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#Character can have tragedy as a treat
mushroom-for-art · 9 months
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The Rueeee my most fave ever the beloved belonging to @blues-sues! Featuring Rue!Au May who's a bit scarred up bless her and hey when the hell, how, Banny???
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helenkordart · 23 days
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Recently the 4th volume of the english Thousand Autumns came out and when I saw Mimo′s design of beloved old fart Guang Lingsan, all I could say was "awooga humina humina humina", so like
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fromtheseventhhell · 8 months
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Sometimes I see people misinterpreting Arya's character and honestly, all it does is make me appreciate her that much more. George could've easily written her into as a basic archetype and instead, he gave us one of the most complex and well-developed characters in the series and I'm forever grateful for that 🫶🏾
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mayybirds · 9 months
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Important question, do more of the RE8 villagers survive in this version?
Yes, very much yes. I can't, at this time, guarantee any specific characters other than Elena (definitely) and Luiza (probably), and an undetermined number of unnamed villagers, but I definitely plan for some of the villagers to survive.
While the total wipe-out of the Village in RE8 is a lot more believable than other "total wipes" like Raccoon City or the Pueblo in RE4, as it seems significantly smaller than both RC or the Pueblo, and has a more intelligent breed of bioweapon under specific instruction to exterminate the Village, Resident Evil has a weird and kind of uncomfortable history with complete massacres over its long history that I'm always inclined to push against. It's lazy, uninteresting writing to me when it's a trope recycled so frequently... especially given it's very clearly mostly used to provide clean narrative "closure" between each game by eliminating any other survivors other than the main protagonists (and Wesker lol). Like... RE4, for example, functions as a contained narrative because the Pueblo dies at its end. Its function is over in the continued story of "Resident Evil"... it only matters going forth in the context of Leon, Ashley, and Ada as characters. But as a writer, I'm much more intrigued by a version of that story that involves other survivors. What would it mean to live through something like that, not as the hero outsider protagonist, but as a civilian? How do you even recover? Who would you be after?
The weight of the horror of the complete destruction of a place that's isolated to a single game becomes faded when it's the same shit in every game. I'm sick of it, and bored of it. It would hit harder if it wasn't every damn game... better to take it apart and try something new with its empty box.
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indieblueart · 11 months
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A Personal Question
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rollercoasterwords · 1 year
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I READ ALL THE OTHER SAPPHIC FICS YOU WROTE SKFJSJSK it's just that if i think about thtb for too long i'll just lose it completely and i am still catching up on trw!!!!! keep on the dykes we deserve scrumptious goody fics too ❤❤❤
eeeee thank u my darling!!!! i was perhaps a little cruel with thtb i reread it a few days ago just for funsies and well. it's my perfect little monster but it does munch and crunch ur bones a bit i cannot deny!!
and i do not think even god himself could stop me from writing about dykes try as he might so no worries there <3
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rainbowsnowcone · 2 years
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😔💔 I can not stop feeling devastated over Prince Lothric in DS3. You can describe his story as 'Here is a broken and traumatized abuse victim who only played a part in the apocalypse because he was lashing out against the system that treated him like a disposable object and refuses to die for it and it is your job as the 'Heroic Goodguy' to put this evil brat in his place with help from the 'very nice and helpful and concerned' High Priestess Emma who acts like she did not play a part in his lifetime torment and later rebellion. Go murder his elder brother Lorian the only person who truly cared about Lothric and will protect him at all costs. Then beat the ever living crap out of the vulnerable handicapped prince while the brother he is trying to revive is down (You know like a 'big strong manly hero who asserts themselves'). You kill him and take his head like fucking trophy to use it for the sacrificial ritual along with the heads of the others you murdered (YOU ARE HONORING THEM!).
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ardentpoop · 3 months
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deliriously angry at 4 AM abt fucking supernatural
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bibluebutterfly · 6 months
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I think the beautiful thing about the Broppy relationship is how they impact one another.
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Branch’s impact on Poppy is the most obvious in the movies because he’s the one who teaches her to calm down and listen.
But what I think people overlook is the fact that despite her flaws, Poppy never gave up on Branch. Because as cute as they are now, there was a time when Branch was actually pretty cruel to her (ie. Putting her down, smashing her custom made invitations for him in front of her face, mocking her ideals, etc) and probably had been treating her like that for years before movie #1.
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Everyone else had given up on him, basically deeming him as a lost cause, but Poppy never stopped trying. Yes Branch got on her nerves and hurt her feelings, and as far as she knew he would just throw her invitations away afterwards. Yet despite that she still put in the effort to make him custom invitations and genuinely want him to be there.
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And even though he never dared express it, those efforts meant something to him.
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Like we love Branch, but I don’t think we give Poppy enough credit for her role in Branch’s life. He was unkind (to put it lightly) to her for years, but despite that she never held any resentment towards him and still felt that he deserved to be happy. And by that incredible persistence, she worked her way into his heart.
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See, Branch is a character who is completely used to tragedy and people he loves leaving in his life. So that’s partially why he pushed Poppy away and treated her so poorly. But despite that, Poppy was always THERE. She was with him when literally nobody else was. She was naive, optimistic and annoying, but she was there. Always putting the effort to be his friend, and the only one who had any sort of faith in him. He may have been isolated, but because of Poppy he was never truly alone. And even if it irked him, he still appreciated that.
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And when somebody sticks with you literally no matter what, it’s not surprising that he fell more than a little bit in love.
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As for Poppy, she’s slowly becoming aware that she can be a bit much sometimes. She always wants the best for her people but she doesn’t always know how to do that. Branch, even if originally rude about it, has always been able to give it to her straight. And even if he pretended not to care, he still had her back when it mattered the most. And after number one, it looks like he has her back more than ever while still being able to be the voice of reason. Which yes, Poppy definitely needs.
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(Gah I wish I could put more pictures to elaborate my point but y’all get it.)
Anyway. They’re not perfect characters, but they are perfect for each other. Branch supports Poppy but gives it to her flat out. Meanwhile Poppy too supports Branch and is stubborn enough to stick by him, even when he’ll intentionally and/or unintentionally push her away. And that’s just gorgeous.
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bbygirl-paul · 27 days
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dune really explores every possible way someone can die without actually dying. paul's childhood self dies the night his father does. his atreides heritage dies when he seeks revenge. paul himself dies when he drinks the water of life. jessica the wife dies the night leto does. jessica the mother dies when she drinks the water of life. the girl alia could have become dies in the womb. stilgar dies when he becomes a follower. the fremen die when they leave their home to fight paul's war for him. the narrative treats every one of these deaths as a tragedy, as a palpable loss; the ghosts of who these characters were or could have been remain to haunt the narrative long afterwards.
(expanding on my original tags from this post)
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damianwaynerocks · 4 months
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yes, i want to see dick grayson get angry because he deserves to get angry and express that anger but also i think it's really cool and realistic that we always see him push it down.
dick lost his parents when he was 9 or 12, depending on the comic you read. there's a ton of research out there that shows that losing one of/both of your parents at a young age can cause abandonment issues. like, serious abandonment issues. sure, they didn't leave by choice, but it doesn't change the fact that the two most important people still left you alone. and yeah, he had bruce, but as much as bruce tried, he wasn't a parent.
so dick, realistically, would have abandonment issues. and there's also a lot of research that shows that sometimes- not all the time, but sometimes -people with grief-related abandonment issues are terrified of showing their anger because that means people might leave them. ya know, people pleasing. and this happened! several times! anytime we see dick get mad/make people mad, they treat him terribly. even if he was justified, even if it wasn't his fault (like bruce making his siblings think he was dead). dick is shown over and over that if he gets mad, the people he loves will treat him badly or leave him.
and i know comics aren't realistic, especially batfamily ones. not at all. but i think it's kind of cool that even if it's an accident, dick grayson forcing himself to push down his anger is really realistic for someone with grief-related abandonment issues and idk man it's sad and a tragedy and i eat it up when characters behave in ways that readers can trace back to their trauma
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spider-chris06 · 8 months
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Do you know why Spider-Verse Miles is my favorite Spider-Man?
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He, without having a choice, had to do in two days, what took all the other Spider-Sonas in the multiverse weeks, become Spider-Man, all under the unimaginable pressure of being the successor to the previous Spider-Man of his universe, which left the bar too high, having to meet everyone else's expectations, and having to go through a tortuous journey while learning from his mentor.
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Even when the spider-gang not only didn't trust him but even seemed to dislike Miles at first (Except, of course, Gwen and Peter B, who are very special cases)
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And pressing him to see if he was ready and treating him like just a kid (Even Peni).
All so that he then went to his uncle, who was like a second father to him and someone who truly understood Miles, only to find out that he had always been a hitman, going so far as to almost end with the life of his nephew, until he realizes what he was about to do and... well, tragedy happens.
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The death of Uncle Aaron, due to the depth and history behind it, remains the most tragic "death of Uncle Ben" in all of cinema... ever.
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Miles stopped being the same since then, and even when a hurricane of emotions possessed him, he learned that no matter what, Spider-Man always gets up and keeps going, at the same time he learned to take his leap of faith. Before becoming Spider-Man he had a normal and happy life, but after being bitten by that spider his whole life fell apart, but of course, Miles is someone truly strong and full of determination thanks to the people close to him.
In two days, he surpassed almost the entire Spider-gang, and in a year and a half he become almost a professional as Spider-Man, even giving lessons to everyone else, and making it clear to Gwen and the others what truly means being Spider-Man, not standing by crossed arms while someone is in danger, but trying to do everything you can to save everyone, doing both things, even when it seems impossible, Spider-Man should always try, because everything it's possible.
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At the same time that Miles felt stabbed in the back by the same people to whom he wanted to dedicate his entire future just to see them again since he felt alone and sad inside in the world without them, and, specially, without Gwen.
And let me remind something, Miles actually thinks she doesn't even love him and only sees him as a friend, but he still wants to see her
On the ATSV betrayal, he release all that hurricane of emotions that he had to swallow and accumulate inside during ITSV and during that entire year and a half for not having time for ALL those things said before, leading him to have anxiety and panic attacks (Something confirmed in the synopsis of the short "The Spider Within")
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All so that they later reveal to him that he was a mistake, an anomaly, that he should never have been Spider-Man, that he killed the Peter of his universe, causing everything that gave MEANING to his life fell down in just a few minutes, leaving Miles more traumatized, mortified and with more trust issues than he already had before.
He really became one of the most tragic character of all the saga (Along with Peter B and, put it in some way, Miguel O' Hara)
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And just because Miles looks with a cool and chill personality doesn't mean he's any less traumatized and mortified on the inside (An example is Andrew Garfield's Spider-Man).
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Even though in the comics that nickname is only used because that is what his universe is called, in the movies, on the other hand, even though there are people on the internet who deny the fact that he is currently becoming an unstoppable phenomenon that is marking an entire generation and will mark future generations, Miles Morales proved to be, without a doubt, the Ultimate Spider-Man.
As a bonus, even though she always screwed up with everyone around her, both the living and the dead, Gwen showed that she really loves Miles and that he truly is the love of her life, however, needless to say, she has a lot of work to do in her redemption arc to be able to fix things with Miles, which will be very difficult but not impossible, even more so taking into account all the hate she received for everything that happened in ATSV.
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Now she has to PROVE not only to him, but to all of us viewers, that she truly deserves to be with Miles, that they can have a life together by her own merit, and that all the hate towards her after the ATSV release it's truly unfair.
However, I have to be realistic, there are characters like Peni or even Peter B who should not be anything more than simple 'acquaintances' or 'partners' for Miles, since, with what they did, the term "Friend" It's too big for them.
In any case, Miles has the last word.
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staryuee · 4 months
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Hii friend <3
I dont know really know if requests are still open but i wanted to ask if you could do any genshin characters with a rude s/o?
If not you're always aloud to delete the request :)
HOW YOU MAD AT ME, ‘CUZ I’M CUNT, BITCH?
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꒰warnings꒱ cursing…obviously LOL
⠀꒲ ` synopsis . . . you wouldn’t call yourself rude just…”free-spirited” and liberal in your word choices~! ^_−☆
⠀꒲ ` characters . . . eula, xiao, thoma, ei, furina, navia, wriothesley
⠀꒲ ` notes . . . if i had a victorian era shilling for the amount of times my friend has called me rude after i’ve made a comment about something i would be the next ebenezer scrooge (⊙_⊙)
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EULA — 优菈
now while eula would normally abhor at the foul language and insults that so easily spew from your precious lips, she actually can’t help but be oddly bemused.
i mean her expectations for linguistics are awfully high, one mustn’t speak with little eloquence but your brashness was oddly…charming, and refreshing in a way. you weren’t afraid to offend people, and simply enjoyed the motto of “i won’t apologise for what i said, i’ll apologise for how it made you feel.”
eula is of course someone who’s treated like the poster-woman for the concept of rudeness given her past and current feigned ego, so honestly you sort of make her feel better about herself — not in a negative way, in the way that she just simply doesn’t feel that lonely anymore.
if anyone has so much as a word to speak against you due to something you’ve said, they can speak to her first. the entirety of teyvat is allowed to shudder if she so much as so breathes, but when it comes to you? vengeance will be severed with a side of wine.
XIAO — 魈
stop. please. xiao is already overwhelmed enough by the varieties of his duties, all his patrolling — and now he has to make sure his lover isn’t in an argument with someone or being threatened to literal death.
he frankly doesn’t really care about the way you speak, sure it’s surprising at first since the majority of people in liyue hold themselves in a way that seems a bit more…calm, but then again sometimes that within itself can be seen as a rude attempt at pacification of genuine feelings.
you’ve never been mean or rude to him, directly at least, so he literally doesn’t care how brutal or venomous your words are, so long as you don’t get yourself in too much trouble. people haven’t seen the yaksha so an edge whenever a person opens their mouth since, well, ever.
he’s never brought up your attitude or personality; he loves you wholly, even if some parts of you are a bit more prickly than rosy.
THOMA — 托马
“haha, they were just joking!” you ticked off another five on your little notepad with a careful swoosh of your pen.
thoma has had to repeat that very phrase so much to the point you’ve been keeping a safe tally on a notepad of whenever he says it. to be honest, you don’t even believe five can be multiplied this many times…
your rudeness and foul language comes as an innate package, and thoma has no problem in neatly tying that package up with a little bow to placate whoever you managed to horribly offend that day. you fear that one day, if thoma isn’t there, you’ll find yourself being interrogated by kujo sara, maybe in a more lucky scenario heizou, herself.
“thoma can you do this f—“
“no.”
“i— wasn’t asking you??”
“you didn’t need to, now fuck off (๑・̑◡・̑๑). don’t be incompetent and you wouldn’t have to ask someone else to constantly do shit for you.”
RAIDEN EI — 影
if not directed to herself directly, she finds you absolutely amusing. she literally cannot be a spokesperson against rudeness after her uhum many self-made and self-fulfilled tragedies, plus she herself can be rather verbally off putting therefore, she has little problems with how you address others.
she does, however, keep a very keen eye on you to make sure you don’t stir up trouble with the wrong crowd.
but, hey! the great thing about dating a highly revered archon is the fact literally no-one will speak out against you.
“[name] told me to kill myself when i said hi in the morning…” and guess what? all of a sudden they have a long voyage to the fiery volcanoes of natlan planned out. criticism is only allowed if it’s aimed at her, not you — you’re basically an extension of her, if anyone so much so demeans you because of your attitude, it’s almost like they’re disrespecting the electro archon herself.
that’s a crime the citizens of inazuma have long learned the lesson of.
FURINA — 芙宁娜
she loves you purely for the theatrics and dramatics you always managed to find yourself in. it always seems like drama follows you wherever you simply step — and hey, she’s an actress, it’s no wonder she’s so easily charmed and swayed with the way your voice rings out blunt responses like it were second nature.
and to be fair, she’s a massive instigator of conflict. on the sidelines of course. so when you perhaps “accidentally” rub someone the wrong way, she can’t help but use sarcasm to throw fuel into the fire and watch the hellish flames burn as she kicks back with a cup of tea and a slice of cake (you know, like a true mirror to marie antoinette)
i think your duo would be even funnier and more undoubtedly chaotic if you have british humour and or slang equipped because let’s be so real if this was modern furina would force neuvillette to act like her roadman guard-dog while she sold 50p sweets during break time to the year 8s. throw in a little “yute” or “op” and she has heart eyes all over you (i promise this is all for the sake of comedy…)
NAVIA — 娜维娅
the best part of being in a relationship is being able to chat shit about anyone and everything, because well, you’re each-other’s everything already, why rely on the kindness of strangers for validation?
you and navia do the thing where you’ll subconsciously glance at each-other from the corners of your eyes when someone (or people) say some dumb silly shit. the problem being, neither of you can keep quiet and immediately will begin giggling and will make it inevitably worse by whispering to one another “stop!” and “don’t laugh—“ while holding your mouths to stifle yourselves.
this leads to people being rather nervous to speak to navia when you’re around. usually, navia is very friendly and softly spoken; often she’ll be a rather happy-go-lucky and caring girl who smiles no matter what — of course this doesn’t mean she’ll allow people to walk all over her, but hey she believes in second chances — but when you’re around…people will loiter around creepily before gathering the courage to ask for help or whatever they need.
navia is at heart however, a very loving and respectful person so she will remind you of when you’ve stepped out of line. sometimes rudeness is just an innate quality that people have and it’s sometimes not intended out of malice; even petty things like lateness or speaking out of turn counts as “rudeness”, and navia is here to either make excuses up for you or to defend you from criticism ☆〜(ゝ。∂)
WRIOTHESLEY — 莱欧斯利
oh he absolutely eats this shit up. every argument, insult, fight etcetera you’ve ever had is kept in a personal file somewhere in his cabinet just for memories sake. wriothesley’s life is already quite dramatic and hectic as it can be, the fortress of meropide could honestly sometimes be described as a form of circus within itself especially if you’re involved, but he revels in your antics nonetheless.
you’re literally so fucking hilarious, each time he hears those heavy doors heave open beneath him he just KNOWS shit has gone down and you’re about to dramatise it for him live.
you best believe he’s an instigator the same way furina is; whispering to you and then giggling when you use his encouragement as some sort of reference while you practically spit venom at the person who’s unfortunately become your centre of focus.
he won’t allow you to stir up too much trouble in the fortress of meropide but being his partner you get the perk of not getting into nearly as much trouble as you would if you were one of the criminals down in the fortress (unless you are then…well you’re special so it doesn’t matter!)
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©STARYUEE do not copy, steal or repost ♡ ᴜsᴇᴅ ᴛᴏ ʙᴇ ɪʜᴇᴀʀᴛɢᴀɴʏᴜ
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madamemiz · 4 months
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y'know what i find interesting about sun now that hw2 is out?
i've seen various interpretations of him since the game's release with all the new dialogue and scenes we got ranging from "stressed and in bad need of a cigarette and a three year vacation" to "petty bitch" to "caring but pushed to his limit" and like
the thing is, they're all right
he probably played favorites with some of the kids--cassie's testament combined with his general mannerisms certainly make me think so. sun is a little mean to the player character. he insults you, he talks down to you, he treats you like you don't have two brain cells to rub together when you screw up. in the carousel level, he's clearly begrudging that he can't simply do the job himself. he is petty and he is stressed and he is frustrated
you'd think, then, that sun would happily let moon do what he will with the human employees he clearly detests, with the kids that obviously frustrate him. you'd think he'd make good on his threats to turn off the lights himself, to let these people get what they deserve. how many times have we dreamed of petty revenge on the shitty customers and coworkers we've had to deal with in our jobs?
he doesn't. instead, he resigns himself to a life of isolation to keep moon in check, doing whatever he can to keep anyone else from getting hurt or dying. despite all his hot air, sun cares. deeply, selflessly. when we see him during the ruin segments of hw2, he's shaking in fear, hiding in scant light he has access to in his and moon's horrible room, out of easy reach from most, trying in the only way he can to keep more tragedy from occurring. he knows how bad his situation is; he's acutely aware of it in a way most of the other animatronics don't seem to be. his actions speak far louder than his words, and god knows he has plenty to say
sun is a deeply flawed person who tries to do good in spite of it all, and to me, that's fascinating
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how does one cope when mid-way through they realize they are writing a tragedy and there is no possibility of a happy ending? especially when that was not the original intention? i'm absolutely gutted by this realization and i hate that i feel wedded to it.
Upset Because Story Went Off the Rails
You're a Writer, Not a Marionette - Long ago, I bought into the believe that characters and stories have minds of their own... that it was beyond my control if my character did X when I wanted them to do Y... that there was nothing I could do if my happy meet-cute story decided to be a dark tale of horror. It can be kind of fun (and freeing, honestly) to believe we're just helpless vessels through which some greater storytelling force speaks, but that's not the case at all. There's no magical entity pulling the strings beyond your control. If your character does X and you wanted them to do Y, you did that, not your character. If your happy meet-cute turns into a tragic horror, you did that, not your story. You're the writer, and you're in control of everything that does or does not happen in your story.
Does It Make the Story Better? - Human brains are incredible things, and sometimes when your character does X when you intended for them to do Y, it's because some part of your brain realizes that's the better choice. Maybe it's more believable or more natural. Maybe it just works better with what you're laying out. Maybe it's just more interesting. So, the trick is to look at the unintended thing that happened and ask yourself if it makes the story better. Make a list of pros and cons... what are the ways the story is better if you stick with X rather than Y. What are the ways it's worse? Ultimately, if the change truly makes the story better, it's worth following through.
Beware of Story Parasites - Parasites are organisms that invade and thrive inside a host organism, at the host organism's expense. When you're writing your WIP and it takes a massive shift in tone, genre, or direction, sometimes that's because a whole new story idea has bullied its way into this one and is now feeding off this story to survive. If the unintended thing doesn't make the story better and leaves you feeling upset about the direction things are heading, you've probably got a story parasite. In which case, the best thing you can do is write the idea down as generally as possible, and set it aside to work on another time. Treating this invasive idea as something distinct from your WIP can help you move on and keep your story on its intended path.
What To Do When the Change Has to Stay - Very rarely, you may find that story's original direction just isn't working, and that this new (and vastly different) direction makes for a much better story. In that case--if you're absolutely certain this is the right path--it's worth making a list of all the reasons this idea will be better. Try to imagine what the story will be like if you stick with the original plan, versus if you make the drastic change. Can you think of anything that excites you about this new idea? Can you find reassurance in the many ways that this story shines versus the original idea?
Ultimately, It's Up to You - If your story takes an unexpected and upsetting turn, and you're certain it's the superior course, and that there's no point in pursuing the story's original path instead, it's worth really taking a look at why it's so upsetting if it's the right thing to do. If you're disappointed that your original plan didn't work out, spend some time trying to figure out how to make the original plan work better than the new idea. If you're upset because this idea is too personal or triggering, set it aside and see if you can come back to it later. You're not obligated to keep working on a story if it shifts in a direction that makes you unhappy or uncomfortable. You can set it aside or figure out a way to keep it in your comfort zone.
I hope that helps!
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ironwoman359 · 1 year
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Me: not EVERY character in this story needs a tragic or upsetting backstory…
Me: ….
Me: ok this one can have a little bit of tragedy, as a treat
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