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#If not for getting the chance to see
bruciemilf · 4 months
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“Bruce is emotionally incompetent and can’t step outside his own morality” yeah it’s a character flaw.
“Dick is extremely stubborn and thinks he’s right all the time” yeah it’s a character flaw.
“Jason has hypocritical tendencies” yeah it’s a character flaw.
“ Tim is entitled and doesn’t think about people when seeking results, and often acts uncaring” yeah it’s a character flaw.
“Damian is rude and bratty” yeah, it’s a character flaw.
Also, some people may not even regard everything listed above as flaws.
Having negative traits allows incredible flexibility within your characters, what makes them intriguing, what makes them easy to relate to. If you want to write people, then write people. But they can’t be good and clean all the time.
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kathaynesart · 18 days
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REPLICA PLAYLIST
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MUSIC UNDER CUT
I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).
Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills
I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.
I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!
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spookberry · 4 months
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Idiot to Idiot communication
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kindaorangey · 1 year
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miles literally chose to pursue physics instead of art even though in itsv he clearly enjoys art more because he wanted to have a chance of seeing gwen and peter again so badly only to find out they had the ability to visit him the whole time and chose not to.
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haunted-xander · 6 days
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I made this AAAAGES ago and forgot to post it and now I'm annoyed by how it's rotting away on my phone so here. Bratty teen Thancred being a menace to Fourchenault (and a bad influence on Urianger lol)
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Feelings Thawed
Character; Cater Diamond
Content; Fluff, gender-neutral reader, pining, ice skating (to various degrees of success)
Word Count; 650+
Author's Note; This is a present/thank you to my mutual @i-like-forgs. I hope you enjoy this ice skating scene with Cater, and that you get to skate soon!
As a reminder, do not put my work — or others for that matter — into AI as it steals. Link to Masterlist
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The brisk wind bit at your nose, and you pulled up your scarf, trying to keep away the offending wind. Around you it was a winter wonderland, all made possible in the temperate conditions thanks to Cater, who was filming you skating around on the frozen pond’s surface.
“You know,” you hollered, making sure that you caught his attention, “you should join me! It’s fun!” You came to a stop by the pond’s edge, where Cater was standing with a large thermos.
Cater just shot you a wink, handing you the thermos. “This is for you though, silly!” 
He was deflecting, you could tell; behind that bright and cheery smile that he always seemed to wear around others, you knew when there was something off with Cater. You accepted the thermos though, and took a sip of the spicy apple cider, still piping hot.
You gave him a look and pulled lightly on his coat sleeve. “Yes, but it’s more fun with others, come on Cater!” You stepped back onto the ice, and slowly skated near him, waiting with an eager smile.
He looked at you, and then back at the ice, but he stayed standing in the light snow, shooting you that smile. “But I can’t take photos if I’m out there with you!” He scratched at the back of his neck.
Liar. “Cater,” you looped back around and stepped onto the bank, balancing on your skates, “do you not know how to skate?”
Cater’s smile turned sheepish, and his ‘ahahaha, looks like my gig is up’ chuckle made its appearance. He had been found out. “Never got the chance to,” he hid his face slightly in his scarf, either to keep the cold at bay or to hide that his cheeks were turning pink. “So I’d just slow ya down.”
You took his hand into yours, “Well, I could teach you if you wanted. Just a warning though, you’re gonna fall on your butt a lot, might get a few bruises.”
Cater looked down at your entwined hands. Mittens and gloves separated your skin from touching one another, but Cater could swear that he could feel the sensation nonetheless through the layers of fabric.
“You would? Even if I pull you down with me?” 
The last question wasn’t just about the ice skating; Cater didn’t want to force you to do anything that you didn’t want to… and that included being his friend. His heart seemed to whisper stronger emotions though, but he didn’t want to ruin what the two of you had.
You walked him out to the ice, and the both of you swiftly fell down on the ice, hard. But you just laughed and got right back up again, “Well, we did just fall. There isn’t anything scary about falling down; yes it stings and might leave a gnarly bruise, but in order to move forward we have to fall and get back up. So yes, is what I guess I’m saying.”
Cater looked up at you, the sun illuminating you and the snow glittered behind you. You were holding your hand out again, waiting for him. And Cater took your hand. 
It took him a while to get the hang of it, and he fell down quite a bit, but every time he fell down you helped him back up. And by the time that the sun was setting in the west, the both of you were cold, and both were going to wake up tomorrow with some bruises. It was fun though, which is all that mattered… but that whisper in Cater’s heart was by now singing, and maybe he would listen to it, but for now, he was happy with how the way things were, and he wouldn’t trade it for anything in the world, especially with how much you had smiled today. Your smile and knowing that you had fun with him was enough.
~ ~ ~ ~ ~ ~ ~
Tags; @eynnwwyjth, @ithseem, @krenenbaker, @silvers-numberonefan, @twistwonderlanddevotee, @xxoomiii
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stealth-black-leg · 9 months
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Thinking about the Cross Guild/Strawhat Tripartite parallel.
You have the ever-lucky clown and the trickster god
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the current greatest swordsman and the next in line
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and the transgenders
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tiffanyachings · 3 months
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i love tlt because i get to be like yes i am aware this character has died not once but twice. now pray tell me what page of alecto is she gonna show up
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wenellyb · 23 days
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I have to talk about this scene once again because I feel like there is so much to say.
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What Buck meant when he said it was "exhausting":
First he asked Tommy for a tour because he wanted to get to know him better (his words, not mine).
At the end of the tour Buck asked Tommy out but it didn't work out ( Eddie arrived and Tommy left with him).
Instead of asking him out on another day or calling him, Buck did the most Buck thing ever by trying to find roundabout ways of seeing him again.
First, he tried the easy way, by trying to join Trivia night when Eddie mentionned he was seeing Tommy again, but Eddie asked him to babysit Chris instead.
So he went for a different approach by trying to get Eddie to invite him to the basketball game.
When that didn't work out, he got Chimney to invite him.
That's why Buck said that trying to get Tommy's was "exhausting", because it was. He set up so many ploys to get to spend time with Tommy and none of them worked.
That's also why Tommy is surprised, because he didn't see all the nonsense Buck was pulling to get to see him. Tommy really thought this was about Eddie and Buck being afraid of losing his friend.
But if Buck had been trying to spend time with Eddie, all he had to do was ask.... they hang out all the time. The only times Buck is actively trying to join Eddie's plans is when he know Tommy will be joining.
Buck never behaved like he did when Eddie had plans with other people than Tommy.
I can't even blame Buck because this is exactly how I act when I have a crush😂
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ruporas · 1 year
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endless love!
[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.
Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#just posting first for now!!! wanted to have these two spreads together grah#ive been weirdly selective when it comes to posting on tumblr but i really need to start dropping everything from twitter/insta onto here...#anyway what is there to say... i like to just draw them being in love and silly. there are so many flavors to vw#and i so happened to really enjoy the intimate sickeningly affectionate aspect of it... lays down...#give these two touch and loved starved selfless individuals the chance to pour their entire being into loving the other....#thoguh in particular i drew these both for wolfwood wednesday (which is everyday to me) so theyre wolfwood centric#i think for some time i was just seeing a lot of work of vash being loved by wolfwood and obviously that makes sense#ww loves that fool so much and will love him two times as much for the love vash refuses to give himself#but i also love wolfwood and desperately needed to see wolfwood being loved so i drew it#bc it goes both ways... i def believe that ww would be adamant about giving affection to vash at first bc vash would hesitate asking#but once he gets comfortable vash's love pours and he'd noticed too that ww avoids getting spoiled affectionately bc of his own issues#vash is. stubborn to me. more so than wolfwood. he will destroy him with love!!!!!!!!!!!#and wolfwood will adjust and get used to it. being loved. loving. steadily but slowly as his days are filled with soft touches and reminders#that he's being handled gently and with care for the first time in a long time#ruporas art
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ohposhers · 5 months
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I AM BEGGIUGN YOU TO MAKE MJORE CLINCE ART PLEAAAASE 🙏
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you got it boss, here's thing 1 and 2 bugging clay while he tries to read o7
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earwig5 · 1 month
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it’s kind of crazy that both fallout new Vegas and fallout 4 have the same driving force for the first half of the narrative (find the guy who wronged you and make him pay) but Benny is so much more memorable and narratively interesting than Kellogg.
It’s a matter of a strong character foil versus a weak one, in my opinion.
Benny and the courier are very much alike. They are both ambitious people who are willing to do anything possible to stack the odds in their favour. Honestly, Benny and the courier are the same card, reversed.
The Sole Survivor and Kellogg are also intended to be character foils. The game tries to convince us of this with the scenes in Kellogg’s mind, where we see that he ‘isn’t so different’ from our protagonist after all. But we don’t know anything about Kellogg other than his backstory. How can he parallel the protagonist if we don’t know which traits he has? Which traits the two of them share?
(As a side note, I wish Fallout 4 had touched way more on the ‘Man/Woman Out of Time’ thing. The protagonist being frozen in the past + Kellogg being functionally immortal would’ve been really cool to explore! Especially in the context of grief!)
In the end, I think the reason Benny is a more powerful character foil is that he doesn’t disappear from the world when you kill him. The chairmen can mourn him, House will comment on it, and even NPCs across the Mojave will talk about Benny’s death!
In Kellogg’s case, the protagonist is basically the only person who knows he even existed! Once he’s dead HE’s DEAD! He disappears completely from the narrative! As soon as you leave fort Hagen, the game doesn’t bother looking back.
that’s why Benny is a more haunting force for new Vegas; particularly an independent courier. You are Benny’s legacy because you are what he leaves behind whether he likes it or not. People remember him as the couriers victim. Meanwhile, nobody remembers Kellogg at all. The memory of who Kellogg was dies with you, and you can choose to forget him.
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justhereforthemeta · 9 months
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Romantic expectations and the story we didn't see: A magic trick hiding in plain sight
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Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)
This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!
On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.
@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.
Continued below the cut...
Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.
Shax: “You’re in trouble”
A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”
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Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.
And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.
There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.
1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).
Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:
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Starring this suave, be-turtlenecked guy:
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And now - begging your forgiveness - a brief rant.
There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 
Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.
Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.
For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.
So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.
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Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.
But also, I would posit…he kinda likes it.
Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 
Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 
And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.
In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.
My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:
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is actually this:
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Much like the one he wears to the Dirty Donkey in 1967: 
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whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:
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…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:
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That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 
Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 
Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).
Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.
Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 
Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.
‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 
I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.
(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)
When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.
From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.
This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.
In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.
Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 
“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”
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puppyeared · 5 days
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renaissance dogys
characters belong to @canisalbus
#i love i loveeee ludovica sm shes so cute. ive only known her for 5 min but i fell in love with her design and i love her friendship#with vasco ^_^ i think them having each other makes hiding their sexualities a little less lonely so thats sweet#ik in modern au shes considered an old friend of vascos but i originally assumed she and vasco fake dated in college or smth#to get their parents off their backs until they came out properly and continued to stay in touch as friends after LMAO#im not very familiar with period fashion so i had to look at renaissance costumes as reference. but i have to admit i love the#high waistlines used in some of their dresses.. i have a minidress with a similar high waistline pressed against the chest and sleeves#also if u squint machete is holding a little paper bag in the 2nd photo which is supposed to be his lunch courtesy of vasco <3#idk what ludovica would wear in modern au but i thought poet shirts might suit her because theyre like somewhere evenly between#masc and femme. to me anyway.. based on observation lesbians seem to love poet shirts and i think she looks good in one#these are all shitposts.. ill draw serious art of them one of these days i promise#i listened to fools rush in and it reminds me of them.. especially when it goes 'though i see the danger there / if theres a chance#for me then i dont care' like its so poignant and bittersweet.. a little indulgent when u think of those small moments they have togethr#save me gay catholic furries... gay catholic furries... gay catholic furries save me#my art#myart#doodles#fanart#others ocs#canisalbus#fur#furry art#machete#vasco#vaschete#ludovica#sfw fur#furry#anthro
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crescentfool · 4 months
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judgement day 🌕
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steddiealltheway · 8 months
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(Part Two aka the final part to this)
As soon as Steve parks outside of Eddie's trailer, he races to Eddie's car door and opens it for him.
Eddie shoots him a bewildered look as he makes his way out of his car. "I can open my door, you know."
"But a proper date opens the door for you."
Eddie snorts. "So this is already starting?"
Steve shrugs as he follows Eddie to his front door. "I need all the time I can get to prove you wrong. Plus, I need to see this charm you insisted you have."
Eddie opens the door and dramatically guides Steve inside, quickly closing the door behind them. He stuffs his hands in his pants and avoids eye contact with Steve, staring off as if contemplating something. Eddie shakes his head and looks back at Steve. "Welcome to my home," he says holding his arms wide.
Steve glances around and nods. "It's cozy. I like it."
"No need to lie to me, Harrington."
"I'm not," Steve insists and laughs humorlessly. "I mean, you should see my house. It's huge but extremely uncomfortable. My parents hired a decorator and insisted that we couldn't make a single change. It's just so..."
"Nice to look at but not nice to live in?" Eddie asks, finishing his sentence again.
Steve nods quickly. "Exactly that."
Eddie gives him a small smile and leans back against his kitchen counter. That same distracted look crosses over his face.
Steve can't help but walk closer to him and say, "Eddie?"
Eddie snaps out of it and asks, "Why are you here, Harrington?"
"To prove you wrong and help Dustin," Steve answers easily, leaving out the part about how he needs to know where this will go.
Eddie hums in response and pauses before asking, "So, you're not going to use this against me."
Steve sighs. "Maybe I would've in high school, but no. I won't tell anyone how much I'm going to 'woo' you." Steve throws up air quotes around the word woo which makes Eddie smile a bit.
"Then can I tell you a secret?"
Steve nods.
Eddie pushes off the counter and steps toward him. "I've never been on a date before."
Steve stares at him for a second. "And Dustin still asked you for help?"
Eddie scoffs and walks past him. "No need to rub it in."
Steve runs a hand through his hair and follows after him. "Sorry, that was stupid to say." He grabs Eddie's hand gently and waits for him to turn to him. "I'm sorry," he says sincerely, "Not cool."
Eddie just gives him an unimpressed look.
"It's just hard to share Dustin. I'm used to him only going to me for help. I don't know. It probably sounds dumb."
"It doesn't," Eddie says, squeezing his hand.
Steve glances down at their hands, having forgotten that he had even grabbed Eddie's in the first place. He runs his thumb over the back of Eddie's and says, "Let's do this trial run."
Eddie pulls his hand away and runs it over his face. "Steve, I don't know how to go on a date."
"Which is exactly why we're doing this and whatever else you have planned for Dustin and Suzie after the movie date. Plus, I still have to prove you wrong." Eddie pulls his hair in front of his face nervously. Steve reasons, "Plus, this can be practice for any future dates."
"A date with Steve Harrington," Eddie says with a laugh.
Steve shrugs. "Why not?"
Eddie eyes him and breathes out, "Okay."
"Okay?"
"We can do this trial run, but just because I'm new to this doesn't mean you'll have an easier time winning me over."
Steve smiles and saunters up to him. "Are you sure about that?"
Eddie's eyes flicker down to his lips and back to his eyes, immediately making Steve's heartbeat stutter. He doesn't expect Eddie to card a hand through his hair smoothly, tilting his head back and making Steve's knees buckle a little. Eddie smirks. "Careful, you're not the only one who needs to prove themselves."
He backs away quickly and moves to his kitchen, rummaging around before coming up with a bag of popcorn which he pops in the microwave. Steve clears his throat, trying to gather himself before asking, "How have you never been on a date before?"
Eddie raises an eyebrow at him.
"I mean, you have all the... charm stuff down."
Eddie smiles. "So, you're already admitting to my charm."
Steve just puts his hands on his hips unimpressed.
Eddie's smile falters before he answers, "Okay, I mean I've hooked up with people at the Hideout, but no one's stuck around to actually go on a date with me."
Steve nods but replies, "That's hard to believe."
Eddie shakes his head. "Let's just say that it's easier for you than it is for me."
It feels like Steve's had this conversation before with... Robin? But why would it feel so familiar? He glances back at Eddie who has a bit of fear in his eyes.
The microwave beeps and suddenly it hits Steve.
He watches as Eddie grabs the bag, cursing slightly when the steam hits him. For some reason the revelation makes Steve feel a bit more nervous as the chance of something happening increases dramatically.
"Hey," Steve says, "It's okay if you're... you know."
Eddie's head snaps up.
Steve holds his hands up. "I promise I won't tell a soul."
Eddie relaxes a bit, but he stays behind the counter as he asks, "And you still want to do this trial run knowing that...?"
"Yeah," Steve says a little bit too enthusiastically, "Now I can be sure that your judgment of my skills is accurate."
This makes Eddie laugh loudly, and Steve immediately smiles. "You know, I think I'm finally starting to see why Dustin likes you so much."
"And why the ladies love me so much?"
"Don't push it, Harrington," Eddie says, pointing a finger at him before grabbing a bowl to put the popcorn in. He grabs the bowl and gestures for Steve to follow him to the couch. "So, you're the expert here, what do you recommend?"
"Like movie options?" Steve asks as he makes himself comfortable.
"Movie options, seating arrangements, where to put the popcorn..." Eddie trails off.
Steve tucks his feet under himself and shrugs. "Depends. If we were Dustin and Suzie I would say to watch something cheesy or something science fiction that they both enjoy. Dustin should definitely watch to see if her hand is free to hold at any point, but that's about it for them."
"And how would it change for us- or me?"
Steve smiles and scoots in closer, throwing an arm over the back of the couch. "If it's here then definitely get as comfortable and close as you want. As for a movie, it depends. Do you actually want to watch the movie or do you want background noise?"
Eddie rolls his eyes. "Classy."
Steve laughs. "No, no, I don't mean like hooking up. I mean if you just want to talk and get to know each other maybe make out a little, you want to pick a movie that you've both seen and won't be upset missing." He glances toward a stack of tapes near them and points at one. "Like Back to the Future, great movie to comment on and talk during, but I wouldn't be upset about missing parts. But I'm guessing you're like Dustin and Star Wars would be a no-go for missing scenes. At least, I was that way when watching."
"You've seen Star Wars? Which one?"
"The one with the little teddy bears."
Eddie hums in response.
"So, what are you thinking for a movie?" Steve asks.
"Back to the Future would be nice, but maybe we do like thirty minutes so we can get to my part of the date without you falling asleep on me," Eddie suggests.
"You already have an idea?"
Eddie shrugs and looks away. "It's kind of always been a date idea in the back of my mind."
"Secret romantic," Steve teases, hand dropping down from the couch to Eddie's shoulder, squeezing lightly.
Eddie tenses up a little, so Steve asks, "Is this okay?"
"Yeah, I'm just not used to it," Eddie answers honestly.
Steve nods and pulls away, moving to put the tape in the VHS player before coming back to the couch. He sits a little further away from Eddie and says, "We can keep our distance if that's more comfortable with you."
Eddie just nods and looks ahead at the screen, tilting the bowl of popcorn toward Steve who takes a handful. He tries to find something to say, but he's struck by sudden nervousness and wonders if Eddie's right about him cruising based on his looks because usually by this point whatever girl he's with is giggling and practically climbing into his lap to get closer to him.
But then Eddie relaxes a bit and throws his arm around the back of the couch which fills Steve with relief. "So, how did you get so close to Dustin? He goes on and on about you, but he never has told me that story."
Steve shrugs, trying not to give away how much the question freaks him out. He tries to keep the answer as close to the truth as he can. "He's friends with Nancy's younger brother so he's kind of always been around I guess. One day, I was bringing flowers to Nancy to apologize for doing something stupid, but Dustin found me instead. He told me that Nancy wasn't home and that he needed a ride and help with something, and the rest is history."
Eddie narrows his eyes at him. "I feel like there's more to the story."
Steve shrugs again and shoves a handful of popcorn in his mouth.
"Like the whole bat with nails that Dustin didn't even look twice at. The story between you two doesn't make sense."
Steve swallows his mouthful and moves closer to Eddie. "What if I told you that it's a story I'll have to come back to another time?"
Eddie twists toward him and tilts his head. "Do you really think that's going to make me less curious? And I see what you're doing trying to distract me with your charm."
Steve tucks a strand of hair behind Eddie's ear and asks, "Well, is it working?"
Eddie just shakes his head and says, "You wish, pretty boy." Nonetheless, he turns back to the movie leaving Steve to privately panic over the way the nickname makes him feel.
And maybe he wants to torture himself or something because next thing he knows, he's asking, "Well, how would you have distracted me?"
Eddie's head slowly turns to him, eyebrows raised. "Do you really want to know?"
Steve blames morbid curiosity as the reason he nods in response.
Eddie sets the bowl of popcorn down - and the implications of that scare Steve shitless - and he moves until their knees are touching. He gets a thoughtful look on his face as he recalls their conversation. "So, I was saying something about how the story between you didn't make sense. And instead of agreeing with it, I would've said something like. You know what doesn't make sense? How someone so gorgeous ended up here with me."
Steve flushes red but simultaneously snorts in response, "That's a horrible line."
"Yet, you're the one who is blushing."
Steve raises his eyebrows and says, "Well, if I got a do-over and time to think like you, then maybe I would've done something like this." Steve leans in and puts a hand on his chest, slouching down so he has to look up through his lashes to say, "Maybe that's a story for another time because right now... I have other ideas about what we could be doing."
Eddie stares down at him, hand slipping off the couch to trail up his back and into his hair. "And here I thought that you had said more intimate didn't mean sex."
Steve smiles and hopes Eddie can't feel his heart pounding in his chest. "It's true, but I also told you that some movies are great background noise to make out during."
Eddie's eyes flicker down to his lips, and Steve can feel his eyes start to flutter shut.
But then, Eddie abruptly pulls back and says, "Okay, yeah, you got me. I understand the Harrington charm."
Steve only smiles slightly, feeling the disappointment settle in his chest at losing the chance to kiss the boy.
"So, I think date part one is covered. Onto my part?" Eddie asks, already standing up and rushing to stop the film.
"Yeah, sure," Steve says.
Eddie glances at him and pauses before beckoning him to follow him. Steve gets up immediately and follows Eddie to where he assumes his room is and suddenly gets a wave of panic.
Eddie glances back and must catch the look. "Relax, I'm just grabbing you some warmer clothes."
Steve nods but stays in the doorway, glancing around at Eddie's room. Something about it feels so Eddie that he can't help but smile at it.
"Here," Eddie says, thrusting a yellow sweater into his hands, "I haven't worn it in forever but it should keep you warm."
"Thanks," Steve says, stripping off his jacket to throw on the sweater before putting the jacket back on. "But why do I need more clothes?"
Eddie smiles. "You'll see." He grabs the blanket off his bed and walks past Steve to the front door. He opens it and says, "After you."
Steve gives him a look of confusion before heading out the front door. Eddie follows behind him and closes the door before grabbing Steve's hand and leading him around the trailer to a ladder which he immediately starts climbing.
Steve tries to advert his eyes from the view Eddie's giving him before he follows him up the ladder, grabbing Eddie's hand once he makes it to the top in an attempt to steady himself. He's never been the biggest fan of heights, but he doesn't want to admit that to Eddie who guides him to the middle of the roof. He lets go of his hand to lay out a blanket and immediately lays down on it, patting the empty spot next to him.
Steve lays down and lets out a deep breath as he sees their view of the night sky, glittering with stars.
"Pretty amazing, right?"
All Steve can do is nod. He doesn't know if he's ever really taken the time to stare at the sky and appreciate its beauty.
"I like to go up here to clear my mind sometimes. But I've always thought it would be nice to share with someone else. But maybe Dustin and Suzie can just lay out in his yard instead because I think it would be life or death before I let one of them up here. Dustin would break a leg or something."
Steve chuckles and glances at Eddie only to find him staring at him as if trying to gauge his reaction. "Thank you for taking me up here," he says sincerely, going as far as reaching into the space between them and intertwining their fingers.
Eddie's hand squeezes his as he turns to look up at the stars, looking so at peace with the world that Steve can't help but stare at him.
Eddie glances at him. "Look at the stars, Steve. You're wasting your time staring at me."
"The stars are here every night though, so maybe I want to spend all the time I can looking at you."
Eddie turns to him with a conflicted look on his face. "Is this your Harrington charm?"
Steve shakes his head. "It's just the truth." He sighs and looks up at the sky. "Do you ever wish you could start over knowing everything you know now?"
"Yes," Eddie answers immediately, thumb running over the back of Steve's hand. "What would you change?"
Steve considers the question for a moment before turning to Eddie and saying, "Everything."
Eddie looks back at him and asks, "Would you change this?"
Steve's eyes search Eddie's, wondering how he wants him to answer the question, but he answers honestly, "I wouldn't have been such a dick earlier, and I would've changed this from a trial date to a real date."
Eddie whispers, "There's nothing stopping it from changing now."
Steve shifts onto his side and looks down at him. "Are you sure you want a date with King Steve of all people?"
Eddie shakes his head. "I don't think that's you. So why don't you prove me wrong?" he asks, running a hand through Steve's hair before resting it on the back of his head.
Steve lets Eddie take the lead to slowly drag him in, pausing when they're close enough to be breathing each other's air. "Are you sure you want this?" Eddie asks.
"More than you could possibly know," Steve replies before closing the gap between them and gently brushing their lips together before breaking the kiss to look Eddie in the eyes and make sure he's okay.
Eddie just pulls him back in and kisses him as if he's pouring everything he's feeling into the kiss which Steve returns just as passionately, unable to deny the truth that no kiss has ever made him feel this way before.
He cradles Eddie's face as they deepen the kiss and Eddie tries to pull him in impossibly closer, both hands making a mess of his hair until Steve pulls away, breathing hard before moving in to kiss him again as sweetly as he can before he rests their foreheads together.
They both try to catch their breath, and neither dares break the silence between them.
Eventually, Steve gives Eddie a gentle kiss on the forehead and rolls away onto his back, finding Eddie's hand and intertwining their fingers again.
They both stare up at the stars, not looking at each other until Eddie finally breaks the silence to ask, "Steve, where do we go from here?"
Steve turns to him and squeezes his hand. "I don't know," he confesses. "But what if we didn't think about it now? What if we just see what happens?" Steve asks, not wanting to think of the reality of their situation.
Eddie nods. "I like that idea."
So, they both turn back to the stars, wishing that their paths will be able to cross again.
Little do they know that their wishes will be granted soon.
(Super quick happy ending in the tags)
Tag List <3 (Sorry this took longer than planned):
@estrellami-1 @resident-gay-bitch @7-starboi @steves-yellow-cardigin @anaibis @saramelaniemoon @big-ol-regret @piemaker-from-gallifrey @queerriotgrrrl @sharingisntkaren @zoeweee @goodolefashionedloverboi @l0st-strawberry @dragonmama76 @pluto-pepsi @its-a-me-a-morgan @tiny-enthusiast @aol19 @pansexualhousecat @paintsplatteredandimperfect @thesuninyaface @messrs-weasley @gemini-local @paperbackribs
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