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felixscatton · 2 days
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AUSTIN BUTLER as FEYD-RAUTHA DUNE: PART TWO (2024) dir. Denis Villeneuve
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can you write feyd rautha + jealous sex + something devious to do with a knife,
of course! hope you enjoy.
MINORS DNI- smut ahead you will be blocked <3
Possesion, Feyd Rautha. 18+ Content.
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Warnings; knife riding, possessive behaviour, handjob, feyd calling u good girl 🤭
You hadn't known how you had gotten here, one minute you were enjoying a civilized conversation with Glossu Rabban about spice production, the next you were yelping as your husband whirled around the corner so suddenly and beat his brother to the ground; curtly picking you up and thrusting you to your shared room. His anger knew no bounds as he demanded you to ride the hilt of his beloved knife, was it such a crime to talk to your new in-laws? Apparently so as Feyd-Rautha had you moaning like a wanton whore on his metallic dagger.
“Oh, Feyd,” you moan out, eyes fluttering shut as your pearl moves against the hilt, a whine leaving you as you move your hips, trying to position it at your entrance despite yourself, “Please, my lord.” You whimper, growing desperate to be filled, even with this part of him.
Feyd shushes you and abandons your breast to grasp at your hip again, pressing soft kisses to your neck as takes heed of your pleas and helps you lower yourself down. His cock stirs within the leather of his trousers, already straining against the fabric as he watches your cunt swallow the hilt of his knife.
“That’s it,” he coaxes, guiding your hips with one hand as the other snakes up to your throat, smirking as he feels your moan vibrate against his palm, “There’s my girl.”
Your eyes flutter shut as you lower yourself down fully, sheathing the dagger within you. The smooth leather of the hilt feels amazing against your walls, as its curves and bumps hit all the right spots with incredible precision.
You cannot help the whimper that tumbles from your lips at Feyd’s words, your walls clench at the leather shaft as you begin to move, impaling yourself on the stem again and again as your husbands blown eyes watch you with awe, his own chest heaving as he notices the way your slick shines against the metallic cover, his mouth open as he panted.
“I’m the only one who will be able to see you this way, writhing and whimpering; for me and only me.” His voice was gruff as he lay claim to you, his possessive behavior only turning you on further.
Your fingers travel and dug into the sheets, clutching the fabrics. Your fingers crawl towards the man before you, finding your husbands bulging length.
Feyd groans against your lips as you grasp his length through his trousers, rubbing over the bulge before desperately pulling at the laces of his breeches. He helps you, taking pity on your shaking hands, and groans lowly into your mouth when your hand wraps around his length, quickly stroking him.
One of the etchings on the handle brushed deliciously over the sensitive spot within you each time you buck against the dagger and you melt against his chest as you swirl your hips, grinding yourself on it.
Feyd is all but animalistic as he groans and growls and licks into your mouth desperately before pulling away from you with a sigh, only to press hot kisses to the column of your throat; one hand fell to the blade, tapping it in a rhythm; as the other leaves your neck to tap over your aching pearl.
“Feyd!” You moan loudly, stroking over his thick, pulsing cock with one hand, keeping time with your hips as you sink over and over onto the handle of his dagger.
“Don’t stop, don’t stop,” you pant, the fire in your belly threatening to consume you as your husbands fingers firmly circle your bud, “Feyd-“
“Let me have it,” he grunts, determined not to finish until he sees you breaking apart in his arms, “Give it to me, all to me, wife.” He coaxes, doubling his efforts on your sensitive pearl.
You feel your walls clench around the metal; the rhythm of the blade rubbing against your sweetest of spots pushes you over the edge as you whimper so sweetly, your fist still wrapped around feyds cock.
"That's it.... good girl." He smirked at your state; you panted as you looked up at him once more, eager to get the job done as you started moving your hand once more.
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HEIRESS OF FIRE AND BLOOD
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After the end of the Dance of Dragons, Rhaenyra's daughter takes the Iron Throne as her mother's successor. She played an important role during the war, killing her uncle Aemond at the Battle of the God's Eye and preventing the Green Army from slaughtering the cities. She became the desired ruler thanks to the fear she instilled with her dragon, but also to the kindness she showed to ordinary people. When Baron Harkonnen learned of this situation, he decided to send part of his army, led by Feyd-rautha, to defeat the weak girl playing queen so that he could claim another planet. But little did he know that his army would be met with resistance of fire and blood.
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ginnysgraffiti · 17 hours
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jealousy, unprotected sex, violence, anger, cursing, fingering, 18+
&. PAUL ATREIDES x yn
could you blame yourself?
no, not really.
not the way you claimed it, at least.
you always placed so much trust and respect in the visions that paul witnessed in his dreams, for they usually concerned the holy war or future events not clear to his complete awareness yet.
however, you never expected something like this.
you couldn't say exactly if it was due to the fact that you and paul had established an increasingly stronger connection and intimacy, but you were sure that it was definitely because of other factors.
paul and his intuitions had been (disturbingly) accurate for weeks, and your boyfriend was even able to see your sexual needs in his visions.
you liked it, yes. it turned you on like hell, and you knew it had the exact effect on him.
you recognized paul's gaze when he had visions of that kind, you glimpsed it through his hungry eyes and you experienced it when his strong hands destroyed your body.
you lived with a certain constant tension, but your inner self knew that you just wanted that moment to come.
"shut that fuck up! take my cock like the slut you are!!" paul's hand slapped your butt, causing a bitter tear to fall from your face.
this excited him greatly and with his other arm he twisted your legs around his waist, making you arch your back to welcome his wet and warm dick as deeply as you could.
you didn't know if it was your fault, but paul was so furious he would have swallowed you alive.
"look at me in my eyes, damn it! or do you want me to call him, uh? to call your beloved feyd rautha and make him fuck you like i do!?"
"paul-"
yet another thrust of his hips brought your hip bones to clash painfully with each other.
you left a loud and pleading moan but his quick fingers choked you in time and reduced it to a pathetic strangled scream.
"who's the one who touches herself while feyd's name slips down her tongue?! her damn fucking tongue! uh?!"
"p-...paul it was just a-a...a vision-"
deadly move.
the bed creaked and for a moment you imagined the springs surrendering to its bloody rhythm.
your boyfriend grabbed your hair mercilessly, almost detaching them from the roots, while his cock was destroying your inner walls beyond limit.
you were crying, but you were just choking on your own moans and sobs, like a sinful child.
it was just a vision, in fact...but now he was going so rough and raw that crying more made you feel real slut.
your sight was still granted to you, even if your retinas were caged in tears as hot as spice.
you could see him, see your boyfriend taking your pussy with a heavenly expression on your face, perhaps the one you wore in his dirty visions.
his mouth was wide open with pleasure and his eyes closed with excitement. he moved his hips for his own burning pleasure, making you aching, sore and wet all in.
"I don't know what would turn me on more, maybe you really deserve to end up in his maniacal arms! you would regret it of course, but it would be too late to go back!!"
you wished somebody could hear you for your own sake.
the wet and sticky tip of his cock was roaming roughly inside you, but the initial pleasure had reduced you to an unbearable burning sensation. you could feel your chest confiding with every sob, but his hands would travel again, landing on your throat already full of purple, almost black bruises.
"you're so soaked, you little whore. you don't even deserve it, on my sheets!!" he groaned, his own anger causing every vein to pump on the smooth skin of his neck, making him there red with anger every time the jugular pumped before your eyes.
he grunted like an animal too proud for the zoo. he wanted to destroy you until you couldn't stand up anymore.
humiliation.
you could feel his tip reaching the deepest places. you knew that paul didn't care about protections in these extreme cases (even if it was the first time he was so out of it), thus implying that he would even risk pregnancy to satisfy his dick to the point of nausea.
"you hold on too well-"
you held the sheets for dear life when you felt him pushing away but replacing his sex with one of his agile fingers between your sores.
you gasped as he pecked at all the soft spots of yours. he knew too damn well you were too vulnerable and breakable when it came to his experienced hands.
at the same time you knew how much effort would be required of him to make you suffer precisely, hoping he would get tired.
"so fucking sensitive-"
he inserted another finger, moving at an exorbitant speed. you could feel your wetness even reaching his wrist.
ashamed again.
"p-paul-...i beg-"
he entered you using his thumb to reach your clit.
you moaned as he lapped at your walls, sliding his sizzling tongue into the heat.
he raised his lips sucking greedily, sliding two fingers in once more.
his grunts made everything wetter.
your body came moaning and shaking, your eyes rolling back.
you whimpered as you felt his cock filling you up, preventing you from coming any further.
"p-...paul, you know you're...the only one i love! a vision doesn't mean anything! i-...i- had always loved you, you're the boy of my life, the one who always had all his trust posted about me. so i ask you praying...believe me..."
your boyfriend moved one inch, hitting your weakest and most stimulated point.
you could feel a slight gag rising in your sore and dry throat as the last bit of lucidity left your body in a deep sleep.
[...]
when you wake up a strong pang pierced your forehead, making the room square and moving around you.
paul was curled up on you, not completely resting on you so that his weight didn't give you even more trouble regaining consciousness.
his white and puffy cheek was resting on your bare breasts, a hint of saliva at the sides of his red and swollen mouth.
you couldn't move so you didn't even try, until you felt something holding you back.
paul was lightly sleeping thanks to a bene gesserit relaxation technique, you could now sense that he was completely alert and attentive to your needs.
his delicate hand was hugging your wrist, listening to your heartbeat since you had probably passed out.
you knew that in the end, he loved you more than anything on that planet.
you were his duchess already.
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lovelyy-moonlight · 2 days
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Léa Seydoux and Florence Pugh.
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coffeeecatss · 2 days
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“I will show you the way”
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Feyd Rautha is a femboy by Harkonnen gender presentation standards. No I will not be elaborating.
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sihayadunee · 1 day
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🌘 THE ECLIPSE a UNION of OPPOSITES 🌒
an analysis of the mythic motifs in dune part two through the lens of mythologist joseph campbell, and some predictions for dune messiah
• Divine Couple
• Death and Rebirth
• Redemption Through Divine Union
• House of Atreus
• Lunar-Masculine / Solar-Feminine
• Goddesses
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THE ECLIPSE
This motif has been connected to Dune since the first film’s promo, especially with the concluding track of Dark Side of the Moon accompanying the initial trailer. Some fans believed this theme had been dropped as it wasn’t very present in the first film. However the eclipse continued throughout the promo of the second film. This was because Part Two is where the real pay off is, already in the first 10 minutes.
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This concept is intrinsic to Denis Villeneuve’s adaptation. Since the first film I have been saying that Dune embraces the Lunar-Masculine (Paul) and Solar-Feminine (Chani). However beyond just that, Dune: Part Two showcases multiple pairings of the lunar-solar dynamic.
But before we jump into that, let’s establish the meaning of an eclipses in general mythology. Typically they are a symbol of death and renewal. Common interpretations have a beast devouring the sun, or a celestial couple evading or pursuing one another. These interpretations are consistent over and again in Dune.
What we will see, is that the greater Imperium holds a Solar-Masculine identity, but when it comes to Arrakis there is a distinct shift to the Solar-Feminine archetype.
PAUL as the MOON
There are an innumerable amount of connections. Bull motifs are reoccurring throughout the first film, where he grew up on a water world. After all, the moon is associated with the tides. He takes the name Muad’Dib, and one of the moons of Arrakis has the icon of a Muad’Dib aka Desert Mouse visible on its surface. And ultimately, Paul experiences rebirth in Part Two.
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The bull is a figure of sacrifice which aligns very well with the lineage of House Atreides which can be traced back to the House of Atreus and it’s curse of familial murder, betrayal and symbolic consumption. Sacrifice of the children in each new generation.
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IRULAN and the GOLDEN LION THRONE
Starting here is a good place, because it shows the transition of the Solar-Masculine of the wider Imperium toward the Solar-Feminine of Arrakis. Irulan Corrino of House Corrino is the daughter of Emperor Shaddam who sits on the Golden Lion Throne. His reign is coming to a close as Paul rises on Arrakis, and with no male heirs Irulan his eldest is the successor destined for marriage. In this way Irulan becomes the embodiment of the Lion Throne, and her determination in Dune Messiah to produce Paul’s heir becomes clear. That function of the Queen Mother and how that feeds back into the Solar-Masculine as the King becomes tied to the lion and the throne once more.
In particular I would say her story is best reflected in the myth of the goddess Cybele who falls for Attis and when he falls for a mortal girl Cybele plots betrayal. Something for which she later feels guilt and tries to make amends for (Children of Dune).
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PAUL and JESSICA
Their dynamic is incredibly complicated, but I think the opening of the film during the eclipse sums it up very well. You follow the path of the moon as it covers the sun, and as it meets its full coverage Paul is the one taking action in the fight against the Harkonnen. However as the moon passes by and the sun takes over again, Jessica emerges to save Paul’s life.
This was intentional by the filmmakers, as is revealed in the Art and Soul of Dune Part Two, DP Greig Fraser identified the exact time, date and location in order to shoot the sun as it appears directly behind Rebecca Ferguson.
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Jessica represents the sun on Arrakis, and in this scene we see how the moon dies into the sun to be reborn in their dynamic. It also lines up with motifs of the sun goddess giving birth to the sacrificial bull. Sacrifice toward this death and rebirth.
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What we see is the separation of mother and son that brings them back together in the same place. Paul takes the lead and rejects his mother’s influence, but she leads him toward the death and rebirth he must experience, and this brings them back to a common understanding.
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This is also why having Jessica sit the Atreides “throne” in the finale instead of Paul (who did so in the book) makes mythic sense. Because again we return to the Solar-Feminine mother as the throne, and her son as king. But in a different context here then what Irulan aspires toward.
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A SYMBOLIC UNION aka THE BULL SACRIFICE
The House Harkonnen family seal in the books is the griffin, which makes his introduction in a gladiator arena killing Atreides even more appropriate. Feyd’s birthday is also associated with a solar event. Because ultimately Feyd is the matador and Paul is the bull.
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What works so fantastically about the dual, is how it is bathed in the sunlight. After all, the sun figure (day) is facing off against the moon (night) figure in this sequence. Plus the bull was the eventual demise of Paul’s grandfather who was a matador. This takes place at sunrise, and it’s a dual for the throne, where whoever is victorious inherits the Golden Lion Throne. The
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Denis specially describes the dual as a symbolic union, and it works on multiple layers. This bull sacrifice, is in essence the quote from part one of “when you take a life you take your own” so Paul killing Feyd is penetration, intimacy, it is rebirth.
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It is also reminiscent of how Campbell describes the sun-moon twins of Navajo myth:
The two, Sun-child and Water-child, antagonistic yet cooperative, represent a single cosmic force, polarized, split, and turned against itself in mutual portions. The life-supporting sap-power, mysterious in the lunar rhythm of its tides, growing and decaying at a time, counters and tempers the solar file of the zenith, life- desiccating it its brilliance, yet by whose heat all lives.
— Joseph Campbell's Commentary from "Where the Two Came to Their Father: A Navaho War Ceremonial" by Jeff King and Maud Oakes
DESERT SPRING TEARS and DIVINE UNION
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There is a section in the Dune Encyclopedia that talks about the foundation of the Bene Gesserit beliefs. In particular the teachings of a certain ancestral memory personality, called Inanna (yes that is the name of the Sumerian goddess who was also in a divine union caught between life and death glad you asked) about the Kwisatz Haderach. It basically establishes that the entire premise of the Bene Gesserit and the Kwisatz Haderach is in essence the Divine Couple.
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It specifies two mirrored dynamics the son saved/resurrected by the mother and the husband saved/resurrected by the wife. Inanna called them Au Set and Au Sar. The Kemet names for Isis and Osiris. The idea of the Bene Gesserit would have this as the mother of the KH, and the Corrino princess he would have married. But with things thrown off course, it represents outside their control.
In Dune, we see it between Paul and Chani. Like Isis who has the solar disc and Osiris who is tied to water and death, her lover has died and she is the one to revive him.
Furthermore the concept of mythical tears can be found in the goddess Freya (who arguably is compatible with sun-goddess motifs) who weeps when her husband Odin is lost to her.
But perhaps most compatible—the healing tears of a phoenix. A bird archetype similar to Isis as bird. This is where the yin-yang dynamic of Chani and Paul becomes most apparent, since the serpent is synonymous with the bull and therefore Paul who “makes peace with Shai-Hulud” encompasses the dragon (yang) as a complement to Chani’s phoenix (yin).
In the behind the scenes of Dune Part Two, the Maker Temple is said to be designed like the infinity symbol with the two circles (one of sand and one of water). Sand being death and water being life, but also the reverse. As the sandworm thrives in the sand but is drowned in the water. And Paul is stuck between life and death, literally laying between both pools, when Chani comes to resurrect him.
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This film literally has three kisses. Their first kiss when Chani says she will show him the way of the Fremen, their second kiss on screen when she says he will never lose her before going South, and the third symbolic kiss of life.
This marriage/death is also foreshadowed in Paul’s visions in Part One when Chani kisses him and then stabs him. Which is where we return to Isis and Osiris because Paul’s death state (dying again as we established, after killing Feyd, similar in a way to Set and Osiris) is where we will eventually get the twins Leto II and Ghanima with Leto II being the Horus in this equation.
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As the Pink Floyd lyrics say, the sun is eclipsed by the moon and this is captured in the heartbreak Chani feels over losing Paul and losing her people to the Lisan al Gaib. The Fremen way of life has been eclipsed and over taken by the Atreides and the Bene Gesserit. Here we see more of the concept of that beast devouring the sun from the beginning, verses the celestial couple dynamic.
Chani leaving the residency chamber is also reminiscent of certain myths like Amaterasu going into hiding, or the Inuit folktale about the sun goddess fleeing her moon god brother/lover who pursues her.
However the Dune Encyclopedia also talks about the concept of redemption (which is why in the film Mohiam asks Margot if Feyd is capable of redemption) of the “mate savior”. The Kwisatz Haderach. They would bring about a release from bondage through redemption and rebirth.
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Which is relevant to the dynamic of Paul and Chani in Dune Messiah for Denis, because he has said Paul is going to be looking to save his soul in part three, and how Paul and Chani come back together won’t just be explained away off screen between films. It will be that continued cycle of rebirth, through redemptive love. Rebirth as a whole in Dune is worth its own discussion, since all the different Jungian descriptions of it can be found within this universe.
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CONCLUSION
The eclipse, a lunar-solar dynamic representing the union of opposites, is very significant in Dune Part Two and sheds a lot of light onto what we can anticipate next in Dune Messiah, particularly in regards to the central romance between Paul and Chani and the changes Denis has made from book to screen.
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evilbubu · 23 hours
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The way it took me seeing Austin butler as feyd rautha to finally be like: oh yeah, he's cute. Sorry but the bald knife weilding crazy boy hypnotised me.
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harkonnin · 12 hours
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* The heart is not meant to rule *
Feyd-Rautha Harkonnen x Atreides!Reader
Slow burn, knife kink, blood kink, strangers to lovers, softer!Feyd-Rautha, CONSENT, 18+, arranged marriage, assassination, poison, murder, etc
Previous Chapter - Resurrection Current Chapter - Never lose me
***
It had been a few days after Feyd left to go back to Giedi Prime, wedding preparations he said. He didn’t leave you much time to bond after the kiss, nor did he have need for a conversation about feelings. You attribute it to his upbringing, assuming Harkonnen don’t talk about their feelings at all. So, you stow away yours for now.
*
Feyd wanted to make haste, he wanted nothing more than to stay on Caladan and ravish you before the wedding, but he also respected his duty and the rules involved with an arranged marriage. Should he break those rules, he wouldn’t be able to marry you. Intercourse before marriage wasn’t frowned upon, it was downright illegal. He had to put a distance between the both of you before his feelings could settle in the pit of his stomach and he lost all control.
*
A few weeks pass while Feyd is busy sorting out all the legal business, talking to servants to import certain items from Caladan, and even requesting an answer from you concerning your wedding dress and the sort. You receive the message during a sparring match with Duncan, who has been training you extra hard upon hearing the news that you were going through with the marriage.
He sees your face contort after a member of the staff gives you the message and asks what you want to respond with. It felt so, indifferent and impersonal, a message as black and white coming from Feyd, no love to be found, no greetings, just a demand. You frown as you respond to the messenger and turn back to Duncan, sighing.
He stays silent for a few moments, until the messenger leaves.
“I know it is not my place Lady, but do you mind if I give you any advice?” he sounded sincere and worried.
You nod at him, curious.
“Please don’t marry Feyd. I know it might seem like a good idea, if we’re speaking about bloodlines and dukes and barons, but… you should be with someone who loves and respects you.”
He got closer to you as he spoke those last words, his hair partially stuck to his face because of the sweat of battle. He extended his hand for you to take, and you did. Feeling anything at all was better than the dryness that got stuck in your throat when you received Feyd’s ‘demand’.
“Duncan, I-…” you trailed off.
You didn’t want to admit that you liked Feyd, it wasn’t love yet, but there was a certain attraction between the both of you. You wanted to explore this, even if it meant being married for a different cause. You just felt insecure after he left so fast, seemingly taking all the sweetness away from the moment you shared before.
Duncan pulled you into a hug, somehow knowing exactly what would help at this point. You felt his heart beat fast, faster than usual. He gave you a kiss on the forehead and continued to talk.
“Feyd has no idea how lucky he is. Should he ever try to hurt you again, I will intervene.”
He lets you out of the hug and takes your hands in his and goes onto one knee.
“If you ever feel doubt know that I’ll be here for you. I love you, Lady Atreides.”
He says as he kisses your hand. The confession feels heavy but sincere. You had no idea Duncan felt like this, you had always just assumed he was a man with his heart on his sleeve, loving all the Atreides family, because he had just always been there for you all. But a proposal?
“Oh, Duncan, I-“ you say as you feel a tear starting to roll over your cheek.
He comes back up and cups your face in his hands, wipes away your tears and kisses your forehead, and returns to hugging you. You softly sob as the heat of the older man gives you the comfort that you needed.
“I know.”
*
Feyd is struggling to get everything sorted, there’s a lot more shouting and killing of servants going on right now. He wants the wedding to be utter perfection, no place for errors, this includes everything you should bring or prepare. He shouts at a servant to ask about your wedding dress, and to make it quick. This explains why the message sounded so cold and demanding when you received it. The Harkonnen were anything but subtle with words.
He had been in and out of meetings concerning the festivities and he was about one more question away of killing another servant. He hated this, hated that he had to do everything, make all the choices, he should’ve just asked you to come along, but rules forbid. Curse the rules, he thought.
For an arranged marriage the people involved wouldn’t be allowed to see each other for a month before the marriage, this is to allow both families to prepare everything and make sure that the couple still wanted to get married. Also to get all the political things in order, most of all.
Feyd had 5 minutes of peace before he had a meeting with yet another person involved with the wedding. He was staring out at the arena and somehow missed simpler times like that. His momentarily peace got disrupted, however. A servant asked for his attention, it was Tula. Feyd knew how fond you were of her, so he promised himself that he wouldn’t hurt her. She was however, testing his patience at the moment.
“My Lord Na-Baron, I have a message for you, from Lady Atreides,” she spoke quietly.
Feyd shot up and took the message out of her hands, read it and a frown came over his face. Your reply was very formal, much the same as his question, or demand, felt to you. Yet he didn’t expect it to be so… dry. He looked up at Tula for a second, almost questioning her why your message didn’t sound nicer. He thought he knew you a bit more than that at least.
“My lord? Are you ok?” Tula questioned, seeing his face contort in several ways. “Fine,” his voice all gravely, he even sounded tired.
Tula started to walk away but then suddenly came to a stop. She considered the sentence she had on the tip of her tongue before finally saying it. As she turned back, Feyd looked up at her.
“My lord, … I have also received more information about Lady Atreides.” Her eyes trailed off, suddenly aware of the stare Feyd was giving her. “Speak.” He spit out. “… it appears that Lady Atreides has received a counteroffer for marriage, from Duncan Idaho.”
Feyd’s eyes narrowed into slits. Unaware of his next action, Tula wanted to make sure she would live after giving him the bad news, so she continued.
“Lady Atreides has declined his offer however,” she had no proof, but she also felt like you wouldn’t just bail on everything that had happened between you and Feyd.
She assumed you would say no to Duncan, considering the position you were in. A wild bet, to save her own life.
“Is that so…” he trailed off, started to stalk around Tula.
He took out his dagger and started to play with it, she feared for her life.
“It seems like I will have to teach Duncan some manners in the future.” He looked at Tula and then his dagger.
He reminded himself that the time would come where he got his revenge on Duncan and sheathed his dagger again. Tula almost sighed in relief.
“Send a message to Lady Atreides, tell her I look forward to making her mine soon.”
The implications where there, both innuendo and not, and Tula made sure she left as soon as she could.
*
When you receive the message, you’ve just finished bathing and are in a comfortable robe, hanging out on your bed. The staff member leaves the message in your hands and lets you be for the night. As you start to read the message you realise it’s from Tula. She tells you Feyd found out about the proposal from Duncan and wasn’t happy about it. She also conveys his own personal message to you.
“Make me his? Who does he think he is!”, you talk to yourself.
The way he talks to you ever since he left was very different from how he was on Caladan. No softness anymore, the Harkonnen in him had returned. You were sure that planet had something to do with it, Caladan was far more relaxed than Giedi Prime was. You decide not to answer him, it was only a few more days before you travelled to the planet yourself, so a response could wait.
You wonder if Duncan’s proposal had something to do with how cold he sounded in the message. You assumed it did, you didn’t see Feyd as an insecure person, but knowing how close you and Duncan were, anything could happen. You just hope Feyd doesn’t go ham on him and kill him. You fear that will be the only outcome, however.
You didn’t want to admit it, but you missed Feyd. It made you insecure to not have him around you. What was he doing right now? Did he also miss you? All these questions came floating to the surface as you kept thinking about him, and his hands, and his lips. And how strong he felt when he was holding you close, how his hands moved to your lower back and your legs, how his hot breath felt on you in the damp wet grass.
You instinctively open your robe thinking about him and start to touch yourself. You wanted nothing more but to feel him all over you, feel his hot mouth on your entrance. You imagine that your hands, are his, as you circle your clit. You insert two fingers and start to pump, cupping your breast in the other hand. You felt his erection as you sat on top of him, panting, and you think about how big he was, how he would stretch you, how he would make you his.
His cold words from the message now circle in your head, as you imagine him saying them out loud, whispering them in your ear from behind you, as he’s taking you. You come hard, thinking about him enveloping you, not stopping until you’re completely ripped at the seams. You imagine him holding you after, kissing you and whispering sweet nothings in your ear, as you drift to sleep.
*
Feyd is having another night, however. His insecurity takes hold of him the night before your arrival. You hadn’t replied to his last message from a few days ago and he imagines you might just give up on the entire wedding, and so, give up on him. He keeps thinking about how he can convince you to marry him, what he would do to Duncan should he ever see the man again, and his anger boils inside of him.
He has thrashed his room already, broke a few chairs and killed a few servants, but nothing seems to help. A servant reminds him of the box they took with them from Caladan and he remembers the rose oil he took from his chambers. The servants draw a bath for him, with water, and put the rose oil in it. As soon as he enters the bathing area he relaxes. It feels like you are in there with him, soothing his fears and feelings, and calming him down.
He's not one to let his guard fall, but he drifts off into a soft sleep while he lay there. He dreams of you, in the damp grass, on top of him, under him, in any way he wants because it’s his imagination. He reassures himself that all will be fine once you’re here. He wakes and gets himself cleaned off. Before he goes to bed, he sprinkles some oil on his bed sheets, so that he would at least feel as if you were with him that night.
*
You travel to Giedi Prime on the day before your wedding. The rest of house Atreides would arrive later today. As you arrive you are greeted by a few servants, and you react with glee once you see Tula. You hug her and forget the differences in culture for a while before letting her go and straightening yourself. She has a soft smile on her face, however.
“Let me show you to your chambers, Lady Atreides.”
She walks in front of you as the other servants with your bags follow suit. As she ushers you into the room and your bags are in it, she closes the door and turns herself to you.
“My Lady Atreides, I fear I have a confession to make.” She looks strained.
You take her hands in yours, and you ushed her to sit down on the bed. “What is it, Tula?”
She shifts her eyes up at you, guilty for some reason.
“I was the one who told Feyd about the proposal from Duncan. I wanted him to hear from me, because I was afraid he might hurt you, should you have told him. I’d rather he hurt me, than you.”
You’re somewhat shocked but not for the reason Tula might think. She risked her life for you, knowing Feyd, he probably did end up hurting her.
“Did he hurt you?” you look at her, worried. “N-No, he did not actually. He only mentioned that he would have to punish Duncan, that’s it.”
You sigh, happy. But you’re also surprised he didn’t lash out at her. A mere servant in his eyes, what would be one more or less. Maybe Feyd was more perceptive than you thought.
“Tula, you did nothing wrong. You were loyal to your Na-Baron. I understand. I think Feyd will notice that I declined the offer if he sees me in a wedding dress tomorrow, we’ll be fine.”
You notice she had some tears forming in her eyes, so you decide to hug her, and she lets it all out.
“I hope he deserves you, Lady Atreides.” She tells you in between sobs.
It was the sweetest thing any servant had ever told you. You hope he still wants you as something more than a political pawn. Insecurity creeps back in as you prepare to go to bed before the big day. You wonder if he has any interest in you anymore as you drift off to sleep, worried and anxious.
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Me when I rewatch dune
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avatarslaxyd · 3 days
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good morning to everyone except the algorithm that put at feyd-rautha x reader softcore fic on my feed that I accidentally read at the asscrack of dawn
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coffeeecatss · 7 hours
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i must not fear
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aaprilshowers · 2 days
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yall ever think about how living on Arrakis and being exposed to hallucinogenic spice 24/7 is like being on drugs all the time?
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