#why is it falling to ME to make this argument | Explore Tumblr Posts and Blogs

tkaulitzlvr · 2 days

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REGRET - T. KAULITZ

synopsis: when a video of tom getting a little too close to another girl circulates around the internet, your confrontation sparks a heated argument between the two of you. but after tom says something in the heat of the moment, he is determined to make it up to you.

content: angst

a/n: i have risen from the dead🎀 i’m really rusty so if it‘s not up to scratch i’m sorry, ill post about why i’ve not been writing later but for now enjoy whatever this is🗣️

my eyes are glued to the small computer screen in front of me, face twisting in disgust just a little more every time the low quality video replays. it is almost nauseating, yet i can’t turn away, fixated until my features are scrunched up in an agitating mix of anger and confusion. i am hoping that the events will change the next time the video restarts, that maybe my eyes are deceiving me, but as the same scene plays out in front of me, i quickly realise that it is real, and that my worst nightmare is coming true. not much can be distinguished - whoever had taken the video clearly hadn't payed much attention to keeping their camera still, or investing in the most high-tech gear, but i can tell that it is him. his dirty blonde dreads fall just below his shoulders, hand clutching a drink, surrounded by a crowd of girls whilst flashing lights illuminate his figure every few seconds, lighting up the bustling club before returning it to darkness. he knows that he is the centre of attention, but that doesn't seem to matter to him, his focus on the small blonde to his right.

much to my frustration, the video is only a few seconds long, showing tom leaning into the girl's ear, whispering something before pulling back, a smirk etched upon both their faces. it quickly cuts off just as his hand brushes along her arm, leaving much to be imagined - far too much. though this is probably for the best, watching another second of my boyfriend touching another girl would probably drive me close to insane - if i haven't already reached that point. i can't tell when the video was taken, but it is clearly recent, most likely from one of his tour after parties. he had arrived home last week, and i had been naive enough to miss him - until now.

i hurriedly rush to turn the computer off, sure that i will throw up if i have to watch that video one more time, its existence torture for me as i question how to go about this. tom is totally oblivious, having left for the studio this morning. however as each second passes, i realise that he will be home any minute, long before the anger that courses through my veins has any chance of burning out. my jaw is clenched, breathing heavy and eyes bloodshot as they fight tears, focusing on the blank wall ahead in an attempt to hold them back. the silence is peaceful, an almost laughable contrast to the chaos that echoes within my mind, thousands of unanswered questions racing through it as i am just about ready to pack my bags and never come back, sure that i have seen enough - and the only explanation is that tom has cheated on me.

but when the front door opens, i am trapped, any plans of escaping now far out of reach as tom's soft voice sounds from downstairs.

"baby? i'm home, where are you?" he almost sounds excited to see me, and on any other day, my heart would melt. but today, it twists with dread, feeling as if it has been ripped out of my chest and stepped on. i stay put, maybe because i know the capabilities of my mind, and its tendency to place me in uncomfortable situations, or perhaps it is the nagging in my chest convincing me to delay any conversation with him for as long as is physically possible.

the realisation that i can't avoid him forever comes much faster than i had anticipated. the dull thud of his footsteps trudging up the stairs are enough to capture my attention and pull me out of whatever trance i am subject to. my back falls back against the bed, shoulders slacking with the intent of looking as relaxed as possible, even if the current situation is the exact opposite. i wince when his presence makes itself known, attempting to conceal the uneasy look settling across my face.

"schatz, there you are." there’s no ill intent in his voice. infact it is sickly sweet, laced with an all-too innocent sense of security that on any other day would gravitate me towards him. this part of his day, when he would trudge into bed tiredly, was reserved just for me, for us, and it was something that we both looked forward to. but now it has fizzled out on my end, an excruciating discomfort habituating in its place, becoming harder to ignore with each passing second. the seemingly rigid walls into tom’s heart visibly crumble as he lets his guard down, his tired frame sinking into the soft mattress.

he leans his head against my arm, the limb tensing slightly in response to his touch. it feels wrong. how many other women felt him this close? the thought alone brings a sharp stab to my chest, its non-existent blade twisting within at the almost sickening idea of the same hands touching anybody else. with difficulty, i lift my arm up, heaving it to rest loosely across my torso. from the rigidness of my movement, tom senses that something isn’t right. whether it be impulse or a craving to feel me against him, he readjusts himself, grasping at any opportunity to weave himself even closer, my stiff demeanour offering him the upper hand.

the concept of control seems completely out of grasp now. although unaware, tom tears every remnant of serenity from my still frame, forcing me to follow his gaze and finally look into those eyes. his lips tug into a soft smile at the eye contact, pointer finger aimlessly grazing my lips. though emotionless, he appears to miss the look on my face, far too occupied with his own desires, no matter how light-hearted they seem.

“you have no idea how much i’ve missed you.” he mumbles against me, but when i dodge the kiss that he tries to place on my cheek, he finally pulls himself out of his selfish trance and realises that things aren’t as perfect as he had thought.

"hey, give me a kiss." his voice boarders the waters of hurt and confused, eyebrow furrowed with his eyes scanning my own desperately. when i don’t respond, he misjudges my silence for compliance, leaning downward to plant a soft kiss onto my lips. i don't reciprocate, remaining motionless, eyes wide open as he wraps his arms around me. he presses his lips harsher onto mine, desperation the clear motivator of his hurried movements. it quickly fades into concern when he realises the still lips that his own try to move against. breaking apart and surrendering his desire, he finally captures the hurt etched upon my expression, eyes trailing off into the blank wall behind him. he remains on top of me, his hand reaching to cup my cheek gently, the touch providing the exact opposite of consolation - instead allowing the bitter taste of resentment to settle along my tastebuds in place of his tender kiss. another woman felt those hands against her.

"look at me. what's wrong? did i do something?" his eyes scan mine desperately, feverishly attempting to fathom reasoning for my sudden standoffishness, all whilst his thumb rubs slow and soft circles along my cheek, an action which doesn't go unnoticed.

"did you think i wouldn't find out?" my jaw clenches, eyes narrowing as i finally push his body away. his confusion only intensifies as he collects himself as quickly as he can, scrambling to stand up and reduce our distance once again. his figure towers over mine, clearly failing to grasp the hint that i practically throw at him. if my actions aren’t able to spell it out for him, my words make what i want crystal clear.

“don’t touch me.”

though subtle, i notice the way he winces at my words, choosing to let them go for the time being. "what? baby what are you talking about? find out about what?" his chest rises up and down, expression totally readable, so much that i can sense his every thought, and it is terrifying. each second of silence thickens the already heavy air, so much that a heaviness begins to set in my chest.

i say nothing, instead walking toward the computer and switching it on. the screen lights up, the all too familiar video resuming from the point that i had left it. i grit my teeth, tempted to punch the screen and tom, both ideas becoming increasingly appealing. i turn to face him, remaining calm in spite of all brutal urges screaming out from within me, deciding to put them to bed.

"see for yourself. i'm sure you'd love a reminder of your little fling. she's very pretty, i'll give you that." his mouth opens to say something, quickly shutting with the realisation that he doesn’t have any words - none that would make the situation any better, anyway.

"shit, the paparazzi." he mumbles under his breath, massaging his temples a couple times before shutting the computer off, his eyes darkened as an unrecognisable look takes over. “schatz that isn't what it looks like, i promise you-"

"really? so i haven't just witnessed by boyfriend cheat on me with some blonde whore? you tell me you missed me? you seem to have got on swell without me.” my instinctive sarcasm soon burns out, replaced with an unexpected sadness, one that makes it next to impossible to remain composed.

"jesus christ. i wouldn't ever cheat on you. i don't even know who she is, georg said that he knew her so we let her hang out with us for the night. nothing happened, nothing at all. i love you and only you." he begins to get more defensive, voice raising slightly as he tries once again to move closer to me, an effort that even he knows is futile.

"what so you whisper in everyone's ear like that? you touch everyone's arm like that? you smile at everyone like that? i’m not as stupid as the whores you take to bed.” his excuses are almost laughable, and if my heart didn't feel so heavy with the realisation that he hasn't stayed faithful, i would probably laugh. my composure is deceptive, this soon coming to light with the coming of tears along my waterline.

"no, baby, please don't cry." he starts, protective instincts taking over in spit of the situation, his own eyes becoming glassy. when i shoot him a glare he knows to step back, though it is clear he wants nothing more than consoling me, as he usually would. now it is different, when he is the fuse that ignites this entirely fucked up situations "look, that's the only time i spoke to her the whole night. we were making a joke about georg, that's all."

"you must be kidding." my brows raise, searching his eyes for any hint of amusement, quickly understanding that he is being completely serious, this realisation only angering me more. “you know what? i’m leaving.” i attempt to move past him, struggling to progress even a few steps forward when he grabs my wrist, pulling me back in front of him. he is far too strong for me to put up a proper fight, but that doesn't stop me from trying my body tenses as i pull back, his grip only tightening, proving my efforts as worthless.

"can you just listen to me? i get that it looks bad but you're really overreacting here. Ive told you that nothing happened, why can't you just trust me?" he is no longer sympathetic. instead, his voice holds an anger within it that takes me aback slightly, his change in persona almost frightening. though his sudden defensiveness only alerts my suspicions more, silently reaffirming the fact that he has cheated, even if his words tell otherwise.

"trust you? fucking trust you? i have trusted you! and look where its gotten me. do you know how hard it is to have your boyfriend leave for months? no contact besides from a ten minute call every day, not a kiss, a hug, nothing! and this is what i see from your tour. what the fuck am i supposed to do with that?" i raise my voice, its harshness mirroring tom's as i finally manage to writhe myself out of his grip, now standing a few feet away from him. he clenches his jaw, looking to the side as silence takes over, its presence only brief however, soon destroyed by the sound of his voice, far louder than it had been through the course of the argument.

"i'm sorry that i don't have a normal career, okay? i've told you so many times that i don't have eyes for anyone else. every single night on tour i go back to the hotel early, because i miss you! and you can't even trust me!" he stops suddenly, almost as if he is contemplating his next words, enduring a silent battle between his mouth and his heart, knowing that both are leading him in different directions. i wait for his response, noticing the way that his expression darkens, eyes refusing to meet my own.

"well? that's all you have to fucking say? you seemed pretty comfortable with her. do you know how much that hurts? why am i not good enough for you?"

"stop it. you know you're good enough for me. don't say shit like that." he is quick to cut me off, his voice laced with disbelief, clearly failing to understand how i could come to such a conclusion.

"do i? seeing shit like that pretty much reminds me why i'm not-"

"look, maybe if you weren't such an insecure bitch then this wouldn't be a problem!" my face drops, lips parting slightly as i pray that my ears deceive me, creating their own truth, one distorted and far from reality. i stay silent, far too astounded to produce any witty comeback, or even look into his eyes. the silence between us is louder than any words spoken, and even more painful than those left unsaid. when i quickly take a glance at him, he realises his mistake just as fast as he had spoken. regret flashes across his face, his expression softening as he walks toward me. i nod slowly, far too defeated to argue back, wrapping my arms around my small frame and walking past him, my entire body shaking slightly as i sob.

"fuck- i didn't mean that. i'm so sorry, god i'm sorry baby." he spews out incoherent apologies, though i am far too hurt to comprehend them, instead tuning them out as i walk out of the room, closing the door harshly behind me.

it doesn’t take long for him to follow, his hurried pleas sounding from behind me. i am far too angry to listen, rushing down the stairs and into the hallway, scrambling for the nearest pair of shoes that i can find. his rambling quickly turns from frantic to desperate when he picks up on the reality of the situation, soon understanding that we are far beyond a kiss and an apology to resolve this.

“wait, hold on schatz. can we please talk about this? don’t leave me, please. i love you so much.” he tries to conceal the small sob that escapes his lips, but i notice it, the almost inaudible sound enough to make me reconsider my choices. but when his arm wraps around my wrist, though not with enough pressure to hurt, i know that forgiving him would be stupid.

“let go of me. i’m leaving for a while. do whatever you want, i don’t care.” my voice is surprisingly calm, the coarseness within it somehow washing away with each shallow breath i take. but the softness of my tone doesn’t match the strength of my movements as i yank myself from his grasp, reaching for my keys and clutching the door handle before he can stop me. i hesitate for a moment, taking a second to look back at him as he continues to spew out his apologies, mixed with incoherent promises that he loves me, along with his own tears that begin to fall from his eyes.

“bye tom.”

please come home, i’m so sorry - 8:35pm

baby? - 8:35pm

i love you so much - 8:36pm

i promise i didn’t cheat - 8:36pm

can we talk about this? - 8:37pm

please tell me you’re safe - 8:39pm

sure, tom and i had arguments just as every couple did. but when i showed up at my best friend’s house, makeup smudged and eyes bloodshot, she knew that this one was more than just a disagreement on who’s turn it was to make dinner. it was obvious that she had questions, but my delirious state was enough of a motive to save those for another time, instead choosing to rush me inside and wrap me up in blankets on her small couch, insisting that we order takeout and watch movies until i calmed down.

“he’s still texting you?” she questions, referring to my phone vibrating yet again, as it had been for the past hour. i nod my head weakly, body sprawled across her couch, shuffling over to make room for the small brunette beside me. she offers a sympathetic smile, handing me a pint of ice cream and sinking into the cushions.

“i’m sorry.” she says, reaching over and pulling me into a hug, noticing the glassy sheet that forms over my eyes, squeezing me even tighter. “boys are assholes.”

i nod in agreement, hearing my phone vibrate once again, this time not even taking the time to look at the message. they had gotten pretty predictable as they became more frequent - either telling me that he loves me, or that he wants me to come home.

“you’re welcome here as long as you need, okay?” she fills in the silence, recognising that all i need is consolation right now, creating a conversation not on the top of my list of priorities. i mutter a small thank you, feeling my eyes becoming heavy.

the beginning of a new day somehow intensifies the feeling within the pit of my stomach, the exact opposite of what i expected from a fresh start. now that i have settled down, the reality of it all feels like a fresh wound, one that i can’t envision myself ever healing from. though any time to endeavour into the complex puzzle of my emotions is drowned out by the all too familiar sound of my phone vibrating, and this time i have lost every ounce of self-control, reaching over to the small device embarrassingly fast. the bright light emitting from the screen causes my eyes to squint as i adjust, vision slowly clearing to reveal at least a hundred unread text messages, each one from tom. my sympathetic nature gets the better of me, a wave of guilt taking over as his messages spring from concerned, to apologetic, to borderline insane at my disappearance. i groan internally, quickly realising that i can’t hide forever, no matter how much i convince myself that it is the safer option.

luckily the task of getting myself ready to go back home isn’t a particularly long one. my jeans begin to dig into my sides, a rather unpleasant yet convenient reminder that i am still wearing the same clothes as the day before. quiet snores from the bedroom alert me to sleeping body of my friend, a small chuckle leaving my lips at the sound. i decide against disturbing her, instead scribbling a messy note and sticking it on the fridge, hoping that she’ll understand.

- going back home, thank you for all ur help. i’ll keep you updated, love you

the house is silent as i enter it, the lack of noise almost eerie though short lived when i place my keys on the table, the metal clattering with a small thud. there is no sign of tom, not even the sound of a tv from the living room, or the quiet sizzle of fresh food, indicating that he is making breakfast as he would every morning. though it seems that i hadn’t entered as quietly as i had hoped, the sound of tom’s steps, quick and erratic, echoing from the kitchen, getting louder and louder until he is standing in front of me.

our distance is temporary, quickly diminished as he takes me into his arms, pressing his lips against mine with as much strength as he can muster. i only realise just how anxious he has been when his palms cup my cheeks. they are shaking, the skin cold against my own as his entire body begins to tremble, my stomach sinking. he is crying. in spite of his vulnerability, he is the first to pull away, firmly wrapping his arms around my frame and hugging me tightly.

“god i love you, i love you so much. i thought you weren’t coming back.” he struggles to get his words out, a mixture of incoherent sobs and quiet sniffles accompanying his speech. his grip only tightens, hands running up and down my back as he repeatedly kisses my hair, tears continuing to fall down his cheeks. my arms remain firmly by my side, sympathetic enough to allow him this small touch, yet no where near as forgiving to consider returning the act.

“are you okay?” he becomes worried, putting his emotions aside and finally separating his body from mine. his calloused fingers run over the smooth skin of my arms, looking for any sign of harm. even though he knows me well enough to guess that i had gone somewhere safe, his protective instincts kick in, convincing him that the worst has happened.

“i’m fine.” i mumble, releasing myself from his grip and walking into the kitchen, taking a glass and pouring myself some water, my throat dry from the strain on my voice from the night before. he quickly follows behind, taking my hand in his. he notices my hesitation, running a thumb over the back of my hand in an attempt to soothe me, and somehow, it works. seeing him in front of me brings back memories of last night, their sting still painful and effects strong with the irritating onset of tears. tom sees this just as fast as i do, reaching upward to wipe them before they are able to fall.

“i’m sorry, i’m so sorry beautiful.” he whispers, his touch so gentle i almost don’t feel it. he replaces his thumb with his lips, kissing just below my eyes, damp with evidence of my upset.

“how could you?” i mumble, voice barely above a whisper as i struggle to make eye contact, tom’s own gaze pained. his eyes are bloodshot, cheeks red and blotchy and entire body still trembling slightly. his face softens at my question, and silence takes over for a few moments.

“i know. i know how it looks. i shouldn’t have gotten so close to her, not when i have you. but i promise you that i didn’t cheat. you’re everything i want and i’d be an idiot to throw that away. you have to believe me baby.” his voice begins to break, thumb running across my cheek and eyes staring into mine, scanning desperately for any sign that i am convinced. it isn’t the most detailed nor thought out explanation, but i know him enough to see that he is telling the truth.

“okay.” i nod my head and look to the floor, swallowing harshly in an attempt to calm my shallow breathing. his fingers come underneath my chin, gently pulling it upward so that i am facing him again. the pain is still there, regret etched upon his expression as seeing the woman he loves in such a state hurts him just as much as me leaving. he takes me in his arms, lifting me up and gently kissing me again. this time i reciprocate, a small sob leaving his lips as he recognises this, his hold on me only getting tighter. the previous lack of contact had affected more than i had realised, the small reassurance of my kiss enough to crumble his usually calm temperament.

“i love you.” he whispers against me, his lips bitter with the taste of tears. that doesn’t matter to me. pressing my mouth to his as harshly as i can, my arms wrap around his neck, bringing him in even closer. he holds me so tightly, like i may slip away, the fear of losing me all too real. my small hands cup his cheeks, attempting to deepen the kiss, though doing so unsuccessfully as his voice vibrates against me. he sounds broken, his request coming out as a desperate plea, cut off by a short sob. “please say it back. you haven’t this whole time and i-”

“i love you too.” i mumble against his lips. he holds me even tighter, something which i didn’t think was possible. but considering the realms of possibility is an activity for another day. i have no time to consider anything as he kisses me once again, his touch addictive, and more than enough to make me forget everything.

#tokiohotel #tomkaulitz #tom kaulitz x reader #kaulitz twins #tom kaulitz #kaulitz #bill kaulitz #tom kaulitz fluff #tom kaulitz smut #tom kaulitz angst

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lot-of-nothing · 5 hours

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Entwined (Ch. 6)

Melissa Schemmenti x Reader

Protective Mel <3

Warnings: Smut, flirting, arguments, and working through internalized homophobia

Author’s Note: THIS TOOK SO LONG OH MYGOD. @icannolongercountmyfandoms is the one you can thank for a new chapter bc she LITERALLY threatened me with BODILY HARM /j

Ch. 1 | Ch. 2 | Ch. 3 | Ch. 4 | Ch. 5

A soft knock on your office door drew your attention from your desktop monitor to the sweet face of Melissa Schemmenti. You had been ordering parts on a vehicle currently in your shop when her presence delightfully interrupted your work.

Leaning back in your desk chair, you rest your hands on your thighs as you look her over. She wore leather pants and a form fitting top that only reminded you that it had been weeks since you last fooled around with the beautiful redhead. You spoke with a smirk, your eyes obviously wandering to admire her entire body, “What do I owe the pleasure of having Ms. Schemmenti in my office?”

Mel adored the way you stared, allowing the door to shut behind her as she inched deeper into the office. Her eyes scanned the walls littered with articles about the auto shop that had been in business for decades - opened by your great-uncle in the 70s. She murmured her reply without looking at you, “Just thought I’d drop by...”

“I saw you less than 12 hours ago. I can’t believe you miss me already.” Your eyes were glued to her ass as she turned her back to you.

Melissa kept her back to you as she spoke, slowly walking the perimeter of the office to skim the framed headlines. She returned the playful banter with a monotone, “I’m just here to make sure you are doin’ your job and not just daydreamin’ about me all day.”

“I have time for both.” You tease, earning a sideways glance and eye roll from the redhead.

When she was done touring the office, she perched herself at the edge of your desk. Your response was to move your office chair closer while simultaneously leaning backwards, stretching out to allow Melissa’s eyes to skim over you.

“Enjoying the view?” You asked.

“I am.” Her arms folded over her chest as a mischievous smirk grew on her lips. Mel’s eyes flickered from your shoulders, over your chest, allowing her eyes to linger before drifting back to your face, “I’ve never seen you in your work clothes.”

You give a shrug, teasing her, “That happens when you don’t call before 8pm.”

Your comment had more bite than you intended, but Melissa didn’t seem to take it too personally. She brushed her hair over her shoulder before placing both of her hands on the arms of your chair and looming over you, “Why don’t you let me make it up to you?”

Rather than meet her intense green hues, you admired her cleavage with no effort to conceal your desires. “What do you have in mind?” Melissa’s demeanor changed with a playful laugh. You could’ve sworn you felt her purring as her face drifted closer to yours. Her nose and lips brushed against yours before she scantily pulled away, “A little weekend getaway. You, me, and a cheap, little hotel right on the beach in Atlantic City.”

You cocked your head with a shit eating grin across your face, “Are you asking me on a date?”

Her response contained no hesitation or nervousness. Rather she seemed incredibly satisfied with herself, “I am.”

“Then say it.” Your demeanor was entirely too confident for Melissa’s liking, and you could tell this was the case as her brows narrowed as she stared you down. Her stubborn nature had her fall silent, searching your face to see how serious you were. You confirmed your serious intentions as you returned her intimidating gaze, “Go on.”

The redhead glared for a few seconds longer before straightening her back and softening her features, “Will you go on a date with me?”

“Why, I thought you would never ask.” To reward Mel for her behavior, you rose from your chair, pressing a brief kiss to her lips that threatened to cause Melissa’s cheeks to flush red.

—

“What in the hell is this?” A voice and a banging on the window to your office caused Melissa to jump from your lap to prevent anyone from seeing how cozied up you had been with one another.

With a wave of frustration now coursing through your veins, you rose from your chair and strode to the door, opening it to face a disgruntled customer. He pushed a piece of paper stained with the vaguely familiar markings of the autoshop printer into your face. You quickly pushed away his hand and failed to provide his aggression with kind customer service, “It looks like a receipt.”

He pointed at the receipt, raving about the additional charges tacked onto the original cost of fixing his vehicle, “What the hell are all of these extra charges? You said it was gonna cost $300 and now you’re charging me over $500!”

You only shrugged at his frustrations, leaning away from him as he threatened your bubble of personal space once again as you tried to explain the additional charges. You hadn’t noticed Melissa lingering in the doorway behind you, silently fuming at the way the customer was speaking to you, “We told you when you dropped it off that you gotta pick it up within 24 hours or else we charge ya’ for parking. You left the Buick here for over a week, man. We aren’t a public parking lot. We need the space for other customers.”

“Where’s your fuckin’ manager?”

“I am the fuckin’ manager.”

You returning his energy wasn’t something he took kindly. He waded up the bill and tossed it aside before pushing his finger into your chest, “If you think for a goddamn minute I will be paying this bill, you have another thing comin’. I don’t need some bitch robbing me of my hard earned money.” The second he touched you, Melissa rounded your side and came to stand between you and the man. Her hands were balled into fists and perched on her hips as she stared defiantly up at the man who stood two feet taller than her. You glanced down and noticed gripped in one of her hands was a baseball bat you kept tucked behind your desk, “Is there a problem here?”

The man gave a tired sigh, waving a hand in Melissa’s face. Little did he know that his waving hand was akin to the red flag waving in the face of a raging bull, “Get lost, red. It’s none of your business.”

With one swift movement she lifted the bat, allowing it to slide in her hand so she gripped the barrell, shortening it enough that she could poke him in the chest with it. You watched her lean back and forth as she threatened him - a genetic trait of Schemmenti’s as they threatened people. “The second you decided to start with the name callin’ it became my problem. I suggest you pay up before your car ends up with more problems than what you came in with.”

He made the worst possible decision as he placed his hands on his knees, speaking to Melissa as if he were talking to a child. “Stay the hell out of this. This is between me and your girlfriend.”

Melissa stared him down for a fraction of a second before snapping. She allowed the bat to slide back down in her hand so she could grip the handle and lift the aluminum bat above her head, ready to strike. You were lucky you had your eyes glued to her rather than the unwelcome customer so you had the time to loop one arm around her waist while the other raised to grip the barrel of the bat.

“No, no, no, no!” You scolded, tugging her back towards the office while some of the boys working in the shop intervened.

Mel barely gave up a fight against you, rather she stared down her new mortal enemy with a vitriol you had yet to see on her face before. When she was finally in the office, you released her while tearing the bat from her grasp lest she have any ideas about slipping past you to exact her revenge.

Knowing she was now trapped in your office, she began pacing back and forth with a rage you could feel radiating off her. You leaned against the door, watching her traverse your office like a caged wildcat which only made you smile. With a lighthearted tone, you tried to calm her, “Easy, tiger.”

Melissa whipped around to face you, her hands clenching and unclenching at her sides as she was clearly unhappy with your decision to prevent her from teaching that guy a lesson. She stared up at you with a defiance that you found incredibly endearing, and what was even more endearing was the way she continued fighting for you, “He can’t just talk to you like that!”

“Don’t give it too much thought. I deal with guys like that all the time.” You calmly brush off the encounter, remembering countless situations wherein things escalated much further and you were called far worse. Leaving the bat by the door, you approach the seething woman with a serenity that cooled her boiling anger.

The redhead refused to respond to you and her eyes studied the calendar on the wall to avoid meeting your own. She folded her arms over chest and you watched her demeanor shift from simmering anger to pouty eyes begging for your attention.

Taking her face in your hands, you lift her face towards you and press a kiss to her forehead before wrapping her into a tight hug, “I promise you. It’s okay.”

You drop your phone down onto the bed when Melissa walks out only wearing an oversized sweatshirt. The bagginess of the clothing hid everything and you were ready to help her out of it as quickly as she put it on. You gestured for her to come to your side of the bed, “Just when I think you can’t get more gorgeous, you walk out looking like that.”

Melissa crawled into bed with you, straddling your lap for a moment to give you hope before sliding off to land on her side of the bed, “I have work in the morning. I don’t need any of your funny business. ”

You ‘tsked’ her response and pulled away the covers so she wouldn’t be able to hide. You rapidly maneuvered so you would be on your knees before her so your hands could guide her thighs open. She was smirking as she put up no fight against your efforts. She even lifted her sweatshirt to reveal more of herself to you; that move alone told you she wasn’t truly opposed to your ‘funny business’.

Settling onto your stomach, you lean your cheek against her thigh, staring intently at her panties, “Funny business? There is nothing funny about this...”

“Mm… Prove it.” A manicured hand wove into your hair, drawing your face closer to her heat. Her back arched involuntarily and caused her hips to shift downwards closer to your mouth.

“Happily.” You murmured, hooking your fingers around the waistband of her underwear and pulling them down her legs the best you could. They were at her knees when you lowered your face to her cunt once again. As a professional in pleasuring Melissa, you skillfully wound your arms around her thighs before using your fingers to spread her cunt open for your tongue to go to work.

You felt Melissa’s thighs squeeze your head for a moment as she worked to remove her underwear without trying to impact your ability to give head. The feeling of her legs around her head drove you insane. You tried to let her know how much you craved her as your hands shifted back to her thighs so you could feel your fingers compress into her soft flesh.

Melissa relaxed back into the bed, completely melting into your touch. Her hands rose above her head to grip the bed frame - a silent way of giving you complete control.

She was already sleepy from your lovemaking from nearly an hour ago, so this time Mel was far less energetic and performative. It was mesmerizing watching her head softly turn back and forth while soft breathy moans escaped her mouth. This was exactly what made Melissa so addicting for you.

You watched her crane her neck so she could press her face into her pillow to catch the fabric between her teeth. In response, you swirl your tongue around her clit before giving her clit a hard suck. She gave a strained and exhausted growl that faded into a quiet whine - her quietness all centered around preventing her roommate from hearing.

You attempted to move your mouth away to give her reprieve, but her hips lifted off the mattress to impede too much separation.

Part of you wondered how far you could push Melissa. To satiate your curiosity, you gently scraped your teeth against her clit, earning a hiss then a whiney moan. You were clearly pushing your luck with how much she could handle. When you continued with your teasing licks, your eyes flickered back up to her face to enjoy the view. Her chest was heaving and her bottom lip jutted out into a pathetic pout as her hips began grinding against your tongue as she sought out an orgasm.

For a split second you considered confessing your love to Melissa like you did all those years ago, but you kept yourself from doing so. She needed to come to you. Instead you opted to pay her a compliment instead, “You’re so good for me, pretty girl…”

Your heart fluttered as you watched a smile spread across her face. She then attempted to silence a rumble deep in her throat and hide her simper, but it was fruitless as the compliments continued falling off your lips. You breathily mumbled about her hips and thighs, briefly pausing to stroke your tongue up and down her drippy cunt, and continued your mad ramblings about how beautiful you found her to be.

In your moments of desperation, your words had caused Melissa’s face to grow hot from embarrassment. It was easy accepting compliments when the moment lacked the vulnerability of sex and nudity, but when your face was buried between her legs the flattering remarks felt all too real. She tried to brush them aside, only to have them linger at the outskirts of her mind.

As you refocused your attention on her clit with the addition of two fingers gently inching deeper into her pussy, Melissa was struggling to escape the thoughts of your feelings towards her. She despised how light it made her feel. She hated that she felt herself being drawn closer to orgasm from the adoration she felt from you.

Her fierce independence was battling the all-consuming craving to feel desired.

While you were not privy to her inner turmoil, you only worked harder to bring her pleasure. Your fingers gently curled within her, stroking that special spot you discovered during your youth. A coil tightened within Melissa, her hand shooting down to grip your spare wrist to steady herself.

You chose to lose yourself in giving head once again. Her breasts gently shook with each light shift of her body - a mesmerizing sight. You were lapping and kissing at her clit softly as you hoped to draw out this experience as much as possible. However, Melissa was unable to take anymore as an orgasm washed over her and her back swiftly lifted off the bed and quickly arched back into the mattress, pushing her hips to your mouth.

You slowed down the movements of your tongue, but you didn’t stop entirely. You wanted to slowly bring her down from her peak (and selfishly you wanted you to continue enjoying the feeling of her thighs clamped down on the sides of your head). When her back finally relaxed against the mattress, you slipped your hand from her cunt to reluctantly help guide her thighs into a resting position. You gave her thighs a couple of gentle bites, encouraging to ease up on you, “Come on, pretty girl…”

Melissa whimpered as her legs shakily parted, nervous you would attempt to continue regardless of her exhaustion. You only nuzzled her thighs, slowly smothering them with kisses in a way that gave Melissa butterflies.

She was quick to try and move herself out of such a vulnerable position. “Let’s get cleaned up. I’m already way up past my bedtime.” Melissa gave your arm a pat, encouraging you to get up as she shifted her hips to the left as if she were attempting to move off the bed.

You rolled off the redhead and sat up, taking that as her subtle hint for you to head home. After following Melissa to the bathroom and using the sink to wash your face and hands, you began gathering your clothes to make your exit. This only confused the redhead as she pulled back the comforter for both sides of the bed as she expected you to join her, “Whered’ya think your goin’?”

“Oh…” Your eyes widened and you began removing your sweatpants that you just put on. You undressed and joined the redhead in bed, earning a satisfied hum from her.

When you were settled on your back, Melissa was on her side facing away from you. She found a way to make physical contact with you by backing up in bed so her back was pressed to your side. She shifted in bed for a few moments as she tried to find a comfortable position, and after she did she mumbled sleepily, “Be warned. I wake up at 6.”

You started your sentence mid-yawn, “That’s a shocker.”

She had one final quip for you as sleep threatened to overtake her, “I don’t just wake up looking this beautiful.”

With a chuckle, you gave her ass a pat, mumbling out your final few words before allowing yourself to enjoy some silence before you fell asleep, “I doubt that…”

You woke up the next morning with Melissa already off to work, but when you checked your phone you had a message from Mel waiting for you.

Melissa: Couldn’t bear to wake you up. You should have told me you were that cute when you slept. I would’ve let you stay sooner.

Y/N: I don’t believe that for a second.

Y/N: Don’t worry. I’m getting ready right now and I’ll be out soon.

You quickly sent the second message as you didn’t want to seem too over confident nor did you want to overstay your welcome.

Melissa: No rush. There is lunch for you in the fridge. I marked the tupperware.

You grinned at your phone like a lovestruck idiot. Quickly you threw on your clothes and wandered down to the kitchen to see what Melissa had left for you in the fridge. Sitting on the top shelf was undoubtedly a tupperware full of her insanely good spaghetti with a bright pink sticky note stuck to the top marked with your name and a little heart.

Y/N: Thank you! Will I see you later?

Melissa: Open house tonight. See you Saturday?

Melissa: I’ll let you take me to dinner.

The thought of waiting two days to see Melissa next was brutal, but you would take what you got as rarely did she ever make plans with you in advance.

Y/N: Let me? What an honor.

Melissa: Believe me. I know.

You were smiling at your phone through the rest of the day as Melissa texted you about little things happening at school. Sometimes the stories she told you about Abbott were hard to believe.

Her attention made you feel lovesick as you were constantly checking your phone, smiling at the thought of her getting into shenanigans and doing her terrible impressions for her work friends. The thought of going on a weekend getaway with her was only sounding better and better.

Taglist: Taglist: @esposadejoyhuerta, @unicorniusfallapatorius, @sapphicxrat, @earpivore, @jeridandridge

#melissa schemmenti x reader #melissa schemmenti #lisa ann walter #abbott elementary #toxic relationship? kinda #little bit of smut <3

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hawkinsquarry · 6 hours

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all things must pass (steve x reader)

summary: steve makes you leave him at the end of the world.

contains: steve x reader; gender unspecified reader; no pronouns used for reader; post-st4; unresolved angst; probably too much swearing :/

i miss this guy and i’m feeling insane over him so have some angst with an ambiguous ending 🫶🏻

Steve’s feet feel particularly heavy when we steps across your foyer. And the packet he has in his hands feels even heavier. He brushes off a few specs of ashes before slamming them down on the table in front of you, lazily eating cereal.

“What the hell is this?” you ask after a moment, grabbing the ledger on top. You know immediately it’s an airline ticket. It makes you feel sick and you push your Cheerios away as your eyes scan the details.

FROM-TO

IND > LA

You want to fucking kill him but you don’t have a chance as he breezes past, grabbing your suitcase out of your walk in closet.

“You depart in twelve hours,” he starts. He recited it in his head the entire way over to make the conversation easier, but the words are hard to get out. “Only take your essentials. When you’re there, a chauffeur will pick you up and take you to the - the - the location.”

“Steve, I’m not fucking going -“

“Yes, you are.” He says sternly. Like you’re a child.

“I’m not going anywhere without you!”

And he know this was coming - this cyclical argument you’ve been having for the last three weeks, your tears, the lump in his throat, uncertainly fogging both of your vision. But it doesn’t make it any easier, any less frustrating.

He says your name low and quiet. A plea. “This is safe. This is where the - the - the people I know told me to send you. That it’s the safest place.”

“And we’re trusting those people now?”

“No. W-well, yes! It - it’s - just - trust me, not them. Okay?” He settles your suitcase on the couch and starts moving around your living room for things he knows you’ll need. A blanket. Medicine. “Anywhere away from here is better, anyway.”

“So you admit it isn’t safe?”

Steve sniffles. “I never said it was.”

You follow him to your bedroom where he begins ripping clothes from your closet. He doesn’t miss the hoodie he leant you a few months ago. It’s laid on top of your suitcase with more shirts and pants.

You grab his arm and try to force it to fall back to his side, but he’s too strong, god damn him. “Steve, quit!” you beg, digging your heels into the ground and tugging on him. “I’m not leaving, Steve. I’m not going unless you go with me.”

“We talked about this.”

As nauseam, in fact. Until the ache in Steve’s throat was excruciating. Until your voice was hoarse and you were heaving. He’s not leaving, and you are.

You tug on him again. “I’ll keep talking about it until you listen to me!”

He doesn’t say anything. Just keeps moving back and forth between your closet and the suitcase. You cry, as hard as you try not to. You really are like a petulant child, stomping your foot, throwing a tantrum. You feel like it’s the only way he’ll listen, but you know the reality is that he still won’t.

“What about me?” you cry. You’re so angry at him, want to say something that’ll make him hurt. That’ll change the expression on his stoic face. You find it in you to refrain. “What about us, Steve?”

Keeps packing. Head down. Jaw clenched tight. He was ready for this fight when he walked in.

“Steve, let the goddamn military handle it. Do - do you honestly think you’re going to save the world?”

“No,” he snaps.

“Then what?”

He doesn’t answer because you already know why. Because he can’t leave Dustin, and Dustin can’t leave El, because apparently she can save the world. And Robin won’t leave Steve who won’t leave Dustin who won’t leave El. And Nancy fucking Wheeler won’t leave Mike who won’t leave El.

It makes you feel insane. Your blood boils and spills over, and over, and over, and it never just depletes. You keep going, keep arguing, trying to talk him out of it until your voice is hoarse. It’s hoarse now, in fact. Last night Steve held you until you shut up, until you cried yourself to sleep, and you had no idea he had already got you a plane ticket out of here. You feel so betrayed it makes your stomach twist and chest ache.

“I can’t live without you,” you try. It’s the third time you’ve pulled this and it seems to get him the most. “Steve, I don’t know what I’d do if - if….”

Steve bites his cheek, stilling, his hands clutching one of your sweaters.

“Why don’t you care?” you push.

He sniffles again, pinches his nose. You’d prefer it if he’d just let himself cry. He’d give in, then, if he let his emotions take over.

“Don’t you love me?”

“Jesus, yes,” he grits, finally looking at you. His eyes are red. “Why do you think I’m makin’ you leave, huh? Why do you think I’m staying?”

“Because you think you’re something you’re not!”

He runs a big hand through his hair so harshly you fear it’ll get tugged out. He walks towards you, holding his arms out, murmuring, “honey,” and as much as it pains you, you back away.

“Don’t,” you say sharply. Your throat aches. “Don’t do that, Steve.”

“I love you.” He sounds exhausted. “I love you, please believe me.”

“If you love me, then come with me.”

“There won’t be a world for us to live in unless we stop this.”

“You aren’t going to save the world.” You’re so desperate for him to listen to you. “The chances are so slim, Steve. Why can’t we love each other while we have time?”

Steve takes a shaky breath. “I won’t let you die without doing something about it first.”

You stare at each other. It’s suddenly dawning on you that nothing you’ll do will ever change his mind. That his chances of living through the next few days are slim. That this is the last time you’ll get to see him. While he’s packing for you and forcing you to take a plane to California.

There’s nothing romantic about it. It’s not like what you’ve seen in the movies you rented from Family Video when Steve had a shift. Before he was yours. When you went because the forest green vest looked so good on him, and he always had some goofy recommendation, and he let his hands touch yours when giving you your change for a moment too long.

You’ve hardly even had him.

“So that’s it?” You can hardly hear yourself.

“I’m doing this for you. I’m doing everything for you. And - and i-if it works, I swear I’ll make it up to you. I swear, angel.”

You shake your head, hot tears making their way down your jaw. “No.”

He stills. Looks a little like a deer in headlights. Caught off guard, shocked. Mouth parting slightly before closing again, like he wants to argue but can’t.

What is there to say?

“If you make me get on that plane, Steve….” You shake your head again, swallowing the ache in your throat down.

You stare at each other again. His eyes are one of your favorite things about him. Those saccharine, chestnut and moss colored irises. They scrunch up when he laughs. You used to think about leaving Hawkins and moving somewhere nice, so far away from all of this that Steve grows up to have crows feet around his eyes. That you’d be the one who put them there. And this is the last time you’ll see them.

“You have to go,” he eventually sniffles.

“Please,” you try, for the final time.

He blinks slowly, frowning, chest rising and falling slowly. “I love you,” he whispers. “Please believe me.”

You’re not sure if you can.

#steve harrington x reader #han posts #steve x reader

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dipolardruid · 2 days

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⚠️ TW WARNING⚠️

Yandere, toxic relationship, kidnapping, attempted break up on readers part.

"What...? No, I wasn't trying to, you know I wouldn't do anything like that!" Tina says with a desperate tone as she closes in on you.

You take a step back to create distance, which causes her to look at you with an unreadable expression "yet you knowingly do it, I've told you repeatedly to stop doing things because they make me uncomfortable, Even after that you still do them." At this she seems to look away a couple of times before making eye contact with you.

"I swear it's never on purpose!" Before you're able to respond or do anything, she continues on."I promise I really mean it! It won't happen starting today!" She says in a pleading tone as she lightly scratches and squeezes her fingers.

"You're right it won't happen starting today because I want nothing to do with you." You quickly turn away before Tina can respond to your words. However, you don't get far before you're grabbed by the back of your shirt "Wait stop w-where are you going?"

Pulling away from Tina, she tries to grab you again, which only causes you to become more aggressive in keeping her hands away, which results in Tina becoming more desperate to hold onto you "please don't go! I promise! I promise I'll stop!" The struggle is enough to cause you to trip over your feet, causing both of you to almost fall.

"Will you stop already! Just leave me alone!" At your raised voice, Tina flinches back, her eyes squinted, fist raised to her chest in a self soothing manner, but it seems to have stopped her from trying to grab you again.

At this, you walk away from her and out of her room, looking back every so often to make sure she isn't behind you. While walking towards the front door, you see both Petra and Jake walking towards you. Upon seeing your upset face, Jake puts up his hand to stop you.

"What's wrong?" He tries to make eye contact with you, but you avoid his gaze looking over at the floor."Go ask Tina." You tell him before walking past him and Petra they both take a quick look at each other before Jake speaks up. "I'll go check on Tina. " Petra nods before following behind you.

That day ended with Petra taking you home and Tina's nonstop calling and texting until you had to block her number.

Despite this, the others sat around you during school hours. Petra or Jake may talk to you, but it's mainly Paul who tries to get you to speak to Tina again.

"Come on, you guys had an argument that's all there is to it. What's the big deal?" He says he says wrapping his arm around your shoulder. However, upon trying to move out of his grip, he tightens his forearm around your collarbone, keeping you in place "ok how about this you just come over you don't have to make small talk with her or anything but just be around like before" you look at him to reject but before you can he speaks up "please..." he says pleadingly.

You don't know why you accepted, you never should've, it would've been better to just take the guilt and walk away from him, to ask for help if he refused to let you go yet you didn't.

Now, here you were watching your face plastered on the screen as your parents beg for your safe return, promising all that they have and more. At this, everything begins to blur as a sob escapes your throat.

"Why...?" Is all that you could muster before the tightness in your throat becomes too much for you to continue talking.

Tina sits beside you, stroking your back. "You tried to leave, I would've handled this better if you listened to everyone else about just coming back, but you wanted to be stubborn about it"

You wanted nothing more than to smack her away and yell, but you knew the consequences of that. You lost count of all the things she's done to you after some time. Things were bearable if you simply let it happen instead of constantly fighting back.

"It's ok...it's ok, come here, no more crying. I don't like it when you cry." Tina says, pulling you closer to herself, your head on her chest.

"They're still looking for me....you can't keep me here forever, tina." You say between breaths as you try to catch your breath. "Really? I would say otherwise, the news has stopped talking about you, your disappearance came and went as everything else does, your parents... let's say they aren't a worry." Tina strokes your head as she says this.

At this you feel you feel your body stiffen and your breath catch in your throat.

As you're about to question her, Tina runs her thumb over your lips before speaking, "That's enough for today. It's late, so let's get you ready for bed." At this, you go to speak up only to be met with Tina's side glance, causing you to keep your mouth shut.

You hate it. You hate the way you fear her. The way your body tenses up as she tucks you into bed and smooths the blanket around you, yet you can't help but let it happen even if you did fight back, you're just a human. Physically, you could stand a chance. However, if she decided to use her power, you'd be on the floor clutching your ears in pain, not only that it'd alert everyone in the house along with the others.

So as much as you want to shove past her as she walks out that door, all you can do is lay in this bed watching her back as she walks out able to do whatever she wants, whenever she wants.

"One more thing." This causes you to look over at her " I love you, Goodnight"

You don't want to say it but you have to yet everytime you do it feels as if you're about to vomit. "Y/N" This causes you to flinch your head back as she says your name with a warning edge to it.

"I-I love you too..."

Request are open!

#yandere #yandere oc #my oc character #yandere x reader #yandere x y/n #female yandere x reader #yandere mutants #female yandere #yandere female oc #Tina

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zaynesaurora · 2 days

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zayne will never let you go to bed upset. if you two have an argument, he’ll let you two cool off for a bit before apologizing. sometimes you fall asleep from being so exhausted from crying. when he comes to apologize and finds you sleeping, he’ll kneel down on the floor beside the bed and gently wake you up. he’ll caress your cheek and apologize to you. he’ll tell you how sorry he is for upsetting you. he’ll kiss you gently and tell you how much he loves you and how much you mean to him. he’ll cuddle up with you in bed and hold you, gently whispering in your ear to get some rest so you two could talk about it more in the morning. he’ll your back and shush you to sleep, his body pressed up against yours.

he’ll hold your hands while you two talk about it. you two will communicate about your feelings while he rubs his thumb against the back of your hands. when you forgive him he’ll hug you and gently sway you, kissing your temple and holding you close to him. he’ll close his eyes and just relax as he feels you finally relax in his arms. he’ll thank every god in the universe that you forgave him. he hates making you upset. poor man always feels so guilty. like he genuinely feels like he deserves jail time for it. he’ll spend the rest of the day (or week since he’s extra as fuck) making it up to you. although zayne is very reserved, he will always pour his heart out to you. he is a firm believer that communication is key. he’s willing to tell you every single thought of his.

he’s so ideal bf husband material love of my life the sweetest man ever the winner for the best partner in the whole universe the cover of sexiest man alive😭

- 🦦

— im gonna BURST into TEARS nonnie,, why arent men real 😞😞 he’s so selfless, his own emotions and sense of preservation are always second to his partner he would literally fight a god aaaah let him be happy please i beg let him have normality and a person to call home :( even when its a little rough and bumpy :(

(btw you should start writing fics if you dont already bc your ability to make me feel every time you send stuff is insanity i somehow fall in love with him more every single time)

#asks—#🦦 — nonnie #love and deepspace

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mimaniniyum · 2 days

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Tasty (S) (A)

Cw:basketball player!winwin x bádminton player!reader,oral sex,slightly rough sex mainly soft,lots of I love u’s,Small argument,makeup sex,lovey-dovey shit,back scratching,kick back era sicheng 😵‍💫

Based off this from twt/X :link (NSFW)

A/N: yum yum (im abt to write an nct 127 angst fic after this)

WC: 800-ish

The start to your day was already shit but if badminton practice wasn’t worse you wouldn’t know what was your coach yelled at you for being a minute late and also missing multiple times as you got back home you dropped your practice bag and flopped down on the couch in your shared apartment with your boyfriend Sicheng, he currently wasn’t home since he had basketball practice until 7 so you texted him and dropped your phone down on the couch.As you now just lay there you being to tear up trying to cry but that was a futile attempt as you started to heave tears fall down your face but you quickly wiped your tears hearing the door unlock you see sicheng enter clearly distraught and angry as you bid your hellos to him he ignores you and walks off to the room slamming the door and locking it.You get up and walk to the room door to ask if hes okay as you do all you hear him say from the other side is a annoyed “go away” as you walk back to the living room you sit there sad knowing your one source of comfort is upset but you surpass this and grab the remote to turn on the tv you flip through numerous channels as sicheng exits the room with new clothes dawning a white T-shirt and basketball shorts he glances at you still pretty upset and looks back at the tv ypu turn to him and say hi again but he continues to ignore you and all you say is “Why are you ignoring me?” And that only seemed to make him more angry he looked to you absolutely livid only saying “Just shut the fuck up” as you paused you say “I just asked why you upset I wasn’t trying to make you mad” sounding sadder then ever “Well you did,great now im in an even worse mood” he says with such annoyance and distain in his voice you look away from him and down at the floor you feel yourself tear up again trying to hide your tears from him in hopes that he wont get more upset you curl up on the couch.you glance over at him again now he looks somewhat more calm but as if he feels bad for what he said to you.you wipe your tears but they still fall as you sniffle letting out a small sob,He looks at you turning his neck fast and he quickly cups you cheek in his hand looking at you sorrily “No baby im sorry I didn’t mean to get mad at you like that” no completely sobbing and covering your eyes in your palms wiping off your eyes you look back at him eyes slightly red as you shakily say “no its my fault I shouldn’t have pressed you like that” as he quiets you he softly smiles asking about why your sad and you explain everything to him he kisses your cheek and holds you telling you its okay and he ask if there is anything he can do to make up to you and you hesitantly say you want him as he quickly understands what you mean he lifts you up from the couch and carries you to the room he plops you on the bed and starts to kiss you asks if its okay.

to remove your skort and you nod as you remove your shirt leave you only in your underwear and bra as get up to remove those two articles of clothing he begins to remove his cloths as both of you are now naked he lifts up for legs and holds them back as he faces your cunt he licks your clit you whine in pleasure he continues to eat you out for a couple of minutes you start to moan in upmost pleasure you begin to spew out praise “Fuck chengie im gonna cum” as he lifts his face from your cunt you whine at the loss of stimulation sicheng get up from his position on the bed and drags to the end of the bed as he places your legs around his waist,you wrap your arms around his neck he lifts you up from the bed and inserts his cock into your cunt as he bounces you on his cock hard and fast until you tell him to slow down a little.

and he listens to you as he thrusts into you lovingly you began to scratch his back with your nails due to the pleasure it makes you feel warm inside as you start to random say “I love you” in between moans as he continued to thrust up into your for a few minutes all he could say was “I love you” “your made for me” “your the best thing that could happen to me” “ your my love” “I love you babe” as you moaned in pleasure

As his thrust became sloppy,he cums inside of you filling you up with his cum

As you thank him for pleasing you he replies with “Anything for you baby”

As both of you came at the same sichengs thrust became sloppy as he came to a stop. You both breathe heavily as you drop down to the bed with sichengs cock still inside of you he leaned down to kiss you again.

#dividers by benkeibear #winwin smut #wayv smut #nct smut

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thesublemon · 11 hours

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best picture

For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:

Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.

Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.

Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.

Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2 or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.

American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie.

The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say.

Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.

Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.

The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.

Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.

*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)

Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.

In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.

Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like.

And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.

[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.)

#posts: art #movies #am rusty at blogging and don't have all the virtuous nuance i would like in this but we will go with it

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flubnuggetpurple · 21 hours

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Dove Cameron’s Alchemical album is so fucking bat coded I feel like a conspiracy theorist.

(This went off the rails at one point, so WARNING: vague mentions of sexual assault and being drugged without consent)

First song: Lethal Woman.

Cass, all over, right? The bridge is “she walks like a saint, floats like an angel, sharp like a knife under the table”

c o m e o n

Second song: Still.

“Man on the screen, they only see whatever you want them to see” and “Supernova self-erasing, hourglass is always draining”

Could be either Tim or Bruce, but I lean toward Tim because of “how dare you, dare me to love you, if you jump I will too” because whenever Tim decides he loves someone, he’s the ride or die, ends of the earth type, even if they don’t even know who he is. A) how and why he became Robin in the first place, B) The Cloning Thing, C) an argument could be made for the Captain Boomerang thing (but now that I think of it, I think I’m mostly basing this off fanon oh well ontotgenextone).

Song Three: Breakfast.

I will admit out the gate that this one’s a reach, so I’m just going to leave Selina here.

Song Four: Sand.

For this I’m thinking Tim or Jason, for different reasons.

For Tim;

“I saw the end when we began, you couldn’t love the way I can, I tried to bargain with the stars, for more than half your heart but you have more pieces of me than the dessert has sand, and I have less pieces of you than I could hold in my hand” and “our love’s misaligned, ‘cause you’re on my mind every night, I stretch out the time, and now I know why.”

I’m just making it obvious I read the Red Robin run, aren’t I?

For Jason:

“What's worse, being wanted but not loved, or loved but not wanted? What's worse, hearing what you wanna hear, or hearing what's honest?” And “What hurts, is the one thing that you wanna do, is the one thing that you shouldn’t do”

Pre-death Jason, but like, right after the Garzonas thing.

Song five: White Glove.

Okay hear me out.

This is part one of the Dick Grayson saga; the persona he shows to the public. This is Richie Wayne. This is every honeypot mission he went on too young, every woman he’s had to seduce for information (it’s one hundred percent happened before don’t fight me) every source of sexual trauma (that one I’m ninety percent sure is canon) that keeps him up at night.

And this guy’s been a vigilante for over twenty years, he can absolutely recognize drugs by sight, smell, and how they feel when he’s too late to notice something slipped in his drink. He’s felt nearly every strain of fear toxin and every one of Ivy’s pollens. If anyone knows their drugs it’s pretty boy Richie Wayne and Robin.

Song six: God’s Game

This one I’m definitely taking some lines out of context, but for Jason, “Just a boy with a man's face, playin' God's game” is when he’s taking over Crime Alley, pit-mad and trigger happy. “I prepare with so much care, I was runnin', it was stunnin', I am desperate from delusions, not much of a solution, never knowin' what the truth is, oh, God” is when hid plans start to fall apart, when Bruce slits his throat with a batarang, when eventually the pit-madness eventually starts to wear off and he realizes what all he did to Tim, who was a child at the time, not to mention Robin.

He nearly became what the Joker was to him to the next Robin, and I feel like at some point that would occur to him.

Song seven: Boyfriend.

(…Admittedly, I don’t think this one has any grounding in canon and if it does, feel free to educate me.)

So, obviously I could mention Kate Kane at this point, but I know basically nothing about her, so instead I’m going to talk about Steph.

So Steph has definitely had some shitty experiences with guys, right? Like, her dad to begin with, but also the guy who got her pregnant (at like fourteen? Maybe I’m just sheltered, but I don’t think anything about that relationship was heathy—again, I haven’t read many of the comics, so correct me if I’m wrong), then Tim, which, I love him as a character, but didn’t he date her in the mask for like, months, and I have some vague recollections of some dickish things he said (i know i know i need to read more comics)—whatever. Men are shitty.

I have a scene in my head. Like, Steph’s in college, at a bar with friends or something, maybe it’s an under cover op, idk, and there’s this girl she’s been lowkey watching all night. She doesn’t quite know why, but she just keeps catching her eye, and okay, it’s not like she’s never questioned her sexuality, she knows Cass. There have been Extensive conversations with Babs on the subject.

Anyway, so at some point, there’s obviously some sort of argument between the girl and the guy she came with and the girl’s crying, and Steph just Can’t Handle That.

She goes up to her, comforts her, makes a new friend, listens to the whole story.

And at some point, she has the thought.

“I could be a better boyfriend than him.”

She doesn’t necessarily do anything about it that night, but now that she’s had the thought, it won’t leave her alone.

Yeah. So. Maybe I’ll write that story later.

Song eight (last song): FRAGILE THINGS.

Dick Grayson part two; So your mentor (dad) just died, leaving you an angry murder child, another one hanging on by a thread after losing eighty percent of his support system, a grieving butler (grandfather), and a mantle the size of the Most Dangerous City in America. Any direction you move is going to hurt someone, and one kid is more likely to snap and murder people than the other, and hey, if you have to be Batman anyway, might as well let your brilliant kid brother be Nightwing, right? Except, whoops, you forgot to mention that last part and now Timmy thinks you just replaced him without telling him and fuck you knew you were forgetting something and now there’s a goddamned imposter Bruce and—

“Love is like a house of fragile things, where hearts can be broken as easy as antiques, and now there’s glass all shattered at my feet, what we built together, you left in smithereens.”

Anyway. This got kind of incoherent (or maybe it was from the start?)

I accidentally added a poll at the bottom and can’t figure out how to remove it, so.

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akookminsupporter · 1 day

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What if this travel show debunks whole Jikook ? Imagine Jimin saying 'it's been long since we slept together in same room' 'it's been long since I heard his snoring' or something? If they are a couple they'll be sleeping together right ? Why would Jimin say that ? Well, it's kinda debunked already because Jimin said 'I got used to your snoring because we spent time together few days before aka their travel show shoot'. He only got used to it now because he had to sleep with JK for a schedule ? Also they are acting like Jimin bumping JK in sleep is a funny moment as if it never happened before. RM asked a question like that too 'did you elbowed him this time' as the last time it happened was when they together for NYC schedule.

Anon, I have several questions in response to your rather silly message. Why does it bother you that people like me think that perhaps there's something more than just friendship between Jimin and Jungkook? Why does it bother you to acknowledge, understand, accept that Jimin and Jungkook have always been close, probably the closest in the group? Unless you're a tkkr, it doesn't make much sense, or is it simply homophobia? Though I suppose it's not that simple. Or is it the parasocial relationship you have with one of them? What's the reason?

You clearly aren't a true fan because a real fan wouldn't be desperate to confirm that two members of their favorite group aren't or weren't close. That they had problems, etc. But you know what's funniest about all this? Your argument falls apart with the simple fact that Jimin and Jungkook enlisted together and not only that, but they applied to a program that guarantees they'll be together throughout their military service. That doesn't prove they're a couple, but it does confirm how close they are and that their relationship is different. And I know that that fact, that reality, eats away at you and at everyone who thinks like you. And I also know that you're terrified of seeing or knowing what they filmed before their military service. People like you, cowards like you who hide behind a screen and the option of anonymity, are embarrassing because it's obvious how empty and sad your lives are and that the only thing that makes you feel... something is being a horrible person.

#ask #anon #jikookphobics #Preg 190

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georgeclarkesgf · 1 day

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forgetful | george clarke

the minute george stepped into the flat, he knew something was off.

"y/n? you here?" walking further into the flat, he found y/n in the kitchen making herself a cup of tea, "hey, sorry i'm back so late. we missed t-"

"don't. i can't believe you. all i asked was that you not plan to film today and i wake up to a message telling me you've gone to film a video for arthur. do you even know why i asked you to stay home today?"

he was trying to remember, really he was. but his mind was blank and the guilt began to seep in, only just noticing the tears that left stains on her cheeks.

"no. of course you don't. my parents are in town george. i planned a nice lunch, maybe go on a walk, come back to the flat for a few drinks, but all that went to shit because you left to film a stupid video and then ignored my messages all day. you know how important it is to me that you get along with my parents so having to cancel on them last minute because you weren't even here was not something i wanted to have to do." the tears in her eyes were threatening to fall again, hating how needy and pathetic she sounded.

"we can sti-" george tried, again quickly being shut down.

"no george, i'm mad at you. you don't get to say it'll be alright and that we can still do something. we're not playing happy families. you've hurt me. when we sort this out, then we organise something else."

now the guilt was in full swing and he immediately started to think of ways he could make it up to her, knowing it would take a lot of grovelling to get back onto her good side.

"i'm going to bed, i love you." a soft kiss being placed on his lips.

"i love you too." slight relief evident on his face, knowing she'll never not say 'i love you', even during an argument.

she rounded the kitchen island, starting to make her way to his room and get ready for bed. george watched as she closed the door, still stood in the kitchen, contemplating whether to follow her or give her some space.

he decided on the latter.

--------

it was nearing midnight when george decided he needed some sleep, and the dip in the bed as he got comfortable was enough to wake y/n, a groan leaving her lips.

"sorry. i didn't mean to wake you," she let out an agitated hum of acknowledgement and rolled over, curling into george's side, unable to resist the heat his body always provided, "still mad at me?"

"yep." she responded, accentuating the 'p'.

"okay. can we talk about it?"

"i've said my peace. you go."

"i really am sorry sweetheart, i feel awful," her nails were running along the lines and dips of his stomach, a habit he'd grown accustomed to over the several months they'd been together, "the video was planned ages ago and i didn't even realise the dates clashed. when you reminded me of 'that thing' that was happening today i thought you meant filming. i promise to make it up to you. and your parents. please say they don't hate me."

george hoped it was enough, not that he wouldn't do anything she asked to get her to forgive him, but he couldn't stand the thought of her staying mad at him.

in y/n's head, he was forgiven. during her time alone, she realised she didn't even give him a chance to explain before locking herself in his room for the rest of the night.

"i'm sorry too," george was slightly taken aback by this, unsure what she was apologising for, "i shouldn't have stormed off like that. not even letting you speak before i disappeared all night. and my parents don't hate you. we can do dinner tomorrow if that's okay with you?"

"that's more than okay. i have my whole day free to spend with you and them. we can do whatever you guys want. i love you."

"i love you. so much. even if you are forgetful."

and george stuck to his promise. safe to say y/n's parents like george more than her.

a/n have this as an 'i'm sorry i haven't posted in a while present' <3

#george clarke #george clarkey #arthurtv #chaoscrew #sidemen #arthur hill #tiktok #george clarkey x reader #george clarke x reader #blurbs #george clarkey imagines #george clarke imagines #blurb #youtube #youtuber imagine #youtuber x reader #youtuber imagines #george clarkey imagine #george clarke imagine

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rohirric-hunter · 5 months

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#girl help people on the lotro forums are being stupid again #tolkiens catholocism is not an excuse to insist that all orcs are irredeemably evil #in fact its evidence to the contrary #because a really big important part of all different kinds of christianity is that no matter what there is always a chance for redemption #there is always a way BACK #(assuming were going with the story that orcs are corrupted elves which is most peoples go to if not strictly canon)#and like i dont want the whole game to be about it but once saurons out of the picture?#yeah i kind of like the idea that some orcs can find their way back #maybe it wouldnt happen this fast but everything in lotro happens fast. get over it #and dear lord i cant believe *i* have to be the one to say this #i dont post about it a lot but im like. extremely conservatively christian #why is it falling to ME to make this argument #FOR THE RECORD i have been on the forums for several hours and had a couple of very civil and good interactions there #but i think i am done for now i have a headache #for the record this wasnt the only stupid person #someone also said that half orcs were breaking tolkiens lore #????????????????????? thats literally in the book

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alevens · 3 months

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zolu is maybe one of the easiest ships i've ever liked. they're dating, except when they're not, they're best friends even when they're kissing and they're still captain and first mate when they aren't. they hold hands, they hug. they have sex. they don't.

Luffy can hold Zoro's katanas and Zoro can hold Luffy's strawhat and no one bats an eye. one says "You're so cool!" and the other says "You're strong" and it's just another way to say "I see you, this is why I follow you/this is why I trust you". it's not seeing each other for a long time and still knowing how the other's steps sound like against wood and sand. the captain runs and the first mate follows. it's always "Zoro and the others" and "Where's Luffy?"

if they're just friends, if they're something more, if they don't have a label for it, at its core, it's just about how they get each other. they understand how the other's mind works. however you view them, it doesn't erase they fact that they love each other in a way they don't love other people.

#zolu #on why i love zolu #seeing the hate its gotten on its own tag #i figured i'd put it on my two cents #i am aroace and i do hc Luffy as aroace #the same for Zoro if i'm honest #but the thing about this hc is that not only it isn't canon #but is an actual spectrum #what really made me pause was that the argument was that zolu was an “icky” ship bc of how they viewed Luffy as aroace #i would have prefered they just said they hate the ship #it makes sense as i do too hate ships without reason sometimes #but it was how they seemed to view aromatic/asexual people that fucked me up #both orientations are spectrums #the way i see it and experience it isn't the same other people do #giving this label and then saying it only woks on one way is disrespectful to the many people that fall under this umbrella #it isn't as simple as saying “aromantic folks can't experience love” and “yeah ace folks all find sex disgusting”#everyone is different everyone has different views and it's about finding what fits *you* personally!#sorry for the rant on tags i just wanted to get it off my chest #i've seen more people explain it better and break it down more coherently #and i'm so so glad to see so many big brained people ready to communicate on why that take just wasn't it #one piece

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aalghul · 15 days

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Saying that what fans (and post-flashpoint) make Jason is what Helena already is always gets one of two reactions: I hate Jason and this is true, I love Jason and this is completely wrong. Everyone's losing with that btw.

Helena and Jason are fundamentally different enough that it can't be exactly true. Helena and Jason's backstories don't have much in common either. Helena's involved betrayal, schemes and fights for power. Jason's was a product of Park Row being continually failed by Gotham. Jason also has a history with the Bats specifically, as the second Robin and a son of the family, that Helena doesn't. There is an appeal in that that's not transferrable; Jason's been a Bat and has had his own various roles since his he was created pre-crisis, not just since his resurrection or since he got a softer role post-flashpoint. He doesn't get to just not be a bat character.

In going "fanon Jason is exactly like Helena" you're also ignoring her time on the JLA and BOP, because remember that fanon thinks Jason sits around staring at his wall angrily until his family tell him to stop being a brainless killer OR runs around half-assing missions with his brothers friends because he has none of his own. It's honestly a disservice to her to pretend that brand of fanon Jason could ever be her.

However, Helena is the one who fought to be trusted by the Bats and compromised on killing because of them (whether that be due to the aforementioned struggle to fit in with them, or, at low points, because they know her identity). Jason did not due this pre-flashpoint, and even those abandoned attempts in Countdown didn't begin with the main timeline's version of Bruce. Pre-flashpoint Jason was not asking for anyone's trust or for a seat at the table. That's not even to say that any interpretation of Jason that has him reconciling with the Bats if a rip-off of Helena, it's just that Jason put himself on the outskirts of the family because he has personal issues with them. It's not just them making that decision. The role that Jason now occupies is very much the one that Helena had.

I'm not going to sit here talking about all the similarities and differences, or how they got tangled along the way. I just want to say that people who act like Jason was dealt a good hand by being given Helena's characterization by fanon and post-flashpoint are never going to be able to prove their point because you're focusing on the wrong thing (something that isn't even true). People who refuse to accept that the Jason they're talking about is a whole different character are going to miss out on any of the many interpretations of Jason that aren't just knock-off Helena's. And they're all pissing each other off in the process.

#it's just. you are biting at each other about something you will never agree on because you're approaching the conversation with goals that #go beyond the characters. you simply dislike a character too much or like a version of another too much to see what the other's saying #i don't think i could make it clearer: i'm not disagreeing that so much of jason in batfamily fanon is just helena. before anyone jumps me #helena and jason are more than just the black sheeps of the batfamily actually. i understand why arguments fall back on things like that #when youre frustrated and trying to prove a point thats what happens. but it ends in helena getting reduced to things that dont define her

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suffarustuffaru · 8 months

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Reading your tags about how people miss the very obvious "there's some fucked up shit boiling underneath" regarding Otto, just gave me a sudden realization. Otto is the only character I know in fiction where they act all innocent and drive up the "clumsy", "just in the side-lines" and "straight-man (heh)" persona. When. Like no one's in the EMT camp is buying it. They know he's way more capable than he let's on. Meanwhile, the tomfoolery is completely brought on by the Western audience.

Like Otto is failing miserably to make other characters believe that he's not up to mischief, Roswaal even thinks it can bring his downfall. But the audience, who even sometimes *sees* his fucked up thought process, is buying it.

*head in hands*

no u bring up so many good points bc ive been really thinking about this for a while T^T its such an interesting phenomenon in the difference in perception otto has between the japanese speaking half of the fandom vs the english speaking half which can be explained by—yeah. media illiteracy mainly. im also putting my head in my hands anon T^T

because—okay sorry wkdndn im gonna get into meta again but hear me out bc this pattern of the fandom underestimating otto is interesting bc i kind of sort of i cracked the code maybe??? o.o i think the nature of otto is a character is that youre SUPPOSED to underestimate him at first, just like what happens sometimes in universe. i mean wayyy back then i definitely wasnt expecting him to get more depth added to him in arc 4–which was a pleasant surprise—which is also the reaction the vast majority of people have to reading/watching arc 4, along with the other vast majority reaction which is being a bit endeared to ottosubas friendship and respecting otto for being a good friend. and then its easy to underestimate otto bc of 1. all the chaos going on in rezero at any given moment and 2. hes almost always overshadowed by other characters doing worse shit or being more insane than he is and 3. otto of course damn well knows hes easy to underestimate and counts on that. thats what he did against roswaal in arc 4. plus—i mean even aesthetics-wise hes 100% DESIGNED to be easy to underestimate. his outfit and physical features make him look either friendly or frazzled or soft. so i think that the point is that we were supposed to be kind of fooled—at first.

because yeah, we’re endeared to otto. we respect him for helping subaru the way he did. we think that hes a nice person and we now support his actions especially after feeling sympathetic towards him after learning his backstory. (or at least the average audience member will think this wjdndn.) but like—you dont even NEED to look at any side content at all for it to dawn on you that theres something Wrong. with him. like all you need is main route arcs 3-8 aka ottos entire screentime thus far, because at arc 4 its so easy to overlook otto unless youre thinking a bit deeper (for example—he gets violent with subaru. like yeah its entertaining, its played for laughs a bit, yeah subaru needed to be snapped out of his own head, but was it 100% necessary??? why did otto have this response??? bc if you just look at the main timeline otto really decided to beat up subaru first. and bc this tendency is now Less Funny in arc 8).

but even if youre just looking at rezero face value, when you get to arc 5 its starting to get even more clear that ottos weird in the head. like we already saw him being very good at scheming and planning in arc 4–in arc 5, we find out about otto hiding the tome for a year. we find out WHY hes been hiding the tome for a year. the tome then leads the witch cult into priestella, so like—in the sense, otto is RESPONSIBLE for arc 5. but theres STILL a tendency sometimes for the audience to continue underestimating him even though by this point we’re getting more clues and many characters around otto, like you said anon, KNOW hes very capable. i keep wondering why this is, but arc 5 is, again, FULL of chaos and different storylines happening at once, so its so easy to almost kind of forget otto there in the background until he occasionally pops up again. plus otto serves an additional role as comedic relief sometimes—he spends all of arc 5 being bitchy and whiny (i say this affectionately HAH) about his camp being full of disasters, for example, so i think the natural response from the audience tends to be “aw otto!! what a silly guy!!” sometimes. you know? so its like. i think at this point some people tend to be like “yeah fair that otto was wary of roswaal and thats why he saved the tome…. anyway ooooh whats going on with these other plot points” wobsbss. its so fascinating bc—ok this might be my own personal experience but anyone reading this pls tell me if you agree or not—i dont think ive seen a lot of people actually even MENTION otto bringing the tome into priestella attracting witch cultists. and the english speaking fandom LOVES to go into certain characters’ wrongdoings so why gloss over otto????

the only explanation i have for this is that from arcs 3-4 underestimating otto is. kind of the point of his character UNTIL you get to arc 5 and the clues in the main story start seeping in even more. and also the western audience DOES have media illiteracy a lot. theres that too. just look at rezero content on youtube or reddit or fanfic sites or other things of that sort T^T but no yeah i think ottos nature as a character exacerbates it. youre supposed to start asking questions about him. youre supposed to start connecting the dots and then SUDDENLY its now EXTREMELY obvious in arc 7-8 and even while theres so much chaos going on its basically shoved in your face. arc 7-8 is just delivering on all the leadup that was arcs 3-5.

and i think that youve gotta be media illiterate for sure to NOT get that otto is not squeaky clean and innocent BY ARC 8. i think that ottos the deconstruction of the loyal best friend trope, and also a mirror into what subaru couldve been like if he decided to be more ruthless instead of jumping right to forgiveness and saving everyone, except sometimes that flies right over the audience’s head wkdndnd. it confuses me bc ive seen some people completely miss the point or completely agree with otto and overlook the Bad Parts of it or, you know, STILL think ottos perfectly sane—like T^T please.

and yeah so back to what you said about otto Not being underestimated In Universe—its such an interesting detail bc hes ALWAYS been simultaneously pathetic and Very Competent wjdndnd. but yeah no all of his friends have seen various hints and clues and evidence of what hes capable of. like even though he hid the tome from them successfully and even though hes hiding info now its INEVITABLE that its gonna blow up in his face one day. like you got characters like garfiel who literally saw otto punch the wall and break his hand in an unhinged fit of rage, julius who got snapped at by otto and while julius is a Bit naive definitely knows somethings off there, anastasia whos smart as hell and definitely knows not to underestimate otto, and roswaal who, like you said anon, literally went out of his way to stop otto from breaking his hand in another unhinged fit of rage and warned otto that he will literally be destroying himself if he keeps going on like this. its this fascinating dichotomy bc otto is NOT fooling anyone around him but at the same time his current schemes are mostly unnoticed—for now—which yeah i havent seen that in a lot of media!!! its an interesting balancing act bc people around him realistically know hes competent after seeing the Proof of that for the past couple arcs, but otto is still finding ways to try and Win…

which—again, the anger and violence is an extension of arc 4 otto!! this is the same guy!! hes always been like this!! ottos kind of stayed the same, deep down, this whole time and as an audience its ONLY shoved in our face with a big gigantic spotlight on it FOUR ARCS LATER, but it was hinted to all this time. and like you said anon—we LITERALLY see ottos fucked up thought processes. literally what sane person thinks any of that shit. its spelled right out for the reader HAH T^T which—yeah. media illiteracy…. and also this whole ask was a longer way of just saying that otto is VERY easy to see at surface level if youre media illiterate. but at the same time it should be very easy to figure out otto is A Bit Fucked Up bc tappei underlines it in bright red print!!! i think people sometimes just hang onto soft awkward silly otto and forget about the rest T^T either that or they dont think he cares about subaru at all. which. that phenomenon of thinking characters that do care about subaru Dont Care is also interesting to me bc why????? we’re at arc 8 and you STILL dont get it??? o.ooooo

but yeah apart from that….. i said this earlier but yeah sometimes some people agree with ottos realism in arc 8 which is. understandable, but the whole point is that he is EXTREME. with it. hes Not in the right here, but the same crowd that wants wanton revenge in rezero is gonna agree with that kind of stuff T^T ottos been lurking in the background so much so that tappei made it meta by doing the whole “walking in darkness” part of his character, so i guess people just. dont see ottos ACTUAL worst traits and instead think he would ditch subaru at the first opportunity or something. but at the point we are now, arc 8 ottos problem isnt that hed ditch subaru. his problem is that he would sacrifice the world for subaru. his problem is that he gets extremely angry at subaru for trying to do good. his problem is that hes trying to micromanage everything around him and is willing to sacrifice anything necessary to get what he wants. but sometimes people dont get that bc otto doesnt look sound or seem like a character thatd do that. the Underestimation part of his character is doing too well on. certain audiences. please T^T the soft and awkward and silly parts ARE part of his character just like all the Darker parts are!!!

additionally im also wondering if western audience perception of otto is also clouded by the fact that otto looks and sounds more feminine / androgynous and he doesnt have the appeal of Overt Power either……. he cant Really be waifu-ified… and he cant be used as a weird self insert like subaru…. and you Have to look at him closer to understand him…. and for some reason people dont tend to hate on him so aggressively, if anything people cant even see his actual canonical flaws half the time wkdndn so if youre not paying attention otto CANT be aggressively hated on bc theres nothing there if ur not looking at it….. and if youre not paying attention otto seems more “boring” compared to the others…… (not that people arent allowed to not have otto as a favorite character bc thats totally fair but im talking about the tendency to think hes Saner than he actually is.) but yeah these are just my guesses. i have no clue the western fandom is a little T^T some people unfortunately cannot read.

anyway. big thank you to the japanese fanbase for understanding ottos character more and making so much wonderful fancontent for him T^T also i think that we as a collective fanbase should stop underestimating otto in general bc its exactly what he wouldnt want and i think itd be really hilarious. <3333 make him explode with rage please

#rezero #ask #yeah sorry this response was so long wkdndnd but yeah ive been thinking on this for a while…#like ottos a very key side character thats given a lot of focus and yet hes?? largely ignored in english fanbase #but also rezero is a special case i feel bc for some reason a LOT of people misread it so easily. all the time. even fans thatve made it to #arc 8. why???? T^T rezero is so divisive i feel and for what??????? why?????? why do people miss this the story makes it obvious what its #about??? not to mention the LITERAL anime episode called THATS WHAT THIS WHOLE STORY IS ABOUT WNDNDN #tappei basically slamming u in the face with otto being fucked up fr too HAH….#its like ottos falling into almost the same kind of stuff that rems perception by some people does. which is u know ignoring her problemati #traits of Being Obsessed With Subaru. shes a loyal ‘waifu’ and ottos a loyal friend but he cant be waifuified so easily and hes not front #and center in the sense that rem was also the second main love interest skdndnd #which i think might be the common fandom problem also of overly focusing on romance bc people notice rems loyalty more than they do otto at #this rate. bc rems the waifu. ottos only the friend. hes ‘less important’.#its interesting to me. bc why??? with other characters ppl either erase all the good or the bad out of them but with otto hes just in stasi #hes just kind of. there.#rip otto the bad luck made him cursed to always be in the background #it just confuses me so much T^T the difference between jp fandoms perception of otto vs english fandom is STAGGERING #otto suwen #the other day i accidentally got dragged into an argument on reddit bc someone tried to correct me on otto and i was like ?????? WHAT SANE #PERSON DOES ANY OF THE STUFF ARC 7-8 OTTOS DOING…???#they were like ‘otto wouldnt do anything for subaru’ and i was like ‘lmao whys he trying to have louis killed then 😭😭😭😭’#‘whyd he try to let 50 million ppl die then?? 😭😭’#‘WHY DID HE DIE FOR SUBARU THEN’#like ottos not gonna indulge subaru with everything thats not what i mean by he would do anything for subaru. he would do anything as in he #would sacrifice so much for subaru. but some people just see subaru doing it then ignore otto trying to do the same thing but in a differen #font???

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