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#<- incredibly important (i love him so much and his character is so much more nuanced than the fandom ever gives him credit for
rubberduckyrye · 1 day
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Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.
It's about how Gonta is treated by the fandom.
As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.
You all need to stop being ableist towards Gonta.
I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.
But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.
This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.
First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.
There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.
Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.
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This is further clarified here:
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It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...
It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.
He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?
Because Gonta is a young man.
Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)
I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.
To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.
But.
You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.
This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.
So again, ask yourself this: Why are you treating this young adult like he's a toddler?
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Finding Each Other-Chapter 3
Fandom: Superman, Batman, Shazam, and Wonder Woman
Characters: Bruce Wayne, Clark Kent, Lois Lane, Dick Grayson, Diana Prince, Billy Batson, Jason Todd, Tim Drake, Kara Zor El, Damian Wayne, Cassandra Cain, Alfred Pennyworth, Lex Luthor, Jonathan Kent, Connor Kent
Summary: Clark Kent always knew he wanted a family. He just always thought it would be traditional like his parents. Little did he know that destiny had something different in store for him.
Chapter 1, Chapter 2
Clark followed B and Dick out to a white Rolls-Royce. B went to the passenger door and opened it for Clark and said, “After you.” 
Clark blushed and said, “You really didn’t have to do that.”
B smirked and said, “But I insist.”
Dick giggled as he got into the back seat of the car and said, “You guys are funny.”
Clark blushed harder as B chuckled as he went to the driver’s side and got in. The distance between the museum and Bruce home was short. They were only in the car for ten minutes chatting some more about Atlantis when Clark just stared at the scene before him with his mouth wide open. Bruce had initially stopped at a gate. Once he put in a code, it opened to the most beautiful scenery that Clark had ever seen. It was a mansion. The biggest mansion that Clark had ever seen. He wouldn’t be surprised if it had over 100 ones inside. While the outside had a dark gothic look, it was counterbalanced by the assortment of beautiful flowers on the outside as well. The flowers did make the mansion appear less threatening. 
B smirked and said, “You seemed surprised.”
Clark chuckled and said, “Well, I have never seen a mansion so big so far.”
B chuckled and said, “That is refreshing to know.”
Clark looked at B confused and asked, “How so?”
B smiled and said, “I am used to people either trying to play it cool when they come here or being self-important. However, you are different. You seemed to be very much in awe of the place.”
Clark chuckled and said, “It is not hard too. Not only is the size incredible, but the gothic feel combined with the flowers, make it appear welcoming.”
B chuckled and said, “That would be my mother’s doing. When she moved here, she hated the place because it reminded her of the TV show Dark Shadows.”
Clark chuckled and said, “That is a show I haven’t heard of in a long while.”
B looked at him startled and asked, “So you are familiar?” 
Clark smiled and said, “I used to watch the old episodes with my Pa. It had everything I liked in fantasy: vampires, witches, love, and death. It was quite thrilling.”
B looked at Clark impressed and said, “I haven’t met that many people my age that have seen it before.” 
Clark sighed and said, “I am not surprised. It is from a while ago. I wished the movie they did recently did it justice.”
B sighed and said, “I couldn’t agree more.” B shook his head with a wistful smile and said, “My mother used to joke that she thought that Barnabas Collins haunted the grounds and would come out to get her.”
Clark raised an eyebrow and asked, “Really?”
B nodded while smiling and said, “My dad thought it was funny at first, but seeing how scared out of her mind she was decided to redirect her focus to something positive. He suggested gardening which she took to like drinking water. She planted so many flowers of different colors to liven up the place.” B’s face fell a bit before wiping off a tear from her eyes and said, “I wish you could have met her. She was a very lovely and gentle soul.” 
Clark didn’t know what to say to that but decided to gently squeeze B’s hand who smiled back in appreciation. As they continued up the driveway, they finally got up to the front of the mansion after a couple of minutes. When Clark looked up, the front door was open with a man already standing there in a three-piece black suit. He seemed like an older gentleman either in his late 60s or early 70s. Dick instantly got out of the car and ran ahead of them to the older gentleman and instantly embraced him in a hug. 
The man smiled and said, “Master Dick, it is nice to see you too. I take it you and your dad had a good time?”
Dick looked up at the older gentleman, smiled, and said, “We had the best time, Alfie! We learned about Atlantis and I got cool stuff from the gift shop.” Dick instantly opened the bag and showed the older gentleman its contents. 
The older gentleman chuckled and said, “I see you are adding more to your Superman collection.”
Dick smiled and said, “Yup.” Dick looked back to Clark and B coming up right behind him on the stairs and then directed the older gentleman’s direction to Clark and said, “Oh! We made a new friend tonight too, Clark. He has a lot of awesome ideas about Atlantis.”
The older gentleman smiled at Clark and said, “I see.” He raised his hand to shake Clark’s and said, “My name is Alfred Pennyworth. It is nice to meet you.”
Clark shook Alfred’s hand and said, “It is nice to meet you.”
B smiled and said, “Alfred is my adopted father after my parents died.”
Clark smiled and said, “You raised a fine young man.”
Alfred chuckled and said, “Heavens know that it was a struggle, but I believe everything turned out good in the end.”
B chuckled and said, “Alfred is putting it mildly. I was a little hell raiser.”
Clark smirked and said, “I still can’t imagine that.”
Alfred smirked and said, “He used to get into a lot of mischief growing up. However, I wouldn’t trade it for anything for the world.”
B smiled softly and said, “Thanks, Alfred.”
Alfred placed a gentle hand on B and smiled. Clark's heart warmed at the sight of the love between the two. 
Alfred cleared his throat and said, “Well, let’s not keep you all outside.”
As they entered the foyer, Alfred asked, “Shall I get you guys anything?”
B shook his head and said, “I was just going to make us sandwiches. I thought we could have chips and ice cream with it for dessert.”
Alfred nodded and said, “Very well. I will be upstairs in my room reading if you need anything.”
Alfred proceeded to head up to the staircase a couple of feet in front of him while B and Dick started to head down the hall to the right with Clark following right behind them. After walking for a couple of minutes, they entered a brightly lit kitchen. B went to the fridge while Clark and Dick sat at the kitchen island. 
As B looked through the fridge, he said, “Clark, if you could have any sandwich right now, what would it be?”
Clark looked up thoughtfully and said, “A roast beef sandwich on white bread.”
B nodded and said, “Coming right up. Did you have any preferences for toppings?”
Clark smiled and said, “If you have mayo, cheddar cheese, and lettuce, that would be awesome! If not, the roast beef and bread will be fine.”
B chuckled and said, “Don’t worry, I got you covered. The best parts of the sandwich are the toppings. I tend to be more into honey mustard fan myself when it comes to toppings.”
B brought over all the ingredients to the kitchen island. 
B looked up at Dick and asked, “I assume that you are wanting your usual?”
Dick nodded enthusiastically and asked, “Can I have the sour cream and onion chips too?” 
B nodded and said, “They should be in the pantry. Do you mind getting them out and the BBQ flavored chips and…” B turned to Clark and asked, “Was there a particular flavor of chips you preferred?”
Clark smiled and said, “I am actually a big fan of sour creme and onion, especially the ones from Pringles.”
Dick smiled and said, “Those are my favorite too even though Lay’s sour creme and onion is a close second.”
Clark nodded and said, “I couldn’t agree with you more.”
Dick beamed and said, “I’ll go get the chips. I’ll be right back.”
Read the rest on AO3
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kaltacore · 3 months
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no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.
and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.
the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.
and none of them was celebrating.
mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.
and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.
for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.
but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.
the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.
i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.
how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.
and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.
it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it
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aces-to-apples · 1 year
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Frankly I think Alistair being mildly shitty to that mage in Ostagar seems pretty in-character for the guy he is before the massive, life-altering trauma that is the Ostagar massacre wherein he sees all of his Grey Warden comrades, his beloved mentor/father figure, and his beloathed half-brother/convenient-target-of-projection absolutely torn to shreds by literal Thedas boogeymen. IIRC Morrigan and Flemeth both comment on his wack behavior after Ostagar and then by the time we get to Lothering Alistair just fully surrenders any and all responsibility (and, frankly, agency) to the player's Warden for the foreseeable future. It can then take anywhere from a couple IRL hours to the entire second act of the game for him to retake almost any amount of it back. And depending on the player's choices in dialogue, and especially whether or not they choose to romance him, we may only see flashes of that guy we met at Ostagar before he potentially morphs into almost someone else entirely (hardened!King!Alistair). All that to say, I don't actually think it's a useful criticism of "characterization" to bring up Alistair's glibness as compared to his behavior in the majority of the game because from where I'm standing (looking directly at his snottiness about Cailan, his complaints about being assigned to the Tower of Ishal, his Templar-esque focusing on Morrigan and Flemeth being apostates, his generally pretty brusque manner with the Warden recruits) it seems fairly in-line with the rest of his behavior at Ostagar.
#like seriously he's a bit of a dick (more than what becomes usual) while at ostagar#before his world is shattered and his brain (and personality) is completely rearranged by seeing everyone important to him slaughtered#he clings so hard to the warden as a lifeline that he kind of goes full-on fawning mode for a little bit there#just giving up the reins completely and following orders as (imo) a method of coping with massive loss and trauma#throughout the course of the game he recovers somewhat and goes back to being kind of a dick#and/or growing up pretty extensively and becoming a much better and more tolerant person as a whole#but the idea of him being a dick to a mage because he's being moved around like a chess piece rather than a person#by someone who should NOT have the authority to do that and that fuckin ANNOYS him and then this dude's getting all up in his face about it#as if this was HIS decision and then being accused of harassing this random ass dude he could not give less of a fuck about for funsies#and thus him going full obnoxious shithead teenager about it is somehow OUT of character?? for ALISTAIR??? wack#like nah bro i know we all love ali but our vision is being obscured by that love and also how sweet he is in a romance#just being besties with him unlocks an incredible amount of unfiltered BITCHINESS that is fully in-line with ostagar!alistair's shenanigans#dragon age: origins#alistair theirin#by apples#da meta#anyway there's been disk horse on my dash for the last couple days and this is my take on it
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toxifoxx · 2 months
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truly at the end of the day its all about receiving validation
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void-and-virtue · 8 months
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Writing fanfic is so dangerous bc whenever I see the name ‘Seth Gordon’ now, my brain just goes “SETH!! My man!!! My dude!!! Allison and Renee’s platonic husband!!!!” And then I have to take a moment of silence as I remember that oh. Oh, in canon, he is first an asshole and then dead
#truly it’s a struggle#my brain saw him and decided he’s free real estate#I just think this guy has so much potential to be explored in AU#my fascination with him is entirely based in the quote from tfc where he explains why he hates Kevin so much#‘his life is not more important than mine just because he’s more talented’#and the entire conversation surrounding that#Seth is a foil to the part of Neil that is all boundless jealousy over being the discarded one while Kevin Day shines#and just like Seth is often forgotten about I feel like that part of Neil is not often talked about either even tho it’s so essential to him#it’s literally quoted to be the thing Andrew found so interesting as to let him stay#and Seth is a character who potentially could carry that same theme with a perspective that is both unique and complimentary to Neil#which is why I fully am with the EC part where Nora says she thinks they would have been friends#and I would love to see that friendship explored#just like I would love to see Seth’s character growth and redemption leading to a better relationship with the upperclassmen#which is exactly what brings me to Renee/Allison&Seth#Seth and Allison breaking up for good and happily settling into a very committed platonic relationship is something that can be so personal#I have so many thoughts about their relationship rattling around in my brain I swear#and ofc Renison bc they are incredibly canon to me#and I think it could be really interesting to explore where Renee and Seth may find common causes when they are pulled together via Allison#aftg#aftg spoilers#all for the game#the foxhole court#aftg headcanon#aftg hc#seth gordon#renee walker#allison reynolds
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hella1975 · 1 year
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no bc like. trk is SO hard to read. like. Thanksgiving. That SceneTM. boy. i read aftg in a single week when i was fifteen and i regret doing it at that age so much bc MAN that was a hard couple scenes to read
right?????? and there's nothing inherently wrong with writing scenes like that i just always think nora misses the mark with how it's handled. like even AFTER that reveal in trk about What Happened To Andrew And Why He Acts The Way He Does, he still gets treated as some soulless maniac? and that's so damaging to any victims reading that also - god forbid - dared to respond to that trauma in a 'bad' way
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antbitez · 1 month
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i hate berlermo.
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okay, HEAR ME OUT FIRST!! do i hate the ship? yes. absolutely. does that stop me thinking about them every second of the day? no. i am in so much pain help me.
want to start with talking about berlin. he is a straight man. martín was NOT his bisexual awakening or something. he. is. a. straight. man. they could not work and berlin made that very clear on multiple occassions. he is also an egomaniac. he has so many disorders, and while i dont want to portray him as some heartless monster (because he isn't!! he cares about himself but that doesn't mean he doesnt care about others too!), i find it hard to believe he didn't keep palermo around to mess with him.
the kiss scene between andrés and martín is the root of a large majority of martíns issues. we see throughout the series that palermo is withdraw from his emotions and love, he has attatchment issues, and he has not moved on from berlin even two years later. he hasnt let himself recover from his death, and his loss of a hopeless, unobtainable love. when berlin kissed him, they both knew that would be the last they saw of eachother. they both knew berlin was willing to let himself die (both because of his illness and his love for his brother) during the heist. it left palermo with false hope, that maybe something could have come from it. but there never could have! that is their last interaction, and that is the last thought he leaves with martín. i wholly believe berlin was fully aware what that would do to him, and left with that as a little "you won't be forgetting me :)" because everything with berlin is Him Him Him. without the kiss, martín would have been able to heal so much quicker and easier.
palermo doesn't start to heal until two years later, when he gets involved in the bank heist. up until that point he blames sergio for the "love of his life"s death, but slowly comes to realise that this group of people that berlin died for are the most caring people. he begins to understand it. they are hurt, they have losed loved ones too, they are risking everything for a loved one. they are so much like him. does he make mistakes? YES! so does everyone in the group, but it is in his nature to stir trouble when he doesn't get his way. did his actions have awful consequences because of that? unfortunately, yes! but he regrets them. he is forgiven, even by those he probably shouldn't be forgiven by!
by the end martín is so much more in touch with his emotions, he realises that he doesnt have to settle for unobtainable love, and he can be loved unconditionally. he went into the bank heist for berlin, but came out of it with so much more. palermo would not have been in the place he was in by the end of it if andrés was still around.
money heist was so refreshing to watch as a queer person. queer relationships were not perfect. i understand the appeal of berlermo, i really do, but they are so unhealthy. i understand the need to cling onto any sort of gay rep because its so scarse in mainstream media, but there is so many queer stories in this show, and none of them are appreciated as much as berlermo, which i find kinda weird!! why is a relationship with a gay man and a straight man more adored than helsinki and palermo? two gay men who helped eachother through SO MUCH! what about the beautiful platonic soulmate relationship between helsinki and nairobi? what about the amazing transwoman, who was such a genuine representation of some trans struggles? please stop prioritising the cishet in queer stories. berlin is so important to so many characters, especially martín, but him as a love interest to martín shouldn't be the main focus in his story, because his whole arc was getting over him and moving on. in reality, he made martín the most unhappiest he had ever been.
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orcelito · 1 year
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My favoritism is Obvious
Tfw I spent all the rest of my money buying bow upgrades for The Boy
In an entirely predictable move, I'm pretty sure he's my favorite
#speculation nation#engage spoilers/#he's like a mix of my favs from two other games. felix and takumi lol#he even looks like felix. though his personality couldnt be more different lmfaoo#but that same sort of Little Brother Syndrome that both felix and takumi have...#never feeling like they can surpass their elder brother.. feeling Jealousy about it... & other feelings for felix but this aint about him#combine felix's appearance with takumi's bow skill (& slightly more pathetic mannerisms) and U get alcryst#alcryst is so... sopping wet pathetic. the absolute most pathetic boy in existence#putting himself down CONSTANTLY. extreme sense of inferiority to his Model Crown Prince brother#alcryst keeps making comments about being a waste of space and i wanna take him by the shoulders and tell him#YOU ARE AN AMAZING ARCHER. BEST IN MY ARMY. INCREDIBLY IMPORTANT MEMBER. I LOVE YOU.#he looks So cool when he's not literally prostrating himself for unknowingly shooting at the divine dragon. lmao#but yea he's everything i love in a fictional character. Angsty boy with elder sibling issues. apparently that's a constant for my favs#also I HAD HIM WITH LIEF. IT WAS SUCH A GOOD COMBO. BUT THEN THEY TOOK MY RINGS AWAY 😠😠😠😠#dont worry alcryst i'll get ur emblem ring back. at some point...#also between the upgrades and engraving on the killer bow. it now has a 67% crit rate#which is kind of INSANE. this is a bow of Fuck You#i love having archers that are a death sentence.#even better is that with 'canter' he can go up. one-shot someone. then dart back behind the line#he's got a decent defense but at the end of the day he's an archer. a glass canon. GOD i love him so much#both as a unit and as a character. sopping wet tissue of a boy. i love him
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wholesome snow au snippet………... they’re brothers :)
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noxtivagus · 1 year
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thinking of. hermes n etheirys n there rlly is just sm to take in !!!!
#🌙.rambles#[ ffxiv. ]#one big point in endwalker was. the importance n the meaning of. overcoming suffering. even if our end is assured.#that's one thing venat (i love her so much btw) knew that hermes cldn't quite come to terms with in a way?#in hermes' case though. take note of how he probably felt really alone in his society. in the og etheirys#one big thing in endwalker was how. the wol n. everyone. was able to overcome it eventually. able to live bcs#they weren't alone. we can't do it alone. n i really love that lesson in ffxiv#etheirys rlly was fucked up 😭 i hate how hermes had to internalize all those stuff at the end. it's very personal to me .#i think much of those crises wld've been averted in some way if hermes was actually listened to.#still. doesn't justify his actions in the end but i really understand him.#a perfect society doesn't exist. ffxiv rlly has a lot on how 'perfection' isn't rlly so good#n then.. yeah in overcoming suffering do we learn to value life even more#BUT! big thing here is it's really hard alone !!!! the wol doesn't save worlds on their own !#that said though i personally find it amusing how i really end up liking a lot of characters that r linked to destroying worlds in some way#emet-selch with the first. hermes w etheirys. n then other charas like sephiroth ffvii & lucilius gbf#HFDLAJFSKD 😭 speaking of emet i cld ramble about him for ages as well#i really love how. yk each of the charas in ffxiv. you can really see their character. their morality n beliefs n values n who they are#n there's a lot to take in as well.. there's zenos too who's so incredibly interesting as well as fandaniel#these four in ffxiv i've specifically mentioned r all antags i suppose. but#out of the three i think fandaniel's the worst in morality bcs haha he rlly wants to destroy the world n all#I CLD WRITE MORE BUT NOW NOW! zenos is.. he just does what he wants w his own. yk. he seeks thrill he seeks. the yeah#a lot of it relates w the wol. n sm of it comes from how he was raised. he's rather sad. i'll write more another time#hermes out of them all is the most 'good' at heart i'd say buut. rlly just like all of them his circumstances rlly made him who he is#all of them rlly w each their own circumstances n i'm not big-brained enough to write them all well enough rn BUT IT'S IN MY HEAD#emet-selch w the past he loved. imperfection of the sundered world rlly. hurt him#but endwalker rlly put a new light to that 'perfect' world. it really wasn't perfect as we cld see w what happened to hermes#there's just so much to write abt it. i appreciate it so much. i love stories like this so much#ffxiv has some dystopian stuff (n i grew up w a lot of dystopian books ahaha) n nihilism stuff (i love philosophy so much)#IDK MY BRAIN IS SO MUSH RN there's smth i have to do rq tho for school so bye i'll write another time#either when my mind is clearer or i can't think of anything else but ffxiv for several hours again 😭🫶🏼
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Lesson 1: "White Man Painted Black"?
Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!
You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.
Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!
I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!
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(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)
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(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)
You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?
It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.
And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!
Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:
Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?
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Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)
What if, instead of just changing her palette, we changed her:
Hair?
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There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?
Lips?
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I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.
Nose?
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One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!
Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.
I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!
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starlost97 · 4 months
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— distractions.
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summary: You always hated when Max got into fights, and because of that, he stopped. However, when you came into question, he just couldn't help it.
keywords: fluff, Max Verstappen (almost) fights, Max Verstappen is protective, walk him like a dog vibes, 2018!Max Verstappen, gn!reader.
characters: Max Verstappen.
warnings: almost a fight, lots of swearing, shoving.
a/n: I remember having so much fun writing this one! the prompt was "them hearing someone talking shit about you while you're not near". I didn't write what they said (just wrote that they said something)! also this one's a part of the shortfics series (that I desperately need a name to) as well!
word count: 491.
requested?: yes! by a friend.
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Max was known for his temper. At 21 years old he still got into fights, and for some time there was nothing that could stop him.
Then he met you, an incredibly sweet person that — for some reason — fell in love with him almost as hard as he fell in love with you. So now he had a reason to think before doing.
Still, when he heard someone muttering all the things that they would do to you, every piece of self-control that he had broke to pieces.
"What did you just say?” He asked, his voice a bit louder than usual. “Are you fucking deaf? What the fuck did you just say?”
“You are hearing things, Verstappen.” The man said, now a bit more courageous as he stepped closer with his hands in his pockets.
“Why don't you act like the man you pretend to be and own what you just fucking said?” Max said, shoving him hard against the wall.
“What's your fucking problem?” The guy asked, now getting angry.
“My problem?! You are asking me what my problem is.” Max asked, more to himself as he tried to process what he just heard. “I’ll show you exactly what my fucking problem is.” He said, violently grabbing the guy's collar and shoving him against the wall one more time. Max was angry enough to break the man's nose right there, but then, he heard a familiar voice.
“Max!”
In seconds, the guy was on the floor. Max didn't even hesitate to let him go and turn his attention to you, who had your arms crossed and looked at him with a look of disapproval.
“You know I don't like when you get into fights.” You said, making Max smile.
“I'm so sorry, babe. When he started talking shit about you… God, it was stronger than me.” He said, caressing your cheek with his thumb and kissing your forehead. He let his eyes linger around your features for a bit. “How can you be so pretty? I can't comprehend it.”
Someone might say that he was trying to change the subject so he doesn't get in trouble, but truly, everything about you was a distraction factor. Your rosy lips and how kisseable they are, the way your hair looks and feels so soft against his fingers, and your eyes…
God, your eyes.
Max was going crazy, really. One of his favorite things about you — even before you started dating — would be your eyes. And now when they look at him carrying such love…
Max likes to talk about how not even the greatest of the poets could express the feeling that those pretty eyes conveyed him.
“What were we talking about?” He asks, genuinely, as he comes back to reality, making you chuckle.
“Nothing important.” Max smiles at your answer, getting distracted once again by your pretty lips, which he gently kissed, now distracting you too.
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aquickstart · 4 months
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i need to talk to you guys about the colors of the Cattons (Felix specifically) and Oliver. the clothes they are wearing are telling the story of Oliver taking over and leaving his mark throughout the whole movie, with Oliver's failures and successes and a final triumph. holy shit. get in. this is long and ends in ancient greek culture trivia. let;s talk please.
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disclaimer: am starting from Oliver's arrival at Saltburn. before that the outfits are also very intentional, but it's a lot more complicated and it has been discussed before. the world distorts once we are at Saltburn and the story gets truly gothic there, and every detail—including color!—is enhanced in meaning. also, special thanks to @kivlaro for doing this with me, the thoughts on this specifically and the Saltburn craze on the whole. pics and detailed analysis under the cut!
let's start from the beginning. here is Oliver at the door. simple, blue shirt.
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the shirt is sort of its own character. logically it makes sense as Oliver's suitcase is small and he spends the whole summer there, of course he'll rewear stuff a bunch. but it is blue.
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in contrast to Felix, in yellow. yellow is one of Felix's colors (he is the sun, which i've talked about here btw, so this makes sense).
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same to Pamela, in blue. first time we see her, she is next to Elspeth, wearing the color that is Oliver's, taking the place that he takes right away, in this very scene. the only other time she is physically present on screen is at dinner, in black and white, and black and white are a blank slate. she is stripped of color and gone very fast.
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a bit of crucial data for later: Oliver, in blue, and Felix in pink. pink is very important on Felix. this is their first morning together. they are separate and opposite, solid, contained.
where it starts to get good is the morning after the vampire strike.
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Venetia is a Felix extension, just as everyone in the house is to Oliver. i will eventually rant about Saltburn as a whole entity and Cattons as aspects of one self, and Oliver as psychosis, but not here. so, yes, Venetia is a pink riot, a euphoria of self-containment because Oliver gave her a piece of something she felt she lacked to feel whole (validation, attention, care), not a piece of blue, of himself. Oliver is expectedly solid blue. Felix is incredibly interesting and something i didn't pay much attention to at first: predominantly blue, incredibly upset at Oliver for ditching him, with a tile of bright red (on the left! close to heart! over-reaching here but like still!), which still tracks. i mean, really, if i had so much foreign color bleed into me and then abandoned, i'd be pissed, too. nice little touch is sir James' beloved hydrangeas, behind Felix, also pink, very pink, always pink; i don't think i've seen them blue in the movie, although the sort exists.
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Farleigh. sweet baby Farleigh i love you. I'm not dead-set on my interpretation of this specifically but i think multiple things are happening with Oliver and Farleigh here. like Rent, which is their song, blue is their color of outsiders and the triers to fit in. Farleigh points out the favoritism and preference of Oliver to him and his mother here, so it may also be appropriation of color to draw attention to Farleigh as almost (but never quite) Oliver. it may also be as simple as that Farleigh, as much as he denies and resists, still retains Oliver's influence, which bleeds into him very slowly.
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a nice little moment of Felix wearing blue swim shorts with just tiny specks of a pink pattern. Oliver's shorts also have a bit of pink, but less than Felix's. Oliver is pretty good at remaining unaffected and uninfluenced overall.
and we're getting to where it all clicked and started for me. the Quick family house, the failed reconciliation, and the immediate aftermath. oh it's so good.
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on the drive there, Oliver is blue, Felix has a pink polo shirt with a solid blue pullover over it. this is the most blue Felix has ever been (this is the most blue he will ever be!), this is trust. however shaky and toxic it is, Felix loves Oliver and accepts him into his world. as a side note, Oliver's parents are also very blue, mom more so than dad. nice!
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and then it crashes. immediately after, it's the evening of the same day, but Felix is not wearing the blue pullover anymore. this is very, very important. this is rejection. it's the end for Oliver in Felix's world and with his trust. Felix, again, in solid pink, Oliver in solid blue. Felix successfully rips him out with the roots and everything. ouch.
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daddy. sorry. is that highlighter? sweat? fuck. let me- daddy. SORRY
no i actually have a point about this.
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the clothes are replaced by the lights, but we roll with it. Oliver basks in the blue-green light, while Felix is on the other side, in pink and purple and red. sure, blue shines through, and Oliver also walks through the slashes of pink, but it is mostly pretty separate, Oliver watching Felix's pink in his own blue from a distance.
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the morning after palette is deep. the wine color that is so prominent in these scenes is fascinating to me. if i were to over-reach again i'd say it's the Oliver in Felix's attributes and in his place that requires the robe to be so dark, not usual definite pink, because deep blue has leaked into the color itself, mixed with it, made itself integral to the shade. but it's also just a nice color, and it is pink in its core. the flowers (with sir James in the background) i think are also this specific shade for the same reason. you look at what remains of Felix everywhere here, and it is his color.
and finally oh the lunch scene. the last supper. the judgement day. the who's afraid of virginia woolf madness.
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i think we've established what's up with Oliver, but i also think it's important that he is his own color at lunch but in Felix's pink/wine right before and after. lunch is where he attacks, whereas before and after is where he grieves and enjoys. Farleigh is almost completely blue save for a strip of the same deep pink, and he is soon cast out, and Venetia is striped, blue and pink/salmon, affected deeply by Oliver yet still clinging on to the Catton pink with grief, probably, but also love for Felix.
and after all this, Oliver leaves himself.
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no, like, actually, literally himself. sure, he'd got a taste of the Cattons and the pink, but he is a monolith, a solid blue when he leaves Saltburn. he has not been affected by the house, he has taken what he wanted but stayed true and whole. what a power move, honestly.
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but it's an even bigger deal that 16 years later, Elspeth runs into Oliver wearing all white and a blue scarf. oh, she's not let this go, alright; it was a long time ago, "but not to me," she says. What Oliver has been up to in that time is a great question, without a doubt he's been keeping tabs on the remaining family as much as he could; but Elspeth has never moved on, either. She has held on to Oliver's blue and the pink is not important at all now. Oliver, of course, is invariably, unwaveringly blue. welcome back to his show.
and welcome back to his triumph.
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the only color (except for, again, white and black) we see him wear in the flashback about Saltburn inheritance is the all-too familiar deep pink. wine. bright pink mixed with deep blue.
now i will take a liberty and step back, over-reach, over-interpret and go insane. here's a fun bit on ancient greek culture trivia for you.
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this is an interesting and complicated historiographical and linguistic debate that i will not even attempt to relay here, but the essence of it is this: for us, the sea is conventionally deep blue. historically, one of the most prominent civilizations considered "deep wine" to be the descriptor for it (not necessarily the color but the property. highly rec to look this up it's so fascinating). what it gives me here is that Oliver has changed color, but not his self. he has integrated, mixed, but persisted, completely winning over, triumphing. long live the king!
in conclusion, i would just like to propose "colors" by halsey as the next cattonquick anthem. thank you for your attention, please let me know your thoughts. yours, yes, you. cheers. god. peace out
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thranduel · 8 months
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some facts about astarion that i find very cute/meaningful :)
i wanted to share this so more people can learn about him and appreciate who he is deep down, behind the mask he wears. before cazador turned him, he was just like any other person; he had hobbies, passions and emotions. those things are still there, but they’re just hidden amidst all the darkness. he was so young when he first turned that he barely had a chance to enjoy life or figure himself out. so many people miss out on the complexity of his character due to only focusing on his physical appearance or labelling him as a cruel villain, but in order to see that he’s so much more than that and he’s capable of growing as a person, all you need to do is show him a bit of love!
- he loves embroidery and poetry
- he approves when you pet the owlbear cub because most people view it as a monster (the same way people have always viewed him). it’s like he finds comfort in the fact that you can love and care for something that most people are afraid of, and it gives him hope that you may feel the same way about him too
- if you put a flower on his grave, he smiles and says "cute"
- he comes up to you in camp just to thank you and tell you how grateful he is that you allowed him to make his own decision (after you defend him and don't force him to drink the drow's blood) because he is so used to being told what to do and he was forced to use his body for so many years
- in that same scene, he will hold your hand whether you choose to stay in a romance with him or be friends instead, because he loves and appreciates you no matter what, and any sort of relationship with you is so important and meaningful to him
- if you try to romance karlach and astarion at the same time, he tells you to choose karlach over him, even if he loves you and it hurts him to do so, because he can see that karlach loves you too. he says that normally an arrangement would work for him, but after everything karlach has been through and how fragile her heart is already, he doesn’t want to get in the way or see her hurt
- if you try to romance halsin and astarion at the same time, he just wants you to do what makes you happy, even though you can tell it hurts him if you choose halsin. he’s also worried that you’re unhappy because he hasn’t slept with you (he should never have to worry about that ☹️), so he doesn’t want to stop you from enjoying yourself. in this situation and the one with karlach, you can see that there are moments where he puts others before himself and thinks about their feelings more than his own
- if you’re playing as the dark urge and you’re trying to resist it, he is so incredibly comforting and tries to give you strength and encouragement. one of my favourite astarion lines is this: “you’re not alone in this, none of us are.”
some more lines that i love:
“i don’t hate you. because this is not you. but whatever it is, you’ll get through it. and i’ll be here to make sure you do.”
“whatever it is that’s controlling you, we can fight it. i know that better than anyone.”
“this thing won’t have you. it won’t win.”
“easy now, darling. you’ve got this. and i’ve got you.”
- when you try to break up with him because you’re transforming into a mindflayer and you tell him you’re becoming something horrible, he gets so upset that you would even think that way and tells you that you’re wonderful and he doesn’t care about what you look like. then he says he would get more stares walking down a street than you to try and make you feel better
- if you love and care for him and remind him that there is still good out there, he genuinely wants to grow, be a better person and break the cycle of power and terror that started centuries ago
- he approves when you help people that are considered outcasts or "freaks" because he has felt that way too
- he risked his life and got punished for letting a man go instead of luring him back to cazador because it’s implied he cared about him in some way and he couldn't hurt him (not entirely sure about this one, this is just how i interpreted it based on his voice and mannerisms when he was talking about him)
- he approves when you give an orphaned child food (act 3)
- he becomes vulnerable, honest and more gentle with you once you start treating him like a person, because for the first time in his life, he actually feels safe with someone
- he's extremely insecure despite the mask he wears at the beginning of the game and he doesn't believe he is capable of being genuinely loved for who he is as a person. when you get close to him and tell him you care for him and give him a hug, he is taken aback at first, but then he believes you and hugs you back. also, when you're playing as the dark urge, you get this line: "you like him for more than his looks, but he will never believe that." this is proof that astarion is so used to being reduced to his physical appearance after what he was forced to do for so many years, and he thinks that's the only reason why people like him. he struggles with intimacy and forming strong emotional bonds, so that's why it makes your relationship with him even more meaningful when he realises that you truly do love him for who he is, not just for his looks and body
- when the drow you met at moonrise shows up in act 3 and tries to make you drink something, astarion tells you to say no, because the only thing she's offering is pain and he doesn't want to see you hurt
- if you romance him, stop him from doing the ritual and help him defeat cazador, he tells you that you are the only person he's ever truly cared for
- if you defeat cazador without him and tell him you just wanted to protect him, he gets upset at first because you left him behind without telling him and he wanted to take revenge himself, but then he becomes understanding and says “maybe this is what’s best? the kind of power that ritual offered could ruin a person. even me.” this shows how much he’s grown and matured as a person and he’s aware of the consequences of too much power. the scene also ends with him telling you that he’s grateful for something that you did to help him (again).
- he becomes more self-aware, straightforward and honest over time and he doesn’t pretend like he’s perfect. he tells you that you were by his side through all the bloodlust and pain and misery, despite all of his flaws and mistakes. you remained patient with him and trusted him even though it was an objectively stupid thing to do, but he is so grateful for it because you believed he could become a better person (and he did)
- this is sad but he remembers some of the names of the people he had to lure back to cazador and even the memories he shared with them. you can see this during the scene with sebastian, and it’s clear that he actually cared about him (not sure how many situations were like this, but there was definitely more than one)
- if you say “i’m sorry we couldn’t save the other vampire spawn”, he says:
“we could have tried. we could have given them the same chance i had. i was able to go out into the world and make better choices. to go against my nature and become more than a blood-sucking monster. maybe they would have done the same. or maybe not - but did we have the right to take that choice away from them?”
this scene shows how much astarion has grown and how compassionate and empathetic he can be towards others. he understood what it felt like to have his own freedom taken away while cazador made all his decisions for him, so he didn’t want to put the other vampire spawn through that too (especially because he still feels so guilty for luring them there in the first place)
- if you romance him and he stays as a vampire spawn and you choose to help him look for a cure so he can stand in the sun again, this is revealed during the epilogue scene:
“one night, he tells you that these last six months of happy memories are the counterweight to two hundred years of misery.”
he’s finally truly happy and free, and the short time he’s spent with you is already so incredibly powerful and important to him. being with you has positively impacted his life in such a massive way that it makes all those centuries of pain and misery feel so much smaller
- another sweet line from astarion during the epilogue scene after he tells you to go catch up with your other friends and see how they’re doing:
“i’ll be here when you’re ready. i’ll always be here, my love.”
THE CHARACTER DEVELOPMENT AND GROWTH 😭🫶🏼 he’s become so kind, loving, respectful, genuine and sincere. i’m so proud of him 🥹
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human837 · 29 days
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Why I love the big grey cube
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The cube starts very uniform and rather out of place as it seems just I bit odd to the audience.
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But as it gets ripped apart it becomes clear to the audience how it is just a collection if blocks that are used by the characters to play pretend.
This shows Marvin's attempt to control everyone by viewing life as a game and trying to get everyone to play along to his delusional view on life.
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After Meldal is engaged to Trina, he tries to draw her out of the fictional world Marvin has created by physically moving Marvin's blocks and fighting with him in 'a tight-knit family reprise'
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As trina breaks free from Marvin's childish world, more props are introduced on stage to signal her newfound freedom from him. She gets to move into her new life with Meldal, and u see them decorate their house together (which is incredibly sweet).
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The second act starts with a set made from the cubes arranged in a dolls House like formation as if Marvin will continue living in him fauls reality.
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But Marvin himself tears down the formation just before 'its about time' to show how he's developed and is awhere that he can't live life as if its a game.
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In the second act it is clear that all the characters are living in reality instead of playing Marvin's pretend both due to the important topics Charrlotte is trying to fight for and the increased use of props spread out across the stage.
(I love their little house plant collection)
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When Whizzer gets ill, the set completely shifts to be highly realistic with no use of the grey blocks at all. This shows how Marvin can't ignore things anymore and has to face Whizzers health.
RLDR: The set is amazing. I love it so much!
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