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#HE LASTED ONE EPISODE FOR HEAVEN'S SAKE
maedre13 · 6 months
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The entire Malevolent fandom: Oscar is great!! We love Oscar!!
Harlan: I suppose it would be really horrible :))) if something :))) were to happen to him :)))
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vikkirosko · 3 months
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There should have been one of the 50+ requests that are in the drafts (At this rate, my thoughts about getting 100 requests in one period will come to life ...), but instead here is this oneshot. Why? Because the theory of how the first season of Hazbin Hotel will end has sad me. The last episodes of the first season will be released very soon and I'm afraid to imagine how much agnst I'll see there. Especially after the sixth episode. That's why I wrote this oneshot to release some emotion. Initially, there should have been a slightly different topic here, but what came out was what came out...
🕷 Angel Dust x male!Reader Oneshot Smoke of menthol cigarettes 💖
Angel couldn't sleep. He tossed and turned in his bed for a couple of hours, but sleep did not come to him, so he decided to leave his hotel room. When he went out into the hallway, he heard soft music. It was unexpected, because usually everyone was asleep at this time. When he went down to the first floor, he saw you. You were lying on the couch with your legs crossed and smoking a cigarette. Coming a little closer, Angel smelled menthol. It was the smell of your cigarettes, so different from the smell of those that Valentino smoked.
"Can't sleep?"
You turned your head slightly, looking at him. Angel chuckled.
"I wanted to ask you, what are you doing here so late?"
"I recently returned"
Angel grinned harder, easily throwing your legs off the couch and sitting down. You grinned and put your feet on Angel's lap, then blew smoke at the ceiling. You sat in silence for a few minutes and you were both quite comfortable, but you broke that silence.
"Have you ever thought about what you're going to do in Heaven?"
Angel chuckled.
"Do you think it's possible?"
"I'm talking in theory"
Angel thought about it and looked down. He knew exactly why he wanted to go to Heaven. His sister was there, the person closest to him. It was for her sake that he was ready to change. But lately, he had been increasingly tormented by thoughts of what he would leave behind. Here in Hell, his life was far from a dream, but there were good moments in it. For example, Cherri and their friendship. Or Charlie and her care. Or you. Angel didn't talk to you about it, but he had feelings for you. You, with your calm smile and the smell of menthol, you who were willing to take risks to help him. Angel liked you. The thought of him leaving and you staying here in Hell made his heart ache.
"I don't know, but what about you?"
Your lips stretched into a grin.
"I don't think I'm going to Heaven at all"
Angel looked at you with an uncomprehending look, which did not escape you. Your grin widened.
"I can hardly smoke in Heaven, and I'll go crazy without my cigarettes"
You laughed at your own joke. Angel looked at you and said something that made you wonder.
"Let's go to Heaven together"
You fell silent, looking at him in surprise, and then smiled a soft, sincere smile.
"Well, it won't be so boring there together"
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actual-changeling · 4 months
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Do you think Crowley would be more emotionally open without Aziraphale? I’ve never thought about it, but I’ve just read the tags of your last ask and now I’m really interested
Short answer? Yes, absolutely.
Long answer? Also yes, but it's complicated. <- past me was correct, this got very long, my apologies.
What-if scenarios are always part canonical evidence/part subjective interpretation, because the only Crowley we know is the one who spent six thousand years orbiting Aziraphale.
Still, there was a pre-Aziraphale him, up until Job I presume, which is when they started being lonely together, and we do see what they were like!
The Starmaker is his 'before', the being he was before the doubt, the war, the fall. Before hell and the garden and Aziraphale. She is the blueprint the Crowley we know is built on. In the short time we have with her, she's incredibly emotive—with both positive and negative emotions—and her body language is soft, almost fluid.
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Showing emotions is simply a natural part of being a person, and what exactly that looks like obviously varies; but this angel has never been punished for doing so. There are no consequences, it's safe to exist however she wants (though not much longer).
After this, we get Crawley what I assume is more or less a short amount of time after the fall. Everyone got settled in hell, and once the institution was functional, they now needed to actually have humans running around on earth. Otherwise there are no souls to torture.
Even here, Crawley is still open, still smiling, still soft, although a bit more covert in their body language. She laughs and—this is the important part—questions God right on there on the walls of Eden.
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Even after falling for asking question, she does not stop, not for one moment. Despite the trauma they undoubtedly must have gone through, Crawley sees an angel, slithers up to him, and strikes up a conversation, trusting that he will not hurt them.
Now, this is where subjective interpretation comes in, because we have no information of what the fall was actually like. They got punished for asking question, for rebelling, for trying to change the system—but in my opinion, they never got punished for having emotions.
In the modern day, angels are terrified of making mistakes or asking question, but they are still emotive, they physically express their feelings. Some are more intense in their expressions, others subdued, but from Muriel all the way to Gabriel, they talk about emotions, they show emotions, and that in of itself is not a crime.
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Hell is just as—if not more—emotional than heaven. Just remember Hastur when Ligur was melting and then later during the trial, or Beelzebub when ze summons Crowley in the first episode.
Yes, they communicate in code a lot, but only when it comes to very specific kinds of information and interactions, not when someone is going insane over the blaring alarm.
Why does all of this matter?
Because it proves that the level of emotional suppression Crowley and particularly Aziraphale have reached is not taught by either heaven or hell.
Instead, just like Aziraphale's claims that 'heaven is watching', it is a rule system instated by himself for himself, and by extension for Crowley; he set the requirements for interaction and forced Crowley to meet them if he wanted to be around him.
We don't see Crowley laugh the way he did as Bildad or the Starmaker anymore, we never see him carefree or joyous or sad. I mean for fuck's sake, he HIDES behind his glasses, a physical manifestation of the repression he's caught in.
Humans wouldn't notice his eyes in the same way the police doesn't notice them at the convent in Tadfield. The glasses show up during Job, and we know Crowley already had a plan to go against orders, so glasses it is. However, he doesn't wear them during the crucifixion, which comes after Job. Crowley tells us she spent a lot of time with Jesus, so you'd expect her to be wearing them, but she isn't—whatever her relationship with Jesus was, she seemed to trust him a lot, and Aziraphale wasn't around.
Aziraphale is the one who demands silence, who never wants to talk about anything he himself hasn't approved as a 'safe' topic, he and his fucking forgiveness whenever Crowley questions God, calling him a demon and pushing him away whenever he openly shows affection towards Aziraphale.
So yeah, of course Crowley cannot regulate his emotions and has no idea how to express himself now, Aziraphale has shoved a gag down his throat for six thousand bloody years and still wants it to stay in place. Our closed-off Crowley would not exist without Aziraphale's continuous presence in his life, and that is a hill I am more than willing to die on.
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Crowley is getting his heart broken in the worst, most violent way imaginable both times. But now? His face is stone and steel, one third of it hidden away behind black-out glasses. No tears, no words, no desperation, no flying hands or fluidly moving body.
This is the kind of person you become when someone else forces you to make yourself small, when emotions are punished and affection withheld until you act the way they want. It's horrible, it's unhealthy, and it destroys parts of yourself that you will never get back, no matter how hard you try.
So, in conclusion, yes, without Aziraphale's influence, Crowley would be softer, more open, and we would still see remnants of the Starmaker in him—but we don't.
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trips2saturn · 2 months
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towl spoilers below!!!!!!!!!
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late briefing but it’s here and that’s what matters!!!!! let’s get into this episode! ❤️‍🔥
this episode was amazing. no notes. angst fuels me, so keep it coming in episode four along with some loving intimacy! 🤝
michonne is the most clever, headstrong, charismatic, fearless powerhouse of a woman in the entirety of twdu. there is no situation nor circumstance that she cannot handle. no matter the time, skill, or hardship that woman is going to do whatever she fucking wants. she’s such an admirable character, and yes this is just a fictional show but she means so much to me. tv mom forever and ever and ever. my lovebug!!!! 🫶🏼
rick… my og lovebug. his selfless, tender hearted yet courageous and dangerous personality is sooo missed recently because of these losers who love to keep playing hide the donkey. he’s been so beaten down and forced into the caged mindset, also known as stockholm syndrome. it hurts so much to see it affect him so deeply, especially in this episode. we truly get to understand just how horrified he is of losing michonne, losing judith, losing their home. it’s so layered that he’s come to the conclusion that he has to do whatever it takes to protect his wife and their children (judith for now until further notice). even going as far as pretending to break michonne’s heart just to get her to go back home for the sake of a safe and secured future. and as much as it rips his entire psyche into shreds, this man is a family man. his priority in life is to protect the ones that he loves by all means necessary.
and thank fucking HEAVENS that despite their years apart, michonne knows her husband like the back of her palm and can read him like a book!!! every word that poured out of his mouth was utter bullshit merely for safety purposes and i’m soooo glad that she understood that without even having to retaliate verbally.
she retaliated by throwing them out of a moving chopper LMAOOO 😭 MY GIRL, MY LEADING LADY!!!!!! CAN WE MAKE SOME NOISE FOR THE CRAZIEST CHARACTER IN THE ROOM. thank youuuuuu! i digress.
“we needed a timeout” shdjshdhsjdjs well yes! please knock some sense into your traumatized husband. he needs his wife!!!
moving forward. the phones!!!! “believe a little bit longer”!!!!! CARL MENTION!!!!!!??????!!!!! 😨🫨🥺☹️😖 rick not mentioning any names for three years and never liking any drawings of his son because they could never be depicted perfectly 😣😣😣 try not to cry challenge [FAILED]. punching me in the gut would hurt less. still hoping for a random chandler cameo too :D
i know that what rick said was absolutely fake and futile but as a fierce michonne lover… HER FACE AS HE SPOKE??? if we don’t see him loving on her endlessly in episode four… i might throw myself out of a moving helicopter.
one hundred percent positive that they’ll be pouring bisquick and making pancakes next episode. i’m sat.
thorne is a D. not an A. she’s a piece of shit and will be dealt with eventually. michonne will handle any light work. i rest my case.
jadis is a sexual predator and a grade-A loser with a shit haircut. i almost pissed myself laughing when rick said that. he’s been waiting and so have i!!!! 😁 but yeah she sucks. die asap.
RICHONNE KISS IN THE WOODS AFTER BEING A POWERHOUSE COUPLE. 🥹 reminded me so much of when they took those cars and drove into that herd of walkers. ugh. please put their entire love story into the louvre.
last but not least because i’m tired — unsure what beale is up to. he’s so sketchy, and also SO CONFUSED about rick supposedly having a briefing with him about being promoted?! NO. no thanks we didn’t ask for him to ever be a leader nor get kidnapped in the first place!!!! scared to see what lies ahead for the next three episodes :(((((
in conclusion, michonne is the most beautiful angel to walk the earth. she looked so hot in every single scene. episode three is hands down my favorite episode yet, despite the hardship. again, angst fuels me. so excited to see what’s in store next week, and every other week after that!!!! it’s only up from here. ❤️‍🔥⬆️
okay that’s it. hope everyone enjoyed the episode!!!! this is such a wild ride, and i’m happy to have my television parents back on my screen, making things happen again. 🌟🔥
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lydiablackblade · 8 months
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Lately I came across some comments here and there more or less saying David is now old and was kinda disgusting and basically not a good Crowley anymore.
First. Bitch please... Really. Are you insane? What the fuck is wrong with you?
Second. During the first watch of season 2 I found myself wondering "When tf did David get age like that?" But then I went through his recent videos and I figured, well, he didn't. Obviously he's not 30 anymore but as good-looking as ever.
But you have to admit there's something with him in this season. And I think this is intentional and especially noticeable in the last two episodes. DavidCrowley looks tired. Like... all the time. Worn-out. Worried.
He said they craved themselves a peaceful, fragile existence. I guess the emphasis is on fragile. He never knows when will it fall into pieces. He is always looking back over his shoulder, prepare for the worst, to protect his angel. I think he hasn't have a good sleep since the Armagedon't, so basically for years, not just because he's living in his car, but because he's is sleeping one eye open. And he couldn't let himself the luxury to tell this to Aziraphale, who's seemingly living the best time of his life (he's not). Crowley drinks six espresso in a shot, for someone's sake. And that was even before he came to know about Jim. He cannot let himself to calm down or be off-guard, because Hell is, well, just around the corner (kind of pun intended). They are traitors and forgiveness is only Aziraphale's favourite thing, not the Head Offices'. Shax pops up unexpectedly anytime. I think there were even other hellish ambassadors before her, she seems to be so new on Earth, cannot imagine she's been doing it for years now. Heaven is still, but we all know they are for a long game.
And he is exhausted, even I say haunted by the liftetime of terror he experienced both in Heaven and Hell. He was tortured. Punished. Not only once. He cannot forget that not only his existence is endangered but also his angel's. When he said to Jim he remember so very well when Gabriel told to Aziraphale to shut his stupid mount and die already... how he was scared to death and jumped back when he first met Jim/Gabriel in the bookshop... He is deeply traumatized. Has kind of PTSD.
And in the end he is tired of pretending and denying. This is a weight he cannot carry anymore. He's done. They are solving an emergency and new one is already on the way. It is never-ending story. He's so done with that shit.
And I think this is what someone may see as something is odd with David. No, it's not David, it's Crowley. The lights, the shooting angles, his skin tone, everything are stressing out his wrinkles, his furrows. It's is all about to show how burnt-out Crowley is. Or will be very soon. Caused by the fear and, I'd even say, by the loneliness.
Poor thing, I want to hug him so much.
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angelinthefire · 1 year
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Thinking about a 6-part miniseries about Cas. The premise being that there's some way for him to get back the memories that were taken from him, and he's going through the process of re-experiencing them (and this is why we haven't seen him yet, because he's been occupied with this).
So we're following Cas through time, seeing every instance of him going off-script, and every time it gets harder and harder to reset him. And there could be 3 or 4 actors besides Misha who play Cas at various points in history. And there could be returning spn actors for different angels as well as recasts for different "versions" of them. There would be a chance to get into some complex relationships between sibling-soldiers who are under a cult-like authority.
The way I'm imagining it, it would be "kalaidoscopic" to use Edlund's word for describing Cas' perspective. Non-linear narratives layering on top of each other, and making use of motifs and recurring elements in an almost dream-like way, building Cas' story as someone who fought to be his own person. The whole thing being kind of epic and fantastical and philosophical.
And of course it ends with Cas' reunion with Dean. I think in previous episodes there could be short little "missing scenes" situated within the main spn canon, to really re-establish Dean and Cas' relationship for any uninitiated viewers. But by the time it gets to the end, after following Cas' whole story, Dean is framed as the last instance in a long series of Cas' struggles to assert his own sense of right and wrong, his own sense of self. Dean is the time when it finally stuck. So there's a real narrative weight, within the 6 episodes, to them reuniting, it's not just for the sake of finishing what spn started.
And I'm still imagining the reunion scene being something like what I posted about here. Where Dean asks Cas to jailbreak Heaven with him, break the rules with him one more time, run away so they can live their own life. So that Dean is the realization of everything Cas' story has been driving towards.
And then the thing with Jack being taken over by God happens (see linked post). Because a) Cas can't just go off with Dean and leave Jack behind, so there has to be a reason for him to oppose what Jack's been doing in Heaven, and the answer to that is he's God instead of Jack. And b) the series ends on an open page, with Dean and Cas going back into the world as these twin agents of chaos and free will, and you have the sense that they're always going to be out there fighting for free will and fighting to be masters of their own lives, and the story will never end.
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sunnybearvampire · 8 months
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hold on something just occurred to me while freaking out in the tags of another post. this post is for a very specific section of the go fandom that also watches dropout. hear me out.
there was a quote that suddenly came to mind when i was thinking about the breakup scene in good omens (the last one. i know there's been several.).
"does he love me more than being major?" - delloso de la rue (a court of fey and flowers)
and i kept thinking about how crowley knows aziraphale loves him when he confesses. he says We when talking about pretending. he knows. but he's still worried aziraphale won't reciprocate in the way he wants him to. and by the end of the episode, crowley believes that aziraphale chose heaven over him - belonging to the "good" side. that aziraphale wouldn't want him as he is, would jump at the first chance of changing him - to be deserving, to be forgivable, forgiven.
rue is always the more radical between hob and them. they call for the dissolution of courts - like crowley, they don't believe in sides anymore. this question is the vocalisation of their fear at the end of acofaf - yes, hob loves me, but will he choose me over the only place he's called home, even if he never truly felt like he belonged?
and let's be honest - aziraphale fucking hates being in heaven. he doesn't belong there, doesn't feel good there. he is mocked and put down repeatedly (much like hob, standing out in the goblin court, being fundamentally different from other goblins and wanting to change that - 'that was very honorable and brave' 'i know, i'm working on it')
yet, hob's loyalty to the goblin court persists until the final moments of acofaf - much like we see in season one of good omens with aziraphale. but both ultimately make the decision to follow their hearts and save the world for the sake of their love and happiness (and found family).
but while the romance between hob and rue is wrapped up with a confession and a marriage proposal (see me crying about 'you will never know a lonely day again, as long as i draw breath'), crowley and aziraphale don't fucking talk to each other. ever.
so crowley broke apart when he thought azira died and protected him again and again from heaven and azira threw a ball just to have an excuse to touch crowley and they don't know. they don't have all the facts. so we have a crisis that was resolved very quickly between hob and rue that is still plaguing them.
tl;dr: i make up parallels between my favourite queer couples. am sad.
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asherisgone · 10 months
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GOOD OMENS 2 SPOILERS DEAR SATAN SCROLL AWAY DON'T PRESS SEE MORE.
I've had major whiplash from the last 15 minutes of episode 6, so I'm here to analyse because it's eating me alive.
So I know a lot of people have theories that Aziraphale's been manipulated or miracled or the coffee is suspicious: whatever. I'm not here to fully push any theories, I'm just here to provide evidence and things for people to make their own conclusions.
First part of this is analysing Aziraphale himself:
Before we can even begin to dissect his statements, let's talk about who he is.
This angel hasn't changed his outfit in a century, forget the damn hair that has been the same since the universe even began.
He loves humanity and being humans because he is, even if he can't accept that, never has. All the way back in the aftermath of Jobe's story, their conversation, aziraphale doesn't find his peace during it, he desperately holds onto 'heaven = good' even though we've proven that isn't true. Even in Edinburgh, he's adament what they're doing is wrong (heaven's ideals) until Crowley shows him the truth of humanity; EVEN THEN he still can't accept the grey area of it all ("the side of truth... of good"), where Crowley is comfortable with his humanity, aziraphale clutches onto the "light grey" because he still craves heaven's approval.
*quick aside, I am aware Crowley does say "dark grey" but I read his tone as mocking and playful, plus he says it himself in the argument that he doesn't need hell or heaven.
But to sum that part up, that explains why Aziraphale takes the job, why he wants Crowley to be an angel again: he never got the closure he needed from heaven, he can't accept that it's just as corrupt as hell (if not more so since at least hell are doing it on purpose). He is sick of being worried and scared for Crowley, he wants to change everything so they can be together safely...
So onto the argument then..
Aziraphale says he may have misjudged the Metatron, why? because the Metatron praises him deeply to gain his trust "you're a leader, you're honest, you don't just tell people what they want to hear."
and honestly it's mostly exaggeration.
He's a lousy leader, Crowley walked all over him during the battle of the bookshop, he even says himself that they just have to do whatever Crowley says; he steps up to his potential at the last minute with the halo. He's not only a people pleaser (cause he thinks that's what angels are), but he also knows how to say things people want to hear to get his way, especially Crowley.
THE WHOLE JOBE MINI EPISODE IS ABOUT AZIRAPHALE UNDERMINING AND LYING TO HEAVEN FOR HEAVEN'S SAKE.
So we cannot trust the Metatron - he just needs someone who he can influence and control to rule heaven, that's why Gabriel was thrown out the minute he began to make his own decisions. It's why he uses Crowley as a bargaining tool to get Azi on his side after he says "I don't want to go back to heaven"
This entices Aziraphale because as someone who doesn't like change, he'd be able to be with Crowley "like the old times" without disrupting their dynamic of unspoken partnership.
Crowley immediately feels something is off "You're better than that", after all, what happened to "we're on our side" or "we carved it out for ourselves". Crowley is entirely comfortable in being human or on his own side... until aziraphale comes along to show him he doesn't need to be alone
Crowley repeats "tell me you said no": at first in disbelief, thinking he knows aziraphale wouldn't be that rash, his face immediately falls, in complete and utter disbelief at the possibility he's losing his angel.
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So he repeats the question, this time it's a plea, he's practically begging for Aziraphale to correct him even though he knows it's not possible. His eyes widen, his fear is true and he's panicking as he knows what Aziraphale just signed up for. He shows so much betrayal in this one look too it's insane how well-done this scene is...
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His last minute declaration of love is wholly an attempt to convince Azi to stay, the panic in his voice is unmistakeable "I think I'd better say it now." he's rushed, he's desperate.
*another aside, Michaels delivery of "come with me" in the softest voice and puppy eyes known to man is the absolute death of me. But it speaks to his innocence and sheer ignorance of what's going on.
Crowley knows his angel, "you can't leave the bookshop" which, as far as I'm concerned, is a euphemism for himself and their relationship. (of course literally as well, I mean aziraphale would die with their shop) and with the response being "nothing lasts forever. That's an insane line, ineffable husbands? nah sorry. But it's simply untrue, he doesn't like change, he hasn't ever sold a book, he doesn't change his hair and his style simply doesn't waver. This isn't something Aziraphale would say and mean. (which is also something people are using as evidence of Azi not being himself). Although, it also shows that he's willing to give up the bookshop and earth and everything he worked for if it means he and Crowley may have a safe future in heaven.
Everyone's noticed that Crowley shows his eyes more in season 2, but only when he and aziraphale are alone, he has them off the entire conversation until after aziraphale says that nothing lasts. He puts them back on. His facial expressions and body language are all so insecure all of a sudden; they can't even look at the angel they've been pining for since the beginning of time.
Aziraphale is unwavering, which is so confusing, he has smile still plastered on his face - an incredibly forced and frankly naive smile, but he absolutely cannot grasp the concept that crowley likes and actively accepts being human, but Azi is desperate to be an angel, once thinking he lost his way and now clawing back because otherwise he isn't good. "We could be together... Angels! doing good...".
I'm entirely convinced that considering only Crowley knows about Gabriel being thrown out for thwarting heaven's plans, he knows that aziraphale and him couldn't make a difference if they tried, the reason the Metatron even suggests the two of them can work together is to control them: afterall they're the ones who prevented armaggadont the first time, and also almost declared a war between heaven and hell. If you were the Metatron you'd seek to stop them too.
This seems to be why Crowley immediately fucks off the minute he senses Aziraphale can't understand what's going on "I think I understand a whole lot better than you do". Crowley laid his heart out to the one person he thought understood him, but Aziraphale gets ahead of himself and insisting Crowley joins him in heaven signifies something utterly world shattering as they were grey together, and he thought aziraphale understood that (again I call you back to the story of Jobe). "I could always rely on you"
Aziraphale stops him for obvious reasons, but that's why when Crowley says "no nightingales" it's more than just a metaphor. Obviously they reach an impasse in the conversation, it's Crowley's way of saying they're done, but what it signifies a new shift: this isn't his angel anymore. especially when you follow this with "you idiot-" because all I can think of is "how can someone as clever as you be so stupid" back from season 1. Crowley at this point has given up. he's done.
(*aside, this is an observation if you take it as a way to say that Azi is under a miracle or manipulated that's for you to decide.)
Aziraphale tries desperately to hide his emotions, the fake smiles and the depth of regret and sadness in his eyes, he looks at Crowley like he doesn't recognise him anymore even though it's not him who's changed.
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and then...
EVERY - their kiss for those who did not have the misfortune of it being spoiled for them.
Is it only me who feels physically nauseous watching this? And I don't mean because I didn't want this to happen, of course not, but it's the amount of emotion charged behind it that makes it so devastating. The anger, pure desperation and DAMN IT IM SO SORRY I CAN'T BE CALM BUT AZIRAPHALE'S FACE AND REACTION GENUINELY MAKES ME UNCOMFORTABLY SAD.
two sides of this I'll analyse now.
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Crowley - this is his absolute last chance and card he can play, he's done with words, "Well then... there's nothing else to say". He is heartbroken at this point, filled with desperation and pure longing for the one thing he's always been certain of: he needs this to work out. He literally runs to save their relationship, and fucking yanks aziraphale (love the parallel to season 1) but look at his determination in the furrowed brows... This isn't a loving and sentimental kiss, this is life or death as far as he's concerned.
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Aziraphale - dear lord, where do I begin... He's caught off guard but something looks so wrong, it's not the look of a welcome surprise, it almost angry. He's upset that it's happening now, not that it's happening at all. He wants Crowley from 5 minutes ago, before their world crumbled in on them, but now he's hurt and he won't let himself have this Crowley that won't be with him as an angel, supporting him as supreme archangel... My only evidence for Aziraphale wanting to kiss Crowley just not in that moment is purely his hands. Granted, Crowley was holding that fucker tight, like goddamn- but he didn't stop it by any means, not for a whole 12 seconds. He wavers, holding him gently for only a moment with the most amount of trepidation, before reeling back as if he'd be burnt if he lingered, holding his hands away.
Afterwards?
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that's the most betrayed look I've seen in my life... It's a "what the hell did you just do, you've only made this harder for me and yourself" Aziraphale has made his mind up and knows exactly what his plan is, he wants to make peace with leaving crowley, giving up on taking him with him, but this has proven how dedicated Crowley is to this, only making separating that much more painful.
That's why he doesn't say anything. Settling for "I forgive you." The very same words he echoed in season 1. A demon, the unforgivable fallen angels. Aziraphale is giving him another chance almost, saying "you were never fallen in my eyes" but also allowing him to leave, forgiving him for throwing away the opportunity Aziraphale is giving to him (I'm not saying that as in I think that's a good option I mean it from Aziraphale's perspective.)
Crowley immediately picks up on that, his voice defeated upon realising that aziraphale wasn't receptive to his efforts "don't bother". His lasts words to the angel that he no longer recognises and who doesn't recognise him. His angel basically admitted that he doesn't love him as a demon, only as an angel...
And that's the most poignant part I think. Nina is right, they don't communicate, and although a lot was said, it wasn't enough...
Aziraphale's touch of the lips shows so much. It's almost as though he feels violated or robbed of what was meant to be pure and special, but soured by their own inability to talk. Not only that, it's clearly a lingering feeling, he doesn't fully understand what just happened, still trying to catch up with his own feelings, it's the last thing from Crowley that he's got now, their relationship in total tatters.
right if you made it this far, I'm sorry for rambling on but I do sincerely hope you all found this interesting and can add to my observations!! I love this fandom and don't forget to keep watching, we need that season 3.
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the-krakens-bitch · 3 months
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This is a quick idea of who is least to most likely to be the one who dies at the end of the show.
Charlie: 6:
It won't be her.
Not only is she the protagonist, but she is one of the primary female characters in a show that is dominant in other male characters, and killing her, just reduces the key aspects of the narrative.
Angel: 5:
The fan favourite
Angel Dust is the character that also has a lot of emotional devices attached to them, and by killing them they would stunt his character development, including the triumph against Valentino and his relationship with Husk
I considered that his death may highlight him being redeemed, such as other characters seen within other narratives, however, with this episode, Angel's goodness and redemption were already displayed
Niffty: 4:
Not to sound mean, but out of everyone I kinda hope its Nifty
However, I know it won't, BECAUSE, of this reason.
Nifty has no strong attachment towards the audience and the other characters, such as Alastor and Angel Dust, thus her death won't entirely be that emotional and beneficial towards the overall narrative
The last 3 are the hardest:
Vaggie: 3:
I don't think that Vivziepop would kill off one of her most prominent female characters, especially one who is in a gay relationship with the protagonist (Is it burry the gays if they are already dead. Technically Charlie and Vaggie aren't even dead they are more like eternal beings or omens)
However, it would connect towards Vaggie's line in ‘Whatever it Takes’ (Absolute underrated bop) “I’ll be your armour”, the idea that Vaggie's foundation of her self-worth is from Charlie's satisfaction and happiness rather than herself.
This would cause emotional anguish in Charlie which would force her to evolve and grow in the proceeding seasons.
Husk: 2:
Before watching the show, especially episode 4, Husk had no direct attachment to any of the characters, thus having a similar effect with Niffty. However, with his and Angel's relationship development, he now has an emotional aspect that would convert his death being an impactful event.
I don't believe that they would do this, due to his and Angel's relationship not having a significant romantic event (yet) that would cause more determination to win the fight against Heaven (Loser Baby was amazing, but it wasn't the romantic pull entirely required)
I believe that If he did die, it would be similar to Vaggie, in the way that he was a sacrifice for another person, in his case Angel
This can be further through the series of Angel facing the world for the sake of the soul who truly believed in him, similar to the values that Husk presented in episode 6 at the bar.
Alastor: 1:
The most prominent character development displayed would be Alastor dying for the sake of Charlie and the Hotel, something that pilot him would be baffled by.
However (Here with another however) I don't think it would happen.
Alastor death would affect the other characters, especially Charlie, while the others, Husk and Niffty, wouldn't have the same melancholy compared to her.
But since he has such a deep and rich history, with theories connecting him to Lillith, I don't believe that they are gonna “Waste” him. (This idea/excuse is the weakest compared to the others, so I kinda do think it will be him)
Bonus:
The character that I completely believe would die is….
Sire Pentious!!
(Sorry to his fans)
My reasons are that he doesn't have any direct ties to anyone, such as Vaggie and Charlie, Charlie and Alastor, and Angel and Husk.
However, he is prominent enough for the audience and the characters to know him enough and can sense his development of becoming a better soul.
Compared to the pilot trying to destroy Cherry Bomb and to him trying to flirt with her. He is trying to become a better person, and the classic convention of him sacrificing himself for someone else would show how he has developed over the series.
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eisforeidolon · 2 months
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This series of posts [X] is most heller meta in a nutshell. Take one blink and you'll miss it tiny moment, blather six metric tons of projected nonsense about how it's the most important thing ever and it can only be a validation of their ship and nothing else because because, then declare said ship totes canon for realz. It's not just a headcanon!!!
'OMG, Dean didn't immediately answer the phone call from Sam after Castiel died, it can only be because his world had already ended, TWUE LURVE!!!'
There's just no other reason Dean would shut down for a hot second! Who would be intensely traumatized and go into shock if someone who was ~*just*~ a friend died literally seconds ago? And it's not like Dean hates anyone sacrificing or being sacrificed for his sake, that's totally not a theme that ever showed up elsewhere in SPN. Certainly being blindsided by Castiel's weird-ass out of nowhere declaration could not possibly have caused his brain to short circuit out of bafflement, only reciprocation! There's also no reason at all Dean might think if Sam was fine enough to call he could wait a minute to answer the phone, especially in the context that Chuck is destroying the whole world explicitly to fuck with him and Sam for not playing his game and they're running out of time, options, and hope. Nope, could only be twue lurve causing him to need a moment to be overwhelmed!
It's also totally irrelevant that in the last two episodes, once Castiel would no longer potentially be helpful in stopping Chuck and the immediate shock of the death wore off, Dean is fine with it. He totally wasn't living a happy domestic hunter life from the bunker going to pie festivals with Sam, telling Sam not to feel sad about the angel being gone. That scene where Bobby explicitly mentions Castiel is in heaven and Dean gives no fucks because his car and Sam are all he's interested in certainly is not as important as a couple seconds intentionally creating a cliffhanger before the big final battle of the season! That totally would never happen over Bobby or anyone else (except it totally would if it was only for a hot episode-ending minute to dramatize the situation).
Nope, ignore all that! Instead listen to the illogical pretzel rationalizations of someone so obsessed with trying to pretend a ship is canon they have to ignore not only who these characters are, not only how storytelling is done, but how humans in general work.
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Season 3 Rewatch Drabbles: 3x5 Good Form
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Summary:  A series of 100-500 word drabbles to accompany my    rewatch of season 3 of Once Upon a Time.  There will be a drabble–either a deleted scene, a “fix it” fic or a character musing for each episode of the season.  Focus will be on Emma, Henry, the Charmings and Killian–with an emphasis on Captain Swan’s epic love story.
Word Count: 745
Other Chapters: (1) (2) (3) (4) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27) (28)
~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
Killian touched his lips softly, almost reverently, as he sat alone in the forest. She’d kissed him.  She’d actually kissed him.  Killian reached for his flask, needing the familiar burn of the rum on his tongue to prove to himself that he was awake and was not, in fact, in the throws of a delicious dream.
He’d flirted with her, smiling his teasing smile and playfully touching his lips as he suggested a way she might thank him for his service toward her father, but he’d never expected her to take him up on his suggestion.
Not that he was complaining.  That kiss had been…. He blew out a long sigh.  Even for a man so normally silver tongued as he was, there were no words.
It was more than the kiss itself–that had been steamy, passionate, blissful, of course–but it was more than that. It was….it was what the kiss revealed.
He loved her.  He was in love with her.  She’d snuck under his defenses as stealthily as any pirate could have, and without his knowledge, she’d taken possession of his heart.
It was an uncomfortable feeling, if he were being honest.  He’d never been one to bestow his love lightly, but when he did, there was no going back.  He’d spent two-hundred bloody (often literally) years in Neverland because of love for Milah, for heaven’s sake.  The thought of moving on from her, of bestowing his heart on another and giving her the power to crush it as thoroughly as Milah’s death had done…
He took another long swallow.
Well, there was nothing for it now.  It had happened.  He’d fallen in love again.
As he continued to sit and ruminate on the events of the day, it occurred to him that while the revelation of his love was momentous, it was by no means the only noteworthy thing that had happened that day.
This place, Neverland, had a truly ghastly effect on its inhabitants.  It had a way of bringing one's worst fears, one's greatest insecurities, one's biggest regrets to mind.  This place was depression in physical form.  He’d survived his last stint here with the aid of one thing and one thing only–his revenge.  That goal, that singular purpose had allowed him to keep his wits about him.
This time around….well, the fact that he’d allowed the Crocodile on his ship, formed a tentative truce with him, proved that he had given up on that revenge.  Without that singular focus to ruminate upon, he’d spent the hours on this island this go around reminded of his sins, his faults, the fact that he was a villain whom the heroes tolerated only.
Hadn’t David said it himself this morning? “Let me give you a bit of advice, Hook. She’s never gonna like you.  How could she?  You’re nothing but a pirate.”
Though he’d tried to keep the mocking grin on his face, it had stung, and for the first time, Killian realized how very much he wanted to change his life, become the kind of man Emma’s father–a man who was so much like his own hero, Liam–would approved of.
But at that moment, the gloom of Neverland had descended, and he’d come to realize he’d never be that man; he’d never overcome his past.  He’d never reach a higher status than “the pirate with which we’ve formed a temporary but begrudging alliance”.
And so it had continued throughout the day.  David had taken pains to make his disdain and dislike known and felt, taking small verbal digs at him, even as he attempted to save his life.
So it was that the second most astounding event of the day–second only to the kiss–had happened.  When they’d returned to camp after achieving their ends at the top of Dead Man’s Peak, David had not only given him credit, but had toasted him, had bestowed on him the look of approval and gratitude Killian had never dared hope to receive from him.
It had embarrassed him a bit, having the entire company of heroes and Regina (he still wasn’t sure where upon the hero-villain spectrum she truly belonged) raise a flask to him, but the warmth it engendered had been as potent as his rum.
For the first time, he could see a way forward.  Maybe he didn’t have to be forever defined by his past villainous deeds.  Perhaps….perhaps there was a path to redemption available for him after all.
NEXT CHAPTER->
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ananke-xiii · 3 months
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My ranking of SPN seasons (based only on their PLOT) pt. 3
In my previous posts (here and here) I've covered the following:
15: Season 14
14: Season 15
13: Season 7
12: Season 3
11: Season 6
10: Season 13
9: Season 12
8: Season 1
7: Season 10
Let's continue!
6. Season 9: The plot for this season runs on parallel tracks: on one hand we have the consequences of the spell that Metatron cast at the end of season 8 (ie: angels have fallen, chaos ensues); on the other hand, we have the heroes' quest, finding and killing Abbadon. These 2 parallel plots find their meeting point in the Mark of Cain: frustrated because he's unable to kill Abbadon AND because of his serious fallout with Sam, Dean gives in and accepts the curse. His choice will have immense consequences on the heaven-related plot: it will be revealed that Castiel, who was working to settle things out in heaven, will give up everything to save Dean. Plot-wise, this was a good season. Once again, I felt that the death of a secondary character (Kevin Tran, RIP my poor baby boy), was done for emotional sake and to aggravate the heroes' fallout. It felt unnecessary, cruel and, frankly, not well thought-out (but the writers have already made the same mistake with Bobby and will make it again with Charlie SO at this point I think that they know what they are doing, I simply don't agree with their writing choices). All in all, the season was quite good, it did its job. Can't complain.
5. Season 2: This season expands on the season 1 plot, so basically we are still dealing with the heroes' personal vendetta against the Yellow Eyes demon who killed their mother. However, this time we are presented with more allies and enemies, the Winchesters' backstory gets more complicated and we start to guess that there's more at stake for the two brothers. It's not just payback anymore: the plot starts to thicken and we glimpes that higher powers were pulling the strings all along. Mary Winchester's death was destined. It's a strong season that starts with John's death and almost ends with Sam's death but not quite: the last episode is able to keep us interested for what's to come as we find out that Dean has made a demon deal to save his brother. I didn't like some "minutiae", like the whole thing about other humans being infected with demon blood at 6 months old as a "back-up" plan in case Sam was not the One. Sorry but when Destiny enters the chat you either go all-in or not, there are no back-up plans. Also, it turns out that Sam is not exactly The One since he gets killed by the other guy whose name I forgot. Soooo, you know... this doesn't sound solid, you can tell that the whole thing is there to 1) fill in episodes; 2) give writers some space in case things don't go as planned. I don't know, I was kinda bummed about it, yeah.
4. Season 5: This might sound controversial but... I didn't exactly like season 5's ending. I know that, according to the majority of articles I've read, this is considered THE perfect SPN season but.. you know, it doesn't cut it for me. The plot is very good, though, so here's why it's still high on my own personal ranking. Once we've established that Sam and Dean are the destiny's children (LOL) and that their own existence was predestined, we are now left with the big IF. A sort of "will-they-won't-they". Will Dean say YES to Michael and become his vessel? Will Sam say YES to Lucifer? I like it, this is good and the plot is well-developed throughout the whole 20+ episodes. BUT, here's the BIG but. I hated, HATED, the "Adam becomes Michael's vessel so that Dean can safely say no and the plot can still go as planned" expedient. I truly hate this kind of things with a passion. First thing first, I detest writers when they introduce "disposable" characters such as Adam (and many others in the show, tbh). This is my own personal pet peeve so I can understand why other people are not as bothered by this as I am. Aside from that, as I've said before, once you introduce DESTINY in the plot you cannot have back-up plans. If you do, the whole concept is weakened and, as a refult, the plot feels cheap. We had established that Dean and Dean only could be Michael's vessel. However, SURPRISE! Adam, being his half-brother, can be a vessel, too! Yu-hoo, Apocalipse can still happen even if Dean says NO! Ma'am, please. No. It's also very sexist since it implies the father's blood is the predominant factor in this whole charade (Adam is John's Winchester third ((maybe, who really knows at this point??) son). This is a big NO for me. Since it's an intrinsic part of the plot I can't walk away from this.
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ineffable-nerd · 9 months
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Shock and surprise, I'm thinking about Good Omens season 2 again. (Spoilers under the cut, this is a long one).
Specifically the scene in episode 2 at the pub, where Crowley and Aziraphale are planning on how to get Nina and Maggie together.
And I thought it was interesting the verbage Crowley used to describe his plan.
"They get trapped under a canopy together by a storm, look into each other's eyes, and realize they were made for each other".
Obviously, we all know as an audience that Maggie and Nina's relationship is essentially Crowley and Aziraphale's relationship's mirror, with Maggie standing in for Aziraphale and Nina for Crowley.
We also know, as the audience, that Crowley immediately went with this scenario as the perfect romantic scene because it directly parallels the moment he fell in love with Aziraphale.
Which is why the last bit of that phrase struck me as odd.
"Made for each other" is such a... Human expression. It's not something that Crowley, who doesn't read often and couldn't even remember the expression "like water off a duck's back" in season 1, would use unless he meant it literally.
Especially in the context of his and Aziraphale's relationship? It's fishy.
And then I thought some more and realized that, inadvertently or not, Crowley did in fact mean it literally.
I had been thinking about Crowley's Fall a lot recently, and it always really struck me as odd.
Crowley, as has been established, Fell because he questioned God's judgement in destroying the universe after 6000 years. Sure, right, sounds like God. He's been a demon since.
Aziraphale on the other hand, who has remained an angel for millions of years... Hasn't crossed God that badly at all? Not once since the beginning of Creation?
Sure, She got mad about the sword, but like, Aziraphale has done things that angels very much are not allowed to do!
He was tempted, by a demon, to eat human food (which seemingly disgusts other angels). He regularly converses with said demon and has, on multiple occasions, allowed that demon to rescue and even thwart his attempts to bring Good into the world (which She very likely saw and didn't say anything about). For fuck's sake, he and that very demon worked together and stopped the end of the world, and their only punishment was to be destroyed which they both got the other out of (and again, if She really did want them both destroyed, She very much could have done it Herself).
So why didn't She? Why has Aziraphale somehow remained in God's good graces? Why have he and Crowley seemingly avoided Her wrath time after time after time?
I can't say for sure, but I have a feeling that it's part of, for lack of better terms, Her Ineffable Plan. She created Aziraphale and Crowley, forced Crowley out of Heaven, did away with him, and then put them both on Earth, for reasons I'm not entirely clear on and don't want to even begin to speculate on.
So, yes Crowley. It would be great if our two protagonists realized they were, with no exaggeration or metaphor, literally made for each other, wouldn't it?
But it's clear it has something that relies on Crowley and Aziraphale's relationship as a demon and an angel. She cast out Crowley for the minor-est offence the second She got the chance and now turns a blind eye to every single sin Aziraphale commits (and there are quite a lot of them, like. A shit ton. It's astounding) because She needs them to be on "opposite sides". I'd be willing to bet good money that She is the reason Aziraphale of all angels was the one passing by the nebula when Crowley was working on it. After all, it is awfully convenient that the only angel we know for certain would let slip something like "By the way your work is going to be meaningless in less than 10,000 years because God is going to destroy the universe" to the angel literally in charge of designing and creating that universe, who also coincidentally is one of the few, what, thousand angels that would be so ballsy as to say "I could run Heaven 1000 times better than God"?
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i-am-a-fan · 6 months
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Dude. I need to know about the tails.
I
Am
Invested
In that headcanon. I wanna hear a whole lore dump on your thought process on the latest peice
(If ya want ofc)
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so. You wanted to hear my whole lore dump huh?
Please keep in mind that I am well aware that this is SUPPPEERRR off script for the show. This is just kinda like me playing with it like silly putty.
Link to artwork
Spoilers underneath and also long text.
Okay. So it stems from a lot of places.
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First I’ll talk specifically about the tails since I think they’re the easiest to explain.
Tails:
The tails from from the season 4 special and the idea that Mk’s Kaiju form has three tails. That’s kinda what inspired it at the beginning.
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I’ve outlined what I believe to be the tails in red so it’s easier to see.
Then we have Mk’s name sake in the Chinese dub (I think) Qi Xiaotain which roughly means “little sky” or “little heaven”.
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If Wukong is the Sun, and Macaque is the moon, then would it not make sense that Mk, the one caught in between them is the sky?
I always try to draw Wukong’s tail to look like a fire ball, Macaque’s tail to look like a crescent moon, and Mk’s tail to look like a cloud.
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Thus, you get the three tails that make up the controlled Kaiju form :D!
I also added the detail that the cloud swirl, what it outlined in orange, comes before wukong’s and Macaque’s tail to show that this feature is special to MK.
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Samadhi Fire/ Teal Coloring:
The real thing that started everything was my crazy theory that Mk is the next person to get the samadhi fire.
The original smashing fire was also blue, which is why I made the painting be mixed with teal and yellow.
Link to Mk and the Samadhi Fire
I go into a LOT more detail in that post, but I’m almost certain that one of these 3 things happened to the samadhi fire in the show.
1. It got destroyed with the Lady Bone demon
2. Redson got it back and is unaware of it
3. Plot armor/ unexplained disappearance.
If it’s the first one, then onto the next topic.
Celestial Monkey(?):
I really hope that Mk turns out to be yet another celestial monkey, and if he is, I think it would make the most sense that he’s the “Connected Arm Gibbon” who can “seize the sun and the moon, shorten a thousand mountains, distinguish the auspicious from the inauspicious, And manipulate planets and stars.”
To me it makes the most sense since Mk is already somehow connected the the heavens and the planets.
More so, when Mk uses the Skeleton Key on himself, we get this frame… one that shows us a type of cosmic entity.
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Plus, all the times that Mk has a cataclysmic power that shakes the universe.
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If you combine this with the eye theory by @ imminent-danger-came , it seems like there’s some other version of MK that is watching and controlling what is happening to the Mk we are following.
- Eye Theory/ Eye Motifs with Mk
- Other Mk theory
There’s also the saying that the fate is written in the stars, and there’s a storyline relating Mk with destiny/ fate and how he can either be doomed to repeat it or change it.
If a version of Mk can truly control the stars, maybe by doing so he can change his fate as the harbinger of chaos.
Adding on, and with @spoofyleaf ‘s contributions, other Mk might be some protective seer of our MK. As seen in “Cooking with Chang’e” episode, Mk seems to simply be able to gain abilities from time to time and lose them.
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Tang even comments on this and questions it, and if tang is our Normal Guy ™ who stands in as a Narrator and informant for the audience, then we can assume that this is not normal.
Referencing back to that image, look at the protective stance that the celestial version has over Mk, it’s almost protective of them (how I got inspired for the stance in the image).
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Which brings me to the last part:
Reality Manipulation:
If Mk can gain new abilities when it is needed, and has the ability to control fate, does that entail that he has some sort of affect on the reality he’s placed in?
If so, that’s where I took creative liberties. If the Samadhi fire WAS destroyed, and it WAS the ultimate weapon for anything, wouldn’t someone who is obsessed with keeping everyone safe, try to reforge it? Wouldn’t the perfect person be someone who can change reality as they see fit? Wouldn’t that be someone who can distinguish the promising from the unpromising? Wouldn’t it be someone whom the bone demon tried to recruit again, and again? Wouldn’t the ultimate wildfire be wielded by chaos itself? Wou-
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the-monkey-ruler · 6 months
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What is the story of Liu'er Mihou in the Monkey King 2009? I find this version of the character very interesting but I was wondering if I could know his story.
Well that is hard to condense in one post but I did talk about it earlier here when I was explaining why I love him. There are a lot of details missing esp between Wukong and Liu'er.
But I guess what you need to know is that he is kinda of an adopted-son/grandson of the Grandpa Monkey King in the series. He is the only one we see around that teen/young adult age as the other kids in the show are to be seen as either babies or still reliant on their mothers. We never see that with Liu'er with any parents really, rather he seems to only refer to the Marshals and Generals and Grandpa Monkey King himself.
He is never CALLED a prince nor is that ever even suggested but it is clear that on Liu'er's end, he kinda saw himself taking up the mantle of Monkey King when Grandpa Monkey King retired.
Liu'er is Wukong's FIRST friend and only him and Grandpa Monkey King are really willing to give Wukong the benefit of the doubt despite the Monkey Elders being so against Wukong joining the group. Liu'er is a very dedicated friend and Wukong repays that over and over again by saving Liu'er from MULTIPLE kidnappings. It is only when Wukong starts being praised for his great feats of saving people does Liu'er starts to get jealous. And jealous in a way where we see him being jealous moreso that HE wants to be the one that stops always being saved and then finally he can be seen as the hero.
So when Wukong does get picked to be king Liu'er lashes out and leaves before Wukong could make up with him before he leaves for Puti in the morning.
Liu'er sadly get influenced by the White Deer Spirit who promises to make him the Monkey King if he trains hard (at this point he doesn't know that he is being used and White Deer is trying to kill Wukong) and trains under White Deer while Wukong is training under Puti. But White Deer isn't really top shit and Liu'er starts to hear a voice... a voice that is under the mountain and influencing him to commit more violent acts for the sake of power.
Page cut for spoilers
Liu'er dreams are influenced in that he sees himself as king and in a moment of humiliation he sits on the throne and is mocked by the Monkey Elders, his family. As such he goes into such a fit that he asks the demon to take away his empathy so that he doesn't have to feel so strongly. This is another tactic of cutting him off from his family, making him easier to influence.
It's only when Wukong comes back do things look like it could be both better and worse. Better that Liu'er starts acting like himself but he is still trying to take on Wukong in his sleep which he FAILS. he can't even touch Wukong. So instead he asks Wukong TO TRAIN HIM. Which Wukong does gladly and that is what makes them NEARLY on the same level. Again Liu'er is trying to take down Wukong but just when Liu'er seems to be regaining his sense... Grandpa Monkey King dies... and Liu'er just COULDN'T handle the emotions. Again he asks the demon to take away his empathy and make him emotionless beside his rage and desire to be King.
At this point he tries to kill Wukong's body when he is in Hell, tries to get a potion from Heaven to make himself stronger, even goes to Heaven and ruins the peach festival to frame Wukong even if it means that Wukong gets arrested then HE can swoop in and be king.
He is completely influenced by the demon under the mountain, which we find out is the Nine-Headed Lion Spirit. He takes over Liu'er soul and tries to consume both Liu'er and Wukong. The whole time Wukong never thought of doubting Liu'er, it wasn't until the LAST 3 EPISODES of a 52 episode series does Wukong even FIND OUT that Liu'er has been the one trying to kill and frame him. That his BEST FRIEND and his MOST TRUSTED SWORN BROTHER was the man that has been making his life so much harder....
But when he sees that demon in Liu'er.... trying to eat him from the inside out, even when Liu'er has given up on himself an accepted that he is going to die, Wukong doesn't. He goes in, fighting the Nine-headed Lion Spirits and RIPES Liu'er's soul out of his grasp. He doesn't CARE that Liu'er was the one behind all the atrocities just that he blames himself for not noticing something wrong with his friend earlier.
Liu'er in this series we see going from a youth that is trying his best and trying to prove himself to his troop, feeling like an outsider himself. Going from a confused teen being used by one teacher after another, promising him rewards and recognition from the people that he so wants to be accepted by, never seeing that was always loved and appreciated. Rather we see him loosing himself and empathy piece by piece as he is cut off his family and friends, isolating himself and his slow descent in the series all building up to the dramatic showdown of two childhood friends....
But yeah I'm missing some details but that is about the just of it.
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gildedmuse · 4 months
Text
ZoLaw AUs Nobody Asked For Presents....
Fairy Tale Twist
Part One: Abduction!
[This was inspired by watching the first episode of the anime Heaven Official Blessing with @jhaernyl. However, for the purpose of this ficlette all you need to know is the whole thing is your typical fanfic set up: a bunch of young women are disappearing, so in order to solve the mystery our main male character is forced to go undercover as a shy, virginal bride-to-be in hopes that the sexy bad boy will notice him and carry him off to his liar.]
[You know. The only sensible solution to a rash of kidnappings.]
"Please," the old lady begs, tears running down her face as she falls to her knees in front of the trio. "Even if there is no hope for my Liula, this village can't bear to lose another one of our daughters!"
Zoro scratches behind his ear, apparently unmoved by the old ladies tears, as well as the wet faces of the town folks who have gathered all around. It isn't that he doesn't care - he's sure it's hard to misplace a daughter or whatever, though it does seem to him as if it's at least a little the villager's own fault. Why do they keep sending the girls through the forest is they keep disappearing?
"So they're always taken in the forest?" Saga - Zoro's second best friend and training partner - always knows exactly the right questions to ask. He's just good at that kind of detective thing, the way Marines pretend to be. As a crew of bounty hunters, they may not be the most well known or most feared (they certainly aren't their richest) but between him, Kuina, and Saga, Zoro figures they have all the right talents to work their way up to the top, wherever that might be.
For Saga, Zoro is sure that eventually means becoming a marine or, as his overly dramatic friend would put it, "becoming a sword for justice!" Or that's what he says it if you get enough sake in him, though honestly it doesn't even take one drink to notice the look he gets in his eyes whenever a bunch of men in their clean white uniforms go marching pass. Not even Kuina's mocking their stupid insignia ("why do you want a shirt with a pair of boobs drawn on. I've got the real thing and they're nothing but annoying!" / "For the last time, the insignia is the mighy gull! Not a pair of blue boobies!" / "As someone who has seen plenty of both, trust me, no seagull looks like that..not unless it's had some major work done.") or Zoro pointing out he's never seen a single marine carrying a shuangshou jian, which he thinks is the far better argument. After all, Saga wouldn't want to have to get rid of his beloved sword, would be? It's the one thing he has from his parents....
If there is one person who would understand how important a sword can be, it would be Kuina, but he thought Saga would be next.
"Sounds like instead of worrying about your bridal traditions, you should have worked to make sure these girls could protect themselves," Kuina says, her voice low and steady, but there is an undercurrent of anger there. One Zoro finds adults often miss, due to Kuina's former, almost old fashioned, language and proper samurai etiquette.
Her father always said there was more to being a Kenshi than just holding a sword. Unfortunately, one of the things he believes makes for a Kenshi is....
Kuina stands up, bowing politely to the very same adults she'd just been so angry at. "We will find this pirate who is taking your lost daughters and ensure this does not happen again," she promises, and Kuina promises something it's like you can see the threads binding her, holding her to her word. It makes Zoro sit up straighter, happy to be her rival. "If what these girls want is to be married, they deserve to make that choice without some creep ruining it for them."
Kuina's small, and because of that, most everyone underestimates her. Only to be surprised when the girl they had just been laughing at is suddenly behind them, the sharp white blade of Wado Ichimonji pressed against their kidney, with Tenno Megumi clashing against their own steel, stopping them from being able to make a move. She's a fast, technical fighter and a slow, methodical thinker. She probably knows more about Zoro and Saga then the two boys know about themselves and, honestly, Zoro is alright with that. He doesn't even know where he'd keep all that knowledge, but Kuina seems to do a good
They had only come to this island to pick up some Nobody, Kuro of 1000 Cats or something stupid like that, but they had barely dragged him and his crew of losers to the local Marine base when an older woman, face wrinkled and worn from sadness, had grabbed a hold of Zoro's arm.
These people were desperate, and the small four man marine outpost they have seemed unable ("or unwilling," Kuina had muttered only once Saga was distracted - they didn't need to have that fight again) to help against what seemed to be some knd of curse.
"Qell it's not a curse," Saga decided immediately, the three of them gathering just outside of the town hall were the citizen had plead their case. And as much as Zoro hates being distracted from his goal, his one true dream, he has to admit their pleas were.... heartfelt.
"Hmm," Kuina puts her hand to her chin, her foot digging into her dirt as she stares down, her brain trying to ferment a plan of some kind. At the very least a place to begin. "It seems he only comes out when there is a bridal procession. What should we do?"
There is silence as they all contemplate this impossible task.
"I know!" It's Saga who gets a these first, slapping his fist in his hand, and with his eyes burning so bright, Kuina and Zoro are immediately doubtful. This is going to be one of those ridiculous plans like in all his marine centered manga. As far as Zoro has seen, Marines never actually do any sort of undercover work or whatever. They just stupidly fire bullets at things and hope one hits. But that's not how Saga sees them, not at all.
Saga gives a sharp, proud smile, his support of his own plan entirely unwavering. Zoro assumed they would just stare at him until sanity sunk back in but suddenly, he notices Kuina going all stiff, as if a realization had just hit.
"Not it!"
Zoro stumbles some, not used to the usually calm depth that is his number one rival and best friend moving with such a reckless, her arm flying up as of theyre back at the dojo answering questions. "Hey!" He pushes his shoulder back against her. "What are you-"
"Good point!" Saga says, his intensity still bur ing as usual. "I am also not it."
Zoro looks between his two friends. His two companions. His twisted sworn brother and sister. And the evil grins that were creeping up along their faces.
"I am NOT-"
Kuina leans in so hard, Zoro ends up squashed up against Saga. "Your mouth says no," the older girl teases, sluttering her eyelashes in a way that Zoro didn't understan. Was that supposed to make him do something? "But your eyes - and my blades," she adds that bit with a pat at the swords at her side. "Say yes."
At his other side, Saga gives him an unnaturally bright smile despite the narrowed eyes glare Zoro is giving both kenshi. "You really should try and look happier. It's your wedding day after all!" He teased, nd Zoro can only grumble.
He did call not it last, damnit.
"We will just have to set up a convincing bridal procession then!" Saga pulls back, striking what Zoro feels is an all too excited pose considering the fate they've just sealed for him. "Kuina and I will act as guards, while Zoro gakes place of the bride to be. We'll put the whole thing together and make it look just like a real bridal procession! That's how we will draw this scoundrel out!"
The two npeople only seem mildly confused by the bounty hunter's plan. Zoro isn't sure what the confusion is aboit. He's hardly looking forward to this mess, but he does think Saga and Kuina did an excellent job at setting the trap and as for his part, well, he can only hide one of his three swords under the bridal gown, but with the other two concealed in the carriage in easy reach, he doesn't imagine he'll habe any difficulty grabbing for them in time. The whole plan is actually one of their better thought out schemes, so he isn't sure why the villagers take moment to get on board, but eventually they do. They even lend them materials to help make the ruse undetectable.
"I've got this!" Kuina declares in reference to the dress. She isn't much for fu-fu clothes herself - it's all so much fabric for so little practical coverage, and it always has at least one part that hangs in the weirdest way. However, she's had years of practice learning to make men's clothes for her properly so they aren't baggy and in her way and also wouldn't.... disrespect her father (Zoro knows she would never wish to voice this, but he has also seen her on holy days with his image. Holding it as tight as if he were a long honored ancestor. Looking to the stars as if they would grant her his approval.) Plus, she definitely knew what looked good on girls. Just because she doesn't wear fancy kimono and jewelry and other useless pretty things doesn't mean Kuina can't APPRECIATE what other women look like in such elaborate get ups.
It's the make up where they run into something of an issue.
"Katatsumuri," Saga asks, holding out their den den mushi. Him and the snail wince together as Kuina gets angry enough to break the brush shed be using to try and apply Zoro's lipstick, yelling that it was a subpar tool unworthy of its title and a shame to whoever forged its.... it's.... it's stupid hairs or whatever! Grr!
"Can you play a make up tutorial," Saga requests, sitting cross legged in front of Zoro. Luckily, he is very good at copying moves even from videos. Maybe this is why he appreciates marine uniforms so much, Zor thinks, cause they're all neat and orderly and it feels like you have to keep your make up neat and orderly as well.
So with Zoro looking appropriately alluring ("You're a vision," Saga promises, his breathing just a little too rushed considering they haven't even started on the hard part of the quest just yet. "You almost look decent," Kuina laughs, making sure Katatsumuri takes a picture for future reference) they gather everything else they will need for their little nightie deceit. The procession, the carriage, the spooky nighttime forest that the temple lies in the middle of for some reason no one could adequately explained.
"just sit tight," Kuina whispers from the side of her mouth as they walk deeper and deeper into the darkness. "I'm sure this willl-"
"Kuina!?" Zoro knows he is supposed to be sitting there straight and well behaved, just the way he's practiced with that overly nice girl - the one who kept getting a little bit touchy, like Zoro couldn't figure out how to hold his hands just by LOOKING at her; there is no reason to touch - but at his friend's sudden silence he couldn't help but peak out of the carriage window.
Nothing but wind and leaves and darkness.
"Zoro," Saga growls from the other wise..Zoro turns to try and ask him to go check on Kuina. That's what he should do, rather than break character. Good call. "Keep on guar-"
Silence.
Suddenly there is nothing.. No horses. No Marines pretending to be maid in waiting. No guards. No friends. Just darkness, and a low, soft whisper of the wind. Something dark, something.... stirring.
Zoro licks his lips, that awful taste of the lipstick coming off with it. He reaches for the trap door where his two other swords are stored when -
Click.
The door opens a light storm: the fall of rain, wind sweeping through the trees, dark hair, striking eyes, and such long and slender fingers reaching out for him, not grabbing, but making an offering. Holding his hand out for the supposedly young and virginal bride.
And suddenly Zoro can feel it in his chest. This lightness. This heat.
He fumbles, trying to find the damn torch. Where were his matches? Why is he going for the stupid candle and not his swords? What is wrong with him?
"I can't help but notice," the strange is silhouettes in the darkness, out the moonlight behind him offering any glimpse. But that voice. So dark, like a shadow. Like the way a smooth sake feels sliding down your throat. "You seemed to be in trouble, my little lamb. I hope those ruffians didn't cause you any harm."
As if you didn't send those ruffians, only Zoro's voice is entirely gone. The boy's golden eyes pierce through him like an arrow. Where is his voice? It seems the only part of him that can speak is his heart, and that is beating so loud it filled the entirety of the carriage
It only gets louder when the stranger's lips quirk upward, the water running down his hair, his pale skin, sliding around his lips. Making them shimmer and shine in the low candle light. "What a remarkable beauty. How could anyone wish to hurt such an angel?" His hand is still hanging there, half way between them. Zoro licks his lip subconsciously, the water clinging to the stranger's lower lip making him want....
No! He's meant to focus! He is here on a mission, not some silly game.
Yet the way the stranger smiles does leave his stomach feeling all sorts of silly. Are those his finger tips shaking as he reaches out, gently entrusting his hand to the stranger.
Immediately he is being pulled forward, so close it Zoro can't keep the gasp escaping his lips. He's not used to these shoes, there's far too much of them for starters, and the heels catches on the fabric of his dress and-
As he falls foward, the stranger moves in close and through the low light of the moon and a single candle, those gorgeous golden eyes stare right into Zoro's soul, soft and yet certain as he reaches out, easily pulling Zoro into his arms.
Pressed against the man's chest, Zoro understands why so many of those manga he finds Saga hiding away have girls pressed up to marines just like this. The way his heart beats in Zoro's ear, the protective warmth of his arms....
"Where did-"
"You men seem to have run off," The stranger says, holding him close. The hold is gentle and yet formal, as of purposefully being polite and careful with him. "I believe they were trying to lure the attackers away."
He knows that hadn't been the plan, but he can only stare up at the stranger, his cheeks so warm he thinks of lifting the veil, just to get some fresh air. But surely if he saw him that would give them game away.
"Your physical beauty must only be surpassed by that of your heart, to have such a loyal and fearless guard. I would hate to see their bravery go to waste. I don't have much, certainly not lodging worthy of such a precious gem, but there is a small temple nearby that will offer us shealter. I can keep you safe until your entourage regroups. That is, if you will allow it."
His golden eyes are staring down at our hero, soft and intense all at once, and they leave his tongue feeling equally confused: heavy and light at the same time.
"You have my permission to do with me as you please." Zoro hadn't practiced any sort of script, the plan had been to attack and words had seemed unnecessary. He still isn't sure where such a sentiment even came from! What a silly thing to say! He must look like a gu-
Wait, that isn't the what Zoro is supposed to be concerned about. Why does he even care if he looks like a fool!?
Even as he tries to hide himself against the stranger's chest, he catches a glimpse of that smirk. That horribly cocky, confident turn of his lips that leaves the poor kenshi melting, all the heat not coloring in his face pooling much, much lower.
"I shall take you with me then, beauty-ya, and act as your guide until we can reunite you with your proper assembly."
"Mmm," Zoro mutters, voice high and breathless. Perhaps to ensure the act is believable? "Take me with you, unite with me, yes..."
Just an act, that's all. Right, that's why he's doing this. To go along with the plan.
That's why he puts up no struggle as he suddenly finds himself lifted up into the strangers arms. The man's hat keeps his face mostly hidden, but Zoro is sure to memorize the edges of his cheeks, his lips and chin where rivlets of water drip from his dark skin. The beautiful dark ink that covers the strong arms that have Zoro safely held against his chest.
All for the sake of the mission, Zoro reminds himself, leaning his cheek against the stranger's wet shirt, tucking in closer to his warmth as a blue light suddenly involves the both of them.
"Shambles."
And then the forest is quiet, nothing but an abandoned carriage left behind.
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