#I am thinking about what color to paint my room | Explore Tumblr Posts and Blogs

polysyndetonaddictsupportgroup · 5 months

Note

what would megumi’s life have been if he was actually raised by the zenin from day one? like either gojo lost the custody battle or they were able to scoop him up before gojo ever reached them. i doubt they would want to keep tsumiki with them so she’s not there for little baby megs.

i think it would be really cool to see a zenin raised megumi interacting with his fellow classmates when he attends the school, not to mention the contrast between him and gojo. like on paper they both should have gotten the same treatment-being pampered and spoiled rotten but we also know that the zenin think that hurting little kids makes them stronger so it would be super interesting to see megumi realise that the stuff that happened to him wasn’t normal and for gojo to have a guilt trip bc he wasn’t able to help megumi when he needed someone to help him the most.

So I have a fanfic that I’ve half written (no idea if I’ll ever finish it—I’d love to, it’s just hard to find the time) about EXACTLY THAT that I talked about in this post for an ask game.

That being said, that entire thing happens from Tsumiki’s perspective, and I agree with you—I don’t think the Zenin would have ever actually taken her too. They don’t want her. She’s not Zenin. She’s not a sorcerer. They only bought Megumi. For the most part, Megumi is absent from that post, and you asked about Megumi. So this is what I think would happen on Megumi's side of that post I linked.

It comes down to two things:

1. He is never, ever happy with the Zenin.

2. He never lets go of his sister.

Megumi’s old enough to remember Tsumiki when the Zenin take him away. He's old enough to love her. And I think that Megumi loves very quietly, but he also loves very violently. He wouldn't let his sister hold his hand on the walk to school, but he would sacrifice himself for her future.

I think the Zenin took him from his sister, and I think he kicked and screamed and wasn't strong enough. I think they thought he would forget her eventually.

And then I think he bit most of the Zenin Clan.

At the end of the day, what Megumi wanted was the one thing the Zenin were not willing to give him. They were never like the Gojo clan, they were never going to pamper him, but there are a great many things in this world that they would give the Ten Shadows finally returned to them. But they would not give him a non-sorcerer, non-Zenin sister who would only be a weakness to him. They refused to let him have any contact with his sister, and that was the source of a lot of what soured.

Any Megumi that was taken in by the Zenin would have been taken in to Naobito's household directly. He would be announced as the one who finally inherited their most cherished technique, and he would be declared heir, and the Zenin would call him beloved for it.

They would keep him in a room that was large and empty and almost always dark, and he wouldn't be allowed to decide when he slept or woke, and the door would always be locked from the outside. They would give him a wardrobe of expensive clothes that he hated, and he would never get to pick which of them he wore.

Megumi would hate them. He would hate all of them.

He's just not the type to be comfortable with or enjoy the adoration of others--especially when it's not backed up by genuine love. Megumi is someone who very much values sincerity and depth to emotion--it's one of the reasons why he seems to respect Yuuji so much. Yuuji is a good person who follows through with what he says. He's not just going to talk about wanting to save people--he's there making the sacrifices as he does it.

The Zenin do not actually love him. And he knows it. He's experienced love before, and this isn't it.

They love the idea of him. The fantasy of him that lives in their heads. He has no interest in being their little god prince to contend with the Gojo's own. He knows who he is, and it's not this. He wants to go home. He wants to find his sister again. He doesn't want to do this anymore.

And I think that's a feeling Megumi never escape: he just didn't want to do this anymore.

Megumi would feel like a bug pinned beneath glass in the Zenin compound. He would constantly have people managing him--when he ate, what he ate, what he wore, when he slept, when he woke, when he trained, what he did. Having to become a jujutsu sorcerer signified an inherent loss of control, but it's nothing compared to the sheer objectification that he goes through when the Zenin have exclusive control over him.

He has no power of what clothes he wears. How his hair is styled. His schedule, his diet, the people he speaks too--he's suffocating and the Zenin are just increasing pressure on him.

I don't think Gojo ever thought that would be Megumi's life.

We’re gonna just have this imagining exist in the same world as the Tsumiki centric fic described in the linked post, and in that, the reason why Gojo never took him in was because he didn’t know Megumi had a sister. He showed up, saw the divine dogs, realized Megumi had the Ten Shadows, and decided he couldn’t do this. He was a mess. He was grieving Suguru and Haibara. Megumi looked just like the man who killed Riko, and apparently inherited the fucking Ten Shadows of all the goddamn things. The Zenin would lose their shit, and Gojo didn’t have the energy to fight and told himself he didn’t need to, because if Megumi was the Ten Shadows he’d be cared for like a prince with the Zenin. He turned around and left and spent the rest of his life with Megumi in the back of his mind, always nagging him with whether he made the right decision. It wasn’t until Maki got there and made a few worrisome references to Megumi's standard of living that he started to really worry that he had made the wrong one, and it wasn't until he found out about Tsumiki that he knew it was the wrong decision.

It's like this: The Zenin hurt Megumi in every world.

It would be bad no matter what, but it really gets bad because Megumi refuses to stop trying to get back to Tsumiki. She's his sister. They didn't have anyone or anything in this world, but they had each other, and he couldn't let these people just take her away. He’s feral about it. He refuses to fit the mold they keep trying to cram him in. He’s trying to scale the walls to escape. He’s increasingly desperate and angry and the Zenin are getting more and more frustrated the longer he fights them. He’s the heir to the clan, and he can’t stop trying to leave it to get back to some random girl who isn’t his real sister and isn’t someone they’ll ever allow him to have.

It gets bad.

They put him under increasingly strict levels of control. He’s constantly being trained, which means he's constantly being hurt. He’s not allowed to speak to anyone without the clan head’s approval. He is under absolutely constant guard after he manages to get over the wall and halfway to his old neighborhood before they catch him again. Tsumiki’s name is not allowed to be said aloud, or his old name. He forgets his name used to be Fushiguro, but he doesn’t forget Tsumiki. He doesn’t let himself.

I think it escalates until it hits a breaking point. Megumi becomes increasingly self-destructive and non-responsive to everything they try. They push him to extremes that start risking permanent damage.

I think Megumi would try to hurt himself, eventually.

He wouldn't be in his right mind. He's in the most shit situation possible. He's undergoing pretty severe abuse. He'd be at the end of his rope from the lack of control over his own life, and he'd be spiteful as hell towards the Zenin. And the only thing he has to hurt them with is himself.

As a character, Megumi has always considered his own sacrifice as an acceptable means to the end of getting back at someone. Mahoraga, intrinsically, requires him killing himself as a way of killing someone else. He'd hurt himself if it was the only way he had of hurting them.

Naobito would cover it up. He'd never, ever want the rest of the clan to find out that it happened. It was already bad enough that Megumi openly hated them--he couldn't have the Zenin seeing any vulnerability in what was meant to be their most powerful member. He'd put Megumi in total lockdown until he could make it all go away.

Then they'd make a deal.

A binding vow. Megumi could never purposefully hurt himself again. He could never again try to leverage his own safety against the clan.

And in exchange, Tsumiki would be taken care of.

The last time Megumi saw his sister, she was on a sinking ship. They were running out of food, money, options--he doesn't know if she even has food anymore. He doesn't know if she lost the apartment or if there's still running water.

They're not letting him see her. But they are letting him take care of her. He can sacrifice another piece of control over himself, and she'll never have to worry about money again. They'll pay for her housing, her food, her education, for her every desire for as long as she lives. The trust the Zenin set up for her will be a generous one, and it will be managed meticulously by a trustee who can make sure she'll be provided for until she's old and grey. And Naobito will vow to never hurt her or send someone else to hurt her. She'll be safe. She'll be taken care of.

Megumi makes the deal.

In the end, the deal's what sort of breaks him.

Because he doesn't promise to stop looking for her, but the Zenin manage to make it a part of the terms anyway. When they approach Tsumiki's mother with the offer to be her family's beneficiary, they include a requirement that Tsumiki be moved to another city entirely with no forwarding address given. She needs to be somewhere that Megumi can never find her again.

The Zenin keep the old apartment. They pay the rent every month. And the next time Megumi manages to make it off compound, they let him make it all the way there before dragging him home. They let him see the empty apartment with all its empty rooms.

Naobito wants him to know that Tsumiki's gone. He wants him to know that he'll never find her again.

He tries to run a few more times after that, but he never makes it very far. He doesn't have anywhere to go.

In the linked post, Megumi finds Tsumiki, just once. She's on a class trip. He's on one of his very few and far between allowed excursions off the compound grounds, and he sees her in the crowd and recognizes her, and he ducks away from his escort before anyone can stop him.

She remembers him. He didn't think she would do that.

She tries to save him. He didn't think she would do that either.

She still loves him. And he was always too afraid to hope she would do that.

It goes the same way it did the first time. There's a car, and the Zenin shove him in it. She's on the outside, and he's trapped within, and he wishes she didn't scream so loudly when it happens. The sound never seems to leave his dreams.

His sister still loves him. Naoya hits him in the back of the head. He wakes up, and it was like she was never there at all.

But they hit him harder, after. Like they're trying to beat the memory of her out of him. He has even less freedom, when he already had next to none at all.

But he still has a sister. He has a place to go that isn't here. He just has to figure out where that is.

He wouldn't really have anyone in the Zenin clan. Most people are just... weird about him. Naoya's violently abusive. Naobito's weird and violently abusive. Everyone wants him to be someone he's not.

Maki would be his favorite.

He doesn't care about whether she's got cursed energy--his sister didn't have any. And she's obviously strong. She doesn't treat him like a divine blessing or try to force him to act a certain way. I think they would have genuinely liked each other, but kept each other at a distance. They're both trapped in an abusive situation and keep themselves safe by keeping everyone else at arm's length.

He would have been happy to see her get out, though. He would have told her that she could have his spot as heir or head or whatever when she came back if she wanted it. She would have told him that if he ever got out... well, fuck it. They could be something then. Family. Whatever the fuck they weren't allowed to be here.

She would have told him she's sorry, and she would have meant it. The only one she she regretted more than Megumi was Maki. He would have told her not to be, that if she dared to be sorry for getting out that he would never forgive her, and he would have meant that too.

I think his relationship with his own techinque would be very different in a world where the Zenin raised him. In canon, his issue is that he doesn't view himself as someone who could be powerful or win in the long run, but in this world, all he ever hears is how powerful he is. Pride of the fucking Zenin. The most powerful of them in centuries. Meant to rival Gojo fucking Satoru himself.

I think his real issue would be controlling it.

His technique would be a source of negative associations for him. It's the reason why the Zenin took him away. Most of his interactions with it have involved getting beaten and hurt by either his family or a high-level curse they shoved him in front of. I think he'd have a lot more firepower under his belt than at the start of canon, but he'd have less of a fine tuned control over it.

He lost control over his own life because of his shadows. It think that would manifest in struggling to control his own shikigami at times. he's not as in-sync with them as he is in canon.

Eventually, he'd go to Jujutsu High. He would be the only one in the first year class at the beginning, just like in canon. And he'd finally meet Gojo Satoru, the man he's supposed to topple.

He looks at Megumi really goddamn weird.

He's... enthusiastic. About. Teaching. He guesses. And constantly asking prying questions about the Zenin, but not in the sort of way he'd expect from a rival. In the sort of way he'd expect from someone concerned about him. Which is stupid. And annoying. And weird. He keeps a distance from everyone. They've all heard about the Zenin clan heir, and he has no interest in having to fit or break whatever mold they've already cast him in. He's better off on his own.

Maki's there. She's cordial where other people can see it, and in private, she takes care of him in a way that's terrifyingly close to familial. He's not sure if he likes it. He's not Mai, and she's not Tsumiki, and they both want someone they can't have.

She isn't sorry she left. She is sorry she left him. He can hate her for it all he goddamn pleases.

Of course, if this is in the same world as the linked post, Megumi finds Tsumiki again. He finds her in Sendai.

He gets to keep her, this time.

Gojo Satoru, of all the goddamn people, intervenes and becomes his sister's benefactor. It's super fucking weird. He won't stop looking at Megumi strangely. He won't stop insisting that he didn't know he had a sister, like that matters.

That would sort of be the first time in a long time that life actually gets better for Megumi.

I think he would ask to go by Fushiguro again, once he asks Tsumiki what his name used to be. He'd ask her if she minded it, him taking the name again, and he'd ask the rest of the school to call him Fushiguro instead of Zenin.

Predictably enough, Naobito loses his shit when he finds out, but it's not nearly as big of a pain in the ass as he thinks it is? Because Gojo intervenes.

Gojo keeps intervening.

It drives Megumi nuts, because if anyone was supposed to hate him, it was this guy. If anyone was supposed to be against him, it was this guy. This is the guy he was supposed to rival. This is the guy who killed his shitheel bio dad.

Gojo's just... good to him. He keeps him safe. He keeps him safe from his own goddamn family, and that's--no one's ever done that. No one's ever protected him from the Zenin.

The Zenin try to remove him from the Tokyo campus and move him to Kyoto the second they find out Tsumiki's there, and Gojo just... says no. It causes an uproar, and he doesn't fucking budge. It's treading dangerously close to him kidnapping the Zenin clan heir, his refusal to let them remove him from the Tokyo campus, and he doesn't care about whatever problems it causes him.

Megumi's his student. He doesn't want to leave. So Gojo won't let them take him.

He personally goes to Kyoto and collects him, the one time the Zenin force him into a car and move him when Gojo's off on a mission. He tells the higher ups to get fucked. He changes Megumi's student I.D. to read Fushiguro, and he causes problems for Yaga and the assistants until they start calling him Fushiguro as well.

Megumi's different with the other students once his sister is there.

He's more connected with them. He becomes best friends with Kugisaki and Itadori. He gets closer with the second years. He's visibly happier, and it sort of casts in sharp contrast how unhappy he was before this.

And Gojo? Gojo's so goddamn sorry. He didn't know megumi had a sister.

The thing is that now that both Tsumiki and Megumi are on campus, it sort of haunts Gojo with what could have been. They're both fantastic kids--funny, smart, resourceful. And it's painful watching them try to rebuild what was taken from them. And it could have just. never happened. Because he could have saved them both. He could have been their family.

It's sort of painfully obvious the Zenin abused Megumi, and it fucking haunts him. He doesn't even have to read into Megumi's behavior--he sees it happen, right in front of him, with how they try to control him and push him around. He wants to kill them for it. He wants to hate himself for it. He could have saved Megumi and he just. He didn't.

He wishes he did.

#jjk #fushiguro megumi #fushiguro tsumiki #gojo satoru #zenin clan #zenin maki #also featuring in this au: itadori absolutely torn because his best friend's long lost brother is extremely pretty and he HAS to be in #violation of some kind of bro code. the boy is in crisis. there he is. enrolled in fucking wizard school. his best friend tsumiki finally #found her long lost brother. said long lost brother proceeds to give him his gay awakening. he's fucking sweating. kugisaki stop laughing #gojos latent desire for fatherhood has been violently awakened in this and no one is safe. he's everyone's dad now. no one wants this.#yuuta in africa: sensei it's three am why are you calling is everyone oka--what do you mean what color do I want you to paint my room. what #room. what are you talking about.#yuuta keeps getting the weirdest goddamn updates from japan and he thinks he's having a stroke. what do you mean zenin-kun is fushiguro-kun #and he has a fucking long lost sister and gojos possibly going to gently kidnap him. is it kidnapping if he wants it too but the people who #has custody of him doesn't. what do you mean he needs to come back and help maki kill her entire family. maki explain your words explain #yes word of god megumi is also yuutas boy in this one i decide this for no other reasons than i want this #it's not the same way as in sea glass gardens. Maki just said some worrying things when yuuta first met him and he decided to keep an eye #out for him. he didn't seem all that happy. and he seemed alone. yuuta didn't want him to be.#megumi's sort of blindsided because he went from being raised in a clan where he was barely a person to having a bunch of medically insane #people decide that his wellbeing was their personal crusade. like. no one ever cared about /him/ before this. they just wanted their idea #but not who he really was. he felt like he was screaming and no one could hear it. then suddenly these people he barely knows are like #okay so we're going to punch your shitty bio uncle and also set his car on fire. yes we will call you by the name that makes you most #comfortable. yes we will help you get a new wardrobe full of clothes you're actually comfortable in.#he hadn't heard his own name in years. he's just been the ten shadows. never fushiguro. only rarely megumi.#everyone calls him fushgiuro at the school. his sister calls him megumi. he sort of wants to cry about it but he doesn't.#his shitty uncle shows up and makes a big stink about him being called zenin and inumaki and panda keyed his car. is this what love is.#is it a keyed car.#Low key he does NOT know what's going to happen the first time the school goes on break because gojo keeps making comments about how #megumi's not going back to the zenin compound and he says it like a joke but. he may not be joking. is he not joking. is. is megumi being #kidnapped. again. this is getting statistically improbable. did gojo just. decide. to keep him. when did that happen.

83 notes · View notes

inkskinned · 8 months

Text

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

10K notes · View notes

saltedpineapple · 5 months

Text

So JJK is over and my LMK brainrot is back , added with the fact i am playing a MOBA game and am being blessed with delicious illustrations it prompted me to make this

Now i am going to ramble about this because this is the first time in forever where i kinda pushed myself to make a FULL art piece-

I will be standing for this-

Let me tell you, i had no confidence in this and the composition was supposed to be way different, but this still happened. This took two days because i kept procrastinating , walking around my room dreading drawing the background BIG ADVICE FOR BEGINNER ARTISTS Watch speedpaints. You will learn so much by watching the process and that was this for me I have the tendency to kinda burn myself out and finish everything in a day and then never actually finishing. Tried something different for this and made a cheap silhouette of a sketch, then drew over that and used greys and whites fort the shadows. Then i think i colored everything in a base color (and i finally used a palette) and then i tried to find the lighting and shadow colours. It was weird. And what im saying is that i planned most of it instead of diving head in withour a plan. Crazy i know-

I also just learned about dpi PROPERLY and unfortunately made my piece so big that it kept stalling paint tool sai-

let me just post the progress shots

I also fucked up macaques reference and fixed it in a whim somewhere. You can see it here. I honestly wasn't planning to follow the lmk at style but that kinda happens when you're starring too much at the references.

There's still a mess and i wanted to render it a bit better ,the way i normally do but i didn't. Anyways i did enjoy the process and i actually miss them so much and i might watch LMK all over again Especially Wukong and MK

Btw this was supposed to be a moving illustration and i just didn't

I have Live2D but no

(Btw please check out my profile if you have the chance and thank you for reading this! Love you-)

#lmk art #lmk sun wukong #lmk fanart #lmk macaque #lego monkey kid fanart #lego monkie kid #lmk monkey king #lmk shadowpeach #shadowpeach #six eared macaque #lego monkie king #OK BUT I FOUND OUT HOW TO DO THE EFFECT IN THE FIRST AND I FELT LIKE A KID ON CHRISTMAS #btw im sorry i dont ever post anything for any holidays #it will be the same for the chinese new year and valentines day

2K notes · View notes

pellucid-constellations · 13 days

Note

Azriel and reader arguing about what color to paint their room. (His black walls aren’t cutting it for miss sunshine)

Pairing: Azriel x Reader

Word count: ~400

Warnings: None!

a/n: A little cute one :)

____________________________________________

"It helps my shadows travel," Azriel explained, a light tint to his cheeks.

You hummed, an amused uptick in your tone. "Are they not able to travel in all those dark little corners? Because you have many of them in your room."

"Our room. And they are."

"Perfect! Then perhaps a lighter shade? I feel so doom and gloom every time I come home. It's not good for my aura."

"Your aura?" Azriel questioned, hooking his chin over your shoulder. "What in the cauldron is that?"

"I'm not entirely sure. Gwyn was reading up on them and told me mine is out of alignment. She said it could be because of the walls."

"You have been just fine with the walls for the past year."

"Well—yes. I've been too swept up with being in love with you, obviously."

Azriel's small huff of laughter met your neck. "And you are no longer swept up, I take it."

You spun in his arms, eyes wide and brows high. Azriel stared back with a soft look of endearment, his arms running down your body to rest on your waist.

"I am still very swept up, Shadowsinger," you all but chastised. "Don't say things like that. You besmirch my character."

This conversation, although full of many lingering touches and soft smiles, was not getting anywhere. You narrowed your eyes at your mate, trying to formulate some way to get him to change his mind. You had moved into his room after all. But he had called it yours just as quickly.

You twisted your mouth as you stared up at Azriel, pretending to contemplate.

And then you sighed, resigned. "I think there's only one solution to our problem, Az."

"Oh? And what's that, my love?" he asked, smoothing back your hair as you feigned sadness.

"I'll just have to spend less time here, I think. I can come in to sleep maybe, but I'll have to move some of my things back to my old room. It's not good for my health to—"

"What color?" Azriel cut you off, his hands pausing their perusal of your face and hair. "I can have the twins pick up paint."

"But you said—"

"My darling, I was going to paint this room before you threatened to leave me. But then you threw that in and I am feeling a bit panicked, to be honest."

"I wasn't going to leave you, Azriel," you admonished.

"Wouldn't want to risk it."

#azriel x reader #azriel x you #azriel x y/n #azriel x female!reader #azriel acotar #azriel shadowsinger #azriel fanfic #azriel fluff #drabble

645 notes · View notes

gi4hao · 2 months

Text

☆ dino x gn!reader — domestic fluff!

☆ from repairing a sink to love confessions on the kitchen floor

9pm is right around the corner, and you know for a fact that your boyfriend is far from being done with repairing the leak under your kitchen sink. but of course he won’t accept defeat, which is why you resorted to having dinner on the floor, sat next to him to keep him company.

“you really should go lie down on the couch” chan tells you from beneath the sink, his voice muffled and punctuated by the clinks of his tools. “this isn’t good for your back.”

he’s not wrong, this position is definitely not the comfiest even though you managed to rest against a piece of furniture. but the view isn’t so bad here, you think to yourself, contently watching his arms flex as he twists and tightens metal pieces here and there.

“but if i leave who’s going to feed you those baby tomatoes?” you ask, looking at the half-eaten bowl in front of you.

putting his tools down, he emerges from under the sink with a contented sigh, stretching his limbs as he sits upright. “you’re such a simp” he chuckles, yet still gladly opens his mouth for you to throw yet another tomato inside.

with an exaggerated scoff, you put a hand over your heart in mock offense: “excuse me? says the biggest simp ever?”

the thing is, you don’t even mind being called a simp; you’re lucid enough to know that it’s only the truth. similarly, chan doesn’t mind it either, but it’s just so much more entertaining to deny and act like it offends him.

“if there’s a simp in this room it’s definitely you. and allow me to tell you why…” you tell him as he returns to the small confined space below your countertop.

you don’t even have to make an effort to gather your thoughts, countless examples just flow naturally into your brain: “first of all, you always carry me on your back when we’re walking back home from a party. you kiss me goodbye every morning even when i’m still asleep. you have a picture of me in your wallet, i’m your phone and ipad wallpaper. also, you keep a secret box on your side of the closet where you put all the receipts from our dates…”

a few seconds of silence follow your words.

when you lean to your side to finally catch a glimpse of your quiet boyfriend, it turns out he’s looking right back at you, a surprised expression painted on his face: “i didn’t know you knew about the box.”

suddenly, he gets the funny sensation that you’re definitely going to win this round.

“i know many things” you affirm, a satisfied smile on your lips as you keep going: “i know that you always keep one of my doodles in your phone case. i know that you bought duplicates of my skincare products to keep in your car as an emergency kit. and i also may or may not have heard you talk to seungkwan about me…”

this time, it’s a loud bang that comes to punctuate your sentence. but before you can even start to worry, chan yells a reassuring “i’m okay!” before getting out of there once again, “just dropped my tool, that’s all. but now let’s circle back to what you just said…”

with a chuckle, you notice a slight embarrassment spreading on his face, his cheeks turning a familiar shade of pink.

your relationship has never been a secret, so it wasn’t a surprise to know that he likely spoke about you to the other members. however, you hadn’t truly considered the nature of those conversations until a few months ago, when you had sort of eavesdropped on a discussion.

“don’t be embarrassed” you reassure him, a playful spark in your eyes: “it was nice to hear you describe us as a “perfect match” and feeling like “a married couple already, but in the best possible way”.

at this point, his surrender is palpable. “okay, you win. maybe i am a simp,” he concedes, a mixture of defeat and self-consciousness coloring his voice. his shoulders sag slightly, but his gaze is still full of affection. “i can’t deny it anymore. just like i can’t deny that I’m not a handyman. i actually have no idea if I’m fixing this thing or just making it worse.”

“i think it’s time to leave the plumbing to the experts,” you tease, taking the screwdriver out of his hands, “let’s bail on this floor and go cuddle on the couch; i’ll order some proper food.”

with just those words, he flashes you a bright smile, one that you know so well you could sketch it from memory. as he rises to his feet, he looks at you earnestly: “i meant what i said to seungkwan, you know,” he confesses, his voice softer than usual.

you take a brief moment to let his words and his sincerity sink in: “i know, baby,” you reply, your own voice matching his softness as you grab his hand to get up. “and that’s exactly how i feel too.”

his smile grows even bigger, relieved to see that you not only understand the depth of his love for you, but reflect it back to him as well. it’s all he’s ever hoped for, really — to find someone he could trust implicitly, someone he could pour all his love into, knowing it would be returned with the same intensity.

“we really are made for each other,” he states, giving you a proud nod as he pulls you close, arms wrapped around your waist.

“yeah, look at us. in love, both clueless about fixing that sink. perfect match.”

with a heartfelt laugh, chan gently rests his hand on your neck, pulling you closer for a kiss; the kind that lingers for a few more seconds than what you expected. just enough time for the both of you to think about how lucky you are to have found each other in this lifetime.

requests are open!

#can’t believe it’s my first time writing for dino i’m so ashamed #but it’s finally here!!!!!#dinonaras rejoice!!!!#seventeen imagines #seventeen x reader #seventeen fluff #dino x reader #dino fluff #dino imagines #svt x reader #svt imagines #svt fluff

687 notes · View notes

after-witch · 22 days

Text

Surrounded by Hunger [Yandere Mahito x Reader]

Title: Surrounded by Hunger [Yandere Mahito x Reader]

Synopsis: You're an artist, with no muse. Until Mahito shows up on your back porch.

Word count: 3500ish

notes: yandere, mild body horror, reader is a trans male

“I want you to paint me,” Mahito says, with an uncharacteristically serious expression on his face. No smile, no leer today. Just a somber frown as he appears from nowhere--as he often does--and sits himself in front of you.

The cool summer evening air would smell as clean as the breeze, but for the cigarette lazily perched in the ashtray on the edge of the porch.

Smoking. Your one vice. Or is it your eighth? You don’t keep much track of your vices, these days. If you did, you might actually try to quit them. But smoking is one of two current addictions that you can’t fathom letting go of right now.

The other one is sitting next to you.

"Like one of my French girls?” you murmur, lips quirking up.

Mahito tilts his head towards you, still frowning. You wonder, idly, if he has an actual brain inside his skull. Do curses have brains? You’re not sure about the technicalities of how they function, but it’s not something you’d really like to ask Mahito, either.

But it’s like you can see his brain working from the minute movements of his body language. The body is one thing you’re usually good at reading, and you ought to be, considering your career. No one wanted paintings from someone who didn’t understand the basics of body movement.

“Ah,” he says, finally, with a small smile. “Titanic. Directed by James Cameron. 1997.” His smile gets a little perkier. On anyone else, that smile might look deranged. But it suits Mahito, you think.

“I liked the sinking part the best. The way they…” He flicks his fingers in the air, and makes an eerily accurate sound reminiscent of bodies banging against metal parts. “And the frozen baby!” He closes his eyes almost all the way, leaving just enough room for you to see his gaze slide over to you. “Humans do love representing their own misery, don’t they?”

Something squeezes in your chest. It might have been a barb about you and your work; and it might not have been. One of the trickiest things about Mahito was that you could never be sure when he was trying to hurt you, and when he wasn’t.

The worst part was, you knew that it didn’t matter either way. It wasn’t like you’d ever ask him to leave. He knew that, too. Maybe that was the actual worst part.

He doesn’t elaborate on his statement. Instead, he leans his head back, looking at the darkening sky; the deep blue of the evening oozing away to make room for the blacker part of the night. His profile like this is fascinating--the way his hair seems to almost shimmer in the fading light, falling back against the side of his neck.

“Well?” He asks.

You couldn’t say no. You were already imagining ways to capture him, like this. In profile, staring up at the sky with eyes that were anything but human. With a brain that was perhaps not a real brain. With a body he could change at will.

Despite all that, here he is, sitting on your porch, breathing in your cigarette smoke and staring up at the ordinary evening sky.

What does he see that you don’t? That no human does? Why does he even come around you, when he could be off trying to--your brain fumbles for snatches of what he’s told you--battling sorcerers?

Maybe you can capture something of the answer in your painting.

“Okay,” you say, lightly, even though the answer is anything but. “But we have to go inside for the sketch. There’s not enough light out here this late.”

Mahito smiles. In profile, you see only the half of it, the edge of his lips curling, a glimpse of his teeth.

You’ll be up all night sketching, trying to capture this expression.

Your first finished painting of Mahito isn’t all that great. The evening skyline was done from memory because the next few days had been cloudy and they stole the sky’s normal colors away. And no amount of mixing could quite give you the right shade for his hair; you put something new on order, a type of shimmer pigment. That might help for future pieces.

The expression, though. There was something in that. Something not quite human that you managed to capture, although if you had to do it over, you’d reconsider taking your drawing from sketch to painting. The sketch had something raw to it, like Mahito might just turn his head and wink at you.

As an artist, you knew that such a subject was rare. It was not always easy to find inspiration that kept you working almost relentlessly, eager and passionate rather than staring at an empty canvas and willing the world to send something to you.

Mahito was a gift, wasn’t he? To an artist. To someone like you, who needed something to make your work stand out. And it does, here. Mahito looks unusual--striking, beautiful, but with something unpleasant itching to get out from underneath his skin.

But still. It’s flawed.

And that’s not the standard artist humble-brag designed to avoid a reputation of pompous pride. Your paintings, as a whole, just aren’t good enough.

It’s why the galleries rejected you. Why what few connections you had with other painters tended to fade away, becoming more and more untethered as they were invited to galas, as they held openings, as their works went to auction, and you…

You sat on your porch smoking and waiting, heart pacing, for a curse to show up on your door.

Mahito stands in front of the revealed piece, quietly observing it. His fingers reach out and skim the canvas, bumping along a few rough areas of paint. His mouth parts a few times, then closes.

You expect him to be blunt with some kind of critique. He’s never been shy with honesty, no matter how hurtful. It was something you hated and loved all with one confusing, awful sameness.

Instead, his gaze flits over every square of the canvas enough times that sweat begins to bead down the back of your neck. Does he hate it? Is he about to tell you that you’d be better off doing something else, something more ordinary, something more mundane?

No.

What he does is turn his head towards you, slowly, something that is not quite a smile on his face. An expression that makes you think of the back porch, sunsets and cigarette smoke.

“Now do it again.”

You should hate this, really. Someone who sticks around and more or less demands that they be your muse. Most artists purge these types of people from their lives, unwanted flypaper hangers-on who pout and demand to be painted.

But Mahito is your muse, and you don’t hate it, and you don’t think he’s clingy or desperate like others who have found themselves on your back porch before.

He’s your muse simply because he exists. You could not fathom knowing Mahito and not committing him to the canvas. The only shock is that it was his idea, not yours; and maybe, deep down, you were too afraid to ever ask him. In case he said no.

So you draw him, and paint him. He drapes himself over your couch wearing nothing, spreads himself on your bed with winter clothes in the summer heat; perches on the end of the kitchen stool and watches gnats circle a bowl of bananas.

The ideas are his, mostly.

And the pieces are interesting. “Intriguing,” your regular art gallery said, when you submitted the one of Mahito sprawled out in a fuzzy scarf and hat and puffy winter coat while sweat clung to his forehead from the summer afternoon sun.

Interesting, intriguing, a striking model… and yet. They’re still not enough--not enough to get paid. Not enough to get noticed.

Not enough to get you out of bed some days, when all you want to do is smoke lying down and hope the smoke alarm in your bedroom still has low batteries.

This is how Mahito finds you this morning. Half-resting on sore elbows while smoke wafts up to your ceiling, imperceptibly adding to the layers of brown and yellow build up.

“Hey.”

He pokes your nose. You blink, slowly turn your gaze towards him. Then close your eyes and let out another puff of smoke.

“You’re being mopey,” he says, flatly. Not teasing or whining, certainly not with sympathy. Just a matter-of-fact.

The options weigh heavy on your shoulders. It’s not like you two don’t talk about serious things. But God, with Mahito, the roles are reversed between artist and muse. You’re the clingy one, the one desperate to keep him around; afraid that the wrong word or gesture might make him blip out of your life as quickly as he came into it.

Who were you, if you didn’t have Mahito? Just another failing artist who could barely afford their cigarette addiction.

But you trust him. Because he’s here. Because he hasn’t left yet. Because when you’re drawing him and you ask him to lift his arm up, he somehow knows the exact angle you mean, every time. So you lick your lips and look up at him with tired, reddened eyes.

“They’re not enough.” A pause. “The paintings, I mean. No one will buy them.” You drop the rest of your cigarette in the ashtray on your night stand. “I don’t know what I’m doing wrong.”

You do know, though. Your paintings aren’t interesting enough anymore. What little buzz you’d generated in your first break onto the scene from your fantastical horror work had long since faded, as had your inspiration for such pieces.

It wasn’t enough to play with color and light, to perfectly capture the sun through an opaque curtain playing on Mahito’s hair while black flies buzzed onto overripe fruit. Of course not. People wanted more. You just weren’t more, now. If you were ever that.

Mahito crawls onto your bed, languid; it’s not the first time he’s been so close, so intimate, but it gives you goosebumps nonetheless. He curls himself behind your back and runs a finger down your arm.

“They like your older work,” he muses. You’ve ranted about this, and he apparently listened, which makes you feel at least a little least sour. “So why don’t you paint like that again?”

So much for feeling a little less sour. You curl inwards, eyes fixated on the dimming red glow of your cigarette in its tray.

Mahito pokes your shoulder. Impatience. You can feel it building in him, in the way his arm muscles tense, just a little. When he gets bored, he sometimes leaves.

You don’t want him to leave, so you force the words out, although you’d rather keep them private. Your mouth feels sticky when you talk, but you press on.

“My old stuff was before…” You know he knows, but you’ve never pinned down a single way to explain it to him. “Before I figured myself out. Before a lot of things, I guess.” Mahito’s hand wraps itself around your stomach, and you reach out to intertwine your fingers. To keep him with you, if such a thing were possible.

“I haven’t had the same type of inspiration in a long time,” you admit. “So I don’t know how to just…” Flashes of your old canvases come to mind. Demons and ghosts and landscapes of terrible beauty. “Get back into that head space.”

There is a stretch of silence that begins to worry you. Maybe you are too boring, maybe you’re whining, maybe whatever this is has run its course and he’ll leave and you’ll have nothing to your name but this empty apartment and your empty life.

But then Mahito grips your shoulder and pushes you firmly, swiftly, onto your back. There’s a dull ache where he touches you and you stare up into his eyes, wide and bright even in the darkness. He’s grinning. He’s grinning, and it’s beautiful and ugly--

And on his side, arms sprout out; some with mouths sporting their own grins. Behind him, arms upon arms, hands upon hands. A grotesque vision come to life in your dim apartment bedroom. You can see it now, on canvas. A creature with greedy hands outstretched to the world, taking what it wants, when it wants.

You can see Mahito, posting, while you furiously work at the easel. You know you’ll work until your hands cramp, desperate enough to capture every microexpression in pencil before it fades.

Mahito, the muse, painted again and again. Until your hands cramp, until your eyes are red and burning.

“Does this inspire you?” he says, a bright giddiness in his tone fading into something lower and warmer as he leans down to capture your lips.

You’re not certain which of you tastes the most of ashes.

The paintings are perfectly grotesque. Inspirational. Disturbing.

“And yet,” the director continues, tapping his pen against his chin, “so life-like. You can hardly tell where the real model ends and your imagination begins.”

Because, of course, humans cannot sprout extra limbs from their sides. Humans cannot stretch their tongues to wrap around their body like a rope. Humans cannot pull open the flesh of their stomachs to reveal what’s inside.

Not without dying, anyway.

You’d almost asked Mahito if that was what curses looked like on the inside--if they had organs, like stomachs and lungs--but thought better of it. Knowing would be worse than pretending.

When you pretend, you can ignore the growing sickness in your stomach as the paintings become worse--and better. As Mahito pushes you farther and farther, and you’re not sure if you want to turn back.

When you pretend, life with Mahito doesn’t seem very fucked up at all.

“Keep it up,” the director tells you, thumbing through the wad of ghastly cash he hands over for your latest piece. It’s enough to pay off your rent and bills and cover cigarettes and booze and some new books for Mahito, though you’re sure he just steals them when he’s not with you.

And you do--keep it up.

Because Mahito wants to, and because despite all the disturbing dreams you begin to have after sessions of drawing and painting, your new works really are better. More visceral and alive; galleries want them.

They want you.

You feel seen, finally, for who you are and what your hands can do--

How could you turn that away?

“I don’t know,” you say, slowly, watching the thing Mahito brought with him writhe on the table.

It was soft and gelatinous, like a blob of moving goo. At first, that’s what you thought it was: something he scooped out of a container at a toy store that sold novelty slimes.

But this wasn’t some gob of bright orange or neon blue with a telltale sticky sheen that told parents that yes, mom and dad, this was going to wind up sticking to the carpet by the end of the day.

This was light beige, with two big black spots that looked a bit like eyes. It was larger than you think a toy slime would have been and it--well it moved. Really moved. Not just from a slight breeze drifting in through the window or due to its own gelatinous nature.

It was--whatever it was--alive.

It had eyes, and perhaps that bit of discolored beige was hair, and that was it. Two eyes, slick, shiny skin, and no mouth at all.

“It’s a statement piece,” Mahito says simply, even happily, as he adjusts the blob to his liking on the table. He tries out a series of poses that you direct with hesitation--looking down at it with his chin resting in his elbow, holding it in his arms like some sort of stuffed bear, endless, restless poses, all punctuated by the strange writhing of the thing.

The two of you finally settle for Mahito looking one way, and the blob--were those its eyes?--facing another. A contrast between colors and shapes and Mahito’s lithe form and the writhing blob. But while there is a dim satisfaction in putting Mahito onto the canvas, a sense of self-worth and pride that grows with every stroke, you put off working on the blob until the last possible minute. Your body seems to know why, even if your mind doesn’t.

At the end of the night, you start to ask a question that’s been on your mind the entire evening--

“Mahito?”

But when he turns, a small smile on his face, blob in hand, the words die in your throat.

You say nothing as he leaves. You work a little more on the painting, avoiding half the canvas, not wanting to think about what it was that Mahito brought and why he brought it.

That night, you dream about a garden of squirming, writhing blobs.

Today, Mahito has no mouth.

And today, you’ve decided, that this will be your last Mahito piece. No more. Not a single one. The singular lack of a mouth is not even as horrific as some of the other ways Mahito has posed for you, but somehow, it’s the one that terrifies you the most.

Mahito has no mouth, and you can’t even ask him why.

Mahito has no mouth--

Mahito has no mouth, and he wants you to paint him.

He tells you this, in gestures. Maybe if he was over the top about it--if he was wildly waving his hands, if he made a game of it--then it wouldn’t make you feel so wrong. But he’s slow, methodical. Serious.

It makes your stomach clench on nothing but whisky and overcooked eggs.

But you let him bring out one of your mirrors and set it up in front of a stool so you can paint him, looking at himself in the glass. There’s nothing else you can do but this, you realize; that’s what your life has come to. You are mingling with a curse and he could kill you in a moment if he wanted to--but right now, he wants you to draw him and paint him and put something monumentally distressing on the canvas. And you want to do these things--because he wants you to? Because you know the gallery owner is going to take one look at this last piece and ask you to open your own show? Love or ego or something awful and in-between?

You sketch quickly. It’s the final layers of painting that will take days, you think, if you want this to turn out right. Right now you’re worried about two things: capturing the tones while the light is just right, and how Mahito will react when you tell him you’re done after this.

It’s not like you can tell him now. He can’t even talk.

What is it like, without a mouth? You bring cigarettes to your lips and wonder if he feels jealous of it. Would he get mad, if you told him you needed a drink? A snack? Eating and drinking--curses can do these things, and you’ve seen Mahito do them, but you don’t know how much of it is a want or a need. It’s hard enough to tell the difference with a human.

If you had no mouth, what would you be? Your thoughts flit, briefly and then away again, to the blob. To its eyes. To the way it couldn’t stop moving and Mahito held it like a toy.

You don’t want to think about that.

It would feel wrong to talk while you work on this piece, you decide. Better to save it for when it’s finished. A few days, at most, with Mahito holed up in your bedroom--and no mouth at all.

In these few days, you want to kiss him more than ever. Want to capture the memory of his lips, because surely, he’ll want to leave if you’re done painting him. Done being entertaining.

The thought of kissing the awful, empty space where his mouth should be keeps you from even thinking about it.

It’s your masterpiece. You know this from the moment the last stroke is complete. You’ll never top this work, and some prideful part of you demands that you try, anyway.

Mahito still has no mouth. Even as you pull the drape off the canvas, as he gets close to inspect it.

“Mahito,” you say, suddenly. He doesn’t look at you. That’s better, you think. Makes it easier to stomach what will come next; the inevitable moment where Mahito drops you like an old toy. Usually it’s the other way around, an artist getting bored of its muse and flinging them aside.

But you’re not bored of Mahito. You’re afraid of him. You want him here--but you don’t. It’s a big jumbled mess and maybe it would have been easier if he never showed up on your back porch, if you never saw him at all, if he hadn’t opened up some wound inside you that only he can stitch up.

“Mahito,” you repeat. “I don’t think I can paint you anymore.” Stupid, weasel words. You cringe. “I mean. I don’t want to paint you anymore--after this one.”

Mahito tilts his head, and finally turns his eyes towards you--but still, there’s no mouth, no mouth, no mouth.

After a moment, you continue, mouth dry and sticking. “Did you hear me, I said I--”

Mahito’s hand slaps against your own, hushing you.

“Have you been wondering what it feels like?” It takes a few blearly, confusing moments for you to realize that Mahito is talking not with lips on his face, but on the hand that’s pressed over yours. “To be unable to speak?”

The awful thought hits you. Is your mouth even still there, under Mahito’s hand?

Mahito leans in, and pulls his hand away. Slowly, like he’s revealing a prize .

“I want to paint you now,” he murmurs. He might even be cooing, eyes alight at what he sees as he lifts his hand.

You want to answer him--you want to scream.

But you can’t say a word.

#yandere mahito #mahito x reader #yandere jjk #yandere #afterwitch writes #was the titanic reference necessary? yes. yes it was.

249 notes · View notes

graves-simper · 7 months

Text

What really happened in Room 302?

Yes, just like everyone else I am finally doing a small essay/analysis on TCOAAL.

This time I wanted to dive in something that wasn't a big part of the game, but has been on my mind since my first play through of the game and that is like the title states; What really happened in Room 302? Lets begin.

I wanted to start off by talking about the Lady in Room 302. Who is she?

We really don't know much. Her eye color isn't shown, she looks somewhat average but in terms of others opinions (ie; the Warden's and even Ashley) She is a very pretty woman. Even at a point Andrew says that she looks good. Take a look at some of the dialog below:

I mean, wasn't she?

After this very tasteful conversation these two love-birds have, Ashley heads up to commence the ritual to sacrifice the 2nd Warden, and of course Our Ashley pulls it off with no problems, and back downstairs she goes with full intentions of painting the wall with Lady 302's brains, but it appears someone beat her to the punch.

AND NOW I PRESENT WHERE I IMMEDIATELY BEGAN TO CALL CAP ON MR. DOORMAT EXTRAORDINAIRE AND HIS SILLY LITTLE LIES.

Your honor, this man is absolutely lying. The first thing that made me question everything about his story here is where she is lying dead. On the damn bed. Your honor, let's enhance this real quick.

That nail gun is a damn good several feet away from where Lady 302 lies dead on the bed. In fact it is in exactly the same position as when we left Andrew alone with her, and look at the sheer distance. These apartments clearly aren't huge but let me just be critical for a minute. Her mattress appears to be a single style mattress, so lets take in some measurements.

I can settle on the length being 75" or 6.25ft. So the apartment is about 12 feet wide. Not huge by any means, but to go from sitting down on a bed, even the edge, she would have to make quite the lunge while accounting for some random maniac being right next to you with a meat cleaver. I also do not think she would be the type to risk her life for a daring escape. Look at how absolutely bewildered she is the second Andrew rushes her.

That is NOT the face of someone who is absolutely down to fuck around and find out. She also had a chance to get help while also risking her life, when she is given the radio she could have screamed for help, and while yes she would've died, at this point I would say the risk factor was relatively similar.

Now that I have established my reasoning for why I don't think this lady tried to kill Andrew with a nailgun or even had the chance to, let's go over some of the reasons I think he DID choose to kill her.

No Witnesses.

This is a very boring theory but I have to bring it up no less. I think there is a good chance he just said fuck it, and killed her for the sake of not leaving evidence behind. She saw their faces, heard their names, and they even said they were her neighbor from upstairs. Leaving her behind could've ruined EVERYTHING for them after this point, and based on Ashley's sour reaction to her mere existence, I think he already knew damn well Ashley would want her dead too.

Make my Ashley happy.

This ties back to the point I made in No Witnesses. Ashley took her as a threat, and obviously Andrew noticed. She was not pleased after he called her "Pretty". I think once he was alone, he figured he would off her to show Ashley that he wasn't ogling her or wanting to do anything with her. In fact she meant so little to him, he butchered her right on her bed. To support this, the way Ashley reacts when she returns absolutely floors Andrew, he is calm about what happened but Ashley is still coming up with thoughts that he tried to fuck her, when in his mind, he was probably hoping she would be thrilled that he killed this awful, hell-bound, hussie. But instead she is still somehow mad despite her being now a corpse. He becomes to fed up that even though he did what she would've anyways, it is somehow not good enough for her. (I will dive deeper into this interaction below with another theory that relies heavily on this.)

The Hussie hit on him.

This one ties into Make my Ashley happy. There is a good chance this obviously sexually attractive woman tried seducing Andrew while they were alone. She had no problem doing it with the Warden's to get better treatment, and I have no doubt this was her go-to get out of trouble free card. This charming young man would surely fall for her good looks right? Right? There's two thought processes that would make this reasonable. 1. He was worried how Ashley would react if she walked in with her clearly flirting with him and how that would make her feel. 2. My personal favorite of these two, he is dedicated to Ashley and was offended by her advances and killed her in a show of devotion to her.

Now that we have the more sane theories out of the way, lets get to the GOOD STUFF.

Andrew's Fantasy.

This theory is more of a mental guess as to Andrew's relationship and views of Ashley. He has been clearly fed up with her more than once up to this point, having arguments, dealing with her shit, and all the trauma he just experienced from starving for weeks, isolation, and having to butcher and eat someone, and then murder a man to save her.

What if once Andrew had a moment alone with someone who was essentially his victim, he decided to truly see how he felt about something. I believe Andrew may have not seen Lady 302 as Ashley, but just for the hell of it, imagined that she was Ashley. Despite the different appearances, I'm sure he could overlook it in the state of mind he was in at this point, and decided how it would feel to finally kill "Ashley". The way he kills her just doesn't feel like he said fuck it and wanted the lady dead, she is laid out on the bed, there's no signs of a struggle either. Later in the game during one of the visions, there is the one where Andrew finally kills Ashley. When she accepts that he will kill her, he brings the cleaver to her throat similarly to how the throat of Lady 302 was cut. The similarities just feel so similar that I had to bring this up despite it being possibly far fetched but that's what makes these fun!

and now for my most absolutely far fetched theory yet.

Don't these two look similar?

This theory is much more far fetched but hear me out on this!

I know this may be a result of Nemlei's artstyle but these two have some stark similarities in my opinion. Both blonde, same eye color based on the greyscale of them, similar hair parting, and a similar face shape.

After all the trauma Andrew went through in the weeks locked in their apartment and then killing several people and eating one no doubt sent his brain to a bad place.

I think after all that hell he endured he may have simply had a breaking point and felt like he saw a ghost or just the stark similarities between Lady 302 and Nina just made something snap.

I want to back this up by making a point to the story telling in the game. Before they go and escape their apartment conveniently before the Room 302 incident, there is a dream about how Andrew and Ashley killed Nina. This could be just the flow of the story telling however, I feel like it was a lead up to what really happened in Room 302. It just feels too perfect to include that scene right before he kills someone who I am assuming is what Nina may have grown up to look like, AND then with this scene occurring once Ashley returns almost feels like a nail in the coffin of this theory.

Nina isn't brought up in the apartment, or once they're in the motel. Nina is brought up during a heated exchange in Room 302 right after Andrew might have felt as if he killed Nina once again, yet just like when they killed Nina, Ashley still somehow thinks that Andrew has a thing for a woman he helped kill, and this absolutely drives him off his fucking rocker.

This exchange floored Mr. Doormat so intensely he finally was ready to absolutely throttle the life out of her. Andrew was finally so fed up with being berated for doing things for Ashley's sake he just wanted it to be done and over with forever. Andrew once again found himself in the same place Ashley put him in all those years ago, but this time he knows he isn't as vulnerable as he was and uses it to his advantage, but after their little squabble, they leave together to bless our hearts with Chapter 2.

------------------------------------------------------------------------------

Perhaps this was as plain as the story made it out to be. There is a good chance that Andrew didn't want to leave a witness and said hell with it and butchered the woman in Room 302. But I'd like to believe that with all the hidden details Nemlei has scattered throughout this game that there is truth to one of these theories, hell maybe even a giant jumble of them all together is the true story of Room 302.

But with everything I presented today I hope you all perhaps are too questioning what really happened in Room 302 like I was.

I'd love to hear any theories you guys have regarding this or twists/opinions on the ones I presented here!

Thank you all for reading!

#andrew graves #ashley graves #gravecest #tcoaal #the coffin of andy and leyley #andrew x ashley #ashley x andrew #leyley graves #tcoal #andy and leyley

575 notes · View notes

ddejavvu · 1 year

Note

rugby!james when you come to his game all dolled up and in his team colours and the entire team is drooling over you. so he picks you up and gets your legs around his waist and kisses you with tongue in front of all of them (he probably puts his big hands on your butt too. just to be safe)

today is multiverse monday! send me any au you can think of :)

"Well you're a fan!" You hear an amused voice to your left, and you glance up from where you'd been texting with James about your post-game meetup. It's another one of his teammates, Prewett by the looks of it, but there's two of them on the team and you're not sure which one you're talking to.

"Ah," You glance sheepishly down at your jersey and colored socks, matching face paint striped over your cheeks, "Yes, I am. I was-"

"Who's jersey you got on you, love?" He elbows the man next to him, Longbottom, "Betcha it's mine, right?"

"No way," Frank grins lazily, sweat beading at his hairline, "Mine, for sure. Y'see me make that pass earlier? Bet you want an autograph."

"Uh," You flounder, fingers tightening around your phone as you feel it buzzing with new responses. You don't want to be rude and ignore James's teammates, but you don't want to ignore him, either. "Actually," You whip your head around, looking for the familiar mop of curls that you tangle your fingers in, "I was looking for-"

"Me," Sirius drawls, amusement flickering in his eyes, "Right Y/N?"

You laugh lightly at your boyfriend's best friend's antics, nodding and playing along, "Oh, yeah. I've been looking for you all over, darling."

"Oh, my love," Sirius gushes, holding the back of his hand to your cheek and swooning, "My heart ached for you through the whole match. It was like I lost a part of my soul for every second I labored on the field without you."

Prewett and Longbottom are rightly confused now. Sirius is gay. And hooking up with Remus. Loudly. In the locker rooms.

Thankfully, Sirius's dramatics have given James enough time to run from the locker rooms, hellbent on finding you in case you'd come into trouble. His last six messages have gone unanswered, but the knot of panic in his chest loosens when he sees Sirius clutching at your arms.

He jogs over, hair bouncing with every step, "Oi! Black! Get off m'girlfriend!"

"She's all yours," Sirius scoffs at his best friend's protectiveness, dropping his grip on your biceps and glancing at his fellow platers, "C'mon mates. Y'don't wanna see what he's like when he gets his hands on her."

"So she's-?" Prewett makes the mistake of watching James hug you, the man's large hands flying straight to your ass, "They're together?"

"Aggressively so," Sirius drawls, nose wrinkling as he watches James kiss you far more boldly than is polite in public, tongue visibly lapping into your mouth, "Oh god, alright, let's go. Christ, at least I close the shower curtain when Remus and I fuck."

2K notes · View notes

bratphilia · 7 months

Note

Heyyyy so I was the person that requested more fics like the flip side (it’s 6 am and I can’t remember if that’s what it’s actually called atm) but I was thinking about possibly a situation where reader has a history with William possibly when they worked at Freddy’s before they shut down and were younger (still of age though; I’m thinking probably when they like reopened for a little bit in the early 90s). Now in the I guess present day they aren’t exactly going out with mike but maybe they are a babysitter and mike and reader are pining over each other?? But him working there brings up bad past memories of your time there but you don’t really want to tell mike.

Honestly looking for lots of tension, slow burn, pining, and angst but not too much angst yk and ofc nsfw

Sorry if this is like too specific or whatever but this has been on my mind for sure

note: i did some age calculating to fit with the timeline so reader is 18 in 1993 and 25 (the same age as mike) in 2000. creds to michy for convincing me this was actually post-worthy.

pairing: steve raglan / william afton x reader x mike schmidt

tags: threesome, rough sex, dub/con, age difference

taglist: @dilfity

triangle (w. afton x reader x m. schmidt)

(in november, 1993, you're a fresh hire at freddy's and the youngest adult on the staff at eighteen years old. it's not an ideal workplace by any means, but it's decent compared to other jobs that you most definitely didn't qualify for. and the people at freddy's are nice! maybe a little too nice, but the motto for the employees was "remember to smile, you're the face of the company" after all.

you work mainly as a waitress. you would say you're pretty good at your job. you're nice to the customers and work surprisingly well with the kids. the uniform is admittedly cute, too. red vest and a black pencil skirt. your skirt, for some reason, came in a bit too small prompting a few lingering glances from employees and patrons, but besides that you don't really mind.

it's a cold, rainy day in autumn. you wish you were wearing pants, but for once you're thankful for the lack of air conditioning in the restaurant. it's closing time and you're heading back to the employees room to grab your jacket and umbrella. you sit on the red, metal bench waiting for your sister expectantly. you never bothered to get your own license because she's always been a reliable source for rides everywhere. tonight was not one of those days. it's been at least an hour. your leg bounces up and down.

you hear the doors shut and a jingle of keys, and the distant scent of cigarette smoke lingers. you turn to see your boss, mr. afton, locking up the restaurant. he turns to you too, clearly confused why you're still here. "shouldn't you be home by now?"

you swing your legs and sigh. "my ride never showed."

he clicks his tongue and looks out to the parking lot, then looks back at you. "why don't i take you home?" you realize in this moment you and mr. afton have never quite really spoke. he's one of the thirty-something-year old owners of freddy's. he wears the springbonnie suit sometimes and performs with the co-owner, mr. emily, for the kids on fridays and saturdays. he's very charismatic and sociable, but mainly with the older crowd of the employees at freddy's. you hear some of your colleagues whispering about him, how he's such a kind and handsome man, which, as you're getting a good look at him right now, the latter is definitely true.

"are you sure?" you ask. mr. afton smiles down at you.

"sure thing. follow me." it's a huge upgrade to what you were previously considering before his offer: walking home in the pouring rain and chancing ruining your uniform.

you follow close behind him. so close that your umbrellas slightly bump into each other. a deep purple-paint-detailed mercedes-benz comes into view. judging by mr. afton's clear affinity for the color purple, as he includes it in at least one part of his daily attire, you assume it's his. he opens the car door on the passenger's side for you.

"thanks," you say politely.

in december, 1993, mr afton — who you've come to know as william — has become a frequent presence in your life. it started when he actually asked you if you wanted another ride home. you had phoned your sister, letting her know there was a change of plans. this became an everyday thing until you no longer needed to call home.

you would be lying if you said you hadn't started to develop feelings for him somewhere along the way. how could you not? he was just such a nice man! so charismatic, not just with you, but with the customers. always asking everyone how their day is going and dropping whatever he's doing to help out. there's was something special about your connection with him. he made you feel special.

it was one rainy day, just like the day back in november, when he stopped you and leaned in and kissed you. it was the most unexpected thing that happened to you in awhile. you don't know what possessed him to do it, but you found yourself eagerly kissing him back. so much that he chuckled and commented on it before sending you off. you spent the rest of the night lying awake in bed, touching yourself to every possibility you could think of.

the next day he avoided you, much to your dismay. you couldn't stop thinking about it. it slowed down your performance, making you distracted. the time just dragged on.

it wasn't until he called you in his office after your shift that you felt any kind of relief. he asked you to lock the door behind you, just like how one of those fantasies you daydreamed of started. with a fast-beating heart, you did what he said and turned to face him. and then his mouth was on yours again. it was much more sensual and yet there was an anxious component to it that made your stomach tingle with excitement.

"why don't you sit on my lap?" he suggested once he pulled away from you.

you froze. you've never actually done this sort of thing before. something delicious curls inside of you. gingerly, you sit on the thigh he patted on and he bounces his leg slightly, the fabric of his pants hitting just the right spot. he laughs at the yelp you give.

"just relax, baby. 's just you and me."

in january, 1994, is when kids go missing. everyone is on edge and patrons are frequenting freddy's less and less. on top of that, the animatronics are malfunctioning more and more, so there are even less customers due to the amount of maintenance that needs to be done.

you and william continue your routine: you fuck and he drives you home afterwards. but lately, something's been weird with william. he's been more... erratic? is that the right word? or just elated. he seems so gleeful, but more violent during sex. he's never showed any masochism until now. he even put a knife to your throat as he pounded into you, threatening to "fucking kill you" if you scream. you took it as just one of those things he says during sex, like when he calls you "slut" and "whore" but it's starting to scare you as it becomes a frequent thing.

it gets worse. you're taking the trash out to the alley when you see the security puppet laying limp. you go and investigate only to find charlie emily, the other owner's daughter, dead and badly hurt. like she's been stabbed repeatedly. you scream in shock and run in to find william, but he's long gone. instead you went to your co-worker, who called the police.

you were asked to stay at the restaurant until you after you were questioned and you told them everything you saw. you looked but william was still nowhere in sight. you walked home that night.

catching the killer was never something you were interested in. in fact, you hoped to do the opposite of some of your vigilant co-workers, who openly investigated the restaurant. some of them ended up missing too. the police had been called at freddy's on multiple occasions.

on one particular occasion, the last one before freddy's closed, actually, you went to the backrooms to catch a breather. what you found? william pouring bleach to bloodied clothes, bloody knife laying on a nearby table. you drop your keys in shock, alerting him. Turning on your heel to break for it, he grabbed the knife and your arm.

"tell anyone and i'll fucking gut you right here, right now," he threatened in a low voice.

you jostle your arm, desperate to break free. "please!" you whisper-shout. "i won't tell anyone, please let me go!"

and for some reason, he trusted you.

freddy's closed after that, and you swore to yourself you would take what happened to the grave. maybe you were a coward, but you had no solid evidence it was him behind the murders. it would all just be hearsay. no one would believe you anyways. william had such a high reputation, not just at fredy's, but within the community.)

mike hangs up the phone with a sigh. "so...?" you say, leaning towards his direction in anticipation.

"i took the job," he grumbles. his head is in his hands, running through his hair anxiously.

you throw your hands up in the air in excitement. "yay! we get to keep abby!" mike immediately snaps out of his sulking to bust out laughing. as he shakes his hand, he mentally adds your twisted sense of humor to the endless list of things he loves about you. and your distantly maternal role in abby's life. we get to keep abby.

you snap him out of his thoughts with a question. "who's the lucky employer?"

he laughs again in disbelief. "freddy fazbear's pizza. working in security. they need someone to watch the place and make sure no one breaks in and stuff."

you frown and furrow your brow. freddy's. william. "something wrong?" he muses, noticing your change in demeanor. you shake your head.

"no, nothing. i'm happy for you. sounds.. just peachy." mike shoots you a half-smile.

it's nighttime when it's almost time for mike's shift. your head is in your hands as you sit on the couch. it's one of those times when abby's off in her room, scribbling away with a crayon. you feel sick to your stomach. why did it have to be freddy's? who even gave him this job? why is it still there?

you hear a slew of curses coming from mike's room and decide to investigate. he's struggling with the loop of his belt and you can't help but smile. "need some help?"

he looks at you, face turning red. "you don't have to—"

"oh, come on," you sigh, moving to help him. "it's okay to need help sometimes." mike doesn't say anything, but from the way he's looking at you, he wants to.

"what?" you ask, but mike just shakes his head. you wouldn't understand. you decide to just leave it alone — mike's always been a distant guy.

"you need to be careful," you tell him with a much more serious tone than intended.

"why?" he asks, confused.

you try to relax your face and give him a lighthearted smile. "you should always be careful, mike! you never know what kinds of people you can encounter."

he has no idea.

two days go by. mike comes back home, surprisingly well-rested, until before his third shift when he casually mentions to you that he mainly just sleeps on the job. you freeze at that, worry forming inside of you in the pit of your stomach. "wh-what do you mean you just sleep there?! are you fucking crazy?!"

mike looks bewildered at your outburst. "i told you about this. i'm doing that dream stuff still..."

"okay, but do you have to do it on the job? do you have any idea how dangerous that is, when you're supposed to be looking out for any suspicious behavior." you're poking a finger into his chest, scolding him like he's a child.

"jeez, what's the matter with you?" he sighs in frustration. "if it bothers you that much then why don't you come with me and make sure i stay awake? i'm tired all the fucking time, and you know that!"

you know you shouldn't, for your own safety, but you have to think about mike. besides, if there's two people there, one can call the police. you let your paranoia, and your overwhelming care for mike, get the better of you. "fine. i'll come with you. put on your vest, grab abby, and i'll be in the car."

mike looks at you with sad eyes. you really didn't mean to be so harsh but it doesn't matter; he's more important. the drive over is silent, not that mike is really a talker anyways, but there's a thick tension in the air. your jaw and your fists are clenched anxiously, and you try not to look at him. when he parks the car he sighs and says your name.

the three of you set up camp in mike's office. abby sets up her tent and shortly falls asleep. you pace around the room while mike stares at the cameras, head in his hands with his eyes barely open. you walk over and snap your fingers in front of his face with a huff.

then something goes wrong. mike calls you over. "uh, i think i just saw something move? towards the offices." if it's potential danger, you decide it should be you who goes. not in a heroine sort of way, more of a need for closure.

you make your way slowly towards the offices. the dead silent halls make room for the only sound being your quickened breathing. you can practically hear your heartbeat thrumming in your ears. something rustles and, of course, it comes from wiliam's old office. you pray it's a rat.

as you push the door open, you breath a sigh of relief when the room is empty. that is, when someone slaps a hand over your mouth. "how truly lucky i am that you were the one to find me, lovely."

you struggle instantly but he wraps his other arm around your neck and pushes you further into the office. you land on the ground, hitting your head on the chair. looking up at him in horror, you cling onto the chair for dear life and get a good look at him. he admittedly aged well. salt and pepper hair and beard and all, it looks ridiculously good on him. "don't be afraid. i only want to make amends. i saw you were here and—"

"fuck you!" you spit venomously. "i don't want anything to do with you!"

william looks dumbstruck, then he scowls. the look on his face scares you as it contorts horribly. "what is it? is that boy? you realize i'm the one that gave him this job, right?"

"i don't know what the fuck you're talking about, but—"

suddenly, william lunges towards you and grasps you by your cheeks, holding your face tightly. "stop acting like such a fucking brat. remember when you were such an obedient little girl for me? let's go back to that, yeah?"

before you know it, you're being shoved against the desk facing forward. "i'm gonna teach you some fucking manners." you scramble in his grasp but his strength is unmatched. you know what's coming next and it makes you feel something burning in your stomach that you try to convince yourself desperately is sickness.

he pulls down your pants and you begin to sob. "please!"

"look at you, begging for me already," he laughs. he's undoing his belt and you already feel his dick prodding at your entrance. if this was back in the 90s, before all of this bullshit, he would've had the decency to engage in some foreplay, but there's a sense of urgency that makes it all the more—

god, what the hell is wrong with you. you're so fucked.

he undresses your bottom half, leaving you just in your sweatshirt. "gorgeous," he comments. "just as i remember."

you feel his dick prodding at your entrance, and you squeeze your eyes shut as he pushes in. it still feels as good as it did back then. he fucks you nice and slow, emphasizing each thrust with a slap from his hips onto yours. how does he still fuck this well at his age?

instead of picking up his pace gradually, like he used to, he continues to fuck you slowly. you're moaning uncontrollably now, clawing behind you at his chest, hoping he'll get the message and pick up the pace. he doesn't and just laughs darkly. "he doesn't fuck you as good as i do, huh, baby? you needed my dick to satisfy you all those years ago, and still need it now the way you're gushing on my cock."

you want to tell him mike doesn't fuck you at all, and that you're just friends, and that you only belong to him—

someone calls your name from the doorway. you and william both snap your heads towards the direction, only to find a shocked mike with his mouth agape. "mr. raglan? what the fuck is going on?"

"michael schmidt!" william practically exclaims, excited. he stops fucking you, purposefully burying himself to the hilt inside of you so you groan and squirm at the loss of stimulation. "come! come join us! your girl and i were just getting re-acquainted."

"she's not my..." mike trails off, finding himself moving closer without thinking. he takes in your appearance: bottom naked and bent over the desk with a fucked out expression. god, you're so pretty. you're always so pretty, but this is just...

no, this is wrong, he tries to tell himself. it's almost like william reads his mind when he sing-songs, "join us, or i'll kill the both of you."

like there was a devil and angel on mike's shoulder, the devil was winning. he's always wanted to fuck you and he doesn't necessarily have a death wish, either. "what, uh, what do you want me to do?"

your face falls and your mouth goes dry. william speaks with a grin, "why don't we trade places?"

mike scrambles to undo his belt and you practically drool when he pulls his cock out. fuck, you've wanted mike for awhile now. all that pent up tension between you two is finally spilling over the edge. all those lingering glances and long-lasting touches leading up this

especially like this, with your former fling and the guy you babysit for, makes it — and fuck it, you'll say it — all the more hotter. he replaces william's spot behind you and thrusts in quicker than the latter. he's practically humping you, fucking you desperately like he's running after something. his hands grip onto your hips tightly. "yes," william hisses, pumping himself while sitting dowqn in his chair. when you glance at him, he has the audacity to fucking wink at you. "'attaboy, keep goin.'"

that only encourages mike as he moans your name. "fuck, your pussy feels so good — hah!"

"mmm, mike!" you moan back.

"look at you two," william says breathlessly, "what a lovely fuckin' sight." mike begins to plunge in and out, reaching your cervix with each thrust, and you're close already. he senses that, and you can tell he is too by the way his thrusts gradually become more unbalanced. william's grunts are getting louder.

you're the first one to come, then william, and mike is still desperately pushing out of you. for good measure, he lands an uncharacteristic smack on your ass and then buries himself to the hilt becoming coming inside. the feeling of him filling you up is absolutely delicious. when he pulls out he studies the way that his cum drips out of your pussy. he's enamored with you, by the way.

#fnaf #asks #fnaf x reader #five nights at freddy's #fnaf smut #william afton #steve raglan #william afton x reader #william afton smut #mike schmidt #mike schmidt x reader #mike schmidt smut

435 notes · View notes

achelouise · 2 months

Text

Lies, mysteries, and tricks

Fandom: Honkai Starail

Pairing: Sunday/Gen!reader, MENTIONED Gallagher/reader

Warnings: Spoilers for 2.1 and written before 2.2! Very toxic, from both sides, I think? Maybe OOC Sunday.

Summary: You learn about Robin's death, and rush to console Sunday. He isn't the thing you should be worrying about, though.

A/N: It's been a while! Came back to write this, because I couldn't stop thinking about this idea. It's rushed, and it's not really well-written, and it's short. Please forgive me~ (I am obsessed with Gallagher rn, so if anyone has any ideas I would love to hear and write about them :D (I still don't know how to properly use tumblr btw))

“Sunday? Are you in there?”

No answer. You drum your fingers against your sides nervously.

“Sunday, can we talk? Please?”

Still no answer. Your heart beats widely in your chest.

You ignore your thunderous heart as you slowly push the doors of the mansion open. The creaking doors echo and bounce along the empty halls, revealing a giant room, devoid of any light. A luxurious bed, dorned with lights and gems and painted with beautiful colors, is tucked away at the very side of the room. Sunday’s bedroom.

The factions had established that, other than the man himself, Sunday’s blood-related family, along with his spouse, would have access to it. Sunday himself had no permission to grant access to anyone, so you are surprised when the bellhop simply glanced at you and let you in without protest.

You could only guess it was because you two were close friends, and they were used to seeing you enter the Pavilion as children. Still, to enter his bedroom must be a breach in security…

But he wasn’t in any other room you could find. Time was slipping, lives were being lost, and you needed to find him. Fast.

You’re not exactly in the know. Most things you know, only Gallagher has told you. But you know full well that Sunday needs support.

“Sunday, please. I know I haven’t visited in… a while. I know what happened, and I’m sorry. Let’s work this out together. Don’t run away. Please?”

Only your echoes answer.

You were rambling to yourself at this point, desperation climbing further and further up to your chest. You have seen what Sunday does when he loses those he loves- and you want to help him. You don’t ever want to see him like that again. Never again.

You glance at the papers scattered on his desk. Maybe they have some information on where he went. He likes to rant in diaries.

You close your eyes, and pray to whatever Aeon you follow.

Forgive my sins for ever trespassing privacy to this extent.

You don’t exactly have a clear mind when you start to rummage through the papers that endured wear and tear. You start to read some.

How could she do this?

It’s fine. It’s fine. Itsfineitsfineitsfineitsfineitsfine

Robin. Dear Aeons, Robin.

When I find the traitor I will make them pay in blo o d

Please don’t leave me please

Please please please please pleasepleas e

Your stomach drops. Poor Sunday.

Something else catches your eye, though. A soft reflection of a photo, pinned at the corner of the widespread desk. You lean over to take a good look at it.

You bite your lip so hard it nearly breaks skin. But even that dulls in comparison to the piles and piles of photos- all of them just you and Gallagher.

There are a wide range of those photos; from you two sitting across each other in the Dreamjolt Hostelry, to your hands linked together, faces flushed and smiles bright. All of them, with Gallagher’s face crossed out with glaring, red circles.

How dare he HOW DARE HE HOW DARE HE

HE DID IT HE KILLED HER HE TOOK THEM I WILL MAKE HIM PAY

The words are jagged and rough, as if he had barely managed to carve it out with his bare hands. It is a gigantic contrast to the sweet and elegant cursives he writes in his letters to you. It almost made you believe it wasn’t even Sunday who wrote this.

But you’re not stupid. You swallow the bile down your throat as your stomach churns with heightened fear and uncertainty. Sunday is a clever man, which makes him infinitely more dangerous.

Admittedly, he is far more unhinged than the public understands. You’ve never had a problem with it- only crazy can recognize crazy, and that was probably how he uncovered the plan of that gambler.

This doesn’t work in your favor, though. You don’t want to know what it means when he directs this insanity towards you.

You turn to leave.

“Ah, you found me.”

A hand shoots out to grip your arm, and you have no time to react. Shock, as quick as it comes, is slow to settle down. You try to scream.

“Oh Triple-Faced Soul, please seal this traitor's tongue and palms with a hot iron, so that the traitor will not be able to fabricate lies and make false vows.”

No.

Your whole body goes cold. You feel it- the soft waves of Harmony pulsing in your head, trapping your tongue and seeing through your eyes. You had seen its effect- seen how it slaughters and breaks those who disobey. But to receive this kind of treatment yourself…

You finally process the dangerous situation you’re in, and wrench free from his grasp. You regain your stance as you stumble backwards, a question on the tip of your tongue. “Why?”

Sunday looks… off. His clothes are askew, his eyebags more apparent without the illusion of Harmony, and a smile, out of place and out of his mind. He chuckles, far too gentle, so much so that it sends shivers down your spine.

“You know how this goes, don’t you?” he coos, berating and condescending. “Answer my questions truthfully, or suffer the rejection of the Harmony.”

“Why would I ever lie to you?” you ask, “What is there even to ask?”

His eye twitches. His voice drops an octave, laced with poison and jealousy. “You know perfectly well what I mean.”

He breathes in, regaining his footing as the questions begin. “Are you interested in Gallagher? Is he interested in you?”

You think of him. A few hours ago, he insisted he came along to find Sunday with you. You’re starting to regret that decision. “Yes- and, I… I think so.”

Sunday tsks. “Do you know what he is? What it is?”

You cross your arms. “No. He is not human, but I am not exactly a young damsel in distress myself.”

“Do you not understand? That that man is nothing but a memetic entity, with thousands of truths woven together as a lie? Do you not know that the man you hold hands with killed Robin in cold blood? Why would you want to be with a foul beast like him?”

You are taken aback at the venom in Sunday’s tone. He isn’t even hiding it anymore. His breathing is ragged, and his eyes are blown wide.

“I… didn’t.” you admit, far too overwhelmed by his genuine frustration to confirm the validity in his claims.

Sunday suddenly withdrawals, as if sensing he has taken you off guard. He draws himself to his full height, casting a shadow with the light outside in the halls. The pulses in your head die out, as if they were never there.

“You are being tricked, dearest. He is not the man you think he is. He is a monster, a murderer, that serves under a shameful stain. Join me, in the pursuit of the Watchmaker. We can make all of them pay in blood.”

He rants, and you feel your heart sink. He is unstable because of this recent loss, but he has clearly not lost his mind. There is still rhyme and reason to what he does.

“My past? Hah, let’s not get into that just yet. I’ll tell you- someday.”

You glance down at the hand he offers you. His gaze is tender, but far too fragile. His lips are quivering, a silent plea.

You want to reject him. You want to scream at him, punch him, and run away, as far as possible. Gallagher had promised he would explain himself one day, and you had not mentally prepared yourself to know.

But given the unstable state he was in, it is unwise to simply respond with violence.

You reach out for his hand- only for a blade, dark and violet laced with gold, piercing from his stomach. Blue liquid pours from his gut, and this time, you truly do scream.

You don’t hear anything. The withdrawal of the blade is defeated by the look of despair and shock in Sunday’s eyes. He reaches for your hand, in a blind desperation- only to dissipate at the softest graze into a sea of bubbles.

Your heart thunders in your ribcage. A silent dread washes over you, and you hear your breaths grow shorter.

A lighter goes out.

Strong, warm arms envelop you.

A voice, low and gruff, tells you that it’s going to be okay. The voice hovers over your ear, gentle and sweet, almost fabricated to ghost over your ear in a way you can’t refuse. You don’t respond, though, as you feel a sharp cut to your neck, and you’re out like a light.

#honkai star rail #hsr #hsr gallagher #hsr sunday #sunday x reader #sunday x you #gallagher x reader #gallagher x you #hsr gallagher x reader

244 notes · View notes

gender-trash · 5 months

Text

(i am seriously late in posting about this due to The Problems BUT whatever! its here now!!)

somewhere around late november 2022, i asked my dad "hey are there any out of print technical books you'd like a reprint of for christmas?"

he linked me to a dubious black-and-white pdf of Foundations of Mechanical Accuracy. now, i wound up checking out a copy through link+, and the original edition is a really nicely put together book! the chapters are themed around various types of measurements (length, angle, etc), and they all have these cute little diagrams which the endpapers reuse in a lil repeating pattern... the image captions are done in this really lovely dark red that did not scan for SHIT... tons and tons of diagrams and illustrations and images (both color and b&w)... just, all around, a fucking nice book!! (see also @morrak's post about it here.)

and that made me feel kind of bad about the crappiness of the pdf, which is where the Problems began. i used my phone to take pictures of all the photos and color diagrams in the original and went about replacing them in the pdf, using what turned out to be the world's worst pdf editing software (i also got through replacing all the image captions in chapter 1 of 5 before my dad convinced me to give up). i did NOT finish the pdf editing before christmas 2022 (i was going somewhat off the deep end, because both my housemates were away visiting family and i had zero external structure in my life so it was just me and my cat and this stupid FUCKING pdf wrecking my sleep schedule together); i poked away at it for most of the rest of my time off and then got so goddamn sick of it i put the project away for months. "it'll be a birthday gift instead", i said optimistically (my dad's birthday is in april! it should have been enough time!)

gentle readers, i did not finish the pdf editing by april. mostly because it was such a miserable slog that i put it off until the last possible moment and then tried to make up for it with another death march.

hating both myself and the project again, i decided i was Not going to let myself typeset Anything Else before it was done, and then took a break to bind my immortal (using the renegade publishing typeset! i didn't do any typesetting!!). SURELY, i said, i can finish this in time for christmas 2023.

i'm sure you know where this is going.

in my defense i DID finish the pdf editing by christmas, despite first doing every other possible procrastination project (including a second edition of the little second century warlord book), because by this point my dad had managed to convince me to lower my standards. on the evening of the 22nd i kicked off the print job and said to myself "this will finish printing overnight and then tomorrow i can work on sewing the textblock!"

late on the 23rd, after lots of babysitting and using at least one cartridge of every color ink in my printer, the print job was finally done. (my sweet and lovely cat wants SO BADLY to hunt and stalk the printer while it is printing -- more specifically, the printed pages, i think because they tend to make noise and move and then STOP moving. for this reason, the printer is kept in the craft room, because the cat can be shut out of the craft room and thus prevented from chewing on the pages when i have an all-day book printing job going. unfortunately the craft room was also being pressed into service as a guest room at the time so 80% of the floor space was consumed by an air mattress which i had to repeatedly trip over in order to reach the printer and replace the ink cartridges.)

then i went to my parents' house on the 24th and 25th and apologized to my dad (again) for not having the book finished. but this worked out well because we finished putting together my awesome new book clamp:

(the feet still aren't done being painted so they're just dry-fit on for now but you can still clamp books in it and that's what matters!!)

i came home, sewed the textblock (french link stitch over four linen tapes, with sewn endbands made of variegated embroidery floss over linen cord, and kozo paper glued over the spine)

... and promptly realized i SHOULD HAVE PUT IN MORE OF A GUTTER because some of the text was getting reeeeeeal close to the spine. "it's fine!" i said. "i just have to make sure it lays flat!! what better time than to try out K118 binding, a technique i have literally never done before and which people on the bookbinding discord notoriously have a hard time pulling off first try! i even have tyvek tape for it!"

so it turns out that tyvek tape isn't actually tyvek with glue on it, it's tape FOR attaching pieces of tyvek TO EACH OTHER, which maybe i could have guessed if i'd done even the slightest amount of research or planning. at this point i think it was the 27th and i was still angling to get this thing done by new year's, so no time to order Actual Tyvek.

fortunately, i had ALSO received An Package in the mail with yarn for a totally unrelated knitting project... shipped in a tyvek envelope.

i peeled all the shipping labels and stickers off my tyvek envelope, cut that shit up, and glued it on there.

and THEN it was time for gluing on covers, which i thought was going to be easy because i had actually thought ahead and ordered materials (specifically acid-free museum board), except when i cracked open the box of museum board i decided i Didn't Like It because the surface was too soft and easily dented, so i glued onto it the too-thin board material i'd previously been using (so that the cardboard goes on the outside of the book). this worked super well (the cardboard stuff has a tendency to curl up from the glue moisture, but the museum board doesn't!) and i'll probably use it on other stuff in the future.

i thought the blue bookcloth i used was kind of boring but i showed my dad the available cloth options and he really liked it, so... what do you know? i cut the piece i used on the back cover very slightly too short but it wound up being covered by the leather, so you can barely tell.

and the leather... a scrap just baaaaarely big enough from my bag of leather scraps from discount fabrics... and this the first time i'd ever attempted to put leather on a book... AND YET the only complaint i have is that i didn't manage to put an even amount on the front and back. it's reasonably square and straight!! amazing!!

i am super super happy with how this project came out (especially given the number of problems i encountered) and oh my god check out how much the spine bends

AND, AS A NEW YEAR'S PRESENT, I FINALLY MANAGED TO GIVE IT TO MY DAD

#and promptly got sick after i got home from my parents' house.#which is part of why this post was so long delayed #the trashcan speaks #devil venerable also wants to exploit the memoir class for evil purposes #bookbinding

277 notes · View notes

pearlywritings · 8 months

Text

Don't let your worry reach your eyes

synopsis: waking up you don't find your husband next to you. Yet he is not that far - but what is he doing sitting in front of a mirror?

prompt: 17

requested by: a lovely anon

pairing: Diluc x fem!reader

tw: fluff, domestic moment, established relationship (you are married), talk about kids

word count: 1.3k+ words

a/n: check my Token of appreciation writing event!

It’s hard to grasp the line where the dream ends and reality starts when the evening is serenely quiet. You are sure that the winery staff has long but departed home and now are sharing your fortune of basking in the sweet embrace of sleep, while nature, surrounding your tranquil home, is slowing down too, saving the beautiful sounds and blooming colors for the next day.

All that was paving you a road to the dreamland, drawing you further and further in its everlasting fields and high above the fluffy clouds. You’ve almost reached your destination, a castle full of enchanting adventures, but a flicker of a candle and the barely heard heavy sighs are firmly holding you onto the earthly ground. Or bed, more specifically.

Carefully, not yet ready to open your eyes and chase the sweet drowsiness away, you glide your palm over the sheets to the side, ready to bump into the warm body of your beloved and ignore the candle completely. Yet there is no body, no warmth and no wrinkles left, which rings a little bell. It appears that sleep has come only to you, and now you forcefully push it away.

Sitting up is not a hard task, though blinking away the haziness is, but soon you manage to focus your sight. A quick look around the room doesn’t give any indication of something being odd, until your eyes land on the broad back of your husband. You stare at it a second, then another, tilting your head to the side once noticing his position - sitting on a padded stool in front of a mirror, the previously mysterious candle clearly put in a place to cast a light onto his face. Well, that’s new.

Slowly you push the blanket off, baring your legs and throwing them over the edge of the bed. Diluc has heard you from the first rustle of the sheets, but turns around to glance at you only when you are almost at his side.

“You know you shouldn’t walk barefoot?” He softly murmurs, when you stop behind his back and bend down to wrap your arms around his middle.

“You know you shouldn’t stay up so late?” Beating his question with one of your own, you bury your face in his hair - untied and streaming down his shoulders they remind you of those fluffiest clouds from your dreams. “Since we are on topic of that, why are you still up, love?”

You decide against commenting on the way he is sitting in front of a huge mirror, which is now reflecting the two of you. The man in your arms sighs - like you heard through your sleep - and puts a firm hand on the lock of yours resting on his stomach. Two wedding bands catch the candle’s flame.

“I was…thinking.”

‘I noticed,’ you almost say when he directs his gaze back to the smooth surface.

“What about?” You start playing with his fingers, putting your chin on his shoulder and trying to follow his eyes to understand what in his appearance - at that point you are sure it’s something close - got him so silently worked up.

“Do I look mean to you?”

You blink. Then blink again. Then move forward to look into his face to see if he is joking. But by the lack of a hint of a smile and trembling flames in the depths of his crimson eyes tell you he is definitely not.

“To me - never. You are the biggest, gentliest, loveliest and most handsome sweetheart of a husband to me,” the softness of your words paints his palish cheeks lightly pink and the corner of his lip twitches in a restrained smile. “But when you do try to give me a glare if I am being insufferable - I find it hot, not vile.”

The scoff he gives makes you giggle, and you hurry to press a gentle kiss to his nose.

“It’s just…” he sighs again, carefully tugging on your ring, sliding it half off and back up. “I am often told I have a mean glare...”

“Definitely not. Anywho says that has never truly looked at you,” your tone is soothing and you press another kiss to his skin, this time to the cheek.

“I never truly cared,” he confesses what you are already aware off, “but today a patron at the tavern, whom I was in the middle of throwing away,” you quietly snort, hiding your face in his shoulder again, “told me that with such mean eyes I’ll never be loved by my children if I ever have any.”

“Hell no he didn’t,” you gasp, staring at Diluc again. “If I were you I would’ve punched him.”

“As amusing as it sounds, please don’t,” the man ushers you and in a moment you are in his lap, with your arms wrapped around his neck, and his tightening their hold on your waist. “But it did get me thinking - what if our baby will find me scary? What if my gaze won’t be soft or loving enough?”

“If you are worried about that, then that’s already an indicator that you’ll do great,” lately you’ve been having occasional conversations about extending your little family, but you weren’t aware to this day just how seriously Diluc considered that. There is no denial that it makes your heart soften and love him even more. “Though I don't think you should be concerned, dear. Don’t you notice? Klee, Benny, Fischl, Razor and many other kids and teens look at you in awe and adoration - and they always look into your eyes. Would they look into them if they were mean?”

Diluc is silent for a mere couple of seconds, but that’s enough for you to see the extend of his worry.

“...I suppose they wouldn’t.”

“They definitely wouldn’t. Diluc, my love, you have the most vibrant eyes I’ve ever seen a person possess. So many shades of crimson affection whenever you look at someone you love or care for - I am the direct recipient of those feelings,” there is a smile finally and you nearly attack him with kisses, but you should finish your thought first. “And I have no doubt that our future child will become one as well.”

There is a long sigh, but the defeated hang of his head tells you that once again the victory is yours - it’s always been easy to convince your lover of something you believed were right, and you internally cheer for yourself and then physically pat the top of his head.

“Thank you, my flame,” oh, and those very same eyes shine brightly and it’s not the candle’s fault- it’s yours. “I’ll remind myself of this conversation whenever I’ll be questioning myself,” it’s only you in the crimson pools of his gaze, the mirror is finally completely forgotten and it breaks the atmosphere of lingering brooding.

“And I’ll be happy to have this conversation again. Maybe from now on I should carry a Kamera with me to capture every moment you give me a lovesick look to prove my point.”

When he gives you what he thinks is a ‘mean’ look, you only chuckle and move closer to capture his lips in a fleeting kiss.

“Nope, it sure looks sexy.”

“That’s it, you need sleep,” with a wave of his fingers the candle goes out.

“Ehe, WAIT..!”

With a soft squeal you are hoisted up when your husband stands up and are carried to the bed, where two bodies end up falling onto with laughter and many sweet kisses shared. As you settle under the blanket, with his warm body pressed closely to yours, Diluc can’t stop thinking of what you said earlier. Back then, in front of the mirror, he tried to imagine what he’d look like, gazing at his child, what kind of eyes he’d have when interacting with them. But he couldn’t see that clearly.

Now he can. And he is content.

#pearlywritings appreciation event #token of appreciation #genshin impact #genshin impact x reader #diluc x reader #diluc x fem!reader #diluc ragnivindr x reader #diluc ragnvindr #genshin impact fluff

423 notes · View notes

mrs-kodzuken · 3 months

Note

Can I have a timeskip!Ushijima comfort fic? Like Ushi doesn't understand the concept of skinship like holding hands and hugs so he often shrugs off reader's attempts in skinships, which of course made reader feel sad ㅠㅠ

Thank you and have a nice day! <3

Understanding you ♡

Pairing: Aged up! Wakatoshi Ushijima x fem!reader

WC: 1.6k

Genre: slight angst to comfort/fluff

CW: fem!reader, inexperienced in relationships!Wakatoshi, slight angst from ushi :( , fluff and comfort all in the end :)) , maybe some self deprecation from reader, best friends with tendou, communication is always key

note: thank you for requesting this! I hope it’s up to your expectations, sugar!! <3

˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖

Being the girlfriend of the Wakatoshi Ushijima was something I didn’t expect would hurt this much. As his girlfriend, I understood the importance of volleyball since it quite literally is his career path. However, being in a relationship is a whole other aspect to think about.

There never really was anything that really stood out to me about his wrongdoings. He always made it to every dinner plan, he didn’t forget the classic month to month anniversaries, he seemed like he was just a gift from heaven.

I knew it was too good to be true when I realized we, or I, was severely lacking in the physical department of our relationship.

Ushijima and I never really got closer within touching or skin-ship distance. That really sucked for me and hurt my feelings since he aced every other aspect of our relationship, no pun intended.

I wasn’t sure if he was just uncomfortable with touching me or if he had some kind of weird feeling about touching me. However, with physical touch being my number one priority of love language I wasn’t sure how to go about telling him my feelings.

Giving Wakatoshi free rein to plan out his schedule, except for date nights, was a must. He is a grown man and I’m not his mother, but I always felt bad when there was something important, like this, to be talked about.

I couldn’t help but to bite my lip as I stared at our private text messages. His contact name, ‘Ushi baby’ stared right back at me whilst I tried to work up the courage to send a text.

Deciding against it, I threw my phone onto my bed and sighed loudly. He was at practice and had a game tomorrow so I didn’t want to bother him or cloud his mind with meaningless things like what I need to talk about.

I couldn’t help to wallow in my own pity. The clock on my white painted walls doing nothing but making the sound of ticking throughout my room which eventually annoyed me enough to leave.

It was around the time for Ushi’s practice to be over and I really wanted him to come over, I just didn’t know how everything would go.

Whenever we had first started dating I got introduced, and interviewed, by Wakatoshi’s best friend, Tendou. And now, Tendou was one of my closest friends so I decided to call the Chocolatier himself for support.

After the phone had rang for three seconds it picked up, “Hello! Hello!” the familiar voice sounded throughout my kitchen.

“Hey Ten! I am in need of advice and company.” I admitted due to the facetime call revealing his apron on with some stains of colors on it.

“Oh really?” He asked, drawing out the ‘really’.

“Yes, really. I need to talk to Wakatoshi, I’m just not sure how. Any ideas?”

“That depends on what you’re going to talk to him about. Saying the wrong thing could make him easily misunderstand what you mean and vice versa.” Tendou tried to poetically explain, as if I didn’t already know that.

“Yeah, thank you so much,” I rolled my eyes, “I’m feeling a bit.. lonely in our relationship lately. I need more physical affection from him and I’m not sure how to really bring it up because times that’s happened before.”

That little spill from me made memories pop up into my head of Ushijima rejecting my attempts for physical love.

I could only remember how he shrugged himself away from holding my hand or kissing me after I brought him a well-balanced lunch meal one day during practice.

I never felt more embarrassed or ashamed in my life. My own boyfriend rejected my advances to give him, and to receive love from him in front of his entire team.

It wasn’t the only time that that had happened. I tried doing it behind closed doors just in case he didn’t like publicly displaying affection. However, that didn’t work either when he moved away from me one night after being out to dinner.

From that point on it’s just been messaging, very little facetime, some phone calls, and occasionally visiting each other’s apartment. I wasn’t sure how to proceed with this, and I certainly didn’t think it was anywhere near enough to breaking up.

However, that doesn’t mean he didn’t hurt my feelings nor have been continuing to hurt them. Whether on purpose or not.

With Ushijima being a member of the Schweiden Adlers, I knew some of his teammates and occasionally talked with them about how my boyfriend was doing time to time.

However, I couldn’t help to not reach out to them within the last couple of weeks. I didn’t have the courage to confidently ask about him.

Tendou’s voice brought me back to where I needed to be, which was having this conversation to communicate my needs across to him.

“And since knowing him for a while helps my understanding, I think a simple conversation would do the trick. Honestly, I’m not sure why you called if you knew that too?” He questioned me, eyes peering dangerously close to mine through the tiny phone screen.

I bit my lip, “It’s just… he has a game tomorrow. I don’t want to ruin that by spouting dumb nonsense about how I’m not feeling this or that from him.”

Growing up, I’ve always considered other peoples thoughts, opinions, feelings before mine. It was just the kind of person I was, and now it hurts me the most when I need to express myself.

“Girl. Fuck that game.” He rolled his eyes at me.

“Yes Wakatoshi loves his career and it’ll always be there but you’re something in his life that can disappear at any moment. I think he’d want to know,” Tendou tried reasoning with my dumb logic as he pointed a wooden spoon in my direction.

I gave up. I knew in the back of my mind that Tendou was definitely right and I wasn’t but it was my own self that was keeping me from doing what I needed to do.

“Alright, I think I’ll ask him to come over tonight then.” I tried to say confidently after I made up my mind of what needed to be done.

“Great! When I’m in Tokyo next I’ll be sure to bring a little something for you and him.” Tendou winked at me before ending the facetime call.

That only left me to do one thing, text my boyfriend. I quickly sent him a text asking if it would be okay for him to come over after practice.

My nerves were all over the place as I waited for the tall, olive haired man to show up at my place.

Soon the door bell brought me out of my mind trance and when I opened the door I saw the one and only Ushijima.

“Hey Toshi, come in,” I widened the door after taking a good look at him.

It seemed like he came here right out of practice, he was still in his whole practice uniform. His usual stoic face didn’t change once I sat down on to my living room couch.

“Is something the matter, (Y/n)?” He bluntly asked, getting straight to the point with me.

I took a deep breath to prepare myself, “Yes, Toshi. There is something the matter. My feelings are hurt and have been hurt for a while due to the lack of physical touch in our relationship.” I paused for a moment to look over his face.

He seemed to be intently listening on every word I was saying which gave me the impression to keep going.

“I just want more skin ship with you like hugging, kissing, hang holding, or even just sitting beside you with arms touching. I feel deprived of that because you seem to always move away when I try to initiate it. Is there a reason or..?” I trailed off, finishing what I was saying and asking a question to see his side.

“I’m sorry for making you feel that way, (Y/n). I don’t understand the idea of that. It makes you feel more loved than usual?” He asked, trying to work around in his head of what I had mentioned.

“Well, yes. Without it I feel upset or rejected by you sometimes.” I hung my head low a bit, it was embarrassing having to discuss this. However, I was always one to get embarrassed or ashamed at anything I needed.

“I will try, for you.” He promised, his large hand reaching over to me and placing it on my knee. He was very warm and it traveled through my body.

I smiled a bit, “Thank you, I really appreciate it. I’m sorry for not telling you sooner.”

I scooted closer to him on the couch and he gave me his one million dollar small smile that I love. His arms wrapped around my shoulders whilst I hugged his torso. His lean but built, very built, body touched my soft one, I loved this feeling.

We stayed like that for a minute, nothing heard but the low volume of my living room TV and our breathing.

“Thank you, Toshi. I really appreciate that you’ll try for me.” I pulled away, already missing the hug but needing to say that to his face.

“Of course, love.” His hand came up to caress my face and I leaned into his touch.

The aching in my heart and body went away after discussing that with him. It was all just a bit miscommunication which was easily fixed after I expressed what I needed to.

I couldn’t be more content.

˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖

a/n: I hope you enjoyed anon!! I’m terrible at writing for Ushijima but thank you for helping me extend the people I can write for :))

you all know my header rules, if not see pinned post!!

201 notes · View notes

harrywavycurly · 1 month

Text

What You Deserve Part 7.2: Up Late

Masterlist: Here

CW: Drunk ex, mentions of past toxic situations, suggestion of past violent behavior from ex bf

Tag List: @littlered0000 @saramelaniemoon @ali-r3n @sapphire4082 @sweetmoonlove0214 @eddies-girl-22 @darknesseddiem @peaches-roses-sins @blckburd @comeonatmebruh @daisy-munson @cultish-corner @mrsjellymunson @aol19 @micheledawn1975 @2000babies @marshmallowgem @ang3lc @angelina16torres-blog @transparentenemypenguin @alilstressyandlotdepressy

A/N: I know we all want Eddie to come in and kick some ass but remember all Eddie cares about in this moment is making sure you’re okay, so enjoy✨

“Hey sweetheart…I’m surprised you’re up this late on a work night.” “Yeah…uhm I-” “Are you okay?” “Uh yes? Kinda…but I’m-” “where are you? What’s that noise in the background? Is that…is that…someone shouting….your name?” “Yes that’s uhm..god this is so embarrassing I usually call Steven when…he does this…but he’s like half an hour away and he told me to call you and now…now-” “hey…it’s just me okay? Don’t be embarrassed…just tell me what’s going on.” “William..he’s my uhm…he’s my ex boyfriend and he…he gets drunk and…and he shows up here…and bangs on my door or…or one time he uh broke my uhm…my living room window and he yells for me…and he’s…uhm here.” “I’m on my way…where are you right now?” “I locked myself in my bedroom.” “Good stay there okay?” “Don’t hang up…please don’t hang up…” “I’m right here…just keep talking to me okay? What did you do today?” “I uhm…I painted my nails…I switched shifts with Robin so I could…uh be off Saturday morning.” “That’s nice baby what color did you do your nails?” “Pink…oh no..I think…he’s kicking the door now…what if…what if he gets in…” “he’s not going to get in sweetheart.” “He…he did this when we were together and…and he got in…and god he was so mad…so mad at me and…and I don’t want…what happened…that night...to happen again.” “Listen to me…he is not getting into your house…I won’t let him.” “Are you almost here?” “Yes I’m just about to be on your street…just a few more minutes okay?” “Don’t…don’t hurt him…please.” “I’ll do my best but I’m not making any promises.” “I’m sorry…I’m so sorry-” “Don’t apologize sweetheart…this isn’t your fault…and I will always come if you need me no matter how far away I am I will always find a way to get to you okay?” “God…of course you’d say something like that.” “I can’t help it…it’s the truth.” “This is just a lot and we just met and…and I’m just a mess Eddie and you…you shouldn’t have to see me like this.” “Don’t cry baby…please don’t cry I’m on your street and I’ll be there in less than two minutes okay? Start packing a bag for me can you do that?” “Yes…I…I can do that.” “Okay good…you’ll stay with me tonight…I just got into your driveway so I’m going to hang up okay? Is that okay?” “That’s…that’s okay…yeah you can hang up.” “One more thing…don’t look out your bedroom window please.” “Why? You…said you wouldn’t hurt him…” “I said I’d do my best but just in case please don’t look…go pack your bag sweetheart and I’ll see you in a minute.” “Okay…see you in a minute.”

196 notes · View notes

charlotteking23 · 1 month

Note

Hello! I know what I'm about to write here may seem strange, but in my head, it's just perfect. Imagine a scanario of Batmom×Batfamily where S/N(batmom) is a witch (like those in the Harry Potter universe), but she's always been afraid to tell her family because she feared they would start to hate her and that Bruce would ask for a divorce (and also because, as we know, there's a law that prohibits them from exposing this to not-witch). However, somehow they discover her secret, but in the end, everything turns out fine.

Kisses♡

Sooooo... I am a witch

Bruce Wayne x witch reader

It was an average day, nothing out of the ordinary, the boys were looking through their old stuff planning to donate it. They decided to start in the attic which they didn't even know they had. But boy was it filled with a lot of stuff in labeled boxes.

"Hey look my old toy car, I forgot I had you well time to donate you", Jason said tossing the car in a pile of stuff he didn't want.

"Hey guys look what I found", Tim said picking up a box with a do not open painted on the top of the box.

Damian took the box, "I think we're not supposed to open it, Oh well". He hurriedly opened the box, and the other boys peered their heads over Damian to see what was in the box.

Surprisingly when they opened it they saw a book, some photos, and other weird things. It all looks so cool like from a movie, Dick slowly took some photos out scrutinizing it.

"Guys look at this", Dick said holding out the photo in front of his brother's face.

"That girl she looks familiar", Jason said reaching out for the photo it was of a girl behind a tree wherein a green and black color robe.

"guys, that's Mom, see the girl has the same birthmark as Mom", Tim said pointing at the girl and the picture of his mom he had taken on his phone.

The boys hurriedly raced down the attic trying to find their mother. Damian had the box in his hand while Tim had the picture. They raced down the stairs almost knocking into Alfred in the process. Finally, they saw their mother in the living room watching one of her favorite movies Princess Diaries.

Y/n heard the sound of footsteps looking in the direction of the noise. She looked at what Tim was holding, and immediately Y/n got up and took the picture out of his hand. " where did you get this" Y/n demanded taking the other things from the other boy's hands.

"Mom, what is this? what have you been hiding? Dick said pointing at the picture. Mom, it's okay you can trust us", Jason said while nudging Damian to go and hug Y/n.

" I am a Witch, I am from Hogwarts where I learned to train and use my power. But not too long ago I fell in love with your father hiding the secret I was a witch, for I was prohibited from telling any non-witch about my powers. So I hid all my stuff in an attic before we got Dick, but you kids must have found it".

"so father still doesn't know", Dick said still trying to process this story. Y/n shook her head no. "You have to tell him Ummi", Damian said. "your right, I will tell him right when he gets home", Y/n said confidently.

Soon Bruce came home, greeting all his children before going upstairs to his and Y/n's room. There he saw Y/n sitting on the bed looking straight at him not a single emotion on her face.

Before Bruce could talk, Y/n started to cry heavily, slumping her shoulders, and looking away from Bruce. Bruce quickly rushed over to her scooping her up in a hug and whispering soothing things in her ear trying to calm her down.

"my pretty girl, what's wrong?", Bruce said continuing to massage Y/n's back. "Bruce, I have something to tell...I am a witch", Y/n didn't wait to see his reaction before continuing "You are probably mad at me but I understand so if you want a divorce then I am fine with it", Y/n said so fast it was hard for Bruce to even comprehend.

"Y/n were not having a divorce, I love you too much for that, no matter if you kept a secret you probably had your reasons and I am not mad", Bruce said in a reassuring tone. Bruce stood up holding Y/n close to him swaying them side to side and humming a beat. Y/n started talking about her past as a witch telling everything to Bruce. She felt so happy to finally tell Bruce after so long, feeling so much better.

"So does that mean since I have powers I can fight crime like you", Y/n said with her best puppy dog eyes. Fuck, it was so hard for Bruce to resist those puppy dogs eyes. "Fine", Bruce said letting out a groan and seeing Y/n jump up and down clapping her hands, smiling widely at Bruce.

Question for the readers: what is your house in Harry Potter?

mine is a Slytherin

#batman #batfam x batmom #batfam x reader #batmom #batmom imagine #batmom imagines #batmom!reader #bruce wayne x reader #dick grayson #tim drake #damian wayne #jason todd #witches #witchcraft #witchblr #witch #y/n

143 notes · View notes