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npdclaraoswald · 2 years

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Another Instagram crosspost! This time for Disability Pride Month!

Note: The Tree is a sequel, but the MC sustains the injuries that make her disabled in book one

[Image: several graphics edited with a picture of The Capitol Crawl as the background. The first image has text reading "Favorite Disability Books."

The next image shows four books- All the Weight of Our Dreams: On Living with Racialized Autism ed by Lydia XZ Brown, E Ashkenazy, and Morénike Giwa, The Seep by Chana Porter, Eight Kinky Nights by Xan West, and The Unbroken by CL Clark. There is also text with colorful arrows pointing to the books. The label "autistic" points to All the Weight of Our Dreams, The Seep, and Eight Kinky Nights. The label "cane users" points to Eight Kinky Nights and The Unbroken, and the label "arthritis" points to Eight Kinky Nights.

The next image has four books- The Tree by Na'amen Gobert Tilahun, Borderline by Mishell Baker, Pet by Akwaeke Emezi, and Our Bloody Pearl by DN Bryn. This image also contains labels and arrows. "Limb difference" points to The Tree and Borderline. "Mute" points to The Tree, Pet, and Our Bloody Pearl. "BPD" points to Borderline.

The next image has two books. Disability Visibility: First Person Stories from the Twenty-First Century ed by Alice Wong is labeled "collected works." Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha is labeled "no focus on a specific disability; about mutual aid."

The next image has four books- Exile and Pride: Disability, Queerness, and Liberation by Eli Clare, Accidents of Nature by Harriet McBryde Johnson, The Anthropocene Reviewed by John Green, and White Smoke by Tiffany D Jackson- and more colorful arrows. "Cerebral palsy" points to both Exile and Pride and Accidents of Nature. "OCD" points to The Anthropocene Reviewed, and "anxiety" points to White Smoke.

The last image features four books, each with one label pointing to it. Akata Witch by Nnedi Okorafor is labeled "albino." The Collected Schizophrenias by Esmé Weijun Wang is labeled "schizophrenia." Mooncakes by Wendy Xu and Suzanne Walker is labeled "Deaf." Full Disclosure by Camryn Garrett is labeled "HIV+" End.]

#bookblr #all the weight of our dreams: on living with racialized autism #the seep #eight kinky nights #wrath & athenaeum trilogy #arcadia project trilogy #the unbroken cl clark #pet akwaeke emezi #our bloody pearl #disability visibility #care work #exile and pride #accidents of nature #the anthropocene reviewed #white smoke #akata witch #the collected schizophrenias #mooncakes #full disclosure

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starry-bi-sky · 4 months

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more clone^2 memes because i think they're funny

#dpxdc #dp x dc #dp x dc crossover #dpxdc crossover #dpdc #clone^2 #danny fenton is not the ghost king #so canon to clone^2 and clone damian the portal that ends up transporting damian to amity park is left pr ambiguous #so really how he got there could be one of many things whether it be through divine intervention or clockwork's doing or hell #it could've also been quite literally the 1 in 1 millionth chance that a natural portal opened up beneath him and sent him to amity #and was a happy accident #but the idea that the laz pits or another adjacent such entity heard damian wanting an older brother (he meant og damian but oops never-#specified) and then sends him to the one person who could fulfill that wish and make him happy at the same time.#was really funny to me within the context of the lilo and stitch meme. the meme can also be seen the other way around with danny as lilo #and damian as stitch. but danny being stitch was infinitely funnier and ~technically~ more accurate imo #danny technically IS a nice angel but also. he's a developing menace to society (just ask wes) and he's going to make damian one too #danny being from the midwest means he has a midwestern accent and thats not something the bats know how to handle when they finally meet hi #hey look at that! my meme making skills are steadily improving. im no longer making the same joke six different times in different formats #those first two images i made a few days ago the rest i made in the last thirty minutes in a spur of clone^2 induced inspiration #and procrastination of writing the cfau rewrite of the first post. we are 10k words deep folks and just barely got past the 1st gala reunio #dunking on the giw is a god-given right and danny WILL pass it down to damian

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ruporas · 1 year

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bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

#vashwood #trigun #trigun maximum #vash the stampede #nicholas d wolfwood #its done.... after 2 months.... collapses on the ground #theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up #they deserve a little sap too!!! and in the end this is the closest they could get to a first confession #through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their #lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time #vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually #ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security #or at least vash does. or at least just for this one moment #a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood #and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just #naturally in wolfwood to give to those that he love #but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to #enjoy and share their company in this manner. to be a little less restrained and love each other freely #ruporas art

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fruityheffalump · 1 year

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#i personally did not put fire into my uncontrolled farts #gates of hell #accidents happen #nature #oil and gas #twitter #lol #free laughs

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ratgingi · 5 months

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my favorite guys <3

#cod #call of duty #kyle gaz garrick #könig #gaz call of duty #könig call of duty #cod mw2 #gave könig big naturals on accident. dont worry about it #im gonna reblog this so much tomorrow #merry christmas look at my Boys #hobos creations #gun game #lovebug

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faeriekit · 18 days

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Immediate Roadside Assistance Required

Phic phight fill for sapphireshield (no tumblr listed)

Warnings for: extremely mild depictions of domestic violence

The car that pulls over is a SUV. Beige. Kind of grimy. There’s a mom at the front; inside, Dani bets there’s probably one or two kids.

The mom rolls down the window. She looks nice. Kind of soft. Tough, in a kind of mom sort of way, but soft enough to see a girl with her thumb out at the side of the road and actually pull over. It’s a sweet gesture; Dani has a vague idea that hitchhiking hasn’t been trendy since the eighties, so this’ll have to do.

The mom sticks an elbow out the window and looks Dani up and down. “You alright, sweetheart?” she asks, a different twang on her tongue than the vowels Dani’s been used to all her (short) life. Dani might be out farther than she thought.

Dani grins. For this mom, it’s nice ‘n sweet. “I’m good! I need a ride, though; I’m trying to get to my stepparent’s place. Tryin’ to get as far as the border.”

The woman flattens her lips. She probably thinks Dani’s a runaway, but she’s not. Dani’s something a lot worse.

“You sure?” The mom looks up at the sky, even as her kid squeals about something snack-related in the back. “It’s about to get dark out, honey. Storm’s coming.”

Dani’s grin doesn’t let up. “I’m gonna go meet my brother! I already know where I’m gonna lay up, so don’t worry!”

The mom is for sure worrying; worrying her lip between her teeth, and worrying over a scruffy kid in a torn-up hoodie. “...Well. ‘Long as I get to see him when we get there. Hop in.”

Dani grins, and hops up in the car.

It’s a little warmer in there. Smells like cheerios; there’s a baby, Dani notices, in the back seat. It’s got her middle two fingers in its mouth and big brown eyes.

Dani waves. The baby stares, since babies do that, and Dani occupies herself by making funny faces over the shoulder of the passenger seat, eager to elicit a giggle from a little kid. She loves little kids. She wishes she’d been allowed to be one.

“You might want to turn around and buckle in, young lady,” the mom drawls, wiping stress off her forehead. “Don’t want you to die if we end up in a crash.”

I can’t, Dani doesn’t say, because she’s nice. I’m already dead.

So she turns around and buckles herself in. The mom flicks on the radio, and a woman’s voice starts growling over an electric guitar and a roughed-up drum kit. It sounds fun.

This ride’s going to be good. Dani grins, all teeth and brimstone. There’s a storm rolling in, bad luck hanging in the air like vapor and sparks. Lightning’s on its way.

It’s a long way to the state border. Dani’s going to enjoy every minute she can with the window down, electricity in her fingers, and the quiet humming of the driver singing along.

They make it to a rest stop about three quarters of the way there.

Dani’s not against stopping, so she just peeks out the window, watching cars and exhausted drivers slog through the paved flats of the rest stop parking lot. “What’re we doing?” Dani asks, entertained in her own way. Maybe this nice mom is going to try to hand her off to CPS!

It wouldn’t work, but, you know. It would be kind of annoying, if ultimately well-meaning.

“Diaper change for the baby,” the mom offers, and, yeah, that’s practical. “Vending machine break for me. Bathroom break for you, probably.”

Oh, that checks out. “Alright!”

The child lock pops, and Dani hops out of the car; she waits, patiently, for the mom to bring out the baby, who looks even more luminous asleep and spitty than when it's awake.

“It slept through a lot of Rock ‘n’ Roll,” Dani admires. The baby gets held to mom’s chest, a blanket wrapped around them both. “That’s cool.”

“He’s heard a lot of Joan Jett since he was born. I’d be shocked if he couldn’t sleep through a hurricane at this point.”

Dani trots after the mom, patient in her wake. They don’t look too much alike, so maybe there are other people wondering if they even know each other at all, or if Dani’s getting kidnapped or traded away for cigarettes. Or probably they just think Dani’s getting babysat, helping watch a baby while the mom ends up driving them over and away from wherever Dani’s landed herself this time.

The diapers the baby uses are a thick, sort of plush material. They look soft. There are little pastel teddy bears on them: one blue, one pink. Dani gets to touch one when the Mom asks her to pull one out of the big blue bag. There are a whole lot crammed in there; they’re packed in so tight that it’s hard to pull one out of the stack without pulling out all the others, but the baby can only wear one diaper at a time!

“Thanks, sweetheart,” the mom says. It’s the nicest anyone’s been to Dani in ages. She’s glad she lived long enough to hear a soft mom call her sweetie and sweetheart for no reason other than being convenient. “You have to go?”

Dani shakes her head. The mom gives her a look. “We’ll be in the state for another hour. You want to try, at least?”

…She hesitates. The baby doesn’t notice, busy playing with its toes as its mom tries to wriggle it back into its butt covering for the sake of covering its butt. She doesn’t usually have bodily functions that actually…function. But the mom lady didn’t know that.

Whatever. She’d play a game of Snake in there. “‘Kay.”

Dani goes into a stall, flicks open her phone, and manages to eat like twenty little pixels before she actually runs into her own little snake body and dies. Ugh. It doesn’t take up too much time— how much time are humans supposed to spend in the bathroom, anyway??— so she fires up a new game and almost gets through it before she hears someone yell. Dani jolts.

The baby starts crying, faint and far away. Dani quickly grabs herself together and puts the phone away. If something’s happening— something happening to the mom and the baby—

Dani dashes out of the bathroom. There’s a guy at the door. There’s a guy holding the baby by the arm so that the baby is dangling and the guy is yelling at the mom who’d driven Dani here, physically pushing her when she tries to get her baby back.

The instinct to hit him is impossible to wrangle. It’s too bad, but Dani has to help the baby and the mom. Hitting him might hurt the baby, if she isn’t careful— doubly true if she uses an ecto-blast.

She goes invisible instead.

Carefully pulling the baby intangibly through the man’s grip is a quiet, tense process. The baby keeps crying and crying and crying, but the more she hides it, the quieter the cries seem.

And then there’s a baby shallowly crying in her arms.

The guy doesn’t even realize, too busy shoving and hitting the mom who’d done nothing wrong. Dani hates this guy. He reminds her of Vlad— too angry that he isn’t getting his way, and never understanding why no one’s obeying him fast enough.

Dani hoists the baby into one arm, mirroring the way the mom had carried it into the rest stop when they first came in. The hold doesn’t feel as secure as Dany thinks it ought to, but it frees up a hand.

Dani grabs the mom’s hand.

The woman disappears into thin air. The guy looks so spooked.

Dani giggles. Either way, it’s super easy and simple to fly the mom and the baby through the bathroom walls, and hiding them in the bathroom cleaner closet seems safer than hiding them in a stall. Dani doesn’t pause when the mom gasps, frightened by the change in scenery; she pops the baby into her arms and disappears back the way she came.

Dani Phantom has a guy to beat up.

There are lots of ways to scare humans, Dani finds; humans are afraid of the dark, and afraid of what they can’t control. They’re afraid of pain, and they’re afraid of loud noises. Humans aren’t afraid of everything all the time, but they can be afraid of more things when they’re combined than when they’re not.

So Dani flexes her aura. The lights flicker in the main room of the rest stop. The man stops, but his hand is still raised.

He looks to see where the baby is, and realizes that he’s empty-handed. The woman is gone.

The lights go out.

Dani loves being seen sometimes. She doesn’t like being bothered, but she loves attention when she knows no one can call the cops on her; so she drips green. She lets herself glow, gloopy and malformed, as she pulls herself through the wall. She turns melty eyes onto the man who took the baby from its mom.

The guy kind of looks like he’s going to piss himself. Good.

Dani starts to fake cry. It starts out as little sniffles— and then moans, and sobs, Dani clawing herself out of the wall until she’s floating, midair, half-formed and wailing. She kind of hopes she looks super spooky, like one of those CGI gross guys from Stranger Things, or that girl who walked down the stairs in a spooky backbend one time.

The guy steps back. Great. Dani inches forwards. The guy steps back again, face pale as a china plate, looking inches from giving up the ghost and bolting off to the parking lot.

Excellent.

Dani takes her hands off of her face to show melting, distorted features. And she screams.

The guy is gone in seconds. He should just be a sprinter instead of bullying moms and their little babies! Dani huffs, hands on her hips. Whatever. As long as he’s gone, he can do whatever he likes.

Dani barely remembers to set her face right before going to get the mom and baby out of the closet. It doesn’t matter how human she looks, though, because when she opens the door back up for them, the mom looks like she’s seen a ghost.

Dani grins, and probably her teeth aren’t showing anything too weird or spooky. “That guy left! Can we go now?”

The mom takes a deep, rattling breath. She does that thing where she touches her forehead, her chest, and then the air above her shoulders. No one’s told Dani what that means so far, but she’s seen it a lot.

“...Sure, sweetheart.”

Dani beams.

They make it to the edge of the state just as the rain starts to pour down. The mom is still looking for Danny by the time Dani points them into a gas station, but Danny’s not here; Dani made him up long enough to get a ride as far as she thought she could get tonight. The mom is still peering through the gloom of the driver’s side window as Dani turns herself transparent and flies out and away.

The mom was nice. The baby was nice. Dani liked this ride.

She walks, intangible, through the rain. The highway is dark, and wet, but Dani’s optimistic; sometimes people feel bad for her, so she gets more rides in a thunderstorm than on a sunny day. After an hour, somewhere on a rural road she’s never seen nor heard of before, Dani sticks her thumb out for a low little car going exactly the speed limit.

The car has a little old couple in the front and passenger seat. They look like grandparents. The grandpa rolls down his window, white eyebrows pushed together. “You need a ride, honey?”

Dani grins.

#Phic phight #Phic phight 2024 #Danny phantom #dani phantom #danielle phantom #LOVE the idea that Dani becomes a national cryptid on accident #Dani does what comes naturally but her instincts are SO fucked #alright that's my last one. I'm tired.#faer fic

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