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saijspellhart · 2 months

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Sokka’s sexism was not an important growing point for his character - an Essay

I’ve seen all the discourse online about people up in arms about the toning back of Sokka’s sexism in the Netflix ATLA. (Almost everyone I have spoken to have brought it up as a reason to hate the Netflix ATLA) I think that anger is knee jerk, and misguided. It never mattered WHAT the Netflix adaptation was changing, people were always going to be angry about it. They could have announced Momo is a girl now, and people would have raged. Momo being a girl would have changed NOTHING about the series, but people would have been outraged.

Just like I believe Sokka being sexist or not being sexist really changes nothing in the scope of the story, themes, and is not the character growth people claim it to be. Hear me out. Let’s break it down and think about it in terms of themes and character development and how it affects the entire plot.

Sokka is introduced as being cartoonishly sexist in the very first episode of ATLA. As a device simply to make Katara rage. He keeps this trait for a grand total of 3 episodes until episode four when a girl whoops his ass and his sexism is cured forever onward. In the span of a 30 minute episode Sokka’s sexism was given a what for and through that he was transformed into a better man?

Imagine if Zuko’s mental and emotional journey had been solved in a 30 min episode, and wasn’t a lessen he had to repeatedly fail and try and fail and try time and time again. Imagine if Katara’s waterbending journey, or obnoxious controlling nature was just solved in a 30 min episode and not something she struggled with and fought for the entire series.

But let’s say his sexism is super important as everyone claims. Let’s explore it.

When is it challenged ever again in the entire series?

When Sokka leads the invasion on the Fire Nation, there aren’t a bunch of women in that army. He leads an army of men.

When Sokka needs to find a sword master to teach him the art of sword play, it’s a man. He never needed to overcome sexism to accept a non-traditional master.

Nearly all women, sans Toph and Katara, that have any long lasting influential moments in Sokka’s character development are women he has a romance with. Woman whose motivations and agency rely on a man.

The Kyoshi warriors that kicked his ass? What of them? Sokka has to rescue Suki from prison. It’s not tackling some gender equality issue. Suki is a woman in distress and Sokka is the man who comes to rescue her. (Cute and romantic, but hardly tackling a gender cliche.)

Do the Kyoshi warriors ever engage in any actual battle that matters to the plot and win? Not really. Instead the important role of the Kyoshi warriors is to be nurturing to Appa while he’s lost. A traditionally female role. And to provide a way for Azula to overtake Bah Sing Sei. (Don’t get me wrong, I love the girls, but the show never again utilized them in a way that challenged sexism.)

Sokka didn’t need to overcome sexism to respect Azula. Azula commanded and earned all the respect she needed. Sokka didn’t need to overcome sexism to respect Toph. Toph earned his respect by kicking the ass of everyone around him.

At no point in the rest of ATLA was Sokka’s sexism ever challenged after episode 4. It never helped him become a better leader because he never had to lead women whose respect he needed to earn. It never helped him develop his warrior skills. It didn’t affect the plot and his growth as a character any farther than getting a hilarious butt whooping in the fourth episode.

Sokka overcoming sexism wasn’t well written, it was a GAG. A goof. Ha ha funny, man got his butt beat by women and was forever cured.

If we really think about it seriously, as character growth, people who have had sexism so rooted into their beliefs don’t just overcome it because one woman broke the status quo and kicked their ass. That’s lazy writing. It was lazy in the cartoon and it would have been extra lazy in a show that had even less time to explore the issue.

Sexism, if they REALLY wanted to tackle it as a serious issue, should have been a problem Sokka had to challenge several times, and have his preconceived notions proven wrong and dismantled. It should have made him a better leader, or a more respectful fighter.

Instead it’s treated like a joke.

The Netflix ATLA decided to tone it back with Sokka, because from a writing standpoint it made more sense thematically for Katara to challenge sexism with the Northernn water tribe. They didn’t have the time or the budget to poorly tackle the issue of sexism twice, so they focused tackling the issue where it mattered to the plot and where it mattered to KATARA’s character journey more.

I’m tired of people screaming how much they loved his sexism and how the Netflix adaptation is rotten without his sexism. It’s not a lack of media literacy that it was cut. It was media literacy that led to it being cut. A writer recognized when the message was important and when it wasn’t.

That’s all I got to say. You don’t have to agree with me. But these were my thoughts on the matter.

#netflix atla #avatar the last airbender #AtlA #live action avatar #essay #sexism #Sokka #understanding character growth and writing #a critical look at writing

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sparring-spirals · 10 months

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okay. i mean this with the utmost affection. but. while imogen and laudna telling each other "im you're anchor. you're my tether" as reassurance about going "dark" or giving into the lure of power is very meaningful and important. it also kind of struck me like. hey wait one of you anchoring the other. fine. possibly-functional. but doesnt BOTH of you tethering to each other risk creation of a spinning centrifugal blur whirling down the road to power.

and like yes yes this isnt an original thought and the proper terminology for this is probably like "dual corruption arc" or in CR "i broke the world for you" yes but. i wanted to share the specific imagery my brain provided for this train of thought, which is roughly:

like. thanks. brain. i guess.

bonus thought that popped up when drawing this:

#critical role #imogen temult #laudna #c3e65 #cr spoilers #kinda #sorcery pact #LOOK I CAN ABSOLUTELY WRITE MORE THOUGHTFUL IN DEPTH ANALYSIS OF THIS or i can illustrate this and giggle at it #orbs spin fast. hah.#:)#(once i watch. proper meta is coming. this is both a promise and a threat)#i was partway thru making this post when i lost signal for a while and had to ask someone around me whether centrifugal is the outward forc #and couldnt explain why i was asking #the sacrifices i make for cr......#shitpost #spar speaks #imodna #.....?

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radioactive-earthshine · 11 months

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NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.

#look i was a weirdo and loved the letters so much #so much #so fucking damn much #i still to this day mourn that we don't have them #sometimes the editors would publish blatant aggressive criticism and promise to do better on some things #it was rare but it did happen in a handful of things involving stereotypes #also there is queer history in them such as in superboy and the ravers where people wrote in about hero #asking WHY he was not interested in women and this editor had to so professionally explain that he was GAY and where they stood on it #you also got to read queer readers writing in about these queer characters and the JOY in their words is priceless #also sorry but geoff's letters are fun and stupid at the same time and are a huge insight to what his hcs were #he LOVED tiny krypto so much it likely inspired him making dex starr bc he loved the idea of a small overly powered animal #not saying that was the main reason why ofc but it is interesting that he created dex after praising that mean little mutt #i say with the most love #my venting #my rambles

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milquetoad · 9 months

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of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless

#if im being exTREMEly generous i can maybe understand this view of scanlan if you started c1 and then gave up 30 episodes later #he played the long game with him more than any other and a lot of his growth could be looked at as shallow if you DIDNT watch til the payoff #but any time this opinion is used as a blanket over all of his characters including tary and even FCG.. like be serious #i mean at this point im definitely biased bc he is my favorite player at the table. However. that wasnt always the case #and even when i was myself writing some character choices off i NEVER applied that to the characters themselves. how can you??#seen sooo many ppl criticize him for making veth an alcoholic or scanlan irreverent & hedonistic as tho it’s only possible #to play these traits as shallow jokes or at best played out satire…. and then the same person will turn around #and praise how percy was built to be pompous & superior and jester immature & self-centered and caleb steeped in self-effacing hubris #why are these characters and their players given a near universal acceptance of nuance and acknowledgement of growth & healing #but SAMS CHARACTERS ARE NOT!!!!#this turned into such a rant but it bothers me SO much. everyone at the cr table is so goddamned talented #and takes the game as seriously as it deserves #so many more points i could argue but this is already so goddamn long no one is reading this far. i love sam and all of his characters <333 #critical role #sam riegel #scanlan shorthalt #veth brennato #my posts

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sea-buns · 10 months

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Never did I expect myself to be mourning the absence of english essays and writing exams and theatre class critiques. Do you understand how fucking amazing of a grade I could get on an analysis of trauma in Critical Role? On Lou Wilson and Emily Axford's finesse in portraying the heavy expectations and double standards placed on children? On Ylfa Snorgelsson's relationship to death? On the journey of a man's relationship to violence? On an analysis of grief in Dimension 20? On the pitfalls of youth? On the dynamic between humanity and religion? On the journey of self-discovery and acceptance? On love in all its forms? On the nature of choice? On everything Brennan Lee Mulligan has to say about capitalism? On the tragedy of im/mortality? On Gerard and Elody's divorce? On the unfeeling and aimless happenstance of the universe? On the role of fate and destiny? I'm not saying it would be easy. I'm saying can you imagine how fucking cool it would have been to turn in 5 pages about a dnd show, feeling good about it?

#not that i knew about cr and d20 back then. or that they even existed at that point. but give kids the chance to work from what they love.#rather than boxing them into one medium and then slicing it in half cuz of book bans and shit.#i can only imagine someone asking if they can write their essay about the tragedy of war using a crown of candy as their source material.#and getting turned down cuz the administrator looked it up and was blasted with the phenomenon that is getting 'slammed down big style'#a million tags here we come. in no particular order. most can be mixed and matched anyway. and im sure ill miss a couple #critical role #cr1 #cr2 #cr3 #exu calamity #dimension 20 #d20 #neverafter #fantasy high #fh #fantasy high sophmore year #fhsy #a crown of candy #acoc #the ravening war #trw #a starstruck odyssey #aso #a court of fey and flowers #acofaf #the unsleeping city #tuc #intrepid heroes #ih #cr cast

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96percentdone · 2 years

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some of you guys talk about Damian like he's an adult man who just happens to be really small and not like. A six-year-old. every week there's like at least three new posts in the sxf tag talking about damianya and why its bad and its always because of damian's behavior like it isn't just like. standard faire six-year-old behavior. why are we upset that the six year old who experiences child neglect and grew up wealthy acts like a brat sometimes. he is a brat; he's fucking six.

#hope.txt #damian desmond #anya x damian #damianya #spy x family #sxf #i wouldn't want to date a guy who acts like damian either but y'know #the difference there is im looking for an actual adult who acts like one #and not a fucking FIRST GRADER #every day i scream #also lmao at everyone who pretends its about reading critically #basic reading comprehension is treating child characters as CHILD characters #not as adult characters #you cannot meaningfully criticize shit if you're just going to overlook a key detail of his writing #BEING SIX IS VERY DIFFERENT FROM BEING 26 OR 16 OR EVEN 12

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soaring-trash · 7 months

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Im I the only one who wonder's if Pate was an actual child

Like he would be so adorable, i bet his Puppy eyes could kill

#critical role #critical role campaign 3 #bells hells #critters #critical role fanart #laudna #fanart #imogen temult #imodna #imogen x laudna #The Little league Au made me think of this #And rat pate could be his favorite stuffy #Im just imagening them walking down the street and someone looks at them weird and he just sticks his tongue out at them in retaliation #he would have a sailors vocabulary and it would be hilarious #could write an essay about this omg #pate de rolo #southern gothic

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beelzeballing · 5 months

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actually i dont think ive posted my thoughts on ofmd s2 overall here yet have i?

ok here goes: i think it had incredibly high highs, and at some parts i genuinely enjoyed it more than i did the first season, episode 6 being peak imo. however, it had equally abysmal lows with some glaring writing-, tone- and pacing issues that all came to a head in the finale.

i once read someone say that, if you ever feel like a finale ruined the whole story, maybe you should take another look at the story. there were most likely cracks and problems all along, and the finale did nothing besides dashing the hope that these would perhaps be addressed later. very rarely do genuinely well written stories go completely off the rails in the finale and ruin the whole thing.

i think this is applicable here in some ways, SPECIFICALLY in regards to edward. good god edward was a MESS this season, and it's so sad because i loved the starting point! the kraken era was absolutely terrifying and iconic as FUCK but... they shouldn't have leaned so hard into the drama and trauma of it all. don't get me wrong, i loved that it did. it's one of my favorite parts of the season and i'm so glad we got it. but if they wanted this arc to work with the overarching plot as they wrote it, they would've had to lighten up the tone here CONSIDERABLY. had they played the kraken era for comedy then sure! edward's bad youtuber apology would've been funny. his fast redemption would've been less jarring. the lack of consequences less disturbing. but as it stands in the show, this arc is too dark to function with the later episodes.

i feel like they wanted to have their cake and eat it too here. they wanted the gritty drama of ed coming off the hinges entirely but also didn't want to deal with the aftermath of such a heavy arc in their silly pirate romcom. be that due to time constraints and budget cuts or because they were simply unwilling to, doesn't really matter in the end. the result is the same either way: a very tonally messy season with some accidentally troubling implications regarding abuse.

and mentioning troubling implications regarding abuse; izzy. my poor, poor izzy... his arc was absolutely glorious. i liked izzy the second he showed up in s1 and i was absolutely EATING this season up in that regard. and i think in this case, they genuinely did fuck it all up in the finale with that one stupid choice:

choosing to kill izzy was the DUMBEST thing they couldve done here.

ive talked about this over and over and over again. ive reblogged so many meta posts. and still i am left absolutely flabbergasted by how stupid of a decision this was. the fridging, playing at the fallen woman trope, killing the beating heart of the season and the character who delivers what is essentially a thesis statement, killing off the character whose arc is about coming to terms with his disability, having him die in edward's arms, comforting him and apologizing after an entire season of finding community and love outside of edward, the absolutely godawful pacing of it all, the extremely easy and obvious solution of just having IZZY become the new captain of the revenge to mirror s1 and hammer home how much he has developed since then in one go... i could go on. and i have. it was a stupid writing decision, completely fucked the tone and pacing of the finale and took away attention and time from things that really would've deserved a better wrap up (lucius and black pete deserved better)

now. the whole prince ricky & zheng plot line... yeah that shit sucked ass, sorry. they bit off more than they could chew here. i honestly think those are the arc words of this season:

✨️ bit off more than they could chew ✨️

right off the bat: i think he was good as a concept. bringing in a foil for stede who just doesn't Get It as stede does could've made for very good comedy and drama (and to be fair there is some of that). but that shit got away from them extremely quickly. nothing about how he's implemented past his first episode works, and i think this is very specifically because he's mostly played as the comic relief in his debut episode. making this completely bumbling fool, who gets his nose hacked off on his first job, the main villain of your entire season is... definitely a choice. idk. he didn't work for me at all.

ok wow mentioning shit getting away from the writers. this definitely got away from me. this was supposed to be a short lil post. well. i guess tl;dr i loved this season but jesus christ there was a lot wrong with it. if you want to hear more thoughts. ask box is open. be my guest. i have more to say so even if you dont ask i might add more to this at some point but im tired and have work tmrw.

#i was going to do shit today and now look at me.#0:18 at night #laying in bed #writing this shit #i havent even eaten.#christtttt #moogsin'#ofmd #izzy hands #our flag means death #ofmd meta #ofmd critical #ofmd s2 #ofmd spoilers #the izcourse #im not tagging any of the other characters cuz i shittalk all of them 😭#listen i love edward hes my babygirl but this season did him DIRTY.

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ilikekidsshows · 4 months

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I'm not sure if people still remember but I have always been in the camp that Chloé was a jerk who got what she deserved in the season three finale of Miraculous, a failed hero. When season four first started airing, I also believed that her character regressing in season four could be a reasonable reaction to what she went through in said finale, because she did not have a good time and her lashing out in hurt made sense.

Then season five had the characters talk at length about how Chloé's trauma doesn't excuse her behavior (with Mylène parroting stuff Astruc has said to Chloé fans on twitter if the true source and targets of this part of the episode aren't obvious), in the same season where Chloé traumatizing Marinette is used to excuse Marinette's less likeable behavior. Chloé is made responsible for Marinette's character flaws while also being 100% responsible for her own character flaws when both of their character flaws are stated in-show to be caused by trauma caused by another person. The double standard is obvious.

If I'm going to look at 'Rocketear' and call it out on its character assassination of Nino, I need to look at what the writers did to Chloé and call it out on being the exact same thing. It's not often you see a villain character get character assassinated, but it sure happened here. Chloé might have been a jerk, but she was never whatever seasons 4/5 turned her into.

#chloe bourgeois #ml writing critical #ml critical #ml writers salt #and that's why when you look at my chloe posts you can divide them into pre and post retool eras

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genericpuff · 3 months

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LO stan brain rot is vehemently defending a comic that you're swiping through so fast that you miss and forget crucial plot points, like thinking Demophoon was the reason for Demeter being a helicopter parent despite him being born during the 10 year time skip while Demeter was mortal.

LO anti/critic/hater brain rot is being able to look at an out-of-context panel of a character with same face syndrome turned greyscale and name exactly which character, scene, and episode it's from.

We are not the same.

#/hj #fr though it's wild how people will claim the critics are just reading LO to 'hate on it'#and sure there are people who do just that #but the legit critics of this comic are the ones paying 10x more attention to what's going on in the plot than the supposed 'fans'#it's undoubtedly why rachel keeps pushing her luck by constantly contradicting her own writing and plot threads #she knows the people who eat her work up won't notice because they're barely reading the comic to begin with #and so many of them who *are* paying attention are breaking their backs grasping at straws to make sense of it #because they'd rather do that than acknowledge that LO just isn't written well and that their faith in rachel is misplaced #“you guys don't know how webcomics work”#“clearly rachel is building up to something”#“any minute now she's gonna make it all connect and you're all gonna look like a bunch of clowns”#anti lore olympus #lo critical #lore olympus critical

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megaerakles · 15 days

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To Whom It May Concern

Tim couldn’t stay.

No matter what Bruce had said when he caught Tim in the act of laying the paper trail to establish his Fake Uncle, no matter how long Dick had sobbed into the phone at him during an inordinately expensive long distance (read: off planet) phone call, no matter how much Alfred had been fussing over him and insisting it was no trouble at all to care for him since Tim’s scheme had been revealed and promptly foiled, it just didn’t change the fact that Tim couldn’t stay. Truthfully, the Wayne family’s apparent sudden burst of affection for him actually made this whole thing worse because somewhere along the way, without even trying, Tim had failed to keep things wholly professional between them and somehow tricked them into thinking he belonged in their family!

He couldn’t let it stand. For the sake of Jason’s memory, for the sake of preserving the sanctity of the true Wayne family, he had to stop this… this absurdity of pretending that Tim belonged with them from continuing! Tim had to run. Tim had to vanish. It was the only way to make things right again. Sure, the thought of never seeing any of them again, the thought of being done with Bruce and Alfred and Dick and Barbara and everyone in his life he currently held dear once and for all made it feel as though his heart was being ripped out of his chest only to be shoved back down his throat to stop the flow of air into his body—but it didn’t matter. He didn’t matter, not nearly as much as they did. This would be for their own good.

Tim was leaving, and it turned out to be easier than he thought it would be in the end. Not emotionally easier, but logistically easier. Bruce had been extra attentive lately, so he thought he’d have to fake an injury and get ‘benched’ so that they would lower their guard long enough for him to slip away. But by some divine stroke of luck, a new player had waltzed onto Gotham’s criminal scene not too long after Tim’s Fake Uncle plan fell through and started making threats against Batman and Robin. They had apparently freaked B out enough to prompt him to send Tim off to Titan’s Tower to ‘focus on his team for awhile’. Tim had accepted the command with the requisite amount of complaint, planted some fake texts to make it look like he’d actually communicated to his Team that he would be there, shoved everything from his guest room in the Manor that he couldn’t bear to part with into a duffel bag underneath a spare uniform, gave Bruce what only he knew was a more emotionally charged nod goodbye than usual, and then poof. Tim Drake was zapped out of the Batcave for the last time ever.

He let himself have one night in the Tower. Partly to catch a few hours of sleep in a familiar and secure environment, but mostly so he could clean up his room for its next occupant, sweep his belongings and his person for any extra trackers, and repack his bag more efficiently. He also took the time to grab a spare backpack and fill it up with emergency rations. While he was taking plenty of cash, he didn’t want to risk having to go into stores with security cameras for a while, at least until he’d cleared a suitable distance from San Francisco proper as well as implemented the first of his many planned disguises. He didn’t think a bottle of cheap hair dye and some colored contacts would be enough to fool Oracle indefinitely, but if he was appropriately cautious it might keep her from getting a confirmation of his location long enough for the Bats to either get bored looking for him or to actually realize they were better off without him around.

When the early rays of dawn started to bathe the sides of Titan’s Tower in ember colored light, he was off. He left behind seven trackers pulled from his clothes and bag and one more from behind his ear; he’d kept the one he noticed in his favorite pair of sneakers because it was a type that wouldn’t start transmitting data until the Bats actively started tracking it and he was hoping to find someone who wore his size at the bus station he could pay to wear them so he could throw them off for even longer. If all else failed, he would just toss them in an out of the way trash can. He had also left a letter of resignation for Batman that he’d whipped up based off of an online template, signed and sealed and awaiting discovery atop the pillow in his nearly empty dorm room (he had tried for something more personal, a longer note of explanation for Bruce about why he couldn’t stay despite being asked, but—the words just wouldn’t come, and he’d been running out of time). His bag was heavy, courtesy of all of the extra supplies he’d grabbed in anticipation of having to evade not only Batman’s team but the rest of the Justice League. His heart was heavy, courtesy of emotional baggage that he wished was as easy to unpack as his actual bags would be when he finally found somewhere to settle.

He boarded the first bus he saw after he’d gone a few blocks and took a seat towards the back, where he leaned against the window and stared back at the iconic giant T that he used to belong in, however briefly, until it disappeared from sight. And just like that, Tim Drake’s life as Robin was over.

—

To Whom It May Concern:

This letter is to formally notify you that I’m resigning as Robin in Gotham City, effective immediately.

Thank you so much for the opportunity to work with you all for the past three years. I’ve enjoyed getting to know the team and appreciated the opportunity to learn about vigilantism and hone my detective skills. I’m excited to take these skills with me as I pursue the next step of my career.

During the past two weeks, I have done everything possible to wrap up any ongoing cases and leave no unfinished business. The Robin suit as well as my spare have been cleaned and placed in the armory of Titan’s Tower along with any gear I have been issued.

I wish Batman and team the best, but am afraid I will be out of contact for the foreseeable future.

Sincerely,

T. J. Drake

—

Red Hood stalked into Titan’s Tower with all the grace of a wildcat closing in on its prey, his vicious smirk hidden by his helmet, his unauthorized entrance hidden by virtue of the heroes’ own stupidity in failing to remove his codes from the database. Seriously—he’d thought gaining entry into their so-called fortress would be the hardest part of this little trip, and had only tried his access codes for the sake of checking the most stupidly obvious Plan A off his list! For them to work, to realize that there was nothing truly separating the precious sidekicks from the wrath of a vengeance minded crime lord, well… it sure made the message he was about to send feel all the more poignant.

He had come equipped to subdue an entire horde of Teeny Titans without hurting them (much), but to his surprise, the tower was empty of kid sidekicks despite Robin having been sent to work with his team yesterday afternoon, a fact Jason had gleaned last night from listening to the mind numbing chatter of Nightwing being bored on a stakeout and wanting to chat with anyone over the comms Jason had hacked into. Which he’d done in order to better plan his aggressive takeover of Crime Alley, not because he missed hearing his family’s voices. Nope.

(Since coming back to Gotham, it had been more difficult than he anticipated to stick to the plan when some part of his mind still stubbornly clung to those foolish, childhood dreams of belonging and family and a father who gave a shit and things like that, and kept popping up with annoying questions like ‘what if he revealed his identity to Dick or Alfred or someone just to see if maybe Talia had been right and they’d want him back after all. Clearly, the existence of a new Robin meant that they’d never really given a damn about him, so he was going to go through with this thing, just watch him.)

Truly this had to be fate, because the path to Robin was practically unfolding before him with no barriers. All that was left to do was find where in this gigantic clubhouse the itty little birdie was nesting. Jason tried the common room first. Then the kitchen. Then the rec room. And then the training floor. And the med bay. And then the armory, where he found Robin’s suit, but no actual Robin. He supposed the next place to check would be Robin’s bedroom, because even though it was well past eleven, Drake was a teenager and could conceivably be sleeping in, especially since there was no Alfred around to rouse him at a reasonable hour. Luckily, the doors on the floor with sleeping quarters were all clearly marked with either the name or symbol of the person it belonged to, so it was easy enough to find the one with that all too familiar stylized ‘R’. Jason paused to take a steadying breath before gritting his teeth and deciding to really make an entrance by kicking down the door.

…To an empty bedroom. Like, not just devoid of Tim Drake, but also devoid of books, trinkets, photos, decoration, clothes, dishes, mess, et cetera, et cetera. It looked as clean and sterile as a hotel room, and if Jason hadn’t literally just seen Robin’s insignia on the door he would think he’d entered an unassigned room by mistake. He frowned and yanked off his helmet, as if looking with his own two eyes would suddenly change the scene, but no. Nothing. He strode into the room and yanked open the closet—empty. He walked over to the desk and yanked open the top drawer—empty. He yanked open the bottom drawer, and mostly empty except for—wait, was that a pile of deactivated Bat trackers? Fucking bizarre. When he stood up, he glanced around again, and this time something on the bed caught his eye. It had been easy to miss against the white pillowcase, but there was an envelope tucked up against the pillow. With a scowl, he stalked over and grabbed it.

When Jason flipped it over, he noted that it was addressed to Batman, but decided that since he was a crime lord now he didn’t have to care about something as trivial as opening someone else’s mail. He didn't want to take off his gloves and risk leaving prints on anything, so he pulled out a dagger and used it to slice open the envelope. As he flipped it over to dump its contents on the desk, he had the fleeting thought that he probably should have put back on his mask in case this had been some villain’s ploy to poison Batman, but luckily all that fell out was a single sheet of printer paper folded into thirds.

This he was careful not to damage as he unfolded it. It wasn’t a long note, just a few small paragraphs, so it was quick enough to read: To whom it may concern. This letter is to formally notify you that I’m resigning as Robin in Gotham City, effective immediately…

Jason dropped the letter and took a step back, staring at the innocuous piece of paper with wide eyes and racing thoughts. Robin had—Drake wasn’t—Timothy—the kid, he was quitting? Leaving? Gone?

It could be a trap. It probably was a trap. Except Robin shouldn’t have had any way of knowing Red Hood would be able to track him all the way to Titan’s Tower so why would he have set a trap for him in the first place? A trap for someone else, then? If it was, it was really, really stupid of him because the kid had signed his resignation letter from Robin with his actual name, and surely he wouldn’t have made it this far if he were that careless with his identity. So, it was either a very bad trap, or not a trap at all. And if it was not a trap at all, then…

Then Robin had… resigned. Which, ok, Jason’s stated goal coming into this thing was to get Tim Drake to stop being Robin. So he should be happy about this, right? Except he’d not gotten to toss the kid around and work out his aggression at all so there was no satisfaction in it. Also, the timing was fucking obnoxious. Go figure that the very day he decides to do something about his replacement, the kid decides to peace out of the Gotham vigilante scene and… and go…

… Somewhere. Jason had no idea where Tim Drake would go if he were no longer Robin. Given how he’d waited until he was alone and then left the note to be found on the other side of the country, Jason had a sneaking suspicion that returning to Gotham was currently off the table. The letter had said he would be ‘out of contact’ for the foreseeable future; Jason could read between the lines enough to figure out that meant he was running away.

—Which, fuck. Another Robin was running away from Batman because of… well, Jason didn’t know what this kid’s issue with B was, but there were plenty of potential flaws in the man to choose from so Jason was going to play it safe and assume it was something Bruce did. Clearly, the man could never learn. And now, this poor dumb Robin was going to pay the price! Jason was more than familiar with the number of horrors that awaited kids who ended up on their own. He could starve; he could freeze to death; he could catch some disease like the flu, or get cut on a rusty nail and get tetanus, and then die from it because he couldn’t access medical treatment. He could get mugged, or harassed by cops, or snatched up by traffickers, or—

And fine; Jason himself had meant to hurt him. But that had been for ideological purposes, to prove a point about putting children in danger and not taking good enough care of them and stuff. It wasn’t like he was going to hurt him that badly, just bad enough to freak out Bruce a bit. But Jason was also the Red Hood, and the Red Hood’s mission was to do what was necessary to stop awful shit from happening to vulnerable kids. And this stupid, stupid letter was apparently enough to abruptly transfer Timothy Drake into that category in his head.

Everything Jason had heard about the kid said he was smart, and the timing of his disappearance pointed to some thoughtful planning on his part. Jason could imagine that the little shit had some sort of plan in place to evade Batman’s attempts to locate him, and he probably could manage to run without getting caught by Bruce and the Gotham team for a while. Heck, the kid probably had strategies to get away from most if not all of the Justice League members, since B was sure to call in favors once he got frantic enough about the little bird. But one thing the kid likely did not plan for was being pursued by him. Ex-Robin, currently a crime lord, League of Assassins connections, and a bone to pick with Timothy specifically? (He ran away from home and left a fucking resignation letter about it? Does he not realize what that would do to Dick, to Alfred, to Bruce—)

After stuffing the letter into his pocket, Jason put back on his helmet and stalked out of Titans Tower as silently as he’d arrived, this time with a new yet equally furious purpose sharpening his steps. Sucked to be Timothy Drake, he thought, because the Red Hood got his message and he was officially concerned.

#my writing #my fanfic #tim drake #jason todd #to whom it may concern #would be what this fic is called if I ever continue it haha #but this is as far as I got and then kinda lost steam #but it stands as a one shot pretty nicely so I thought I'd share it here see what people thought. ya know.#could it be a multi chapter fic one day? sure. what do I know. will it be soon? probably not.#um ok what else #unreliable narrator #tim drake has self worth issues #are probably the two most critical tags/warnings for this one.#anyway actually being on desktop is giving me way too much power look at me go all these tags and no typos damn!

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marzipanandminutiae · 10 months

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Further fun in the notes of that terf’s Complaining About Things Nobody Said, In A Video I Didn’t Watch post

Who wants to make “Corset-Defending Coterie” t-shirts?

#historical costuming #dress history #will go nicely with the Corset Apologist pin I want to commission someday #The same comment was incredulous that the YouTuber dared to criticize some thing Mary Wollstonecraft said #which honestly seems like a very dangerous way to look at historical writing. Like. No figures should be considered critical analysis #yes she contributed a great deal too early feminist thought. But if you can’t accept criticism of what she said #you’re putting her on a pedestal and that’s not a great way to think about historical people #*above critical analysis

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sparring-spirals · 17 days

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Compromise. Im not going to actually WRITE meta but i AM going to lay out a list of things I'm thinking about broadly and thematically and would probably write meta about if i were properly caught up and informed, but is instead influenced much more by early campaign F.C.G:

**edit: no this is kind of meta again. sorry.

- F.C.G grappling with the questions of: being made. purpose. whether it matters if you find your own purpose if you were made with one in mind and you "choose" something else. Can you actually? Does it matter? Is your choice a choice at all?

- Wanting so badly to heal people and help people and the unique fear of waking up and seeing damage done by your own hands. To the same people you wanted so badly to help. You extend healing and you offer comfort or kind words but all the while, in your core is a tightness. In your core is a danger. How much good do you need to do to get the blood off your chassis? Can you, at all?

- Metal body. Metal hands. A little wheel. You were a turtle once and it felt so wondrous to breathe. You try out tongues or little wooden legs or whatnot but it always comes back to an inorganic metal body and empty insides no matter if youre filling them with liquids or secret goods to smuggle or pastries (faux warmth). Maybe everything like wooden legs dangling off a metal body. All for show.

- A coin in hand. Looking for a higher power. Thinking about choice. Deferring choices.

- You love your friends, so much. You love people being kind to each other. You love your boyfriend and their wonderful way of thinking. You love being alive. Even when you doubted you were at all. You love, truly and deeply.

- Ashton raging at F.C.G for being a martyr. For aching for a good enough reason to get himself hurt or killed or blown up. Ashton looking at F.C.G knowing they're all messed up inside and trying so hard to stop them from letting it destroy them.

- Ashton always worried about how they're always trying to find a big enough cause, a good enough reason.

And so with those things, I remembered about F.C.G:

- F.C.G looking at their friends all down. Ashton laid out unmoving.

- F.C.G with something awful in their core. Ready to spill out. The same something awful they were always worried about. They were always aware of.

- F.C.G always looking for that reason. For that bigger and better cause.

- F.C.G always feeling like they didn't understand purpose, like it was so. unattainable- finally, briefly, startlingly- sure. Finally free of doubt. Their friends down and something awful and destructive in their core and one last thing they can do to maybe make things worth it, and the ability to choose it. They were made for something. They chose what to do with it.

- F.C.G finding that reason. F.C.G making that call. F.C.G thinking it was worth it.

- I think because of him, they succeeded. They won. That is certain.

- I think. "Worth it". Is always a subjective thing.

- I think. A self sacrifice is never just one person giving everything up. A self sacrifice, unfortunately- is one person making a choice.

And everyone else caught, in the blast radius.

#critical role #cr spoilers #cr liveblogging #c3e91 #fcg #AH SHIT. THIS IS META AGAIN. FUCK #sorry. i. god. look. you all knew what you signed up for when you followed me right. im sorry #look im certain i missed 40 episodes of character dev i just need to word vomit where my brain is at given my context #character meta #spar speaks #fcg meta #i. GUESS. if other people want to take any portion of it and chew through it in a more informed way please be my gues #id love to. know things #ive got a lot of emotions to parse and im also about to make a ton of slightly terrible jokes if im not writing meta leggo

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shorthaltsjester · 9 months

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i do not want to dig a hole but i am too much of a laura bailey pc enjoyer to not make this post so:

selfishness ≠ a lack of kindness

selfishness is a theme that has come up with all of laura's main campaign pcs. that doesn't mean that her characters are always making selfish choices or that they don't care about the rest of the people they're with or that they're not good. it's just that, for the most part, the first thing they're thinking of when they take action or make choices is themselves.

in jester and vex both it is more typical and obvious selfishness. vex's developed because she needed it to keep herself and vax alive and as safe as possible and it grew into a behaviour that she had to actively work to avoid. it's evident in her greed, her theft of the broom, her reaction to her own death which relied heavily on i'm okay/i survived to which keyleth reminded her that she wasn't the only one who had to witness and reckon with her death. in jester's case, she grew up in an environment that literally trained her to make every decision based on two things - her mother's opinion and her own. so, when she's out in the world without marion for the first time, her choices are those that will benefit her and her actions are those that consider her own thoughts and not really many others' (aside from the traveler's).

it isn't a criticism of either vex or jester to say that they are characters who act selfishly. in fact, i'd argue that to claim otherwise does a great disservice to exactly how immense both of their character arcs are. because the nuance of both jester and vex is that they are selfish, and they also hold extreme room for self-sacrifice and empathy. vex is much more brash than jester is, and jester is much more trusting than vex, but both of them are characters who begin with selfish impulses who grow with them. neither ever truly shed those impulses, but they use them in new ways, typically transforming them into impulses towards things that are in the best interest of the party.

you may have noticed the lack of imogen in this post about laura bailey pcs and that's because of two reasons. one, we are an unknown amount of time into her story, i can't analyse her development the same way i can vex and jester's. two, imogen's selfishness isn't the blatant quasi-self-aware selfishness that we see in things like jester complaining about her lack of money to caleb or vex stealing a broom. instead, imogen's is very internal, like a lot of laura's character work with imogen. it is a bit similar to jester’s in the sense that it comes from a lack of awareness moreso than vex’s practiced behaviour, but imogen’s is a lot more tied to inherent beliefs she has about the world and the people in it.

as a consequence of her powers, imogen sees people's thoughts as their entirety, she holds it above their actions to be the truth of who they are - to act against what they think or to say something that doesn’t cohere with what they’ve thought is akin to lying, so for her to act empathetically is to act in tandem with what someone else’s thoughts are, not how they act, which is typically not all that wanted. the same as vex’s greed and jester’s naivety, this is a trait that makes narrative sense and it’s one i find quite compelling, especially when read in the vein of someone struggling through trauma that has made them assume that the world is against them. imogen’s cynicism is coherent cynicism, i can’t say that in a similar situation i wouldn’t have the same predisposition towards the world.

the part that is particularly self-interested comes in if you look at how imogen has actually been treated in the campaign (quite well) in comparison to the cynicism that she’s developed from her past (something that speaks to a world out to get her). certainly, a bunch of shitty things have happened to imogen in the time we’ve known her, but the same can be said for everyone in bell’s hells and pretty much everyone in exandria at this point in time. but, in a fight to save the aforementioned world, imogen’s focus was getting her mother back on her side. which, while very consistent with her character and a choice that i enjoy, is a very selfish one. the fun thing (to me, obviously) about imogen is that she has, more than most, an insight into the opinions of others and she also tends to seek others’ opinions out and genuinely engages with them and supports their choices. but she still very much acts towards what she thinks is best. it’s one reason i enjoy looking at the dynamic between her and orym as one between foils, as orym tends to be stalwart in his beliefs and doesn’t care too much for other’s opinions if he’s already sure of his own, but his actions tend to favour collaboration and protecting others.

as i mentioned earlier, imogen is a harder case to look at because she is still in the process of her story. however, the circlet is clearly influencing how she interacts with the world and in the wake of the solstice, the hostile reaction towards ruidusborn people has started to become more and more apparent and i’m interested to see what route that ends up leading imogen down and how it will influence her relationship with the rest of bell’s hells. (for better, i think, based on recent conversations, but if it's for worse i will be just as seated and excited).

all of this is just to say, please stop assuming that claiming a character has a trait you think is a bad one is criticism or a hate post. in light of the fact that i know that people who don’t believe this will continue to not believe this, i’ll encourage anyone confused about the ability of a character to be good and kind and selfish all at once to look to what the text itself says, specifically scanlan’s words to pelor when asked what vex means to him:

“Her name is Vex, and she is greedy and mean sometimes, and she can steal a lot. She’s a little bit not the greatest person, but her flaws highlight everything that is right about her, which is she does all these things to protect her friends and her family. She would give her life for any of us and for anyone who was truly in need. And she’s not perfect but she’s the most perfect of all of us.”

would you look at that... an ability to be a multitude of things, some in conflict with one another. i know that's hard for fandoms to believe, especially about female characters with agency, but i promise its true!

#deeply unfair of laura to make three characters with some type of people skills and morality shaped by their loneliness #and what. i’m just supposed act like i’m normal about that?#this is me blog and i have slightly more time than usual to write nothing essays about fictional characters that haunt me #but dear god . lookin at cr characters and denying their flaws is like looking at a house and only seeing it’s doors .#if ppl demand perfection of fictional characters im genuinely curious in what media they’ve ever found that .#a single imogen post of mine broke containment and it skyrocketed my annoying phil student levels so. alas #but . if you agree that imogen had an incredibly isolating life . i will emphasize that isolation causes traits and behaviours #that aren’t just Quirky or fun or hot anger or whatever #imogen contains so much i love her so much i am bursting at the seams about it #but for some ppl. she is ur ‘girlfailure’ until someone suggests a way she might be girl failing by being selfinterested #what is the truth. do u want her to be an actual girlfailure it do u just want her to suit a . frankly tired. trope about lesbians #anyway . both text and tag rant over . goodnight #cr meta #imogen temult #vex’ahlia #vex’ahlia de rolo #jester lavorre #critical role #my posts

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thefangirlfever · 2 months

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I needed to make a post about this because...well, the title says everything.

First of all I would like to say that I'm feeling a bit anxious sharing my thoughts about this. I don't know if I'm the most qualified to talk about this but it has been bugging me.

I know a lot of people have already discussed the way Miguel, a POC and a latino man out of all people, has been oversexualized to a point that it feels fetishy and a bit concerning sometimes. I think we can all acknowledge this and that already gives us a lot to think about.

But what I think is really interesting is that not only is Miguel an intentional thirst-trap, he is a thirst-trap created mainly by a team of male producers/ writers. From what I read, the people in charge of his character design were men (I want to say that I am by no mean attacking anyone who worked on this movie. They did an amazing job and I am just sharing my thoughts, not saying they are bad people for this choise or anything. Thank you).

And I find this very telling. Because when I first saw this headline, I thought "Oh finally, women have been given the chance to freely thirst over a male character the same way men do." And I think it was a big mistake from me to think this way. (First of all, there are also men and non-binary simping over him). Because, let's be real for one second there, do we really want to thirst over characters the way men do? I have been an anime fan for years and let me tell you, the way a lot of men/ fanboys view female characters is simply gross (I know, I know, not all men). It's also something I noticed in comics and video games. Like, have you seen the outrage when a video game studio wants to propose female characters who do not look like what some p*rn addicts imagines women are?

My point is that Miguel has been created not with the female gaze in mind, but with the male gaze (and it hurts to say this). That's what I got from reading the part of the interview. The emphasis on his butt, the overly masculine, muscular body... Miguel was created not by following what women like in men but by what men imagine that women like in men.

This is also something we can see a lot in various medias over the last years, especially in the romance genre. The way some "desirable" men are depicted do not fit what women seek in a partner but what men imagine women want (ofc every woman has different criteria when it comes to this). I think it's very blatant when you compare medias written by and for women like Shonda Rhimes's shows, Bridgerton, Outlander... and medias written by men. So, in the end, I think that Miguel has been created with that in mind "Let's make a big, tall, dark and broody, muscular matcho man. That's what the female public wants." (ofc it's never as simple as that but you get the idea).

So... does this mean that it's bad to simp/ thirst over this character? Surprisingly I'm going to say no and I even think that it's important that the women in this fandom keep making content around Miguel! Because when we write fanfictions, draw fanarts of him... we are now picturing him with a real female gaze and that's what brings even more complexity and depth to this character.

I have seen so many interpretations of this character since I joined this fandom and a lot of them were really cool/ beautiful, showing just how much people love this character. When you think about it, it's crazy that a character who only got 15 minutes of screen time can have such a strong effect on a fandom, meaning that he is more than just a thirst trap. I genuinely think that the content created by the fans gives this character his humanity back (because, yes, being sexualized to no end deshumanizes a person. Go argue with a wall, thank you very much). I've seen so many tender, soft but also funny depictions of him making him more than just some ass shots on the big screen. And even on the NSFW corner of the fandom, some people out there are really making him more than just this "feral beast" that we have been sold by giving him back his tenderness, his sensuality...

So, yeah, take this headline with care and think what you want of it. Those were just my thoughts. Feel free to disagree, tell me if I got something wrong or just leave your thoughts under this post because I'm genuinely curious of seeing other fan's opinions. I apologize for the mess of this take.

And now I'm going back to sleep.

#miguel o'hara #atsv miguel #spiderman 2099 #across the spiderverse #atsv #spiderverse #we need to talk about this #gender critical #female gaze #male gaze #look at me not writing my college essays but writing this

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