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denimbex1986 · 4 months

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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

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reiderwriter · 2 months

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Hi Kacie!! Now that your requests are open... Could I request a smutty fic where Spencer finds out reader has a not-so-common sensitive spot (like her legs, hair, arms, whatever body part you want). Maybe he finds out kinda in a public setting after she gets all flustered and wants to keep pushing to test his theory?? You can take as much inspo from this as you want<3

(If this emoji's not taken)-💃 anon

A/N: Hello! Sorry for going MIA for a while there. It was the beginning of a new school year here in SK, so I've been really busy! I've been chipping away at this one little by little, and it's finally done! I hope you enjoy it ♡

Warnings; Smut, 18+ Minors DNI, case details, misogyny from a bartender in the opening scene, Semi-public sexual experimentation, edging, PinV sex, use of pet names (good girl), slight degradation, cum play, etc.

Masterlist

The back of the bar was dimly lit as you walked through it, keeping pace with your teammate as you kept one eye on the shady inhabitants of the bar.

You'd been sent - with Spencer of all people - to ask the local dive bar staff about suspicious regulars. A fact that didn't exactly take into account his general lack of intimidating looks and your status as the newest member of the team.

A trial by fire if you'd ever seen one.

You tried your best not to stick out like a sore thumb, but the people in these parts could spot a Fed from a mile away. And though Spencer was remarkably pipe-cleaner-like, they'd certainly recognised enough FBI in him to clam up upon your entrance.

“We got some visitors, I see. What can I be getting you, little lady?” The barman greeted you as you reached the first stool at the counter, a patronizing smile on his moustache clad lips.

“If it's okay, we'd like to ask you some questions. I'm Agent Y/N with the FBI. This is my partner, Doctor Spencer Reid.”

“You're a Fed? Now, why would you bother doing all that hard work when you could be warming my bed, girl. It's definitely more honest and satisfying work.”

The way the man leered at you over the counter has you freezing momentarily. Your instincts were saying fight, but you held your tongue just long enough to not ruin any rapport your team could build with locals.

“I'm flattered, but already spoken for I'm afraid. Have you seen any suspicious men in here in the last six months, one that would pass through only semi-regularly, maybe with a few female companions, though never the same.”

Professionalism at the cost of your peace of mind was going to be a hard learn for you as you grit your teeth and swallowed the bile in your throat.

He just continued to leer at you as he dried up beer glasses.

“You're looking for a man who likes cheap whores? Maybe you are in the market for a career change after all.”

That was about all you could take, and luckily, Spencer Reid was well aware.

Quickly grabbing you by the wrist, he pulled you behind him defensively and leaned over the bar, his voice low and somewhat chilling.

“Disrespect my partner like that again, and I'll have you charged with aiding and abetting a murderer who has kidnapped and ended the lives of three local girls. Local girls whose fathers you're more than likely acquainted with, who absolutely have multiple acres of property and just enough bullets to put you in the ground.”

The blood rushed to your ears at his voice, but the light grip of your wrist held you in place indefinitely.

All the fight left your body, as you found yourself coming dangerously close to melting into Spencer in relief.

He forced the man to answer some more basic questions, but it wasn't as if you could hear them. He stroked a quick thumb back and forth across your wrist as all the thoughts fled your head, and the words fell asleep on your tongue, resting there until he released you from his grip.

You'd known that the area was slightly sensitive for a while, having accidentally brushed up against things and felt serious chills shoot up your spine. What you hadn't known was that it was that kind of sensitivity.

Though, in all honesty, you hadn't exactly known that you could feel that kind of excitement for Spencer either. You just hoped he wouldn't notice. That much.

Having finished his line of questioning and reiterating his threat, he moved his hand from your wrist to the small of your back and adeptly guided you from the restaurant and out of the line of vision of every pair of eyes in the place.

“Are you okay?” He asked when he finally got you to the car, voice still quiet and low, and slightly too close to let you fully relax.

“Peachy. He talked to you at least.” You turned away from him and began opening the passenger side door.

“Nothing new or useful, though. Your bpm is high,” he joined you in the car, putting on his seat belt while you completely let go of yours, letting it zip back into itself.

“My… my what?”

“Your bpm is high. Your heart was beating so fast,” he said, reaching over you to help you reclip it. “Were you nervous, Y/n? Or just sensitive?”

“Your mouth is entirely too close to mine to be asking that question,” you breathed out, cursing your eyes from stealing a glance at his lips.

Only five minutes into this sudden attraction to Spencer Reid, and you were already mortified and extremely horny. In equal measures.

“What would be the appropriate distance to ask that, then?”

“I hear Australia is lovely this time of year.”

He chuckled softly at you as he finished adjusting your seat and then moved far enough away to let the ground swallow you in peace.

Never one to leave well enough alone, it seemed that Spencer took it upon himself to experiment with you for weeks on end after that.

He'd constantly ask you to pass him papers, pens, anything that'd allow him to run a finger across the inside of your wrist. On more than one occasion you'd caught him staring into your eyes as he did it, and it took a nearly embarrassing amount of time to realise he was checking how dilated your pupils were before and after.

When he'd gathered enough data for that line of questioning, he moved on to bigger things.

You knew you were in danger of seriously falling head over ads when he offered to walk you to your motel door in a seedier case location.

You, an FBI agent with a real-life gun and badge and job at Quantico, and you were jumping at the chance to have a man walk you to your room. You'd have been embarrassed if you weren't burning with anticipation.

You hoped that like every other man in history, he was gently trying to insinuate himself into your bedroom, and by extension, your bed and more intimate places.

So you were more than slightly disappointed when he started wishing you a good night. All of the aforementioned disappointment fled your body, though, when he picked up your hand and dropped a kiss to the inside of your left wrist, repeating the action on the right before wordlessly retreating.

You stared at his back as he walked purposefully down the corridor and into his own room, leaving you to pick up your jaw and retreat to your room to lick your wounds.

You wished it was him picking you up instead and found your brain imagining just that as your fingers dropped between your thighs that night.

It became a case tradition for him to tease you like this, kissing your wrist after innocently walking you back to your hotel room. The others thought it chivalrous, almost cute and childlike, a form of courting that graced the good old days. They didn't know he grabbed you by the waist and held you against his hard-on every time you rode an elevator together. They didn't know his tongue darted out a few times to lick your wrist on occasion. They didn't know how you once mentally begged him to bite you there and how you shuddered as he ran his teeth along the vein there.

Spencer was coming to the crux of his research regarding how far he could push you before you cracked. Only now, it was how far he could get without pushing you against a wall and jumping your bones.

You knew you were in danger when he offered to escort you home after a case.

“To walk you to your door, you know? Like always,” he smiled at you, the picture of innocence as you became damp between your thighs.

“Sure. Yeah, okay, I'll get my keys, let's go.”

You weren't sure how no one else noticed that Spencer didn't have a car to drive himself home after taking you to yours. You were unsure if they'd connect the dots between him escorting you home and his own apartment being 45 minutes in the opposite direction.

Luckily for you, you could keep your hands at 2 and 10 the entire journey, away from his grasp. If he'd have touched you right then, you're sure you'd have driven both of you right off the road into a ditch.

Or a pedestrian.

The drive was calm, but pulling up forced your heart to your throat and kept it suspended there, almost like it was frozen at gunpoint, a deer in the headlights.

“We're here.”

“Great. Let me walk you in.”

In. You swallowed hard, wishing very much for him to be inside of your apartment.

“Okay.”

Stepping into the elevator a few minutes later, he waited mere seconds after the doors began closing to pull you into his personal space. He was hard, he was so hard once again and his cock was now straining against your ass.

“Spencer, we need to talk about t-that,” he stroked your wrist as his hand splayed across your stomach, holding you firmly against him.

“About what, Y/N?”

He pulled your arm up almost as if inspecting the wrist for imperfections, and your head melted back into his chest. Why was this elevator so goddamn slow?

You sprung out quickly when the doors pinged open finally and moved straight towards your door without a glance back, but you felt him close behind you.

“Y/N, wait for me, wait, I'm sorry,” he called out quietly as you forced your keys into the lock as fast as possible.

“Y/N, I'm sorry if I stepped over the line, I didn't mean too, please look at me-”

You got the door open and turned back around to grab a firm hold of his tie and yank him into the apartment behind you.

“Months. Spencer, you have been edging me for months, and I am sick of it.” You half growled at him, slamming the door behind him and then pushing him up against it.

“I can feel how hard you are right now. Obviously you want to fuck me, so why aren't you?”

His face went from shocked to intrigued, then shot straight for mischievous as he cracked a smile, and you felt his hands wrap around your wrists slowly.

Before you could react, he had your positions swapped, your arms above your head pinned at the wrists and his breath hitting your neck as he answered.

“I wanted to see how long it would take you to break.”

Your lips leapt to his, hitting him angrily as you searched for more pleasure in his touch, one leg pushing up to wrap around his waist as his hips settled between yours.

He met you at your level, giving just as good as he got.

“Call it scientific curiosity,” he murmured, lips trailing down your neck, but hips pinning you in closer to the wall, keeping you trapped there. He made his way along your shoulders and then pressed light teasing kisses up your arms while rutting his hips into you, dry humping you against the wall as your eyes glazed over in lust.

“You react when I touch you, you heat up. But it gets worse if I touch you here, right Y/N?” His lips again found your wrist, but this time his teeth grazed across the veins he found there.

“You get so horny now when I look at you. I can grab your wrist and make you beg for my cock, isn't that right?” His mouth was back by your ear as your legs went limp under you. He still had you caged against your own door, and you had no idea what to say to that.

Part of you wanted to protest purely because of the rough tone of voice he was using. The other wanted to flood to the floor and tell him yes, beg him to just fuck you and be done with this pure torture.

“I asked you a question, Y/N. Isn't that right?”

“Yes, yes, Spencer fuck, I don't care anymore, yes. You can touch me and I'll react to you, please help me.”

“Good girl.”

He pulled away instantly, but his hands wrapped firmly still around your wrists. Slowly, he pulled you towards him as he slowly walked backwards further into your apartment. You thought for a second about just throwing yourself back into his arms, to close the space he'd created again between the two of you.

You tried it, lifted your head slightly, begging his lips to return there, but he held firm. Each step was an agony of need, and you fought to hold your tongue, begging yourself not to beg him so pathetically.

“Such a good girl, I'm holding you by the wrist, and you won't even protest about how slow I'm being.”

Your mouth fell open as you registered his words.

“You're being an ass.”

“What was that? You want me to touch your ass?”

“Spencer!”

“Don't worry, we'll get to that.”

His back finally made contact with your bedroom door, and you stumbled forward into his chest as he kept his grip even still.

“You're going to listen, right? You're going to listen to me and do what I ask you to do, aren't you?”

You wavered again. He'd been teasing you, but now he was serious, his tone light and his voice soft, but you could feel the strength in his grip. You could feel his arousal at your hip.

“Yes, Spencer.”

“Good. Get on your knees on the bed. No clothes.”

He released your hands and opened the door for you as you tried your best to walk forward calmly.

By the time you reached the bed, you'd removed most of your clothes, but you hesitated at the underwear as he watched from behind you. A quick glance over your shoulder saw him palming his cock through his pants, still leaning against the door he'd opened for you.

He was getting off watching you, and you were frozen in arousal.

“No clothes, Y/N.”

“I know.”

“Underwear is clothing.”

“I know that, too, Spencer.”

“Then take it off.”

You shot a quick glare over your shoulder as you unclaimed your bra behind your back and threw it to the floor.

“On my knees, right?” You said, climbing on the bed still clad in your panties.

“I also said no clothes.”

“If you're so invested in my state of dress, how about you come and help me rectify it.”

His lips twitched in small annoyance, but he followed the trail of clothes you'd left, ridding himself of his tie, shirt, jacket, and pants along the way.

He climbed on the bed slowly behind you, not opposite as you'd presumed he would. His hands reached out to touch your back before slowly sliding all the way up to your neck and pushing your upper body down into the sheets.

You let out a little squeak in shock, but let his hands guide you, feeling especially pliant when he grabbed your hands and crossed them behind your back.

“Maybe the panties can stay. I'll just decorate them afterwards,” he said, and with that, he pulled your hips up with his free hand guiding you into the position he wanted you in, and pushed two fingers into you.

“Fuck, Spencer-” your brain short circuited as he pumped the digits slowly in and out of you, setting an agonizing pace but holding you so tight that.you couldn't even press your cunt back into his fingers.

“What? What is it, Y/N? Tell me how you feel?”

“Feel good, so good Spencer, p-please more.”

He shifted slowly behind you, pulling his fingers out almost completely before pushing them back in, this time with another finger added. He didn't quicken his pace as you assumed he would, but he took his time stretching you out further as you moaned and whined underneath him.

“More. You wanted more,” he reminded you, and his voice was like a sharp hit straight to your cunt, rough and hot and filling you completely.

You barely registered the orgasm that flowed over you, your brain replaying his words on a loop as he continued pleasuring you.

“That's it. That's a good girl. Get my fingers nice and wet.”

When you finally grounded yourself in the moment again, your cheeks flushed as you realized just how wet you'd gotten. You felt your arousal still dripping down your leg and turned your face further into the sheets to hide your embarrassment.

He pulled his fingers out of you, though, and with his now free hand he crouched over you and hooked his fingers under your jaw lifting your head and body up, forcing your crotch back into his as your back arched.

“Don't hide from this. Look how wet you are for me, Y/N. Taste it.” He tapped his fingers against your mouth and you were ashamed at how fast your lips dropped open, tongue falling out to let him wipe his cum stained fingers against your pretty little lips.

You tasted yourself on his fingers, wrapping your tongue around them and sucking as he dragged his dick across your back, trying to relieve himself in any way he could.

“Good girl. It's time for one more, Y/N.”

You released his fingers with a wet pop as he pushed you back into the sheets. Lining himself up, he entered you easily, your cum providing ample lubricant.

You whined at his first few pumps, certain he was going to continue his torturous pace and leave you begging for more hours into the night.

Instead, he let himself work you up to it, each thrust gaining in speed and strength until you could hear the slap of your skin against his more vividly than your own heartbeat.

His cock was thick, filling you perfectly as you lost yourself in the sensations.

“One day, I'll handcuff you to this bed,” he said, leaning down and whispering in your ear as each part of your body vibrated with lust.

“I'll tie you down to this bed, and I'll treat you like a princess. I'll eat your cunt for hours until you cum every time my breath hits your cunt, and I'll cover your pretty tits in my seed. I'll let you use my cock as your personal sex toy, and I'll fulfill every single need you have.”

His hand released your wrists as both of his hands came to wrap around your waist, pushing you deeper into the plush covers and changing the angle of his dick.

You screamed at the pleasure, forgetting the paper thin walls your apartment boasted.

“Fuck, Spencer.”

“And you're going to love every single second because your brain switches off every time I touch your delicate little wrists.”

With that, another wave of pleasure spread through your body, sending prolonged shivers throughout your body.

You felt him withdraw and heard the sticky mess of him stroking himself behind you until he made good on his promise and sprayed his generous load across your ass and panties before collapsing on the bed next to you.

The two of you laid there for what felt like hours, sharing nothing but your labored breaths and the space of the bed before he finally rose.

You tried not to sleep, but your entire body felt stiff from the awkward, if enjoyable, position he'd held you in.

Your eyes drifted shut, and you just listened to his movements. A creaking floorboard here, a stumble against some furniture there, culminating in some running water and a return to your space.

“Y/N,” he whispered, cautious to rise you from what he assumed was much needed sleep.

“Mmmm,” was all you could reply.

“I realize now that I made a pretty big mess, so we need to get you in the bath.”

“Mmm,” you protested, brows furrowing as you tried to gather your sheets closer around you, cradling yourself in the warmth.

But doing so only made you more aware of the sticky wet mess around your torso and legs, and you let out a small, frustrated sigh.

“You're stubborn, you know that, right?” He said, admiration coating his tongue as he lifted you slowly and helped you place your feet on the floor and walk towards your bathroom.

“Spencer, shouldn't have a bath, too sleepy.”

“I know, I'm going to stay.”

“In the bath?”

“In the bath.”

“Good.”

And it was. You let him lift your legs one by one into the scorching water and melted back into him, your head resting on his shoulder as if it were the most comfortable pillow you'd ever used, and you slept.

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1K notes · View notes

robertreich · 6 months

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No Labels Isn't What It Claims to Be

The “No Labels” Party is not what it pretends to be. It’s a front group for Donald Trump.

Now I understand, if you’re sick of the two major parties, you might be intrigued by a party that claims to be a “common sense” alternative that finds the middle ground.

But if you or anyone in your life is planning to vote for No Labels — or any third party — in 2024, please watch and share this video first.

Here are three things you need to know.

First, No Labels is a dark money group with secret far-right donors. Investigative reporting has revealed that they include many of the same Republican donors who have pumped huge sums of money into electing candidates like Trump and Ron DeSantis. They also include the rightwing billionaire Harlan Crow, who spent years secretly treating Supreme Court Justice Clarence Thomas to a lifestyle of the rich and famous.

If the No Labels Party is backed by Trump donors, in an election where Trump is on the ballot, there’s actually a label we should give to “No Labels.” Clearly, they’re a pro-Trump group.

Second, the premise No Labels is based on — that Donald Trump and President Biden are at equally extreme ends of the political spectrum — is preposterous.

Trump has been impeached twice, found by a jury to have committed sexual assault, is facing 91 criminal charges in four separate cases — two of them in connection with an attempt to effectively end American democracy.

There is no “equally extreme” candidate as Trump!

Finally, the structure of the Electoral College means that as a practical matter, a third party only draws votes away from whichever major party candidate is closest to it. No third party candidate has ever won a presidential election.

And in this particular election, when one of the major parties is putting up a candidate who threatens democracy itself, we cannot take the risk.

Donald Trump has already tried to overturn one election and suggested suspending the Constitution to maintain power. It is no exaggeration to say that if he takes the White House again, there may not ever be another free and fair election.

Democracy won by a whisker in the last presidential election. Just 44,000 votes in Arizona, Georgia, and Wisconsin — less than one tenth of 1 percent of the total votes cast nationwide — were the difference between the Biden presidency and a tie in the Electoral College that would have thrown the election to the House of Representatives, and hence to Trump.

If candidates from No Labels— or any other third party, like the Green Party or the Libertarian Party — peel off just a fraction of the anti-Trump vote from Biden, while Trump voters stay loyal to him, Trump could win the top five swing states comfortably and return to the Oval Office. And No Labels’ own polling shows they would do just that!

Let me be absolutely clear. Third-party groups like No Labels are in effect front groups for Trump in 2024, and should be treated as such.

The supposed “centrism” No Labels touts is nonsense. There is no middle ground between democracy and fascism.

Please share this video and spread the word.

#youtube #politics #Donald Trump #Joe Biden #No Labels #election #video #videos

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cuprohastes · 4 months

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The humans said "We sent our very best to the stars."

Well we looked at what they sent: And thought, if that's their best, what are their worst like? They were scavengers and opportunists, fast talking con artists, barely restrained psychopaths with mayhem on their mind.

Honestly we were expecting the worst: That 'human' would be a curse word, that we'd have to root them out painfully and banish them back to their dirty heavy world.

But they cleaned up Antichor. They dredged the oceans, got the ecosystem back up, cleaned the mine lakes, remediated the sludge swamps, turned the hulks into gleaming ingots.

"We knew how. We had the experience." They said.

The humans started showing up in the weirdest places. Conflicts of all sorts... and they always had questions. "Why are you doing this? What if tehy did this. What if you did that?" And it was so odd - Within weeks of the Humans showing up, common ground would be found, or reasons to get along would appear.

"Well, we're used to it. We know how to deal with conflict." They said.

And the human liars, dressed in bedazzling clothes, singing and laughing... They spun lies! For entertainment! Of better worlds, and drama, of excitement, of adventure. Thay made such spectacles - Fire in the sky of a thousand colours - smoke and lasers, costumes and music, feats of synchronised movement the Civil Worlds had barely imagined could be performed by any being let lone these strange humans...

"We know how to have a good time!" They said.

When there was a nasty little war of expansion over on the Veran worlds, we thought we'd be barely in time to document the mass graves and the scraps of planetary genocide. Expansion wars are the worst of crimes but what can you do? The settlers who are squatting on the graves of the people who came before aren't usually the ones who ordered the invasion or carried it out. And there's always some justification that can be argued over for centuries: none of which brings the dead back.

We were horrified to find the Human fleet there. Finally proof that the Humans were the worst sort of mercenary.

But the ships had aid: Shelters and food. Medical personnel. And those that did fight did so under strange rules that allowed for surrenders and retreats in good faith.

The Verans talked of the Arnath Invasion fleet: Unstoppable, claiming thier worlds before they even landed, their leaders ranting and cursing those who lived there - But then the Humans arriving like heroes of legend, in flame clad dropships, spending their lives hard, making the Arnath throw incredible effort to get nowhere... Of the mighty Rangers, each one a hero. The Bulwark infantry who wouldn't yield a single step until the civilians had been evacuated. The Medical teams as caring as any, who'd stand and fight as hard as a soldier to protect their patients.

And even before we arrived, the Arnath were losing - Humans arriving on their world and asking "Why?". Arguing with the Archons with the skill of philosophers, litigating on behalf of the Verans with cunning arguments. The clowns and entertainers with unexpected savagery, showing the population their own "heroic" soldiers burning crops and firing on children, turning the population against thier bloody handed leaders.

The soldiers returning, not hailed as heroes, their crimes documented.

"We know these crimes. We won't stand for them." The humans said.

And we started to wonder... what else did they know?

What we know now is... you can always ask the Humans, because they always send their best.

#humans are space orcs #haso

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nicoliine · 3 months

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When Charlie found out that she is now a big sister.

☆彡 Your lover is an idiot; he can be a cute one or an annoying one, never in between, and right now you wonder which one he is as you are in the middle of one of their idiocies.

☆ Reader is g/n.

☆ Warnings: mild swearing? just Angel being Angel. Kinda crack, Charlie cries and it's all your fault.

No proofread.

You could ask anyone in and out of the hotel and get the same answer. Every. Single. Time.

Who is the biggest supporter of you and Lucifer's relationship? Charlie Morningstar.

Not that there was much competition; truth be told, she was the only one who cared enough about your relationship, always asking how your dates were going and if her father was treating you right.

And of course, Angel, who was suspiciously very interested in your partner, but you weren't planning on answering his questions, you prefer to keep his dick size to yourself.

That is why you find it unnecessary, so weird, to have the whole hotel's residents in the lobby waiting for the so-important announcement that Lucifer wanted to make; you love him? Yes, you will always be by his side? Definitely. Now, does that mean you want to? Right now, you are not sure.

Right before everyone's eyes, you stand beside your lover, who looked so excited and you could swear was about to jump in joy. Your energy doesn't match his, and you only give Charlie a small smile every now and then to let her know everything is alright.

He cleared his throat. "Now, you may wonder why we reunited you here today," he said, his voice denoting mistery. That made you chuckle. He is such a showman. "My love and I have big news!"

"We're having a baby!" He said it with one of the biggest smiles you had seen on his face.

"What!?"

"I'm having A BABY BROTHER!?"

"Well, not exactly," you interrupted before anyone else could speak or Lucifer started his theatrics again. "I think the appropriate word is "babies." The comments started again.

"Damn, I knew that dick was good," Angel said.

☆◦ •◦☆

For someone who loves you so much and could kiss the ground you walk on, Lucifer was hard to convince to go on a walk with you. He surrenders the moment you say you are, in fact, going on with or without him, following after you.

You could see in his face that he was not having the time of his life. You remember the first time he stepped on the hotel, doing his best to not call it shit right there, and the streets in Pentagram City were not different from that; in fact, it was worse.

You just couldn't help it. It was nice to go on a walk around the streets; it was something you always enjoyed. Your lover's presence scaring away every soul who looked in your direction was just a treat.

When you suddenly stopped, Lucifer, who was following a step behind you, called your name with curiosity.

You couldn't find many animals in hell—well, not in the pride ring—but when a hellborn brings an animal, it is common for it to be the pet of someone. That's why you're now standing there, surprised to see at least five baby ducks on the side of the walk, running around.

"Look at those cute ones!" Your lover exclaims besides you with a babyish voice, as he kneels to take one of the ducks on his hand. "Darling, look! Is so precious!" You smiled, the image before you so breathtaking; you followed his actions, now rubbing one of the little ones head with your finger.

You counted six ducks; they seemed to be no more than three days old. Looking around, you tried to get a glimpse of the ducks mother, but it seemed like they were all by themselves; it nearly broke your heart.

"Darling! We can't just leave them here!" You turn your head to look at Lucifer, who was trying to hold all of the ducks in his arms; it was actually cute.

☆◦ •◦☆

To see the King of Hell walking around the hotel with six ducks and one Niffty following him as if he were a mama duck was something nobody expected, but they seemed to be getting used to the idea.

Husk mentioned he is, in fact, the mama duck, and you were the father.

What really took you off guard was to see Charlie resting her head on Vaggie's shoulder, crying over the baby brother you guys allegedly made her think of.

Likes and reblogs are appreciated 💞

#hazbin hotel x reader #lucifer morningstar x reader #lucifer x reader #hazbin hotel #Lucifer is a mama duck #someone give my charlie gurl a baby bro #nicolines

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mightbebobbie · 5 months

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downtime ☀️

[the kakejiku on the wall behind them has specific meanings, read abt them below the cut!]

above zoro: 一期一会 - ichigo ichie "One time one meeting". a common phrase used in japan that emphazises the value and uniqueness of each moment: "the idea is that since each moment and each meeting is irretrievable and can never be repeated, one should pay full attention and appreciate the opportunity to connect with others in the present moment" (source)

above sanji: 絆 - kizuna "Kizuna means the enduring bonds between people—close relationships forged through mutual trust and support." (source)

the reason i chose these two for them, is because i feel like zoro appreciating the little things is very important - he works so hard, without pause. he always has a goal in mind. being able to sit down and breathe, without worry and without pressure, must be very important to him. i imagine zoro looking for these moments with every strawhat, not just sanji. but there's something about sanji that's different - they're the same, and the trust and respect they have for each other is special to him. he never knows what might happen next, so he focuses intently on these interactions, burning them into his mind, one moment at a time.

sanji got the "kizuna" one, because of his chosen family. kizuna was used to describe the rope used to tie up domestic animals such as dogs and horses, but has evolved to become a word that describes the unbreakable bonds between people, and the mutual love and respect we have for each other as humans. i feel like the journey this word has taken, is parallell to sanjis journey - he was tied down to the vinsmoke family, nothing more than a dog in a cage, but broke free and found his own family in zeff and the strawhats, where he nurtured his own bonds. the mutual trust between him and zoro is special, though. there's no one he would trust more to keep him grounded.

#my art #art #my fanart #illustration #one piece #roronoa zoro #zosan #zoro x sanji #black leg sanji #wano #one piece wano

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gallusrostromegalus · 8 months

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I haven't seen any dog stories in a while. How are Charleston and The Hanukkah Goblin doing?

Dog updates!

The first one is a little sad, but also how life should go. Arwen is 14 now and while she's still moving, eating, pooping and generally enjoying life, she also has canine dementia and sundown syndrome where she gets extremely nervous and her dementia gets worse after dark. She'll be with us for a while yet, but it's something we have to manage now.

One person who is very much helping her manage is Herschel. My parents are traveling a lot while they still have the knees for it so I spend a lot of time up at their house, and Charleston and Herschel come up too. Being a Corgi, Herschel likes to manage things, and Arwen would like someone to manage things for her so he's become her self-appointed guide dog.

When I call the dogs for food or outside, he goes and finds her deaf ass and herds her to the location. Normally she doesn't go outside after dark but when the boys are there she's willing to wait for Charlie to chase away anything that might be lurking out there, and then follow Herschel's ass around the yard at night.

Very literally.

She's also got cataracts forming and I think his bright white backside is easy for her to see in the dark, so she follows it around.

During daytime walks she sees well enough but neither she nor Charlie are fans of strange off-leash dogs running up to them (a regrettably common problem out here. I don't care if your dog is friendly MINE ARE NOT!), so both of them prefer to walk half a pace behind Herschel so his more socially adept and knife-filled face is out front to intercept any unwanted solicitors. This does tend to give people the opposite impression though- because he is so much shorter, Herschel gives the impression of a tiny, charming mafioso flanked by his two large and surly bodyguards.

Like, they absolutely would kill a bear for him.

But Charlie and Arwen would also try to kill a bear on general principle.

At night, when Arwen barks at shadows, Herschel runs up and stand between her and the alleged menace, and does his best to look large and intimidating and for as silly as he looks, he does have a very good growl. After a moment, when the alleged bear or congressman or other horror fails to appear, he will stick his nose into the offending shadow, and finding nothing, be satisfied that their joint effort has successfully chased the problem off, and report back to her. This, more than anything else, seems to alleviate Arwen 's fears.

I guess we all just need someone to take us seriously when we're frightened.

Charleston, meanwhile, has gotten into giving safari tours of the front range's small vertebrates.

After eight years of managing his exceptionally high prey drive, something clicked earlier this summer and instead of immediately lunging his whole face at any approximately bite-sized animal in an attempt to expedite it's journey into his stomach, Charlie has started *pointing* at things until I come look at them and tell him he's a good boy. This started with a mole, something he'd never seen before and that moves above ground in a strange way, so he wasn't sure about eating it, so he only alerted at it. "GOOD BOY!" I shouted, giving him all the cuddles. "GOOD SPOT! GOOD JOB NOT EATING IT!"

It's important to reward behavior you want to see.

Since then, he's been trying out pointing at small creatures in the grass and then making very pointed eye contact with me until I come look at them. This is a little tricky when walking both dogs because Herschel is still very much in his "inhale wildlife" phase, but usually I can lock the little gremlin's leash and go look at whatever Charlie has cornered while Herschel attempts to develop telekinesis to will the critter into his mouth.

So far, Charleston has found: a baby rabbit, several baby rabbits in a cluster, an adult rabbit with Jackalope virus, several voles, several moles, a fledgling owl, only the two mice, several mouse-sized grasshoppers and cicada, someone's pet rat (the person was searching within earshot and 'Socks' was collected forthwith), a beanie baby that had me fooled for a hit minute too, a marmot which I didn't know lived down here, a groundhog which I didn't know lived up here, a mink, so many toads, a wild turkey chick, so many more garter snakes and last night, an aquatic shrew.

I don't know if there's an Audubon Society for small things that scuttle around in the undergrowth, but I am inclined to join solely to get Charleston recognition for his service in surveying them.

#dogs #Charleston Chew #Arwen the crime dog #Herschel the Hanukkah Goblin #family lore

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linkspooky · 7 months

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Are You Satisfied?

As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.

The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?

As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?

The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.

Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?

Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.

The Protagonist of a Tragedy

So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.

Excuse me while I fist pump for calling it!

The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.

In poetics Aristotle defines tragedy as:

"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).

To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.

The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.

Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?

Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.

Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.

Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.

I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.

Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.

I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.

If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.

Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?

Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.

Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.

Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.

Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.

One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.

Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.

When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.

We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.

Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.

Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."

Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.

Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"

There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.

"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "

All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.

All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.

Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.

Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.

INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.

Not living in the world with everyone else is the same as being dead.

A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.

Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.

This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.

Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"

It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.

There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.

Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.

Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.

It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.

However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.

It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.

「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」

They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.

Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...

"If you were among those patting my back... then I might've been satisfied."

Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.

Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast

#gojo satoru #jjk spoilers #jjk meta #jujutsu kaisen 236 spoilers #jjk 236 #jujutsu kaisen 236 #jjk 236 spoilers #jujutsu kaisen #jujustu kaisen meta #jujutsu kaisen theory #jujutsu kaisen manga #satoru gojo #geto suguru #suguru geto #satosugu

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