#crowley is punk rock | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Kazakhstan’s Minister of Communications and Informatics has blocked the Tumblr site because it contained 60 sites of terrorism, extremism, and pornography in 2015.

#crowley is punk rock

gleafer · 2 months

Text

AH MAH GAHD!

Come With Me if You Want To Live: Chapter 1 just DeeeeRopped on ze Patreon!

Here’s Punk Rock Crowley lurking about.

FEAST.

#illustrator #illustration #digital artist #artist on tumblr #crowley #good omens #good omens art #gleafer art #good omens aziraphale #Crowley is punk rock #bring back belly shirts for men

1K notes · View notes

amaliazeichnerin · 5 months

Text

fanart by @gahellhimself-blog, with kind permission

December 16,2023 As "Good Omens" has been renewed for a third and final season - and is trending on Tumblr right now, how about a wholesome alternative universe fanfiction, without explicit sex scenes, with ace-spec and nonbinary representation? This is what it is about:

Link to the fanfiction on AO3: https://archiveofourown.org/works/49784236 If you like it, feel free to leave a comment or kudos. Thanks and enjoy your weekend.😊

#visit our fundraising concert with crowley and the demons #Good Omens #Good Omens wholesome fanfiction #Good Omens fanfiction #Good Omens fanfic #good omens fanart #Crowley as a retired punk rock star #ace spec #nonbinary #ace spec characters #nonbinary character #agender character

593 notes · View notes

lauramoon1987 · 4 months

Text

Punk Crowley! Quick sketch for @loveapologist

If you want,you can support me ok KO FI

#drawing #art #procreate #digital illustration #neil gaiman #digital art #tv series #good omens #crowley #ineffable husbands #good omens au #crowley au #punk #punk rock #punk demon #sketch #sketching #goodomens fanart

158 notes · View notes

lesliedraws-lilithcurses · 3 months

Text

I feel like I’m getting better at this.

Will be starting a petition to get a punk look for Crowley in season 3.

One reblog = 🖋️

Also, I got too much joy drawing this specific facial expression.

I am here for joyful and silly punk. He’s also judging you ofc. Not nearly as radical as you should be. Go and indulge in some act of civil disobedience.

Reference I used for this piece.

#good omens #good omens fanart #a j crowley #crowley #david tennant #punk crowley #punk rock #punk!crowley #punk

81 notes · View notes

bitt3r-lem0n · 8 months

Text

My beloved punk rock Crowley, a drawing I made for @axel-tiredstudent 's dtiys on instagram uwu, I wanted to show it here as well >:)

the original ⬇️

#crowley #digital painting #digital illustration #good omens #good omens 2 #punk rock #punk #queer #fanart #gomens fanart #pink triangle #punk crowley #goth crowley

40 notes · View notes

littlemsterious · 9 months

Text

ok so i originally was only gonna talk about good omens in order to explain how i got this idea but then i thought more and changed my mind

so Aziraphale as a character appreciates the inherent beauty and goodness of humanity, that’s like half his character, but he’s (how do i say this nicely) a bit stuck up about it. He likes fancy wine and old books and classical music and dining at the ritz. he’s into the finer things. which is all well and good it’s an incredibly interesting part of his character (there’s another post i should write about how this trait interacts with him being an angel but i digress).

what i think would be really interesting to see is a character meant to juxtapose this, someone who appreciates beauty and goodness in all of humanity not just the finer things. yeah, fine wine and tea are great, but so are fireball and monster energy. classical music is good, and it goes on the same playlist as the CD they bought off a stranger on the train. Art museums full of well regarded paintings and sculpture are amazing, but so are spray paint murals. Classic literature is just as good as weird children’s books or zines.

just a character who sees beauty in all parts of people and isnt put off by the weirder stuff.

my first thought if i were to make original character was someone like crowley, also immortal, been on earth the same amount of time and watched humanity progress the same way, and use that to show the dynamic there but i actually think it would be better in someone like Muriel.

much much newer to earth, without knowledge of etiquette or prejudice. discovering the world on their own with reckless abandon. finding absolutely everything cool and fascinating with no regard to what is proper and respectable.

idk how to end this, i just think the dynamic of two characters like that would be cool. wouldnt have to be good omens, that was just the jumping off point

#a bit punk rock but not explicity? if that makes sense?#I’m not being mean to aziraphale i love him and this part of his character is cool #i just think if you gave him a red hot cheeto or a warhead candy he would discorporate #good omens season two #good omens #aziraphel #crowley #muriel good omens #other thoughts:#having them both be immortal non humans improves the dynamic #eapecially if they’re start out the same ie as angels #i think it would be funny for muriel to be like this and crowley gets to watch #to have him watch them and compare to aziraphale i think could lead to interesting development for him as a character

13 notes · View notes

manta-rays-on-gallifrey · 8 months

Text

Not Nice - A Crowley fanmix

3D Country - Geese // Ain't Nice - Viagra Boys // The Fallen - Franz Ferdinand // My Life - Oingo Boingo // Turn to Hate - Orville Peck // Rebel Rebel - David Bowie // I Will, Tonight - The Brobecks // Why Do I Keep Counting? - The Killers // Good Old-Fashioned Lover Boy - Queen

[LISTEN HERE]

#good omens #Crowley #anthony j crowley #my playlists #my art #THAT'S RIGHT SUCKERS it's another playlist #If you thought getting no notes on the last one would make me stop then you were WRONG I will never stop #also I'm pretty happy with how my lil Crowley snake sigil came out it was fun to doodle #anyway check this one out! Especially if you like alt rock a bit of post punk and some cowboy flavors #I really like how it turned out but obviously I would it's my music

0 notes

cobragardens · 7 months

Text

My Favorite Good Omens Moment:

An Essay on Why It Is Cool and Rad (Part 1)

There's this moment in Good Omens that makes me cackle every time I see it and leaves me full of warmth, so here's an essay on its context and meaning, because explication and analysis are how I show love. I will try to keep my thoughts as tight as possible, but they do have a tendency to spiral outwards, and I am very stoned. Come, sistren, and get nerdy with me.

My favorite moment in the series so far occurs in 1601. To approach it we will first need an assload of context. There's a TL;DR in bold at the end of the Context if you don't fancy reading the whole assload. Key arguments are in italics and bold throughout.

David Tennant gives Crowley a very consistent facial expression every time Aziraphale says something so outlandish Crowley can't quite believe he's hearing it. It's this one:

Chronologically, we see the Eyebrows of Disbelief twice before my fave moment in 1601: once (above left) in that scene on the Garden Wall that familiarizes the audience with Crowley's face before adding the dark glasses, when Aziraphale admits he's given away his sword; once when Aziraphale tells Bildad the Shuhite that he, Aziraphale, has Fallen because he lied to the angels to save Job's children.

The Eyebows of Disbelief always signal surprise and amusement with something Aziraphale has said or done. This amusement is sometimes at Aziraphale's expense and sometimes not.

In the gifs above, Crowley is laughing because what Aziraphale has just admitted to doing is fantastic and unexpected and frankly pretty gd punk rock. He's not laughing at Aziraphale, he's laughing because he is delighted with him. The only record we have thus far of Crowley laughing at Aziraphale is this one:

Crowley laughs when Aziraphale informs him--him, a demon who has personally been through the process of Falling--that Aziraphale is Fallen and must be a demon now. As though of the two of them Aziraphale is the expert on how and under what circumstances this occurs.

And yet when Crowley sees Aziraphale's distress--not his fear of being taken to Hell, but his heartbreak and lostness over the fact that his conscience has diverged from God's stated will--Crowley stops laughing, and instead he acts very kindly towards Aziraphale. He validates the gravity of what Aziraphale has done and assures him he won't turn him in. He sits with him so Aziraphale isn't totally alone (like Crowley probably was) as he goes through the loneliest moments of his existence to that point and picks himself up newly weighted with the secret he must now bear.

And after this scene (in canon as it stands thus far), we don't see Crowley laugh at anything Aziraphale says or does again.

And he really has to work for it sometimes. We talk a lot about the things Michael Sheen is able to convey with his face in Good Omens, and absolutely rightly so; David Tennant earns a chunk of his paycheck in this regard as well. If you haven't given yourself the treat yet, rewatch the scene in Will Goldstone's magic shop in 1941 and focus on Crowley's reactions:

youtube

Tennant takes great care to show, with precision, that Crowley is expending effort not to react to Aziraphale's nervous chaos Muppetry and lack of self-awareness. Crowley is self- and socially and contextually aware enough that he knows (better than Aziraphale, at least, which is not a high bar to clear) what's cringe, what's funny, what's ridiculous, how to behave. But whenever Aziraphale crosses a boundary of normalcy, or even sanity, and there is opportunity to laugh at him, Crowley very carefully doesn't react. He doesn't interrupt him, he doesn't try to correct him, he doesn't make fun of him, he doesn't even smirk; he just watches him, as stone-faced as he can manage, no matter how bizarre Aziraphale becomes.

We should be reading this lack of reaction to Aziraphale's social and rational transgressions as powerful positive action. Go watch the Doctor Who episode "Human Nature," or literally any episode of The Inbetweeners, or read or watch Regeneration, and reflect on what it shows you about English masculinity; then consider again the depth of significance in how English- and male-coded character Crowley treats English- and male-coded character Aziraphale in an England created by an English and male-codedpresenting author based off a book written by himself and another male-presenting author. Within its context of English masculinity, Crowley's lack of reaction is not a neutral stance; it is a very fucking loud show of support.

This is not even an inference; it's stated outright in the show. Crowley himself puts it into words 422 years after my favorite moment:

You know how Crowley calls Aziraphale "angel" because the factuality of the descriptor offers him plausible deniability to any Heavenly or Infernal agents who might be listening? Remember how Crowley is a great equivocator? Crowley is equivocating here, too: he's using the cover of what Maggie and Nina will take as a disparaging joke at Aziraphale's expense in order to make a perfectly sincere statement. This is his genuine perception of one of the relationship dynamics he has with Aziraphale and how he feels about that dynamic. Crowley thinks he himself is quite witty (an accurate assessment), Crowley thinks Aziraphale isn't sufficiently self- or contextually aware to hide how strange he is and therefore frequently says and does mad things (also an accurate assessment), and Crowley is Into. That. Shit.

Okay. Now let's look at 1601.

Chronologically it's been almost 1,000 years since we last saw Aziraphale and Crowley. In 537, Aziraphale isn't willing even to consider a labor-saving working arrangement with Crowley of fucking off home out of the damp of Arthurian Wessex; but by 1601, he's worked (and met, and Arranged) with Crowley "dozens of times now," Crowley says, and Azirapahle does not correct him.

In that millienium, Aziraphale has grown to care deeply about Crowley:

In fact he may be somewhat smitten with him:

Seriously, go back and watch Aziraphale here as Crowley approaches and starts speaking to him: he doesn't start smiling until he recognizes that the person speaking to him is Crowley (but he only smiles at Crowley while Crowley's not looking at him).

And Crowley is definitely become smitten with Aziraphale:

Our man(-shaped entity) is so allergic to work he sets up a meeting to weasel, cajole, or (as it happens) cheat a coin toss to get Aziraphale to do an easy temptation for him in Edinburgh, and then in the same conversation agrees to miracle a play into success because Aziraphale gives him a single hopeful look. Crowley's got it bad.

TL;DR: The Eyebrows of Disbelief happen when Crowley is surprised and amused by something Aziraphale has said or done. Sometimes that amusement is delight with Aziraphale; sometimes it is at Aziraphale's expense. Crowley is aware of this distinction, and when his amusement is at Aziraphale's expense, he suppresses it, even when it takes some effort on his own part, and remains stocially composed. This is equivocation on his part: to Celestial/Infernal operatives lacking knowledge of the intricacies of human behavior, this non-reaction would seem like neutrality; to Aziraphale, who shares with Crowley and the audience the contextual knowledge of English masculinity's utter viciousness, this non-reaction is a profound show of support; and in the safety of support from Crowley, Aziraphale lets his weirdness blossom.

As another meta points out [link if I find it again], we also see in Aziraphale's wordless request about Hamlet and Crowley's immediate understanding of it that by 1601 Aziraphale and Crowley have developed an unspoken, coded method of communication with each other.

Now that we have all of that in mind, here's my favorite moment in Good Omens:

Ixi of Fuck Yeah Good Omens has even kindly archived a closeup of the aftermath, for Crowley, of "Buck up!" In gif 4, above, you can see that the tiny smile is an involuntary reaction that happens as Crowley's eyes widen: for a fraction of a second, he's caught off-guard. In the closeup it's easier to see that he suppresses the smile and gives a tiny shake of his head, Eyebrows of Disbelief heading for his hairline.

There are a number of things Crowley's reaction could mean and what messages it could communicate (we'll get to that in a sec), but regardless, his reaction is, unquestionably, one of surprise and suppressed amusement. This is an aspect of Crowley and Aziraphale's relationship and characters that I like very much, viz., that one of the reasons Crowley likes Aziraphale (though Aziraphale is judgy and occasionally, unintentionally, horrifyingly cruel) is that in addition to being one of the kindest and most courageous beings in existence, Aziraphale is mad as a bag of frogs. Crowley does not know what is going to come out of Aziraphale's lovely mouth next, but Crowley does know there's a good chance he will struggle to believe he's hearing it, and Crowley likes that.

That's what makes this my favorite moment. What makes this moment so cool and rad, though, is its ineffability. We know from the Eyebrows of Disbelief that Crowley is surprised and amused, but any of several things could be read in that almost imperceptible headshake. Like:

What are you doing? or

Why are you like this? or

How can you be aware that you say these things out loud and yet still say them out loud? or

How has my existence come to this? this moment of listening to such insanity?

each of which is a fair and just feeling to have/message to communicate to a man(-shaped entity) who is yelling "Buck up!" at Hamlet.

But that's only if we read Crowley's amusement as being at Aziraphale's expense. And I don't think we should. Because watch Aziraphale here:

He's doing it on purpose. He is shouting a hilariously inappropriate, 100% authentic Aziraphale-brand thing over arguably the gloomiest passage of Shakespeare's famously gloomy play--right after Crowley complains about its gloominess--and he is watching Crowley as he does it. Look at his smile! He knows he's being Deeply Uncool, and he is doing it literally right into Crowley's face.

Remember that we just talked about how by this point in the chronology Crowley and Aziraphale have learned to communicate with each other nonverbally through facial expression? So what does it mean when Aziraphale responds to Crowley's grumbling about Hamlet's gloominess by smiling his minxious Mona Lisa Aziraphale smile, looking right into Crowley's face, and yelling at Hamlet to buck up? Aziraphale, in a carefully coded, carefully Aziraphale way, is joking with Crowley. His silliness in this moment is for Crowley.

So with aaaaaaallllll of this essay in mind, what does it mean that Crowley's reaction to "Come on, Hamlet! Buck up!" is widening eyes, an involuntary twitch of his mouth toward a smile, and then, his eyebrows still showing surprise and amusement, a tiny shake of his head?

Once more, with inferences:

I do propose, y'all, on the basis of this web of evidence I submit for consideration, that what we are seeing here in my favorite moment of Good Omens is the ineffable equivalent of Aziraphale and Crowley sharing a laugh.

Crowley's amusement here isn't at Aziraphale, because Aziraphale is eliciting that amusement consciously and deliberately. Aziraphale, in good spirits and happy to see Crowley, uses his Aziraphaleness to offers Crowley not only an opportunity for amusement, but the opportunity to be in agreement with him about what in this situation is funny. They're on the same side of this joke.

And his humor lands just as he wants it to: Crowley, just for a moment, is caught off-guard, and tickled--

But remember, Crowley is worried in this scene about being surveilled ("I thought you said we'd be inconspicuous here"), and he worries about audio surveillance a lot ("Walls have ears"; "Don't say that. If my lot hear [etc.]," etc.), so he's very limited in what reactions he can show or voice. Aziraphale knows Crowley must be perceived by anyone watching or listening to disapprove of his, Aziraphale's, behavior (just as he must be perceived to disapprove vociferously of Crowley's). Both of them know this.

--so Crowley suppresses the smile almost successfully, and shakes his head at Aziraphale, minutely, to say Stop. What you're doing is working, you're close to making me laugh, and if I show how much you have just delighted me, it will blow our cover of "just an Arrangement."

I offer three final data points in advancing my argument that what we see in my favorite Good Omens moment is Aziraphale successfully attempting to joke with Crowley and Crowley recognizing that overture from Aziraphale and being momentarily surprised into a reaction of genuine delight before pulling his face back under control and indicating to Aziraphale that he must stop:

Datum 1. Nothing going on with Crowley's face in this moment is accidental. We know for sure we're not seeing David Tennant react to Michael Sheen here not only because of literally every other point of Tennant's and Sheen's performances in the show, but because Tennant is wearing opaque contacts and sunglasses under film lighting and therefore cannot be reacting to anything more compelling than a level-10-lift blur because Tennant cannot see shit. Crowley's reaction is a deliberate and careful performance choice on Tennant's part, and it's underscored by director Douglas Mackinnon's choice to film Tennant in 1/2 profile to keep Crowley's eyes visible and face readable to the audience. This reaction is supposed to be there and supposed to be meaningful.

Datum 2. The husbands in 1601 is not the only moment in Good Omens when we may be seeing an angel and a demon communicate the message Stop doing that, it makes us look too familiar between themselves with a little headshake:

Datum 3: There is another moment in Good Omens when Aziraphale offers Crowley the opportunity to enjoy a joke with him. There, too, his humor lands just as he intends, so we can use this other moment as a comparison to our 1601 moment. I don't have gifs for it, but go back and watch it, S1E6 49:27-42. Snips below.

Aziraphale says something that surprises and amuses Crowley (he asked Hell for a rubber duck while he was sloshing around in the holy water)--

--but what Aziraphale says makes Crowley smile long before it makes him laugh.

In fact, his laugh, though a genuine cackle, is quite delayed, and he laughs only after Aziraphale starts laughing too.

In other words, Crowley's reaction to Aziraphale offering him amusement they're both on the same side of is exactly the same as his reaction to "Come on, Hamlet! Buck up!" right up until he laughs instead of shaking his head. Here, after Armageddidn't, Crowley doesn't have to suppress his reaction, so he can let the smile bloom; he doesn't have to control his response, so, although it takes him a few extra seconds, he lets the smile turn into a laugh.

But in 1601, it's not safe to laugh at Aziraphale's humor. It's not safe even to smile at him. A single piece of evidence or eye/earwitness testimony that he and Crowley have anything more friendly than the most passing and acrimonious of professional relationships could mean death to either or both of them, and depending on what Falling is like, maybe something worse than death for Aziraphale.

But Aziraphale is so funny, so effervescent for Crowley, at Crowley, that it catches Crowley just for a moment. Crowley's eyes widen and the corner of his mouth twitches toward a smile.

And that's dangerous. If Aziraphale keeps acting so charmingly mad, Crowley is going to laugh, and they can't afford that risk, so he shakes his head at Aziraphale. Stop, or I won't be able to keep a straight face around you.

And Aziraphale apparently receives that message, because he immediately eases off. Less than 60 seconds later we learn that he's deeply concerned for Crowley's safety--and that it's not so much that Aziraphale has Crowley wrapped around his little finger as it is that Crowley has wrapped himself around Aziraphale's little finger like a snake arranging itself on the tree branch it calls home.

UPDATE 14/10/23: HOLY SHIT Y'ALL IT GETS EVEN BETTER! THERE IS A SEQUEL!

#good omens #good omens meta #good omens 1601 #good omens microexpressions #good omens headshake #angelfish #aziracrow #ineffable husbands #good omens fanalysis

1K notes · View notes

aziraphales-library · 8 months

Note

do you know of any fics set during the 70s 80s or 90s with a splash of punk!crowley

Here are some for you...

Think We're Alone Now by wonderlandiscrumbling (T)

Crowley has to admit there is an excitement to the punk rock scene in Los Angeles, CA during the 1980s. They love the fights, the loud music, the booze, and the fashion almost as much as they love Aziraphale.

It's the Beginning of a New Age by fluorescentgrey (T)

In August 1970, Aziraphale and Crowley attend one of the Velvet Underground's final shows at Max's Kansas City.

how to pay for my own life too by MostWeakHamlets (T)

"Growing up, Aziraphale knew long skirts and waist-length hair in braids."

Aziraphale is raised in a religious cult that promises its members will all become angels when the rapture comes. He learns all the things a girl should know, but problems quickly begin to form when he attends school on the Outside. He starts doubting that girls his age are actually supposed to know how to deliver babies, mend clothes, and cook dinner for their 10 siblings as he's always been told.

And he highly suspects that he's never been a girl in the first place.

Infernal Harmonies by Aspiring_Eccentric (T)

Rock ‘n’ Roll turned out to be Crowley’s favorite invention of the twentieth century. He may lie and say it’s the internet, but it’s not. He has always been a music fanatic, and it has informed his fashion choices for as long as there has been music. It wasn’t any wonder that the raucous genre of Rock’n’Roll took off after the shock and awe of the Second World War. Make all the arguments for “that’s just the way music was already headed” that you want, Crowley will tell you that wasn’t entirely true. After so much Death, People wanted to Live. Music, after all, has always been one of the greatest ecstasies of sentience. And Crowley is determined to make Rock the most popular music of the century. An unsanctioned bet with his angel certainly has NOTHING to do with it! ...But will he have the guts to collect if he wins?

Finisterre, Sometimes by sheffiesharpe (M)

It begins with a snake, and a garden, obviously. No, not that beginning, and not that snake, and not that garden, either, to be perfectly honest. This beginning, this link, this closed and independent little loop, begins in 1980, as we said, with a snake. [A little bit of punk rock, some interludes across the ages, and what happens immediately after the first day of the rest of their lives, which is something neither of them would ever expect.]

Minor chords in a major key by Sani86 (T)

Azirapahle Felton transfers to St Francis' Academy for his final year of school, stepping into his older brother Gabriel's illustrious shadow with the firm knowledge that he could never measure up. Anthony Crowley is his roommate; he would rather be a musician, but his father has other ideas that he's determined to enforce, and school is as much an escape from his family home as a means to an education. This story tells the tale of the year that they shared a room; a year that would change the trajectory of both their lives forever.

- Mod D

#good omens #ineffable husbands #punk crowley #1970s #1980s #1990s #human au #mod d

204 notes · View notes

sobbingeternally · 7 months

Text

Ineffable Inktober Day 17 - "Subtle"

It's about the hands again, folks. Or more specifically, the pinky fingers.

(Don't @ me, you KNOW Crowley would rock a punk chain if given the opportunity)

#inktober #ineffable husbands #ineffable inktober #Good omens #aziracrow #aziraphale #crowley #crowley x arizaphale #art #mine

174 notes · View notes

gleafer · 2 months

Text

Alright alright alright! The cover isn’t done and I’ve only posted part of Chapter 1 on my Patreon (more pages to be uploaded this weekend)

Work has been busy so Moonlighting *slams office door* (see what I did there) has taken a backseat briefly.

BUT I wanted to share the intro to my 80s romcom parody comic “Come With Me If You Want To Live!”

This is rated pg-13 like all great 80s flicks so all tiers will have access to the mullet fest!

Enjoy!

1K notes · View notes

fellshish · 7 months

Note

i saw your post about lesser-known fic recs, so i went through my bookmarks and gathered up a handful of favorites that are all under 1k hits

"Uncontrollable" by mizmak (2.6k, oneshot, G); pre-s2, drunken confessions

"before this dance is through (I think I'll love you, too)" by morganagreanleaf (<1k, oneshot, G); pre-s2, aziraphale and crowley dance together at a ball, fem presenting crowley

"The Edwardian Scandal" by commandersmoothdog (5.6k, 5/5, T+); hell forces crowley to marry & tempt a lord as a punishment and aziraphale gets jealous, fem presenting crowley

"New York City, 1969" by theparanoidandroid (3.3k, oneshot, G); ineffable wives run into each other at a bar and talk, light angst about holy water

"Rebels" by multiple authors (5k, oneshot, T+); pre-s2, ineffable wives, crowley has a punk rock band and a gig booked at aziraphale's club

"be with you all along" by 5ftjewishcactus (1.1k, oneshot, T+); pre-s2, takes place during the flood, aziraphale and crowley saving children

OH MY GOD THANK YOU SO MUCH!!!! What a beautiful ask to receive

#good omens fic recs #good omens #my asks #reblog to spread underrated fic recs my darlings #ineffable husbands #aziracrow

127 notes · View notes

lesliedraws-lilithcurses · 2 years

Text

"Hi Angel, fancy seeing you here" 🧷

90s punk Crowley is a thing in my GO timeline.

How would Aziraphale end-up in a punk club?

He's too flustered to give you an answer anyway 🖤

#good omens #good omen #ineffable partners #ineffable husband #david tennant #a j crowley #punk crowley #punk #punk rock #90s #good omens fanart #fanart

383 notes · View notes

catre33 · 3 months

Text

it may just be me

but the start of Hayloft II sounds like the Good Omens intro music, especially a metal cover of it I've heard

Honestly just Mother Mother in general is very aziracrow-coded, especially Problems. I feel like if Crowley was more punk/alternative rock than classic rock, he'd be addicted.

Here's the metal cover:

youtube

50 notes · View notes

Last Seen Blogs

carol-dennningss

Bull-True

sundruidcow

Belida's Writings

tanky-baby

Samuel Collins SimpTM*

valgamedios

Sin título

my-pal-noku

noku