“AI art sucks but AI generated text/greentext is good”

They’re both trained on the same principles and they both are trained on a data scrape of the web gah, just because the input data source for text is less obvious and also the main text generator anyone knows about has a private closed dataset

I have to wonder if there would be less drama and discourse around AI art if Stable didn’t exist and the only generators were private, monetised and datasets were completely private - that would not be a good thing, but it would be hidden and less obvious

Stable being free and open source is good, and it’s good that you can see what goes into Stable’s dataset, but the openness has opened it up to criticism that pretty much seems to avoid the other generators that are actually monetised and hide their datasets

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

the brainrot won

NOTHING could have prepared me for the reality of letting a cat into my house

Discussing the failures of our predecessors and how to avoid them aka They should have given Gortash a Gun

dream visit (nostalgia) - a 2nd anniversary katfl comic

staff logging on to tumblr dot com today

I can’t include them all so here’s a combo of ‘came to mind first,’ ‘talked about positively most often by fans,’ and ‘stuck in my head’.

Public Apology Big Iron isn’t here. There were a lot that didn’t make the cut but that one specifically I stg I put in and only realized after posting had not. It was 100% meant to be on this list and I’ve failed us.

😀 i love setting out to draw 1 character multiple times but ending up drawing multiple characters 1 time instead 😀 i love it so much 😀

u guys dovis biography is just an ode to his friends and what it means to experience life together in a community 😔

"the joys of returning home again and again" "i would feel more comfortable wearing a suit if there was mud on the starched shirt" "i wish motogp was about connection" "my friends, partner and daughter are a triangle of serenity" "friends are the mirror i look into to feel normal again" "i find even my relationship with my mom is affected by my fame, which is embarrassing" "life is for the time we spend together and going grocery shopping for the meals we cook" (<- this one got me so bad bc ive noticed he Loves doing that but i thought i was reading into itttt) "what would I have become if I surrounded myself with a court of jesters who are always telling me how good and handsome i am". says that the social atmosphere of the paddock is a "mine field". "starting from universes apart, we found ourselves here [note: being motogp riders together], different but similar: shall we talk about it? listen to each other? exchange experiences?"

mentions he doesn't consider any of the other riders his friends (which he regrets! hed like that connection) but then specifically talks about marc and how what they have is also special (profound is the adjective he uses) because its a relationship you can only have with another athlete. even compares marc to his dad (huge compliment)

SAYS SOMETHING SOOOO INSANE ABOUT HIM HERE first of all this paragraph starts with "A me Marc piace. E i nostri famosi duelli del 2017 li ho interpretati anche come un modo per conoscerci meglio." ("I like Marc. And I interpreted our famous duels in 2017 as a way of getting to know each other better.") and then THIS:

the following may contain inaccuracies: "Deep down, however, he isn't crazy either, although he tries two maneuvers [on their last lap battle in Austria 2017!] that are neither in heaven nor on earth. Theoretically, and even practically, they have no logic. Yet I don't get pissed off, [unsure what this says]. I'm rather surprised to see what he tried to do to win, a kind of "I don't believe it," an astonished curiosity at how he tried to go into unfamiliar terrain where, as a consequence, I followed. It's amazing. As if together we had dug the new seam of a mine: the gold we won't share, of course, because I will take it, however, we dig the earth together as if we were pioneers. And that can't help but create a bond, whatever it may be."

(source is his autobio "Asfalto" for all of this!)

[Start ID. A three-circle venn diagram with Gabriel from Ultrakill, the Lonely Wizard from Inscryption, and the Hollow Knight from the game of the same name. Between Gabriel and Lonely is the text "guys will see a character with vague biology, say 'is anyone gonna buggify that' and not wait for an answer". Between Lonely and Hollow is the text "void beings placed in solitary confinement by a superior they admired with the intention of keeping them there forever". Between Hollow and Gabriel is the text "existed only to be a tool for their god. just wants to be perfect. never allowed to be a person". In the center between all three is just the word "trauma". End ID

having Thoughts

When Minkowski hugs Eiffel in Ep31 Sécurité, she just grabs hold of him without making a sound, and the listener only knows about the hug because of the "oof" noise Eiffel makes in reacting to having "the wind knocked straight out of him", and the script directions say that Minkowski has "tears silently streaming down her face", and Eiffel is the one who directly acknowledges the hug verbally ("Don't apologise for hugging"). If all we had was Minkowski's side of the interaction, we probably wouldn't know that they hugged. 

When Eiffel hugs Minkowski in Ep54 The Watchtower, he first tells her "C'mere, give us a hug!", and he makes a happy sound of effort as he squeezes her, and Minkowski - under the influence of Pryce's restraining bolt - doesn't seem to have any reaction at all, which Eiffel doesn't appear to notice. Once again, if all we had was Minkowski's side of the interaction, we wouldn't know that they hugged. 

The question of 'in what ways is the hug made audible?' feels much more significant in audio than it would in any another medium, and I do think it reflects something about these characters and their willingness to be open with their affection. Minkowski "grabs him and hugs him" hard enough to knock the wind out of him, but she does so silently. In a somewhat similar but also very different moment of reunion, Eiffel "embraces her" and he's not quiet as he does it. There's something about how Communications Officer Eiffel is always the one who verbalises their physical affection, whether or not he's the one who initiated the hug. The closest Minkowski gets to verbally acknowledging a hug is through an apology; Eiffel is the one who makes the hugs real for the listener.

my toxic trait is i get really annoyed when ppl make atsushi and akutagawa's relationship about dazai

What a plot twist you were. [x]

Thinking about mamma rossella and ferrari drivers over the years.... cheek to cheek, forehead to forehead HAND IN HEART!!!!!!!!!!!!!!!!!!!!!!!!!