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#RomCom
k-wame · 9 months
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Taylor Zakhar Perez as Alex Claremont-Diaz & Nicholas Galitzine as Prince Henry 2023 · Red, White & Royal Blue · RomCom · dir. Matthew López
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gleafer · 1 month
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Alright alright alright! The cover isn’t done and I’ve only posted part of Chapter 1 on my Patreon (more pages to be uploaded this weekend)
Work has been busy so Moonlighting *slams office door* (see what I did there) has taken a backseat briefly.
BUT I wanted to share the intro to my 80s romcom parody comic “Come With Me If You Want To Live!”
This is rated pg-13 like all great 80s flicks so all tiers will have access to the mullet fest!
Enjoy!
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moonlightsdream · 2 months
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John Tucker Must Die (2006) — dir. Betty Thomas
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ashintheairlikesnow · 8 months
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Okay so here, I think, is why I think Red, White and Royal Blue succeeds spectacularly as a romcom, and actually to me is a better-than-average take on the genre.
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First, the leads have absolutely scorching chemistry. They are incredibly believable as two men absolutely infatuated with each other. They each kiss like drowning men shown water, right down to how each grabs at the other, at hair or back or neck and face.
They each have developed their character having a specific characteristic even when flirting or kissing. Henry grabs Alex's hair, for example, every single time, in a way that makes it clear he spends serious time thinking about that hair.
Fair enough, Henry.
They also do something even goddamn better.
They are friends. They are believable as two people who could actually get along long enough to fall in love.
They are allowed to become FRIENDS.
They are given time to get to know each other before they get physical. You can feel their interest in each other growing. And, to my opinion, you can tell that Henry is feeling Alex out through texts to see if the interest might be reciprocated even though he thinks it can't possibly be.
One thing that kills me about romcoms is how the leads will have witty "sexy" banter but don't seem to actually like each other. They are enemies who fall into bed but aren't really believable as lovers.
Henry and Alex are believable, because they... Well. They're impossibly silly even when tearing at each other's clothes. They have awkward moments.
They laugh.
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Alex laughs in bed. He holds Henry in a way that is romantic, openly so. Henry is overcoming the conditioned hesitation and avoidance he has, his smiles and warmth and laughter come with rare vulnerability - Alex is a man who throws himself head first into life and has no such compunctions in the moment. He laughs because this is awesome and Jesus Christ, Prince Henry is too hot to be real.
They like each other, they stumble, they laugh.
But also, another reason this works so well?
The sex scene isn't scorching.
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Watching the sex scene felt realistically intimate. It felt like I had walked in one real people and needed to leave. It was intense in a way that felt like something I maybe wasn't meant to see.
It was filmed so well. So much romanticism and deeply felt adoration in a simple grasping of a hand, the look in soft eyes, a hand pressed against a back. The edge of a knee just in frame. Looking up and looking down.
It felt like we walked into their room during and saw them both laid utterly bare.
Henry's look of vulnerability and nerves and pleasure, Alex looking slowly over his face to take it all in. Moving slowly, then, when everything they do before this is hurried or hidden.
It works as a romcom because you believe 100% these two men could get to like each other, fall in love, and stay that way.
You believe Henry's very real terror of rejection from the public because he already knows his family, beyond his sister, will reject him. You believe that Alex is a headstrong idealist who is sure that you can bulldoze through any wall too tall to climb.
And you believe that between the two of them, they can find a way around the wall entirely.
This movie is a master class on how a movie can get you to suspend so much disbelief if the leads sell their characters. The importance of believable chemistry.
And also... Isn't it nice to see a queer love story in a world that is, in some ways, just a few shades better than our own?
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P.S. you cannot tell me Stephen Fry did not chew the goddamn scenery in circles all around everyone during his single scene. That man was having a ball.
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dailyflicks · 2 months
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THE DUFF 2015, dir. Ari Sandel
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homosexualfairy · 2 months
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gugumbathraw · 1 year
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Rye Lane (2023) dir. Raine Allen-Miller
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tomkeirblyth · 3 months
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Glen Powell & Sydney Sweeney ANYONE BUT YOU (2023)
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percabething · 1 month
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“oh god I’m gonna marry him if he keeps this shit up” and it’s a fictional character.
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msanonships · 3 months
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Camila Mendes and Archie Renaux as Ana & William in Upgraded (2024) dir. Carlson Young
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whoisspence · 3 months
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he's so romcom boyfriend and we don't have a single mgg romcom, it's literally a crime i'd say
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k-wame · 9 months
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Taylor Zakhar Perez as Alex Claremont-Diaz & Nicholas Galitzine as Prince Henry 2023 · Red, White & Royal Blue · RomCom · dir. Matthew López
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gleafer · 1 month
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Particular proud of this panel of my 80s era romcom parody comic!
Took ages. *pats self on artist back*
(First Chapter up on Patreon!)
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Meg Ryan honors Billy Crystal | 46th Kennedy Center Honors
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moonlightsdream · 2 months
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FILMS in 2024: 23 | John Tucker Must Die (2006) — dir. Betty Thomas
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beansprean · 4 months
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I forgot to put these on tumblr lol! These romcom posters were made as an 'anonymous' gift for returnofthelu for the 2023 Halloween Exchangeapalooza! Check out all the entries on AO3 here!
These are also avail as posters, prints and stickers on my RedBubble!
Support me on Patreon or send a tip on Kofi!
(ID in alt and under cut)
1. Movie poster based on Practical Magic, with the title in the top center and the names Guillermo de la Cruz and Nandor the Relentless along the top. Nandor is close up in the center, face worried and thrown into harsh shadows by candlelight. Guillermo is just behind him, staring determinedly at the viewer with a stake raised. Nandor's left hand is held out behind him, the back of it pressed to Guillermo's chest as if to hold him back. In the foreground in front of them is a cluster of lit candles and the silhouettes of dozens of bats flying past. A tagline reads 'for a vampire with a lifetime of heartbreak, falling out of love is the trickiest spell of all.' Text at the bottom says 'a beansprean production.'
2. Movie poster based on While You Were Sleeping, with the names Guillermo de la Cruz and Nandor the Relentless along the top. Close up of Nandor in his super slumber robes, eyes half open, drooling and looking barely awake, head surrounded by question marks. Guillermo, a vampire, is beaming and hugging him around the neck from behind, a smear of blood on his cheek. The title 'While You Were In Super Slumber' lays across them in white with the tagline 'a story about love at second sight.' Text at the bottom says 'a beansprean production.'
3. Movie poster based on The Wedding Planner, with the names Guillermo de la Cruz and Nandor the Relentless along the top with the tagline 'a romantic horror comedy about love, wishes, and other events you just can't plan for.' Waist up of Guillermo and Nandor on a background of white roses dripping with blood, pooling and staining at the bottom. Guillermo is leaning heavily against the bottom of the poster with both elbows, one hand holding up his face as he stares blankly into the middle distance, tired beyond belief with dark circles beneath his eyes. Nandor is leaning into him from behind, one arm propped on his shoulders and holding a pen while he gestures vaguely. The other hand is holding up a notebook. Nandor, also with dark circles beneath his eyes but with a more manic expression, is looking upward and appears in the middle of reciting some new list of demands. The title 'The Wedding Planner' is scrawled over the top of them in fancy font. Text at the bottom says 'a beansprean production.'
4. Movie poster based on Pretty Woman, with the names Guillermo de la Cruz and Laszlo Cravensworth along the top. The title 'Pretty Vampire' is printed vertically on the right side with the tagline 'he flew into their lives, off the balcony, and needed medical attention.' In the center, Laszlo floats midair, facing left with one hand in his pocket. He is wearing a black suit with a patterned purple waistcoat and embroidered loafers. He is wrenched backward with a shocked and angry expression, bent almost in half, as Guillermo grabs onto his tie from behind. Guillermo, wearing a pink and red patterned sweater, black chinos, and black boots, is flailing midair, held up only by his death grip on Laszlo's tie as he pumps his legs back and forth in an effort to regain flight. His eyes are wide and panicked, teeth clenched together, and there are shadows of bat wings at his back. Text at the bottom says 'a beansprean production.'
5. Movie poster based on The Vow, with the names Guillermo de la Cruz and Nandor the Relentless along the top. Nandor and Guillermo are facing each other in profile, intimately close and with their foreheads pressed together, smiling gently and staring into each other's eyes. Nandor has his hands on Guillermo's hips and Guillermo has one hand on Nandor's waist and the other tucked around the back of his neck. Several top buttons of Guillermo's shirt is open, and there is blood staining the collar and dripping sluggishly from two holes on his throat. Blood is also smeared around Nandor's mouth and chin. The title 'The Vow' is overlaid with the tagline 'his word is their bond'. Text at the bottom says 'a beansprean production.'
6. Movie poster based on The Breakup, with the names Guillermo de la Cruz and Nandor the Relentless along the top. Nandor and vampire Guillermo are both sitting up on either side of a massive king-sized coffin with a double lid. A line of duct tape runs down the adjacent wall and divides the coffin down the middle. On the left, Guillermo, hair a mess and wearing a blue striped pajama set, sits with his knees to his chest, hugging his balled-up corner of their shared comforter to his chest and glaring off to the side, away from Nandor. On the right, Nandor, wearing a loose cream blouse, sits pouting with his arms crossed, glaring over at the side of Guillermo's head. The title over their heads says 'the break-up' with the tagline '…pick a side.' Text at the bottom says 'a beansprean production. coming on a sheet near you November 2023.'
7. Movie poster based on Failure to Launch, with the names Guillermo de la Cruz and Laszlo Cravensworth along the top. Full body of Laszlo and Guillermo as Laszlo, wearing a burgundy and pink suit, cheerfully pushes Guillermo across the screen from behind, grinning at the viewer. Guillermo, wearing a teal and brown patterned cardigan, beige chinos, and boots, is leaning back into Laszlo, body fully straight and rigid, digging his heels in as they scrape along the ground. He looks anxious and terrified, hands up in front of him as if to protect him from whatever he's headed toward. The title above their heads reads 'failure to launch' with the tagline 'to leave the nest, some fledglings just need a little push.' Falling down from the title is a little black and orange bat, a dotted line following it down as it fails to fly upward. Text at the bottom says 'a beansprean production.'
8. Movie poster based on 10 Things I Hate About You, with the title '10 Things I Ate Instead of You' large in the right center of frame with the names Nandor the Relentless and Guillermo de la Cruz above and below it, respectively. A tagline along the top reads 'how do I resent thee? let me count the ways'. In the center is Nandor from knees up, curled in an armchair with his knees tucked to one side, his left arm resting on the chair arm and his right elbow braced on the other to play idly with his hair. His expression is a practice in aloofness, looking off to the side. Behind him stands Guillermo, left arm leaning against the back of the chair and right elbow braced to lean his head against his hand. He stares longingly at the side of Nandor's head, face flushed and lips pressed together nervously. Text at the bottom says 'a beansprean production.'
9. Movie poster based on You've Got Mail, with Guillermo and Nandor. Their names are listed at the top. They are walking casually toward the viewer on far sides of the image, looking off to the side away from each other with dreamy smiles, ignorant of the other's presence. Nandor is wearing a brown and gold belted tunic and boots, twiddling his fingers together. Guillermo is wearing black boots, gray chinos and vest, and his trenchcoat, a stake loose in his hand as it swings at his side. The background is blurry green and white, shadows stretching out in front of them. Between them, a tagline reads 'Someone you pass on the street may already be the love of your afterlife.' and then the title 'You've Got Mail' beneath. 'Text at the bottom says 'a beansprean production.' /end ID
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