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#Olivia Osby
eurydicesmp4files · 25 days
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Marlene McKinnon moodboard!
(Olivia Osby fancast)
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I don't really like fancasts but....Olivia Osby as Marlene.
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loverboybitch · 2 years
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Olivia Osby of Lowertown on their most recent tour with Porches.//.
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Wednesday, Hotline TNT, and Lowertown at Brooklyn Steel
On Thursday, January 25, 2024, the tour featuring Asheville, NC’s Wednesday and New York City’s Hotline TNT arrived to Brooklyn Steel for a sold out show in Brooklyn, NY. The bill also featured Lowertown, who previously shared the same stage with Wet Leg in 2022.
I covered the show for Brooklyn Steel and the gallery of Wednesday and Hotline TNT is now available on “The House List” here.
Images of all three acts can also be found above.
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lam-z · 8 months
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LAMZ_WolfCutHairsyles_001F
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LAMZ_WolfCutHairsyles_001F
∎Hair
∎28 Swatches
∎New Mesh
∎HQ Compatible
∎Hat Compatible
Hair Inspiration by Olivia Osby Download : Patreon (Early Access)
※TOU※
Please do not re-upload or re-sell.
请不要重新上传、倒卖。
Please do not edit my meshes to sell them on other games.
请不要编辑我的网格以在其他游戏中出售它们。
Please do not claim that my creation is yours.
请不要声称我的创作是你的。
You can re-edit it for your personal use.
你可以重新编辑它供你个人使用。
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jamesisasimp · 1 year
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Alt Marauders (+Slytherin Skittles) Fancast
Reiky de Valk as James ("Prongs") Potter - Eren M Güvercin as Sirius ("Padfoot") Black - Willem Herbots as Remus ("Moony") Lupin - Hannah Dodd as Lily Evans - Olivia Osby as Marlene McKinnon
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Timothée Chalamet as Regulus Black - Maxence Danet-Fauvel as Bartemius ("Barty") Crouch Jr. - Benjamin Wadsworth as Evan Rosier - Hunter Schafer as Pandora Lovegood - Savannah Lee Smith as Dorcas Meadows
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vampire-bite · 10 months
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oh yeah here’s the fc list
Lust: Olivia Osby
Asher: Vinnie Hacker
Pride: ibu1b
Christian: Christian Daloii
Greed: Axaila
Chris: Antonia Haswell
Sam: Simone Bredariol
Wrath: Mathilda Gvarliani
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sydneymaebe · 5 months
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˗ˏˋ꒰ ☀️ ꒱╭ 𝐎𝐓𝐇𝐄𝐑 𝐏𝐄𝐎𝐏𝐋𝐄
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13. SCOUT HAYES
~ face claim: olivia osby
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~ full name: scout skye hayes
~ nicknames: none
~ social status: pogue
~ age: 16
~ gender: female
~ how we know each other: the boys mutual friend.
~ our memories:
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14. JOSEPHINE CRAIN
~ face claim: @elise_frierson
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~ full name: josephine zara crain
~ nicknames: jo
~ social status: pogue
~ age: 16
~ gender: female
~ how we know each other: a mutual friend from kildare high.
~ our memories:
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15. ELI RODRIGUEZ
~ face claim: kahlil beth
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~ full name: eli knox rodriguez
~ nicknames: none
~ social status: pogue
~ age: 17
~ gender: male
~ how we know each other: mutual friends from kildare high.
~ our memories:
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16. STEFANIE HUXLEY
~ face claim: @danniela_payan
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~ full name: stefanie lyra huxley
~ nicknames: stef, steffy h
~ social status: pogue
~ age: 15
~ gender: female
~ how we know each other: mutual friends from kildare high.
~ our memories:
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lunapaper · 6 months
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On their latest single, Lowertown compare a toxic relationship to the pain and misery of a root canal.  
Deceptively breezy, the track recalls the charmingly ramshackle and occasionally twee indie rock of the 90s, rather sweet with a sinister edge as Olivia Osby delivers this beautifully blunt kiss-off: ‘Wish I could say I missed you/But I don’t/And I won’t ever look back on this day.’ 
Says Osby (via Stereogum): 
‘[It] was written from a point of reflection after having recently left a very toxic relationship. The person I had been dating was very manipulative and jealous and would jump on any opportunity to put me down. They got a lot of enjoyment from my failures and would get extremely upset when anything in my life would start to go well.’ 
Lowertown’s appropriately named Skin of My Teeth EP is out October 27. 
- Bianca B. 
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abductionradiation · 2 years
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Atlanta, GA -- Lowertown will be releasing their debut album I Love To Lie on October 21 via Dirty Hit. Along with the album announcement, the duo released their new single “Bucktooth,” a punchy indie track that spans just about 3.5 minutes long. From the jangly guitars to the country-ish vocals, “Bucktooth” is an indie rock track with some Americana influences. While the song initially stemmed out of homesickness for America, the lyrics are introspective and captures the exasperation and exhaustion of all that happens in this country.
On the track, Lowertown’s Olivia Osby shares “When we were in London recording the album, I was pretty homesick for America so I was listening to a lot of old country and folk music. I was really into Johnny Cash’s At Folsom Prison album and wanted to write a cheeky, narrative song similar to ‘Cocaine Blues’. A bucktooth cowboy with his crew of troublemaker bandits kept popping into my head. The song started as a silly story but ended up being thematically tied with some of the far-right extremism that was happening in America during the time Avsha and I were recording the project.”
Connect with Lowertown:
Instagram
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vivi-rh · 3 years
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some of my marauders era fancasts, updated :)
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mary macdonald, precious lee
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james potter, omar rudberg
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sirius black, marcos (@lornes_ on ig)
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lily evans, ciara baxendale
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remus lupin, florian regtien
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marlene mckinnon, olivia osby
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aiyl-xerqueth · 3 years
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the things id do to be her
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loverboybitch · 2 years
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olivia osby of lowertown via their instagram @/wormsheriff.//.
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troublefish · 3 years
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These people are my personal fashion.
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briggycat · 3 years
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Songs to listen to while rereading Renegades (and sobbing)
Bye Bye Baby: “All I have is your sympathy cause you took me home, but you just couldn’t keep me” Nova energy </3
Renegade: “Is it really your anxiety that stops you from giving me everything, or do you just not want to?” Adrian.
Ce mur qui nous sépare: Not in the mood to look up exact translation of lyrics but it’s about secret identities and pining. Nodrian!!!!!
jealousy, jealousy: “All your friends are so cool, you go out every night in your daddy’s nice car, yeah you’re living the life. Got a pretty face, pretty boyfriend, too. I wanna be you so bad and I don’t even know you.” N o v a
Fearless: “And I don’t know how it gets better than this. You take my hand and drag me headfirst, fearless.” OSBYYY
august: “Back when we were still changing for the better. Wanting was enough. For me it was enough, to live for the hope of it all. Cancel plans just in case you called…” nodrian :(
And, finally…
The entire Reputation album.
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onestowatch · 3 years
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Lowertown Is Growing Up [First Look + Q&A]
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Photo: Shamshawan Scott
Olivia Osby and Avsha Weinberg always knew they wanted to make music. The difficult part came when the inevitable questions of how and with who would arise. At least that was the case until a chance encounter in a high school math class in suburban Atlanta, which would eventually serve as the birthplace for Lowertown. Now, a few odd years later Olivia and Avsha find themselves signed to Dirty Hit, home to the likes of The 1975 and beabadoobee, and aiming to make their most ambitious project to date.
“The Gaping Mouth,” a sprawling confessional that blends soft-spoken lyricism bordering on avant-garde poetry and experimental indie rock instrumentation, arrives as the first taste of that ambition. The titular single from their forthcoming EP, set to release September 16, feels like a daring call to arms, a single firework shot in the dark, impossible to ignore and indistinguishable. Most notably of all, it feels like a noted maturation for the duo, a step forward into new, uncharted territory.
On the new single, Osby ponders on the object of her affection, or rather attention, repeatedly uttering the lines “You are the iris in my eye” until they no longer seem to be coming from her, taking on the weight of a mantra spoken outside herself. It’s only one such instance of the duo’s newfound stream-of-conscious lyrical approach, which sees them ruminating on the fallacy of growing up and the associated fantasies that come with it. All of this is complemented by the duo’s fearless instrumentation and production flourishes, which call to mind everything from experimental ‘90s indie rock to the sonic detours that permeated Sufjan Steven’s early works. 
We had the chance to speak to Lowertown via e-mail about the difficulties of shifting from “teenagerdom” to adulthood, the advantages of having a french fry fork and their bold new musical direction.
You two originally met in a high school math class. How did the discussion of music first get brought up and how did it lead to forming Lowertown?
Avsha: Olivia was a new student at the school, and I was shy, so we had sat next to each other for some time before we really had any conversation. After some months, I would look at the music Olivia would listen to over her shoulder and make small excited comments or jokes. That’s how our friendship began, through comments about Olivia’s love of emo music or my insufferable judgment on some new music I had heard. It took a year for us to start thinking about doing music together. The eventual forming of Lowertown happened on a beach in Ottawa, where I was again making a judgment on some new song I had found and decided to show Olivia some of my demos. That was where we decided to work together. Those demos and others eventually formed our first record Friends
Were there ever any thoughts about pursuing music before that fateful meeting?
Olivia: I’d always hoped to be able to do music professionally, but it had always seemed like it was so far away from being possible. I always knew that even if my solo music did not work out as a career, I wanted to work in the music field. Whether that was becoming a manager for other musicians or becoming a booking agent, I knew for a long time I wanted to be surrounded by music no matter what I ended up doing.
A: I had spent almost my entire life hoping to be a musician. I started playing classical piano at age four, and up until two years ago, was planning on going to a conservatory and becoming a concert pianist. As my taste expanded, I taught myself guitar, drums, bass, and production, all with the hopes of continuing professionally. Growing up, I was exposed to many different artists and genres, and I always wanted to give people what the music that I grew up with gave to me. The demos that I had recorded in middle school were the ones I showed Olivia and the ones that led to us knowing that we had to start a band.
What was it like signing to Dirty Hit?
A: The process of signing was definitely a difficult one as we had begun talking with the label only a few months before COVID, and as we were narrowing down on the decision to sign, it became incredibly difficult to see a scenario where we would be able to meet anybody on the label. We ended up having many, many FaceTime and Zoom conversations, wherein we were able to talk in-depth with the team and get a good sense of the label. These conversations were really great, and it was a great signifier of the relationship to come as we have had a really great relationship with the label. Although the signing process was tumultuous, we were able to grasp that the relationship between Dirty Hit and their artists was a familial one, and that made us incredibly excited to work together.
If you could have one thing in the world at this very moment, what would it be?
O: A good night’s sleep. I have terrible insomnia and can’t remember the last time I had one.
A: A french fry fork. I’m pretty exhausted with how messy eating french fries is.
Has the past year affected how your approach music at all?
A: In the past, I knew that the more I worked, the better I became, but this year has shown me that the times that you choose to completely leave some things alone are just as important as the times that you focus all your energy on them. I was completely drained of inspiration and motivation until I was able to sit and do absolutely nothing. The lack of music helped me realize that there was a lot about myself that I wasn’t thinking about. I was able to learn more about myself and have new sources of inspiration and thought.
O: For sure. This year has given me an excessive amount of time to get better at playing music in general since I’ve been on my own so much. It has also given me too much time to sit and think by myself, which can be beneficial for music but also pretty detrimental at the same time. I’ve ended up feeling like my old sound and writing process was really stale, since I had been writing songs the same way for years. I’ve ended up experimenting a lot with new sounds and approaches to songwriting, which has been extremely refreshing and I feel like it’s brought out some of my best work. I used to put way less emphasis on instrumentation, but now that I’ve progressed a lot musically, I’ve written a lot of instrumentation that I’m very proud of and that has ended up developing into Lowertown work. I also learned a lot about production over this past year which has been extremely inspiring and helpful for my solo work.
How did you approach the songwriting on “The Gaping Mouth?” The lyricism and experimental instrumentation are honestly breathtaking.
A: When composing the instrumentals, I wanted to write a song that was very expressive and unique but that worked entirely on feeling rather than a traditional verse and chorus song. I wanted to write the piece with points that I knew the guitars would push Olivia’s voice to the forefront and points that raised the energy around Olivia’s words. Olivia’s lyrics are so personal, and she always has so much to say, so I wanted the whole song to ebb and flow together with the identical, and occasionally reciprocal, emotion and intimacy.
O: Avsha sent me this beautiful guitar piece one day and it immediately connected with me, and I stayed up all night working on it. I recorded a demo take of the vocals, just singing/talking over the song where it felt right and natural. That first take I took at home at four in the morning actually ended up being used in the final song because it felt so emotive and raw. The first vocal take had an unmatched authenticity that we couldn’t capture again in the studio no matter how many takes we tried. Our producer Catherine ended up falling in love with it as well and did not want to try to replicate something that was already amazing as it was.
There’s a real sense of maturation present not just in the delivery of the single but in the lyrics, “Being stupid and being 15 / Being older and think I know who I am and what I want… / The way I stay the same and I never change.” Is growing up or rather the idea of growing up a central theme to the music you’re currently working on?
O: I had just graduated high school when we were writing this new project, and I was feeling extremely anxious about the trajectory of my life. I kept thinking about if I was doing all that I should be doing at this age and how much had I really changed since the beginning of high school. I felt like a lot of mannerisms and detrimental ways of thinking that had plagued me when I was 14-15 were still incredibly present in my life, and it felt pathetic to think that I had not made much progress on some of my biggest shortcomings since I had first become a teenager. I feel like at 18/19, you’re not quite an adult, but you’re no longer just a teenager. You begin to shoulder real responsibility and have a lot of agency over your life. It’s quite terrifying being the one who has the power to make important personal decisions. If you screw up, it’s on you and no one else. The transition from high school where you have assignments to turn in every day and tests and a crazy amount of structure (you wake up and go to bed the same time every weekday) to making music and creating with a self-made schedule can be extremely jarring. I’m still grappling with that transition, as my workflow can sometimes trail into six in the morning which sometimes becomes a problem.
“The Gaping Mouth” is the eponymous single from your forthcoming EP. What can people expect from your new EP?
O: It’s gonna be leveled up from anything we’ve dropped before! This is our first project recorded in a studio setting as well as working in-person with a producer. We’ve matured since our last project as musicians and we’ve simply grown more into adults. A lot of this was written when we were 18 and when we’d just turned 19, and a lot of things happened at that point in our lives to write about. Our producer Catherine really helped push me to my full potential while working together. There are some louder songs mixed with some instrumentally dense and beautiful songs. There’s a good amount of experimentation as well in this project that I’m excited for everyone to hear.
A: We’ve focused so much on our songwriting and composition; I think people will be able to hear how we’ve matured. I think this EP reflects our need to always change our sound and grow it. It’s exciting because I think it’s really fresh and still has our musical roots sewn into the core.
And what’s one thing you hope people take away from this next stage of your music?
A: I hope people are able to see the world and the story that we want to create with our music. I hope people can see that our sound will always be maturing and that our music can be surprising and exciting.
O: I feel like our fan base has grown alongside us. Lowertown has been a project since we were 16 and it feels like it has already come so far, which is so amazing and I’m really thankful for everything that’s happened thus far. I hope our music can continue to authentically capture each stage of life Avsha and I live through while making music together. This record was written fresh after graduating high school, so I hope those who are grappling with the jarring transition from teenagerdom to adulthood can find some solace in the feelings expressed in this record.
What is your go-to fast food order?
O: We’re both pescatarian so sometimes finding easy fast food can be annoying. I’m a big burrito person so I’ll always get a bean burrito with a ton of veggies.
A: A universal choice for me in any fast food place would be an extra large order of fries, or however many is the most they offer, and a large Diet Coke. There were points during this year where every day of the week was punctuated with an absurd amount of McDonald’s fries and hot sauce.
Who are your Ones To Watch?
O: Pretty Sick , Horse Jumper of Love, N0v3l
A: Uboa, OOIOO, Donzii
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