#all this and i haven't even touched on how it would mean that will's queerness and love for mike would have then been used to prop up mlvn | Explore Tumblr Posts and Blogs

androgynousblackbox · 3 months

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Alright, I am watching the reaction stream of another person to see the video of Jamesy and I have thoughts! -Jamesy is REALLY counting on buttering up to Jessie Gender specifically. He named her so many times trying to "apologize" for weaponizing his audience against her when she told him to not erase her work in Nebula just because his whiny entitled ass couldn't accept that he wasn't invited to the platform. Not a single word about actually going to her and talk privately though, just a bunch of "ooh, Jessie Gender is the kindest, best human being ever and I am so sorry to her", like, bitch, WHY ARE YOU EVEN TALKING ABOUT HER? Jessie wasn't the worst victim of your actions! Your bullshit with her happened long BEFORE anything of this happened, so why the fuck are you even bringing her up?? My only guess is that Jamesy wants Jessie to speak on his favor and "forgive him", hoping that will bring him new good will from the queer community in youtube. I am fucking crossing my fingers and touching wood that Jessie does not fall for this manipulative bullshit. This guy is literally clout chasing because, again, when it came to the plagiarism, Jessie had NOTHING to do here. Jessie, if you want an easy win, don't say anything about this. Don't even aknowledge it. Pretend like a mosquito just farted in another building. You had nothing to do with this and I am sorry this piece of shit is trying to drag you into it to take advantage of your good nature. -"I only cared about the production side of making videos, that is why I bring Nick in as the main writer." This motherfucker really went and did it. He is literally blaming Nick squarely now, because now he is just not a co-writer. No, now he is the MAIN WRITER. Jamesy here was just trying to making his little films and buy expensive ass equipment while telling everyone he was starving on the streets, he only cared about the production. NICK, THOUGH, HE WAS ALL ABOUT THE WRITING. He was the one who put the words and little Jamesy baby boy here only "produced, directed and edited" (omg, shut the fuck off, man, your editing skills are mid at best) everything. -Way too many sob stories. I don't care, man. I don't fucking care that you got fired or whatever conditions you had. Do you have any fucking clue how many people do really struggle to reach the end of the month and they still never even think of stealing someone else's work? Everyone is struggling and yet, you were the one who made a career for fucking years out of stealing the works of everyone else in this community AND THEN, when call out, tried to paint them as the bad guys.

-A lot, and I do mean, a lot of time to "apologize" to Jessie Gender, but you know who he didn't apologize to? Literally none of the authors he stole from. Not the fan whose edit of Korra he used without credit. Not Alexander Avila. Not that person who was harassed to hell and back by Jamesy and his audience when they showed how he plagiarized on his disney video. Jessie deserved to be name dropped at least thirty times, but those people?? They are fucking nobodies. They don't matter. Why name them at all? It's not like their WORK WAS STOLEN BY YOU OR ANYTHING! And that is another thing! Even if Jamesy is really out there blaming Nick for all the words that they took without credit, then what the fuck is up with all the footage, edits and audiovisual works that weren't for you to take? You said your passion is production. That is part of the production, Jamesy. Is this you admitting you fully just fucking stole them and hoped nobody would notice because you are a lazy piece of garbage?

-"Having to do multiple edits because youtube copyright issues was so hard for me, guys, you don't understand uwu. It was so hard on me to make it less obvious I had plagiarized people!" THAT IS ENTIRELY YOUR OWN FAULT, BRO.

-So, hey, funny thing. I was looking to see if other people were reacting or had reuploaded the video so I could put it here. They haven't yet, there is only two reactions, but while I was doing that I found a video of ANOTHER person talking about Jamesy ripping them off: https://www.youtube.com/watch?v=bsD-wodn288 Apparently Jamesy had stolen a blog post that this person wrote about Lord of The Rings and they weren't known by anyone, they don't even like that article anymore, but still! Go see that video instead of watching Jamesy and support them if you find value on their work.

-Hey, Jamesy. Jamesy. You do know that epilepsy and head injuries or memory issues don't take you threaten, lie and weaponize your audience against people who call out your plagiarism with the evidence in hand, right? That has literally nothing to do actually, because you had to be aware off of the issue for you to lie about it after someone else brought it up. After the first time it happened, you could have hired another beta reader to tell you that ups, your memory/epilepsy/memory issues/ADHD strike again and you don't remember from where you took that quote from, sorry! You had money for that expensive ass camera, you could have. -Like, my guy, there were so many steps involved here. So many steps from writing, production, backlash and your response to the backlash. Even if any part on this was an honest mistake, something I don't fucking believe in because fuck you, you had millions of opportunities to rectified it and change it. And yet you didnd't. And so here we are, without you receiving not even a miserable fucking like. Go to hell. A mistake doesn't get repeated so many times for years. That was all a choice, bitch. Fuck you.

And here is where I stopped because his voice is like nail on my ears.

Don't look at his video, it's truly not worth it. DON'T LEAVE COMMENTS EITHER, YOUTUBE TAKES THAT AS ENGAGEMENT ANYWAY.

#james somerton #jessie gender

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rosettyller · 6 months

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How the minisodes/flashbacks serve to inform Aziraphale and Crowley's frames of mind, and their decisions in 2x06: a meta

part 1: victorian minisode [tag]

I'm sure other people have talked about this a lot, and I did touch on this in my meta here, but all the same, I'd like to sit down and actually get all my thoughts on the matter out somewhat coherently.

I think some people have had some difficulty accepting Aziraphale's decision at the end of 2x06, so it's really a good thing that these flashbacks - which appear to be all from aziraphale's point of view - were including, as they provide a lot of context to aziraphale and crowley's relationship, and why they chose what they did.

The minisode begins right after the intro; before the intro, we have Muriel visiting Aziraphale (and Crowley) to spy on them.

(Please excuse Muriel's blink here, kmplayer was being a nightmare)

It's already been pointed out by many people how this is basically the same as police spying on / targeting queer people, which is again reinforced in the 1941 minisode.

But it brings to the forefront of Aziraphale's mind Heaven and Hell's surveillance of them, which is quite explicit in the Victorian minisode.

Beginning with Aziraphale's bookshop and shots of his diary establishes it is his flashback.

Crowley and Aziraphale are meeting up for a date casual meeting. There's no pretence of business, not even the Arrangement. They're beginning to feel safe(r) in their relationship - it's been almost 6 000 years, and they haven't been caught.

(more under the cut)

This minisode is more focused around morals, and it's set up straight away:

Elspeth wants to keep herself and her partner alive. If she doesn't do this, they're dead, and she's not actually hurting anyone.

Crowley likes causing a bit of trouble, and furthermore, he understands her position. He doesn't agree with the Don't Do This Because God Said So, and sees a) a person not hurting anyone, but doing what they can to survive and b) someone willing to do anything to save someone they love

Aziraphale still thinks like an angel; God decides what is Good, and Bad, and God decided graverobbing is Bad. But Aziraphale isn't saying "stop doing this, you're going to hell because you're bad", he's saying "stop doing this, if you continue you're going to hell, because it's against God's will." he still thinks she can be redeemed.

Throughout this minisode, Aziraphale has big Main Character Energy (and Crowley had big Love Interest Energy), challenging Aziraphale's morals that he learnt from Heaven.

As is the case with all the couples in Good Omens, Elspeth/Morag parallel Crowley/Aziraphale. Morag worries about Elspeth being condemned to hell, just as Aziraphale did.

Crowley and Aziraphale have their conversation straight from the books, about people who are poor having more opportunities to be good.

Apparanently, some people are saying this is OOC for Aziraphale, but I disagree. I think it sounds like exactly the kind of thing Heaven has said, over and over again, something Aziraphale believes because Heaven is Good, and because he wants to believe it, that those who are impoverished have a chance. (I had anther thought here, but I've forgotten it. Hopefully it'll come back to me.)

[Brief cut to Aziraphale & the yellow Bentley, Crowley's matchmaking attempt, then back to the minisode.]

Aziraphale miracles the corpse, in an attempt to prevent Elspeth from sin. However, this means she loses money that would help keep her and Morag alive. We can see from Crowley's glare here that he's not impressed - that Aziraphale would take away Elspeth's choice to risk hell to keep herself and Morag alive.

Aziraphale, Crowley and Dalrymple have a conversation in which Dalrymple explains he's doing it to help people, and Aziraphale starts coming around to his point of view, running out of reasons to argue with it.

Look at Aziraphale's face when he finds out the tumour was a seven year old boy's, and that he died. He's horrified, and then he looks like he's about to cry. (Not screencapped here, but he glances in Crowley's direction, and Up)

His hands are shaking when he hugs the jar to his chest.

Dalrymple reinforces again he's just trying to save lives, and then:

Aziraphale looks down, thinking over what he said, thinking about the dead boy.

[Back to present, Aziraphale arrives in Edinburgh.]

Aziraphale is delighted by his revelation, and shares with Elspeth that it's alright now, because it alleviates human suffering.

In voiceover/diary, Aziraphale states, "Having realised the error of my ways, I resolved to assist Elspeth and wee Morag in their noble quest to decrease human suffering."

This reflects Aziraphale's rather black-and-white view of the world; they're no longer sinners, but heroes, rather than just two girls trying to survive.

When the watch is alerted, Aziraphale opens a tomb to help them shelter. He's committed.

Crowley sends the watchmen down a hole. Rather more severe than Aziraphale's reaction.

Morag dies while Aziraphale is busy giving a big speech on how he's going to save her.

I've spent a lot of time thinking about the purpose of this (not Morag's death itself). The only conclusion I've arrived at is it's making a point about how even if you have a Realisation, and you change your mind and your morals, that doesn't undo the hurt you've done in the past. But I don't really like that.

Upon the suggestion of Elspeth taking Morag's body to Dalrymple, Aziraphale is horrified.

Note how Crowley is in the dark, Aziraphale in the light, while Crowley is the devil on Aziraphale's shoulder, whispering in his ear.

This challenges Aziraphale's newfound Realisation, bringing it closer to home.

(Crowley spends a lot of this minisode lurking in the dark behind Aziraphale's shoulder)

Crowley is decidedly less active in this minisode than Aziraphale, but here he goes big (literally), and saves Elspeth from suicide. Not Aziraphale, the angel.

Crowley brings up sinning again, and suggests to Aziraphale that he give his money to Elspeth, as it's what she needs to live a good life. (Aziraphale's stil a bit iffy at first, but he gives it)

I think this reflects, to an extent, Aziraphale's lack of initiative - he doesn't do things (or isn't supposed to) without Heaven telling him to. Such as the way they limit his miracles. He's not able to see a person suffering, and miraculously fix their life. And while Crowley is watched, and restricted, Hell certainly don't complain when he comes up with the brilliant plan on his own that secures them lots of souls (eg. Spanish Inquisition, French Revolution).

And then we have the lovely moment, Aziraphale reaching for Crowley and guiding him, Crowley saying, "Where are you?"

Aziraphale's hands on Crowley's hips - they do physical contact now

Their positioning is reminiscent of the Wall Slam scene.

And we know Crowley didn't have to drink it - he could have miracled it away, poured it on the floor, whatever. And it definitely did affect him, and yes it was funny, but Crowley's dialogue here reinforces why he did this: Hell is watching.

(and now here's the part where I actually get to the point of this meta. in case you've forgotten, it's how the minisodes provide context for the Final Fifteen)

Heaven and Hell are watching Aziraphale and Crowley - we know it's constant, if not always active, from the Earth Observation Files photos of them together in S1.

And Crowley is aware of this - has he been caught before? Anyway, he has an excuse (that can be verified) all ready to go if he's recalled to Hell.

(I also think it's a bit of a defence - in the Wall Slam scene as well - because Crowley disagrees with Heaven's definition of Good)

When Crowley gets dragged to Hell, Aziraphale is left alone in the cold, dark graveyard.

His voiceover, "And that was the last I was to see of Crowley for quite some time," reflects that this diary entry is written some time after Crowley was taken, and they've since met up again. This means Aziraphale has had a long time to (over)think about what was done to him.

What Aziraphale sees is, Crowley is good. He does good things. And when he does good things, he needs to disguise it so he can excuse it to Hell. And when he fails in that, he is punished by Hell.

Why wouldn't Aziraphale want Crowley back in the fixed Heaven? Where he can help people in safety, without fear of punishment?

And if he can learn, why can't the other angels?

#good omens #good omens meta #meta #good omens 2 #ineffable husbands #good omens minisode #late.meta #flashback meta #victorian minisode #elspeth #morag #go meta #good omens analysis #aziracrow #aziraphale #crowley

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hyperfixated-on-musicals · 10 days

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"Learning love is not a crime."

[Inspired by @catboyrichardkarinsky 's Quotev story]

Sexuality scared Marvin. Not in the way that a horror movie would scare a child but in the sense that opening up about it would make him want to cry. School has always been tough for Marvin.

The feeling of sitting alone, letting the rain fall onto him as he held himself where no one could see him hurt but it also felt safe. Across the soaking wet grass, Marvin spotted a boy who looked to be around his age, probably 16 or so surrounded by a group of boys.

Marvin hated confrontation so he sat back and listened.

"Fucking fag!" One of the boys shouted.

"Get the fuck away from me! What the hell did I do to you?!" The boy in the middle shouted.

"Why don't you get your boyfriend to come help you out?" Another boy taunted him.

At this stage, Marvin stood up and walked over to the group of boys, trying to get closer but avoid confrontation at the same time.

The boys kept hurling insults at this one seemingly defenseless kid.

"You know what, Whizzer? We would've almost thought you were normal if you kept the act up."

"If you don't do exactly as we say, we'll out you and your faggot boyfriend to the whole school."

The boy, Whizzer, tried to stand up for himself.

"I don't have a boyfriend. And so fucking what if I did?! It's just a guy I like."

Marvin felt slightly proud of Whizzer as he moved closer.

Crunch.

The leaves cracked under the weight of Marvin's feet, causing the slight moment of silence to be broken and for all of the boys' eyes to be on him. Marvin froze.

"Sorry, I didn't mean to interrupt..."

He did mean to.

"Do you have a problem?" One of the boys stepped forward.

Marvin gulped, trying to ignore the anxiety building up in his chest.

"Whizzer, right?"

"Yeah..."

Marvin leaned in closer to Whizzer, his lips close to but not touching Whizzer's ear.

"On three, we run," Marvin whispered.

One.

Steady breathing.

Two.

Don't think of the guys that want you dead.

Three.

Running as fast as they both could, Whizzer and Marvin made it to the safety of the back of the school. It was the only place that Marvin felt comfortable in so it was something big for him to introduce his safe space to a stranger.

"Are you okay?" Marvin asked as soon as he got his breath back.

"They want me dead. I want me dead too."

"Huh?"

"I'm gay... They want to tell the whole school, practically sentencing me to death or at least banishment from this school due to isolation," Whizzer mumbles his explanation. "So, yeah, I'd rather kill myself than have people know what I am. And that isn't some joke. I'm not just saying that to lighten the mood. I... I've... Why am I even telling you this?"

"I'm gay too. I haven't told anyone. Not even my parents know," Marvin confessed.

"Really?"

"Yeah."

"You're not like... playing a trick on me and planning to humiliate me, are you?"

Marvin frowned at how cautious Whizzer was being but on the other hand, he couldn't really blame him. Those boys tortured him for being queer.

"It's just... I've tried to kill myself. The bullying became too much to handle. I couldn't take it."

Whizzer started tearing up. His world was falling apart and all Marvin could do to help was pick up the broken pieces. They skipped school that day. Growing old together was all that seemed to matter to both of them.

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beautifulpersonpeach · 9 months

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BPP, can I ask you your Jikooker origin story?

You're clearly an OT7 through and through, but your deep and special connection with the rapline makes me wonder how on earth JM and JKs' bond managed to snatch your attention away from them, even for a second.

***

Hi Anon,

I've written about my summary views on jikook before which you can find in my Masterlist under the "Jikook" sub-heading, but you can start off with this post.

If you're asking about how exactly I ended up here though, on jikook tumblr, that's almost entirely due to my joker friend, Abby, who convinced me to tap into the community here about three years ago. Generally, I don't think there's any Korean person who hears and sees how jikook communicate, who doesn't make a double-take. Most every Korean ARMY thinks they're one of the closest pairs. I mean, it's painfully obvious, and while much of the Korean side of the fandom eventually writes them off due to some cultural factors (it's just 'easier' and more respectful to not look too closely at people who could be queer), the fact is that a lot of people still have more brow raises with jikook than, well, anybody else.

I'd been following BTS since 2014 and by 2015 I already had questions about jikook, even just watching from the sidelines as a casual fan. And the primary reason for that was Jung Kook. His stimming behaviours have been obvious since debut, but one thing that was curious for me was how many times, his impulse to soothe would involve Jimin. Either by seeking close proximity to Jimin or by physically touching him - even times when it was inconvenient for not just Jimin, but other members like the rapline. I know a lot of people feel in their early days, Jimin was kinda heavy-handed with his attention on Jungkook, but I think Jimin acted that way primarily for Jungkook's benefit. I mean it's clear Jimin has cared for Jungkook deeply since debut but I feel the way he displayed it, so loudly and sometimes almost obnoxiously, acted as a key stabilizing and assuring force for JK in an environment that could've easily overwhelmed him. I mean, this is the same Jungkook who almost a decade later, says one of the most important tattoos on his body, is the plea to "please love me". What I mean to say is, their fundamental personalities, behaviours, and needs haven't changed the entire time I've been watching them, and I believe that over the years, they've recognized these things about each other and naturally gravitated towards each other because they know "we click".

The way Jimin managed his interactions with Jungkook was one of the biggest indications of his intelligence, to me, both emotionally and otherwise. These days, I feel their relationship is significantly more balanced and reciprocal. And like I've said elsewhere, their relationship to me appears to have only deepened with time. Today I have no idea what jikook is, but that doesn't matter to me because their respect and love for each other doesn't appear to have changed. At all.

#jikook #jimin #jungkook

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youraveragebtsstan · 1 month

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My Buddie Babies: Let's Talk (Post 9-1-1 S7E5 Commentary)💕

First of all, Hi Girlies! How are we doing on this fabulous, fabulous day? After all, another day where BiBuck is canon is another day in paradise. Am I right? Of course, I am! 🥰🥰🥰

In all seriousness, I just wanted to reflect and comment on a few things I noticed on Tumblr after S7E5 aired. A few fellow Buddie Stans were a little iffy on this week's episode for a few reasons, but I wanted to touch on a couple. And I know no one really cares about my opinion, but as someone who's been ABSOLUTELY CHOMPING AT THE BIT for Buddie since Eddie joined the 118, I feel like this is warranted.

First things first: Marisol...

Now hear me out, I know Eddie's past relationships haven't been the best. (Hell, some might even say not entertaining)- but I really feel this season is more focused on Eddie's growth than the actual relationship between Marisol and Eddie itself. Does that make sense?

Like, as someone who loves to write, I see Marisol as a plot device- she's here to push Eddie in the right direction. (Now if that happens to be into Bucks arms, I sure won't be complaining.) But even if it doesn't, that's fine too. To me, it's clear Eddie's relationships have failed for a reason- and that reason being Eddie. This whole nun thing with Marisol, though funny as hell to me, was a realization for Eddie that he moves way too fucking fast. I mean, he asked her to move in, then wanted to shack up at Buck's place for a couple days to avoid seeing her at home! His conversation with Bobby proved that when he said it himself. He rushed things with Shannon, he rushed things with Anna and now he's doing the same thing with Marisol. Eddie needs time to get his shit together first, then we can make Buddie canon.

Now on to my second point: Buddie.

I know some people are disappointed Eddie hasn't expressed feelings for Buck yet, but I'm kind of happy he hasn't. I would HATE it if Eddie and Buck got into a relationship, only for Eddie to unintentionally rush things. We already know Buck has abandonment issues and I would be so floored if Eddie realizes he's moving too fast only to pull away. Our boys are precious and deserve the world- but only in due time...

Let's face it, Eddie and Buck are rather impulsive and with their job it makes sense- they have to be reactionary, quick thinking; but when it comes to this relationship shit, it hasn't benefited them in the slightest. The boys need time to figure things out.

Though I'd love to see it, we don't NEED Buddie this season. BuckTommy fulfills my 'Happy Buck' quota and any day Eddie is on screen is a good day indeed.

We've survived 6 seasons of the Great FOX Queerbait Slow Burn- so one more won't kill us. After all, 9-1-1 was just renewed for season 8! So, with Tim Minear as the show runner, I'm hopeful.

...So that's it. That's all the food for thought I've got for today. I just had to get that off my chest.

See you next time queers! Tootaloo 🤡

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just-late-roman-republic-things · 3 months

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I am not an English native speaker,I hope you apologize my poor ENGLISH,I love your blog and your opinion about OCTAGRIPPA,here's my question

I just wanna know if you notice suetoanius mention that Octavian met an Eagle at Campus Martius when he 76 years old,watching the bird flyed onto Agrippa's name and announced himself would be dead soon? I consider it a very strong evidence to prove the two truly loved each other.Anyway in my culture,we don't think anyone should loved a friend until death like this

Hello! It looks like you're referring to Suetonius, Divus Augustus, 97:

It is a bittersweet passage, isn't it? We don't know whether it really happened, because stories of omens like this often develop after the fact. But it does suggest that people in Suetonius' time still thought of Agrippa and Augustus' relationship as significant.

Speaking of cultural differences, I think you'd find this interesting: I'm part of the aromantic community. I know six people who married people they love as friends, not romantically. To them, these relationships are just as important as romance is for most people. But some folks think a relationship without romance isn't good enough, and that these marriages are not "real love." So aromantic people here are trying to teach others that our love is still real, just different. Sometimes the most important person in your life is a friend.

(And some aromantic folks, like me, don't want a platonic relationship either. But that's another topic.)

This has also influenced how I look at history. Like many queer people, I like to look for historical same-sex relationships, and people we might now consider "trans." Finding people like us in history is important. But the aromantic community has taught me that the love in friendships is important, too. If every very close partnership gets put in the "romantic" category, it denies people like me a chance to find others like ourselves.

So how are we supposed to interpret something like Octavian and Agrippa? Is it possible to know what category they're in? Do categories like "romantic" or "platonic" even mean the same thing in ancient Rome??

Here's another cool thing aromantic people taught me: sometimes, there is no clear line between romance and close friendship. One of my friends says the feelings are indistinguishable for her. She is also happily married, to a very romantic person. You might think, "Romantic relationships have sex, friendships don't," but surprise! Both of them are also asexual! So for my romantic asexual friend, and some other folks, romantic feelings can exist without sexual ones.

If your response to that is, "Well, how do you tell the difference, then?"...you've run into the same problem I did, when studying ancient relationships. And we haven't even touched on cultural or linguistic differences between us and the ancient Romans yet! But this post is getting very long, so I'll leave that for another time.

All this is why, for my masterpost about Octavian and Agrippa (currently unpublished), I decided to change my goal. Instead of trying to put a label to what their relationship was, I decided to just collect the information we do have, to help fiction writers portray them. Whether you then write it as romantic or platonic (or "???") is up to you.

#sometimes i feel for the anons who ask me shippy questions and then get a whole-ass essay about sociology or historiography in response #i'm not mad don't worry. i just love talking about this stuff. being an aroace shipper is interesting sometimes #acephobia warning #arophobia warning #<--i don't think anon meant it like that but tagging it in case other folks are more sensitive to it #historiography #queer history #octagrippa #just roman asks #jlrrt essays

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foldingfittedsheets · 4 months

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I wish I could follow you more than once~ I get excited to read a queer story anytime I see your art on my dash!

I was wondering if you've ever made a comic that centers the size of a body before? I feel like you would do a uniquely great job of making something meaningful and touching.

I took a look around but didn't find anything myself. I really like how many body types I saw though. It means a lot how inclusive you are of all kinds of people, for me especially i appreciate your inclusion of disabilities.

As someone who struggles with an invisible disability I was always really drawn to conveying that in a story, the feeling that you should just push through how you're feeling especially. The fact that I got to make it a callback to the original Little Mermaid was a huge bonus.

As to a comic that centers around someone's body- it's something I'm extremely unlikely to tackle. Any story about body size acceptance would have to grow from a world in which that person was shamed and traumatized for their body. The world I've made is not perfect, however I have no interest in porting over phobias. No one in my world is homophobic, and no one is fatphobic. People can cast illusions and use magic, I feel like that would dramatically affect social norms and self worth that people develop as a result.

I haven't made some crazy utopia, people are still shitty in other ways, Sabine had an abusive ex, Charles cursing Fen was objectively a dick move even with good intentions, Rivka and Layla are still antagonistic (and also thieves so like, crime). There's still conflict in this space but I want the conflict to be centered around peoples personalities rather than prejudices or insecurities.

I do hope you find media that portrays you better, and I'm sorry it probably won't spring up in my world, but I will continue to have a variety of body types in my comics!

#ask ffs #body stuff #as I've gained a lot of weight as a result of my illness so i definitely get it #I don't know if you're a fantasy reader but the Robin Hobb's Soldier's Son series was... formative for me. As a synopsis it's a clash #between two opposing cultures one of whom has mages that store magic as fat in their bodies the other is all woo technology magic is fake #the main character gets “cursed” to become one of those mages and gets super fat and is ostracized by his people #but when the books get to the other people the language all becomes so positive and powerful about their fat and weight and how they fuck #and like it's not for everyone but I loved it #faun love story

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pacifymebby · 1 year

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hi, can i request peaky blinders reaction to reader coming out? i'm doing mine today and i'm kinda scared of my friends' reactions :( feel free to ingore my ask if you don't feel comfortable writing it!

Aw hey! First of all I'm sorry i think u sent this last week? Im only just seeing it!!!

I hope your coming out went well and that your friends showed u all their love and support. (u have all my love and support)

I'm bi, but i never had an official coming out I just sorta awkwardly would say gay shit in conversations until people just accepted that i was queer haha.

Tommy

🌿 You've been close with Tommy for a little while, working at Shelby Company Limited. He took a shine to you in a way neither of you really understand... Anyway the point is you feel like you can trust him, and because of that you feel guilty for keeping this a secret

🌿 You're so nervous to tell him and actually he's been thinking you've been being odd all day. You keep looking at him funny, like youre about to say something, like youre really thinking about saying something... But you haven't said anything yet and its beginning to worry him

🌿 So when he feels your eyes on him again he doesnt even look up, he just carries on writing, "alright y/n i can tell youve somet to say so why dont you just say it eh... What is it? You have a problem with how I spoke to Lizzy earlier? You don't like Michael? You think am dealing with these Italians incorrectly? Come on what is it?"

🌿 You're completely stunned and your heart starts racing in a panic as you stumble your way through "what? No i mean... You were pretty harsh on her weren't you but... Wait Michael? What? And I... I don't know how i think you should be... Why would I have an opinion on..." your cheeks are burning as you realise youre losing control of your voice, getting flustered and making a fool of yourself, but worse than that, Tommys looking at you with a smirk on his lips, leaning back in his chair, hands folded over one another on the desk.

🌿 Tommy probably already knows what youre going to tell him, because he has eyes everywhere, and because he himself is observant. Hes seen the way you look at women/men... He knows what you are but he doesn't care. He just wants you to tell him so that he can tell you he doesn't care, that it doesnt effect the way he thinks of you. That you'll always be welcome at the Shelbys.

🌿 Just because he knows doesnt mean he's going to take your moment from you, he doesnt know why but he feels its probably something you need to say out loud, to him, no interruptions. Your sexuality might not be a thing that concerns him or even really interests him but he understands it as an important thing for you, something you need to feel confident taking ownership of... So he just waits quietly.

🌿 When you finally say it he sits quietly still, he nods his head, he lets you believe that this is news to him, he doesnt tell you he already knew.

🌿 "Well," he says calmly, "I'm glad you've got that off your chest y/n, and am touched that you trust me with this information..." he's a little awkwardly formal about it, because he doesnt want to make a big scene or embarass you, but he doesnt want to make you think he isnt bothered...

🌿 "You know who you love, thats your business and nobody elses, and I know the world doesnt understand that yet, but I do, and my family do, and youll always be welcome where the Shelby family are concerned... Youre part of this family y/n, this doesn't change that... "

🌿 Youd feel so relieved and also so loved and accepted. Youre glad Tommy didn't get too dramatic about it, youd been worried he'd get angry at you for having kept it a secret so long... But his calm presence was reassuring and you feel secure.

Alfie

🐻 Alfies noticed you've not been yourself for a few weeks now, hes getting worried about you because you seem much more nervous and mousy than you used to be... He's worried something bad has happened to you that youre trying to hide from him.

🐻 So he calls you into his office one day, gets you where you can't escape him (because every time hes tried to talk to you recently youve managed to avoid a real conversation and ducked away from him)

🐻 You feel like youre in trouble whenever he calls you into his office but you feel worse just now because you probably are in trouble. You can't stop thinking about this big secret youve been hiding. It isn't fair, it shouldn't have to be a secret. Other people don't have to hide when they fall in love...

🐻 Alfie is wearing his usual frown, he looks mean, grumpy, intimidating. "Alright y/n treacle I think you an me need to have a little talk yeah... Just a little one don't worry don't worry i won't keep you long... Know youve probably got somewhere to rush off to, thats all you seem to do these days... Rush off places... Run away from me... Feel like we haven't had a proper conversation in weeks and well you know me... Miserable old sod, spend all me time on me own... Been starting to miss you haven't I treacle so..."

🐻 Youve always been so impressed by the way Alfie can talk and talk and talk his enemies into a nervous sweat but you arent really feeling appreciative of it just now. Actually youre beginning to sweat yourself. Now youee sure you're in trouble.

🐻 But youre not. And Alfie doesnt know... Even though you think he must know, he doesnt have a clue. His concern is completely genuine. He thinks his friend is hiding something, some kind of trouble, and he wants to help you if he can...

🐻 "So come on then treacle, why don't you tell your old pal Alf just what's goin on.. Why ain't you stopping by anymore? Why am I missin you?"

🐻 You think about lying to him but only breifly because you know he will be able to tell.

🐻 And when you do tell him your voice is shaking and you're convinced he's going to turn on you, be digusted, all the negative thoughts youve had about yourself bubble to the surface and you can barely keep it together...but

🐻 He just does a big sigh of relief and youre just looking back at him confused.

🐻 "Well i must say treacle I'm a little relieved..." "W.. What... Alfie I just... That was so hard to tell you and youre... Youre relieved? Why are you relieved? This is..."

🐻 "What? This is what exactly treacle? I hope you aren't going to say bad cause well, you and me both know that that, well that just ain't true is it..."

🐻 He'd give you a whole speech about how you shouldn't think badly of yourself, that your sexuality is completely valid, love is love ect, "its a miserable old world we're doomed to live in, why deny yourself the one joy god gave us eh..."

🐻 "You know I've been worrying about you treacle, i thought something really bad had happened to you... Thought you were caught up in some bad shit... Italians or peaky boys shit you know? But this... Well... Treacle I'm happy for you..." "You're happy for me?" you look back at him a little dumbfounded, still a little shocked hes taking it so well.

🐻 "Thats right, I'm, thats me Alfie yeah, Im happy for you, thats you y/n l/n... I'm happy that you've found some understanding, and I hope that you can find some happiness and peace and... And i hope you stop lookin so worried all the time... Come on, cmere, give your old pal a hug,"

🐻 You're getting bear hugged to hell and back.

Arthur

🍂 I'm not going to lie, Arthur would be confused at first... As in not, what do you mean why are you gay? But more, i don't understand, why are you telling me that?

🍂 Really really tries to say the right thing, says the wrong thing.

🍂 He'd get so flustered because he knows this is a big and important thing you've told him and he needs to say exactly the right thing to show he loves and supports you...

🍂 But he's terrible with words and even though he's trying really hard it's all coming out wrong and he's getting embarassed and confusing himself, tripping over his words and stuff.

🍂 But its lowkey endearing seeing him trying so hard for you, thats always been how you've known arthur cares about something or someone because he gets embarrassed whenever he has to show it.

🍂 He'd tell you that if anyone else doesnt accept you or says anything "homowhatsit" about you, you tell him their name and he'll sort them out. No ones gonna bother you about this.

🍂 He'd end up just giving up, giving you a hug with one of those awkward male clap on the backs, then he'd ask you why you chose to tell him this and not "someone smart like Ada" and when you tell him its because he's your best friend and you needed him to know first he's very touched, gets embarassed all over again. Secretly very proud.

🍂 Probably waits until you've come out to Ada and then goes to her to ask her what he should have said. She laughs at him, tries to tell him he probably said the right things in his own way, but he insists he has to say it properly. So she practices with him and lets him rehearse it with her..

🍂 Then when he tries to take you asside and tell you it all over again he does exactly the same thing as before and messes up all head in hands "sorry love I'm so fuckin stupid with words an you know all this... Feelins like.."

John

🌼 If you're a lass he's definitely making the "what you mean you don't fancy me then? Thought that was the whole basis of our friendship..." joke which makes you roll your eyes and knock him with your elbow.

🌼 If youre a lad, "and youre telling me this because naturally you're in love with me eh...knew it nobody can resist the..." youd cut him off with a shove and a shut up and then he'd laugh and say sorry

🌼 "only messin mate..." as he puts an arm around your shoulder.

🌼 He'd be very supportive of your coming out but he wouldn't want to treat it like it was too "serious" or really acknowledge the dangers it posed to you.

🌼 He wouldn't want to talk to you about those dangers or think about them because deep down he'd be incredibly worried for you and his mind would be working over time to think how he can protect you.

🌼 He'd probably start spending more time with you and you'd end up jokingly reiterating the fact that you don't fancy him he should leave you alone

🌼 But he'd be like "used to spend this much time with you, nothins changed don't be daft"

🌼 Wants to meet any man/woman you start seeing so he can vet them and make sure theyre good enough for you

Bonnie

🍀 Being your best friend he's very in tune with you and he's quite sensitive to a change in your mood or behaviour.

🍀 He's kind of always suspected you might not be straight because its always the girls that seem to get you shy and not the lads. When you're with him and the other lads you're confident and you speak your mind but when one of the pretty girls joins you get quiet, he's caught you starring so many times...

🍀 And so when you tell him he's really really really happy because he's been waiting for so long for you to realise who you are and stop being scared or ashamed of it. He was worried for a long time that you'd keep it secret your whole life and make yourself miserable.

🍀 Literally, youre shaking with nerves and hes just sat there grinning like a stupid little boy on christmas. He can't wipe the smile off his face and why should he? He's so happy for you and so proud of you.

🍀 "Brilliant, thats brilliant, youre a wee star! Brilliant..." you get shy and remind him you havent actually found a girlfriend yet but he completely ignores that point. "Yeah but you will soon won't you youre a heartbreaker in the makin i reckon..."

🍀 He'll get even more protective now when lads hit on you because he knows for certain their advances arent welcome. And once other people start to find out, if anyone says anything, to your face or behind your back Bonnie has the temper to knock them down and make sure they never say anything again.

🍀 He wants to meet anyone youre interested in, hes always trying to wingman you... Just wants you to be happy!

🍀 If he thinks you're crushing on someone he'll tease you about it so badly!

Isaiah

🐀Similar to John, if you're a girl, he's going to make that joke. If you're not and you say he's not your type hes actually going to be a bit offended. Its really going to wound his stupid ego and he'll have to try not to sulk about it.

🐀He obviously isnt making said jokes to belittle or not take you seriously, its friendly teasing, he wants to put you at ease and make you laugh.

🐀 He knows what its like to be a minority though, to have something people treat him like "less" for. So he's empathetic and will stand by you no matter what. He'll make sure you know that it doesn't make you a bad person, that its not you thats the problem.

🐀He knows youre worried about what other people will think so he tells you, "doesn't matter what other people think are gonna think, first thing people see when they see a peaky blinder, is a peaky fuckin blinder..."

🐀Will try to talk to you about women as if he was talking to a lad... Which is embarassing as hell for you and makes you visibly squirm... Which he finds very funny.

🐀He's actually really proud that you chose to tell him first and he gives you advice on how to tell everyone else... Honestly none of its that good, most of it sounds silly or embarrassing...

Michael

☘️ Honestly out of all the blinders i get toxic masculinity/homophobic vibes from Michael the most because he's the only one who hasn't experienced growing up as some kind of prejudiced against person BUT

☘️ I think he'd change for and because of you... See any snide comments he'd ever made, any judgemental things he'd said, he wouldnt ever have thought they were hurting his friend!

☘️ You're genuinely terrified to tell him and jt probably slips out in the messiest way possible... He says something about someone else being an *f slur and you very sharply counter with "whats so bad about that... Dont see how its any of your business is it..."

☘️ He'd get defensive and youd argue about it and when he tries to turn it on you with a "Don't see how its any of your business what i think of..." "Because thats me you're talking about! Every fucking time you say something like that you're hurting me Michael!"

☘️ Teary explanation and him immediately going quiet, guilty, he didn't realise and he feels terrible for hurting you like that.

☘️ It might take him a day but he'd apologise to you, he'd tell you that he might not understand but he wants to be there for you, it doesnt make you a bad person, nothing could stop him from loving and caring about you... He will probably really uncomfortably admit that its his problem and not yours

☘️ And then he'll be your biggest cheerleader and defender, he'll support you as best he can, he'll become a better less judgemental person, driven to become kinder because of you and realising how wrong he was before.

☘️ It will take time but even in the awkward beginning he wont let you doubt his love/care for you as a friend.

☘️ "You're still my best friend y/n you always fuckin will be and nothings gonna change that, and anyone... Anyone at all ever says any of that shit I used to come out with, to you or about you, I'll fuckin kill em..."

☘️ The way hes suddenly the fastest to shoot down other peoples homophobia. If he sees Isaiah or someone else laugh at a homophobic joke he'll shove/hit them to shut them up.

☘️ He can tell when you're crushing on someone and will be fucking brutal about making you talk to that person. Coming up to you at parties and lightly bullying you into flirting with them.

☘️ "You going to stand here staring whistfully at them all night or are you gonna grow up and talk to them?"

#bonnie gold x reader #peaky blinders imagines #tommy shelby x reader #arthur shelby x reader #john shelby x reader #peaky blinders headcanon #alfie solomons x reader #peaky blinders imagine

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eddiesversion · 12 days

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steddie as 'the tortured poets department' songs #1

so, i had some ideas while listening to ttpd... some songs just screamed steddie so i wrote some short stories! forgive any mistakes, it's 6am and i still haven't slept because my brain wouldn't stop working. hope someone likes it! ♡

eddie grew up in hawkins; he only knows conservatism. father, mother, children, church on sundays, perfect family and shit. theoretically. he knows better. as an closet homossexual but active in hawkins' hidden community, he has seen some things, he knows things, and probably done a thing here and there but this is another level. wanting steve harrington, longing for steve harrington, loving steve harrington is another level.

you would think that being accused of murder, chased by an entire town, hunted by a psychopath from another dimension and be almost eaten by bats would be the most difficult challenge of a young man's but the reality is that nothing is more challenging than steve harrington and his damn tight shorts that he (fortunately) only wears at home when the party gathers at the harringtons' rich, private pool. it takes everything in eddie not to fly into those firm thighs and perfect ass of his friend (it's still surreal to refer to 'king steve' as a friend even months later... for several reasons) or to kiss all the freckles on his back. he's not religious but he prays every time he looks at steve to make it through another day without slipping up and confessing how much he loves every mole, every freckle, and how he would mark steve on each one of them to show those fuckers in this godforsaken town that no one would ever have the privilege of having this angel again because steve is his and eddie is completely, literally, 100% indisputably his forever and ever.

sometimes they flirt. i mean, he thinks they do. if steve isn't dodging his touches (and eddie touches him A LOT), laughing at eddie's -not always so good- jokes even when they're not high, or returning a flirting back as a joke, sometimes accompanied by pink cheeks or eye contact until steve looks away, is an indicator. if he doesn't overthink, he can really believe that these moments are real outside his head, in the real world. he can believe that when steve lays his head on his shoulder while they smoke in comfortable silence after a day of work and they just want to rest, or after they wake up from a nightmare and meet because they find comfort in each other and don't need to speak a word about it or when steve looks at his chest a little too much while applying sunscreen on pool afternoons, that steve wants him as much as he wants steve.

when eddie lays his head on the pillow, he knows how horrible it was to spend another day letting himself believe he'd have a chance with steve. the voices of the townspeople screaming in his head that it's obvious the town's freak would be queer and have a crush on hawkins' sweetheart with the most catholic upbringing possible, with a house, a perfect wife and children waiting for him in the future. could he be more pathetic? sometimes he touch himself despite this.

he comes thinking about the taste of steve's lips

the flavor that his neck's skin must have

the sounds he would make (and he has to admit that he pays a lot of attention to every little noise steve makes)

the twin scars they both have

how 'i love you' would sound in his voice

many nights he sleeps crying but this time the monster is scarier than any monster from the upside down. it's love.

#steddie #eddie munson #steve harrington #stranger things #i havent written in a while i hope this doesn't suck #they're written by hozier and taylor swift #steddie imagine #eddie munson imagine #the tortured poets department

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hyperlexichypatia · 2 months

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hey! ive been observing this account for a while as a person who is relatively new to anti-pysch, madpunk, and youth rights related stuff. and i wanted to ask something related to bodily autonomy. would someone refusing or downright saying they hate showering count as ones right to their own bodily autonomy? i see hygiene commonly weaponized against those who are neurodivergent or have mental illnesses and physical disabilities, that and i think hygiene has moved so far from protecting ourselves from certain viruses and diseases to "if you dont follow this specific skincare routine, buy these specific products, and take a shower in a very specific way (or use an alternative method/way that doesnt involve a shower in the first place) you're gross and should be shunned from society". i feel like our quickness to judge others who dont follow these things are may appear like they dont is connected to somethings related to consumerism and classism but i wouldnt know how to explain it as im still new to all this.

Needing help with hygiene is also really stigmatized, and people are denied access to it. Lots of people who don't have clean bodies and clothes are denied access to those things -- maybe they're unhoused and don't have a working bathroom, maybe they're disabled and can't get into the shower without assistance, which they don't have -- and of course anything associated with poor and disabled people is intensely stigmatized. So yeah, stigma on not having the right hygiene is absolutely classist and ableist. Even the word "hygiene" is often used to mean eugenics. We equate "clean" with "abled" and "dirty" with "disabled." There are even studies (I'm not sure how reliable they are because I haven't done sufficient research on them) suggesting that people adopt more conservative/judgmental attitudes when there's a bottle of hand sanitizer in view.

I think what really reveals the bad faith of the whole thing is that this kind of stigma is purely about social class and not actually about cleanliness from germs. The clearest example might be how in the 1840s, Dr. Ignaz Semmelweis proposed the completely radical idea that maybe doctors should wash their hands before treating patients, and being widely denounced for suggesting that doctors could be the problem or could be dirty. The second clearest example might be the American political response to the COVID-19 pandemic -- people who had spent decades opposing the rights of poor people, unhoused people, immigrants, disabled people, people of color, queer people, etc. on the basis off "They're dirty/ they smell bad/ they're gross" suddenly pivoted to "How dare you ask me to avoid touching you or your food, wear a mask, or wash my hands, this is personally insulting to me."

Hygiene requirements are certainly necessary in certain contexts -- yes, you should have to wash your hands and wear a hairnet when preparing food, you should have to wash your hands and wear a mask before performing surgery -- but these should be things the employer provides and makes accessible.

#ableism #classism #hygiene

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charmwasjess · 23 days

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10, 14 and 20 for ask game!

For 10: Is there a fic that got a different response than you were expecting?

All of them?!?! I write mainly in Dooku's Jedi era (pre-prequels? are we still calling it that?) and that was a super tiny part of the fandom back when the movies were actively coming out. It didn't seem possible anyone would care about it now, so having any readers is like... fucking AMAZING! I love each and every one of you DEARLY.

I'll also say, responses to my fics where I'm writing Dooku and Sifo-Dyas together has been interesting. I definitely lost a reader or two, which makes me sad, but I was really surprised and incredibly touched by the much larger positive response to it. Having been a queer person in the closet for a lot of my younger life, writing queer experiences openly is really cool to me.

For 14: If you could see one of your fics adapted into a visual medium, such as comic or film, which fan fic would you pick?

Answered a little bit of this here and here. :D

For 20: What’s a favorite title for a fic you’ve written?

I admit, I really like Milk Run. For those of you who haven't read it, in the fic, a "Milk Run" is a Jedi slang term for an easy lowstakes mission where nothing exciting happens. Dooku is recovering from an injury and so desperate to get out of the Temple that he'll take any mission - so he and Qui-Gon are assigned a classic good ol' Milk Run. Of course, this is wonderful because Dooku knows how to handle the most dangerous missions the galaxy can throw at him, but not how to sit still, and it's fun to write him doing things he's bad at.

It also gave me a thematic chance to explore a topic I love: Jedi working nontraditional Jedi jobs. Jocasta and Sifo-Dyas lives as Jedi who both serve the Order in less traditional "run in with your lightsaber out" roles. Jocasta obviously in the Archives, and Sifo-Dyas currently supervising a group of graduate students at a Jedi archeological dig site.

There's actually a snippet I love where Sifo-Dyas is trying to explain to Dooku that there are other ways to deal with a space pirate queen that kind of hits at the heart of the fic's Milk Run theme:

“She threatens you?” Dooku tried unsuccessfully to keep the outrage out of his voice. He couldn’t possibly follow Sifo-Dyas around for their whole lives finishing his fights for him. Even if he might still want to try.

“Not in a real way. It seemed like almost pageantry to her, or posturing. You know, her crew gets to see her face off with a Jedi, and I get to pull out my lightsaber and wave it around in front of the graduate students, all just good fun…I never thought she’d actually try something.” He scowled. “Especially not with the connivance of the asshole Arnet!

“Sifo…” The words "wave it around" were echoing surreally through Dooku’s head.

“I know, I know. I’m releasing my anger into the Force.”

“No, it wasn’t that…" In his own career as a Jedi, Dooku was occasionally called out to deal with especially troublesome pirates on missions that were more his typical, life-threatening dangerous style, decidedly not milk runs, or research on cultural sites. There was nothing of good fun or lightsaber-waving in the desperate violence of those encounters. “I was just going to say… your life… it is sometimes strange to me.”

“What, just because of the Queen Theo thing?”

“This situation where you and a space pirate recreationally antagonize each other for the entertainment of your subordinates is a fine example of what I mean.” Dooku scoffed. “Come to think of it, perhaps you ought to have slept with her after all. She might have been less inclined to eventually steal from you.”

“Oh, wow, so you know all about pleasing women now.”

Dooku shot him a venomous look. “I get by.”

Sifo-Dyas began to laugh. “I honestly don’t understand why people think you have no sense of humor. You’re completely hilarious.”

#THANK YOU SO MUCH FOR THE ASK!!! :D #I know I was super late answering but it was because I was having too much fun obviously lol #fic stuff #answer #answered asks

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pinkorchidsinspring · 10 months

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I Can See You

Let's do some lyric analysis, shall we? Just for funsies, because there's absolutely no way this song has any references to queerness at all... coughs in coding girlie in the music video* (Stanzas of lyrics are labeled for reference when repeated.)

1)You brush past me in the hallway And you don't think I, I, I can see ya, do ya? I've been watchin' you for ages

Okay, so Taylor gives away right away that she has been "watchin'"/paying attention to the person this song is about. (Let's call her Cece for right now just so I don't have to keep referring to her as "the person this song is about" and so there's no arguing in the comments about who the muse of this song is.)

1)And I spend my time tryin' not to feel it

Okay maybe hypothetically if Cece is actually a Collin, maybe she doesn't want to accept that she has feelings for him because he's a mean guy, or her friends just don't like him. But if Cece is a Cece, Taylor was probably experiencing some internalized homophobia, or general fear of being interested in a girl because she doesn't want to be gay. She simply doesn't want to make her life as a country music star (at the time) any harder. No matter how much she's interested in Cece.

2)But what would you do if I went to touch you now? What would you do if they never found us out? What would you do if we never made a sound?

In this series of seemingly frantic questions, Taylor is asking Cece or Collin if they would go through with whatever (-possibly fleeting) secret relationship Taylor wants to pursue. She's asking if they would willingly hide with her, if they would willingly kiss her, and never tell.

3)'Cause I can see you waitin' down the hall from me And I could see you up against the wall with me And what would you do? Baby, if you only knew That I can see you

First off, Taylor Alison Swift, this is very Dress, False God, Gorgeous, Lover (feat. Shawn Mendes), so very sapphic what-if-I-worship-you-right-here horny of you. Anyways, in this excerpt, she's again asking if they would turn her away, or if they would follow through with it. However, by saying that she can "see" them, she alludes that she knows what their answer would be in "seeing" them. She portrays Cece or Collin as being interested in return.

4)And we kept everything professional But something's changed, it's somethin' I, I like

Here Taylor alludes that at some point she worked with this person, and something in their relationship is changing, specifically something to do with this person "brushing past her in the hallway", and "waiting down the hallway from her", away from prying eyes. In other words, this relationship is seemingly becoming anything but professional and platonic.

4)They keep watchful eyes on us So it's best that we move fast and keep quiet

By "They", I choose to interpret they as her management/PR team, because who else would want to make sure they know who Taylor is involved with and when? Why would she have to hide it from her friends and family if it was just bad boy Collin? After all her PR team has no problems linking her to problematic men like John Mayonaise, Jake Jingleballs, and Calvin Harasser. It seems like she's hiding this relationship from her management (and possibly her friends and family if they don't know she likes women yet, as she seems to be unsettled by it herself at this point in time.). So Taylor is detailing how if she has a relationship with Cece it has to be only for brief instances, and no one can know.

4)You won't believe half the things I see inside my head Wait 'til you see half the things that haven't happened yet

This is just very um... sapphic what-if-I-worship-you-right-here horny of her once again, so moving on...

5)Stanza 2 is repeated to again ask her partner if they will willingly do this with her. 6)Stanza 3 is then repeated and added to it is: That I could see you throw your jacket on the floor I could see you, make me want you even more What would you do? Baby, if you only knew That I can see you

With the Jacket being thrown on the floor, Cece or Collin obviously show interest back in a very obvious way. This blatant interest makes Taylor want them even more, and again Taylor asks Cece or Collin if they would go through it.

7)I can see you in your suit and your necktie

I like to think she added this line recently... I can't find any photos of Dianna, or Emily in a suit... but Karlie…

7)Passed me a note saying, "Meet me tonight" Then we kissed and you know I won't ever tell, yeah

This excerpt only further proves that Taylor's partner isn't hiding. Taylor is, there's some reason why Taylor's partner can be assured that she won't ever tell anyone. But yeah sure maybe bad boy Collin wants her to keep their relationship a secret.

7)And I could see you being my addiction You can see me as a secret mission Hideaway and I will start behaving myself

Taylor can get addicted to this person, and this person should see Taylor's addiction to them as a secret mission they need to pursue. If this partner starts hiding away with Taylor instead of just watching her from afar, then Taylor seems to allude that she'll stop giving her management/friends/family a reason to look closer at their "professional" relationship.

Analysis over <3

feel free to add anything you think I should add to this post in the comments :)

My other song analysis’ if you’re interested <3

#taylor swift #gay icons #gaylor swift #blondie #kaylor #gaylor #tay tay #karlie kloss #i can see you #Emily Poe #lyric analysis #hiding #speak now tv #taylor’s version #vault tracks #more like #queerest tracks #enjoy #<33333

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suffersinfandom · 8 months

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Okay, so I usually try to stay out of discourse and drama and all of that because I'm here to have a nice time, but I saw a post in the OFMD tag after the whole Blackbonnet/Stucky poll thing that I really need to type about. It's just... so bad. Like, I totally get disliking things (I dislike things too!), and I understand that OFMD isn't everyone's thing, but wow. WOW. Um.

While the first part's annoying (point to the tumblr fandom that has absolutely no one in it with a victim complex, please), what I really take issue with is the last bit -- the assertion that OFMD's cast diversity is there to be "inclusive" and "progressive" when the narrative isn't. That's just not true? One of the reasons for OFMD's popularity IS its inclusiveness! People who have never seen themselves represented in a show finally *see themselves* in some of these characters, and I think that's lovely. And the show has a wonderfully diverse crew behind the scenes and in the writing room as well!

As for "the narrative being the opposite"... all I can do is assume that OP never bothered watching OFMD. It's the most genuinely, earnestly inclusive and progressive piece of media I've ever consumed.

The acting in OFMD isn't stylistically different from any other show I've watched. The situations and lines are often comedic, Stede and Ed are definitely prone to dramatics, and plenty of the characters are pathetic (affectionate), but this is such a weird critique. Or maybe I just haven't picked anything up from a lifetime of watching media and being a massive dorkass theater nerd? Idk. Maybe they just think the show itself is cringe (I certainly don't think it is, but that's something I've seen plenty of folks who dislike it say) and that colors their opinion on the acting?

Also: where's the slavery apologism? As many other people have said, there's definitely room for good faith criticism of OFMD: its tendency to gloss over the existence of slavery, the rom-comification of real, historic slaveowners, etc, but there's no apologia in the text of the show. (Correct me if I'm wrong! I'm very white and will defer to others here.)

I'm gonna need some sources. I've seen the various accusations, but never evidence or anything that couldn't potentially be explained with context. (I don't actually take much issue with this point -- it's not a crime to think someone's annoying -- I just don't understand the constant vilification of Taika.)

"REAL gay piracy," lol. I can't say much about Black Sails since I haven't watched it (tbh it doesn't sound like something I'd be able to enjoy), but I haven't seen that much seriousness in the OFMD fandom. Do I have all of the annoying crewmates blocked? Do y'all feel like you have a lot to prove? I personally only became invested in this poll when I saw the death threats from Stucky folks, and my impression from my timeline is that most everyone else was in the same boat.

If you ARE taking these polls to heart, please don't! They're for fun (sometimes petty) fandom drama! Win or lose, we all love our ships and our communities and we really don't need to prove anything to anyone (I say, typing out a response to a thing that got under my skin, resolutely not touching grass).

THIS is where I had to start typing. WHAT DOES IT MEAN. How is a show with multiple canon queer couples gaybaiting? Isn't "canon gaybait" an oxymoron, or has the meaning changed? (I'm old, genuinely lmk if my millennial ass is missing something.) Again, I can only assume that OP either hasn't watched OFMD or hates fun romcoms, because the gayness of it all isn't the only thing the show has to offer. My brainworms have better taste than that.

It's some of the best gay rep I've ever seen and I would be delighted to see better! I mean it! I've been in queer circles for almost two decades and in fandom even longer; OFMD is some of the best, kindest, most loving, genuine representation I've come across in that time. I truly hope that it's just the beginning of a new era in media.

"Weak fandom output." I am *drowning* in fandom output and I love that for me! "Driest gay kiss." I'm sorry you don't like awkward middle-aged men who think they're unlovable coming together in what might very well be the first loving kiss either of them has ever had, but I think it's very sweet and moving! No fictional characters have ever owned my brain like this before! I love my silly traumatized queer pirates who can't communicate to save themselves. They're very beautiful to me.

Anyway, that's enough of that. I've released the pettiness and I'm going to go back to being annoying about seeing the lads again in just a few more days. <3

#ofmd #fandom bullshit #lol don't look at this i'm embarrassed #anyway don't fight with certain people it's not worth it #they'll hate because they want to hate #love what you love and don't let anyone get you down #fight about fictional stuff if you want but don't attack people directly or straight up lie #most importantly don't fight with me i'm fragile

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sexynetra · 3 months

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Hi! LATAM queer here that doesn't have English as a first language writing this just so you understand the importance of your work:

I haven't been active in tumblr for like almost half a year now, but I literally just logged in today to see if you had post any RAWNSYF update/new dialogue that I might have missed. I had no ideia what was going on on twitter when I logged in today. And I'm so sorry that you got exposed like that. If it is any consolation, RAWNSYF is one of my favorite fics ever written. Def my fav anarcia fic. To me, fanfic in queer spaces is a way I can read about the queer experience and relate to my own life. That is what I love about RAWNSYF, I have a past love experience that is really similar to what Anetra is going through in your fic. By reading it, I can help my 18 year old self heal. I'm not sending you this to necessarily encourage you to post a new chapter. After all that happened yesterday, I'll totally understand if you never update. I'm telling you all this so you know that your work matter. Your fic might be one of the few media work that I've ever felt so represented. Fanfic is important to queer people like us because of this: we don't have much representation in the wide media. So we turn to our own community to see ourselves being represented in this kind of spaces. Because of this, I ask you with all the kindness that I have inside of me: if you don't want to post an update, I'll totally get it! But please, PLEASE, don't ever feel guilty for what you've already wrote and posted. It means more to people that never saw themselves in media that anyone who's not queer could ever understand.

Hi there <33

This has just been sitting in my inbox because every time I went to respond I started crying again 😅

This is the sweetest message I have ever received and I cannot even possibly express just how much it meant to me to read this.

I started rawnsyf out of a desire to see the stories I wanted to read about being shared. (Well, technically I started rawnsyf as a 2am writing practice that was never supposed to be expanded upon but here we are) I honestly never thought anyone else would actually read it 😂 it was just a little story that had all my favorite story tropes in it. That was it.

But then rawnsyf grew. It grew in the scope of what I was writing about, and it grew in its reach. Suddenly, people were reading it, and it was connecting with them on a level I never anticipated.

Rawnsyf started as a fanfic about two queens I enjoyed, but I hand on my heart believe that it has grown to be so much more than that. This story, that was originally just a fun little writing exercise and a cute little love story, has become something that people really feel a connection to, and feel represented by.

I honestly never expected that, it’s beyond my wildest dreams. I think anyone who creates content hopes that it will resonate with people, but I never expected the scope it would have (which sounds braggadocious but I never expected the story to really become important to anybody besides me, and over and over again the amazing community on here has proven me wrong).

It started as a story about two queens I love, but it has grown beyond that. The characters in the story have lives of their own. They exist beyond the drag queens that inspired them. And this message, maybe more than any other, reminds me just how powerful those characters can be.

I am so infinitely grateful that you took the time to send this message, and even more infinitely honored and touched that you have allowed me to express myself through my writing and taken it onto yourself. Nothing will ever mean more to me than people being able to feel seen and find healing through something I’ve created.

Rawnsyf is not over, and it’s all because of the love people like you have shared with me for this story.

I hope I can do you justice with this story and my heart is so full <3333

I am crying again so I will end this here but my heart just feels so full. Thank you for sending this to me and being so honest and vulnerable. It means more to me than you could ever know

#I have so much more to say but #this is what I can get out right now #I know this response isn’t worthy of the original message but I hope that it is a good enough portrayal of my response #anyways this message is absolutely beautiful and so powerful #people like you are the reason to keep writing #and I hope that you find so much incredible media that allows you to heal and feel seen and I’m so infinitely moved that rawnsyf is a piece #of that #ask #asks #anon

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raayllum · 2 years

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I feel like the owl house fandom takes things way too srsly esp with ships and preferences on characters. idk I love hunter and amity's backstory and I love luz but I'm more interested in hunter and amity's backstory that doesn't make me racist their storylines are more interesting

So this probably won't be what you expected or asked for but I'm grabbing the opportunity anyway to address some of the ways I think TOH falters from a Storytelling perspective and why I think those issues (as well as how young a lot of the fans are, although when I was 11-13 in fandom I was much more chill and "live and let live" so just shows what a decade can do in terms of fan community) unintentionally perpetuate some of what you mention.

Also don't think you're racist for preferring Amity and Hunter (Hunter, Gus, and Luz are my faves) but I do think TOH has some issues with how it handles its characters of colour, so I am going to touch on that. While I'm white. this is reflected on / verbatim from conversations I've had with Black and Asian friends / fans of the show and how racial stuff can tend to play out in fandom (circa 2013 onwards from personal experience of how people have treated fave characters, like Finn from Star Wars, in the past).

That said, I do still like the show. I love the strong found family, everything surrounding Eda and her allegories for mental health are super solid and important, I'm thrilled by the queer rep (I’m queer & watched Korrasami happen live), and I don't think a show has to be perfect or to check off my personal preference to be good. But I do think the show is... an interesting mixed bag for a few key reasons I haven't seen anyone talk about, so here they are.

Under a read more bc this gets long, like, real long, even though there’s only four things on this freaking list, LMAO. For whoever reads it, have fun!

1. The Owl House writes like first impressions don't matter.

This is one of the biggest things in the show that breaks elements of setup + payoff. After all, if your setup is misleading or unaddressed by payoff later, characters and plot lines may come across as stilted. This also ties into other areas (such as screentime) that I'll touch on later.

By far the character who has broken setup the most, though, is Amity. For example, Amity is introduced as someone who has bullied Willow for years, even when no one else is around (i.e. it's not a pure performance), and even though they used to be friends when they were young. Their friendship fall out / Amity distancing herself from Willow is explained by Amity being forced to by her parents, and understandably struggling with how to deal with and explain it as a child.

I haven't seen the last few episodes of S2 (aka I got up to "Hollow Mind") and I was disappointed in S2A when it seemed like this plot element would never be addressed again. So I was very pleased to learn that there is an episode in S2B that talks about their friendship. Except... it doesn't address the bullying. Because yes, Amity tried to protect Willow by distancing herself... but Amity also didn’t need to Bully Willow, like, at all. Not within the confines of the story and not within the landscape of the character; her parents didn’t tell her to be cruel to Willow. She chose to do that. Repeatedly. And that facet of their bond... has never been adequately addressed. It could be, in the future (but I personally doubt it).

It’s particularly strange, because Luz was 1) canonically bullied in the human realm and 2) perpetually struggled at making friends. It makes sense that she’d be extra against bullies and protective over the friends she does have, and wanting to see real change before bonding with a practical stranger (even if Amity did show a slightly nicer side at the end of “Covention,” it wasn’t an even ratio whatsoever, either of her niceness or Luz’s meanness). But we’ll circle back to this.

We see this issue of initially bad behaviour being overruled, sometimes retconned, or ignored to the point of being rewritten a few more times in the series.

The one that ties into Amity’s character are her siblings. In their debut episode, they have plans to share private pages of their little sister’s diary. This is mentioned in another episode as something they’re trying to make up for, but they weren’t there when shit hit the fan at the library, anyway. So we never see 1) why they were going to be so cruel to Amity in the first place (and I have siblings myself, so no, it’s not a sibling thing, or just a sibling thing), 2) what exactly made them change their mind, and 3) this type of behaviour never reappears or is addressed in the show, either. While Luz gets called a bully for it, the twins get off basically scot free. Yes, they’re obviously affected by their mother, too, but there’s never even a whiff or a hint about why they felt the need to humiliate Amity on a public scale besides thinking she was uptight.

We see this one more time with Darius, which was the most baffling and completely jarred me the first time I watched it. Darius was being cruel and dismissive to Hunter, but warms up when he realizes the kid does have a spine and will stand up for what he believes this. This is not the heart warming moment or message the show seems to think it is. All I heard and saw was an adult going “Oh, this kid is too indoctrinated and abused to be worthwhile until he proves otherwise, I’ll treat him like trash and ignore that I’m exacerbating his symptoms of abuse until then.” And no matter what comes latter, this is a downright weird set up, emotionally.

I’m not saying that none of these characters can be set up this way, but the introduction and how different they are in all other preceding episodes — or even when information is given to re-contextualize certain things — feels like whiplash. So the setup is a little weird, making pay off either non existent or unnecessary. This stumbling block makes the emotional continuity feel disjointed too, in some aspects. The way this affects emotional continuity can best be seen in Gus, Willow, and Luz’s friendship — but again, more that later.

As for set up and pay off, it can lead to missed opportunities, namely: why the hell was Amity Lilith’s protege in Convention? Again, not saying the show is bad or this is a bad writing choice, but it’s a weird one. I remember watching that episode, seeing Amity be introduced as Lilith’s pseudo apprentice, and being excited. It meant Lilith-Eda, Luz-Amity, and possibly the two menor-mentee relationships could all be developed simultaneously! It’d be interesting to see the parallels and differences.

At the very least, it would give a personal stake to Amity and Luz’s possible developing bond, with Lilith at the very least going to disapprove, and give Amity and Luz a chance to compete against each other and to see that progression.

Then it was never addressed again. And it wasn’t set up as a “one day thing” either. It seems that Lilith possibly tutored Amity for months, maybe even years, for Amity to be considered her “strongest protege” (exact line). So we miss out on that possible, episodic but still connected plot line (especially because after Convention, we never see Amity caring a whole lot about actual school, even though that as her whole thing in her intro and second episode). Then, even when Amity and Lilith are back on the same side (imagine how interesting exploring that fracturing could’ve been!) they... never interact, never mention, and never act like they know each other.

They’re two characters with the same theme and similar arcs split down the middle, have an interesting setup, and it goes.... Nowhere.

Because first impressions don’t matter in the show, which is particularly weird, as typically 1) what you set up in the very beginning of the show is what you want the audience to be invested in, and 2) the audience is going to / has to pay more attention in the beginning of a show because they’re actively trying to learn the rules of the world and character dynamics / personalities.

And it’s not the only time TOH does this, so let’s talk about

2. Screentime, Race, and Chosen Diaspora

Specifically that Gus and Willow barely get any, and how this ties into race. So I’ve touched on this before in an article I wrote on Vocal where I share meta-adjacent stuff that doesn’t fit my tumblr vibe, so if for some reason this is your thing, they may be other stuff you enjoy on there, whatever. I’m not gonna repeat myself too much here, but basically:

The majority of the Owl House cast is white, particularly when it comes to who matters in the plot. Eda, Lilith, and their family are all white. Hooty and King exist in what we’re going to call an aracial space, as they don’t have race and aren’t coded as any particular thing, either; just tried and true demons. Hunter is white; Belos is white. Gus and Willow are regulated to background characters and most of the time when Willow is being developed as a character (“Understanding Willow,” “Any Sport in a Storm”) it’s typically also used to further a white character’s growth of... learning to treat her better? Gus fares a bit better, but gets less screentime.

So not only is Luz the only primary character of colour, she’s largely cut off in forming meaningful relationships with other characters of colour, and having those bonds highlighted and given strong screen time (as thus far in S2, every time Gus and Willow have gotten significant screentime, it’s been largely removed from Luz, with her often doing something else with Amity). Remember when “Star Wars: Rogue One” came out, and there were discussions being had of “a lone woman only having meaningful relationships with men and no other women”?

[ Side note: as for the first point, I’m not going to say things I love, like TDP, don’t fall into the “woman surrounded by men” trope for its two main female leads, as Rayla is friends with the boys and was raised by her dads, and Claudia’s primary relationships are also with other men. However, I believe this is mitigated with plot lines like Ellis and Lujanne in S1, as well as Janai-Amaya-Khessa in S2 and particularly in S3, and I think this will only continue to grow moving forward into S4 and beyond ]

At the same time as Rogue One, there were conversations regarding the films status of “people of colour purely as the supporting cast but never as the primary lead”? TOH meets in as a weird hybrid in the middle, with a person of colour as the main lead, but largely surrounded by white people — and this is the case for most characters in the show.

Raine’s main relationship is with Eda. Darius is in the rebellion with them, but his only meaningful relationship on screen in any way is really with Hunter and the past golden guards. Gus and Willow are mostly side characters. We basically never see their families/parents (and know far more about the Blights / Edric and Emira in every way. Gus and Willow ultimately don’t get the time with Luz for me to call their relationship meaningful. This is especially strange, given that often times kids who are bullied (like all three of them are) cling harder to the friends they do have, and that while S1 was better about making Gus and Willow be extremely important to Luz as her First Friends Ever, S2 has dropped the ball even more so.

Luz is like an island, ironically on the Isles and cut off from her cultural community and from other characters of colour even when they do exist in her new community. So that’s talk about that in full.

Now, there is Luz, who is the primary protagonist (honestly, you could argue Eda is her co-protagonist) and she’s lovely and I love her. However, more than once, Luz’s plot line for an episode is a B plot or less plot relevant compared to other characters (particularly Eda). I touched on this in my Vocal article, but Luz is living in diaspora in the Boiling Isles. Yes, the demon realm suits her much better than Earth largely did, but I would still love to see elements of her culture in ways other than her / her family’s name and her occasionally speaking Spanish. What about holidays, what about missing her mother’s cooking and the cultural connotations it holds?

The show does engage with aspects of the Isekkai genre that are sometimes overlooked, namely Luz being torn between two worlds (and given that she’s mixed, it’s not like the allegory isn’t already there), but it only goes halfway. It only shows Luz wanting to be in the Boiling Isles with none of the possibilities about cultural shock, assimilation, and other aspects that can play into immigrating countries — or realms. I’m not saying the the show not engaging with Luz’s diaspora is a bad thing, but it does feel like a missed opportunity (as most of this is) particularly since they do try to engage with her on a cultural level with her speaking Spanish and writing her as purposefully Afro-Latina and from the Dominican Republic.

But honestly, basically everything I’ve talked about already — occasionally misleading set up w/ a lack of follow through, screentime (both considering and not considering its racial elements) — are all compounded into my biggest issue with the show, however, which are its

3. Disengaged stakes

So while I love Luz, I mostly love her for her personality and sweet hearted nature. I don’t actually love her that much for how she drives the plot forward — even though she does, and even though she’s the protagonist. And this is largely because Luz — and many of the characters — exist in a limbo of what I’m going to call Disengaged Stakes. Basically, they have stakes, but due to a lack of set up, or pay off in regards to emotional continuity (never mind a lack of consistency, i.e. sometimes Eda needs to hide, sometimes she can be flashy in public with zero consequences, sometimes getting caught by guards matters when the story decides it needs a conflict, and sometimes it doesn’t etc) it’s hard to actually be invested in those stakes. At least for me.

For most of S2, this meant I wasn’t really invested in Luz’s efforts to get a portal to see her mom (although this improved when we actually got a singular episode with Camila). It’s clear Luz isn’t going to live full time, if at all, in going back to the human realm. I also wasn’t worried for Camila, as she hasn’t been fearing for Luz this whole time, instead believing things are perfectly fine if not better than they were before.

Let me give you an example, and this was actually pointed out in a youtube review of the S2 finale that helped me put my finger on why it... felt weird as a finale (again, even though I haven’t fully watched it yet, but I have watched the bulk of it).

The four kids are stranded in the human realm, but what does that actually mean, for most of them? For Luz, this carries a lot of weight. She’s spent all season trying to find a way home to see her mother, but is now there under awful circumstances with no way back to the place she actually wants to be. It will also offer Camilla the perfect opportunity to see why the Boiling Isles and her family there is so important to Luz.

But what does this mean for the other three kids? Shockingly little. Like I’ve touched on before, we know nothing about Gus and Willow’s families. Yes, I’m sad they’re separated from them, but I’m sad because generally, kids being separated from their parents is sad. I’m not invested in their specific relationship (same issue I had with Rogue One and Jyn’s relationship with her father, as well). All Luz actually wants, in her core, is to stay in the Boiling Isles. Amity’s relationship with her father is on the mend and her siblings are there for her, but Luz is still clearly the most important person in the world to her, and they’re not separated. Hunter has absolutely nothing back for him in the Boiling Isles, largely, and he’s actually as safe as he can be from Belos’ machinations in the human realm.

So you have four kids tossed into the human realm, and it only really matters for one of them.

This is amplified in their relationships. Willow and Gus rarely have anything beyond interpersonal stakes; Amity had her mother, but now her father has turned over a new leaf, there are no interpersonal stakes any longer for her family (and she radically stood up to her mother very early on in S2 as well). She and Luz have had no problems in their relationship besides very brief miscommunication and Amity’s mother. Amity has hardly any stakes outside of Luz. The characters who are dealing with very high stakes, such as Raine, are largely shuttered away outside of the story — or Hunter.

Dear lord, Hunter. Which, now that we’ve gotten here, let’s talk about what I think could have aided in remedying a lot of these issues

4. Merging

Now I know TOH had to jump through a lot of executive hoops (including the existence and plot relevance of Hexside particularly in S1) so I don’t know what sort of orders came down, or mandates they have to follow but:

TOH has too many characters, and plenty of them could have been condensed as pairs into half as many characters.

I know this, because I went through a similar process of originally having a central group of thirteen characters, and cleaved that shit down to seven. So what are my proposed mergings?

The twins become one character. They more or less are now, fulfil the same purposes and character points as one another (flesh out Amity’s family, tease her and be a listening ear, show their mother’s control, operate as illusionists, etc). Whether it’s brother or sister doesn’t really matter.

Gus and Willow become one character. I would say keep more of Willow’s backstory (w/ Amity), dads, and plant magic alight, as the merged-twin character could substitute as the group illusionist whenever need be. It means that instead of only having splintered individual episodes with Luz or for their development, the small collection would be bolstered and improved marginally. It still wouldn’t fix where screentime or set up fails them, but it would be a significant start. I adore Gus, he’s one of my favourites in the whole show — but he’s less plot relevant than Willow, who is already largely not plot relevant (at least, not outside Hunter’s arc in S2) and we gotta be economical somewhere.

Economical storytelling is when a character, scene, or plot beat is doing at least three things at once, largely — and right now Gus is doing the least, as much as I love my boy, with Willow right next to him. Thus, there we go.

Now for the big, perhaps flat out unpopular one:

Hunter and Amity should’ve been one character. Like the twins, and even Amity and Lilith, they’re largely one theme split down the middle. The show draws intentional parallels between their world views, callousness, and need to be the best due to their abusive families, their strong relationships / connections to Luz, who works to friendship and who are changed by her kindness. There are also less thematic but still overt parallels, like their artificial wands, opposing palismans (bird vs cat), travelling into mindscapes where they uncover secrets. Hell, they both even have a reformed father figure who works with the Abominable coven with a shittier parent who believes in their own superiority at any cost.

Say Golden Guard Amity is enrolled in Hexside — she has to be trained somewhere — and throughout the season we hear her refer to her uncle, who raised her. He just wants the best for her, and for her to be a worthy member of the Emperor’s coven! It’s only at the end of S1 we learn that Amity’s uncle is Belos, and that her growing bond with Luz may be tested in the future. Then, in S2, she has to make a choice between her familial loyalty, ideological defection, and Luz and her friends (who will have more time to be friends, because there are less characters running around). You can even keep the condensed twin as a surrogate sibling mentor — perhaps one of Belos’ more successful grimwalkers, or flat out not a clone at all.

This merger gives Luz and Amity real stakes in their relationship, a higher sense of drama amid the sweet fluffiness, gives more characters more screentime... And amplifies everything that already exists in Amity’s arc. Yes, seeing a quieter form of child abuse from Odalia is worthwhile, particularly for abused children — but as of S2 she’s basically gone full bad guy and has already done so before in early S2, as her abomaton nearly kills Luz in “Escaping Expulsion” so... moot point? Sorta? Is what I’m saying.

It would also, for the love of god, give Amity a solidified reason to dye her hair after she finds out she’s a grimwalker. She wants to reassert her own identity, she wants to be different than her successors while also honouring their good nature, etc etc. Imagine “Hollow Mind” but with Amity in Hunter’s place, and all the weight that would hold for each of them, and for Hunter’s character, now condensed into Amity’s. Also stronger parallels of Belos’ clones becoming less like his brother (because Amity is a girl) over time and with parallels of the implied plot line, of Belos killing his brother because Caleb fell in love with a witch, and it’s happening again, this time just with Luz and Amity, directly.

Basically the only things that would have to change would be a little of S1′s pacing, some of S2′s Blight parent related episodes (so largely two until the finale, which again, Darius or the condensed twin could easily substitute)oOr, to come full circle, you could have Lilith also play a factor, the way she did in Amity’s arc in the beginning. This would provide a greater sense that characters actually had lives and connections and little ship passing in the night moments before Luz showed up, and they would all feel more like!! REAL PEOPLE!!

The only thing that would possibly, likely have to go is Willow’s history with Amity.But given that the show has never really addressed the bullying, perhaps that backstory element would be better left dropped, in general. Amity can be a jerky bully without specifically bullying Luz’s friend for like, 4-6 years beforehand, y’know.

Anyway I will never not believe in the validity of what I call TOH Merger and how it would strengthen basically almost every single aspect of the show, take it or leave it.

Conclusion / Nitpicks

Other notes before we wrap up.

I got bored with just how many episodes relied on the “Character A doesn’t want to fess up to something bc they’re insecure, scared, or trying to look Cool, but inevitably lie and make things ten times worse, and then learn it’s important to be honest” in S1 (hi King, Luz, Willow, and Gus eps respectively).

Amity’s laser character focus on Luz stifles her relationships with both Willow and Gus (as it is more or less non existent outside of a few lines or group scenes); all of Amity’s character growth is largely because of her relationship with Luz, but the same cannot be said for Luz, leaving their relationship lopsided. This is particularly true for me (and is a total personal Aro-spec induced nitpick) and is all the more glaringly obvious considering they barely had one episode where the two were on friendly / friend-ish terms before crush feelings on Amity’s side came in. This makes me feel less invested in their relationship as a whole, as while it’s exceedingly cute, it feels like it’s based on nothing but Crush™ Feelings and that will also be less compelling to me than a strong Foundational Friendship that develops into a crush. I don’t mind that development happening fast, but this was a little too fast in my book.

Final disclaimer: Still like the show, still think it’s good, these are just some of the reasons I don’t think it’s Great. The lack of a Merger will haunt me. Thank you goodnight

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