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#elspeth
lookitsstevie · 5 months
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no dear, you're itty bitty
(i really thought crowley's gonna turn into a snake in this scene 😭 but teeny tiny human shaped crowley was such a gift)
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smol brain 😔
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schminnie · 4 months
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(to myself) FINE!!!! ILL MAKE A MILF AND ROMANCE GALE!!!!!
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voiganna · 8 months
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NEIL LITERALY CONFIRMED ON TWITTER THAT ELSPETH AND WEE MORAG ARE A COUPLE OVER A DAY AGO, WHY THE FANDOM IS SO SILENT ABOUT IT???????
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nerdside · 4 months
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Saltburn (2023)
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fuckyeahgoodomens · 1 month
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Admire their wonderful clothes and... don't ask what's in the barrel :D
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rainbowcrowley · 3 months
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good omens - random scenes 01/?
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emiett · 18 days
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This is Mercy, Violence's patron/parole officer who very much means well but who is very much an out-of-touch overworked non-profit employee. She and Vi are connected via fine magical golden chains.
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pr0fessional-cunt · 4 months
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oliver quick is femme fatale coded
now i know what you may be thinking; “oliver is obviously a homme fatale.” and you’re right! he fills out all of the characteristics;
controlling.
dangerious
ambitious, wanting power
yet it is not the same.
emerald wrote oliver in a promiscuous way that normally women are portrayed.
he is alluring, putting on the many faces he needs to draw people in. it’s an act of submission and dominance, he plays whatever part he needs to. the way he speaks is compassionate, articulate, and quite charming. he leaves a little mystery to the family and the audience that leads them wondering, who really is oliver quick?
he’s seductive, using his body to get what he wants and manipulate the catton family. he is openly sexual and free as we see multiple times in the film. olivers desires and wants are a core part of who he is.
because of how infatuated the catton family is with him they do not see his lies and manipulation, or they choose to ignore it.
just as a black widow oliver lures in his mates, bringing their guard down with his charm just to devour them whole.
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good-soupmens · 7 months
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I think I found a parallel: Wee Morag wanted to play the long game. She'd rather have worked tooth and nail to get out of poverty because she wanted to do it "right." She didn't want to "cheat her way out" by digging up bodies.
We're meant to sympathize with Elspeth (after all, Mr. Dalrymple could use the bodies for research) and she wanted what was best for both of them. But her mistake was convincing Wee Morag to help her despite Wee Morag not being on board, which led to her death
That COULD be what would've happened if Crowley convinced Aziraphale to run away with him. He wasn't wrong for wanting it, but it would put them both in danger. Aziraphale learned that sometimes it's necessary to act within the morally gray, but he also knows about the grave guns: Heaven and Hell
Even when running away looks like the best option, they have to come together on a plan. They need to eliminate the danger
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mangabookclub · 5 months
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Tales from the Mana Crypt #80 - Mirror Universes Beyond
What reskin is this overpowered equipment going to get next? Inspired by an idea from @graymerchantsmonomyth
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elspethdekarios · 1 month
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✦•······································•✦•······································•✦
ᴇʟꜱᴘᴇᴛʜ ᴠᴀɪᴅᴇʟᴀʀᴋ [ᴅᴇᴋᴀʀɪᴏꜱ]
generous. devoted. strong-willed. wise. confident. emotional. romantic. outgoing. courageous.
Thank you thank you thank you @mercymaker for these gifs! ♡♡♡
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schminnie · 2 months
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a little moment of magic to get back into the swing of things. feels like I haven’t drawn in forever
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riisitee · 9 months
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The Resurrectionists minisode reminded me of an album cover, so of course I had to create something so niche, that most people won't probably understand what it's referencing
It's based on the album called "Mary Ann Meets the Gravediggers and Other Short Stories by Regina Spector" (2006) by.... well, Regina Spektor (album cover below).
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It was fun coming up with details for it, like Wee Morag being the one holding a skull, Gabriel's statue in the back and Aziraphale holding the tumour, symbolising his conflicted feelings (I also love giving Crowley his shit-eating grin, good stuff).
(NOTE: Neil Gaiman did not write "The Resurrectionists" minisode, it was Cat Clarke. I found out that after writing the text. The text part isn't 100% accurate anyways)
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nerdside · 4 months
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certifiablyinsanez · 5 months
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It’s a shame that Crowley and Aziraphale couldn’t be friends with Elspeth and Morag. They’re so weird! These two dripped out rich folks that were just randomly in a graveyard at midnight, not there for body snatching, just start taking an interest in your criminal activities. One of them offers to help! They follow you home and just hang out, even though surely they must have better things to do? Morag doesn’t even question why these men are even here? Why is one English??? Why are they taking such an interest in the lives of broke ass Scottish girls? The Englishman somehow makes a fresh body fully decompose. Suddenly the Englishman is cool with body snatching after like 30 minutes and now he also wants to help? The ginger can drink poison and not die? He can shrink and grow? I mean they’re dressed to the nines but HOW RICH IS THIS ENGLISHMAN THAT HES GOT THE EQUIVALENT OF LIKE 10 GRAND JUST ON HIM??? In the victorian age where scams and pickpocketing were out of control? HE JUST GIVES IT AWAY??? No wonder Elspeth ran out at the end, Morag didn’t survive the night with these freaks and she might not’ve either.
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snek-eyes · 7 months
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"I Know Where I'm Going." Elspeth is trying to kill herself to be with wee Morag. But that's not where she's going, Morag likely went to heaven, and Elspeth is going to hell. If Elspeth dies like this, they'll be separated forever.
No wonder Crowley goes so hard ensuring she goes on to become properly good.
On that note, no wonder that when the laudnum comes out he starts ranting about how wrong dying is; once humans die that's it, their mistakes are all sealed and there's no forgiving them.
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