have given him 5/5 b/c yeah that was immediately obvious. But it’s him being a jester-spider-centipede-thing that muddles things for me.
I would put Loona in here but I ran out of pictures for this post talking about Mammons eyes. She gets 5/5 cause. Yeah that’s a classic wolf girl.
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em-dash-press · 10 months
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Everything Writers Should Know About Chekhov's Gun
We’ve all heard someone mention the idea of Chekhov’s gun. Sometimes it’s not even related to a weapon. “Oh, the protagonist just left an email open on their computer. That’ll be a Chekhov’s gun later.”
What is this literary tool and what does it mean? This is everything you need to know, plus a few tips to help you use it in a story.
It Started With a Playwright
Anton Chekhov was a playwright who created plays in Russia in the late 1800s. People loved his work because he didn’t use recycled plot formulas. Instead, he always knew how to surprise those who watched his plays.
In one of his letters, he famously wrote, “If in the first act, you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.”
It was a lesson in wielding tension as a storytelling device and it’s lasted through creative writing classes to this day.
Remember Your Most Important Details
One of the points Chekhov makes comes back to the idea of promising your viewers or readers that everything they learn is essential to your plot. Every character, scene change, and object affects how your story plays out.
Sleuth readers will try to solve your plot like a puzzle while they read. Others will want the enjoyment of getting surprised by clever writing.
The lesson is simple and important—ensure that your plot always has a purpose, no matter which page or scene you’re writing. If it’s worth your reader’s time, it will be vital to your story.
Create Effective Tension
A forgotten, loaded gun adds tension because it’s a threat. Chekhov’s advice is universal, so many readers will literally expect it to fire at some point later in your story. Readers who have never heard this advice will only recognize the essential threat that is a weapon ready to fire. Either way, they’ll become concerned for their favorite characters and get anxious to continue reading.
You can do this with objects or story elements that aren’t guns. Character A might learn that Character B betrayed them, but they don’t reveal that right away. Tension builds as your reader waits to see how far the betrayal will go and how Character A gets revenge or breaks the news.
Let tension linger. There’s a specific strength in controlling your plot’s tension. It gives readers moments to breathe or anxiously turn the page, which makes their experience much more enjoyable.
Use It as an Escape Pod
We’ve all written ourselves into a corner at some point. Instead of throwing the entire story away, that’s a great moment to return to any of your plot’s Chekhov’s guns. 
Your character might remember that thing they learned earlier in the story and use it to jumpstart a change in their life. Maybe they grab hold of a Chekhov’s gun meant for another character and use it for themselves.
It depends on where you’re stuck, what you’re writing and which type of writer’s block you might be dealing with. Going back to something that added tension to your plot and giving it purpose could help propel your story to its conclusion in a way that makes readers think you’re a mastermind.
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Keep your plot promises. If something adds tension, it has to either fulfill its purpose or get solved before it can. Readers will trust that you know what you’re doing on the way to an epic conclusion, which is why Chekhov’s gun is a fundamental plot device any writer should know how to use.
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merbear25 · 3 months
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Pincushion
Having to work along side Caesar was never going to fair well for you. You were both devoted to your love of science, sure, but your morals regarding it couldn't have been more polarizing. Letting your guard down around him was one of the things you'd end up regretting the most.
CW: NSFW!!, MDNI!!, fem!reader, fingering, being experimented on, bondage, manipulation
There hadn't been any progress with this new serum in a few weeks, which was making you doubt the formulas you'd been testing out. You were determined to find the breakthrough you'd been chasing after but were weary of asking your colleauges for any assistance; their methods were a far cry from what most would consider ethical, especially their ringleader―Caesar.
Even after being ordered by your higher-ups to work alongside him in hopes of speeding up the process, you were reluctant to do so. The warm and inviting smile that was paired with friendly, open gestures seemed to always have an ominous shadow, yet this appeared to be something only you took notice in. Am I being overly judgemental towards him? Thinking to yourself, those skepticisms of his character began worming their way into your better judgement, blanketing doubt over it.
Having got lost in your conflictions, you failed to see the wolf in sheep's clothing approaching you. When you saw the bits of white cloud dissipating around your sides, you shot him a look.
Throwing his hands in the air at your glare, he tried to desfuse the hostility brewing in you, "Talk about if looks could kill! I come in peace." When your guard wouldn't fall, he added, "Promise" at the end.
Huffing at the stress he was creating for you, you impatiently asked what he wanted.
"I believe I've found the answer we've been looking for."
Spinning around, your disbelief was apparent in your line of questions, "Really? Are you sure? How can you know?"
"Oh, please don't act so surprised! Have you forgotten who you're talking to?" Setting aside his slight irritation at you for lacking faith in his skill, he pressed, "But there's a problem, you see."
When you raised an eyebrow at him, he continued, "Well, usually Monet volunteers her services when it comes to testing the quality of these types of serums, but I can't seem to find her anywhere."
"And? Don't you have your lackies who would do anything for you?"
"Hm, I do but they're far too busy carrying out my many other requests."
Understanding his real purpose for bothering you, unease set in. Picking up on this, he coaxed, "This is something that we've been trying to find the answer to for so long and this could be it! We must find out if it's the key. That is what you want, isn't it? To find a solution?"
Swallowing your fears, you agreed to help him, "Fine. If it's for the greater good, then I guess I'll help you..."
"And so many will have you to thank, I'm sure of it." Grinning at you, he motioned for you to follow him.
Leading you into what looked like an operating room, he gestured for you to lay down on the table.
Hestitation was your body's way of screaming at you to turn back. However, he was quick to act before your common sense took control; he offered you his hand to help you get up on it, "Let me help you, my dear."
Your hand was shaky when placing it in his, "Easy now," he soothed your worries.
"Now," he started, "to avoid any possible injuries, I must warn that these restraints are necessary."
Nodding for him to get on with it, your heartbeat quickened as you watched him take away your capability to flee. Pulling out the syringe, he assured you, "You'll just feel a slight pinch."
You avoided eye contact with him as he stood over you, watching intently, "How do you feel?"
Focusing on any changes, you answered, "F-fine, I think."
"You think or you know? There's an obvious difference."
Glaring at him, you waited to see if there were any signals letting either of you know about the possible side effects. When you felt your body getting warm, you told him in a hitched breath.
The sides of his mouth curled into a devilish grin.
Your thighs started twitching and rubbing together. The friction was bringing on lewd urges. Remembering where you were, you immediately stopped and demanded for him to let you go.
"I'm afraid I can't do that. We wouldn't want to run the risk of you hurting yourself from any other side effects that may appear, now would we?" denying you, he seemed to be enjoying the sight of your flushed face being overtaken by dread.
His hand hovered over your inner thigh, making you grip at the sides of the table in anticipation. "What do you feel when I do this..." His grasp sent shivers throughout your body. However, when he pinched the fatty upper part, shock waves shot directly across your folds and tangled around your clit―throbbing from the sudden neglect.
"Answer me, dear."
He had just witnessed your hips bucking from his teasing, yet he had the nerve to insist on hearing you tell him. You sobbed, "Fuck you," before twinging at the new waves of sin finding their way to your now weeping cunt.
Smirking at the pathetic mess you were turning into, he taunted, "That still doesn't answer my question."
He carefully lifted your skirt, exposing the shame you were holding between your legs. His hand was hovering over you again, which caused you to squirm more in a desperate attempt to evade him.
Stopping over your drenched pussy, he slid a finger over the lips. As you threw yourself against the table and muffled your cries by biting your lower lip, the sensation became more unforgiving; he swirled the tip of his finger over your hardened pearl, chuckling to himself when this broke your silence. Your disgraceful sobs were echoing around the room, while your hips were eagerly seeking out to abandon your prior morals.
"Use your words. How do you feel?"
Completely giving into his wicked ways, you admitted to how incredible it felt.
Upon hearing this, he slipped your panties to the side and shoved his fingers deep inside your aching walls. You couldn't hold on for much longer; you bounced yourself in motion with him, calling his attention to your breasts.
Ripping your top down, he hurridly grabbed at your expossed breast, which made your shrieks shrill from the overstimulation. Practically begging for him to stop the torment, this was only inticing him to push your limits further: pinching your tender nipple, flicking it for his own sadistic pleasure to see you descend into madness under his care.
Your walls clenched around him mercilessly, barely giving him any more leverage. Making him resort to using his upper arm strength to plunge into you, he admired the sight of your swollen and reddened lips gripping his hand.
The vulgar sounds seeping out of your slit were making it hard not to involve himself any further in his experiment.
Your mewls were intoxicating: your hitched breaths and begging were laced with the most addictive narcotic. When your finale had finally been seen through, you were barely conscious―having been forced to endure such abuse of power.
Clearly satisfied with your performance, he began releasing you from your restraints.
"It would seem that I'd grabbed the wrong sample," he informed, playing it off as a simple act of carelessness. "The side effects should wear off shortly, though."
Still unable to speak properly, all you were able to muster was a distressed whimper and scowl.
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mermaidsirennikita · 2 months
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a huge issue with romance right now (and I mean, tbh? commercial lit in general, it's arguably worse for YA atm) is that people are currently considering books about people who do not act the way the reader morally thinks they should... flawed
like, y'all think a character being intentionally written as a problematic individual is a FLAW, when in fact it was a CHOICE the author made, usually to incite conflict and/or trigger character development
I mean, I'll use Laura Kinsale's Flowers from the Storm (a book a Goodreads user I was mutuals with told me not to read when I simply added it to my TBR) as an example
Jervaulx is a SHITTY PERSON. We are introduced to him while he's in bed with his mistress, a married woman; he realizes she's pregnant and casually tells her to go fuck her husband to trick him into thinking the baby is his, because Jervaulx ain't got time for that baby or that woman. He then meets a fellow math nerd who is blind (which by the way, love that he is also into math, man contains multitudes) and notices that the blind man's daughter is a) hot and b) a Quaker.
Jervaulx asks this man "do you know what your daughter looks like" the man tells him it's been a long time since he saw her, and Jervaulx basically takes this as an opportunity to very seductively describe this woman, even though SHE IS A QUAKER AND IS CLEARLY MADE UNCOMFORTABLE (and turned on, let's be real) BY BEING DESCRIBED IN A SEXY WAY IN FRONT OF HER DAD (who absolutely does not pick up on what Jervaulx is putting down but whatever).
This man... is an asshole. And he's an asshole on purpose, because the entire story is about taking a man who has a lot of power and a lot of casual ability and privilege and bringing him down to an EXTREMELY low point, which results in heavy character development (and which does NOT, I should add, turn him into a perfect person! Because people aren't supposed to be perfect! Because perfection is boring, and while boring may work in real life... maybe... it does not work in a story in which we are supposed to have plot and character and forward motion).
BUT NEVER FEAR. Maddy, the aforementioned Quaker and his heroine, is also KINDA UNLIKABLE. Because she is so devoted to her faith (to the degree that it would be hard for readers to relate to her, even when the book was published decades ago) and she is frankly snobby, and closed off, and judgmental. She has GOOD INTENTIONS much of the time, but she is not initially a very emotionally accommodating woman, and even when Jervaulx is brought low, she does not WANT to like him. Because he is not a Quaker, he is not a Friend, and Maddy is not, in the beginning, open to the idea that you can be a good person or become a good person without conforming to the worldview that she has been convinced is morally correct. And in fact, her worldview may not actually BE wholly correct, even if it does have solid points that disrupt a corrupt class system.
It's almost like many readers could also benefit from learning that their worldviews about what makes a good person and character could in fact be flawed and unrealistic and
Fiction is not meant to be didactic and the fact that the current market is increasingly punishing authors for writing books that are not is incredibly disturbing. It's why we have so many books that are either incredibly boring, or swing towards cheaply written dark romance which is not actually good (to be clear: I think dark romance CAN absolutely be good). There's a desperate market for it, I think, because at least that's something readers who want something not Good and Dull can latch onto
Basically: please God read more books about people who are kinda shitty and plots that are kind gray, I promise they won't bite
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The Worst Trope Ever Showdown: Round 4, Side B
Ugly Girl Transformation
An "ugly" character, usually female, becomes beautiful after a makeover.
Propaganda:
As someone ith glasses and doesn't feel that great about myself, watching someone who acts like meand who i can see myself in all of a sudden becoming "pretty" because she started to wear makeup and wear dresses and have her glasses taken off and becoming more in touch with her femine side just rubs me the wrong way. And sometimes they will dull down what made her who she was in the first place
Humanoid Female Animal
Mainly a thing in animation (tho comes up in CGI in otherwise live action movies or w/e). the male of an animal species will range from somewhat anthropomorphic to looking pretty much like a normal animal, but the female of (supposedly) the same species will be extremely anthropomorphised & sexualised. often includes long hair on the head, heavy makeup, and boobs where the animals they are supposed to represent usually have none of those, and the males usually don't have any either
Propaganda:
ugh. UGH. can a female not exist without being a sexy sex doll? can a female not be hairy and animalistic like the male counterparts? can a female not have ANY interesting design features/ any design at all except 'sexy'??? CAN A FEMALE ANIMAL LOOK LIKE A FUCKING ANIMAL PLEASE. IF YOU'RE GRANTING THE MALES THAT GRACE WHY NOT EXTEND IT TO THE FEMALES JFC. IS THE ONLY PURPOSE OF A FEMALE CHARACTER OF ANY KIND TO BE SEXY TO THE AUDIENCE??? IS IT????? (also they just always look terrible like c'mon that thing is meant to be attractive somehow? to be visually pleasing to you somehow?? (sorry)
gotta slap a bow and eyelashes on to Girl character design bc god forbid we can't tell the boy and girl bunny/lion/deer apart!!!
Aside from the obvious sleazy aspect, it is also, in my opinion as a working character designer, deeply uninspired and often a symptom of a lack of real consideration going into the designs and/or world-building.
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shewhoeatssand · 10 months
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More Kaneki Headcanons And Ideas!
Kaneki has a very nice puffy jacket with a fluffy hood! It keeps him very warm!
Kaneki loves to wander off! Never go shopping with this boy! He doesn’t do it on purpose, it just doesn’t occur to him that people would look for him
If you taught him to crochet, he’d crochet all day! He’d love the stimmy repetition and softness of the wool!
Kaneki enjoys rice paper wraps with prawn and peanut sauce!
One time he hit someone in the face very hard with insect repellent, but the can got busted and the gas went straight to his face! Thank god he was wearing a mask
Kaneki doesn’t really like fire. Sure, a little is fine because people get scared of it, however, he is also a bit scared of the fire, and he hates how bright it gets
Hide once gave him some worcestershire sauce in a glass and told him it was pepsi and he drank it and fell on the floor
Kaneki is a huge fan of farming in minecraft!
Kaneki thinks axolotls are awesome but also pretty weird. He’s done research on how to look after them, and decided it wasn’t really worth it, which he brings up every time anyone talks about axolotls
Kaneki likes to hibernate through his problems! When he quit being a gang leader to go back to Anteiku, he spent a lot of time sleeping to avoid thinking about things, even though he decided to use this time to find himself. Maybe he doesn’t really want to find himself after all he’s done?
Kaneki is a huge fan of M’n’Ms. He loves the small ones. He tries to restrain himself when he’s around others though
He talks a bit like a book character sometimes, which can be a little cringey on occasions, but he’ll also say really profound things completely on accident that change the vibe of the entire scenario
If you took him to Belle’s library from Beauty And The Beast, his jaw would drop and he’d start running excitedly around the library, admiring all of the collections. This is true regardless of which Kaneki you bring. The only exception is #240, who seems very stiff and unsure but is excited nonetheless and will look through the books with you if you coax him a little
Kaneki really likes things to be clean, Shironeki especially. He uses a lot of water washing all the clothes 3 times a week and all the sheets once a week, but it’s worth it to him to feel clean (“Doesn’t it smell nice? Tsukiyama pays for it anyway.”)
Every Kaneki hugs his pillow while sleeping. He’s not really aware of it
Haise is the only Kaneki who accepts hugs from other people
Black Reaper has a comically fancy case for his glasses, and whenever people comment on it he acts as if they were merely jealous. This is very funny to him somehow. It has his full name and everything, even a fake middle name written in gold
Shironeki doesn’t laugh at anyone’s jokes except his own. Sometimes he bursts out laughing randomly because he had a funny thought, but when someone asks it’s either something completely fucked or the most unfunny dad joke/pun to come out of someone’s mouth (usually the latter). Kuroneki and Haise laugh at everyone’s jokes to be polite. Reaperneki stares and then fake laughs in an obvious way, with his eyes open
Shironeki gets embarrassed about how small he is. On one hand it’s useful to look so delicate since it catches people off guard, but on the other he sometimes wishes he could look as scary as he wants to be. He feels a guilty pride when Banjou says he terrifies him regardless
Kaneki is actually a very pretty boy! He just has shit fashion, doesn’t eat or sleep in a healthy way ever, and a lot of people think he’s kinda weird when meeting him, so he doesn’t look as great as he could. If we fixed up his diet and sleep schedule (Shuu solves his fashion issue) he’s actually a cutie patootie! Idk what we’d do about him being weird though
Kaneki is a soggy lad in more ways than one! This man loves playing in the water. Forest adventure with the ghoulie? He’s going in the creek. You beg him not to, you beg him to stay, but in the end there’s nothing to stop him from leaving - he pads quietly towards the running water. Determined to try. He’s stripping away his shoes and socks, your pleads not reaching him. At first shocked by the cold, but willing to reattempt.
The vibrant moss springs back to its original position as his feet dip fully into the water. “It’s cold in here” “I JUST SAID NOT TO GET INTO THE WATER YOU’RE NOT MEANT TO BE THERE” “It’s kinda nice” “YOU COULD SLIP AND GET WET” “Uhuh. You should try this too, you can feel the water flowing around your legs. It’s so chilly”
He does fall on his ass actually and his butt is wet for the rest of the walk. Only reason he’s not taking off his jacket and shirt to swim too is the fact that someone is with him and he doesn’t want to hold them up for more than 5 minutes
Kaneki has a car but he’s still on his P-plate
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usuimisaki · 2 months
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How Do I (Not) Love Thee? Let Me Count the Ways
Gekkan Shoujo Nozaki-kun is insane. It’s a gag manga built on misunderstandings, mostly accomplished by the fact that the entire cast has two brain cells put together. The main joke of the manga is how everyone is always acting like they’re in a romantic relationship—without any of the romance. In the beginning, the joke was facilitated by the fact that Nozaki is always trying to simulate being in a romantic situation for research purposes for the shoujo manga that he writes, but then other characters got involved and they’re even more ridiculous than he is.
Horikashi
Omg, where do I begin?
Kashima constantly talks about how to get Hori to dote on her. For some reason, despite the advice of Sakura, Mikoshiba, and a drunk Hori himself, she can’t bring herself to go to club regularly. Hori should just go back to telling Kashima he likes her/giving her head pats/just kiss her already to properly motivate her.
Kashima has a rivalry with Nozaki since Hori said that Nozaki was his favorite kouhai, so Kashima gets angry when Hori gives Nozaki snacks or when she thinks Nozaki is going to text Hori before her. She also stole all of the head pats that Hori was going to give to Nozaki even though they were play acting.
Nevertheless, they do spend a lot of time together in club, and club members hilariously either get or misinterpret their dynamic. Like, they understand that Kashima wanted to show off her legs to get Hori’s attention since she might have been jealous of Hori liking a pair of legs in a picture (actually her legs).
On the other hand, when Hori freaking HUGGED Kashima to comfort her after she got upset, the drama club members just interpret this as ad-libbing.
They hang out together outside of club too, to the point that when they couldn’t even go HALF A DAY without talking without a) Kashima complaining about how painful it was and b) Hori going into shock. As a follow-up, Hori started meeting Kashima at the train station in the morning.
When Kashima went on a school trip, she texted Hori constantly.
When trying to make conversation with Mikoshiba before Mikoshiba knew Hori was the backgrounds guy, Mikoshiba thought the backgrounds buy was a Kashima stalker (once he knew that the backgrounds guy was Hori, he felt relieved)
Whenever anyone gets praised around Hori, he has to check to make sure that that person isn’t better than Kashima. He also realizes that Kashima is his ideal girl as well as guy.
When Kashima invades Hori’s personal space, he either responds by gazing at her beautiful face or noticing that her eyes are red.
Kashima, to the extent that she listens to anybody, listens to Hori. One notable example is when she passed the basketball to him when he said to EVEN THOUGH HE WAS ON THE OPPOSITE TEAM.
Hori went around telling Kashima (but also other people) that he liked/loved her for a while.
Hori actually likes listening to Kashima’s horrible singing, even though he knows it’s objectively bad. He even records it specifically so he can fall asleep to it at night. WTF?
Seowaka
These guys . . . these guys are almost as bad.
Technically, the reason Waka goes out with Seo so much is to spare his kouhais the pain of spending time with Seo, but that does translate into them going out a lot. At one point the basketball club tries to get Seo a boyfriend so she’ll be . . . less Seo-like, and in the end they just rely on Waka.
Waka got pretty upset when he thought that Seo had a boyfriend though (turned out to be Kashima).
Seo realized that she likes bullying Waka specifically.
Whenever Waka is NOT allowed to interact with Seo, such as when she accidentally had a card turned to not being bothered, he gets morose.
He also got morose when Seo didn’t text him while on the school trip.
He got morose when Seo didn’t hang to hang out with him right after she got back from the school trip.
It’s pretty established that he says he loves Lorelei (whom he doesn’t know is Seo), but even once he does know, he gives her all these gifts, like food and earrings.
But . . . the food is not a big deal considering Seo is always making Waka go out to buy her food anyway.
The whole interaction between Waka and Seo now that he knows she’s Lorelei is a little weird, since he’s said so many times that he loves Lorelai—but it seems more like the love for an idol instead of actual romantic love. The main change is that Waka now accepts Seo’s orders more willingly.
Waka told Seo that he liked her for some reason (to freak her out?) and it worked, but then he had to tell her it was a joke to make up with her since they had arranged to see a movie together. He sometimes still says it because he likes how freaked out she gets about it.
NozaChiyo (Sakuzaki)
Well, can’t leave out the title character. This is the only couple where one of them actually acknowledges their feelings as romantic. Lately they’ve been getting some air-time, with Nozaki actually reciprocating but in denial.
Even though Sakura’s confession doesn’t go anywhere romantic, she does become Nozaki’s mangaka assistant, which entails spending lots of time at his apartment. This is turned into a joke later on when Nozaki’s classmates invite her along to visit his place since everyone knows she has a massive crush on him and she has to pretend she’s never been there.
Even early on, Nozaki said that he’d be shocked if Sakura abandoned him (though the fact that Hori is more irreplaceable as a manga assistant is a frequent source of jealousy for Sakura).
Nozaki feeds Sakura a lot. It’s not like he doesn’t feed his other assistants, but he especially feeds Sakura, even outside of his apartment. Nozaki even realizes this, to the point that he tells Kashima that’s how they got close (prompting Kashima to feed Hori the notorious brandy cake)
Nozaki even made Sakura oven mitts for her cooking project (where she was baking cookies for him).
Nozaki (and Seo) got jealous when Sakura hugged the Wakamatsu doll Nozaki made for Seo (so he made a Sakura doll for her).
Nozaki really wanted to hold Sakura’s hand after she got “lost.” Of course Nozaki asked Kashima for advice about this and she told him it was a motherly feeling. I’m not sure if this actually counts since it’s actually romantic as opposed to non-romantic. I guess as long as there’s plausible deniability it counts.
Main vectors of romance-adjacent behavior
Spending stupid amounts of time together (but they could just be club buddies/coworkers).
Jealousy—I was going to say that Horikashi was an exception, but Kashima is jealous of Nozaki. Hori is annoyed at fangirls if they prevent Kashima from going to club.
Touch (this is mostly Horikashi, but Seo has started rubbing Waka’s head, but let us not forget that Sakura once sat in Nozaki’s lap—prompting Seo to do the same with Waka. Hori has given Kashima a lap-pillow a couple of times, once for Mikoshiba’s sake, and once during the king game)
Knowing a huge amount about the other person (Sakura is an acknowledged stalker, but Hori and Kashima come close)
Feeding (Nozaki, Kashima, and Waka)
Obedience (Kashima listens to Hori, Waka listens to Seo—Sakura and Nozaki actually have a mutually respectful relationship)
Telling them that they like them (Hori demotes this behavior by just telling everyone he likes them, Sakura’s confessions always go awry, and Waka as a joke)
Tolerating the other person’s terrible behavior (Waka obviously (poor kid has Stockholm Syndrome), Hori for Kashima’s singing (he kind of puts up with her other terrible behavior, but also smacks her for it), Sakura putting up with Nozaki’s eccentricities)
Other special treatment (Hori praising Kashima, Kashima hovering around Hori, Seo bullying Waka, Waka idolizing Lorelai but also thinking about Seo (as a troublemaker) a lot, Sakura for almost anything regarding Nozaki, Nozaki mothering Sakura)
Being cheered on by another member of the cast (everyone knows about Sakura’s crush, Mikoshiba is the biggest Horikashi supporter, and even Hori supports Seowaka for the sake of Nozaki’s manga)
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me when people are hating on Ouma's actions in game like. I just support him, actually
Ves: REAL she looked good doing it
if it were me I would get more crazy for a lot more selfish reasons, and I would punch Kaito back sooner, good for him for keeping his eyes on the goal
fr fr, look at him in the closing argument, that's my babygirl
Ves: the closing argument artist thinks so too
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he did not have to go that hard but HE DID IT FOR ALL OF US. A HERO
haters will act like he's irrational, but he stuck out so long with no support system since he couldn't trust anyone and managed to play things off even when he was finally starting to lose his shit in a situation when it was reasonable for him to feel like this (tbh even fans make him often crack way more easily to make shipping content, when he's so resilient and then on the other hand not really lone wolfing it either bc he cooperated as much as he could) his way of going about things was smart, there isn't much else he could do, Tsumugi was setting up others to distrust him as well
Ves: AAAAAAAAAAAUGH!!! he did he lasted so fucking long in the worst possible situation he tried so HARD to cooperate and it just. did not work. if i think abt how quickly his plans fell apart i will explode i'd b doing so much worse in his situation
sometimes it's just like, you're talking about paranoia? trust and attachment issues? untreated mental illness? I think we have to be introduced, there's so much I could show you. I am not saying he doesn't have anything of the sort, but there's a lot more of reasonable justified distrust there, and still, it could be so much worse, trapping the next person who thoughtlessly assigns him diagnosis in a demonizing way in a room with me and making them listen to me rant about my failed relationships history for educational purposes
they will learn about all kinds of issues
Ves: it's trueee people act like he's so strange for breaking down but LIKE??? HE'S PRETTY NORMAL FOR THAT ACTUALLY???? he clearly already had Issues but the killing game was perfectly packaged to dig into those this is why DRS and UTDP mostly suck at characterizing him they're still stuck in the idea of him at his absolute worst he was nicer even in ch1 than he is in some of those events
[and then my amazing wife dropped this bomb, and she says I'm the smart one smh] Sini: The thing is, there’s him being shitty on purpose and him pretending to be the mastermind/making himself appear suspicious. There is a clear difference in how he acts. In DRS and UTDP he usually just comes across as playful. Yeah he’s a jackass, but I think his whole “bad guy” persona (the one we see in the beginning of the game) goes beyond the killing game. I see it as a way for him to protect himself, to push people away and not appear as vulnerable. As he’s said before, everyone always sees him as a villain so it’s the perfect role for him. I think that reasoning goes beyond what was happening to him in canon. I do agree his characterization could’ve used a bit more reworking, but I think for the most part they did a good job in showing how differently he acts in a peaceful setting in small ways. The fact that he never uses his scary sprites once or is seen to be more nice with characters like Mikan and Gonta. Especially with Gonta, where he seems to be more vulnerable around. And while this was probably just a mistake, I like to think him being shown as not as pale in DRS as a sign of him getting better. In a non killing game environment he seems to be doing pretty well for himself. But that’s what I believe, anyway
Ves: h that's really sweet actually,,,i may have been a LITTLE hard on the side modes. it's mostly the way he treats kiibo that drives me INSANE, the mikan n gonta stuff is [ok hand emoji].
Sini: Yeah, I agree. I can understand the Kiibo hate, but he doesn’t have to go as hard as he did in game. It’s not like there is a reason to suspect him. The only thing that could maybe explain it is maybe he suspects he could be tied to Monokuma? Since he, the Monokubz, and Monomi do exist here. He was rude to Monomi and seems to suspect her of being not what she seems ALSO, he’s always gonna be a little shit cause he’s a greedy whore. He wants attention and entertainment so badly.
Ves: THISSSSS it's so important i have seen so many people question why he does things where the answer is literally just that he wants attention like there is not always a plot sometimes he just wants shuuichi to chase him
Sini: That’s all there is to it He wants his crush to chase him like in his favourite novels Live the fantasy
Ves: it's part of why they're so good together!! shuuichi as a detective is v used to obsessing over details and giving his whole attention to something in the way kokichi wants HE'S A NERD THAT ALSO EXPLAINS MANY THINGS
Sini: They’re both nerds. Even more reason to why they are soulmates
Ves: kokichi receives the Detective Stare and goes TEEEEEHEE
Sini: IT’S HIS DREAM COME TRUE It’s just like anime! He’s living anime rn
Ves: i think his hair should curl up at the ends when he gets excited as a treat
Sini: To compliment Shuichi’s sentiment ahoge When he goes to his room after an exciting day with Shuichi, he flops on his bed, kicks his feet, and squeals into his pillow
I feel a little ashamed when reverse happens and I am posting something someone else started and I took over, but with this all I can say: follow @vespertin-y and leave nice comments for my wife so we can prove it to her that she is smart and her takes are divine.
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ick25 · 10 months
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Rockman.EXE and Cyber Security.
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When you are a Rockman/Megaman Battle Network fan and you take a college course about networking, you start to notice how broken the internet is in the anime. So just for fun, I want to talk about a few things I learn about network security and how it is interpreted in the Megaman Battle Network anime.
1. Firewalls
What are firewalls? In simple terms, it is a security barrier that is placed between a private network and the public network. 
They are configured to monitor and filter networking traffic, hackers go through them by figuring out how they are programed, once they do they can either bypass the security undetected or simply disable the firewall.
Lets take a scene from the movie where Lan sends Megaman into a secretary’s console to destroy a program inside a company’s server.
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Megaman is running through the network between the console and the firewall, which protects the private network of the company.
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Logically, for Megaman to go through the firewall, he is going to need to use his powers as a Net Navigator (Net Navi) to analyze the firewall at an incredible speed to try to find a way to go through it, right?
WRONG! Battle Network logic says you can just break it with brute force!
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You see the problem?
Does this mean Navis and battle chips are just as destructive to the net as viruses? Because last time I checked, Viruses and malware are the only programs with the ability to destroy networks.
2. Viruses
Viruses are man made, they are programed with a purpose that’s usually to destroy data files. They can also be used to change and manipulate programs, that’s why you can see evil Navis controlling viruses to do specific jobs for them. Viruses can’t replicate on their own without a user interface, so how is this Moloko a baby?!
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There was an undubbed episode of Megaman Axess where Rush meets and befriends a baby Moloko virus, which doesn’t make any sense. Yes, Rush is a virus, and it has been established that viruses can communicate with each other, but why does this Moloko have parents? And why was the group of Molokos it separated from was being herded by other viruses like Trumpy? All I’ve seen Molokos do is charge at megaman when they see him, trying to ram him. Why would someone herd them? For the wool? It disappears after you hit it!
And what even is Rush’s purpose anyway? When he first appeared in the anime, he was made to track down Rockman’s frame or structure when they were trying to revive him with the backup data, but now?
All he does is being a crappy character who runs away when things get dangerous, doesn’t act like a dog anymore, and irritates me because he can move between the cyberworld and the real world! He is selfish, lacy, and practically useless, there are several times where Megaman goes missing and Rush is never even called to track him down, so he doesn’t even have that ability anymore.
On a positive note, viruses can be interesting, I found out that there are different types of viruses. For example.
A Stealth virus is a virus that avoids detection from anti virus software, this means it can conceal itself and attack without being spotted, sounds familiar? In this case the anti-virus software would also include Navis.
A retro virus tries to destroy anti-virus programs, I like to think these apply to viruses who specifically target Navis in battle like Canodumbs and Piranahs since they only attack when they detect an enemy in the line of fire.
Armored Viruses are hard to detect or analyze because they have a protective code, These could be Viruses with armors or auras like the Dominerd or even the life virus.
But Phage viruses remind me of these guys because they rewrite programs.
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And I guess this one counts too?
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Other viruses just act like malware, like the Alpha bug that is more of a worm than a virus, because it can replicate and travel across networks without any human assistance.
Others are obvious like the Pop up virus which is just Rush, and it is supposed to be adware, but just like Rush, it is more annoying than harmful.
In the anime, killereye viruses are used as spyware, there was an episode were Videoman used them to spy on Rockman and make copies of him.
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3. Tracing a signal.
Basically, everything you do on the net leaves bread crumps or cookies behind that makes it easy to track a user online, every device have a Mac Address and every network has an IP address, but it takes a special kind of software and advance skills to track down somebody in the real world.
Let’s talk about episode 32 of Stream.
Remember that episode were Megaman followed a revived Shademan to 20 Years in the past and he witnessed a famous hacking incident that was stopped by Colonel?
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Aside from the fact that it was 20 years in the past and Megaman is more advance than most of the technology there, there were a few things bothering me.
For starters, why does that computer show a little Colonel doing something to that guy’s hacking program? It’s cute and all, but this is a confusing way to show someone disabling a program, it usually just shows a notification. Or is that how the computer sees colonel, like a little pixel version of him? XD
That hacking program was made to open any cyber lock, it uses three special pillars to disguise the signal so the police wouldn’t be able to track down the address, this means those pillars have some special form of encryption to cover the data to make it untraceable. In the anime’s world, that means it’s invisible, but somehow Megaman can still sense it? And how did Barryl know where the guy was? Did colonel tell him? Or did the viruses he sent to delete colonel revealed his location? Oops.
4. Hard Drives.
To end this post, what are hard drives? They are what your computer uses to store files, so Navis can obviously be stored in a computer as well. The problem is that they are still sentient inside the computer instead of dormant.
The concept of containing a Navi, yes, Navis have their own jail in this universe, doesn’t really make any sense. We know Navis can sleep, but the Navis we see in cages are still active, and if everything is connected to the internet, how can they not escape?
I’m using this scene with Megaman as an example, when he was arrested for being in the wrong place at the wrong time, he was put in a cute little cyber cage.
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However, since Megaman is more advance, he wonders if the hard drive of the computer he is stored in is weak against vibrations. What does he mean by that? Physical or cyber vibrations? Does that mean he can control a frequency in that computer’s cyberworld to alter it? 
Whatever he did worked, because he left a gap in the cage, but how did he do it without damaging the Hard Drive? The police officer wouldn’t be able to access his files anymore, maybe it was minor file corruption?
And the worst part is that he opened a gateway into the internet, which is still there! I guess Megaman can travel through routers by himself? Maybe that wouldn’t have happen if the officer just disconnected his ethernet cable. 
This Network based world is a scary one.
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