#(learn how to paint and get a better program) | Explore Tumblr Posts and Blogs

aulerean · 2 months

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gem's angler fish? pretty cool.

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00queasy00 · 9 months

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Good morning !! 🌞

#today I’m going to learn how to use clip studio paint even if it pains me #don’t get me wrong I’m super hyped to use csp but I also despise learning new art programs 😭 this is for the better U_U

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kinda-daily-warriorcat · 11 months

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Going back to my roots and drawing on MS Paint

#Day 166 #Warrior Cats #Warrior Cats OC #OC: Shiningdrop #Tumblr really killed the quality on this lol #Weird because this is the same file type and relative photo size at 1110x1826px #Maybe it's because the simplicity makes it more obvious to me?#I pulled out my old drawing tablet that I used from 2018-2021 and some of 2022 and how is this thing still alive #Like sure 3-4 years isn't a horribly long time but I took such horrible care of that thing and I broke my first one that I got #on christmas of 2016 after a year and my brother had the same second one and his broke a year in when he took much better care of it #I ended up spending 4 hours on this because I'm not used to MS Paint but using the tablet itself felt so natural #I'm using an actual tablet - like handheld device - for art now and so happy that Clip Studio's UI is exactly like the desktop version #because I'm so used to art program UIs made for desktop - not ones with everything hidden away in menus (well some things are)#But only a couple of things that are tucked away in menus I use frequently and it's become muscle memory #It really sucked learning to use the tablet at first but this challenge especially helped me get more comfortable with it #Turning this into a speedpaint that I'll add onto the post later #2023 Daily Drawing Challenge

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kotori-mochi · 6 months

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Can't afford art school?

After seeing post like this 👇

And this gem 👇

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)

Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)

BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free, teaches digital painting and has classes in Spanish)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Sinix Design (has some tips on drawing people)

Winged canvas (art school for free on a verity of mediums)

Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)

Scott Christian Sava (Inspiration and provides tips and advice)

Pikat (art advice and critiques)

Drawbox (a suggested cheap online art school, made of a community of artist)

Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)

Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )

Procreate ( pay once for $9.99, IPAD & IPHONE ONLY)

Blender (for 3D modules/sculpting, animation and more. Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Libresprite (free, for pixel art)

Drawpile (free and for if you want to draw with others)

IbisPaint (free, phone app ONLY)

Medibang (free, IPAD ONLY)

NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"

#art #artist #digital art #art help #help #art advice #art tips

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raven-at-the-writing-desk · 6 months

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Floyd, Kalim: The Way of Water

I was wondering how the artwork would frame the sitting boys, but I guess having Floyd floating there on his butt is fine fjeviwgxkwjwhfoen I don’t know what the alternative would be…

It's nice to learn more about the land boot camp the Octatrio went to; Floyd's vignettes indicate that merpeople need passports and that they went to a zoo as part of the program.

A Tale as Old as Time.

Museums could be such snore fests sometimes. Sure, the place had an entire section dedicated to merpeople history, but it was nothing compared to what the Atlantica Memorial Museum boasted under the sea: the Mermaid Princess's silver comb, a replica of the Sea Witch's cauldron, bones of a sea dragon, a statue of the Sea King...

Here? All they had were some crummy paintings.

Floyd tilted his head back, taking in merman arriving in a dolphin-drawn chariot. He was an older man that sported bushy brows and a grand white beard that flowed in the water, his physique muscular and imposing. There was a regal presence about him, perhaps in how upright he stood, or in the glisten of the crown upon his head or the gauntlets cuffing his wrists. With his trident in hand, it was clear who he was.

The ruler of all the oceans. The waves obeyed his every whim, the sea and all its spoils bowing to his power. He, the Sea King.

Meh, what’s so great about him? So stiff and uptight. It’s be so much better workin’ for the Sea Witch.

Floyd's eyes flickered to the boy next to him, who seemed far more interested in the painting than he was. A steady grin crept onto his face, and he leaned in close.

Floyd pounced, hooking a long arm around Kalim's shoulder and yanking him over. The eel peered down at him, a single golden orb colliding with a pair of garnets. Leering, Floyd jerked his head at the depiction of the Sea King.

"Ne, ne, Otter-chan. What'cha think of this one?"

Any sane person might have been paralyzed with fear encountering Floyd in a dimly lit room, but not Kalim. No, Kalim was not sane at all.

The dorm leader greeted his peer with a smile so wide it could fill the horizon. "Floyd!! I'm so excited I get to see more of your history."

He blinked. "You actually like studying this kinda thing? Are you even any good at it?"

"Nope, not really!!" Kalim confessed (perhaps a little too easily). "I was looking at this painting and going, 'His beard's so impressive!' It reminds me of the one my dad has. I won't remember all the details later, but I'll always remember how cool the Sea King looks."

"It goes in one ear and out the other. Why bother then? Just dedicate your time and energy to stuff that actually interests ya."

"But it does interest me. It's fun learning about where your classmates come from! I heard humans and merpeople weren't always on good terms."

"Yeah. Back when the Sea King still ruled, there were tooons of rules forbidding merpeople from coming into contact with humans." Floyd held up a finger for each one he counted off. "No going to the surface world, no owning human stuff, no exploring shipwrecks... even no music at one point. You'd think Goldfishy wrote the lawbook."

Of course, even if those rules were in place, he would still totally disregard them. No one—not royalty, not his parents—could stop Floyd from venturing into the unknown.

"Whoa, the Sea King sounds like he was super strict and scary! I don't think I could live without music..." Kalim's face dropped. "He looks like such a nice person in the painting though."

Floyd rolled his eyes. "Cuz he lost his wife to a human ship. After that, he got all paranoid, thinking himans and merpeople are too different to coexist. He got especially protective over his daughters. The Sea King had seven of 'm and he breathed down all of their necks.”

"Ooooh!" Kalim didn't even bat an eye at the number (Floyd was sure it paled next to the number of siblings he had running around in his home.) "So the Sea King just wanted to protect his loved ones and make sure nothing sad like that ever happened again. He's a good guy after all!"

He now regarded Floyd with eager, sparkling eyes. "Wow, you know so much about this!! It's crazy thinking about how different things were in the past."

"Duh. It'd be boring if things stayed the same all the time." The eel smirked. He let go of Kalim and stepped back, giving a playful twirl, arms stretching out above him. "Ehehehe! Good thing the Mermaid Princess ended up opening doors for us to come onto land~"

Kalim beamed. "That's right!! She did! We wouldn’t be able to be friends without the Mermaid Princess’s help.”

The word gave Floyd pause, a rock tossed along his path as he brought his foot down upon it, snagging his step. Friend. He didn’t like spoken in that saccharine, trusting tone.

It was sticky and sweet, stuck in his teeth. Like cotton candy residue yet to be washed away by the waves, or sweat accumulated from summer heat. A gross feeling.

“You’re bein’ way too generous with your definitions again,” Floyd groaned, peeling away. “Cut it out, or I’ll get annoyed.”

Kalim (unwisely) laughed. Not at Floyd, but with him. “Oh, hey. When you think about it, we’re not really that different.”

“Mmm? What are you saying now, Otter-chan? Did all the sunbathing finally melt your brain?”

“In the Scalding Sands, waterways are really important. We use them for trade and travel. It’s the same for the Coral Sea. With all that water, it’s convenient for those sorts of things.” Kalim said matter-of-factly. “We’re using those same waterways now. We’re connected by water.”

“A good part of Twisted Wonderland is water,” Floyd pointed out. “You sayin’ everyone can be friends with everyone?”

Kalim nodded eagerly. “The Sea King was probably wrong. Humans and merpeople are actually very similar. I think the Mermaid Princess knew that too, and she wanted to help others recognize it.”

Floyd stared at Kalim, the moment long and hard. He wasn’t irritated anymore, only a little disappointed. Maybe mildly disgusted. “… Otter-chan, you’re so happy it hurts.”

“Thanks!”

“That wasn’t a compliment.” Floyd sighed. The energy and fight had been rapidly drained from in over the course of the short exchange, leaving him as wilted as a salted slug. “Aaaah, whatever. I’m tired of this already. I’m bailing.”

He turned on his heel and made for the exit and into the adjacent room. Already, Floyd could see a platinum frame of the Sorcerer of the Sand in the distance, bony fingers clasping a golden scarab.

“Wait up, I’m come with!” Kalim called after him. “I can teach you about my country’s history too!

That was how water was—always seeking to follow the flow. One body leading straight into another.

Floyd picked up his pace, arms pumping. (No running in the museum? Screw the rules.) Adrenaline deposited into his bloodstream, and he was hit with a rush.

Suddenly excited again, maybe a little interested in what a certain otter had to offer. A game, a chase, a thrill.

This is what he had come to the surface for.

Not rules or restrictions or a royal bossing him about. Not even friendship, as Kalim had suggested. Just fun, plain and simple.

It looked like he was going to get it.

Floyd grinned and shouted back, “Catch me if you can then!!”

And hurled right into the next room over.

Bless the Mermaid Princess.

#twisted wonderland #twst #Kalim Al-Asim #Floyd Leech #twst imagines #disney twisted wonderland #spoilers #something no one asked for #twst scenarios #twisted wonderland imagines #twisted wonderland scenarios #Floyd birthday takeover

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dotmander · 1 year

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How To Get Your Character Models Out Of A Game: Tips And Tricks For Bitches That Have Never Used Blender

(it's me, i'm bitches)

(also ignore how messy that lighting is it's 1am and i should have been asleep hours ago. he's there for proof of concept 💕)

a couple people (specifically @forsaken-constellation and @ratasum) asked for a tutorial on how to rip models out of the game. this is not that, but it is a compilation of resources i used to learn about ripping, blender, and 3d modeling in general. i desperately wanted a post like this to exist when i was trying to figure this out, so here we go! all the resources below are completely free, with the exception of a link to the patreon of the person that created ninjaripper.

disclaimers:

there are probably more efficient ways to do the things i am doing. i watched a tutorial to learn shortcuts and then skipped to character models. if you have tips to add, corrections to make, or other thoughts, please feel free to share! i'll link to your post here. ^^

i do not know if any of this will get your account banned. i've ripped several models, so i'm going to assume it's fine as long as you don't try to make money off of it. use your best judgment, be an adult, etc etc etc

last updated: april 2, 2023

PROGRAMS & WEBSITES

ninjaripper 1.7.1 - there's a newer version on the creator's patreon, presumably with support for newer versions of blender and fewer bugs, but i haven't tried that

blender 2.79 - the import addon that comes with ninjaripper 1.7.1 is outdated for the current version of blender (3.5 as of this post), so 2.79 is needed to combine the .RIP files into a .BLEND (blender) file

noesis - ninjaripper saves your textures as .DDS files, noesis lets you view them and export them as .PNGs

blender 3.5 (optional?) - i just like it better than 2.79. if you're completely new it might not matter to you. all of the tutorials linked later are for later versions, though.

mixamo (optional) - rigs your character for you and lets you put them in Situations (like my guy above.) there's a whole library of free animations and poses you can try!

TUTORIALS

how to use ninjaripper - most of what you need to know about actually ripping the files and using ninjaripper is covered here. do not skip this one.

how to use blender 3.5 - full disclosure i haven't finished this series because it's uhhhh many hours long. but if you are a complete newbie to blender, i do recommend at least the first few videos; you'll learn about shortcuts that will make your life easier, how to unfuck your model when it fucks itself for no reason, and different terms that will help you google things you don't know later on. possibly he even covers some of the things i'm about to link! anyway.

what's a uv map?

how to apply textures

how to apply bump maps (note: for our purposes, you wouldn't add a color ramp node, you would add an image node with your bump map, and attach it to the bump node as the person does in the video)

there should be stuff here about weight painting, cloth physics, emission maps (makes your sylvari glow), and other stuff, but um. i haven't figured those out <3

TIPS

TURN UP YOUR GRAPHICS BEFORE YOU RIP - if you don't, you might end up missing certain textures/glows/etc. HOWEVER, you should turn animations down, because apparently high animation can make your meshes misplace themselves

rip from the character select screen, rather than an instance, because you will have 100 meshes to sort through instead of 1400. i am not exaggerating either of those numbers. if you are new to blender, please love yourself and start with character select.

your textures will be fucked up the first time you try to apply them. this is because the UV maps (the things that tell your textures where to go) of your models are flipped upside down in relation to the texture image. you can flip them back over manually, ooooor you can just flip the entire texture file in something like CSP or photoshop.

for some reason all eyes are red in the texture files. i have not figured out why. i recommend editing the .PNG to have the correct eye color before applying the texture.

mixamo only works for humanoid characters with tight clothing (or without clothing at all). if you try to use it to rig a charr or asura, or someone with a skirt or big sleeves, you will most likely be disappointed.

that's all i can think of for now - if you have other questions, feel free to shoot them my way, although i can't promise i'll have a straight answer ^^;;

information from bookahlogy about character proportions, fixing normals, and other fun tips

#i dunno how to tag this so i simply Won't 💕#original #3d things

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friendly-neighborhood-furry · 2 months

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GOOD AFTERNOON FELLOW ROB ENJOYERS!!

DO YOU WANNA DRAW YOUR FAVORITE GUY? ARE YOU TIRED OF USING THE SAME THREE STOCK IMAGES FOR THAT PESKY STATIC BODY? WOULD YOU LIKE TO LEARN HOW TO ACHIEVE THE SAME EFFECT USING ONLY YOUR PEN AND LAYER EFFECTS?

WELL THEN BOY DO I HAVE A TUTORIAL FOR YOU!!!

IF YOU FOLLOW THE SIMPLE STEPS LAID OUT DOWN BELOW, YOU TOO CAN BECOME CLINICALLY INSANE LEVEL UP YOUR ART SKILLS BY LEARNING HOW TO MAKE REALISTIC STATIC IN THE DIGITAL MEDIUM!!

okay i'll stop yelling at you now. on with the tutorial!

Step One: Blocking!

this is usually part of the coloring process for me, so you'll need a mostly complete drawing to start out with.

now, draw out where you want the static to be with white. the average hard round brush will be good for this step, but you can use whatever you like! i for example prefer to use the polygon lasso tool to get more crisp edges (however this effect can also be achieved with the eraser tool).

for his arms and legs, just outline them in white and color them in.

depending on the pose/perspective you might have to separate certain pieces into different layers. for example, here his left arm and lower torso are clipping through the line art

so we move them to be below the line art layer and boom! problem solved.

important note: you can not use another color for the blocking. the white base color is critical in achieving the most convincing static look!

Step Two: Brushes and Blues

now for this step, we will be using these four shades of blue-grey, as well as plain black and white. for your convenience, the hex codes are also included!

HEX: 1d2427 HEX: 4d5c65 HEX: 899eac HEX: cce6f6

now go to the different brush presets for whatever program you're using. chances are, they'll have some variety of a paint-splatter brush (and if they don't, there's probably a way for you to download one or make your own).

the best kind to use is one where all of the particles are fully solid and not varying too much in opacity.

Step Three: Jackson Pollock That Shit!

now's the fun part! make a new layer and start layering the blues with your splatter brush in any order you like. just color vomit all over your canvas and don't worry about getting any of the particles outside of the base!

go back and re-layer any particular color as many times as you like until you're satisfied.

sometimes, all of this layering can result in loss of the original base color, like you can see here.

but don't worry! this can be fixed by tossing some white back into the mix.

once you're happy with that, go through and lightly sprinkle in some black. remember: a little is a lot! keep it subtle.

Step Four: Layer Effects!

this is where the magic happens! turn your blue splatter layer(s) into a clipping mask!

ka-boom! looks great, right? well, its about to get even better! go into your layer effects panel and select "Hard Light"

Step Five: Motion Blur

now, this step is optional depending on whether or not your program has more than one kind of blurring effect, but for the sake of the tutorial we'll pretend that it does.

find the motion blur panel and open it. set the angle to zero.

(ignore that i had my distance set to 2 here i just needed to have an example screenshot lol)

now crank that shit up!!

if your static layers had to be separated like in our example, make sure to do the same amount of blurring there as well. depending on your preferences, you can change the level of distance to highlight some kind of feeling. having it at 2 allows the viewer's eyes to rest on the darker colors, but having it at 7 brings out the brighter colors, calling attention to how annoyed he is with me right now.

depending on how you mix the different colors and level of blurring, you can get a lot of different variations in the static's look. feel free to experiment with it!

Step Six: Glow (optional)

unless you're drawing a dark/low-light setting, you can skip this part entirely. again, for the sake of the tutorial, lets pretend its dark!

now, since its supposed to be super dark here, i've selected the base layer for the static and deleted the black from it.

now for the fun part! make a new layer above the one we just made, then take the lightest blue color and cover the static with it! in the next step, this will become your glow!

i like to use a typical hard round brush and then apply a gaussian blur until i think it looks appropriately blurry, but you can also use your average pressure-opacity airbrush! both have their strengths, which you'll see in the next step!

for this step it helps to already have some knowledge of how light interacts with objects, but its not required! if you don't have a lot of prior experience, take this as an opportunity to practice! take it from me, making fan art of specific things is a great way to get good at drawing in general.

once we have an appropriate amount of glow and blur, we set the layer mode to Linear Light! your program might not have this layer mode, so try to find a mode that does something similar or is close enough

here you can see the strengths i mentioned before!

in the areas where i used the solid round brush + gaussian blur, i had a bit more control over how concentrated the light was at the center and how far it could spread, making it look more artificial/computerized.

meanwhile in the airbrushed areas, there's a very different vibe! on the right side where i applied the airbrush harshly in one stroke, it has a sort of cloudy look, but on the left where i applied it in multiple strokes, the varying opacities create a more painted aesthetic, which adds a lot of visual interest!

now we have arrived at the final step of this process! go to the current layer's opacity box and lower that sucker!

you should raise/lower this meter depending on how dark it is. Keep messing with it until it feels right. for our specific example(and more specifically the gaussian blur areas), a good opacity level is 73% !

and with that, we're done!

thank you for reading this! i had a fun time putting it together :)

before you go, please know that you don't have to follow every step of this to the letter!! feel free to break away from my methods and do your own experiments! mess with the hue of the static colors, use different brushes for the glow lighting, add variation in your particle sizes - go crazy with it!! half of art is experimentation and i wouldn't even have this process without it! :3

if you end up using this tutorial for Rob art on tumblr, please tag me in it!!! i would be absolutely overjoyed to see whatever you make :D (not a requirement though! either way, i'm very proud to have put this out into the world)

if you need help with any of these steps or the process in general, feel free to reach out in the replies of this post or in my ask box! i'd be happy to help out with whatever you need :3 thank you for reading this and i hope you have a wonderful day!

#at first i was just gonna use a normal box for this tutorial and then i got silly and self indulgent with it so its a lil comic thing now lo #art tutorial #static tutorial #my art #long post #tawog #tawog rob #rob tawog #the amazing world of gumball #tomothy rambles

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moralesmilesanhour · 8 months

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RODEO

genre: fluff, first meeting

format: bullet points/flash fiction(?)

pairing: miles (1610) x reader

summary: you encounter miles for the first time after a rodeo.

Sweat collects around your hairline underneath your wide-brimmed hat as you watch horses and bulls alike kick up dust around them.

Your voice risks going hoarse on account of all the cheering you and a friend do for your cousin once it's their turn to give chase.

After the rodeo, you spot your aunt having a lively chat with a tall, sturdy man that you later learn is Jefferson Davis Morales: a police officer from Brooklyn visiting family for the summer.

You groan the moment the woman makes eye contact with you, knowing she's about to wave you over.

The conversation is cordial; you shake hands and tell Mr. Morales a few white lies about how your academic life is going, and he goes on about how he has a son your age that they "had to practically drag down here" to attend.

"Miles–where'd that boy scurry off to? Miles!"

"I'm right here, dad."

A lanky boy with a deep russet-brown complexion materializes beside his father. He looks about as enthusiastic to be a part of this conversation as you are, shifting uncomfortably in leather boots that look new.

"Since we're in the area for a couple weeks, you might as well make a new friend, don't you think?"

Miles' eyes settle on you, wide and shiny like a deer in headlights. Each time your eyes meet, his gaze flickers down to his boots or some other part of your face. You would later find out that his hundred-yard stare just came with the territory and that he wasn't actually terrified of you.

"Oh, Y/N, Jeff was just tellin' me about how Miles is the artsy type like you are. Why don't y'all run along and get to know each other?"

Miles give you a tight, apologetic smile, and you give him a shrug.

"Wanna grab a bite to eat?" He asks. "Sure, if you want."

The two of you enter an awkward conversation over hot dogs, slowly realizing that your DIY projects and paintings were definitely not the same 'artsy' as his quick sketches and graffiti.

"So, like, what are you planning on majoring in?"

"Physics, probably. You?"

"Nursing. What's drawing you to physics? I don't hear that one a lot."

Miles' face lights up as he explains the ins and outs of Princeton's "cutting-edge" science program, and something about electrons that you won't even attempt to understand. He stops himself when he notices the smile playing on your face.

"...Sorry. You probably don't wanna hear all of that," he laughs nervously, tugging at the collar of his tassled shirt. You chuckle.

"I won't lie, none of that was really comprehensible to me, but you looked cute explainin' it."

Miles looks a little like his father when he smiles. Part of you wants to poke the dimples that appear in his cheeks.

The day ends with you exchanging phone numbers. Apprehension settles on Miles' features as he returns your phone to you.

"We'll only be here for like, two weeks, though."

"You'd better make sure to call me, then," you say with a wink.

#miles morales x black!reader #miles morales fluff #miles morales x reader #miles morales #miles morales headcanons #moralesanhour

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snowb3rryy · 4 months

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Lucifer x F!MC

Unexpected Expectations

Summary:

A long trip to the human world seems to be enough to get a couple out of its routine.

MC is female and uses she/her pronouns. Written in 1st person.

Engish isn't my first language, so I may have made some mistakes.

Lucifer and I have been living in the Human World for the past 3 weeks. Diavolo sent Lucifer away to attend a long sorcerer festival that the preparations last for 2 months and the festival will be 2 weeks long. I decided to follow him both as a representative for both worlds but also to keep him company.

Since we'll stay for months, I asked Lucifer if we could rent a place for a couple of months instead of staying at a hotel. Strangely enough, he agreed almost immediately.

After our first weeks here, we got a good look of what domestic life looks like with each other. At first, I thought we'd be all day at the preparations for the festival but I was wrong. The head of the festival announced us as honorary guests so we just attend the event once per week.

Our days are filled with simplicity and peace. I'd wake up first, get ready and fresh for the day, then spend a whole hour to get Lucifer up and then we'd destroy the kitchen while trying to make breakfast. We both are good cooks but Lucifer is arrogantly acting like he knows how to use human appliances and he fails miserably every time. He is really only used in Devildom appliances that are technologically advanced and have a tad of magic.

Later, we'd mess around in the house, watch some tv while Lucifer's braincells burn due to the low quality of programs, then maybe some chess just to show off or a complex board game that takes me days to comprehend yet he understands it by reading the instructions once, and then our noon would end with us listening to music or watching some human world movie classics.

In the afternoon is when we start to get hungry so he usually goes grocery shopping alone and returns. We cook once more together with the same failure until I have enough and put him on time out and make him read the instructions of the appliances while I try to salvage the almost burnt food.

In the evening he manages to drag me out of the house and we go to a gallery, or a museum or a theater play. In the end I always feel happy that I actually went along with him.

Around midnight, we both feel wasted and fall asleep quickly. During our time here, I'd say our sex drive is slowly disappearing. The change of environment, the curiosity of Lucifer to learn the human world, my world better and our daily shenanigans leave us with no will to do more than just cuddle and snore till the sun is up.

Or so I thought. A few nights ago, I woke up, feeling thirsty. As I opened my eyes and tried to understand my surroundings, I realised Lucifer is out of the bed. Before even managing to collect my thoughts I hear a faint sound.

Aghh~

I rub my eyes and focus my hearing again. This time I hear faint painting and some more low grunts. I stand up and follow the sound, I'm led to the door next to the bedroom. The bathroom door. I bent down and look through the keyhole. I see Lucifer... and he's jerking off?? (Without me???)

I feel myself smirk and almost laugh.

I recall myself all those night I woke up in the middle of the night to masturbate as well, I never thought he did it too in the exact same spot as well. It's surprising since he always asks me to sleep with him, yet not this time. Take it because it's the middle of the night? No.. he has woken me up before... Maybe, then he didn't because we both are tired... But that didn't stop him either.

Whatever the reason is, I stop thinking the moment I hear my name come out of his lips.

His deep voice, whispering my name outloud as he's stroking his big cock~

I feel my legs press against each other. I want him, yet the moment I think to open the door and join him I hear him curse and moans a bit louder than before. I bent down and look through the keyhole again and see him cover his mouth with wide eyes as he holds his cock firmly at the base as his pulsating dick is releasing cum on the bathroom floor.

I curse at myself for losing this chance and return fast on the bed, taking advantage of his orgasm afterglow.

Soon he joins me on the bed, his aura feels lighter as he lays beside me and hugs me and kisses my cheek. He looks at me and whispers "How I wish you were with me, my darling. I'll make you mine again when we get a bit more used to our new routine".

He then falls asleep almost immediately. I don't know if he simply said his thoughts outloud to me or if he really knew I was awake.

The next morning arrives yet I'm not the same. I feel more stiff, more uncomfortable.

I haven't been able to sleep after that event last night. I want him, I need him. Yet he was so patient. He's right. We maybe need some more time maybe.. Maybe I should keep pleasing myself alone until we both feel more comfortable to our new reality. Yet this fire inside me is different than the rest. Last night was the first time I heard him moan and grunt in almost a month, and my pussy hasn't stopped leaking. I had to change underwear mutiple times.. Seriously..that guy drives me crazy.

I can't wait for the night so I try to find an excuse to get him out of the house.

- Lucifer, won't you go for groceries today?

I say a bit shaking, my mind is at the task to get him out of the house yet my body is already at the stage of pleasure.

Lucifer: Isn't it early yet? Sure I can if you want me too.

I nod and smile. Finally he takes his coat off and opens the door to leave... Yet he turns around the last moment.

Lucifer: The weather is warmer today, maybe you want to come with me and help me out?

- No, no

I say fast and I almkst push him out of the door

- Maybe tomorrow okay? Okay bye!

I shove him out and all I can see is his surprised expression before I close the door.

I immediately run to the bedroom and open his drawer.

There's my baby. My beloved vibrating dildo. I smile and get my clothes off fast and lay down on the bed. I touch my body all over the place and I tease my clit with my dildo rubbing against it. The sensation are brainmelting and become unbearable the moment I turn on the vibration. My mouth hangs open as my voice leaves my body strongly as the sensations of pleasure make my body numb. I close my eyes and imagine his touch on me, his lips on my nipples as he thrusts his cock in and out of me. My moans and breath are mixed together as my chest rises and falls faster with each passing moment.

Lucifer's POV

I look at the closed front door shocked and a bit... upset. I felt something is off from the moment I woke up. She seemed so... so out of touch, like her thoughts were somewhere else...

I collect my thoughts and walk to the market. I purchase the necessities for the meal and I start for my way home. I add in my head the task to stop by the flower shop before heading back. I pick a bouquet with her favourite flowers... I hope it will make her happier than she was when I left.

I arrive home and I unlock the door.

- Darling, I'm home

I get no reply. The moment I open my mouth ready to call for her again, I'm shut up by a loud moan. I get a bit curious. I let the bags on the kitchen counter and place the bouquet on the vase as I walk to the bedroom.

Every step I make brings me closer to the source of that sweet voice. As I stand outside the bedroom a mix of her voice calling my name and the maxed vibrator arrive in my ears. I smirk satisfied. It seems she really was awake last night.

I open the door, the view in front of mr is enough to make me cum yet, I keep my composure.

Someone seems to be.... impatient, my dear MC.

♡Hope you liked it! Let me know if you want a part 2~

Also, if you want, you can read it on Ao3, too🩷

https://archiveofourown.org/works/52762819

#lucifer smut #lucifer x reader #lucifer x you #obey me #obey me lucifer #obey me smut

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adyophene · 1 month

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Hello ! I just have a little question, how do we start drawing ? I want go draw but idk how to start- any suggestion ? Or, if for starting it's better to do it with tutos, any tutorial to recommend ?

Have a great day !

Oooh, this is a tough question to answer! I suppose one the best pieces of advice I have is to figure out, before anything, what you are hoping to draw. What style, what tones, what media.

I have a feeling this might get long, so I will throw the rest under a readmore.

For me, when I started taking my art a little more seriously (I never went to art school or anything) I just focused on finding both tutorials on the fundamentals, and finding tutorials that focused on the aspects of art that interested me, which were animation and cartooning!

They go hand-in-hand, after all, and you'll find you end up honing in on the tutorials that coincide with your interests! IE- I ended up doing a lot of figure, and expression drawing because they would help me express emotion and movement better! I also spent so, so long just training my hand to be a bit more confident with drawing steady lines just because I loved the look of clean line-work!

So try to identify what your personal draw towards art is! By doing both something you like, as well as focusing the basics, I found that, at least in my personal experience, it put me in a positive feedback loop where I could keep seeing results in exactly the type of art I was interested in! And, once you start to feel confident, that is when you start adding in little bits of study from fields you might struggle with! A 90/10 split on what you're comfortable with and then what is new is usually a good way to go about it! Weirdly enough, though I don't watch him, I saw that the youtuber pewdiepie actually had a really good set of videos where he started from being a complete beginner and improving his art over 100 days. I believe its an absolutely great watch for a new artist, because he really does a great job in showing what a brand new journey into art can look like, and explains what he thinks each day. I think my favorite line was, 'after 24 days, I was finally having fun' because that can really sum up the new artist experience. It will absolutely be a slog at times, and can be really disheartening, but when you start to see progress, becomes so, SO fun.

Here is the link to the first vid, https://www.youtube.com/watch?v=CMLEudGbxQk and his second https://www.youtube.com/watch?v=MJDtQTTAogk

ALSO- this was just the first video that came to mind because I watched it recently. I would recommend finding other videos about people learning to draw, or doing 30-100-365 day challenge videos. As for my personal favorite channels for art tutorials (though keep in mind, I haven't watched them in a few years ;-;, I need to study again);

There were a number of others that I wish I could link as well, but I am struggling to remember them. I hope any of that is helpful. My own art journey has been very long, and non linear, and I have to say, I'm not even satisfied with my own art! Its a endless mountain to climb, but it is so worth it to do! And lastly, I want to say thank you so much for sending this ask, you've made me dig back in to artists I used to study, and made me want to really focus back in on my own improvement!

#not art

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chaotic-minds-think-alike · 2 months

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Can you please talk about how you 3D model? I love your style and as an aspiring 3d modeller myself the dragon models you make are just so satisfying!! love the khepra (they can do no wrong)

Thank you!! I’d love to talk about it ,,

So I learned how to 3D model by following a roblox game studio called Sonar Studios a few years ago. The lead developer makes speedModeling videos on youtube if you'd like to reference those. Back then I could only learn by visuals and trying to figure out what they were doing but eventually after self teaching myself, I was able to become a trial dev for them and learn with them!! So what I’ll be talking about closely reflects their style of modeling.

First, I have this old Google slides I made of the basics of blender (program I use)(you can ignore the parts about roblox)

But before that, I want to share how my models started out (after a bit of eyeballing)

This guy looks good visually UNTIL you look at his wireframe... oh boy... Some issues I can name here are: modifiers not applied, unoptimized, seems kinda lazily done

BUT! I wanted to continue modeling due to the idea of having "digital action figures of my designs" which is super fun lol. So I practiced here and there and now I'm pretty comfortable where I'm at but I wont pass up the opportunity to learn new things about blender!

(wings hidden for convenience) You can see now, this guy is MUCH cleaner looking compared to that model from 2021. I want to say though, the only modifier I don't apply unless I'm going to rig the model is the Mirror modifier.

OPTIMIZATION. IS. IMPORTANT! (and so is making sure your model looks clean on the wireframe level)

Look at the stats of both these models! The left is the model from 2021 while the right is the model from 2024... huge difference! That's because I learned how to optimize! Detail of your model plays a huge part in this too but you can see that visually, both appear to be just as detailed. (Lower numbers usually means better BUT do not over-optimize because it can make your model look lower quality. Clean up your model the best you can while retaining as much original quality as possible! it is OK to cut out some design elements, for example if you have a really complex splotch pattern, depending on how detailed, it's ok to get rid of smaller and less important patterns as long as you keep close to the original shape to preserve quality.)

Some things of note before I move on:

The way I apply materials in the google slides is outdated (in my style) and now I follow this tutorial (I also change my model ref sheets to include gradient palettes if I need them)

I DO THIS AS A HOBBY! Not everything I do is perfect and that's okay!

I ALWAYS simplify my ref sheets to make them easier to model (it is OK to have a super detailed design as long as there's no super tiny details you wont notice)(additionally, if your design is detailed and your numbers start to go up, don't worry)

I have a natural eye for 3D shapes which is why modeling comes easy to me but if you struggle with only a side view of your subject then draw/reference more angles!

Also... you didn't ask but I want to touch back on the idea of "digital action figures" with the basics of rigging your model

I follow this tutorial but specifically the section on "rigid rigging" because weight painting is still a mystery to me. I know it's important.. but because I don't use my models besides personal use, my rigging abilities are super messy lol. I don't name my bones unless it's for symmetry reasons. Something also of note is when I'm ready to rig my model, I split it. Basically meaning I turn it from a figure to an action figure by giving it ball joints! (this part is probably the most tedious and boring)

In this style of modeling, your joints may never be perfect but it doesn't matter, you learn to love it.

#thunderposting i guess #myart #< myart tag because this is important #3d model #3d modeling #3d art

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mama-qwerty · 1 month

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Warning, AI rant ahead. Gonna get long.

So I read this post about how people using AI software don't want to use the thing to make art, they want to avoid all the hard work and effort that goes into actually improving your own craft and making it yourself. They want to AVOID making art--just sprinting straight to the finish line for some computer vomited image, created by splicing together the pieces from an untold number of real images out there from actual artists, who have, you know, put the time and effort into honing their craft and making it themselves.

Same thing goes for writing. Put in a few prompts, the chatbot spits out an 'original' story just for you, pieced together from who knows how many other stories and bits of writing out there written by actual human beings who've worked hard to hone their craft. Slap your name on it and sit back for the attention and backpats.

Now, this post isn't about that. I think most people--creatives in particular--agree that this new fad of using a computer to steal from others to 'create' something you can slap your name on is bad, and only further dehumanizes the people who actually put their heart and soul into the things they create. You didn't steal from others, the AI made it! Totally different.

"But I'm not posting it anywhere!"

No, but you're still feeding the AI superbot, which will continue to scrape the internet, stealing anything it can to regurgitate whatever art or writing you asked for. The thing's not pulling words out of thin air, creating on the fly. It's copy and pasting bits and pieces from countless other creative works based on your prompts, and getting people used to these bland, soulless creations made in seconds.

Okay, so maybe there was a teeny rant about it.

Anyway, back to the aforementioned post, I made the mistake of skimming through the comments, and they were . . . depressing.

Many of them dismissed the danger AI poses to real artists. Claimed that learning the skill of art or writing is "behind a paywall" (?? you know you don't HAVE to go to college to learn this stuff, right?) and that AI is simply a "new tool" for creating. Some jumped to "Old man yells at cloud" mindset, likening it to "That's what they said when digital photography became a thing," and other examples of "new thing appears, old people freak out".

This isn't about a new technology that artists are using to help them create something. A word processing program helps a writer get words down faster, and edit easier than using a typewriter, or pad and pencil. Digital art programs help artists sketch out and finish their vision faster and easier than using pencils and erasers or paints or whatever.

Yes, there are digital tools and programs that help an artist or writer. But it's still the artist or writer actually doing the work. They're still getting their idea, their vision, down 'on paper' so to speak, the computer is simply a tool they use to do it better.

No, what this is about is people just plugging words into a website or program, and the computer does all the work. You can argue with me until you're blue in the face about how that's just how they get their 'vision' down, but it's absolutely not the same. Those people are essentially commissioning a computer to spit something out for them, and the computer is scraping the internet to give them what they want.

If someone commissioned me to write them a story, and they gave me the premise and what they want to happen, they are prompting me, a human being, to use my brain to give them a story they're looking for. They prompted me, BUT THAT DOESN'T MEAN THEY WROTE THE STORY. It would be no more ethical for them to slap their name on what was MY hard work, that came directly from MY HEAD and not picked from a hundred other stories out there, simply because they gave me a few prompts.

And ya know what? This isn't about people using AI to create images or writing they personally enjoy at home and no one's the wiser. Magazines are having a really hard time with submissions right now, because the number of AI generated writing is skyrocketing. Companies are relying on AI images for their advertising instead of commissioning actual artists or photographers. These things are putting REAL PEOPLE out of work, and devaluing the hard work and talent and effort REAL PEOPLE put into their craft.

"Why should I pay someone to take days or weeks to create something for me when I can just use AI to make it? Why should I wait for a writer to update that fanfic I've been enjoying when I can just plug the whole thing into AI and get an ending now?"

Because you're being an impatient, selfish little shit, and should respect the work and talent of others. AI isn't 'just another tool'--it's a shortcut for those who aren't interested in actually working to improve their own skills, and it actively steals from other hardworking creatives to do it.

"But I can't draw/write and I have this idea!!"

Then you work at it. You practice. You be bad for a while, but you work harder and improve. You ask others for tips, you study your craft, you put in the hours and the blood, sweat, and tears and you get better.

"But that'll take so looooong!"

THAT'S WHAT MAKES IT WORTH IT! You think I immediately wrote something worth reading the first time I tried? You think your favorite artist just drew something amazing the first time they picked up a pencil? It takes a lot of practice and work to get good.

"But I love the way [insert name] draws/writes!"

Then commission them. Or keep supporting them so they'll keep creating. I guarantee if you use their art or writing to train an AI to make 'new' stuff for you, they will not be happy about it.

This laissez-faire attitude regarding the actual harm AI does to artists and writers is maddening and disheartening. This isn't digital photography vs film, this is actual creative people being pushed aside in favor of a computer spitting out a regurgitated mish-mash of already created works and claiming it as 'new'.

AI is NOT simply a new tool for creatives. It's the lazy way to fuel your entitled attitude, your greed for content. It's the cookie cutter, corporate-encouraged vomit created to make them money, and push real human beings out the door.

We artists and writers are already seeing a very steep decline in the engagement with our creations--in this mindset of "that's nice, what's next?" in consumption--so we are sensitive to this kind of thing. If AI can 'create' exactly what you want, why bother following and encouraging these slow humans?

And if enough people think this, why should these slow humans even bother to spend time and effort creating at all?

Yeah, yeah, 'old lady yells at cloud'.

#off my soapbox #ai generated #down with ai

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humphul · 2 months

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the only things i can enjoy, get interested in, feel hopeful about or get excited over are things that could improve with time: learning languages, refining skills, taking classes, working on my career, losing weight, becoming experienced in things, collecting things, curating libraries, planning for the future.

these might sound constructive, but i feel like sisyphus, working on projects with no defined end, reaching for a better life forever and never grasping it.

i can't stand tasks if i can't map my progress. stagnant hobbies like video games and birdwatching feel like wasting time. when i do photography, my purpose isn't to take photos, but to build a portfolio. when i make art, my purpose isn't to make art, it's to become better at making art.

even when applying for jobs, i'm less concerned with my salary and working conditions and more concerned with how it'll look on my resume when i apply for the next one.

i wish i could just enjoy the present. i wish i could take a photo or paint a picture for the sake of it. because i want to, because it'll bring me joy, with no alterior motive.

the world programs us to feel inadequate then teaches us the only way to be happy is to stop being inadequate. i'll probably die rehearsing my final words

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habken · 11 months

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hi Habs! :D i love your art and have seen ppl say they want to eat it and i would also like to partake lol. have you ever explained your methods of doing digital art? i love traditional but i would like to branch out into digital. i've tried different applications like krita, sketchbook, and sketch.io but i don't really vibe with them (if that makes sense). any tips?

Hello ! Haha thank you ! Totally get what you mean about vibes, I’ve used a few different programs, and I like paint tool sai and clip studio paint the most, and mostly use csp now !

Took me a long time to get into digital art, and the biggest breakthrough I had was that I didn’t have to do line art lol, now I only do it when necessary and 99% of my stuff is cleaned up sketches. Changing my process completely changed how I felt about my art for the better. It keeps my work dynamic, and also lessens feeling of the sketch looking better than the linework!

Generally my process is sketch, duplicate the layer and clean it (sometimes put the old layer on a low opacity so I can make sure I’m staying true to the sketch, so it’s like lineart with extra steps lol) then I block in one colour under the lines, either make a new layer with a clipping mask, or lock the opacity and colour on that layer.

For colouring, I usually use a single layer, I put down messy flats and shadows then clean it up and render it, add highlights and funky details and then I’m done. I’ve explained my colouring process here before, and I have a time lapse that shows my sketching/colouring process here.

I have shaky hands, so a lot of my brushes have stabilization turned up, usually I set it at 15 on csp brushes idk how that translates to other programs though.

For my sketches/clean up, I like using brushes that have little to no variation in brush size, and have varying density or opacity. Not for everyone but I like how it makes my work look and I end up liking my stuff a lot more like that. Usually I keep my sketches at the start really light and build up pressure as I clean

In general, I think the best thing to do is try a whole bunch of methods and figure out what works and what doesn’t! Lots of people have very different processes, so looking at how other artists work and trying out how they do stuff for yourself can be great for learning! Good luck with digital art!

#ask #art tips

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snowfairie · 1 year

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𝚠𝚊𝚢𝚜 𝚝𝚘 𝚍𝚒𝚜𝚌𝚘𝚗𝚗𝚎𝚌𝚝

if i’m honest, i don’t know anyone personally that is quite literally “chronically online”, and this it’s just a new word people throw around cause at some point you have to be off your phone during the day, but if you genuinely have issues with it as someone who does enjoy the internet dearly but knows when to stop LET ME HELP!! (we love u regardless)

don’t look at your phone when you wake up tbh it’s not that hard, typically when you first wake up you have to pee so you shouldn’t be taking you phone in the bathroom. why would you put your precious phone in such dangerous zones anyway? there’s water EVERYWHERE NOOOO :( but srsly make it a habit to not get on your phone at least for the first five minutes when you wake up. and the internet is usually really serious and heavy nowadays, and waking your mind up on a fresh plate of trauma?? no thank you. also if you don’t get on it first thing in the morning, you aren’t gonna be so bent abt it later on

when’s the last time you vacuumed? swept? CLEAN YOUR ROOM!! it’s actually fun esp when you have banging music in the bg and BAM you just spent 30 minutes to an hour not on your phone!!

take a sexy walk ik it’s typical but hot girls love walking, maybe take a quick trip to the store. cut on some fun music and take a walk. grab a few snacks or maybe stop by the park. you’re never to old for the park, don’t let other boring adults tell you so. the park is free, fun and ageless!!

read something break open a book you’ve always wanted to read, or better yet walk to the library. it’s very cute and aesthetic and very lana del rey vinyl

cook!! cook something for yourself, things always taste better homemade especially if you made it yourself! i always find learning new meals and recipes super fun and to make it better you can meal plan!

learn and new hobbie/skill it can never hurt to learn something new, i’ve realized as i’ve gotten older one of the reason why so many mindlessly scroll is cause y’all have no interests! draw, paint, start a sims lp, learn to program, sew idc i think stimulating yourself and having healthy hobbies is really good. idk how yall function with no hobby

do your makeup perfecting your base is always good, try out new makeup or some makeup hacks. find a signature style or eye look!

spa day! it never hurts to take a trip to the spa or your local nail salon. and if you can’t afford or you’re not in the mood to go out do a at home spa! set up a warm bath with all the fixings. bath bombs, bath crystals, candles, rose pedals you name it! and sweet face mask and you’re favorite song. some nail painting and you feel fresh and new

plan an outfit! i think having outfits planned for events or even making signature go to outfits can be fun and super helpful on cutting time in the future

watch a movie if there a movie you’ve always wanted to see, or a movie you’ve been putting off go watch it! better yet you can take a fun trip to the movie theater!

#farmers daughter #self healing #self care #self help #self love #dollette #coqette #lana del ray aesthetic #lana del rey #lily rose depp #soft aesthetic #baby doll #coquette aesthetic #coquette angel #snowfarie

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lilblucat · 4 months

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I just saw the ask by slushysblog. In response you sent a gif that blew me away:

You see, I'm just getting into digital art, and my PC can only handle about 5 or 6 layers before my graphics environment crashes. (Ofc this forces me to restart my PC and lose anything not saved.)

I've learned to work around this, my art isn't nearly so complex as yours, but I know if I want to continue I'll have to get a better computer at some point.

I was hoping you could tell me a bit about the technical side of your work. What are your PC specs? What software do you use? That sort of thing.

Thanks in advance! I love your art!

My set-up is complete overkill for art. It's a heavy gaming-ready desktop PC I got a few years back that I've upgraded the RAM and storage on over the years. I was doing fine with 16GB of RAM but I always have open a lot in CSP and other stuff so upgrading was definitely something I needed to do. 16GB should be fine for most people though.

You can also see that I run Arch Linux and uh yeahhhhhh it's a long story. The short of it is that my old laptop broke its Windows install during an update and I was completely unable to fix it so I just.... switched to Linux lol. I started out on Ubuntu and switched to Arch after a while. I don't rec using Arch unless you know what you're doing, Ubuntu is way easier.

What you might find more interesting is my away from home set up on my laptop since it's an older gaming laptop.

The graphics card is actually a NVIDIA Geforce 850 or something. It's so old that you can't play some games on it. However, I have no issues with it for art. I can open my comic project files in CSP fine on it. It's also running on Linux Mint, which isn't showing up on the little image for some reason. Both of my devices run Linux, but that's a me preference/need thing and I don't rec messing with your operating system if you don't know much about computers. It gives me a bit of an edge since the system doesn't use as much RAM as Windows but yeah don't touch unless you're committed to learn. Windows will serve you fine. Or MacOS even.

As for my program, I use Clip Studio Paint EX. I bought Pro a long time ago and upgraded to EX because of the extra tools for comics and animation (I've heard animators don't like CSP though, it's the BEST program for comics however). It's a really solid program but the recent changes to pricing and updates is really stupid. Fun fact: I use only default brushes and materials because getting it to run on Linux breaks the store. I also use an older version of it because of how I got it working on this system.

For my tablet I use an XP-Pen Artist 12 Pro. It's a pretty solid screen tablet on a budget (I bought it on a sale) and I have no issues with it. I actually partly got it because I thought it was cool that XP-Pen carries official drivers for Linux too, and this helped a bit since this was before Windows bricked on me and I switched to that. It was kinda weird how it played out lol. I would heavily not rec a Wacom tablet unless it's an older one for cheap. Wacom is stupidly expensive and you can get a better bang for your buck at other companies. My first tablet is a Wacom and it's still holding up pretty well but their quality on their new tablets isn't great. Check out XP-Pen, Gaomon, and Huion for better tablet options.

#not art #shortformdrip-blog

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