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#Demeter is still upset at him
wolfer13579 · 5 months
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Hades: *on top of a building* I’m going to jump!
Zeus/Poseidon/Hestia: *collectively* NOO!
Demeter/Hera: Do a flip!
Dedicated to: @0lympian-c0uncil, cuz of that one post relating to The Office
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the one where clarisse learns about her love language
"Late in the night, the city's asleep Your love is a secret I'm hoping, dreaming, dying to keep Change my priorities The taste of your lips is my idea of luxury" - King Of My Heart, Taylor Swift
summary: after getting hurt during one game of capture de flag, clarisse gets taken care of by you and after this, clarisse went from never being at the infirmary to being there almost every day with a new injury. weird for an ares kid to get this easily injured, but you didn't mind
pairing: clarisse la rue x apollo!reader
word count: 6.2k i suddenly lost the ability to write shorter fics bruh
tags: fluff, clarisse fell first and harder
masterlist // ask box
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No one at camp had a job at camp per say. Hephaestus kids were the ones forging the weapons campers used, and Demeter kids sometimes cooked dinner. And some Apollo kids – including yourself – were the designated healers at camp. So, it wasn’t your job, per say, to stay at the infirmary all day long, but you were. 
You enjoyed the calm and serenity of that place. The sun always shined through the windows, and you could sunbathe all day long, while listening to your favourite songs or painting. Most of the time it was quiet, except when Will followed you there. He was a rather loud kid, he loved to ask questions and learn about everything you did. 
“Shouldn’t you be playing with other kids your age instead of trying to work here?” 
“Shouldn’t you be socialising with kids your age instead of working for free?” Will replied in the same tone. 
“Rude!” 
“I learned from the best,” he gave you a pat on the shoulder. 
“I regret it. All the time,” you turned away. “If you’re gonna stay here, at least help me clean this place.”
The first time Will tried to help you clean this place, it was a disaster. Before you ran the infirmary, it wasn’t organised, everything was just laying around. Then you came in, and cleaned up the place, and organised it how you liked it. Will didn’t know that, so he just cleaned up like he thought was fine. It wasn’t. And you had lectured him about never – ever – touching anything again without you being there. 
“Tomorrow’s Capture the Flag,” Will started. “They put really far from the flag and the fight, again,” he frowned. 
“Oh. I’m sorry.”
“It always happens when the Ares cabin is teaming up with us. They’re always leading the fight.”
“Well they are good,” you shrugged. “But you know you can talk to Lee about this, he’s our head counsellor and he could talk to Clarisse.”
He shook his head. 
“Clarisse is kinda scary,” Will admitted. 
“Did I never tell you to never judge a book by its cover,” you put your hands on your hips, “but in that case you’re right. Clarisse does scare me a little bit too. And I’m kinda glad she decided to put me far away from her this time.”
Will rolled his eyes, clearly still upset. 
“Okay, I can see how this isn’t great,” you sighed. “If for the next one, we’re still teaming up with the Ares cabin, I’ll talk to Lee and Clarisse alright?”
He nodded. Hopefully, you weren’t going to team up with the Ares cabin anytime soon. You never talked to Clarisse, but you knew who she was. Everyone knew her. Ares daughter, head counsellor and incredibly scary. She was an amazing fighter, and no one wanted to be at the other end of her spear. 
“I’m just saying,” you ranted to Lee at dinner, “Will is a kid and it sucks that you decided to exclude him.”
“Who’s ‘you’,” he inquired. “Clarisse was the brain behind everything. She’s the strategist.”
“And what are you? A plant? You were there when the strategy was being made,” you argued.
“But Will never said anything to me. It’s always been this way.”
“Well he told me, and I’m telling you. Please pass along this information if we ever get teamed up with the Ares cabin again,” you smiled.
“Sure,” Lee nodded. “You’re the boss.”
“‘m not,” you mumbled and kept on eating. 
Lee was the Apollo cabin’s head counsellor. But really, you were his co-head counsellor. You have been at camp for a long time now, since the age of ten and you have always been a year-rounder at camp. But when the head counsellor spot freed up, you vouched for Lee. He wanted that position, he deserved it, and you agreed. But he always came for advice and your opinion. 
Capture the Flag day finally arrived, and you were getting ready, putting your armour on. You picked your bow and slid it on your shoulder, before leaving your cabin. You joined your team – the red one – and everyone was there already. Clarisse stood tall and proud at the front, planting her spear next to her. 
“Prisoners may be disarmed, but may not be bound or gagged,” Chiron announced – like every single time. “Killing or maiming is not allowed.”
“Much to my regret,” Dionysus mumbled. “So yeah, let the game begin or whatever.”
Clarisse turned around, waved her hand around and people were running to their assigned position. You were on flag duty. On top of the hill that had a perfect view of your flag. If you saw anyone from the opposite side you'd shoot explosive arrows to blind and confuse them for a second, so your team had time to disarm them before they could reach your flag. 
You looked around, and spotted Michael and Lee. Chatting, and looking around. Moving on. Ares' kids were fighting some kids from the Hephaestus cabin. Logic. And then you spotted Clarisse. Walking alone through the forest. Probably to the other side where the blue flag was. 
But then you also spotted a group of three Athena kids – blue team – following her closely. Clarisse wasn’t stupid, she probably knew about them following her. 
“What are you watching?” someone asked, startling you. 
“Will! What are you doing here?”
“There wasn’t anyone around the borders, so I came to help you. So what are you staring at?”
“Nothing,” you shrugged, going back to monitor your flag. 
Will stared at you, huffed and went to look at what you were looking at. 
“y/n?,” Will called for you. 
“What?” you didn’t look at him.
“y/n!”
“What?” you gave him a quick glance. 
“Something’s wrong.”
That caught your attention. You looked back at where Clarisse was. She seemed fine. The three Athena kids were no longer there though. 
“What?”
“Don’t you see the trap?”
“What trap?” you frowned, looking more closely at where she stood. 
It was a particularly sunny day. If your dad wasn’t Apollo, you’d be blinded by the sun rays. But your dad was Apollo, so you were doing great. And there it was. The trap. It was so bright, it was hard to spot it. And the Athena kids knew that. So when Clarisse walked over it, it was too late and something came flying toward her. 
“What the hell?” you cursed before running down the hill. “Stay here,” you warned Will. 
Before you left, you gave a quick glance back, and Clarisse was down, surely unconscious. 
“Fuck.”
You sprinted towards where she was when you heard the emergency horn. The emergency horn that Chiron played at the start of every summer so campers would know what that sound meant. A warning for campers that the game stopped. When you reached Clarisse, Chiron and Mr D were already there. As well as most campers. 
“What happened?” campers talked among themselves.
“Move!” you pushed the kids blocking you from reaching Clarisse. 
Clarisse was bleeding from her forehead, and a metal stick was stuck in her left shoulder. It was overwhelming, people squeezing in to see what was going on, talking to each other. Even Chiron and Mr D couldn’t keep them in place. You kneeled beside Clarisse, trying to shield her from the campers, when you spotted one of the Athena kids that was following her earlier. 
You stood swiftly, without leaving Clarisse unattended and grabbed his armour with both hands to bring him closer.
“You take another step toward Clarisse again and I’ll make sure you won’t ever, ever, see another healthy day again. I’ll make sure you and your brothers will wake everyday in pain wishing you were dead instead,” you cursed him. 
You spoke in a low voice, but everyone heard. Just like that, everyone took a step back.
“y/n,” Chiron put his hand on your shoulder. “You’re needed in the infirmary, I’ll bring Clarisse there.”
You let him go, took your armour off and threw it on the ground before walking to the infirmary with your brothers close behind you. Michael had great healing skills too, so you’d need him. Will was learning so he stayed with you. Lee, as your head counsellor, also had to be here somehow. 
“Can you really do that?” Will asked timidly. “Make them sick forever.”
“Apollo kids can inherit dad’s plague powers,” Lee stated. “But it’s rare, and never that powerful.”
Will stared at you, but you only stared at the door. Waiting for Chiron to arrive. 
“Why are you so worried about Clarisse of all people,” Michael huffed. 
Lee slapped his arm. 
“What!” Michael rubbed his arm. 
“Great to know that’s what you’d think if we were ever on the battlefield,” you noted, “choosing who to help and who can die.”
“That’s not what I said!” he shouted.
“Then why shouldn’t I be worried about an injured camper, who just happened to be Clarisse?” you shouted back.
Someone cleared their throat. You both stopped bickering. Chiron. He put Clarisse on the bed next to the window and stepped back so you and Michael could start working. You didn’t need to talk to know what to do. You trained together, as a team, for years, so everything was done flawlessly and quickly. 
“She should be fine,” you announced, “I’ll stay and feed her ambrosia for the next few days and she should wake.”
“Great,” Chiron nodded, relieved. “Great work you two, as usual.”
They all left, except for Will and you both sat on the couch. You stared at Clarisse, with her head wrapped in a bandage, her shoulder too. 
“She doesn’t look so scary now huh,” you said. 
“No,” Will agreed. “So it really was the Athena cabin?”
“I don’t know, I mean I saw them. I don’t think Annabeth would’ve agreed to such a plan. As in a plan that’d almost kill their opponent in Capture the Flag. For a real quest, why not. But Capture the Flag?”
“What’s going to happen to those who pulled this stunt?”
“Well,” you sighed, “knowing Chiron, he’d probably just revoke their dessert privileges for two weeks instead of one. But I’m sure once she wakes up, she’ll know what to do.”
“Kill them?” Will ask, with a horrified expression.
“Maybe,” you shrugged. 
Will left first, leaving you alone with Clarisse. You told him you’d join him later when dinner would come. You went to see Clarisse. The bandages were already soaked, so you carefully removed them. You carefully cleaned her wounds again before bandaging them again. You fed her a tiny amount of ambrosia before joining the rest of your siblings for dinner. 
Before the feast could begin, Chiron gave a speech about how Capture the Flag wasn’t the place to settle personal accounts and that maiming and killing was forbidden. And how this time it went too far. 
“I’ve talked to the head counsellor in question, and it will be taken seriously. There will be consequences, and I don’t ever want to see this happening ever again.”
Campers nodded along, and went back to their table. You devoured your food in no time, not forgetting to leave some for the offering. Then you rushed to shower and clean your face before running to the infirmary where you’d spend the next few nights. 
“I really hope you’ll wake soon,” you told unconscious Clarisse. “I’m not used to having someone else in here.”
You walked around, putting things back where they’re supposed to, and walked back to where Clarisse was. Then you stood again, and sat.
“I’m crazy. A few hours with someone who doesn’t talk to me and I’m going insane,” you sighed. “Well, while we’re here, I have a few things to say, to get off my chest really,” you started your rant. “You know Will, my little brother. Well, Will is capable of holding his own, he can fight… maybe not your siblings, cause you’re all very, very, violent. But you don’t have to put him this far away each time you know, he notices.
“I’m saying,” you rested your back against the bed, “it could be different, you could come up with a different kind of strategy. It works for sure, you win a lot, but we could win in a different way also. 
“You know I saw you,” you continued after a moment. “Being followed by these idiots. I thought you knew, and–,” you paused. “Ugh I should’ve tried to protect you. Warn you. It was my job. Why didn’t I think of that earlier? And it was hot as hell, you could’ve felt a little dizzy and I should’ve–”
“Shut up,” Clarisse wheezed. 
You whipped around, standing up before backing away. 
“Ar– Clarisse?” you whispered. “Are you feeling alright?” you walked to her. 
Her eyes were still closed, she frowned and shook her head slightly. 
“Waw, Ares kids are tougher than I thought,” you mumbled to yourself. 
You went to grab some water and a straw, and sat next to Clarisse, on the bed. 
“You should drink a bit.”
She opened her eyes, and stared at you, with a blank expression. You blinked, and smiled, holding up the straw to her mouth. You frowned when she refused to drink. 
“Drinking water is good for you,” you added. “Please stop staring at me like you want to murder me.”
She rolled her eyes and drank everything before closing her eyes again, and turning her head on the other side. 
“Well, I’ll be sleeping on this bed,” you pointed to the bed next to hers, “if you need anything, shout.” 
Clarisse kept quiet, so you went to bed and fell asleep very quickly. Clarisse, on the other hand, could not fall asleep. She turned head around and looked at you. You clearly slept well, with your mouth slightly opened. After a few minutes of staring outside the window, her stomach growled. She needed to eat. 
There had to be food in here – she looked around and spotted a basket full of fruits and cake. That’ll do. She gathered all her strength and tried to push herself up using her left arm and yelped in pain. That woke you up.
“What’s wrong?” you worried.
“Nothing,” Clarisse panted, biting her lips. 
You rushed to her and saw her shoulder was bleeding again.
“What happened?” you worried, turning the lights on. 
You grabbed clean bandages, and a clean towel with some alcohol and rushed back to her. Clarisse somehow managed to sit up, her right arm holding onto where her left shoulder was stabbed.
“Don’t cover it,” you pushed her hand away.
You started to remove the blood soaked bandages when she grabbed your hand to stop you. You gave her a questioning look. Clarisse quickly let go of your hand and looked away, breathing slowly. You opened your mouth, but then closed it and resumed your work. 
“What were you trying to do anyway?” you asked when the wound was clean. 
“I was hungry.”
“I–, I mean I did say to shout if you needed me but I was not thinking a pained scream with you bleeding again. Just a ‘hey y/n bring me food’ would’ve suffice. I would’ve been up. And that’s done. Good as new.”
Clarisse was still looking away from you which hid her head wound. When she turned her head toward you, you raised your hand to touch her face, but she flinched away hard at your sudden movement. You froze, too afraid to move again. No one talked or dared to breathe – the silence became heavy. Clarisse opened her eyes, and stared at you. She took your hand in hers and put it down. 
“I–,” you breathed, “I was just going to check your head wound,” you murmured. 
“Go ahead then,” she sat straighter. 
You raised your hands slower this time, and tilted her head. You tore off her bandage and put it back in place. Clarisse could hear her heartbeat pacing up. Her mind and body stopped functioning. What was happening? She kept thinking about how your hands felt so warm in the night breeze, and how pretty you looked so close. Then when you dropped your hands, she came back to reality.
“Your face is still good. Like always,” and gave her a small smile. 
“I’ll go eat,” she blurted out before leaving bed.
“Oh– okay. I can go to the kitchen and bring other things if you want.”
“No it’s fine,” she brushed you off, focused on the fruits in front of her. 
Which was hard with you so close behind her. You watched Clarisse eat the strawberries and blueberries and grapes, and then you grabbed an orange and started to peel it. Once you were done you handed it to her. She grabbed it slowly and whispered a low thank you before eating it. Clarisse also ate half of the cake Katie brought to you earlier. 
“Demeter kids, am I right,” you ate with her, “I don't know what they put in their cakes but I could eat them everyday. You should rest now,” you put your hand on her right arm and squeezed it. “You can barely stand.”
This time when Clarisse closed her eyes, she fell asleep instantly. And so did you. The next morning, you were the first one up. As soon as the sun rose, you were ready to start your day. You went to your cabin and washed up before grabbing a new toothbrush for Clarisse. You changed your clothes, and then went to the Ares cabin. You opened the door, and no one was up yet. You spotted the only empty bunk bed – Clarisse had one for herself – and saw her drawer next to it. You grabbed a new pair of pants, and a new camp-half blood tee and left in a hurry. Clarisse was up by the time you came back.
“I brought some of your clothes so you could change,” you gave her the clothes and the toothbrush. “I did sneak into your cabin, but I didn’t look through your stuff, don't worry about that,” you smiled. “I mean, except for your clothes – sorry.”
“It’s fine.”
“Well, I’ll let you change and I’ll be… not here for sure. I’ll go get breakfast!”
Clarisse watched you walk away, humming to some songs and when you were out of her sight, she got out of bed to change and clean herself. All she could think about was what happened yesterday. What even happened yesterday?
Before yesterday, you never spoke. She knew your name and vaguely knew what you looked like, but that was it. Since she arrived at camp, she didn’t once step into the infirmary – she didn’t need to. But now, for some reason, all she could think about was you. And how warm and soft your hands felt, how nice it felt to have you touch her face like that. 
By the time you came back, Clarisse went back to bed and laid down. You gave her what you brought and you ate together, picking off the same plate.
“How are you feeling this morning? Does it still hurt?” you pointed at her shoulder.
“I’m—,” she stopped. “It still hurts,” which was true. “A lot,” that wasn’t.. 
“Really?” you worried. “I thought you’d be doing fine, because you woke so early. I thought your body was healing faster than most campers. Well,” you picked a strawberry with your fork, “you’ll have to stay here longer then.”
“Can’t go against the doctor’s orders,” she shrugged. 
“True,” you smiled. “You finish this,” you pushed the plate toward her, “I’ll go get some supplies to change this,” you gently patted her shoulder. 
You rolled your chair away, and grabbed what you needed and rolled back to Clarisse. You hopped onto her bed, and started your routine. The wounds were healing perfectly fine, and very quickly, so it was odd that Clarisse was still in extreme pain. 
“I don’t think these wounds will scar,” you said. 
“A shame, they’d make me look tougher.”
“Look?” you huffed. “You don’t need those to look tougher, you already do. Scary even,” you joke, but not really. “I mean I’m not scared– anymore… but yeah, some people may say– think you do. Anyway, scar or not, you’ll always look and be the toughest.”
“Anymore?” she grinned. “Were you before?”
“I mean,” you dragged that last vowel, “I don’t think scared is the right word. More like– intimidated. I never went to these meetings for Capture the Flag because I knew if you disagreed or worse – dismissed my ideas – I would’ve cried.”
“I never would’ve done that,” she chuckled, “I don’t think you’re capable of having bad ideas. Lee’s constantly praising you and giving us your ideas that I always take into account.”
“Really?” you couldn’t stop your smile. 
She shrugged, and nodded. You playfully slapped her on the shoulder – the left one – and she yelped in pain.
“What the hell!”
‘Sorry!” you backed away, “it was a reflex.”
Clarisse ended up staying in the infirmary with you for three whole days, but she couldn’t fake it anymore when the wound completely healed and it was as if nothing had happened. The day she left, you cleaned up the room and sat alone on the couch, just like before. 
It was weird. Usually, you enjoyed the silence and solitude of the room, but now it was as if time had stopped. Every time you looked at the clock, it’d only been two minutes. And so were the next few days. Then on Friday, as usual, Lee came in to visit. You worked in silence – which was the first odd thing Lee noticed – then he saw how you always stared at the empty bed Clarisse used to stay in. 
“You’re being weird,” he said. 
“I’m not!”
“You’re never this quiet when I visit.”
“The past few days were a bit dry,” you explained casually.
“You can say you miss Clarisse, it’s fine,” he sat next to you on the couch. 
“I–,” you sighed. “It’s just… I was getting used to having someone with me.”
“Well maybe you should spend less time here and more time outside with, mmh I don’t know, Clarisse maybe.” 
“What if she doesn’t see me as a friend though? What if I’m imagining things? She hasn’t visited me once.”
“Then you come back here, and the end.”
“I hate you,” you groaned. “You’re no help to me at all!”
When the door suddenly flew open which startled both of you. You could recognise these hair anywhere. 
“Clarisse?” you called her name. 
She turned to face you, and a gasp came out of your mouth before rushing to her. 
“What happened to your face?” you held her arms.
Clarisse had a nasty cut going from her eyebrow to her hairline. She stared at you without saying anything before turning her gaze to Lee, and he spurted out some excuses and then left. But before he closed the door, he gave you a knowing look saying ‘see, she’s here’. 
“What happened?” you frowned. 
“I don’t know,” she whispered. She cleared her throat. “These few days of rest weren’t a good idea I think.”
“That’s–,” you paused, “not accurate.”
But before she could reply, you grabbed her arm and dragged her to the other side of the room, and let her sit on the chair. You grabbed clean cotton and some alcohol and started to clean her wound. You stood closely to her, between her legs with her hands holding onto your thighs to stay steady. 
“How did this happen anyway?” you asked.
“I was practising with my brothers.”
You frowned, and tried to step away but Clarisse was holding on tight to your thighs. 
“You got beat up by your brothers?” you repeated with a raised eyebrow. “I have a hard time believing this. You’re just better than them,” you said casually before patching up her wound. 
“Why do you know so much about my brothers’ skills?”
“I don’t! I know about yours. And from what I saw in the past, it’s always you leading the fight so I assumed that’s because you’re the best among them.”
“Mh,” she hummed, “well I guess you haven’t been doing your job very well if I’m not back to my old self yet,” she grinned. 
“Or,” you grinned back, “maybe it’s your skills. I think they need a little sharpening. Maybe I could spare some time and teach you if you need.”
She suppressed a smile. 
“Or, maybe you just want to spend time with me.”
You were close to each other, and Clarisse was still holding onto you. You crossed your arms, and stared at her. She was looking up at you, and you were looking down, which was a rare occurrence since she was much taller than you. 
“I’m doing a favour to you at best. But if you don’t want to,” you sighed, “it’s–.”
“I do,” she affirmed. 
That was the start of your friendship. Turns out Clarisse was really glad to hang out with someone that wasn’t her sibling. She was always the one seaking you out. At lunch, at dinner, during classes. All the time. Even when you were working, because somehow she always, always, ended up getting hurt. 
One of the first times she came in after your friendship hangouts was for a sprained ankle. She came in limping, and threw herself on her – not really – bed, groaning. 
“What happened?” you rushed to her side, worried. “You’re lucky I just came back in here!” 
Clarisse didn’t want to admit this, but that was exactly why she was here. She was on her way to her cabin when she spotted you walking around with your sisters and she was so focused on you that she tripped and fell. 
“I just fell,” she explained. 
“You just fell,” you repeated slowly. “Right. Well lucky you because this,” you patted her leg, “will heal in no time with this,” you brought her some ambrosia. 
“That’s it?” she asked.
“Yeah,” you smiled. 
“Oh.”
Then the next time she came, like the next few ones, were always injuries that required you to clean up the wound, and then patch her up. It went from tiny cuts to ‘I have a bruise here’ then showing you her perfectly unbruised skin to serious injuries that she got during Capture the Flag. 
“You know at this rate I feel like you’re doing this on purpose,” you joked when she came in for the umpteenth time. “What is it this time?”
She shrugged and sat on her designated bed, and laid down. You joined her and sat next to where her legs rested. She held up her hand and you took it before she dragged you to lay beside her. The beds in the infirmary weren’t big enough for two so you were half laying on Clarisse with her arm resting behind your head. 
“Did you paint that?” she asked.
The ceiling was painted by the Apollo cabin, all together you decided on a design and painted it over weeks worth of work.  
“Here,” you pointed at the top of the painting. “That was painted by me.”
“Two planets?” 
“The moon and Saturn,” you smiled.
“Linked by a thread?”
“Yea, the red string of fate. It’s from Chinese mythology. The old lunar matchmaker god, who is in charge of marriages, would tie together two people with this red string of fate and they are destined to be together, to be lovers regardless of time, place or circumstances. And no matter what, that thread will never break. It can stretch or get tangled up, but it never breaks.”
“And what about the moon and Saturn then?” she frowned, confused. 
“Because,” you paused. “Your braids like a pattern, love you to the moon and to Saturn,” you started to sing, “Passed down like folk songs, the love lasts so long.”
You turned your head to look at her only to see confusion on her face.
“Taylor Swift, seven,” you explained. “It’s great, we’ll have to listen to it someday.”
“Sure.”
“Really?” you looked at her excitedly.
“Yeah, you seem to like her so sure, I’ll listen with you,” she shrugged.
“Oh and that’s Will’s painting,” you showed her another corner. “That’s my dad and his lover, Hyacinthus. That’s where the name of the flower came from. Isn’t that kind of sweet how he named a flower after him.”
“I mean didn’t Apollo kill – by accident – Hyacinthus?” she grimaced. 
“Or Zephyrus was so jealous of my dad that he killed his lover, because he couldn’t get no man. My dad is an excellent archer. His aim never failed him. I don’t see how it’s possible for him to kill his lover. But gods being petty over these kinds of things, that I can believe.”
Clarisse hummed in agreement. 
“But enough about my father’s love life,” you shrugged, turning around to face Clarisse, “what about your dad? Still desperately trying to woo someone else’’s wife?”
“I don’t want to talk about my dad,” she yawned, then closed her eyes. 
“Okay.”
Just as you were about to continue talking, you noticed that Clarisse had fallen asleep. It was still early in the afternoon so it was still bright outside. You looked around and started to get up so you could pull the curtains but Clarisse grabbed your arm to pull you closer to her, locking you in her arms. 
“Don’t go,” she mumbled. 
“Okay,” you whispered and stayed still. 
The thing was, Clarisse was like a human radiator. Sleeping in her arms felt exactly like sleeping under tons of heavy blankets. This much warmth only resulted in falling asleep in Clarisse’s arms. When you woke, you were alone in bed.
“Slacking off during work hours,” Lee said standing next to you. 
“Fuck!” you jumped off bed. “Why were you staring at me sleeping!” you screamed.
“You weren’t there and it’s almost time for dinner. I’m being a nice brother!” he shouted back.
“Oh. Well, thanks!” you yelled, and gave him a smile. 
You both left  to join your siblings at the dining pavilion, and once you sat at your usual spot, you scanned the room in search of Clarisse. She was at her table like usual, and eating in silence, head hanging low. Your tactic of staring at her wasn’t working even though you knew she knew that you were staring at her. 
“What are you doing?” Lee kicked you with his elbow. “Did something happen with Clarisse?” he whispered. 
You shook your head. 
“I mean,” you leaned in whispering, “we did sleep together.”
Lee’s eyes widened, mouth wide open and he backed away in shock. 
“You– you slept together? In the infirmary?”
“Not slept together,” you rolled your eyes, “she fell asleep and did I.”
“Ah.”
“Anyways, she left without saying anything,” you explained. “And now, I feel like she’s avoiding me.”
“It’s only been a few hours.”
“She’s avoiding me, I’ve been staring at her for at least fifteen minutes and nothing. Not a glance from her.”
“Okay creep. But once again, just talk to her. It would solve all your problems here.”
“She’s the one who doesn’t talk. I talk. A lot!”
 “Trust me, I know. I just don’t think Ares kids are the best at talking, you know.”
“Fine.”
But as it turned out, Clarisse mastered the art of avoiding people – you – when she wanted to. Whenever you tried to talk to her, she would disappear. After a few days of trying, you gave up and told everything to Lee. 
“If she doesn’t want anything to do with me, then fine by me,” you frowned, holding back your tears. 
“I’m sure you’re overthinking this,” he tried to comfort you.
“Oh please,” you huffed. “You saw what happened this morning when I tried to talk to her. I’ll get over it,” you whispered. “I’ll get over her.”
Lee considered himself your best friend, and favourite brother. You never said these things, but he considered you his best friend and favourite sister. And as your best friend he had to do something, he had to talk to Clarisse and give her a piece of his mind. So that night, he was a man on a mission. He walked to the Ares cabin, and waited for Clarisse to either go or or go out. 
“Clarisse!” he called her name when she finally left her cabin.
“What do you want, Fletcher?” Clarisse sighed, clearly annoyed.
“Oh, so you do speak. And here I thought you lost that ability,” he snickered.
“I will punch you in the face.”
Lee rolled his eyes and crossed his arms.
“I’m not scared, unlike you.”
“What–.”
“You’re scared to talk to y/n for whatever reason, and I need you to pluck up the courage to talk to her because you’re making her miserable by avoiding her.”
“I–,” she froze. 
Was she making you miserable? 
“You’re just doing your thing and going to her when you need, when you want but have you ever thought about what she was thinking? No. You would if you’d just listened to her, but no,” he made a big gesture, “avoiding her like the plague.”
“Why are you telling me this?” she mumbled, looking away.
“I’m telling you that you made a mistake, and if you continue down this path you’re going to lose her for good. I’m not saying this for you, because I couldn’t care less about you, but y/n is my sister and I want her to be happy and for some reason you are making her happy,” he rolled his eyes, “so do whatever you want with this information.”
Clarisse stood there, not saying anything, watching Lee walking away. But then he stopped and turned around to walk toward her again. 
“Before I forget,” Lee added before throwing his strongest punch in her face. “For making my sister cry.”
And he ran away, before Clarisse could punch him back. But Clarisse was too busy thinking about you to think about Lee and what he just did. If it weren’t for that afternoon in the infirmary, she probably would’ve ran to you so you could take care of her, but now, she couldn’t. So she went to sleep, wishing that tomorrow it’ll be better.
You were one of the first campers to arrive for breakfast. You ate slowly, and by the time the dining pavilion was filled with campers, you were done. But you stayed and listened to your siblings talk. Just as you were about to leave, Clarisse came in and you dropped your fork in shock. She had a black eye and her cheek was bruised, with her nose in a weird shape. She looked at you, as you stood urgently. But then you froze – should you go to her? You sat back down, still staring at Clarisse. 
“What happened to her?” Will whispered to you.
“I don’t know,” you whispered back. 
“You don’t? I thought you were friends.”
“Yea, me too,” you sighed. 
Clarisse was walking to her table, dragging her feet along and when she walked past the Apollo table, you stood and grabbed hand, forcing her to face you. When you noticed several heads staring at you, you dragged Clarisse away and brought her to the archery field. 
“What happened to your face?” you held her face in your hands.
“Nothing,” she leaned into your touch. 
“Clarisse,” you whispered. “Just talk to me please.”
“Lee came to have a little chat with me yesterday.”
“He did this?” you gasped. 
“Yeah.”
You held your hand to your mouth, in shock and to hide a tiny part of you that wanted to laugh.
“And?” you asked.
“He said I was making you miserable.”
“That’s not true!” you insisted.
“I ignored you. And I shouldn't have. I don’t–” she hesitated, “want to lose you,” she mumbled.
“Then just talk to me, we’re friends too.”
“I– I don’t know,” she stepped back and took a deep breath. “I was confused! I– I don’t know I like it when you take care of me,” she admitted in a low voice. “I’m being weird and–.”
“You’re not,” you held her arms. “It’s not weird to love physical touch. I mean, I just assumed that it was your love language you know.”
“What?” she asked, confused. 
“I think what you like is when I hold you or when I touch you because you love physical touch,” you began, “and you were doing everything to visit me, pretending to be a bad fighter and getting hurt on purpose.”
“No that’s no–,” she shook her head.
“It’s fine! My love language is quality time, and there’s nothing wrong—.”
“No it’s different–.”
“It’s not! It’s fi—.”
“It’s because I like you,” she blurted out. 
Oh. You couldn’t help but smile at her confession. 
“It’s not funny!” she huffed, crossing her arms. 
“I’m not laughing! I’m… happy about this outcome,” you rested your head against her arms and looked up. “Because I like you too Clarisse.”
“Really?” she stared at you.
You nodded. 
“I’m sorry about ignoring you,” she added.
“Mmh,” you smiled, “I accept your apology. But you’ll have to make it up to me.”
“Anything you want.”
“A kiss?” 
Clarisse uncrossed her arms and held your face instead and leaned in to kiss you eagerly. And you happily gave in, wrapping your arms around her waist. 
“Mmh, keep doing that and I’ll forgive you, no doubt.”
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darklinaforever · 2 months
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So ! I need to say that !
Hades & Persephone's relationship is canonically a loving and quite healthy relationship in the context of Greek mythology which represents a form of balance for the world through the cycle of the seasons. Persephone is not a victim of Hades either... Anyone who has studied Greek mythology can actually explain it to you.
That's a bad vision of the original myth due to a too modern interpretation. It's not the modern era that romanticizes this basic relationship. This was already the case in Greek times...
It even seems to me that Hades and Persephone were often represented on the vases given to newlyweds (pretty crazy, since Hera was literally the goddess of marriage) because they were always described as having a loving, supportive and harmonious marriage.
And if you're looking for a real culprit in the union of Hades & Persephone, there's literally Zeus, who authorized the marriage between the two after Hades came to ask him. Hades didn't kidnap Persephone as soon as he saw her. He first asked to his father, Zeus, for her hand in marriage, as in the Greek traditions of the time.
In some versions of the myth, it even seems to me that Aphrodite is the one who provoked Hades' love for Persephone by sending Eros to plant an arrow in her after being upset by a refusal. But for now, I'm not sure of Aphrodite's real involvement.
But regardless, in the original myth, the one blamed is actually very clearly Zeus. He is the one, once again, having authorized the kidnapping of Persephone, which in Greek traditions translates into an engagement, and who has caused the whole messy situation with poor Demeter.
As for the grenade episode, it doesn't seem to me that we can know the original version. So the whole "Hades forced Persephone to eat the pomegranate" thing is also bullshit.
There doesn't even seem to me to be any indication of Persephone having been mistreated in any way by Hades in the myth. It's again bullshit.
I'm making this post because I've had yet another person explain to me that Persephone is a victim of Hades and that our modern age romanticizes the relationship between the two.
"Yes. Like Persephone gets bastardised. Persephone was Hades's assault victim. People try to "modernize" her by making her want Hades (all while making Demeter to be in the wrong). Mina was Dracula's assault victim. People try to "modernize" her by making her cheat on Jonathan for Dracula."
Except no. Persephone is not a victim of Hades in the context of Greek myth. That's a stinking modern vision. Kind of ironic, when you argue that it's the modern view that stands in for the real version of Persephone being a victim of Hades when... well no. It's the modern era that makes Persephone a victim of abuse at the hands of Hades, (this all reminds me of how people make Rhaenyra a victim of grooming in her relationship with Daemon) while that is not the case in the context of the original myth. As I explained above, this interpretation is modern bullshit. And it is very important to transcribe the myths in their ancient context to understand their various messages, otherwise you will miss the point.
But I won't elaborate further because @cthonisprincess has already explained it very well. I invite you to go and see these reblogs below which detail the whole affair of Hades and Persephone in much more detail :
I even recommend this video :
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My god, I can't believe that in 2024, people are still at the stage of demonizing Hades, even though he is one of the rare decents gods, and still claiming that Persephone is an assault victim of Hades... This is a shameful distortion of the original myth and a real bastardization of the goddess Persephone.
Also... we're literally talking about a myth. The goal of a myth is to be reinvented according to the times. So what does it matter that there are adaptations of the myth that differ from the said myth, or rather from the biased vision that some have of making Persephone a poor victim of the evil Hades ?!
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@aleksanderscult
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pinkieclown · 11 days
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Cats The Musical Autism Headcanons
because these kitties are autistic okay!! honestly i think all the characters can be autistic these are just the ones i have specific ideaz for :3
mungojerrie & rumpleteazer (cause the twins definitely share some traits lol)
- the talking talkers… they’re both hyper-verbal :) while their chattiness can sometimes help with their schemes (they like to engage a friendly policeman in conversation!) but usually they just talk cat’s ears off cause they like talking
- always up in each other’s space, these two have very little sense of personal space and are always grabbing each other’s shoulders/arms or leaning on each other, snuggling, or generally being close to each other
- both love jumping up and down or running around to stim! sometimes they link arms and run in a circle for minutes at a time just to get their energy out
- they’re pretty spontaneous when it comes to their heists, usually jumping into it before fully working out a plan, but both can get very upset when something goes wrong/doesn’t go their way
mungojerrie
- TERRIBLE with eye contact, he’s always looking at everything except the person he’s talking to. definitely adds to his kinda ‘shifty’ reputation
- loves oral stimming, usually chewelry or something of the sort, but will absentmindedly chew on p much anything in his reach (pens, plastic, teazer’s arm, etc)
- has poor volume control, tends to talk just a bit too loud or too quiet depending on the situation
- tends to accidentally interrupt/talk over others cause he doesn’t really understand their cues
rumpleteazer
- very touchy-feely… but only on her terms! she loves initiating snuggles hugs or play-fights, but if someone touches her when she’s not expecting/in the mood, she won’t hesitate to take a swipe at em (jerrie is usually the only exception)
- tippy-toe walks alllll the time. helpful for moving quietly when she needs to but will do it for no reason at all
- loves to give cats nicknames, but doesn’t understand how they work so just decides on random nouns to call her friends
- has a hard time understanding metaphors and sarcasm
etcetera
- THE STIMMER!! she loves to stim! usually flapping her paws, tapping her toes, or bouncing in place, but pretty much any repetitive movement is a stim for her <3
- related to her stimming, she cannot sit still! she’s always moving around, playing with toys, or shifting from side to side even when she’s supposed to stay still
- loves to knit or crochet with jenny, since its repetitive and keeps her hands busy, plus she gets a cute scarf at the end!
- has echolalia, she often repeats words/sounds other cats say, usually just to feel it in her mouth
mistoffelees
- non/semi-verbal, only speaks when he’s very comfortable or around certain cats (like victoria or tugger)
- loves to perform but is naturally quite shy and quiet, so tends to lean on his ‘stage persona’ to express his more dramatic and expressive side! when he isn’t in that mindset though he’s very aloof
- very diligent about keeping himself clean and tidy. he can feel when even one tuft of fur is out of place and it BOTHERS him
- has hypersomnia, he’s always sleepy and gets worn out pretty quick (especially after his bigger magical feats)
- has very specific day to day routines (wakes up at a specific time, visits the junkyard on specific days of the week, etc) gets really frustrated and stressed if they’re interrupted or changed
- he’s a house-cat, but refuses to wear a collar (he hates how it feels)
sillabub
- didn’t speak for a long time growing up, but at like age 4 (in cat years) suddenly started speaking in full sentences. demeter was very surprised
- has a (terrifying) habit of slipping into this wide-eyed hundred yard stare when she zones out. it took a while for everyone to get used to that
- very sensitive to lights and colors, she’s the first to notice when the light shifts ever so slightly, and too-bright lights or colors are very overstimulating for her
- doesn’t like being touched except by her moms and sister (demeter & bomba and electra, respectively) and even then only in certain moments
- special interest is the night sky, she knows all the names of the constellations and can tell you the phase of the moon on any given night
- makes A LOT of eye contact
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moony-2001 · 3 months
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Lore Olympus ch. 257-262 critique pt. 2
Aaaand we're back
Ch. 260
Hermes, Hebe, and trauma dumping
Jumping right into it, Hermes pissed me right the fuck off. I don't know why Demeter didn't want to accept the aid from the underworld, but I'm sure pride must be some of it. But for Hermes to call it an "in-law tiffy-tiff" was beyond wrong. I don't know or remember what, if any, beef he has with Demeter but read the fucking room, man.
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I'm so glad Demeter took Hebe in though, like the absolute Queen that she is. One thing that disturbed me a little when Hebe and Demeter got to talking is how Rachel tries to pass off Hera's trauma dumping on Hebe as if it's nothing.
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First of all, 18-year-olds are still kids. I know (at least for the vast majority here in the US) that 18 is the legal age of adulthood, but the human brain doesn't finish developing until around age 25. Even if that's how the rules in LO work (I have a sneaking suspicion they're not though, seeing as Persephone is technically stuck at age 19 for the rest of time) Hebe is 7 years off from having a fully developed brain.
Additionally, I don't like how Rachel frames the idea that Hebe found out all of this information from her mother as a now 18-year-old. I don't know if Rachel is forgetting her own damn timeline (not that there was a cohesive one in the first place) but Hebe wouldn't have been 18 at the time of finding out this information.
Remember the 10-year time skip? Yeah, that whole thing? And how 5 of the 6 Traitors were in a coma? For 10 years? In case you haven't picked up what I'm trying to put down, Hebe was 8 years old when her mother went into that coma. Which means that Hera dumped all this information on a literal fucking child who was 8 or potentially even younger since we have no frame of reference for when Hebe was told this information.
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Demeter is right. It is wrong to burden your kids with that. I don't know Rachel, but from this writing, I would venture a guess that she's never had a parent trauma dump on her.
I have. Rachel has no idea how mentally taxing it is to have a parent trauma dump on you or have them drag you into the middle of their fights or vent about their spouse/your other parent to you behind their back. That is not something a parent should EVER do to a child and I'll be damned if I ever do that to mine.
And while there is a shred of truth to what Hebe is saying, about how that information helps her understand her mom, Hebe does not (and in fact should not) be part of her mother's journey to work on herself, especially at that young of an age. Your child is not your therapist.
Demophon, the not child of Demeter
I will say, I am glad that Demeter finally decided to open up to her somewhat adult daughter. Oh, what's this? Persephone looks upset and-
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😀😐
of-fucking-course
Is this it?? Is this the moment when we finally find out what happened to Demeter in Attica all those years ago-
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Anyway, what we find out is that while in Attica, Demeter supposedly fell in love with the King of Eleusis and had Demophon, a my little pony-looking abomination not worse than whatever the fuck the above pictures are supposed to be. But if you note my title for this portion of the chapter, you'll see it says "the not child of Demeter". And that, dear readers, is because Demophon is in fact not a child of Demeter in the original myths. And Rachel also spelled his name wrong. (You can read more about him here: Demophon of Eleusis)
It seems to me that Rachel is doing what most couples with a failing relationship do: throw a baby at it and hope it will fix the problems.
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What technicality? Do you mean the "technicality" that Demeter was punished for insubordination (regardless of her intentions) and lived as a mortal for 10 years? And during that time as a mortal had a son who was born as and died as a mortal? Forgive me if I'm being slow here, but I don't see what this "technicality" is supposed to be. How is Demophon's death any different from the mortals that Persephone killed and asked if it was possible to bring back?
I'm gonna sound a little nitpicky here, but Hades is the god of the dead (and wealth) not the god of death. Believe it or not, there is a difference, and the brushing aside of that difference is the reason why people still get Hades and Thanatos mixed up to this day. Plus does no one remember what happened to Asclepius when he figured out how to raise the dead? tl;dr: not good things.
I have a feeling that all this is happening because Persephone and Hades are trying to buy off Demeter. They want brownie points with the woman who is rightfully upset about everything that is happening right now. And I'll be willing to bet that this smooths things right over with her.
Ch. 261
Off-topic, Demeter looked really pretty in this chapter #standemeter
The "technicality" and Hades' BS
I am glad Demeter gets this small bit of happiness but also:
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Nice try, but that's not how that works. Get your smug, ugly-ass mug out of here. Once again, why is Demophon the exception? Because you're whipped for Persephone? Because you want a gold star from your MIL who has perfectly valid reasons to not like you?
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Ah. I guess his name is Triptolemus now. Triptolemus who is the older brother of Demophon. Who is also not a son of Demeter. Sure.
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NO DON'T FALL FOR IT DEMETER. IT'S A TRAP-
The sisters
It is nice for the most part to see Hera, Demeter, and Hestia interacting. I don't think that's something we've seen outside of flashbacks.
I don't, however, like this interaction between Demeter and Hera:
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Yeah, no, that's not how that works. Demeter has every right to be mad at you for helping Hades and Persephone get around the fact that they "violated the laws of Xenia (hospitality)". It doesn't matter if Persephone was a "wild card". Hera had no right to marry them.
In fact, I had a conversation with anoldplace and something we discussed is how much Hera's responsibility/involvement in Persades is kinda just... brushed off. Especially if you look back at the way early chapters (I'm talking s1 early) when Hera changes her tune from "wtf, that's so gross, what is wrong with you" to "Let me get this whole ball rolling". Persephone wouldn't have even had half the interactions she did with Hades had Hera not put her in that internship for the underworld. And Demeter doesn't even know about the early stuff. Think about how livid she would be if she found out Hera was pulling the strings from the beginning. Yikes.
Different topic but the fact that both Demeter and Persephone love to swim is cute.
Ch. 262
Jfc, finally. I'm so tired lol.
Hera's prophecy
In honor of Hera's ugly highlighter-looking color, the sections shall, too, be in yellow.
I was pretty excited to see that Hera got a vision. I'm also sad that this isn't something we see utilized more often in the series. In fact, we don't really see any of the goddesses use their powers besides... oh, for Christ's sake. I don't even want to say it, it just adds to her Mary Sue-ness.
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Place your bets on how long it takes for Rachel to dress Persephone in something similar, if not identical, to this.
Moving on, we see Kronos smush and kinda throw Hera away and she's left wondering:
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That's cute and all, but no. Like I huffed and puffed with the whole "attempted murder" bullshit with Zeus, for one to die, they must be mortal. If gods could die, they wouldn't be gods. They would be human looking at you Demophon. I understand why the sentiment of dying is upsetting, but Hera, Zeus, whomever cannot die. I suppose similar to Egyptian mythology, they could be chopped up and have their parts scattered to the winds but from what I've seen, there's nothing in Greek mythology that details anything like that.
I did see a really funky theory that I agree with that Hera must be some kind of fertility goddess. In fact, I've seen a lot of people speculate that she was the fertility goddess on the wall of that cave that was destroyed. It would be really wonderful if that greyed-out goddess in Hera's vision was her and not Persephone. Kinda like the ultimate "taking back the power" moment. But tbh I'm not hopeful.
Persephone and Hades... yay/s
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*gag* anyway-
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Hades decided to give the MORTAL Demophon his whole stash of ambrosia but he doesn't really know if it will actually work and he's salty that Zeus is stingy with it.
Okay, first of all, if it's that damn important that you have ambrosia and you're going to be a salty mofo that the only person who has it is stingy with it, make your own damn ambrosia. You're telling me you've been alive for thousands of years yet the thought hadn't occurred to you once? Bffr. Watch this come back and bite them in the ass in the series finale.
Secondly, if you've never done this before, how do you know it's going to work for Demophon? I mean, it probably will because plot armor, but seriously? What would happen if Demophon just kicked the bucket all over again? Like congratulations, you re-traumatized your wife's mother who already doesn't like you.
Final thoughts
This is all just unraveling so quickly. Watch Demophon disappear and never be addressed again. I am really hoping that this series wraps up between March and May like genericpuff predicted because I am tired. I mean, I'll miss the ability to make content while the material is still piping hot, but also reading this comic is taking a toll on my health. I have never seen my blood pressure in such a state. And I'm not even the one writing the comic.
I can't imagine being in Rachel's shoes rn. I know this point has been beaten to death by everyone and their moms (myself included), but it's so clear that Rachel just doesn't give a shit about this comic anymore. And it's sad. But I also get it.
Rachel has talked about after LO she wants to do a comic along the lines of this but involving Egyptian or Norse mythology. I hope she doesn't for very obvious reasons, but if she decides she wants to step up to the plate for what will inevitably be LO pt. 2, I hope she takes the time to actually research the cultures and learn from the very egregious mistakes that she made here. I won't be there if she does.
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sukunasdirtylaugh · 2 months
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part one, part two, part three, part four
one day, lord toji arrives late into the evening. the sun had not set yet and the birds were still out. today, ameera had been out busy with dinner and the others were not by the entrance when he arrived, almost not wanting to be seen.
he walked with a certain drag, a limp by his left ankle. and you noticed, cautiously walking to his aid.
"my lord," you jeld your breath in, "are you alright?"
"I'm fine," he rasps, trying to walk past you, "just... I need to sit down." without hesitating, you openly offer him your room. you have a bed and chair, anything. amd a part of you felt excited to assist him even if he looked injured. you wanted to return your gratitude. and to no protest, he accepts your offer, sitting on your white linen sheets.
"what... happened?"
"I happened to walk in to a disagreement with demeter," he clarifies, "she wasn't happy to hear hades wanted to spend another night with his wife."
"she... she only spends a selected amount of time with persephone, does she not?" toji nods.
"which is why I can understand she was upset, but it was no reason to lash out onto another poor bystander." you catch the way he laughs at his misfortune. "she's lucky achilles taught me how to fight before he passed." with a look of approval, you check to see his ankle. red, slightly scarred and swollen.
"I'll get you a cool rag," is all you say accompanied with a nod.
after your return, you kneel before the deity only to submerge the rag and squeeze out the remaining liquid inside. he watches how you silently swipe and press onto his wound, watching how you expertly manage to know how to tend to someone's wounds.
"when my uncle would come home, drunk," you state, "I'd often have to clean up his wounds." your explanation makes him nod, knowing why you're already skilled. he notices how you act unaffected at the sight of blood. and he dares to ask, "do you miss him?"
"not really," the sigh leaving your lips should surprise you, "but I often find myself wondering what became of them after I left."
"I can always tell you," he offers, gently. "and you wouldn't have to visit to know."
that gets your attention.
"I don't know," you sigh, "I've moved on... but I can't help but feel..."
"guilt?" you nod.
"there's no need to feel that." he reassures. "they're the ones who should be burdened by that. having you marry someone like that."
"so you've seen him?"
"I've heard of him," he answers through a clenched jaw, "but yes, I have seen him, once."
"do you think I made the right choice?" you feel yourself whispering, regretting how you could possibly tell that to him. you expect him to be annoyed at your ungratefulness, but he only remains silent.
"I think... that entirely depends on you." he says, "you avoided something that, at the expense of one thing. so... you're neither far off bad nor good." his eyes then look down to yours, "but is there something you need?" your heart flutters and your breath is stuck through your pipes.
"no," you answer softly, "I... I think I'm okay." you focus back on his wound, "is this... okay?"
you miss the gentle way the corner of his lip tugs upwards.
"yes."
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arandomdai · 1 month
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Leuce and Hades: A Tragic Love Story We Were Robbed Of
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⚠️ WARNING: I'm just saying my opinions just like everybody else. So in Demeter fashion, put your tin foil hats on. It's going to be a LONG read. Enjoy!!! ⚠️
• Hades and Leuce: The Titanomachy
I feel like The Titanomachy should've been the start of the book. A part 1 and 2 (and/or 3) of what happened before and after the war. During the fight, Hades was severely injured by Kronos which caused him to be on bed rest. First, the scene with Hera helping Hades should've been Leuce instead. He could've saw how beautiful she was and she would've thought the same about him. Leuce would've talked to him about how brave he was, feeling bad about him being hurt and being trapped in his father's stomach. After, she's done with taking care of him, she could've kissed him on the forehead showing that she cares about him. Next, after the war is over, he meets with Leuce at the beach saying thank you for taking care of me while I was hurt and feeling sorry that she had to see him that way. Leuce would've said it was fine and that she was okay helping him. Hades then asked about the forehead kiss. Leuce would say that she liked him, and wanted to let him know that he was loved (in her own way). After talking about their troubles and giving advice to each other, both experience their first kiss (which could've been the backstory on why he hates the beach). Finally, everyone was ready to move on with their lives. Hades asked Leuce if she wanted to go with him to the Underworld ( Zeus didn't trick him into ruling the Underworld in the myths and Hades didn't need to eat a pomegranate to rule 🙄), and so she said yes. Once they get down there, they get started on building the kingdom.
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•The Loss of Leuce
After building everything and trapping Kronos in Tartarus (with the help of Hecate's powers), Hades was planning to propose to her and wanted to do it at Zeus's party. But he discovers that she doesn't look well, and wanted to know what's going on. Leuce explains that she is dying and that she almost lived a full life (keep in mind that they are the same age in this tragic love story). Hades tries to find away to make her live long enough to stay and be with him forever, but it was no use. Using this picture because this could've shown while working in his office, the glowing butterfly could've been a sign that she was about to pass away (or she sends it to him to let him know to be with her). And so he goes to the room, but before he does that, the doctors warned him that he only has 2 minutes to talk to her until she passes. Hades wonders if it was anything they could do, and they shake their head no. Hades walks in with sadness in his eyes with a happy smile. Before Hades could say anything, Leuce tells him something like...
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"When I first saw you, I knew that you were the one for me. The love I have for you has grown stronger and stronger than ever. You understood me in a way that no one else could. I witnessed your crystals, your stars, and the real you. Hades I will always have you in my heart for centuries to come. The laughs we shared, the fun we had, and happiness we both have for each other will live on in your heart. Hades no matter what happens, I will always love you and I want you to be happy. Promise me you will be happy (He would tear up and says "I'll try"). My time has come. I love you Hades. I will always love you."
Hades would be crying while holding her hand telling her I love you too. Out of grief and sadness, he turns her into a poplar tree and started wearing a poplar leaf on his suit ever since. Losing her could've been the reason he's bitter, mean, somber, drinking, sulking and having bad dreams. We could've had a enemies to lovers story about him and Persephone (without the "I can fix him" mentality). I feel like him going to that party mad and upset because he is still grieving would've made more sense.
Sidenote: I wish that Hades hair stayed long and his hair would be Obsidian Black (like the glassy mineral since he is the God of Wealth) with swirls and everything. A missed opportunity once again 😒.
•My Rant
The author calling herself a Greek mythology expert is just...not true. When going into the myths, it is a stated that Hades first love was Leuce up until she died, turned her into a poplar tree, and puts the tree in Elysium. So why call this a feminist retelling, when there's nothing feminist about it? Why is Leuce made to be this delusional and gold digging nymph? Why is Persephone being a asshole to her and saying "clout chaser" (which is so cringe)? Having a self insert and a fantasy boyfriend isn't doing this book or the character(s) any favors. Leuce deserve so much better than this. And to see this story just mentions Greek gods and goddesses without giving them their own stories (mythically accurate at that) is sad to see. Just bad writing, bad morals, and a dream.
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immediatebreakfast · 9 months
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The tension building at Whitby now that the Demeter is near the shore is very delicate, it's the tracks of a train going at a very high speed towards a wall. It's inevitable, and it will have consequences that will impact the narrative. No matter what we want to do, the only thing left is watch.
So Mina, in her controlled melancholy over both Lucy and Jonathan, writes in her journal to document along with process all of her feelings towards all of the events that are happening. However, Mina's stress has been turning up so much that it affects her writing when she is not documenting stuff like the weather, or Mr. Swales' monologues.
We get one single line referring to Lucy:
"Lucy is more excitable than ever, but is otherwise well."
It feels like an assurance to herself rather than a simple mention. Instead of telling, or describing Lucy in a more lovely detail, Mina just tells that she is a little bit more anxious, but well you know? Lucy is well... There is no mention of Lucy's sleepwalking progress, nor if there are any meaningful changes so far. Which, if I can say, for Mina is enough for now.
Mina's dread also has invaded more her worries over Jonathan, more than other days since the weather in Whitby seems to be affecting everyone, and everything.
"If I only knew where to write to or where to go to."
One character trait which is a core trait for Mina is her "do-er" personality. It's a layer that is intricate to all of her actions. Mina is a very active character, she thinks and she acts. She needs to act because Mina searches for the answers to her questions so she can know what to do. This line implied that the only thing stopping Mina from going to Transylvania herself to search for Jonathan is the lack of concrete information about his fate.
Mina is an active character, but she needs information to know how to act, because above all Mina is a very grounded woman who knows what limits her in her actions.
"Here comes old Mr. Swales. He is making straight for me, and I can see, by the way he lifts his hat, that he wants to talk.... I have been quite touched by the change in the poor old man."
Something is affecting Mr. Swales. It seems that Mina expected another story, or a anectode, but the old sailor came with an apology. Mina's control over emotions may have slipped a little bit if he noticed. Then, an incredible speech about the comfort of death is said with the property of someone who knows it well.
All old people are like that, they speak of death in a more "careless" because they have lived well, and since all of their friends (the ones that are still there) are in the same road, they often forget how this may "upset" younger people, people who have still not lived enough like Mina. It is touching to hear Mr. Swales to tell Mina that she doesn’t need to worry about his death because he is not either, and she only needs to remember him as that cynical old sailor who told her so much about ghost stories.
Yet, after Mr. Swales' speech what Mina has left is unrest, no actions, and no answers. Lucy is still sleepwalking, and Jonathan is still on the limbo between life and death. If Whitby's weather warns of something coming, and Mr. Swales speaks of how death is the only thing that awaits all of US in the end...
... then what would become of her, and her Jonathan?
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winns-stuff · 1 year
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LO RANT/VAGUE SPOILER:
I’m going to be unapologetically posting these rants because I’m absolutely fucking fuming. This entire Demeter situation is absolutely dog shit and it’s getting on my nerves, I’m not understanding how everyone is getting on Demeter for being so manipulative and such when HADES IS THE EXACT SAME. I’m so sick of this I feel like every few rants I say the exact same thing even though dozens of people still do this bullshit.
I’m upset and I’m mad because Demeter was never manipulative and evil like this, if you guys don’t get that this is basic character assassination then it’s fine but it is. Demeter was always proud of Persephone, after the whole 10 year reunion she literally said how proud she was of Persephone because she managed to keep the land up and running for the last ten years while she was gone. She didn’t even take up the conversation or make it about her, she just showed earnest pride in her daughters work. UNLIKE HADES, we have whole fucking chapters dedicated to Hades making everything about himself yet everyone is fine with him doing that?? It makes no fucking sense. Hades disregards Persephone’s feelings time and time again, he makes every single conversation about himself, how he empathizes with others has to do with himself, his trauma is the only one validated, he’s the only one who can get away with being an absolute shitty parent and a terrible person and he’s the only one who can manipulate others without consequence. Do you guys not see how absolutely insane it is to hate Demeter and not Hades? Is it not strange to you how every single time this man speaks it’s always about himself or Persephone and even when speaking about Persephone it’s always pertaining to things she can do for him.
I can go on and on how the fans’ outrage towards this whole Demeter thing is crazy! They say that Demeter doesn’t respect Persephone well guess what, I have a funny story for you. Hades doesn’t either, he literally only wants her to be his wife and have his kids. He’s never once imagined her in a position of power nor has he ever been completely supportive with her way of doing things. There’s always a weird condescending nature with him when he’s interacting with Persephone and it’s crazy how no one else picks it up with those two. He literally only likes her cause of her physical looks and because she’s nice enough to tolerate. There’s never been a time where he truly showed actual respect to Persephone, he doesn’t do anything respectful towards her except for the bare minimum which is what it’s called. Bare.
Then people say that she’s wrong for saying she isn’t ready to run a kingdom. I want to let you in on a little secret.. Persephone hasn’t been doing shit ever since she made Tartarus defeat Kronos and even when she once again got someone else to get their hands dirty for her guess what? He’s back so she didn’t even do shit. Like come on, you couldn’t even finish the job with Kronos??? And that’s what we’re supposed to respect her for?? All powerful, all knowing, all beauty, all brains fertility goddess Persephone couldn’t defeat big bad Kronos that she was able to take down in five panels? You’re absolutely kidding me!! Persephone is so powerful it’s amazing that she didn’t take him down!!! Anyways, let’s get real. Persephone hasn’t even made any comments on what she wants to do as queen, she doesn’t know anything about the underworld still and she doesn’t even want to know by the looks of it. She doesn’t act like someone who’s accepted their job or responsibility she looks like she just got access to Hades’ wallet and is now going to live her life like nothing happened… Oh wait. That’s exactly what she’s doing.
Also, can we please stop ignoring the multiple critics talking about Hades’ obsession with courting Persephone and having a family with her all without her knowing?? Like I hate that this huge monumental issue in their relationship is being treated all cute and such. This is exactly what happened to Minthe people, and you all hated her because of how she responded to it yet you’re all fine with Hades considering doing the same to yet another woman that he love bombed into a relationship with. Speaking of Minthe, I think it’s pretty sick how no one allowed her to actually validate her emotions. Believe it or not Hades was planning on proposing to her in front of everyone who hated her, everyone who disrespected her, everyone who looked down on her, everyone who felt as if she were inferior and undeserving of the relationship as a whole. Imagine how that would feel for you, and why would you ever want to be with a man who cares so little about you, Hades is so tied up in his fantasy that once the perfect wife comes along his problems will all be solved. Why is everyone okay with him doing this to others?
Speaking of using women as literal wish fulfillments, this feminist story has to be a spit in the face to those it tells us it represents. Why is it that everyone is okay with Hades using these women to fit into his image and the way he wants the relationship to be without even trying to understand their desires or needs? Why are we so comfortable watching him force his wishes on these women? Is it because he’s not being violent that we look the other way, is it because he begs instead of demands things that makes this okay? Is it because of his constant useless awareness of him trying to stop himself from being a borderline creep that we’re fine with his unsettling behavior? If anything this comic should’ve taught everyone that violence against anyone doesn’t always have to be physical, what Hades is doing is damaging and he’s not just doing it to one person he’s doing it to multiple people without consequence.
I hate to say it but the way he has so many similarities with Apollo is very disturbing. I know a lot of LO fans will try and deny however many times they can but it’s the truth, he’s just like him really. They’re behaviors, the way they approach people, and genuinely how they react and speak to others are similar which is very very disturbing. It’s something that should’ve been discussed within the fandom instead of Demeter wanting her daughter far away from someone like that.
Anyways, I’m going to be defending Demeter and any other character who dislikes Hades for good reasons with my life because they’re the only ones who actually make sense.
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genericpuff · 1 year
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I seriously need an updated LO s3 timeline now so I can decipher this monstrosity
Are H/P seriously going to raise a baby (which is 100% Zeus' kid)? A few weeks after Persephone said she wanted to take things slowly? When Hades admitted a couple days ago that he hadn't been a good father to Thanatos?
What the hell is the plan????
Honestly, I feel like the folks over at PomegraNet just gave up LMAO
But buckle up because I'm about to make you even more upset - this didn't happen a few 'weeks' after Persephone said she wanted to take things slow, it happened a WEEK, singular, not plural. Yes, read that again: A WEEK.
!!!MAJOR FP SPOILERS AHEAD!!!
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When you lay the events out end to end in their reasonable order, with all the fluff and flashbacks removed and using dialogue as indicators, Hades and Persephone literally talked a WEEK ago about being boyfriend and girlfriend and what that would entail.
I've gone on this rant before, but I'm so ready to go on it again knowing what we know now in the FP episodes.
Day 1: Hades and Persephone reunite with the Olympians, Zeus removes Persephone's sentencing, Hades and Persephone discuss their relationship going forward, they finish the day going to bed together where Persephone wonders if she's 'forgotten something' (i.e. Demeter).
Day 2: Hades awakens from a nightmare about Kronos, Persephone and Hades do their Steven Universe fusion dance to 'fix' the Underworld, they check out what Persephone created for Elysium and play in the river, they're interrupted by Demeter who has arrived to take her daughter back to the Mortal Realm, Persephone claims to have missed her despite forgetting she existed just the night before, Persephone tells her to eat the ziti or fuck off.
Day 3: Buckle up, because this one day takes the cake for having the longest and most pointless fetch quest in webcomic history. Hades gives Persephone 'breakfast in bed' (literally a single donut), Persephone insists she wants to go into work with him but he makes her stay home to relax, Hades meets up with Hecate to figure out what happened to cause the entire Underworld to become possessed by Kronos, Hecate talks him down from speaking to Kronos and gives him a rundown of what she believed happened, they deduce they should find Hypnos, but they don't know where to find him, so they decide to go find Thanatos, but Thanatos doesn't want to speak to Hades due to their strained relationship, so they have a buddy buddy talk which eventually gets Thanatos to give in and tell Hades where to find Hypnos. Turns out Hypnos has been living in the defunct remains of the Underworld Corp's HR department, where he tells Hades how Kronos was able to hijack his powers and reveals that Kronos has a 'child deity' being held captive down there with him. Despite Hecate saying they weren't going to go down to Tartarus that day, Hecate and Hades proceed to go down to Tartarus, but are unable to enter due to Kronos holding the place hostage (he'll only open the doors in exchange for his "golden traitor" who we can only assume is Hera). During all this, Persephone goes on an excursion to Olympus where she runs into Daphne and Eros and reconnects with them. She goes to the bank and finds out she has a shitload of money from her account gaining interest, which gives her the funds necessary to purchase her own apartment where Hades meets her for supper that night. Persephone somehow still ends up back at Hades' place (presumably to move the rest of her things from his house to her apartment) where they attempt to have sex only to be interrupted by a drunk Ares. Hades consoles him and then returns to Persephone, the two of them watch a movie from post-WW1 Germany in his personal theater, they try to be intimate again but it's revealed later on they didn't actually have sex. Ares tries to text Aphrodite but has been blocked.
Day 4: Persephone and Hades go to work, on the way they discuss a note Ares left for Persephone encouraging her to meet him to discuss her being a fertility goddess. Hades and Persephone discuss the child deity and Kronos briefly, realizing they need to bring it up with Hera. Speak of the devil, Hera is there when they arrive at work. They catch Hera up on what's going on, she wants to go speak to Kronos herself but Hades stops her for her safety. They change the subject to the coronation, Hera asks why Persephone and Hades aren't engaged yet, she encourages Persephone to invite her mother to the coronation and eventual wedding. After Hera leaves, it's revealed she's still being tormented by Kronos. Hephaestus and Psyche meet to discuss the pendrive Psyche stole off Apollo and what it contains, revealing a photo of Kassandra. After work, Persephone goes home to her own apartment and Hades works on coming up with an engagement ring for Persephone. Hades is interrupted by Persephone summoning him to her home. Persephone gets upset at herself for being jealous over Hades calling Hera 'Bunny'. Persephone decides to go meet with Ares that same day, Hades comes along disguised as a moth. Ares takes Persephone to a fresco, where she discovers an old monument of Metis which allows her to connect directly to Metis to speak with her about her fertility goddess status. It's nighttime when she awakens and Hades reminds her that she still needs to meet with her mother who she apparently already planned to meet with that day. Persephone goes to meet with Demeter who has a huge purity club intervention planned for her to pressure her into staying in the Mortal Realm. Hades proposes right then and there and Persephone leaves with him down into the Underworld.
Day 5: The next day, Persephone attempts to book venues for their wedding, but can't seem to get in touch with anyone anywhere. Zeus claims that these businesses are refusing to serve them on the basis of xenia, as they disrespected Demeter in her realm by doing an impromptu proposal. They meet up with Hera to discuss these issues, to which Hades suggests the restriction doesn't happen until tomorrow morning so they can get married that same night (despite the fact that businesses were already refusing to serve them lmao). They get married that night, and then have their honeymoon where they have sex for the first time ("deconstruction of purity culture" who?)
Day 6: Hades and Persephone both go to work the next day despite being on their honeymoon, it's revealed Morpheus has been hired by Hades to help him "file" people's dreams. Hermes gets into a fight with Apollo which ends with Hermes punching him. Persephone, meanwhile, has taken her new "judges" under her wing with the intent to have them help Hades do even less work than he already does. Hermes at this point has joined her and they talk about the Apollo situation. With Thetis' encouragement, Leuce applies to be Hades' PA and tries to seduce him under the impression that they still "had something" after Zeus tried to negotiate a marriage between them back near the end of S2. Hades rejects her, during which he reveals that he got married "yesterday" which helps us know that none of what I just said happened a few weeks after the wedding (despite Persephone implying as such with her own dialogue), it was literally the day before. Persephone is used as a test subject for dream diving with Morpheus. It's after this that Hades starts getting vibes from Persephone's texts that she doesn't want to talk to him.
Day 7: After literally a day, Hades gets nervous at Persephone icing him out ("I showed you my dick pls respond" energy) until after some pressuring, Persephone finally reveals she has a baby Dionysus in her possession.
Seven. Days. A week. A literal week ago in the story's timeline, Hades and Persephone decided they wanted to take it slow and try dating before rushing into marriage - and now they're married, restructuring the entire Underworld Corp, and already have a kid.
Rachel seriously saw Stephenie Meyer writing Bella Swan with a rushed superhuman pregnancy and went "hold my beer". I can't tell if I should be disappointed or flat out impressed that one person managed to pad out this much of a week with so much bullshit.
And some people might go "but puff, it's obvious we're not meant to read it as if it's sequential!" so what about the dialogue that tells exactly when these events are happening? or the actions that clearly lead from one event to the next in a very interlinked way that REQUIRES these things to be happening one after another?
My own OC's have literally been trapped in a non-Euclidian castle nightmare for well over an in-universe week now but MONTHS in real life and I've still managed to make that clear, with proper labelling of days that are passing and dialogue that lays it out clearly how long they've been in the castle. Sure, it can still be a strain on readers where it can make them feel like things in the comic are happening relative to real life, but there are methods to make your timeline clear that Rachel isn't employing. Even a fucking Spongebob "one week later" card would be better than the way she's outlining events right now.
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If the PomegraNet team gave up, I wouldn't blame them in the slightest. Laying out the events in their proper order is a nightmare. And frankly, I have a tinfoil hat theory (so take with mountains of salt) that they were practically asked to stop what they were doing because their timeline also just makes the comic look like what it really is - a mess of word vomit that Rachel never bothered to clean up and turn into an actual story with reasonable pacing.
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kotamagic · 3 months
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Another loaded episode of Lore Olympus, so let's dive in...
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Let's start with Aphrodite. Understandably, she's upset that Eros and Psyche are missing. Obviously, wannabe-king Apollo isn't going to broadcast that, but that doesn't mean folks aren't going to notice that three gods are now missing after Zeus went into a coma.
(Is that the Horrible Goose running amok in the background?)
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Why the fuck do you want Eros' arrows, SPECIFICALLY the ones for true love? They don't work the way that you think that they do!
Look at what happened with the truth arrow. Anyone looking at Apollo when that thing hit saw the truth... the horrible, nasty truth about what he did. (I believe it was Daphne? That was what led to her getting "treed.")
If Apollo thinks a true love arrow is going to make Persephone fall in love with him (and thus, give him access to her fertility goddess powers) then he's in for a rude surprise. If anything, she'll lend her powers to Hades so that they can kick Apollo's ass together like a power couple!
Or, maybe he has something worse in mind? Let's hope not.
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Shit is still going down in the Mortal Realm. Apollo doesn't waste a moment blaming Persephone for it on TV.
Hey fucknugget, unless I'm mistaken, sun gods/goddesses were banned from the Underworld LONG before Hades and Persephone were even a thing. And Persephone made the right decision escaping to the Underworld to get away from your r*pey ass. Choke on a long, splintery battering ram!
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Even in the physical safety of the Underworld, Apollo still has the power to harm with his words. It's bad enough that Persephone is guilt-wracked by her rearranged powers causing havoc, but hearing Apollo's gaslighting on the TV is only making it worse
The title of this chapter is "Wheat", and we sure are seeing a lot of it here with Persephone. That mural on the wall seems to be watching her.
We're pretty certain that Persephone was originally supposed to take over for Demeter at some point. Well, that's not happening. The wheat imagery here seems to represent what was planned to happen. As it closes in more and more around her, there's the sense of Persephone being smothered by the old plans for her.
On the other hand, I can't help but wonder if, in some way, the mural is trying to point her in a particular direction. Wheat can be grown, harvested, and stored; this is what the mortals need to know and learn to survive the (now) long winters.
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We've been watching Persephone progressively sweating more and more throughout this chapter. While she's talking to this nymph, her vision gets blurry until she passes out.
She's running a fever and is put on bed rest immediately. There could be so many things causing this that it's hard to nail it down to just one.
The situation with the Mortal Realm
Her wonky powers
Apollo gaslighting her on tv
Maybe it's Kronos
Whatever the case, she is not doing well at the moment.
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While she's in bed, Demeter comes to see her. Persephone voices her worries to her mother, and Demeter seems to actively listen.
"I barely know anything about myself..."
The cliffhanger is Demeter saying "Wait..."
Will this turn into an honest heart-to-heart conversation? Will important secrets get revealed? Will Apollo get shot in the ass with a truth arrow on live TV? (GAWD, I hope so!)
Anyway, thanks for coming to my LO post!
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11queensupreme11 · 2 months
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Omg I can breathe! Thank you for the new chapter! Loved it even though there wasn't a lot of focus on our main girl! Can I say I don't really like Rhea. Honestly, out of all the characters, she's my least favorite. Mainly bc I'm my opinion she's a bad mom. This chapter kind of cemented it. Like she goes all out for her sons but not her daughters(which I know ancient Greece and everything, but she is the mother of God's! She should have some sway!) Like she just let Zeus rape hera and doesn't even scold him for cheating or anything. Then she invites a woman who her daughter hates to a tea party and just tells her to be fine with it. Then, her other daughter gets no sympathy for her when the one thing she loves most is stolen. She's just happy for her boy hades! Idk how demeter could even still call them family tbh. Honestly, I'm not a Rhea fan at all! (No hate on you, though! This is just my opinion on her as a character!)
to be fair... most of the mothers are no different unfortunately 😔
here's a list of some rape victims in different versions of greek mythology (first is female, second pic are male victims)
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found here btw.
as you can see, the names apollo and hermes are also there. i highly doubt their mothers had any issue on what they did
it's really gross, but rape is just so normalized for these gods that they probably couldn't care less unless the victim was someone they actually cared about.
rhea is no different. yes she loves her daughters, and ofc, i like to think she at least scolds or punishes her sons for their actions, but it's more like a light grounding at most 💀 i genuinely see her getting upset at what had happened, but eventually just... "getting over it" as time passed.
like maybe she was just "this is horrible, how DARE you do this to your sisters! *punishes her son*" (several centuries pass) "alright, i'm done being mad at you, but you better not do this again, young man! 😡" and then they do it again and the cycle just repeats 💀
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nyxvamps · 3 months
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we know that all the demigods are on the neurodivergent spectrum but i think their godly parents are all also on that spectrum.
zeus stims with his bolt by tapping his nails against the edge or knocking it against his knee. he has accidentally zapped hera and others at least every other meeting. he also hyperfixates on how mortals can predict the weather. he secretly thinks it’s really neat.
poseidon has to have curtains over the windows in his meeting room because he will look up every 5 seconds whenever a fish swims by. he also picks at his nails and taps his feet when he’s thinking hard. he also can get random bursts of energy that stops him from sleeping every few nights before he collapses since he’ll use this time to get as much done as possible.
hades will pretend to listen when he has an audience in his throne room but is actually counting the souls within his robes for the 100th time. he also clicks his tongue whenever he’s thinking about something. eye contact is rather way to much or none at all. he has not figured out the right balance for that yet.
apollo vocally stims. what do you think all of his random poetry is? he’ll also hum the same 10 seconds of a song over and over for days on end. and he’ll shimmy in place when he stands still for too long. he also has some rsd (rejection sensitivity disorder, i think that’s the name) so when people make jokes about his poetry or music, he gets genuinely upset. he’ll pretend it’s all fine though.
athena actually has executive dysfunction and will sometimes have to literally force herself (with her godly powers) to accomplish the to-do list she made for the day. she also rehearses what she says to others before she has to speak with them. it’s easier to make sure she doesn’t make any mistakes.
hermes almost has something like the zoomies. he’ll take a few minutes and go run a few laps and stim (usually flapping his hands or stomping) before he needs to deliver his next package. he might take a second to jump up and down for a bit to get his energy out.
hephaestus created hyperfixation. whether it’s a new invention or a topic he heard one of his kids mention. he will not stop focusing on it for months if not years. since time works differently for gods anyways. he also can get very apathetic so he has to remind himself how to interact with others so he doesn’t offend them with a blunt comment or a lack of interest. (i’m not projecting at all)
aphrodite uses her makeup and hair as an excuse to stim. she’ll fix up her hair or makeup every for minutes for a reason to move her hands. she and ares have a deal where he’ll let her know if someone is being sarcastic because, unless she’s doing it or it’s very obvious, she can’t recognize it.
demeter genuinely likes plant life more than other people. (don’t blame her) it’s a little cliche that her special interest would be her domain but she genuinely loves to learn about plants. she’ll even look into the ways that mortals study and understand plants.
ares has major rsd (rejection sensitivity disorder). when he’s told to wait a second or if someone has to reschedule something, it really gets to him even though he logically knows that it doesn’t mean they hate him now (again, not projecting at all). this is a big reason for why he is so blunt and aggressive with others (in the pjo universe) bc the less people he’s close too, the less people can push him away. (i’m talking about his kids, specifically)
Mr. D likes to drink wine for the mouth feel. he likes how tart and sour wines make the inside of his mouth feel tight (projection). he also only has 2 demigod children (in canon) bc he doesn’t like the thought of having 3 because it’ll make the number uneven. and then with more kids, since he’s at camp, that’s more people he has to be emotionally available for.
this is just my opinion. i just think they’re neat.
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looniecartooni · 7 months
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tell me MORE (/np)
Oh ho ho boy- where to start? This may get a bit wonky and I might sound a bit crazy.
Okay- so... first off Fanto and Dimitri are a lot alike. They both put on a killer show and crave attention and they both technically can not tell a lie (Dimitri's tail speaks his thoughts, Fantoccio was just said to have it by Katie- I'm not entirely sure why. Could have to do with Pinocchio or how Autistic people or honest or something else). And at a glance, they kind of have some visual similarities. For instance- they both have yellow eyes and a tannish- pallet.
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Perhaps it's just an odd coincidence, but it's also been said at some point that Fanto was built to be like his creator. Someone with a flair for the dramatic who can't tell a lie? Seems pretty likely.
Now there are some definite issues revolving around this. We don't know enough about Dimitri to confirm or deny this. He certainly would be old enough to be Fantoccio's dad possibly as he knew Arthur and Aristotle. But this also suggests that at some point Dimitri owned a theater, knows how to carve puppets, can bring them to life, and is possibly Autistic. However, if he was Fanto's dad and owned a theater, why would he bother pretending to be a hero? Why would he use the gem to bring one or possibly more puppets to life? Wouldn't he be exhausted and busy?
I don't think Arthur and/or Aristotle would have created him though nor would I think they'd give up on him if they accidently left him (Ari might- thinking he's dead- but even still). Billie would have been already a couple months old when Fanto got stuck in the theater. Ari and/or Arthur just leaving behind what would essentially be their child, who as far as we know has very little to know knowledge about Billie. The timelines and character on that stuff seems odd. They also don't scream "theater kid" or "parent of a theater kid" as much as Dimitri.
I also keep just seeing other random things that make me just think it's a possibility even if it's not there. For example, "Dimitri" means "Follower of Demeter". Demeter is the Greek goddess of spring time who after losing her daughter Persephone to Hades caused the seasons to get cooler and does that every six months when her daughter returns to the underworld. Am I thinking too deeply into Dimitri's name to prove my point? Probably. Does Dimitri's name imply he could be a father in mourning after his child was trapped in the magic city? Does Dimitri care enough to make a child or worry about a child if he can't reach them? I don't know! All I know is he sets buildings on fire then acts like he's a hero to save people. Why does he do that? I don't know! Is it a coincidence that his name has to do with plants and trees and Fanto is technically a tree man? I believe yes, but I could list several characters named Dimitri that have nothing to do with plants or kids.
But in my heart- I feel like it makes the most sense. The devs are telling us barely anything about Dimitri purposely (supposedly the story might unravel, but that could be a joke) and Aristotle said that the gems were being used for evil (although that could be rewritten at this point). Dimitri is said to be an antagonist- so what if he was the last person to be seen with the yellow gem?
This theory feels a bit forced, but I swear, this feeling is hard to shake off. Only true confirmation I think I'll get is if we wait for the game to come out, be shocked and upset that it's Aristotle (that'll just be mega sad no matter how the chapter ends) or some third random person. If it turns out Dimitri's the missing dad who had a kid 7 years before Arthur (possibly more- I don't know if Dossylmeyer who has only been mentioned twice is even in the game), then I will be over the moon. If you read this whole thing, here are some pancakes 🥞Thank you for listening to my theory. I was going to make a more official post, but this can do for now. You also get this random image:
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I might make an official venn diagram and stuff later when and if I do get information.
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vickyvicarious · 9 months
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I greatly fear that she is of too super-sensitive a nature to go through the world without trouble. She will be dreaming of this to-night, I am sure. The whole agglomeration of things—the ship steered into port by a dead man; his attitude, tied to the wheel with a crucifix and beads; the touching funeral; the dog, now furious and now in terror—will all afford material for her dreams.
I think it will be best for her to go to bed tired out physically, so I shall take her for a long walk by the cliffs to Robin Hood's Bay and back.
This might be an answer to the question of why Lucy sleepwalks to the graveyard. I know a lot of people say it's Dracula's doing,and even her earlier sleepwalking is easier to mistake as his influence when not paying attention to dates. But we know that she's been sleepwalking for over a week now, when he was still way out at sea. Even if she is vulnerable to his mere presence in some way that doesn't require any direct intervention, that wouldn't explain her sleepwalking with that much time/distance between them. So it starts perfectly naturally.
Then, the question is, at what point does that change? And tonight's sleepwalking is such a departure from usual, one that leads her right to him to be drunk from for the first time. So it's tempting to say now is when he starts. But honestly, I don't think that's true.
Mina points out here that she thinks the events of the day will provide material for Lucy's dreams and influence her sleepwalking. Later on, we get Lucy's own account of what she remembers from that night:
"I didn't quite dream; but it all seemed to be real. I only wanted to be here in this spot—I don't know why, for I was afraid of something—I don't know what. I remember, though I suppose I was asleep, passing through the streets and over the bridge. A fish leaped as I went by, and I leaned over to look at it, and I heard a lot of dogs howling—the whole town seemed as if it must be full of dogs all howling at once—as I went up the steps. Then I had a vague memory of something long and dark with red eyes, just as we saw in the sunset, and something very sweet and very bitter all around me at once; and then I seemed sinking into deep green water, and there was a singing in my ears, as I have heard there is to drowning men; and then everything seemed passing away from me; my soul seemed to go out from my body and float about the air. I seem to remember that once the West Lighthouse was right under me, and then there was a sort of agonising feeling, as if I were in an earthquake, and I came back and found you shaking my body. I saw you do it before I felt you."
While there are other reasons for several of these elements, there are parallels to the events of the funeral as well. Dogs always oppose Dracula, so they may well have been truly howling... but Mina doesn't mention it, so it's possible that was part of her dream. If so it could have been related to the terrified dog she saw at the funeral. Similarly, the idea of water and drowning men, while perhaps just part of the experience of being drunk from, could have been an impression influenced by her thoughts of the story of the Captain and his companions. Another detail, admittedly more tenuous: while the lighthouse isn't in the same area as the cliffs that she and Mina walked to, or the Demeter's crash site, Lucy's spirit still goes towards the edge of water and land... towards the direction the Demeter blew in from?
Even Lucy wanting so badly to go to their spot in the graveyard despite being afraid... It could be due to the incident at the funeral making such a deep impression upon her. It scares/upsets her, but weighs heavily on her mind, and things that are on her mind can influence her sleeping behavior. Mina took her on a long walk that day as well... what if that plays in to sleeping Lucy wanting to go on a longer walk away from the house?
Mina is tired herself tonight, and perhaps doesn't hide the key as well, since she feels like the long walk will have done the trick to get Lucy to rest quietly. And we've seen a build of Lucy being more determined to try and get out anyway, with her having an odd concentration and searching for the key...
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Okay, so, hear me out…
Villain Persephone AU
Idk if I’m gonna make this a fic or not (because I know for a fact it’ll be a long series just like ‘Til Death lol), but here’s a synopsis of the au:
(Under the cut because it’s kinda long lol)
It’s pretty much just the movie, but Persephone is married to Hades and is also a villain that wants to rule by Hades’ side on Olympus lol. She got really tired of being the “yes man” and letting everyone walk all over her all the time, making her do things she doesn’t want to do to keep up appearances. She didn’t want to be the sweet and perfect goddess everyone knows and loves anymore. She just wanted to let go and that’s when she met Hades.
Hades fell in love at first sight after meeting her at a get together on Olympus. They got to know each other and realized that they had so much in common. They started secretly dating until Demeter found out and tried to get Persephone to break up with him. Persephone refused and eventually eloped with Hades (they were gonna have a wedding, but with everyone hating Hades and Demeter being upset at Persephone, they just decided to have their own little wedding in the Underworld). Now, she’s Queen of the Underworld and wants to eventually become Queen of the Cosmos with Hades as her king.
Persephone still has a bit of sweetness to her and is very hesitant and feels really guilty about the “baby Hercules plan”, but Hades reassures her that everything will be okay and she won’t have to worry about anything anymore once they take over Olympus together.
When Meg gets recruited, Persephone gets very jealous (even though Meg wants NOTHING to do with Hades lol) and tries countless times to kill Meg (though, every time she tries it somehow backfires). Hades knows Persephone is out to get Meg and finds it really cute and attractive that she’s so in love him that she’d try to take out another person she found as a “threat”. However, Hades will scold her sometimes if she comes close to killing Meg, but sheesh, he just can’t stay mad at her gorgeous little face.
Meg is tired of having her life threatened by Hades’ wife (even though Hades reassures her she won’t be harmed while working for him). She tries explaining that she’s not interest in Hades in the slightest, but Persephone “wont buy it”. Meg does her best to avoid Persephone at all times.
Persephone works along with Hades to get Hercules (who is now an adult) out of the picture and tries to console her hubby whenever his plans fail. She even goes as far as to manipulate Meg into thinking Hercules isn’t into her and just wants to use her like her ex did, but Meg doesn’t fall for it.
She’s super elated once she and Hades start to take over Olympus (and feels slightly guilty about capturing all the gods and holding them prisoner), but once Hercules swoops in to save the day, she makes a quick getaway with Hades back to the Underworld.
In the end, Persephone ends up falling into the River Styx when she attempts to save Hades from falling in after getting decked by Hercules, so she too is stuck fighting off the angry souls of the River Styx until Pain and Panic finally decide to pull them out.
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