demon greeting or whatever
I've had this idea ever since I first saw @majimasleftasscheek's Ms. Hannya which was checks calendar almost two years ago, cause yooo fellow long jaw design lets gooooooooooo
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the way I would be so excited to put dead boy detectives on my watch list if I had like. any confidence at all it would get more than one season. like. congratulations to the "we cancel all of our cool and interesting new shows after one season" company for making me not wanna watch your cool and interesting new show because you'll cancel it after one season. gotta hand it to ya
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WHAT IF I JUST LAYED DOWN ON A HIGHWAY
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seventeen year old creature-boy Light Yagami, who is Totally Interested In Women And Definitely Not A Serial Killer, looks at porn magazines (porn magazines is generous; he's looking at scantily clad women, really) in the privacy of his own room and is so supremely weird about it that L, the man that has been Intently Observing Him Through Hidden Cameras, sees him doing it and goes, "oh. something is wrong." meanwhile, Light is internally monologuing himself into a frenzy. "ha!! take THAT. what're you gonna do now, L!? I look SO normal!!" but he doesn't. he never has. he never will. he's just used to everybody around him being too distracted by his artfully styled bangs and extensive collection of soft knitwear to notice his incredibly off-putting demeanor. he is So used to it, in fact, that he doesn't quite grasp that someone might find the image of him lounging around on his stomach and kicking his feet in the air while he stares at breasts to be. a little different. maybe even. disingenuous. oh no. shock and horror, shock and horror.
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hold- wait a fucking minute...
Beelzebub is acting really freaking weird in this scene.
Ok so I encourage you to rewatch it cause I can't really properly illustrate it in gifs, but they don't sound irritated, or even particularly intimidating. We know Beezlebub to be a very dry person, even in moments they want something and need to manipulate/ convince someone for it. So this abnormally animated and even somewhat friendly demeanor doesn't strike me as part of buttering Crowley up to get him to help them.
This is a weird line. We know Beelzebub isn't like Shax, they've been around a bit more and have a better grasp on things like tone and figurative language. There's almost no way they're unaware that saying this would immediately clue Crowley in to the fact that Heaven and Hell do in fact have communication, so they must want him to know. For whatever reason, it's important to them that Crowley knows they're a reputable source.
And then I remembered where I've heard that tone before.
It's nearly the exact same one Crowley uses to tell Aziraphale that he needs to protect them. It's the kind of tone you use when you need someone to read between the lines and understand more than you can safely tell them. Beelzebub is fully ready to believe Shax when they say Gabriel's in the bookshop, and acknowledge later that Aziraphale was a very fitting and likely candidate to harbor him. They know full well Crowley doesn't want jack shit to do with Hell, and would probably be offended if anything by anyone referring to his "nasty little heart". That is merely a performance to mask what they're really trying to tell him, which is that Aziraphale is in danger.
Without this detail Crowley very well could've turned Gabriel in to Heaven instead of Hell, he certainly doesn't see much difference between the two. Beelzebub is the reason he decisively doesn't, and races home in a panic.
And I think it's genuinely so sweet, this moment of understanding and comradery between them that goes unnoticed, even to Crowley. They drop the shtick and make sure that he knows the book of life is a real threat, and you only need to be merely involved in hiding him to be erased from it. Because to them, there's also the very real possibility that Crowley knows about Gabriel while Aziraphale doesn't, so they're double checking Crowley will not to tell him and instead go straight to them. There’s just something so protective in it.
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