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#I love people I love humanity
themachomoron · 10 months
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If reincarnation is real I wonder how many people stare at their own art in museums, listen to their own music they made in a different life and read books they don't remember writing
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clopiya · 3 months
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We aren't so different you and I.
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teaboot · 1 year
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How did we end up shitting on redheads so hard can you BELIEVE how cool it is that some humans just HAVE red hair?? Like a group really saw the irl equivalent of a shiny pokemon and collectively went "I'm gonna bully that" and everyone went along with it for a hundred years. Like WHAT
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stil-lindigo · 9 months
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scorched earth.
a comic about a princess who died in a fire.
(this is a sequel to bite of winter, a comic about Snow and what became of her after her death.)
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all my other comics
store
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roydeezed · 5 months
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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marzipanandminutiae · 10 months
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quotes by Victorians about the 1920s view of their generation's women
"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)
"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)
"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)
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catmask · 5 months
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if you ask me. being a good storyteller and love are inherently entwined. you cannot tell a good story without loving the people in it and loving those you tell it to. because to tell a good story is to understand it and its impact. to love is to understand how something moves through others and how to deliver it the way it would be best received. and how to breath life into something that did not exist before. storytelling is an act of creation sure but i do believe in all creation, there is love too. that there must be
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Olive harvest in the West Bank. Photos by Ari Messinis, courtesy of Al Jazeera.
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st4rlex · 8 months
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thinking abt them going to a universe with a young marcy and going insane
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themachomoron · 1 year
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When Mary Shelly wrote "I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other" god I really felt that
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zillychu · 4 months
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Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.
Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.
Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.
Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.
Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?
The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.
The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.
But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?
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kagoutiss · 20 days
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pelican town, ‘72
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ryllen · 2 months
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when u love being called 'love'
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literalcyborg · 4 months
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Everyone is all for sex positivity until aroallos want equality, huh?
Everyone is all for stopping the sexualization of women until they’re ace, hm?
Everyone is all for community and openness until cishet aces or aros want to be rightfully recognized as queer, right?
Stop the aphobic bullshit and take a step back. Look at your biases. Look at the language you use and realize how mean you’re being. Learn from your mistakes and become a kinder person.
I used to be aphobic. I didn’t understand how someone could feel little to no romantic attraction especially, and it was because I am very alloromantic. But that is exactly how homophobes look at the rest of the queer community. Since they don’t experience the attraction we do, the choose to believe it’s not real.
Just because you don’t fully understand what it’s like to be aspec doesn’t mean you should be hating aspec people. They are queer too. Fucking treat them as such.
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metamorphesque · 2 years
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Paintings of Archways, Doors and Windows, 2003 (oil on panel), Leon Morrocco
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poorly-drawn-mdzs · 5 months
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He was just being a silly little guy!
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