也許在你最糟糕的時候,家不過是兩隻手臂緊緊地抱住你。
Maybe home is nothing but two arms holding you tight when you're at your worst.
─ Yara Bashraheel 亞拉·巴什拉赫爾
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Photo
❀ (left) : 谷口嘉 作品展 2018 日本. 銀座
❀ (right) : Lan was having tea-time at that simple / small coffee shop to take a break out of studio in Kaohsiung, Taiwan 高雄, 台灣
and
❀ Ink painting : Katsushika Hokusai · Branch (1786)
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Diversity talk around Dungeon meshi makes me feel insane because all that was done is drawing normal looking white people. I can count the people of color on one hand and most of them are ambiguously brown, and on the other hand I can count the fat characters and most of them are specific fantasy races.
Ryoko Kui has a remarkable art style and everyone is drawn with love and I really admire it, but I feel like it shouldn't be the pinnacle of diversity for some of you. Falin isn't fat, she's just a big normal looking lady. Laios also isn't fat, he just has a regular looking muscular build without the dehydration six pack. The fat characters we do see are dwarves and orcs, which seem to make it look like the only way you can be fat is to a specific fantasy race. That may sound like a reach and may actually be a reach, but it is a little sus to me </3.
Characters like leed, namari, and senshi mean a lot to me but I wish we saw more fat humans or elves or etc. I know Ryoko Kui does explore more body types for different races in the art books but I'm a little disappointed it wasn't in the actual manga.
Not to mention the lack of black people 😭 Like I'm usually not expecting to see black people in anime and manga, I know that I can't always be asking all that from this kind of stuff, but seeing Kui actually draw black people in some of her studies in the art books and not seeing them present in the manga made me a little sad 😭. Like the brown characters we do have are KiKi, KaKa, Thistle, Kabru, and Cithis (plus a few extras that show up for like 2 seconds). Most of them are ambiguous, talking about the elves. Like we have brown elves but also we have pitch black elves, that makes me think they are only brown cus they are dark elves.
People like to argue like "Oh but it's fantasy and these are fantasy races so what do you expect?" but I think there is something to be said how it's always white people in these fantasy settings and brown and black people taking a backseat. I love dungeon meshi, I really do, but it is in no way revolutionary, it is just the standard.
IN MY OPINION ANYWAYS!
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🌸for the art ask game
🌸: a character with flowers that match their personality
—Plum blossoms are a symbol of resilience and perseverance in the face of adversity; they bloom at the end of winter, thus heralding the start of spring and bringing forth new life
Thank you for the ask! Hope you liked this 🥺
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How to say "I love you" in your partner's language - Part 1
English: I love you
Spanish: Te quiero / Te amo
French: Je t'aime
Italian: Ti amo
German: Ich liebe dich
Portuguese: Eu te amo
Russian: Я тебя люблю (Ya tebya lyublyu)
Chinese (Mandarin): 我爱你 (Wǒ ài nǐ)
Japanese: 愛してる (Ai shiteru)
Korean: 사랑해 (Saranghae)
Arabic: أحبك (Ana bahebak)
Hindi: मैं तुमसे प्यार करता/करती हूँ (Main tumse pyaar karta/karti hoon)
Greek: Σ'αγαπώ (S'agapo)
Turkish: Seni seviyorum
Dutch: Ik hou van jou
Swedish: Jag älskar dig
Bokmål: Jeg elsker deg
Finnish: Rakastan sinua
Polish: Kocham cię
Hungarian: Szeretlek
Nynorsk: Eg elskar deg
Dangme (spoken in Ghana): I suɔ mo.
We'll add more languages in the nest posts. Ask if you want to add your own language or different phrases. We're always open to feedback!
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My bitching and overall disinterest in JJK aside, I do think it's nice that a series with such a big emphasis on individualism being the way to succeed in a culture that's so focused on collectivism is kinda heartwarming. Like ever since I started teaching I've found that it's been a surprising influence on some of the kids here
A lot of my students who love JJK are also kids who "stand out" a bit from norms, esp the otakus. But they don't have any shame about intensely loving smth or being teased or viewed as weird by others. A lot of Japanese kids struggle with shame for standing out and seeing so many young kids and teens refuse to make themselves fit in to smth they don't want to be makes me really happy. So JJK will always have a special albeit weird spot in my heart for how it's helped a lot of young readers embrace being an individual in a collectivist country that typically hammers out any traits that make you stand out too much.
Even if it personally isn't my thing and if it's not the first series to have big themes of individuality, I do appreciate how much it's inspired some of its readers.
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Film Friday: Bullet Train
I've been missing a few Film Fridays lately, partially because mental health has just kinda been like that and partially because I've been struggling with a slightly more meaty analysis that my brain just won't let me figure out properly. As such, I'm going to get into the swing of things again with a movie that is pretty stupid, and I say that with all possible love and admiration.
Ladybug isn't really comfortable with the title of hitman anymore, he's trying out a more harmonic life, but even so he does find it in himself to undertake what should by all accounts be a simple last-minute job. Board the eponymous train, grab a suitcase, and get off at the next station. Oh, were it only so easy. Turns out said bullet train is flush with kooky assassins and hitmen who are either out for the suitcase, the lives of one or more of each other, or have larger and more ominous designs.
There's Ladybug, of course, the quirky pair of British wetworks men Lemon and Tangerine out to escort a drugged-out VIP and a suitcase full of money, notorious and sneaky The Hornet who's skulking about somewhere, the megalomaniacal but brilliant Prince playing a larger game with the life of desperate father Kimura's child as ante, as well as the hot-headed Wolf who is out for vengeance and a paycheck, but mostly the vengeance thing. It's quite the web of coincidences, interferences, and merry chaos as these murderers navigate the crowded train.
It's chaotic, but one throughline that honestly makes the constant shifting priorities and allegiances of Ladybug and the other hitmen work is that it's all a job to them, a very messy job that may or may not be arranged by a Russian usurper of the Yakuza crime syndicate known as White Death, but still a job. Whenever it's expedient for our heroes and antiheroes to not kill each other, they'll show professional courtesy to each other, bantering in that "a little bit too cool" stylized way that's second nature to Hollywood assassins.
What sets the banter apart, though, is a distinct sense of humor. Lemon, much to Tangerine's annoyance, has a theory of human personalities and moral character based on Thomas The Tank Engine. Ladybug has luck that fluctuates wildly between being impossibly good and impossibly bad, and he has a problem with remembering faces which makes some of the networking with his fellow killers challenging. Wolf's role in the movie is short in a way that feels darkly comedic yet apt, and I was surprised to learn this was, in fact, a cameo from musician Bad Bunny (listen, I'm old, ok?)
It's all breezy fun. The movie takes itself about as seriously as any movie that features a Japanese-language cover of "Holding Out For A Hero" in a moment of high drama, but that's fine, the movie expects you to chuckle along, knowing full well it has your heart in a vise by the third cover of "I'm forever blowing bubbles." Not a joke by the way, the few moments that Bullet Train allows itself to express emotion more complex than "holy shit" and/or laughter, it's acted well enough and with enough genuine skill that it actually gets to me a fair bit.
It'd be an act of overstatement to call Bullet Train all that deep, but it adds up to more than the sum of its parts. It ends up saying some fun things about fate. I wouldn't exactly cite it in a philosophy paper or anything of the sort, it is fun to sit at the end of the "Michael Shannon plays Russian roulette in an oni mask to look badass" movie and go "You're right movie, maybe human misery DOES come from the hubris of believing ourselves to be masters over fate." I don't know, it's just nice for a crowd-pleasing action movie to go out on a note of what seems like a genuinely held belief and not "welp that happened" glibness. It reminds me a bit of Mr. and Mrs. Smith like that, a movie I'll probably end up talking about here one of these days.
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today's practice!, I got inspired by this blouse and skirt that have this flowery lace, its so cute!,they are from totally different brands I think, but I forgot the names, im tryng to make less round arms,but the right one looks stiff and stuff,and trying diffferent standing poses,comments are aprecciated!,thanks for reading!
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