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#1930s capelet
mote-historie · 1 year
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Marlene Dietrich wearing a chiffon dress with fur-trimmed capelet, costume design by Travis Banton for the film Desire, 1936.
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chic-a-gigot · 2 years
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La Mode illustrée, no. 22, 29 mai 1932, Paris. Une robe jour-soir en voile fleuri et la petite cape mobile qui la complète l'après-midi. Ville de Paris / Bibliothèque Forney
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dumpsterfireofsubtext · 11 months
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I have a bit of trouble picturing stuff especially clothes, do you have images of what you imagine 1930s beatrice and ava generally wear?
Sure! I’ve got a whole Pinterest board hehe. This will be fairly long, so buckle in.
Firstly, I took a fair amount of inspiration for Bea from Annemarie Schwartzenbach. So if u look up any pics of her that’s pretty much the vibe. Here’s some other inspo pics:
Casual clothes Bea:
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Walking clothes Bea:
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A lot of trouser inspo:
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This pic was a direct inspiration for Lilith’s capelet fit in chapter 3, it’s so Her:
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Michael’s sports attire in chapter 4:
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Ava’s fit chapter 4 at Bea’s:
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Ava’a dress inspo in chapter 3:
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Ava’s V-necked shirt and trouser inspo in chapter 2:
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I don’t have my laptop on me so I can’t upload more but for Bea’s collarless look, that’s pretty much it. Some collars were attachable back then and Beatrice simply couldn’t be Arsed.
I watched random videos on YouTube, Pinterest, Poirot episodes and vintagedancer.com. It’s got a pretty robust gallery of vintage clothing examples. V cool!
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celestialmazer · 9 months
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Source: https://kendam.com/news/fashion-shows/rodarte-fall-winter-2023-24-runway
The Rodarte FW23 Runway Show, New York. February 10th, 2023.
"The Rodarte Fall Winter 2023-2024 show took place inside the Williamsburg Savings Bank, where a silver banquet was set up to welcome guests. The collection was inspired by fairies, and the Mulleavy sisters' mother was commissioned to draw the fairies that were used as prints on the clothing. The fairies were depicted in a gothic style, with Siouxsie Sioux-inspired eye makeup and black lipstick.
The collection featured glamorous evening gowns, including languid jersey dresses with bell sleeves that were followed by different versions in burnout velvet with sequins or floral appliques. Black satin bias-cut dresses with 1930s-inspired Victorian details, such as V-shaped lace insets and velvet mutton-sleeve bodies with white lace trim and white lace capelets, were also part of the collection. The designers brought back their signature cobweb knits, made by hand from a collage of materials and textures. The collection also featured bulbous shapes made entirely from metallic fringe, which added an element of whimsy and fantasy to the show.
The Rodarte Fall Winter 2023-2024 collection featured a variety of textures and fabrics, all expertly mixed and matched to create a visually stunning effect. The Mulleavy sisters have always been known for their attention to detail, and this collection was no exception. The use of burnout velvet, shredded cheese cloth, and metallic fringe added depth and dimension to the pieces, while the intricate beading and lace details showcased the designers' expert craftsmanship. Even the cobweb knits, a signature of the Rodarte brand, were made from a collage of materials and textures, adding an otherworldly feel to the collection. Overall, the Rodarte Fall Winter 2023-2024 show was a masterclass in creating a cohesive and visually striking collection, showcasing the Mulleavy sisters' talents as designers."
Show Design, Direction & Production: Bureau Betak Video Production & Art Direction: Bureau Future Runway Video Director: Emily Rosser Lighting Designer: Nick Gray for Renegade
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slugchild · 2 years
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i need to show you all My antique clothes some day soon idk if that’d interest you but even from a purely Goth Clothing perspective i think they’re neat
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kalosaethetics · 3 years
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Black Silk Voile Capelet
🌹 with pink trim, dated c. 1930s
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ingravinoveritas · 4 years
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Another fashion opinion post, made by request of @let-me-dream-with-the-stars​, who asked me to rank Michael Sheen/Miles Maitland’s outfits in Bright Young Things. I’m starting from the beginning of the film and covering most of the outfits (save for the one in the last scene, which is still too heartbreaking to watch).
So, without further ado, here we go...
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This is possibly my favorite ensemble that he wears in the entire movie. The oversized collar and tight-fitting vest are giving serious “Aziraphale as a Shakespearean rent boy” vibes (which is also helped by whatever the hell is happening here). The dark eye and lip makeup accentuate his features beautifully and the wild curls complete the look, manic and untamed in stark contrast to the utter grace and poise with which he moves through the party, particularly after doing lines in the bathroom and walking like he is the fiercest bitch in the room (which he totally is). YAS QUEEN. 10/10.
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Okay...the capelet. Again here is Michael in a garment in white that I’m not sure anybody else could pull off. I also love the shimmery blue and silver vest, jacket, and silk bow underneath, which are complemented perfectly by the blue eye shadow he is wearing. It all comes together in a very “1930s disco ball meets sassy goth grandma” way (thanks to the black nail polish and pearl earring he has on, and can we please have more roles where Michael gets to show off his piercing?). I enjoyed the glimpse we got of the long, black boots he is wearing as well, though I’m not crazy about the poofy, checked pants (maybe would’ve worked better in a different color). 9.5/10.
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Oh, Michael, honey...no. I get that this is probably supposed to be how Miles dresses when he has to be in (more) polite society, but the tuxedo is just boring and sedate compared to what he’s worn before. And the HAIR. It’s some unholy combination of Crispin Glover in Willard and Steve Buscemi in The Wedding Singer and when paired with the suit makes him look like a funeral director who’d rather be at a drag show. The shaped, arched eyebrow still gives that hint of fierceness, though, and I’m glad we get a little faint eyeliner, too. 5/10.
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Another flawless outfit. This is what you wear when you’re about to bottom for your closeted lover and a hay bale in a dimly-lit stable is your only option. The overcoat, jacket (with matching trousers!), and sweater pull this into a fully realized look, and the beret and sunglasses and hint of red lipstick add a delightful touch of camp to another setting where Miles perhaps can’t be as flamboyant as he’d be at a party. The sunglasses actually give me a “Thorne Jamison in the 1930s” vibe, which fits well in this era considering Michael played Thorne just a year after this was filmed. Excellent outfit overall, especially considering the jacket could look like a gingham tablecloth on anyone else. 9.5/10.
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Another absolutely favorite outfit, so good I needed to include two pictures. The eyeliner, red lips, and curls draped over his forehead (shown beautifully in the first photo) make him look positively angelic. The camel overcoat works gorgeously with that hat and yellow (another color most people can’t wear) vest, and that bow tie adds delicious flair. This is top!Miles in perfect form, confidently striding over to his sexy race-car driver boyfriend to squeeze his angel botty and not giving a fuck who sees it. Only makes me wish there was a Good Omens AU with Crowley as a race-car driver who invented tinted windows because he wanted Aziraphale to suck him off while he’s driving. “What is it about boys in goggles,” indeed. 10/10.
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So, there you have it! My officially unofficial semi-serious opinion of Michael’s outfits in Bright Young Things. If you’d like my opinion any of Michael’s other outfits (or any of David’s, or Michael and David together at any red carpet or event), feel free to comment on this post. Thanks for reading! xx
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stylesmadesimple · 5 years
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How to look like a old Hollywood diva?
1920s: art deco accessories, little black dresses, mary janes, cloche hats, long pearl necklaces, hand gloves, bee-stung red lips, beaded/feathered/sequined drop waist dresses, tassel necklaces, faux fur stoles, finger wave and shingle bobs, small handbags (similar to coin bags today), tinted round sunglasses
1930s: bias cut gowns/dresses (either mid-length or floor length), tilt hats, t-strap heels, ruffled or puffed sleeves, finger wave bobs, backless dresses, full collared coats, oxford shoes, tunic top crepe dresses, capelets, costume jewelry
1940s: victory suits, peep toe heels, knee length pencil skirts, wide leg high waisted pants, head scarves, hair in long and voluminous waves, tailored blazers, blue toned red lipstick, long-sleeved crepe blouses, spaghetti strap gowns, straw and ribbon wedges, peplum jackets, sculptural hats
1950s: sheath dresses, pearl earrings, high waisted pleated skirts, cat-eye sunglasses, belted blouses, pillbox hats, sweetheart necklines, rectangular handbags, cocktail dresses, circle skirts, neck scarves, pageboys and chignons, stilettos, cashmere cardigans, strapless dresses, orange-red lips
1960s: baby doll dresses, go-go boots, miniskirts, high waisted pants, swing coats, leather mules, oversized sunglasses, neon eyshadow, square-toed leather shoes, knit turtlenecks, slip dresses, peach or pink lips, kitten heels, headbands, bouffants, boxy tops
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Art Deco Burnout Velvet Plunge-Back Capelet Gown, 1930s
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Evening capelet, 1930s.
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professorpski · 5 years
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Summer Knitting: The Capelet Tank
This tank pattern by Cathy Carron drew my eye for two reasons. First, it looked pretty easy and as a new knitter that counts a lot for me. Notice that the cowl is done with great bid needles for a DK yarn. Second, I have seen vintage dress patterns from the 1930s onward through the 1950s that used large cowls which were styled in all sorts of ways. Of course, they often used clips, the fanged and hinged cousin of the brooch which has disappeared, in order to hold the position of the cowl. This sweater tank invites variations in how you wear the cowl too. You see here two ways to wear it: looped so it falls all in front, or pulled up to create a romantic hooded look. There are other ways to wear it too. I have made it--stay tuned for that next week--and have worn it balanced all around the top of the neckline and also with most of the cowl dipping back so that the front neckline is higher.
It first appeared in Knit.Wear Spring 2012, an intriguing magazine that seems to aim for a simpler aesthetic and sometimes some easier knitting patterns for us newbies. You can buy that magazine and multiple year sets as pdfs, and you can buy this single pattern here at Interweave: https://www.interweave.com/store/capelet-tank
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scared-aquarius · 6 years
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Signs as women’s 1930s fashion
Aries- marcel wave hairstyle
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Taurus- silk scarf
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Gemini- tight bangles
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Cancer- blouse sweater
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Leo- bias-cut satin dress
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Virgo- crochet gloves
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Libra- capelet dress
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Scorpio- fur
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Sagittarius- travel suit
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Capricorn- oxford heels
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Aquarius- beret
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Pisces- tea dress
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1920s // 1980s // 2000s
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