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#and in a way that still lets him be a character outside of those traits
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autistic donnie thoughts
as a neurodivergent person myself, i really love the autistic rise!donnie headcannons SO just wanted to say that maybe the reason he was so into the purple dragon satin jacket was because the fabric was a lot less agitating on his skin/soft shell.....? obv the movie sort of (???) covered his sensory issues with the (SPOILERS) krang ship controls but i thought this was another decent example of it.
i mean as a literal sewer child he pretty much only has access to what he can scavenge from DUMPSTERS so satin must have been like a godsend for him.
sensory issues man. not fun.
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An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)
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Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".
(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)
He always had eyes all around him not just because of a stylistic choice.
Sir Pentious always felt like he was watched, and had to watch out for any danger.
"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"
Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.
To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.
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So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.
But, if we have to be frank here, his biggest source of insecurities... is himself.
He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.
Heck, even the mark on his hood kinda resembles one eye.
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Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.
They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.
And it's all him.
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Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.
This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.
But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.
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He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.
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Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.
And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.
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Speaking of love, let's talk about that!
No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.
And look: the mark on his hood is now heart shaped!
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Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?
Simple: love. Love defeated his insecurities and self hatred. He died for love.
He died protecting his friends, his new family, his new home.
He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.
The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!
He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.
His only thought up until his demise was: "I'll go down protecting them".
And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!
He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).
And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?
And of course, as the Bible itself says:
"Greater love has no one than this: to lay down one’s life for one’s friends."
(John 15:13)
And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.
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centaurianthropology · 2 months
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Oh man, I think the Circle of the Crimson Mirror might just be MY Candela circle. I enjoyed the goofy schlock horror with the Circle of the Vassal and the Veil, and really enjoyed the amping up of horror in The Circle of Needle and Thread (though the horrors of war theming was not specifically for me, it was still well done). I haven’t gotten to watch the Circle of Tide and Bone because life happened, but from what I’ve heard it was very good.
But I was laughing out loud with glee for the first episode of the Circle of the Crimson Mirror. All these characters are delightful. The setting is fascinating (starting out OUTSIDE of Newfaire and expanding the world was really fun), the theming of Irish folklore horror gives a folk horror mixed with cosmic horror vibe that I’m really excited for. And Liam is just the sort of ruthless DM that is perfect for a horror game. Because for me, keeping your players wrapped up in the horror, making them at least a little genuinely afraid (after talking through Lines and Veils of course) in a fun and contained way IS the heart of playing a horror game. It’s the same as watching a horror movie, in that you WANT to be scared, that’s part of the enjoyment, but in a horror game the fun is having it happen to you.
And both folk horror and cosmic horror are some of my favorite subgenres, so this is hitting all my favorite sorts of horror. And because it’s me, see below for my much longer thoughts about this first episode and the characters. Because I’ve never found a topic I enjoy that I can’t write an essay about.
Liam comes for everyone straight out of the gate, doesn’t he? While I found the train cold open in chapter 2 exciting, I found this even more harrowing. With NPCs we barely know constantly imperiled, all the investigators are really sketched so clearly right off the bat with their actions rather than their more open explanations later. I love that all of them lean heavily into being out of their depth, even sometimes making poor choices because of it. The players are aware they are in a horror game. The characters are not.
So let’s talk about those characters:
MALCOLM TRILLS
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Imari Williams was the player at the table I had no prior experience with, and I love what he’s doing here. He puts his whole body into acting out the scene, even at the table. Even before we know he was a Sole Survivor of a massacre during the war (and I found it deeply entertaining that Imari couldn’t help but dump his backstory all over the floor. Liam’s gently encouraging everyone to hold it back for dramatic moments, and Imari is just so excited he’s like “NO! HERE IT IS!” not once but twice in the very first episode), we knew that. Because Imari is clearly dedicated to acting that out through what Malcolm chooses to do. He believes in saving others, especially after losing his entire squad. He has to do it, even (or maybe especially) for those civilians he doesn’t know. His entire point in being in Candela is saving people. So when Liam dunks two unnamed sailors in the ocean, Malcolm goes in. His friends are horrified. They love and value him, and they value him more than two randos. But to him, the randos are the point. Saving people is the point. So no matter how many disappointed dad-lectures he gets from Leo (and this is clearly not the first one he’s gotten), Malcolm is always going to be this way. He’s always going to try to play the hero in a horror setting, which is such a delicious choice for a horror player to make. Everyone at that table knows how perilous it is, but Imari is fully committed, and I love it.
We already know a lot of his background, but there are things we don’t know. We don’t know his relationship with his family, or why Leo is so disdainful of the Trills as a group. There seems to be an implication that the Trills are old money in Newfaire, perhaps, or at least a legendary family for other reasons. And apparently reckless heroism is a family trait. But what does Malcolm do in his day-to-day? He’s the one we don’t have a career or life for back in Newfaire yet, and I am interested to see who he is when he’s not playing the hero for Candela.
LEO AMICUS
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I love the description of “I’m going to lie a little and say ‘early forties’” as an explanation for Leo’s age. It tells me a lot about his character right off the bat. We know he’s older (but not how much) and that he doesn’t want to admit he’s older. There’s just a touch of vanity already there, and given that he’s also a man in a dressing gown on a ship in a severe storm, who thinks that his presence is deeply inappropriate? Who asks if there’s a bar on a tramp steamer? We know so much about Leo already, and I love it all. Taliesin plays a dandy so well, his table reactions are so expressive, and it’s so clear that a setting like this is NOT where Leo shines. He shines in social situations, in parties and bars and places where his charms mean something beyond keeping a crewmember calm long enough that she can be knocked unconscious. But he’s so great in being totally overwhelmed and being useless in an action sequence.
And once the storm is over? We find out that Leo is very much the mother hen of the group (probably the oldest member). He knows Malcolm well, and treats Grimoria like a beloved niece. We haven’t gotten a lot of interactions between him and Edgar, but I’m excited to see what their relationship is like, as the two more cautious members of the group.
It was in his interactions with the other members of the circle that I realized how much like family this circle is. They are VERY close, despite ostensibly just being coworkers. There is such a deep care and concern for one another here and I love knowing how dangerous that also is in a horror game. And Leo is the one most open about his attachments here. We know he doesn’t have much blood family, and doesn’t talk to them. We know he looks at these people as his family.
And I love that, for that family, we see a REALLY different side of Leo. While he was overwhelmed and trying not to look at the blood on the boat, the second the Murphy girls (or whatever was masquerading as them) tried to murder Malcolm and the others, Leo was grabbing kitchen knives and trying to kill them. His perspective from his talk with Malcolm also remains consistent: you put your family first. When his family is threatened, meek Leo melts away and we have a man who will do whatever is necessary, kill whoever is necessary, or let anyone die to protect them. He seems to have few moral convictions, but an enormous amount of love, and that excites me for this character.
And I love that we actually know very little about him right now. We know he lives in Red Lamp (because of course he does) and that his apartment doubles as their chapterhouse. So he can be Team Dad at every meeting.
Also congrats to him for getting laid in the very first episode. Hot sailor dude propositions him, and Leo is all about that life. This Professional Man of Leisure is clearly gay catnip.
DR. EDGAR LYCORIS
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I was so excited that Alex was finally going to be in a filmed Candela game (he was apparently one of the play-testers during its development, and it’s so clear he knows the rules). Dr. Lycoris is cool, calm, almost robotic in his presentation. He’s definitely a classic Alex character with his calm and his normal-guy-in-a-group-of-weirdos vibe (while secretly being very much a weirdo himself), and filled with casual competence and rudeness. But at the same time there are hints of how much he cares about this circle too. Him quietly calling Grimoria ‘Grim’ when she’s unconscious and he’s tending to her, telling her, “You can’t sleep forever, Grim,” in such a fond tone. The two of them clearly have some quiet history together, and there is a real softness between them that I’m excited to see them dig into as they get deeper into the game. There’s clearly a long-standing connection with Malcolm too, with both of them extremely aware of one another’s skills and weaknesses, working together seamlessly, especially in moments of extreme stress. I want to see more of these soft moments, these personal moments when his icy demeanor cracks, and I imagine we’re going to get plenty of them, given that THIS is how intense the first episode was.
He and Leo are the two characters we know the least about at this point. We know that Edgar is a surgeon working in the main hospital in Newfaire. We know that he is cool under pressure, and that he is both used to fighting (his immediate shift into using his scalpel as a precision weapon to go after arteries and tendons is such a nice touch for the character), but also can really be shocked by sudden violence (I love that he totally freezes after THAT happened to Declan’s mother). He states that he wears nice and fashionable clothing, but the clothing is almost wearing him rather than the other way around, like someone picked them out for him. I want to know who that other person is (is it Leo???). I want to know who he is when he’s not trying to wear what other people expect of him.
I am so excited to get to know Dr. Lycoris.
GRIMORIA
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Likely a stage name, and I do wonder if we'll get her birth name, or if that even matters to her at this point. Mechanically, I am thrilled to see a Candela player try to homebrew a multiclass in this system. She’s essentially gone for a Medium/Magician hybrid. We know she works as a procurer of esoteric artifacts. She performs shows with smoke bombs, so likely is a stage magician, and that she has been able to channel spirits since she was a small child.
And we know that she’s 18. In a group in which consists of a man who is at least in his mid-forties, a man who is 32, and a man who is a surgeon (so has at least obtained advanced training, and is probably in his late twenties at minimum, and is likely in his thirties given the hints that he served as a battlefield surgeon during the war), Grimoria is YOUNG. Absurdly so. The guys care about her in a different way than they do one another. They look out for her in subtle ways, though are all very careful not to treat her as a child. The softness between her and Edgar is reflected in the overtly familial way that Leo talks to her, treating her like a very clever niece, but also the person he finds the most calming in the group. It’s fun to see that, even though he treats her as his relative, he doesn’t treat her as a child. She’s the one he goes to when he needs to clear his head. He just wants to listen to her read aloud. He finds talking with her soothing, and it’s clear why. She has a good head on her shoulders, and is rising to the occasion, so while he is caring for her, he also intrinsically understands her need to care for him as well. And Aimee really sells that in-between nature of being 18. It’s such a great portrayal of someone on the verge of being an adult, but not quite there yet. Someone her friends want to care for, but also want to treat like an adult and like any other member of the group. There is a tension in those relationships purely because of her age.
I also like that she’s the most pure investigator of the group. She’s the one who pushes for information, who has a burning desire to KNOW. And that’s a great flaw and danger for a character in a horror setting. The desire for knowledge in cosmic horror is so dangerous. Her willingness to channel spirits right off the bat is dangerous. She is, in her own quieter way, just as reckless as Malcolm and I love to see it. Aimee is throwing herself into this, playing a character who doesn’t know she has limits let, and is eager to push every boundary. I can’t wait to get to know her even more.
CONCLUSIONS
I love that we have two cautious characters and two reckless characters. I love that we have a balance, and we have a group that instantly portrays exactly how close they all are to one another. We’re not sure how these bonds were forged, but they are so well portrayed and so clear. These people love one another. They would do terrible things for one another, and I can’t wait to see what they go through together.
Count me very excited and very eager for next month’s addition to their story (and count me already sad we only get three episodes with them).
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whiskeynwriting · 1 year
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Some Alone Time
Simon “Ghost” Riley x Female Reader
Word Count: 2.1k
Warnings: 18+ (minors DNI) 
Dirty talk, praise kink, degradation kink, choking, unprotected vaginal sex, public sex, rough sex, caught-in-the-act (you know I love it), established relationship 
A/N: Am I really writing smut for a video game character… Y E S. Yes the fuck I am. 
Simon “Ghost” Riley Masterlist
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It’s not exactly dark, but you’ll take it. Not exactly comfortable, but it’s worth it. Dank, cold, and barren, this place is less than inviting. The winter weather makes you curl in on yourself, makes your skin shiver and rise with irritated bumps. Snow covers the hair peeking out from beneath your mask, lining the outside edges of it, collecting on the soft, black material. It doesn’t help that you’ve climbed to the highest level of this building, either, the roost you created after clearing the rooms easily accepting swirls of freezing wind. Again, not ideal, but with Ghost… how could you reject him? 
“Simon!” 
It comes out as a hiss, a quiet shriek. But all he does is grunt in response, holding you tightly to his chest. Broad hands cemented to your hips, thick fingers squeezing into the fabric covering your pliable frame, he sighs, burying his masked face into the crease of your neck.
“Don’t say my name out in the field.” Ghost’s gravely voice suddenly huffs out in response. “You know better than that.” 
“I’m, I’m sorry. I’m sorry…” You’re panting heavily, feeling his swollen cock pulse while seated deep inside. 
“Fuck me…”
Suddenly, his dominant hand releases you of its grasp, rising to your face and grabbing the edge of your mask. Roughly, he yanks it off of your head, aggressively throwing it onto the floor. And then his hand is back on you again, grabbing hold of your jaw and jerking your head to the side. 
“Let me see that pretty face.” Comes that deep, rich voice. That same hand, still gloved and chilly, runs over your features, brushing away your stray hairs. 
Your breathing is light and airy - you’re breathless because of him. Hips rolling into you, grinding against your ass, holding you against him with a tight grasp. He’s not even thrusting into you, just seated entirely inside, giving you tiny yet powerful ruts, punching up against something deep in your body. The feeling of being ‘full’ doesn’t even come close; the heavy girth of him makes you pulse, makes you fucking see stars. 
“Yeah, that’s it.” He comments smugly, watching your head drop forward with a gasp. “Come on, you can take it.” 
And you can, you know because it’s not the first time you have. The first time was in the barracks, specifically in your shower. That was the first time he’d ever put himself inside you. The second was in his private quarters; he’d bent you over the side of his bed. The third occurred after a training day last week. He’d pulled you aside in the locker room, sucking on your neck while lifting you up, quickly thrusting into you. 
You didn’t know Simon before joining 141, but at this point, you can’t imagine life without him. He was the most reliable lieutenant you’d ever followed, the most trustworthy man in your life. Your other team members, you could trust them, too. You were a sort of family in that way, but your feelings for them weren’t nearly the same as those you had for Ghost. He made you feel different, seen, heard and respected. The way he talked to you made you straighten your spine, the way he’d occasionally joke with you made you smile in the darkest of times. And the way he touched you… set your entire body alight.
“You do it so well,” Sighing out, you bring your head up and back, resting it on his shoulder with your cheek beside his head. He’d pulled down his hood for this, the fabric of his balaclava now brushing lightly against your skin. “You know just how to make me want you.”
Reaching around, your hand finds the back of his head, slipping up beneath his mask to tangle your fingers in his dirty blonde hair, a trait you’re only aware of because of your intimate moments. At times, his mask would shift, but never enough to show his face.
“Is that right?” He returns, kissing your jaw through his mask. 
Originally, you were hesitant about this, worried that one of your teammates would come up and catch the two of you. But Simon reassured you of their positions, also reminding you that there was little time to do this. And for some reason, that just made the entire situation more exciting to you. 
“It’s that easy, huh?” Lowering his hand, he secures those large fingers around your throat. “So willing for me.” He shakes his head then, tightening his grip. “Stupid little girl.” 
Ghost respects you, you know that, there’s no way he doesn’t with how he treats you. You’re an incredibly vital member of his team. But when you were on his cock… that was an entirely different story. You literally went fucking dumb for him, falling apart in his arms in a way he’s never seen. 
Your free hand has been holding onto his forearm, clinging desperately as he keeps it secured around your waist. Simon’s dominant hand is still holding your neck, fingers growing tighter the more pent up he gets. He’s growling, groaning into your ear as he nuzzles into your neck. 
“Be quiet for me, doll.” He then demands. “They’re not close, but they’re not too far, either.”
“Okay,” Pinching your eyes shut, you nod, doing your best to keep your little squeaks and moans to a minimum. 
Involuntarily, you tighten around him, earning a surprised snarl from the larger man. Taking his hand away from your throat, he lifts up the bottom of his mask, that same hand immediately returning to your neck and squeezing even harder than before. With his mask up, he now lowers his mouth to your shoulder, biting into you. And you cry out from it, the shriek ending in a strangled gasp when his fingers choke you. Dragging his teeth across your skin, he growls. He’s trying to restrain himself, trying to keep from completely tearing into you. Because he knows if he does, there’s no way the team won’t hear you. 
“Fuck, I can feel you, babe.” Huffing out, he kisses a rather dark mark he left. “I can feel that sloppy little cunt swallowing me up.” 
“Shit,” Dropping your head again, you cry out silently, feeling him drag you further back into him. He hauls you off your feet, pressing your ass back against him while giving you a particularly hard thrust. Lowering your hand from his hair, it joins the one already clinging to his bicep, your voice now pleading for him. “Ghost.”
“It’s too much, yeah?” He returns, cooing mockingly to you. 
All you can do is nod your head, and this is when he realizes he loosened his grasp. Snapping your head back onto his shoulder is the force of his strong hand, fingers returning to curl around your neck. 
“You thought I’d take it easy on you? Huh? Just because we’re out in the field?” 
���Mm,”
“No, sweetness, I never would. I like having you like this. Oh…” He groans roughly, kissing your neck. “That’s it…” Now, you’re grinding back into him, feeling his weight as he presses himself into you from behind.
Turning his head, he angles himself so he can see your face. And out of the corner of your eye, you stare right back at him. He grins. 
“That’s what I like.” Nodding, Simon sighs heavily, moving his hips a little quicker against you. “That dumb look on your pretty little face.”
“Mm…” Comes another whimper, feeling his tip prod up against that special spot inside you. He knows he’s hit it, and he grinds himself against it. 
“You’re perfect,” He suddenly spits out, hand choking you harshly and almost to the point of tears. “Don’t even know where you are, what you’re doing… whether you’re on my cock or not, you’re always submitting to me.” 
Out of instinct, you nod. He’s right. Whether you're following his orders in the field or fulfilling his demands in bed, you’re submitting to him. And you do so willingly, happily.
A short buzz of static rings through on your comms, causing both of your actions to stop. Together, you stay still, Ghost still holding you, still fully inside you. Releasing a hot breath through his nose, it fans over you, warming your skin. He’s trying to calm himself down and steady his breaths, just in case he has to respond to whoever’s on the other end. But nothing is said, no one comes in. Pulling you over to the side a bit, he glances out the nearest window, taking a look at your surroundings. Neither of you heard anything, and neither of you see anything. Maybe someone hit their comm link by mistake? 
“Come on,” He then says, hauling you back against him. “We haven’t got much time.” 
The gasp he forces from you is followed by an intense moan, feeling him manhandle your body up against the nearest wall. Your palms press into the hard plaster of this abandoned building, your cheek leaning against it as well. Now instead of grinding his pelvis against your ass, he fully thrusts into you. Punching the breath from your lungs, the hand choking you slides up, covering your loud mouth. 
“You just can’t stay quiet, can you?” 
Using the little strength you have in comparison to him, you bounce back against his pelvis. The arm around your midsection tightens, his mouth roaming your skin. The stubble on his chin and jawline scrape against your neck, heightening the shiver already running viciously up and down your spine. 
“Fucking hell,” Burying his face into your hair, he closes his eyes. “I’m gonna cum, sweetheart.” When you don’t respond, he asks, “Where do you want me?”
“Please not inside me,” Gulping, you swallow thickly. “Not today, not right now, baby.” 
He assumed you’d say this. Who wants to be dripping with cum while hiking through a winter storm? As pleasing as that may sound to him, trekking alongside you while knowing his seed is dripping between your thighs…  he follows your cue. 
“Okay,” Nodding, he agrees. “Why don’t you touch yourself? Go on, touch that clit for me.” 
Fully leaning against the wall, you do as he says, allowing one of your hands to fall. Your pants are just barely down, hanging around your mid-thigh; it was too cold to pull them down any further than that. But lucky for you, your pants are off enough for you to reach your sex. 
Simon grins breathlessly when he feels your fingers brush against him, rubbing fast and sloppy circles over your clit. It only makes him pound into you harder, forcing himself inside again and again. He revels in the feeling of your wetness, knowing how truly aroused you get from him. 
“Just like that, doll. Keep doing that for me.” He’s trying desperately to keep his composure, but the squishy sound of him re-entering your sex is making his heart pound in his chest. 
His bit of praise makes you flush, whining quietly while you feel the beginnings of your peak. And when you begin to shake, he almost can’t control himself. He bites down into the meat between your shoulder and neck, growling against you as he feels your release. Hot and wet, it rushes down his pelvis, your high and airy gasps making his eyes roll back. 
“Ghost!” You shriek - you can’t help it. You’re genuinely unable to restrain yourself from being vocal while experiencing this ecstasy. 
Diving inside one, two, three more times, and then he’s sliding out in the blink of an eye. Releasing your throat, his hand shoots down, wrapping around the thickness of himself and pumping quickly. You gasp, inhaling a deep breath of fresh, cold air. Shaking legs keep you up, both palms pressing into the wall. 
A harsh grunt is punched from his chest, his head lowering to rest his forehead on your bruised neck. Spurts of white shoot from his tip, his fist squeezing tightly as he releases onto the dirty, wooden floor. His hips thrust forward into his hand, his chest and stomach flexing while trying to keep his groans low. 
“Ghost?”
“Fuck,” Groaning in frustration, he quickly wipes his hand off on his pants. His cum had oozed all over his knuckles. 
Reaching to his comm link, he presses the button. “Come in.” 
“How long should we keep our channels off?”
“Off?” He almost sounds offended. “What are you on about? Those should never be off.” 
“Well, the boys and I, we…” 
When he doesn’t finish, Ghost presses the button on his end again. “Soap?”
“We just wanted to give you two some… alone time.”
1K notes · View notes
ninapi · 6 months
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- ̥۪͙۪˚┊❛ First Born❜ (Halloween Special)┊˚ ̥۪͙۪◌
Premise: Being an older brother once more was beyond exhilarating for Choso, he never expected though to find love by his little brother's side, his pretty and kind childhood friend bringing a softness into his life he didn't know it was possible one Halloween night.
Word Count: 3243
Note: this is a Semi AU, meaning the characters are who they are in the series, yet the timeline doesn’t match the original story.
══✿══╡°˖✧✿✧˖°╞══✿══
Choso has been a big brother since he can remember, that’s his number one trait and the one he is more proud of in general.
Therefore, loosing his two younger brothers continues to sting to this day.
Gaining a ‘new brother’ or finding a ‘lost brother’ which ever you wanna call it, gave him a new sense of purpose, a new reason to live and continue growing as a person.
His number one flaw though, was how unemotional he was. 
To Yuuji, Choso was embarrassing. 
He never gets the jokes, more like he can’t even laugh on his own like if his face muscles were forever stiff, a spoon could get social cues better than him; he says the most embarrassing things at the worst timing too and this brings us to this moment.
Yuuji had been flirting with the girl that worked a part time at the donut shop close by for about a month. He would always stop by and buy even if it was just one donut to munch on his way to school just so he could see her smile for a couple of minutes; he even went as far as to ask for her number last time he was there; though today, Choso tagged along and was currently glaring at said beauty for getting ‘too close’ to his brother. “What is it that you want woman? I won’t let you get your smitten paws over my little brother, you hear me? You won’t ever understand how precious he is, must be protected at all cost.”
“Oh my god…just what do you think you’re doing?? Ruining my life?? Didn’t I tell you to stay outside with Fushiguro??” 
“Itadori-kun, I think your brother is right, I don’t think I can handle such a precious boy….” the girl couldn’t hold her laugh any longer, same thing as her co-workers who witnessed the scene.
“That’s it. I’m never taking you out again. Do you know how long I’ve been trying to get her to even look at me??” Yuuji was so disheartened, he opted to sit down on the sidewalk, contemplating the meaning of life while hating on his new older brother.
“I…I was just trying to-“ 
“I know, I know…just trying to be a good older brother…But have you stopped for a second and think that maybe not everyone wants to hurt me? I’m strong enough to defend myself, a pretty little thing like her wouldn’t even dream of hurting anything but my heart…” he sniffs dramatically, burying his face on his hands.
“You can die immediately if someone hurts your heart, idiot…”
This was the last drop of patience within him, “NOT literally, OK? I don’t mean my internal organ, I mean the feelings side of the heart!!”
“That’s not in your heart but your brain. You can also die if someone hurts you there-“
“Just stop talking!!!” Megumi and Nobara were both laughing their asses off at their banter, truth is Nobara saw the girl flirt with at least four different guys in just a week, she had been trying to warn her friend about her, so it was actually a good thing having dense Choso around to break the spell she had on him; that didn’t make it any less funny though.
“Itadori don’t be so hard on him, he’s pouting again.”
“I am not doing such thing-“
“Yes you are, man…” Megumi let out a deep sigh, walking on the opposite direction wanting nothing to do with the loud display of idiocy in front of him.
“Hey Fushiguro! Where are you going? We still need to discuss our plans for the party!” Yuuji yelled after him a little too loud, causing Megumi to flinch and return just to shut him up. “There’s nothing to discuss…Just be there around 9PM, you have to wear a costume or they won’t let you in, those are the rules.”
“Did you choose one already? I never pegged you for someone who’d like halloween parties~” giggling, Nobara elbowed Yuuji on the ribs wanting him to team up with her to tease their friend.
“I bet he’ll wear something ridiculous, like one of those giant carrot costumes.” bursting out laughing, both held each other from collapsing on the ground imagining carrotgumi.
“For your information, I will go as a vampire…I found dubious objects in a closet in Gojo-sensei’s, I mean back in the house…so I brought them with me for this party. Not like I want to go or anything but Maki-san threaten to shave my head in my sleep if I didn’t go…”
“Bald carrotgumi….” after one more outburst of intense laughter, the team bullying ended for the best. “I need a costume, would you go buy one with me, Kugisaki?”
All this time Choso has been quietly observing the entire thing. He knows his brother literally just said he wouldn’t take him out with him ever again, but he really wanted to prove him he could do better, that he wasn’t an embarrassment and that he was the best older brother there was to have, this was his chance. “Guys…do you think…do you think I can come with you…?” 
“No, never, non, forget about it.”
“B-but…”
“Listen, you just ruined my life! How do you even think I would take you with me again?”
“Poor guy, just let him come, Itadori…he always brings the funniest of conversations out. I like him.” Choso perked up a little at the support he was getting, even if he knew all she wanted was to mock his brother, at least someone wanted him there.
“Oh c’mon….What if he ruins it again?” 
“Just leave (Y/N) in baby sitting duty. She likes lost causes…” shrugging she started making her way to the costume shop, both of them tagging along.
“(Y/N)? I mean yes she does take recycling to an intense level and saves stray cats, but this is…this is something else, Kugisaki…” Choso’s lip was quivering once more, not wanting to face rejection for a third time on the same day by the person he wishes to please the most.
“Ok then how about we do this…” leaning close to Yuuji’s ear she whispers her plan with the most mischievous grin anyone has ever seen in their lives. To this Yuuji laughs for what feels like hours, having to stop in his tracks to wipe his tears away and calm down. “Ok, ok let’s ask him…” going over to his older brother, Yuuji bats his eyelashes prettily up at him, “Nii-chan…you can go…if you go dressed as the carrot Fushiguro isn’t wearing…”
Choso just nodded eagerly, not fully understanding what he was getting himself into. 
“Also, I won’t let you follow me around, I wanna get a girl in my bed by tonight, and you can’t stop me. I’ll ask my best friend to look after you. Understood?” this definitely wasn’t what he wanted. He wanted bonding time with his brother, have a nice time, maybe drink one of those beers he introduced him to the other day, not having to stay behind away from the fun dressed as a commonly disliked vegetable…but it was the chance he was looking for to prove he could behave.
“Is that a yes? Or-?”
“Yes, I will go.” Nobara was on her phone browsing for carrot costumes, not long after running on her way to the shop.
This would be a long night..
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The night was young, every known sorcerer and their friends and family were invited to this party.
Yuuji chose to dress as werewolf, while Nobara went dressed as a sexy nurse.
Choso though…let’s just say the carrot outfit didn’t suit him that well…
Wanting to get rid of him as soon as possible, Yuuji stopped you right at the entrance with a big grin plastered on his face. “(Y/N) my darling! My bestie! The light that shines above us…!”
“What do you want now-“ he was being too obvious, he only acts this way when he wants either money or nasty favors.
“Have you met my brother yet?”
“Your what-? I’ve lived next door my entire life and I’ve never seen a brother of yours-“ covering your mouth almost instantly, he glared at you, trying to get you to play along.
“O-oh…yes your brother! You told me about him the other day. No, I haven’t had the pleasure to meet him yet!” smiling on his direction, you walked over to him, taking both of his hands in yours.
“Hi! I’m (Y/N), it’s nice to finally meet you! By the way, what an adorable outfit you brought today! I wish I knew about them before, then we could have been two carrots instead of just one!” giggling at how good you were handling his worst nightmare, Yuuji sneaks away without you noticing; thing is, not only did you not notice, but neither did Choso, and that had never happen before.
“They also had tomatoes and an eggplant, but that one was too little, it would probably fit you though.” He nodded in thought, unable to figure out why the thought of you dressed like a tiny eggplant sounded so appealing. Was this why his brother wanted him to be a carrot? Did he actually look cute?
“I would have loved to be an eggplant! We could take a bunch of pictures, probably even win the costume contest!” your soft laughter brought a smile to his face, he’s never been treated this nicely before.
“What are you supposed to be though?” he eyed you from head to toe, making you blush. “I’m Godzilla~” you posed, letting out a cute little roar, his heart skipped a beat, cuteness has never been his thing but he could see the appeal of it now.
“I apologize, I do not know what that is, but it’s certainly cuter than an eggplant. They don’t make sounds...” his comment made you giggle giddily, why did Yuuji dislike him this much? He’s such a sweetheart…
“Hmm Godzilla is…a monster…he destroys cities and kicks buildings.” you tried your best to imitate it properly, earning a smile from him once more, making you feel accomplished.
“So like a curse? I’m half curse-” he looked at you with his eyes wide opened in realization.
“Nah, more like a cute big animal lost in a city full of ants.” he nods at this, before pointing to a table by the door. “They had animal shaped cookies in a bowl over there.” he didn’t know why but he felt the need to make you smile some more, to make you feel comfortable in his presence unlike the rest of his brother’s friends and seemed like you liked animals enough to dress like one.
“Do they? I bet they’re adorable. Would you like to eat some with me?” the way your eyes twinkled at this little piece of information made his stomach feel hollow, but it wasn’t a bad feeling, he kind of wanted to feel more of this, so he went over the table and poked all the cookies from the bowl until he was sure he’s gotten at least one of every single animal available in it. 
Megumi, who was sitting at the top of the stairs hiding from a drunk panda who was trying to get him to kiss his cousin, saw the entire scene unfold, and decided to intervene before Itadori ruined his moment if he caught him. “Choso…stop touching all the food just grab a handful she’ll like it anyways, trust me.” to his advice he nodded gratefully, making sure to grab some drinks as well.
“Here, I couldn’t find the elephant, I was sure I saw one when I went by that table earlier, apologies for not getting you the complete set. I got you some melon soda though, I hope you like it.” the back of his neck felt hot, he continued wondering why he wanted to please you this bad, is not like you were his little sister, not like he wanted you to be his sister- he wouldn’t be able to last a day before dying of cuteness overload.
“Don’t worry! I’m sure Mr.elephant found a nice home in someone else’s belly.” chuckling you grabbed a little bear cookie and pressed it to his lips, “Try it! It’s yumyum~” you danced happily at the taste, wanting to share the joy a good high quality cookie can bring to someone’s life.
To this he just gave out a short nod, getting the entire cookie into his mouth. This was all so new to him, was this why his brother kept insisting in taking a girl to his bed?
What would they even do there?
He would like to take you to his and eat elephant shaped cookies, maybe even talk a little, or watch a movie, he’s been really into them since his brother introduced him to horror films.
“Hey (Y/N) would you like to go to my room? It’s a bit far but we could walk there-“ before he could continue his sentence, a shoe came flying straight to his face, Megumi coming to pull him to the side, “I’m borrowing him for just a second (L/N), be right back.” 
He took Choso outside, away from prying eyes, a deep scowl on his face, “What on earth are you doing? You spend too much time with Itadori, he’s rubbing on you…”
“I thought you’re supposed to take nice girls to your bed…”
“I..ugh..WhAT? Who told you that? Never mind don’t answer…” letting out a long sigh he plops down on a bench prompting Choso to the same. “Look, man…it is true I guess, though the order is wrong. Remember how your brother talked to the same girl for months just to get her to like him?” nodding his head he was taking mental notes, Megumi rarely took his time to teach him anything, this must not go to waste.
“When you think a girl is nice or cute, pretty even. When she’s nice to you as well and you feel like you want more of her…” his nodding intensified, it was as if he was reading his mind, describing just how he was feeling that same moment.
“You have to treat her right, make nice things for her, be patient, don’t do anything impulsive. Girls are more delicate, you can’t be rough with them. Got it?”
“I knew it. I should have looked for that elephant cookie some more…” 
A rare smile appeared on Megumi’s face, Choso has been nothing but a pain to them when it doesn’t come to fighting, but he’s never seen this soft side of him, or maybe he had, just that Itadori always shuts him down unlike you.
“Yeah well, maybe next time you can buy her a bag, I’m sure the elephant will be there.” his eyes opened widely, he hadn’t thought about that, fantastic idea.
“You’re a great guy, Fushiguro, I appreciate your advise. I can be your older brother too, if you ever need one...” with a small smile on his face, Megumi walked away back to his room, he'd have enough of this party already.
“Go back to her, before someone steals her away~” running back inside, his heart came back to his body when he saw you patiently waiting for him inside, fidgeting with your fingers.
“I have returned. Fushiguro just told me we can find the elephant cookie if I get you a new pack of cookies. Would you like to go buy one with me?”
“Right now?” that smile of yours will end up causing him heart failure, he was sure of that now.
“Or later, when you have time, if you want that is…we can also go back for the eggplant dress, if you’re tired of being Godzilla.” It was pretty obvious to you by now that he was trying to get you out of this party, you weren’t what others would call a 'party animal’, you only went because your best friend called you over; the same best friend who’s been flirting with every single girl in the room and has not addressed you for the longest time.
“I think they sell them in the supermarket down the street, lets go~!” pulling him by his hand, you both walked in silence as none of you knew what to say.
“So, how is Yuuji as a younger brother? If he’s mean to you tell me, I will kick his ass…” you knew your bestie, he could be really sweet as much as he can be a real ass when he wants to be.
“He’s great. I wish we could get along better though…but it’s hard to know what he wants. I wished everyone would be happy with animal cookies…”
“I think it’s easy getting along with you though. You’re sweet and gentle, funny too.” Choso has never been complimented before, not like this at least…was this what his brother called ‘flirting’?
“I…well I think you are all those things too…nobody has ever treated me this nice before…” his comment managed to sadden you more than anything, stopping you on your tracks to place a hand on his cheek gently.
“Then how about we see each other some more? I need you to see how special you are.” your smile was so bright, so comforting…his chest ached but in a pleasant way, he kind of wanted to rip his own heart out just to see the chemical reaction occurring within his body in this very second, his blood even felt more powerful, he could kill Gojo Satoru right now, he was sure of it. But all he wanted was to count cookies with you while looking at the night sky.
“Can we? See each other again? I mean after the cookies...?”
“Of course! Lets do all sorts of things together! Have you ever been to a theme park? Maybe I can get the eggplant costume and we could both go dressed as vegetables, that’d be fun!” your arm wrapped around his as you walked towards the supermarket.
“I’ve never been to one, no.”
“Then we totally have to go! We could play some video games too! Oh and we definitely need to go to that new crepe place down town, I heard you need a reservation and all!”
“Why do you want to go with me to all those places?” he was honestly confused, he’s been facing so much rejection that this fuzzy feeling in his chest was starting to cause some concern.
“That’s what friends do, right? Besides, I think you’re really cute…maybe…we could…you know…one of those days we go out…only if you’d like of course…we could maybe say it’s a date?” you smiled nervously up at him, he’s never seen such beauty in his entire life, not even the drawing his little brother made for him when they were little was this pretty. “I would like that very much…”
Being the first born of four brothers had its benefits as much as it has its flaws, but tonight he was sure of one thing, he was glad of getting in his little brothers nerves enough to get him to dump him with the cutest girl his eyes had ever lay on.
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Masterlist
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working-dreamer · 1 year
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The Person Within: An Analysis Of Professor Layton's Hidden Character Development
Spoilers for practically all of the Layton games!
Hershel Layton as a character is sometimes criticized outside of the fandom for having no personality other than his gentlemanly nature and taking the concept of enjoying puzzles to the extreme.
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While I think this criticism shows a blatant misunderstanding to his character, I do think from a different angle that perspective makes Professor Layton more interesting.
Think about it. Most of his personality is taken from the tragedy of those around him. Randall was the one who was originally obsessed with archaeology and puzzles. Claire was the one who originally perceived Hershel as a gentleman (thus giving him the idea.) We don’t really see Layton take these aspects of his personality onto himself until tragedy strikes and these people are taken away from his life.
In the case of Randall's death, Hershel blamed himself for surviving and moved out of town because of his self-loathing and guilt. And when Claire disappeared Layton paused his studies for an unknown amount of time trying to find out what happened until he was beaten into a coma by a group of people associated with her death.
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And yet instead of grieving like you’d normally expect from a person who lost his best friend and girlfriend, he internalized their interests and aspects of their personalities into himself. He wears their passions and dreams as his own to remember them. In a way, he’s always reminding himself that he couldn’t save them.
However one might wonder how Layton really feels about those things outside of his previous losses. Does Layton even enjoy archeology and puzzles? Or is it something he has grown to accept in his life simply because he is living out Randall’s dream? Does he feel like he has a choice in the matter?
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I can easily imagine Layton having doubts deep within himself: Randall didn’t get to live and it’s my fault. His dreams should live on. I don’t deserve anything else.
Same with Claire. She saw him as a gentleman but he certainly didn’t feel like one after her disappearance if his memory of events is to be taken seriously. How long did it take for him to turn into the perfect gentleman? Especially if it's just a painful reminder of her loss?
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It’s probably after waking up from his coma that he starts to really embrace the idea that he has to be the perfect gentleman because he knows he can never get her back. So all he can do is embrace what she thought of him before she died. So with all of this in mind is Layton’s gentlemanly persona genuine to who he is as a person? Or is it just a persona created in order to keep her memory alive?
Layton has kept the shadows of his lost loved ones close to his heart for years and probably would have always done so had he never gotten any closure. However, when Randall turned out to be alive Layton now has the opportunity to let go of that guilt. Claire came back in the future momentarily and Layton got to say goodbye. He no longer needs to keep their personal traits as his own.
So why does he still embody Randall's passion for archeology and puzzles and Claire's perspective that he's the perfect gentleman?
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I think it's because Layton doesn't know who he is without these borrowed parts of his personality. Without those aspects that he adopted into himself… who is Hershel Layton? Deep down he is someone who has silently mourned his loved ones and repressed those emotions. And yet most of his life has been embodying said grief. It makes me wonder if Layton would ever look deep within himself and realize that he doesn’t have anything to claim as his own. His entire personality revolves around past guilt and trauma from people he loved and lost.
Shoot even his name isn’t his own! Hershel Layton was actually the name belonging to his brother and in a moment of sacrifice switched names so our Layton could be adopted. So our Layton loses the only family member he has left without even knowing who that is for the majority of his life!
So we have a man who feels guilt and remorse for the deaths of his best friend and his girlfriend so he doesn’t allow himself to develop his own interests and personality because he doesn’t feel like he deserves to be his own person. It's even implied that he believed for a time that he didn't deserve to be the one who survived the events that killed his best friend and girlfriend. And then adding to the fact that he never knew his real family so he most likely felt a different kind of loss by not knowing where he came from. All and all we find a man that feels alone and tries to make it right by embodying the traits of those he cared about.
We don’t get to see Layton develop his thoughts on all of this but we do see an interesting development later on. I’d like to think that Layton slowly began to heal after his adventures thanks to adopting Katrielle in the anime.
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This is because, for the first time in Layton’s life, he had a family to look after. Someone who doesn't need a mystery-solving archeologist or a perfect gentleman detective. Someone who doesn't need the grand "Professor Layton." This little girl just needs someone to be her father and, while he tries his best, he doesn't really know how to do that.
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Sure he had a familial relationship with Luke and Flora, but he never called himself their father. I don’t think he allowed himself that privilege because of all the self-loathing he had been dealing with before. When he adopts Kat it feels like it’s the first time we see Layton truly allowing himself to be a father figure. And yet he is still uncertain about if he should be the one in this role.
Layton feels like his adopted daughter should know where she came from (something he didn’t get to have) before he can start thinking of himself as a father. He’s scared that if he gets attached then it'll hurt worse when she eventually returns to her own family should she decide that is her wish. But if he finds her family first then he doesn’t have the go through that heartache. He wants to find them first so she can make an informed decision.
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And he says this with the logic that he always had as “Professor Layton” with that calm and collected smile. Notice that he says "I want to solve this puzzle so that we can become a true family." He doesn't say "so that we will become a true family." It’s almost as if he is going to let Kat decide if she wants to stay with him or go back to her real parents and that choice will be up to her. However, it's somewhat implied that he already thinks that she would naturally choose her real parents if she had the opportunity.
Despite his wishes to be her father, he still seems to be internally preparing himself to say goodbye (hence why he disappeared for so long in the first place.) He just doesn’t want to get too close to another person only to lose them and suffer alone again.
It makes sense why he is distancing himself, but he’ll still solve the mystery. It's what “Professor Layton” would do and he’ll have to accept whatever happens once Kat learns the truth. He doubts that she would still see him as her dad if she could be with her real parents. He doesn't even know himself outside of the role of "Professor Layton" so how can he be a true father to her? She'll go away with her real family eventually anyway. Why would anyone choose him?
And yet when he sees her again Layton is surprised when she immediately cries out for him. She still calls him papa. She wants him to be her papa.
In a public display of overwhelming emotion, we see Layton openly weep for the first time. He is so overcome by these emotions and for once doesn't repress them. He's just so happy to see his daughter again (to truly call Kat his daughter again) and allows himself to fully express those feelings for perhaps the first time in decades.
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If Layton from the original game trilogy saw himself like this he would have been mortified by this “un-gentlemanly” behavior. His mindset back then was that a gentleman never cries because he has trouble coming to terms with his emotions. He even chastised Luke in Unwound Future because “a gentleman never makes a scene in public.”
However, he was never a gentleman for himself. It was always for holding onto the guilt of losing his loved ones while trying to honor their memories at the same time. But he doesn’t have to hold himself to those impossible standards anymore. He no longer blames himself for their deaths, he found closure, and now he has found himself in a family who chooses to love him not because of those attributes “Professor Layton” embodied, but because she loves him for the person hidden under that persona. And that is enough for Layton to openly weep as he embraces his child.
I believe Kat's words here helped Layton more than she'll ever know.
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So who is Hershel Layton if he’s not a gentleman or a fan of archeology?
The solution to that puzzle is really quite simple.
He is a caring person. And that’s all he ever needs to be.
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unhappytimeleaper · 8 months
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Character analysis; main concepts
A lot of this references some hints to lore and stuff I found. Not a lot are direct spoilers, but since Venti is built on his vagueness to his past, this likely will be able to be subject to change as time goes on.
Also, I wasn't sure if I asked if anyone would reply to whom to pick for my analysis. I asked some friends on a Yandere discord server, and in passing, one of them mentioned Venti, so I just went with it. Shout out to them. I hate making decisions. And leaper lore, but Venti is the reason I got into Genshin, so I guess it's fitting he is first.
Anyway, that means sending who I should do next. I'd prefer to space Genshin characters out, but anyone on my lists can be requested, as well as general requests being open.
The final quick personal note is I wanted to thank everyone for the 150 followers. I know it's not a lot, but I am thankful for the handful I know have been around for a while and for those who have considered following; Tumblr and most other SNS are rough for creators as reblog ratios are so low and other issues, but I am very grateful for those who keep coming back.
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Venti [Barbatos]; Unedited. Gender neutral reader. Part 1 of 3
Warnings; yandere!! It touches on every main category of the troupe, so if you are sensitive to manipulation [emotional and mental], alcoholism, codependency, guilt [even self-imposed], obsession, lying, stalking, some general creepy behavior, breaking and entering, possessiveness, delusional thoughts, unwanted touching [sfw], and anything else you can think of being related to yandere troupes, then it's best to just not read. Also, a massive warning for talks about religion, idolization in the 'church,' and abuse of power within religious settings.
Word Count: 8.4K
This blog is 17+ please have your age in your bio or tagged; any ageless blog and below the age asked for will be blocked at the end of the week.
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Maxed Stats
General manipulation
As a key component, Venti is a general trickster; he comes naturally with the skills of forgery, fabrication, pilfering, and illusion-making. These tools under his control make him naturally an enigma but build into easy traits of manipulation as he needs not just to you but to anyone. And for an early establishment, Venti's natural manipulation is not just tied to these specific skills. Still, it almost comes coded into how he exists as more of himself is revealed. Though these particular skills of lying are much harder to pick up on, between the riddles of his words and decent, innocent appearance, it's easy for him to pull off a twist of words or lie his way out of a situation.
As pointed out, manipulation is a skill that Venti can best use against anyone. To you, he is likely able to find excuses to keep up his actions. Outside of the wall of Mondstadt, he can quickly find reasonings as to why he's there, too. More often than not, he's somewhere close. While in areas like Windwail and Brightcrown, he can stay hidden, only needing to reveal himself if you find yourself in trouble, in regions like Starfell and Galesong, you can often see him not too far off in the distance. Even if you doubt his reasoning, it's hard to find proof of his stalking, making the moments unsettling, but his cuteness and way of words make it hard to get upset. Guilt festers as he looks so sad with accusations of something more sinister and that he has ulterior motives. Or how within the walls Venti is quick to find you and cling on, either in close proximity of walking or physically bound to you somehow— it's easy to tell when he's been drinking as he tends to be much more touchy in those moments. While it takes a lot for him to truly get drunk, he likes to play it up as there are so many more benefits and things you let slide. You have to take care of him in some way, and he always has a reason to be around longer.
In cases of late nights together, Venti sometimes lets you feel as if you have the upper hand, too. Pretending to be more drunk than he is and more open, allowing you to handle your chance at burning questions as he wistfully gives answers. Often, they are still vague but do let you delve more into his past, the trauma he has endured, or the loneliness that has come into his life. The more you learn, the more guilt grows at the idea of rejecting him. Of leaving Mondstadt in favor of exploration or answers. It's also not one where everything he shares is a goal of manipulating these feelings or actions.
Venti's love is absolute; for that, he wants to share what he can, with his goal of being bound to you, which means sharing these personal moments. For him, learning about you is so much easier with his status and age. Still, you can seldom learn about him in the same way, even more, as he can't fully spill his guts about his past at a moment's notice. However, he can think of this as an added benefit; manipulation, even if it's not the goal, is still emotional manipulation.
These times, there often are levels of manipulation about other places and people he puts in place. Different regions and gods aren't free from their past either, and Venti is known to share moments of these in his riddles. Aspects of how the lands have changed, how they have changed, but the imposing struggles carry through their lands. It's not really shit-talking them, nor a full-on slander campaign, but the language and words he uses are often dulled in favorability of what they could be. Similarly, he might often find ways to weave in things that could cause greater fear in you to manipulate you into thinking you are much too weak for the creatures that lurk there. While some parts you can chalk up to his story-telling nature and that by making it more dramatic, it sounds better, there often is a growing uneasiness about how vicious parts it could really be. More than countless times, there have been moments of your own danger, only saved by the grace of the wind and Venti nearby… In contrast, he speaks of Mondstadt and its people much more positively, and while he has some jealousy of those in his region you gain closeness with, he also tends to have a much more positive relationship with them, allowing those to be better tools to help in his love life than those in say Sumeru or Inazuma. He tends to maybe add in some more lighthearted jabs that can have an air of jealousy in them, even more if Venti feels you've been around them a lot recently, but in the way he talks, it often is more of playful bad-mouthing than down right insults.
As touched on, Venti's manipulation of you isn't always intended or done with negative goals. One side of this is again linked generally to how he speaks. Being this enigmatic person whose words are always wistful and hold more profound meaning, there is a natural draw to learn more. It's only made more of something that is hook when he doesn't often go around sharing this self-lore to someone so known but distant in Mondstadt to just anyone. It's almost like a balloon or bubble; the hints that are added build up little by little as time goes on without seeking out Venti for more until it pops. A droplet of information at a time until it consumes your mind, going back looking for more details to answers to the questions you'd had running in your mind for days. Soon enough, you are the one asking where the mysterious bard is to the townspeople, only cementing more in their minds the nature of your relationship being more than platonic. It also, again, just makes you feel special, a self-imposed superiority that you are the person who knows him best [which this ego can be inflated more if you know him as barbatos as well]. Venti knows these actions are manipulative in a sense, and again. At the same time, it doesn't truly harm anyone; it's still manipulation at its core in building this unique reliance on him.
And Venti's manipulation is ever present in the town and the people of Mondstadt. The key ways he uses these are to get more information about you and, as usual, get away with things. However, as briefly stated, Venti uses the wind and himself as a factor in starting rumors that there is naturally more to what is happening between you that can be exploited for later use. But back to the first point, Venti is able to once again use his 'charm' and way of speaking to easily coax others to give out more information about you. He literally likes things about your past, interests, personal relationships with others, likes, dislikes, and such through his friendly demeanor and guiding the conversations. And while he can easily track and monitor you through the wind, by talking to others around and having them tell him where you are, it helps set up a close alibi if you were to question him later. Essentially, in this case, the guards and townpeople become effective scapegoats for his stalking if needed. Furthermore, these questions end up helping intensify any rumors as the questions, over time, can become more and more romantic.
His manipulation does also be a benefit as he really is one with the people, if not distant in details. By having personal connections to groups like people in the Adventure's Guild and Knights of Favonius through people like Jean & Kaeya, they easily can be tools to help with his… well, propaganda. Even the temple with Rosaria. You ask about traveling and other nations to people in the Adventure's Guild, and they tend to often only share more gruesome or darker aspects of their stories. Of have plenty of tragedy by the time they reach the 'positive goal' that it's a natural persuasion to not want to often venture too far outside of Mondstadt. Or say you are one to leave; Venti could use points of manipulation he's built to have, say, Rosaria or Kaeya go with you, depending on where. The wind can always join you, but Venti isn't up and one to fully be able to run off from Mondstadt for long periods of time. If you plan to go on just a trip for travel, it's one thing for him to run off and join you, but freedom itself in Mondstadt is unique. It's not necessarily true freedom, and while he's awake with a purpose, he can't in his heart run from Mondstadt to travel with you. And while he'd be able to do anything in his power to persuade you to not leave, he's one to physically force it unless you're genuinely trying to run off for something dangerous. However, if someone else were to go. Friends of you and Venti… you'd have to come back, right? Kaeya can't leave his post forever, and it was him who accompanied you for this task, so it would be unfair to go on alone and not see him back… Yes, through others, you'd always be lured… guilted into returning home to him eventually.
Manipulation is also used here in more of a test; he does this often with people but imposes an idea or thing involving you. Those he wants to use in a way of getting close, he bluffs some lies out, and their reaction or steps they handle in regards usually is how he tests to see if they are reliable in what he needs. It's nothing extreme, but it's best to know if he can trust their feelings and opinions on you before letting you get too close. If they fail, well, a little bending of the truth to make it so neither of you wants to interact and never really hurt anyone.
This all helps build into how appearance tends to help. Not only for the general public but even for you, as his boyish charm and looks naturally tend to frame him as innocent. People are quick to brush off his questions even if they progressively get more concerned as 'puppy love' or that it's simply 'too cute' to see the young love from the bard. Many might even favor this as they see it as him likely being willing to turn a new leaf and grow into something worth settling down [i.e., get a job and place to live, though really, instead, it grows more into him crashing at your home and still playing song for whatever he can— money or alcohol]. His verbal actions are easily brushed off, but even the physical side of things, too. Pilfering is a great talent of his, but when caught with your items or breaking in when you're out, he tends to be pushed aside if he plays up his demeanor and lies. Scolded with warnings, sure, but scratching his head and sighing with a 'promise I won't do it again' tends to get everyone to roll their eyes and back off. As mentioned, his appearance can even present him as harmless to you; if someone brings it up, you might also awkwardly laugh and brush off the events. It's just Venti being Venti. He truly is primarily harmless, and he's stayed over so much at this point him breaking in was likely just a result of a habit of being in there…
And the limits of manipulation can be pushed if he so chooses. Call it divine intervention, more or less cause while he does so more with a dirty conscience, he can be driven as Barbatos to truly step in. Religious intervention. It seems weird when the Church of Favonius suddenly comes in contact with some old documents, ones with never seen details of an old love interest to their beloved god. The news and rumors sweep the nation, and even weirder, most of the details and notes recount someone… like you. Things seemed to get stranger, and from there, only more documents could be found of this exact figure appearing throughout history, like some sort of reincarnation. The fascination of it all quickly became the center of the topic, and with the likeness you bared in the story and aspects of appearance, you're status seemed to shoot up within the night. Not so much a holy figure but deemed with some strange uplighting in the way people spoke. That is, or how Barbatos ever seemed to come back to Mondstadt, you'd need to be there just like how the past reminisced. For those who do know, it weirdly only pushes you away from them if you ever seek help, that that story must be bound to fate, and that Venti can't be as much of a nuisance if you give it time. The problem is only dug in worse as Venti creates poems and ballads of the sort, claiming he actually had heard of these but never sought to share them until now. As the stories grow, you're pushed more and more to the church with the idea of gaining barbatos' favor and attention. Leaving… just became much more complex.
Dependence [reversed]
Dependence comes in a weird form, at least compared to others. While in general fashion, dependence typically is the idea that they want you to solely rely on them for everything, not only for power and love, it can even be with money, housing, or other necessities. While Venti likely would be much more dependent on him being really the main source of your love and affection, the rest… he doesn't care so much about. Power may be a little; he doesn't need or want you to depend on him for it, but it does give him a little ego boost when you have to or ask him. And too many other aspects of actual dependence go against aspects of his belief in freedom. Venti's course of manipulation never truly prohibits your own freedom; again, less you actively seek to do something he knows poses a threat; it just often forces you to rethink and become more hesitant in actions or thoughts.
As for other forms of dependence, well, Venti doesn't have them. He steals, only really eats apples, to your knowledge, and is homeless. It's quite pitiful in a humorous way. However, as you get closer and bond more with the bard-friendly nature, it is hard for you to let him live like this. Well, in certain ways, stealing alcohol or bribing others to give him some with songs you can't really stop unless you plan on going bankrupt. But more frequently, you invite him for meals and shelter him in your place. Even more frequently if the weather is bad or as winter approaches. Venti isn't manipulating you necessarily into these tasks, but dependence some with a factor of self-guilt. He's your friend, someone you've gotten close with, and with that, he's come to truly rely on you for these things. He was fine in the past, but to leave for who knows how long and let him fall back into such a life would make you a bad person. Right?
Logically, Venti knows he doesn't need to depend on you for these things as they don't have any real effect on his life, but it's so domestic. He gets access to all your items; you put time and love into meals, or even sharing what you purchased from Good Hunter fills him with warmth. On cold nights, he finds it easier to slip under your blankets and, even if it's fake, pretend to sleep like how couples would. Being a god comes with a lot of good but a lonely life, and after seeing so many, there comes a time when it's nice to indulge in it. Gluttony has always been a crime of his, it seems, such as with alcohol, but this also can't be that bad if no one is getting hurt. So just let him depend on you a little longer. At least until he can find out some solution before he sleeps again.
Self Harm
Similar to dependency on basic things, one form of manipulation that Venti doesn't do on purpose but knows that there still is a benefit to his actions is his indulgence in drinking. While it takes a lot for him to truly get drunk, as noted, he does like to play it up for you, and it's not uncommon for you to have to take care of him or come help him. In all sense, Venti, while not necessarily drunk, is an alcoholic, and to a detriment, it is a form of self-harm. Through learning more and hearing the tales and songs of his past, it's apparent the wounds run deep, and Venti's only way he knows to deal with them is through drinking in an attempt to numb or forget. The reality of knowing this is hard; you see it with others you've likely gained closeness with and how drinking has affected the lives of so many.
This leads to two outcomes: this, again, guilt that breeds when thinking of leaving. The connection Venti has formed is tangible with how deep it is to you, even if you don't reciprocate in that way. That's if you were to leave, would things only get worse with his drinking problem? Unlikely, he would died from drinking, but it's more than just drinking; it's the mental state of him in that position and how the loss of more people would rip the wound open even more. Furthering, if you had actually spent time talking about his past and working to unpack and find better ways to cope with the trauma outside of alcoholism, leaving would be a dick move and revert all that progress no matter how you explained it. How much could you're conscious take knowing this? How far could you make it without the guilt of him back home as the stories of his past cloud your mind? The wind tickling your skin and almost like a whisper reminding you of it. It's one thing to share a drink or two with the bard and have a fun night in the tavern, listening to his songs and dancing. It's another to picture him alone under a tree, empty bottles scattered from stealing from him alone, reminiscing about his lost friend and the imagery of war. The wind gets colder, licking the back of your neck, and the guilt is painful, ready to burst out your chest for even thinking of it. Some wounds you cannot heal, but the idea of making them worst or abandoning the person who's come to need you most is mentally crippling.
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General obsessiveness
Venti doesn't necessarily read as obsessive. Not outwardly, at least, though it's easy to blame his charm for that. Okay… well, maybe not charm, but within his manipulative nature and looks, his actions and questions regarding you don't play as obsessive to those who listen. It's unlike many others who you can just look at them and feel in your bone there is something off, or in how they speak, they care just a little too hard. His sharp tongue and trick of words allow people to very easily give up information without thoroughly having them aware they have, making his tendencies go far under the general public's radar still. And for those who do somewhat witness it, he doesn't mind playing up his role a little more. Just a young, helpless bard looking to woo someone. It isn't a crime, right?
The mask he wears holds many layers. The bard, the god, the lost wind. Not many will ever get a look at what really goes on and what is an exaggeration. Or under exaggeration when it comes to you. In most cases, Venti stretches his stories up, his words riddled and larger than life that people have to dim down to work out the true meaning. So when he sells his obsessive love as much less, people are quick to brush it off or dim it down further to avoid those actual layers of emotions being peeled forward.
A chunk of this also extends to the shame and questions it brings out of freedom. Venti has never tried to take it away in a solid way, but is it true freedom to either of you when you fill so much of his thoughts that you can't really do anything without him? It is the thought that replays and replays of you and him doing things; it's the obsessive nature of having to know where you are, who you're with, and what you're doing. Are you safe? Are you planning on leaving? Should he come to find you just to be sure?
What about the images. The visions he remembers from the wars, from the people he's lost, and that truly, at any time, perhaps something will happen, and you'll be next. The flashes of violence and fear that only make the goal of getting his next drink to numb them go away— or you. The sight of you, the smell of you. Having you hold him and remind him that the past is gone.
You'd be able to see it, maybe not the full extent, but you've come to know the bard enough to tell when the cogs in his mind are turning and the way he tries to drown out aspects of himself. It's hard to tell what he's thinking, but you know some of it is tied to the past as he holds the stolen wine in one hand and grips you so tightly with the other as you try to stumble back to your home and out of sight. You can tell something is off when he's snooping through your things early in the morning as you're just waking up and when he's clearly been inside your place while you were out with a friend. Or that he's been leaving more and more questionable lyrics? No, less like poems or lyrics but ramblings about love and fear and what can only be aspects of you on the counter as he runs around god knows where. It's worrying. It's uncomfortable to an extent, but not enough or in a way that you can just cut him off. Kick him out. Maybe just talking or setting a little break, but the pressure in your chest and bile in your throat at the thought of cutting contact brings you to a sobbing mess each time.
But, what does keep him from being fully obsessive is that Venti still has things to do. Freedom of Mondstadt and giving up his title as the god doesn't mean he's abandoned his role truly, and if he's awake, that means between drinking, being with friends, telling stories, and everything about you, there is something he has to do. He still is out fulfilling a duty no one, but he knows of, and really, part of that seems more scary than anything he's done to you. You know he'd never hurt you; it's not a fear of that, but as Venti opens up more to you, the parts he still keeps hidden remind you that this is only a fraction of what you know. Guess it's good that you still have some time and space to yourself, but as obsessive as he is in his thoughts and other flaws, he can dial it back if needed for a short amount of time. At least from your perspective.
Wrong idea; type 2
In a sense, Venti is give an inch; he'll take a mile. Like a stray cat. You feed him once he keeps coming back for more. One thing is that this wrong idea can start more slowly, but the second you mess up and do something more romantically affectionate, it instantly becomes much more intense in the progression of what he's willing to take or do.
As mentioned, for anything to start, you need to be at least on a friendship level basis with Venti, and a sorta higher level of one. Nothing extreme, but the type of friends who do spend a considerable amount of time together and, for example, willing to open your house to him to stay in occasionally. Not even in a 'stay in the same bed' type way, but he knows aspects of your personal life, and to a level, you learn more of his 'Venti' side for any of his traits to really start manifest. However, it is already very easy to set off more and delve into the realm of leading him into the wrong idea territory.
Some ideas of how this might be are such as gaining more physical contact. While the intent is friendly, Venti is from a different time, and being touchy already seems less common than you already have a 'flirty' aptitude. Grabbing his arm or hanging off of him when sober makes his heart flutter that there could be more. Certain gifts, flowers, or making uniquely special foods just for him. Not just any meal, that's normal, but if you were to make something sweet with apples that wasn't a typical dish, it leads his heart to beat just a little harder. Or that one time when he did stay over and you fell asleep holding onto him rather than the usual routine of wandering off to your own spot after putting a drunk Venti 'to sleep.' You must have been exhausted… but this is his first time really getting to see you up close.
You must be doing all this with some… ulterior motive. Sure, he's heard of courting; he's older than people think and knows more of the ins and outs of things. People treat him like someone far more innocent by these looks— not just with drinking. And yeah, it comes in handy sometimes, but not when people talk down to him about this. At first, there was some apprehension. Teyvat was in a dangerous time, and as carefree as he plays himself up, he's always guarded about his next move.
Obsessiveness starts more simple. His questions are more of curiosity about many things, and what is better than to trick it out of people and you. Sure, he knows most basic things of your life, but that couldn't mean you aren't linked to more questionable things and had figured out he was Barbatos, either. He comes off a nosey at best. When digging to see if you'd ever been caught doing 'bad things' most inform sure— but in the sense you had been a kid and teen once. You'd easily gotten into trouble more than a few times but never was it for anything imminent or serious. He digs more into the lineage of your family and the other people you associate with. Nothing strange… fine, but perhaps a different route. He remembers some old common courting techniques, and he's seen some of them in this era, too. He's not blind to it, but as he shares more of the details, the more people tell the 'young' bard. It's probably a hint that he should reciprocate. I mean, he already hangs off of you like a hangover anyway. It's surprising he isn't already attached at your hip with how much you both sort of rely on each other. Although you tend to treat him more as a companion than him, he depends on you like a leech.
And the switch flips.
In certain aspects, if you did have some sort of crush, it likely would melt away with how quick his obsessively wrong idea notion takes over. What was harmless flirting testing the waters is instantly blown into a large scale. Even if you didn't like him in that way and other signs were one of platonic closeness or accidents, it doesn't seem to make a difference. His touchiness is insatiable, and the amount of time he starts demanding you spend with him is much more intense. If you try to brush him off, his poutiness damps the air, and things just an uneasy tingle. You find him trying to make all sorts of snacks and now haggling not just for drinks but for gifts. Every story he tells, every song he sings, and every poem has some romantic undertones that, paired with former questions and actions, people know it is about you. And the stalking doesn't help.
Venti's turning point makes him feel like there is more and that there could be more. He's not fully delusional. There are aspects of a lucid point that you're pulling away, but that just means he needs to try harder, right? He's seen so many relationships go like that. If you stop trying, if you let them pull away, that's really how you lose them. It's obvious how much time he puts into this, how much he thinks about how to move forward, and how he can use things like his skill sets of manipulation to keep you bound to him [not literally but in a figurative state]. However, it is only time before you get worn down from trying to fight and redirect… adapting does become just so much easier. Conversations, trying to explain, just don't seem to reach him. Lucid and all, you can't understand him or his goals anymore, and even when he does calm down back into a slight breeze, the second you give him a bit of that former closeness back, it picks back into a blustery.
Stalking
While Venti's stalking habits have mostly been pointed out, there is one other big thing that needs to be recognized. Sure, in Mondstadt and the borders of other regions, he often can find himself about to sneak away and physically follow you around for extended periods of time [days, weeks, etc.]; what happens if you leave. Of course, Venti can easily manipulate others to go with you as a safety net and use it to get you back home, but things are rough when you're gone. Luckily, or to your dismay, you aren't ever really alone as the wind follows you. No matter how far you go, how pleasant the weather is, or how rough the wind is a constant companion following in your wake. It's often a nice breeze, though it picks up a significant amount if you're nearing danger or in danger. Though a strange pattern of it picks up when you spend a little too long talking with locals…
Yes, the wind itself can't do much, but its following reminds you of your faithful companion back home, the one you'll have to eventually return to. And while 'freedom' is given, it's never truly 'free' as the wind follows far and wide until you come back to your love.
Final [unique]
Where final comes in is related more to Venti's 'sleep.' From the context, it seems Venti has less control over when he sleeps and for how long. It's not that he chooses to abandon his land in the time. It's that he cannot fight when he goes into his slumbering state. For hundreds of years, and the times he wakes up are only that when there is something of great importance. This wouldn't be much of a problem before you— Mondstadt was given their freedom, and it was just how it was. He awoke, he came, he helped, and he left; nothing more or less.
However, he had been awake for longer than usual. There was something, even outside of you, that had brewing. Something deeply important kept him awake, even if he didn't know what. And he established a life. A true life this time, with friends in the taverns and everyday 'enemies' with his habits. He found a 'job' and a 'home' within his city as one of the people. And he fell in love. It's one thing to become intrinsically a part of an environment, and even if you don't feel the same way, have that connection knowing any moment it could be lost. To go back into a long-standing sleep with every person, even facet of that life is potentially gone when you are to wake up again. To lose that loved one to time.
Venti has lost so much, each person he's established a bond with passing or having to move on to more incredible things. When he awakes, everything is different; every person is mostly a new face, with few exceptions of those only being a few like him. Is it wrong for love to be so fragile when he knows the change of fate of it being lost is greater than the reward? That if he were to fall asleep, you would easily be able to move on. Find someone new, forget about him, or at least be nothing more than a distant memory. He knows other types of love can be platonic, that the affection you give to the city kids isn't the same, or the way you play with the cats as he watches from a distance. He knows that when he sees the couples in Mondstadt, he's supposed to be happy for them, and imagine if it was you two rather than have the breeze pick up ruining their outing. That he shouldn't be this jealous or bitter; it's unsuiting of his persona, but how else are you supposed to know when love is useless if not with you, the one person he could so quickly lose. When you're not around, this gets worse. Celestia, be damned if he were to fall asleep without at least getting to see you one more time.
This acknowledgment does considerably bring out more of his obsessive nature, almost like paranoia, but in a way that no one can quite place. That he needs to have knowledge of where you are and how long you've been gone, or that he needs to be with you to make up for the time. The obsession leaks into you're time together; since he doesn't need sleep, he'll just lay there watching you. Hands sometimes ghost your face as he pulls you close, worrying about if he can't save you if he were to suddenly fall back asleep tomorrow and never see you again. It's the way sometimes he grips your arm a little too tightly and breathes in too deeply when hugging. That he needs to find a solution to keep you immortal so if he does sleep, you'll still be there when he awakes, or even better, you can sleep with him [and awake] at the same time. You'd never have to be alone, he'd never have to be alone. And sure, it's a stretch, but it's not a loss of freedom because once awake, you can still go anywhere you want together, and even with this idea, you still have full mental awareness and control over your mind.
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General Delusional [unique]
Venti isn't delusional. His perceptiveness to things around him and his need to protect himself, plus his lifetime, has made him more or less hyperaware of things and life around him. He hears the prayers of people and the lives of others, and being lucid/logical is simply a must for that of a god. But he hears the prays, he hears the others speak, and he yearns in a sense to be able to have the luxury of being delusional. Of just being able to let everything go and pretend things are good or that you like him back in that way. It sounds nice. Easy. To be able to imagine your life together as some fantasy story, he's the knight who'd come and save you and live happily ever after.
Scratch that. barbatos isn't delusional, but Venti can be. The mask, the person he's playing can be. He isn't just a storywriter; he's a storyteller. An actor, a character of his identity. So no, deep down, he knows the truth; he's extremely aware of that, but why not just play the part. Let him play as if he was lost in those delusions and that whatever it is can be that way. When you're cooking dinner for each other, Venti knows you're just making a meal as always, but why not play it up. That you're coupled and that this is making a meal together as a such— it was a little weird when he came over to help, but you didn't question it. At least he was doing something. But meal times together when he would help progressed weirdly. Putting his arms around you as you try to cut things, holding out utensils for you to try things on. It got very strange the one time when baking, he leaned over and licked a crumb off your face. You didn't bake for a while after that.
Or going out. What once was normal progressed into him inching closer and closer, then hands briefly touching. You didn't think much. It's the bard unless your Diluc. He's been pretty much harmless around the city. You think. So what if he was one to try to hold hands or brush arms that just matched his bubbly personality. Though the linking of arms and leaning into when waking, staring into your eyes with such affection did change things a lot.
It's nothing more than a role, or sort of game to Venti. The delusion is there, but it is more like oil sitting on top of water. He can turn it off at any moment, but where is the fun in that when everything in his life is so serious. With you, it's easier to just pretend. At least he still has all the control and lucidity of the problems when needed.
Projection
This has been touched on already, but to relate it back, Venti isn't so much delusional in the sense he believes it's real but that if he projects the message hard enough through stories, through songs, and to the people of Teyvat that you're together then in some way, that will be true. The projection of his words he knows are false, and he knows in some way, even if it isn't true, that if a story is spread enough, people take it as fact. And if everyone takes it as fact, then it's just easier for you to accept it as well. He really doesn't have to do anything to force you. It's not taking away anything. It's just altering it so that way things work out in his favor. Much like the general sense, it pairs as well. If he tells himself it's true, perhaps he can force that delusion to cloud the lucidity he feels about all of it. It's almost like in a state of being drunk, where you know what's going on to a certain level, but it's foggy. It's rose-tinted enough that if everyone thinks it, he can, too.
This projection is only made worse if he gets involved as Barbatos. It changes things from just the slightly weird couple who, honestly, the people of Mondstadt can't really explain how they ended up that way. They remember bits of it, but it seems like someone through someone, though some random grandma just mentioned you were taken, and everyone ran with it. But if the church were to find the falsified relics and stories, then there just is nothing you can do. Now, it's not only Venti trying to project something there but the whole church following, believing that you are some saint and by having you married? Honestly, you aren't really sure what all this goal is to have you 'connected to Barbatos' even means, but whatever it is… it doesn't sound good. The expectations of you are doubled, and the projection of you being more than human is suffocating. But it's only made worse when Venti comes forward as Barbatos to you, saying you should just play the part. Stay with the church as some saint and with him. You'll still have a life of freedom outside of it, just with some more expectations about how you interact with others. You'd be bound by the marriage of some sort, and he'd find a way to make it eternal. It doesn't sound too bad, right? Freedom isn't truly free, but it never has been. It's an elusive concept, something subjective, but if you still have the right to enjoy your life and the good of being such, then it should be okay. You can still leave the church figuratively and travel, arguing it's on some journey for something. You aren't restricted in how you speak or think, but things like infidelity and how you speak of love need to be more kind. Yet you'd live a life of peace, one of never needing to be allowed and have the blessing of a god in your favor.
If not, think of the projection people will have if you say no. If you try to run away, you lose everything. That would be the true loss of freedom. The loss of your friends, your loved ones. Your home. Venti projects this idea of love and what love should be for you two, not between you and him necessarily, but to everyone else, making it all the more terrifying at the consequences when he finally does. Not if, but when.
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Monopoly
This is where things get rough because Venti is possessive in a way that can't be controlled. He feels it settling in his chest when he spends too long talking to the shopkeeper or giggling a little too hard at a friend's joke. He hates it when you work and when you dedicate your time to the kittens outside The Cat's Tail. He whines when you have to leave in the morning and when you turn up to Angel Share just a little too late, begging to know who you are with. It hurts him. He can't explain it in the way it crushes his soul, seeing you give your time to others, your energy, and your care. It pains him so deeply to see you run yourself thin for the world around you, for those who could never understand you like he does.
Venti knows it would be easy to whisk you away. To use his godly powers to keep you safe, to keep your attention and love only on him. How things would be so much better for you, for each other, if you could just monopolize your time for him and you and no one else. The idea weighs on him like a pile of bricks. He knows it's wrong; he knows it goes against everything he stands for. And call him childish, but he can't help how he feels.
It's true he never really acts on it. Clinging onto you and carping over it, sure, the way he tugs slightly on your arm after you keep talking to the passerby you bumped into, an old friend, ready to drag you off to somewhere in Mondstadt, you can be alone. How he holds on just a little too tight when you talk about events at work and the people you chatted with, quickly wanting to move to a more interpersonal topic.
Venti never really monopolizes you or your relationships, but his bratty and more childish act really is brought out more with you around. You still get the socialization and ability to be around whoever, but it always needs to be rightfully compensated with some alone time with the god as well, so pick your battles sparingly and just go with him when his fuse starts to burn out.
Bizarre Seeking [unique]
Tying back to his sleep issue, the case of bizarreness only relies so much on how far he's willing to push to keep you immortal, either through godhood or other means. It's surprising he'd even consider it; his testament for Celestia is apparent in conversations, and the path to godhood is not seen in a much higher light based on conversations. But Venti knows sacrifices need to be made to get what you want, and if that means the pursuit of godhood or immorality to not lose any more of his loved one, then that's a sacrifice to be made.
Because of this, Venti ends up pushing you into countless more and more weird scenarios. You end up visiting a certain alchemist more, not really ever knowing the reasons why, and stranger things of yours seem to be going missing. What is that strange bruise on your arm, and why does this one piece of hair seem slightly shorter than the rest? You also swore that Caramel Pinecone tasted weird last time, but even when you ordered the Love Poem instead, it was still off…
The limits of Venti's morality are very much pushed with the goal of finding a way to extend your life more permanently, and while the actions he takes are questionable, they aren't anything he would do less deemed necessary. Beyond that, once he finds the key to unlock it, his bizarre-seeking tendencies end up dying down or stopping altogether.
Also, while he considers and will try to push for a Celestia ascension if push comes to shove, the ability to actually achieve godhood this way is much more complicated and dangerous. Something he might keep trying for, but this way is much less likely to succeed, and he knows this, which is why other bizarre tendencies take priority.
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General protectiveness
Overall, protectiveness is a standard feat. Venti doesn't want you to get hurt and will do nearly anything to prevent it, hence a considerable factor of his stalking outside of walls of the city or towns. Even with others, if he thinks they pose some physical threat, Venti has little fear of stepping between you and 'the threat.' It's not so much a protective coating or an extreme case where he needs to check everything you do, touch, eat, drink, or interact with. Still, there is a natural sense of him wanting to protect you and watch over you to make sure that nothing can gravely hurt you. This mirrors why the wind follows you if you travel and picks up to warn you and redirect you away from dangers, a protective aura of Venti that trails after you. It's not even a doubt that you can't, but the inherent need to make sure you make it back in one piece.
There is, again, only one primary reason Venti will use full force to intervene, and this is if he knows you are purposefully trying to run off somewhere that will put you in danger for any reason. Often downplaying his strength of wind, the storm, if needed, will border Mondstadt making it. Hence, nothing gets in or out until you agree to drop it, tearing nearly everything that comes in contact with the barrier if you don't agree to listen to him first and think of a genuine plan. The wind sees all, and while terraforming isn't much on his bucket list anymore, Barbatos has no fear of proving his worth and power if in the name of love and protection. Even if it hurts you to know whatever your goal is foiled, if it's the one-stop against your freedom, there are some things not worth being risked.
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Lowest Stats
General [none]
The one trait Venti inherently lacks is sadism. Nothing he does to you or others is derived from the pleasure of hurting or seeing others hurt. And while those such as the abyss creatures for fatui foot soldiers are at the whims of his fighting, it's not done with the goal or satisfaction of a battle but rather a necessity for 'his' people and you.
It's apparent that actions that long-term hurt you or have serious effects, both mental and physical, that fundamentally change you aren't truly a goal. Yeah, the immortality would literally change you, but not with the goal of making you conform or transform into a new mental mindset. At least not right away, as he knows that a long life naturally changes people, but there never is a purpose to rid you of traits. To tie you down and break you until you love him the way he loves you.
Freedom, as touched on, is never truly free. Not of people, not of actions, or even of mindsets. But is it that Venti wants you to be you; be the self you choose to be and the freedom that comes with that, even if aspects of it hurt him. It's why if he has to let you go to Sumeru for a festival he knows wouldn't be possible for him to also attend, he lets you know you'll come back to him without the burden of being changed or conformed to have to come back. It's why, in every case, Venti does whatever is in his power to keep you from being genuinely hurt, even if he can't always fulfill that promise. It's why, despite everything, he can't hurt the people who create the fires of jealousy in his core being.
Venti has an awareness that many of his actions are immoral and that he has dirtied his hands in the past just as much. he knows of the guilt you struggle with, and then he is using his skills to manipulate and play everyone like a fiddle, but in the eyes of a god and one who believes in freedom, it is not in his role to harm anyone in the light of you. It's a turning point he could never come back from if he were to directly hurt you or anyone else with the goal of keeping you with him, and it would be a dishonor to everything he was created from. A stain on the nameless bard he honors so deeply, so while the envelope of what is okay is pushed every day with his other actions, there is never once a hand that is laid on you for the sake of 'love' from Bardatos.
──⭒─⭑─⭒────⭒─⭑─⭒──
Statistic diagram; Venti [Barbatos]
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dokidokitsuna · 5 months
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I SWEAR I DON'T SHIP THEM
...I know I've said that before, but it bears repeating. ^^; Mostly because it actually clearly looks that way now, and that's probably going to continue...I'm not sure what else to say about it. If there's a word for this particular flavor of platonic relationship, I don't know what it is. Maybe someone will tell me. ^^
Anyway, since I still haven't started writing the script for this video (tbh I haven't had the time...) I'm going to continue practicing by talking about the pictures I draw. I did all three of these yesterday, thinking I'd just attempt to play with the designs a little and probably get tired and quit...surprisingly, I did not. '_' In a shocking twist, I'm enjoying drawing RWBY characters again~.
So while I was doing these sketches, I was mostly thinking about how Adam and Cinder interact with each other in the Neverfell AU...mainly by belittling each other and fighting constantly. ^^; Cinder thinks of Adam as just another stupid lackey; another piece of gentleman arm-candy; a mere tool that just needs to be kicked a little more than usual before it does what she wants it to do. And Adam (somewhat hypocritically...) thinks of Cinder as a myopic drama queen who's too wrapped up in herself to be an effective strategist or leader.
It's because of these opinions that they end up spending a lot of time working together, trying to show each other up as they re-attempt the not-fall of Beacon. And in doing so, they gradually learn more about each other, especially Adam, who starts to understand where Cinder is coming from as he gets drawn deeper into Salem's inner circle. Fortunately, he still has (a) an outsider's perspective on Salem's manipulative behavior, and (b) too much pride to let himself become blindly loyal to anyone. And eventually, he gains enough concern, or at least pity, for Cinder to use those traits to try to help her, in the end.
Now the point of this isn't just "wow, Cinder gets to such a dark place that even Adam feels sorry for her"...although that is part of it, kinda. ^^ The main point is "wow, Adam's character develops so much that he can peacefully coexist with someone who doesn't respect him or fear him, and even sympathize with her", AND, "wow, Cinder's character develops so much that she can actually confide in someone about her struggles, and might even be willing to accept his help".
...I have a lot of details to fill in to make ^that development clear. But I'll get to it in the script. Eventually. :9
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writingescapades · 2 months
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Relationship Headcanons
Lies of P
P x gn reader
I wanted to post this on Valentines day, but did not have the chance.
Imagine though, how wonderful it is to have someone like P in your life. If you are someone who finds yourself on the outside of societal norms. If your understanding of love and relationships (both romantic and otherwise) is different. If you identify yourself with some label or identity, or if you are someone who lives without them. If you’re someone who knows that deep down, the conventions of love, romance, relationships, marriage, etc. don’t make any sense to you. If you feel a disconnect, somewhere, somehow, in any part of life—how wonderful P would be.
Imagine meeting P and seeing how he engages and learns from the world. How unassuming he is. How readily he accepts diversity. It’s because he doesn’t know any better, would the logical and rational answer. But how many times have you seen his face, the curiosity yet the distance, and felt you saw a mirror?
How easy it must be to become close to P. There’s no fear of him hurting you, using you, or taking advantage of you. He doesn’t approach you with expectations framing your every reaction. You can stay friends your whole life, and he’d be happy.
But if you do pursue a relationship, how comfortable it would be to walk that path with him. Slow, at a pace that suits both of you. A relationship that’s in no rush to go anywhere because the individuals just rejoice in being around one another. Patience defines the relationship. You with him as he comes to terms with who he is and what he wants. Him with you as you figure out what it means to have one person in your life that captures your attention with an intensity that pushes the boundaries of “just friends”.
Fun also defines the relationship. Becoming more human means taking on more of Carlo’s traits. The teasing lies, the harmless pranks, the games that are made up on the spot but make you both chuckle. The dramatics.
He doesn’t expect anything from you other than you, as you are. No expectations based on gender, race, culture, age, etc. The fact that you, a human, are alive in Krat; the fact that you want him and seek him out is enough. Poor boy never had that from anyone.
He would never make you uncomfortable, mainly because he waits for you to decide what you want to do in the relationship and how you want to build it. Despite being lied to and betrayed by almost every character in the game (in some way), he still comes to you with full trust. His heart is new, but yours is fragile. Don’t betray it.
And on those days where you feel very disjointed from the world, on those low days, if you let him in, he’ll show you just how normal you are. Those days where you feel like you belong neither here nor there, where you don’t understand what is and isn’t socially right, when your heckled too much for being different, he’ll sit near you and show his rare smile. Of course he understands what you struggle to communicate. He just points to himself and says, “neither puppet nor human”.
You both will create your own world, your own understanding of it, and your own engagement with it. Yes, he really is a wonderful person to create a world with.
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shannankle · 3 months
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Color in DFF: Part 2
Okay so here I have a post where I run down some of the way DFF is using color in the past (at least for ep 5-6). But there's even more to unpack in episodes 1-4. I'll have to return to color when more episodes are out cause I'm sure there'll be more clarity and layers to add. But for now let's jump to the present!
Shout out again to @slayerkitty for brainstorming with me!
In part 1 I came to this conclusion:
There are basically 3 groups of colors.
Blue=the friend group, conformity, those trying to harm or coerce others
Red=Non, poverty, outsiders and those with stigma
Yellow=A third category, not in lock step with the group, outliers
So what about the present?!
There's a lot going on with color:
-It show's the character's flaws and desires
-It signals romantic pairing(s)
-It conveys group dynamics and insider/outsider status
On top of that we have people changing colors and exchanging them
Importantly in the present we start getting more than just the strict primary colors groups. Our group is less in sync and now that they've had time to grow up and be apart there's less conformity and cohesion, more fracture. We could argue that more of their own colors are able to come out rather than be subsumed in just blue (though a few characters definitely stick to blue still).
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Let's start at the beginning. For a number of these boys their color represents their worse traits and fatal flaws:
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Por is in a pale green. This clearly represents his VERY deep relationship with nature (sorry not sorry). It also can represent rebirth which means he isn't dead yet.
Okay, joking aside, green can can represent greed and jealousy. Certainly things relevant to Por who both has it all and still constantly wants and needs more (especially affection from his father) and is willing to take credit from Non to get it. This greed obviously contributed to the way everything spiraled in the past.
Green can also indicate sickness, nausea, and disgust. Por often expresses disgust towards Non, wiping his hand off after touching him. We even get him and Top reacting with disgust in the opening scenes when Fluke is puking.
On one more note, there are cultures that would group green and blue in as the same color so perhaps we can still see him as not so separate from the group as we might think.
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Tee and Top are still in blue. These two are dedicated to hiding the truth and protecting themselves. Blue can also indicate loyalty and trust as well as confidence. Tee clearly has an issue with loyalty in both the past and the present. He's quick to throw his friends under the bus but does so while hiding this to still fit in. In the present he struggles with whether to abandon White or protect him. Top on the other hand is over confident, constantly wanting fame and attention.
Tee in particular is interesting because of his tie die shirts. They always mix blue with another color, just like he mixed blue with red in the past. Now it's a pink. Perhaps this means his money troubles have lessened or that he mentally feels less of an outsider or weirdo than when he added red in the past. Or perhaps it shows his strained loyalty to White, containing a color other than blue but not quite orange.
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This is certainly the case in a later episode when he changes his t-shirt to blue and orange. I'll mention this later but White is introduced in orange. So Tee's colors show his dedication to the group, his continued attempts to hide secrets that harm people, and his battle between running or staying to protect White.
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While Tee switches to orange and blue, Top switches to yellow and white. He makes the switch before he goes off with Tan and returns to kill Por. The yellow is a stark change. Unlike Tee who retains his blue, Top loses it completely. He's in yellow, marking him as an outlier. Is he possessed? Drugged? In any case he is operating without any affinity to the group at this point.
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We don't know much about Tan yet, but he's also in blue. He starts in a blue button up and then switches to darker blue with gray underneath. This is a bit odd since he's the most vocal about pushing the old group to reveal what happened in the past. Yet he isn't wearing orange (Phi and White), red (Non), or yellow (outlier). In fact, unlike our other characters he doesn't mix in other colors or change his color at all. It feels very sterile, as if he is operating under different rules. So either he is just part of the group and likely fodder, working with Phi, or up to his own plan. Regardless I think at this point he is probably hiding his color, or rather the show is hiding his color from us for a later reveal of some kind.
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Fluke is in purple. It's a balanced mix of blue and red, marking the way he acts as a bystander. He is in the group but not necessarily at the center of it. It also represents ambition, which Fluke clearly has in spades. So much so that as he tries to protect his ambitions, he makes things so much worse.
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Interestingly, when Fluke changes clothes he still chooses purple, but his collar has a stripe of red. This of course is what he wears as he starts to crack, ultimately confronting Tee about what happened to Non. The blood on Fluke's hand adds more red.
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Jin is in pink and a dark blue or grey. He later switches to a dark blue shirt. So part of him is still attached to the group (blue) but he also operates in a faded pink. Pink can represent love and compassion. We know that Jin acts as the kind one of the group generally. Interestingly this is quite a faded pink, perhaps representing how Jin, despite being kind (or at least having a kind exterior) is quite jaded. He's lost his rose-tinted glasses and they've become a washed out pink.
He no longer is in yellow. Does this mean at some point he failed to push back on the group in an important way? Why is he still with the group and wearing blue/gray colors? Does the fact he's wearing pink, a faded red mean he's still dedicated to Non?
Clown theory: Non was in pink in the preview for episode 7, so does this mark Jin as a romantic pairing with Phi? Does it mean Non died and possessed Jin's body (🤡)?
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Phi and White both have orange to start with. They're odd ones out. Interestingly, Phi also has on a denim shirt, making him outwardly seem to match Tee and Top, but the orange shows his true colors. This is very fitting given we know he's up to something (most likely revenge) and not genuinely trying to be a part of the group.
Orange is also partway between red and yellow. If we go by the past, Phi has had something going on with both Non (red) and Jin (yellow, past). Interestingly in this opening shot Phi's backpack moves from blue (his disguised allegiance to the group) to orange (his outsider status) and red (his allegiance to Non). But he is also next to Jin whose pink could be seen as a version of red.
White has orange but like Phi he has blue as well. Does this mean that White is aligned with Phi or is it just a way to signal that White is also a newbie to the group? If so why is Tan not in orange too? Is White Non's brother?
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Both Phi and White remove their orange as things progress. Interestingly they both keep the same touches of blue but change to neutral white/light gray tones. They're blending in now, either by force of the situation or in order to hide their intentions. But compared to Tan, we at least see them operating in other colors first.
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One last thing of note here. Phi wraps his outer shirt around Jin to brace his shoulder. This completely removes the blue from Phi and gives it to Jin. Is this a color exchange? But blue isn't Phi's color, so does is this an act of protection or is Phi marking Jin as a target?
And what does it mean that Phi is now purely in white--an absence of color? Or is white his color? If so, then what about White?
We've gone from 3 primary colors in the past to a mix of colors in the present. On top of that we have white too, an interesting contrast? pairing? with the black of the mask costume.
Okay this has been equally as much analysis as questions. I'm excited to revisit this when we have even more episodes and information to see what the patterns are here!
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tloujm · 1 year
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Headcanon I: Yandere
Warnings: Yandere is an archetype that defines a character whose love, admiration, and devotion is so strong that it can be expressed through forms of obsession and possessiveness. 
Author’s Notes: I truly do not believe that Joel has a Yandere personality. He has some traits that may fit the archetype, but not enough for it to be consistently considered Yandere. Though Yandere is ultimately toxic, and he is ultimately a toxic man, I somehow like reading them and figured I’d stray off the path of canon once more to do one for him. Honestly, I feel like this is tame compared to some of the yandere I’ve read in the past. This is all based in the same universe as the main storyline that I JUST realized that I never created a title/name for.
Ship: Joel Miller x Fem!Reader
Joel is all about survival. It stemmed from not letting his daughter’s death be in vein, then it just became a habitual instinct. When you came into his life, it became this intense drive. 
Admittedly, he didn’t trust you at first, but when he finally let his walls down, they never came back up at least for you
Surviving to Joel means having the “either its you or me” mentality and he almost always chooses you over anybody else, even himself
Joel is 100% ok with sacrificing his life for yours
He would for sure take a bullet for you in a heartbeat 
It’s just a cherry on top that he knows that you would do the same for him.
On one hand, he wants nothing more than to spend the rest of his life with you, so he will make sure that the both of you survive
But on the other hand, he believes that he will see his daughter again if he dies and what better way to get there than to save you
Especially since he couldn’t use his life to save Sarah
He only survives for you 
You are his reason
The same reason that he asks you to search for when you get mad at him for taking you away from the fireflies
You never told him what your reason was, but he desperately wanted you to say that it was him
His brother is a bonus reason once they reunite in Jackson
Ironically, he becomes more protective over you when the two of you decide to stay at the settlement. 
Outside of Jackson’s walls, he needed you. He tried his best to do everything for you: shoot, sneak around, escape, etc...but he had to admit that he probably wouldn’t have made it out of some situations without you.
Within Jackson’s walls, it was easier to make sure that you were safe, but he still knew that there were dangers.
The number one danger that he anticipated was getting too comfortable
Baring the surname Miller, he became a well known citizen of the settlement
Joel used this to his advantage and made sure he kept eyes on you at all times through his connections
There was very little that you could hide from him at the end of the day
Joel tried not to let anything suspicious get to him, but he is more of an act first, think second kind of man
This would sometimes lead to arguments
Especially when you first find out about this and how long it’d been going on for
He’s done a good job at keeping all of that away from you and it takes you a while to catch on
He knew that you’d consider it spying instead of how he intended, care and protection.
Insists on giving you guitar lessons when he is in a lighthearted mood
Or when he knows that you are mad at him and he wants to say sorry
Despite how he comes off, he has an incredible amount of patience for those he cares about and is willing to take the time to teach you things
The two of you fall into a relationship without formally defining it
During your journey, before making it to Jackson, the two of you never got intimate. There were implications of romance, but there was never an appropriate time or place to act on it.
Once in Jackson, Joel was tired of dancing around the matter and took control of it
As soon as the two of you were left alone again by Tommy and Maria, he caressed your cheek in his hand and confessed his feelings with brevity
His vows were simply “I am yours and you are mine”
With the famous Joel glare gaze
He waited for you to agree
And luckily for the both of you, you did
He made sure that the two of you didn’t separate by having you live with him
He never stepped over your boundaries physically
As aforementioned, he has an abundance of patience and waits until you are comfortable enough to share a bed with him
As soon as you do, Joel is all in
His arms are wrapped around you
When he moves in his sleep, which is rare bc he sleeps like a rock, you move with him to keep the same locked position
Practically has a heart attack when he wakes up to a cold empty bed
Doesn’t consider himself a deep sleeper, but somehow you still manage to escape his grasp for one reason or another throughout the night without him noticing
Joel responds by laying a leg over yours to hold you in tighter
One of the first reasons why he feels the need to keep eyes on you
Wanna sign up for scavenging or patrol routes? Only if he has the time to sign up for the same ones you do. 
Wanna work in the community gardens? Joel’s not afraid to get his hands dirty.
Want peace and quiet with the watch tower duty? He’ll be up in the tower first waiting for you to show up to your SHARED shift.
You asked if he ever got tired of you from being around you all day
Joel: “No” *continues to sip his coffee casually*
He knocks on the bathroom door if he feels that you are taking an excessive amount of time to check on you
Yes, he genuinely misses you, but he also wants to make sure that you haven’t suddenly died on him.
His protectiveness over you, before it got overbearing in Jackson, is what initially caused you to have feelings for him.
He is a possessive lover which has enough pros to keep you going, but definitely has its cons
As a private man, Joel is not into PDA
But he will do so if he feels his relationship is being threatened by an outside force
The most PDA he will do on a regular basis is keeping his hand on you at all times
Not necessarily hand holding, but keeping his hand on your lower back, back of your neck or your waist.
Sometimes, his fingers would dig into your skin to pull you closer to him
He would never harm or put his hands on you, but he left marks
A lot of marks especially after a pretty spicy night
As a private man, he likes the marks to be in places that he could only see
Every so often, he would let you leave the house with clear and visible marks even if there are no direct threats, just as a gentle reminder to anyone who is interacting with you in general.
He prefers his mouth or hands over anything to mark you; no ropes or other extra toys
Also in private, he loves to cuddle
He loves that you enjoy the weight of his entire body on top of yours
He especially loves it when you wrap your legs around his waist to pull him in closer than he thought he already was
Despite this, he makes sure that he doesn’t fall asleep in this position as he is afraid of suffocating you 
He, instead, prefers to have you lay on him
Not just next to him with your head on his chest or an arm slung over
He wants your entire body on top of his like a weighted blanket too
Part of his obsession infatuation intoxication with you is because of your natural scent. Your pheromones if you will
Yours in particular drive him crazy in a way he’s never felt
The source is your sacred middle which is why there is never a dull moment in your and his sex life
Even in non sexual ways, he loves being around your pussy
cockwarming
Joel likes to lay his head on your fupa/lower stomach for the soft warmth and to easily take in your scent from the close proximity 
If he’s not in a position to be touching you, he very often has his own eyes on you
He’ll offer up his special Joel glare that he saves just for you (barely any different from his usually glare)
While Joel is more serious than playful, he likes to turn it into a game by seeing you fight the urge to meet his gaze and to see how long it takes before you do so 
He always gets jealous but is good at controlling it if the two of you are near each other and you are not giving him at least an once of attention. 
Joel has a desire to protect you from unseen forces too, like colds or the flu, but doesn’t beat himself up when he fails to do so
He takes advantage of the times that you are sick because he gets to keep you all to himself in the house
Joel will put his foot down about not being able to work his patrol shifts because he’s too busy caring for you
Joel finds himself conflicted between not wanting to see you in pain and having you be completely dependent on him.
He’s also conflicted about getting you pregnant
He doesn’t want more kids for various “practical” reasons 
Afraid of feeling guilt over replacing Sarah
Taking his energy away from protecting you to protect someone else
Afraid he may become too soft to protect either one of you by being wrapped around the babies finger
But he also wants kids with you for various reasons
One of his favorite ways to mark you is internally with his cum
The heavier you grow with his child, the more dependent you’ll need to be of him and it’ll be longer than a cold
He’ll convince you to be a stay at home mom, so he wouldn’t have to worry about the whereabouts of two separate people as the child would always be with you.
A child would most likely encourage you to stay within the settlement’s walls
He’ll try to convince you to want a child too
If you are not ready for one, he will be super patient and bring it up every so often to see if your answer has changed
At the end of the day, he has lost too much in his life and he will do everything in his power not to lose you either
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im-no-jedi · 7 months
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I have Crosshair on the brain today for literally no reason and was really struck thinking about that moment with Wrecker and Tech in Kamino Lost. mainly how, yet again, Tech perfectly sums up what it's like being someone with a mental disability.
Wrecker breaks character a bit and gets angry at Crosshair for being such an ass, and especially for not putting an effort into leaving the Empire once his chip was removed. an understandable and valid reaction.
Crosshair doesn't have time to respond before Tech steps in though.
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Tech straight up tells Wrecker to let it go. he doesn't need Crosshair to say anything because he already knows what Crosshair might say. despite not agreeing with him (as he later stated), Tech understands why Crosshair is behaving the way that he is. this indicates that Crosshair has behaved similarly in the past and therefore is no surprise to someone like Tech, who has the same problem. and he tries to explain that to Wrecker.
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Tech outright states two of Crosshair's major character traits. two traits that can be seen both as positive and negative. neurodiverse people often have traits like this that manifest outside of their control, causing them to behave in ways that come across unnatural. it often takes an outside source, like Tech is doing here, for the person to even realize that those behaviors can be a bad thing. Tech even confirms the fact that it's simply a part of who Crosshair is.
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but he doesn't stop there. because this goes beyond simple character traits, which can often be changed or altered in some way.
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Tech starts by telling Wrecker that he can't change how Crosshair is. this is honestly good advice in general, but it especially applies to mental disability. no amount of work or effort can fully change how a neurodivergent person behaves. it's literally wired into their brain. sure, things like therapy and medication can help. but like a stubborn stain or a deep scar, those traits will never fully go away.
and Tech confirms this with one final statement.
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Crosshair himself can't even do anything about it. and this to me is the real attribute of mental disability. it's simply something that's out of everyone's hands. it's also interesting to note Crosshair's expression here. he seems genuinely intrigued by Tech's statement, like he's just heard something he wasn't expecting to hear. Crosshair ends up asking why Tech "stood up" for him, but I think it goes beyond that. I think Crosshair hadn't considered that fact that things were out of his control. which we end up seeing in season two with his eventual strained relationship with the Empire.
now, this isn't me saying that we should excuse neurodivergent people for their behaviors. everyone, regardless of circumstance, should take responsibility for their own actions. and it's moments like this that are actually helpful in understanding how to deal with mental issues. I say this as a mentally disabled person myself. having that outside source to point out those behaviors, regardless of whether or not they were intentional, still have consequences. clearly, the consequence for TBB was the separation of Crosshair from the rest of the squad. he made that choice, but it was due to natural traits that were out of his control (among other things). hopefully he'll eventually realize this, but that remains to be seen.
it's no secret that I personally headcanon the entire Bad Batch as being neurodiverse. Tech may be the most obvious example, but the signs are there for the others as well. and this moment just further validates it for me. at the very least, it's an excellent comparison to mental disability, whether intentional or not, just like Tech's line in The Crossing. and I'll be forever grateful for a show like this giving us that representation 💙
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namisweatheria · 6 months
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I didn't realize this wasn't consensus, but as far as I'm concerned Roger abandoned Ace and Rouge, and leaving them to Garp was not remotely enough. He had a year. He could have protected her, found a safe place for her, and been there when Ace was born. She wouldn't have killed herself holding him in.
It's entirely his fault that Ace grows up hating him. If he had protected him and Rouge before he died, Ace would have grown up with a mother who could have told him better stories about his father. He could have grown up proud of him, if Roger was a responsible father with his last year of life.
Roger clearly did whatever he wanted, and that's why he was so connected to Garp, who is basically an older, black mirror government officer version of Luffy. There's a core personality trait that runs between the three of them. It's that utter selfishness, carefree attitude, taken to an insane degree.
Garp didn't parent Ace well either! Neglected him, told him he had to create his worth, instead of seeing a deeply hurt child and saying something comforting or helpful for once in his fucking life. He let Ace be killed, knowing he was a kind gentle person, instead of letting go of his place in an institution of injustice.
(After watching them target Ace, personally I didn't think you could make any argument that Garp doesn't know The World Government is an unjust institution. But now that we've seen him casually watch them commit a genocide and do nothing to stop it, I suspect I'm not gonna have to suffer this rose-tinted view of Garp as much.)
There's a clear message here. Earlier I stated that it's because Garp works for the government that he's callous to the suffering of others, and I still think that's definitely true in part, but Roger shows that just being on the outside of that institution doesn't turn a selfish, carefree person, kind. I mean, he also showed up to that genocide, but we only see him fight for something valuable rather than save anyone.
Ace and Sabo both represent those left behind in both ways of life. Ace of course is a victim of Roger's prioritization of his own desires over people. Sabo is a victim of the government's prioritization of the desires of a select few over all other people.
("All other people", of course includes the children of nobles, who, like all children in societies that give their guardian's complete legal dominion over them, are an incredibly vulnerable population at highest risk of all kinds of abuse from inside their family.)
The difference between Roger & Garp, and Luffy, is that Luffy grew up with Ace and Sabo. He grew up loving them and caring about the ways that they were hurt.
You can't imagine Luffy abandoning anyone, or sacrificing other's freedom.
Also, fuck Roger and Garp. They're enjoyable characters and the way things happened obviously makes the younger characters who they are and makes for a great story, but ohhh my god. Fuck those guys!!!!! It's their own damn fault!!!!
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i-like-media · 4 months
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Ok I've said before food as a love language is incredibly important to the plot and character relationships in Broadchurch, but I'd LOVE to specifically unpack S1 Ellie and Alec's relationship more when it comes to this. (excuse the image quality)
Ellie and Alec are at odds with each other from the start. Ellie is incredibly connected with the community hurt by Danny's death and very openly caring, while Alec is standoffish and with very little connection to the community.
This great divide is best seen with this love language!
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Ellie especially at the start will offer food and drinks, which Alec ends up declining one way or the other. It creates a big disconnect between the two as they still are getting to know each other and further shows Alec's standoffish character and disconnect from the community.
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In fact, Ellie even gets a bit offended when Alec doesn't naturally offer the same service (getting/making a drink for someone) when he's making tea. I'd even say, Alec doesn't take great care of himself the first season when it comes to food.
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He often neglects his basic need for sustenance (adding once again to his distant personality) Which to Ellie might seem especially foreign. Still, no matter how many times he shoots down her offers (or accepts it but doesn't eat it), she keeps on coming with more food just as a base level of care.
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To Ellie, giving food to others is basically second nature, even if she doesn't like them. Though giving food to Alec is a service only for those he respects and values, a love that needs to be earned.
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You could even say at the start, food is to Alec as much release as his medicine are for survival. To get through the day and focus on other more dire things.
But these are just small interactions. He knows how to handle a cup of tea, but he doesn't know how to place himself when he's invited over for dinner. It's an platonic intimacy he hasn't had the pleasure of enjoying in a while.
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And because food to Alec is such high tier level of friendship, he feels like he has to give the same kind of appreciation back to the Miller for inviting him...... By going overboard and buying flowers, chocolate AND wine.
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and still as he's eating dinner he can't help but interrogate Joe a bit and not fully let his guard down. Because honestly, besides his job he doesn't have any Outside Of Work pleasantries going on. That guard is the most stable thing he's got
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But he starts to warm up more and more, making toast for himself on the job, which surprises Ellie too. But as his heart problems and worries catch up to him he feels forced to still deprave himself from joy
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But you can tell he's grown more connected to the community as a whole and his colleagues, with him even offering to pay for a round of drinks while not even present. Unknowingly, taking on some traits from Ellie, while Ellie slowly becomes more serious and straight to the point like Alec.
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Then as Alec finally collapses fully and the true nature of his condition is revealed, Ellie of course becomes angry he didn't tell her. She says she hoped he'd choke on the grape seeds but in reality this is her being worried for him and showing she cares.
Then you have the reveal, and food as a love language takes on a whole different meaning
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Where her love had previously filled her stomach, the breaking of her heart throws it all out again. Her vomiting at the revelation is honestly the perfect way for her character to show her world has been turned upside down. it's gut wrenching.
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And don't think I didn't notice the bright yellow mug behind the picture of her family, as she packs up her stuff to leave the case and sleep in a hotel. The security of her life, her love, stolen from her by the action of someone she trusted.
The symbolism of it all just in S1 is insane.. .i can't get enough of it.
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agentperezbian · 10 days
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Anyway, what are some examples of Adam's kindness in the film? /gen
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Unfortunately, because pretty much every scene of Adam outside of the bathroom (besides his kidnapping) didn't make it to the final cut of the film, I'm mainly going off of the original Saw script as well as deleted scenes from Saw 3 for my assessment of his character. Which means you can dismiss everything I say if you want, because only what makes it into the movie would be considered canon.
That being said, I like to consider the outline of Adam's character we see in the script as well as the scenes written and filmed for later movies to be indicative of Leigh's vision for the character, and not something to be tossed out just because they ended up on the cutting room floor.
The scene where Adam, who states how far he is willing to go to get money for food, gives his last bit of milk to a stray cat is a big one for me. He states that he likes how "non-judgmental" the cat is. Which I think alludes to Adam being harshly judged by those around him and maybe even avoided by others due to the way he's perceived. We learn that Adam used to want to be a vet in the script, and these two factors together seem to indicate a large love for animals and a desire to help and care for them. Adam in the script definitely shows nurturing traits.
We have the cut scene from Saw 3, a flashback of Adam and Amanda running into each other in their apartment building. Adam compliments Amanda's hair and tries to get her to open up a little. He's awkward but polite, and seems to feel bad about potentially making Amanda uncomfortable. He seems to flounder a bit but doesn't get upset even when Amanda barely says a word. He's handing out flyers for Scott's band, spending his free time giving them free promotion despite the fact that from what we learn, Scott doesn't seem to value Adam's friendship much. This, to me, is more evidence of Adam going out of his way to help others, with seemingly no reward for doing so.
Adam, to me, displays a very self-sacrificial personality. He seems to not really value himself very much. John calls him apathetic and it's very much true, but he isn't apathetic to others. He's apathetic to himself. Even when he tells Lawrence "facts" about him they all relate to things other people have done to him. I think he very much sees himself as a passive observer in his own life, which is why it's so easy for him to hide behind a camera. When he kills Zep, it's to stop him from killing Lawrence. Despite the fact that Lawrence had just shot him. Really, it would be more beneficial to let Lawrence die and continue to play dead - it would be safer, and allow Adam to attempt to escape. But he saves Lawrence anyway. In the original script John calls Adam a pawn, and i think even without him outright stating it this theme is still very much present in the film. The pawn is never meant to achieve greatness. The pawn will never be able to satisfy its own wants. The pawn can only elevate others.
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genshinology · 1 year
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𝐍𝐎 𝐌𝐀𝐓𝐓𝐄𝐑 𝐖𝐇𝐀𝐓, 𝐈𝐓'𝐒 𝐀𝐋𝐖𝐀𝐘𝐒 𝐘𝐎𝐔. zhongli
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(requested by anonymous.)
content; zhongli x gn!reader. historical au to modern au (ig we could say that liyue has been modernised and like teyvat has been shifted into powerless realm without elements (please, bear with me and my stupid imagination ANSBHIQWKNDK)), reincarnation au, soulmates au, not really angst or fluff but like zhongli misses the reader and it shows, mentions of character death. wc; 1.6k (not proofread, let’s gaurr)
a part of my 800 followers event + *gasps* finally i am back to actual writing?!?!?! and get to continue this event??? HAHA ik this is so not my tradition of being inactive most of the part this year eek (btw, i have finals for like the next two weeks, so expect this blog only filled with queued stuff, etc.)
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it was raining.
the day zhongli found you back on liyue past, dark days, where he was still the geo archon - all powerful, and craving the power from his people in the archon war, still under the name of morax - zhongli could not understand how you, a mere human without a vision, caught his attention in more ways than one.
sure, he believed that he knew you through guizhong, one of his old acquaintances, but he still could not comprehend how he could seek joy and calmness whenever you were around him, despite him still did not wander around with the body of his human form, zhongli. and how content you were when you knew that he was morax, not a passerby that casually tried to hit up on you.
it was raining, when he saw you working hard, a trait he found himself adored when it came from you, you were his everything back then, until he remembered how dread it was; one day, when the archon war finally came to its end, and news of you died tragically during the battle between gods, along with his close friends.
he could not imagine how helpless you must have been, without the power he often accompanied you whenever you said you were going out to catch up with the outside world. zhongli blamed everything on himself, how he was not able to protect the one people he cherished the most, you.
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it was raining, once again, when he found you running towards katheryne, complained something about nearby monster attacks so that the adventurers’ guild could take the problem into their hand.
zhongli remembered how you thanked the receptionist, eyes gleaming with hope. the one emotion that he remembered back hundreds of years ago that was reserved for him. the one emotion he would trade his life for, because the hopefulness in your eyes was the one thing that kept him alive, the one thing that made him determined to be a better god, and he thought he was being deceived when he turned twice to properly look at your figure.
(yes, zhongli was no longer a god that oversaw liyue, but at times like this, he remembered how he was not really a gentle god to begin with, and the presence of you in the old days gave him hope for him to be kinder and wiser, and, he would not hesitate for a brief second if someone asked him how to be a respectable god (because zhongli, more often than not, was asked this question a little bit too much by the other gods and archons alike). he would, surely, answered those questions that you, the little human that he swore had sunshine upon you, was the one that brought the best out of him.)
zhongli could not believe when childe introduced you to him. (it was funny how he met you through his close friend, again.) you were helping xiangling at the wanmin restaurant, and as a regular there, he could not believe that it was really you. the same smile, the same height, the same face, even the same walk, and your kindness in serving other customers, even him, were all still the same. the y/n that he knew, the y/n that he wanted to protect, the y/n that he loved. it was still you, and zhongli knew that deep in your heart, you also sensed a familiarity when you approached him. it was weird, but you managed to introduce you to him, the new part-time worker at the restaurant and that this was your side income.
zhongli was wise, and smart. he, at that time, decided to not being too attached to you, although he assumed that he was actually immune to the death occurrences around him, since he learned that it was inevitable. all mortals he befriended with, all would only go and leave him alone, like how he always be.
but he could not deny the ache in his heart when he longed for your presence and attention, especially when you said you would be going back to your hometown, far away from liyue, and for once, zhongli reminisced the second, most bittersweet goodbye from you, and worst yet, he never knew when you died for a second time. all he knew was you admired him from afar from hu tao, and zhongli regretted his choice back then of not welcoming you into his heart once again.
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it was a raining night, where cars and buses bustling around the busy city. the horns from afar, the colourful lights, the coffee in his hand, the droplets of rain that stained the café large window. all things, somehow, made him focused more on the memories of you, and the thousands of emotions that came along with them.
“may i sit here for a while?”
zhongli gave the person a brief nod, not really paying attention due to the fact that he was so deep in his thoughts, before he could feel the sense of familiarity to the person beside him.
zhongli never acted recklessly, often forming his own thoughts of consequences before doing anything, but he could not hide his shock when the person in front of him met his eyes, and, for a fleeting moment, zhongli knew it was you. he just knew.
if soulmates were real, he was so sure now that you were his.
you halted for a moment, part of you was awestruck by the manly aura that radiated off of him, but you could not ignore the tinge of sadness that suddenly overwhelmed you.
“have we.. have we met?” the simple question coming from you was more than enough to make his heart shattered into pieces, not because of the disappointment of you not recognising him - of course you couldn’t remember. you had been going through many stages of life cycles, and he would forever stuck with one - it was the fact that you thought you knew him, almost made the urge to pull you into his arms ten times stronger than ever.
the way zhongli kept on being silent made you quickly realised how off the question was, especially if you had just met a stranger in a downtown café. “wait, i’m sorry for sounding stupid. it’s just - i thought we know each other before but i may be wrong,” you sent an awkward laugh. “and i’m sorry if i am interrupting your personal space, that the rain is pouring and i could not catch the last bus and my umbrella is kinda broken -
“it’s fine, y/n.”
you almost dropped your phone at that. so, you had met. but you could not remember where.
the sadness inside you amplified the more you tried to shrug it off, his voice worsened your confusion to the negative feeling inside you, but, somehow, the more you held eye contact with this beautiful man in front of you, the more relieved you felt.
the sense of familiarity was not something you could ignore, with the fact that the man in front of you could technically be a bad person didn’t even come across your mind. “i know this might sound dumb, or stupid, or both but like - where did we meet?”
“somewhere, and i believe we were close at that.”
thousands of questions surged your mind, how could you forget a person that was close to you? the way you knew he wasn’t lying made your insides felt more relieved. who was this man? and why did you feel so sad? and relieved?
“the name’s zhongli,” he introduced himself to you.
the name struck you once again, but zhongli decided that this was all too much for you by reading your body language. even after centuries had passed, you were still the y/n he knew. “your umbrella broke?”
“i, uhh, yes,” you felt like you were sharing too much information on this guy who you barely knew, but the way he gave you the most gentle smile coming from a man made you knew that you could trust him. it made no sense, how you were not making any sense even in your own thoughts.
“let me offer you a ride. it is late and dangerous.”
you didn’t even doubt him and his words. something about him made you felt safe, and you thought you were the one who acted weirdly in front of him, but you figured that he didn’t mind. perhaps he had always been nice just like this.
“thank you, zhongli,” zhongli sent a small smile, one which pulled the strings of your heart. was this love at first sight, or you were actually close with him before? it was absurd, but you decided not to care with the intrusive thoughts.
either way, your gratitude made zhongli unknowingly blinked his eyes. those were the last words you said at him both times he met you. now, he swore he wouldn’t let you go again, with no responsibility of a god on your first life, and no treatment of platonic relationship with you on the second, he just knew that in this life, he would cherish every moment with you once again.
both of you decided to watch the rain after zhongli treated you with a drink, and, ironically enough, it was the most beautiful, and calming night you had ever seen.
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