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#using motifs
skylerchasesbooks · 2 years
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Motifs and Their Uses
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It's not necessary that you know what a motif is or how to use it.
Motif is one of the most useful literary devices when writing a novel or short story. At the same time, the definition of motif can be difficult to pin down.
Motif is a literary technique that consists of a repeated element that has symbolic significance to a literary work. Sometimes, a motif is a recurring image. Other times, it’s a repeated word, phrase, or topic expressed in language. A motif can be a recurring situation or action. It can be a sound or smell, a temperature, even a color.
If you spot a symbol, concept, or plot structure that surfaces repeatedly in the text, you're probably dealing with a motif. They must be related to the central idea of the work, and they always end up reinforcing the author's overall message.
EXAMPLES:
A repeated reference or visual of shattered glass (something in life is about to break)
Recurring dishonest characters (to cue up the discovery of an unfaithful spouse)
The key aspect is that a motif repeats, and through this repetition helps to illuminate the dominant ideas, central themes, and deeper meaning of a story.
Authors utilize motifs for multiple purposes. Motifs can:
1. Evoke a mood
2. Illuminate main themes
3. Engage the audience on an intuitive level
4. Create unique symbolic meanings through repetition
5. Establish a pattern of ideas
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grandkhan221b · 4 months
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More DW stuff
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hurlyburlytopsyturvy · 3 months
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her whack-a-mole game go deadly
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dykestache · 3 months
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new heart bong 🫀
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zillychu · 4 months
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haunting the ashes of home
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houseswife · 4 months
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infinitely funny that wilson turned vegetarian while house was in prison to show that he’s moving on with his life and is capable of making personal changes that don’t revolve around his boybestfriend situationship but then the MINUTE they reunite he’s like “let’s get dinner! I’m craving MEAT 😋😋’. what kind of symbolism is this. I’m going to say a slur
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lunamoth14 · 3 months
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serratedpens · 4 months
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Kwame Boateng, "Sinnerman"
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whitmore · 6 months
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niki giving phil the flint and steel was cinematic poetry ok did you know every niki is fire she is her own match and own flame in every iteration. the association is always so ridiculously strong it literally writes itself— how likely was it that nobody else in the area had a flint and steel but her !!!!! in every metaphor in every universe etc etc
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dittydipity · 1 month
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going INSANE. what is he thinking. why did he say this. why does he do all of this. i am thinking so hard.
we know he's seeking arceus to recreate the world bc in his eyes the world is cruel and unjust and it needs to be destroyed and remade. he's set himself on a mission to create the better reality he's envisioned for his whole life.
but everything else he does. the way he spends his time on pasio making people smile with togepi. even if he justifies it as something purely transactional to get more customers, we know he doesn't really take his merchant job seriously. the way he loves his pokemon so much that they will pop out of their pokeball to excitedly tell whoever will listen how much they love volo back. him trying to capture these moments of happiness tangibly because they never last long and can be wiped away any second.
he still hangs onto hope so much despite what's implied to have happened to him. in spite of all the anger and bitterness that's festered in him, he doesn't really want to destroy everything as he says.
it all started with a wish for the world to be a better place, for the good in the world to outweigh all the cruelty. he's still trying to spread what happiness he can.
but at the same time his past drags behind him and reminds him that he can't afford to trust in the goodness of the world.
that self-assigned mission to usurp arceus's power and rewrite everything.. to him, it's his duty now. he has to do it for himself and, as he rationalizes to himself, for the world.
so he ignores the flaws and holes he finds in his own reasoning. he can't help but seek out the brightness and happiness and goodness that does exist in the world, yet he has to dismiss it to justify his goals.
... all this to try and explain to myself why volo's asking all these questions and making all these comments that seem to go against what we'd expect given his ulterior motive and plans. and it's like he's asking the few friends he has to remember him as the one who seeks joy, even when he does the worst to fulfill his dreams
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skylerchasesbooks · 2 years
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What Is the Difference Between Motifs and Themes?
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The concepts of motif and theme have some overlaps, and occasionally you will hear people use the two literary terms interchangeably. Recognizing the distinction between the two literary devices, however, can enhance your appreciation of the craft of storytelling.
❥︎ Themes are the main ideas of a work of literature. They represent the meaning or question behind the series of events that make up the narrative.
❥︎ Motifs are recurring elements that point to these themes. In other words, motif is a tool used to craft theme. While themes are abstract and conceptual, motifs are tangible and concrete.
If a story features repeated images of handwashing, mopping floors, and refreshing rain, then these images of cleansing water are a recurring literary motif. A theme of the story might be “the desire for purification.” The theme is a matter of interpretation, open to debate, but the motif is an indisputable pattern in the text.
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the central themes of a book or play. For example, one of the central themes in Romeo and Juliet is that love is a paradox containing many contradictions.
Hope this helps! Like, reblog and follow for more!
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suntails · 8 months
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the weight of family and the pull of gravity
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asbealthgn · 1 year
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(based on this post. it ended up longer + less lighthearted than i anticipated)
The ding as the microwave timer finishes lines up perfectly with a frantic pounding on the front door, and it makes Steve jump. 
He just got home from the championship game twenty minutes ago. Now he’s heating up a TV dinner because he forgot to eat beforehand. He spends about one and a half seconds dithering over whether he should get the tray out of the microwave before or after answering the door, but the pounding has only gotten louder. So he leaves it where it is.
“Alright, I’m coming,” he mutters as he heads for the front door. “Goddamn.”
When he opens the door he barely even has time to process that it’s Eddie before the other man is tumbling inside, jetting out of sight back towards the kitchen.
“Eds?” Steve calls after him, shutting the door and locking it. “What’s wrong?”
There’s no answer. Back in the kitchen, Steve can’t see Eddie at first. Then he hears the shallow breathing coming from under the table. Steve leans over and sees Eddie curled up there, arms wrapped tight around his knees, eyes wild. 
“Baby, what happened?” Steve asks. He gets on the floor and crawls under the table, pushing a chair out of the way so he can sit next to Eddie. He wraps his arms around Eddie’s shoulders, pulling him in. Eddie’s shaking like crazy and as he leans into Steve, his shallow breaths turn into sobs. 
At a loss for what else he can do, Steve strokes Eddie’s hair, murmuring soothing things in his ear. He doesn’t know what caused this, but he’ll do everything he can to make it better. Eventually, Eddie’s sobbing subsides and his breathing evens out. He’s still shaking, but this is progress.
He lifts his head and looks at Steve. His eyes are puffy and red, cheeks streaked with tears. Steve brushes them away, tucking a lock of Eddie’s hair behind his ears. “Can you tell me what happened, sweetheart?” he asks softly, “It’s okay if you don’t want to.”
“I—” Eddie says, eyes welling up again. “I don’t—” He shakes his head sharply.
“Shhh, it’s okay,” Steve says, “You don’t have to.”
Eddie shakes his head again and takes a shuddery breath. “I don’t understand what happened,” he says, voice strained. “It was like—shit from a movie. It shouldn’t be possible.”
Something about that is a cold drop of fear in Steve’s belly. Impossible things that happen in Hawkins are never short of catastrophic.
“What was it?” he asks. 
“She—she started lifting and—and breaking—”
“Who?”
“Chrissy,” Eddie whispers, voice tiny and fragile. 
Steve rubs a hand up and down his arm, trying to transfer comfort through his fingertips. “Cunningham?”
Eddie nods. Steve sort of knew Chrissy when he was still in school, only because she was on the cheer squad so they ran in similar circles. He thought she was sweet, but didn’t really know her that well other than that. He definitely didn’t know that she and Eddie knew each other.
“So—” Steve shifts. “When you say breaking—”
Eddie lets out a distressed sound, somewhere between a whimper and a sob. “I don’t know how else to explain it,” he croaks, shaking his head. “It was like someone was pulling on her, lifting her up, and—I don’t know how, Steve, because there was nothing touching her but she just lifted off the ground and then—all her bones—”
He cuts off as the tears take over again. Steve holds him tight as he cries, his own dread pooling in his stomach. This definitely sounds like some Upside Down shit. He needs Dustin, or Robin. Someone who can investigate this and figure out what’s happening. But for now, Steve can hold his boyfriend, do what he can to help. 
When Eddie’s breathing starts evening out, he lifts his head off Steve’s shoulder. “The cops—they’re gonna think I did it,” he whispers, “I—I don’t know what to do, I don’t—”
“Eds, breathe,” Steve says, running his fingers through his hair. “You’re safe here. No one knows we’re together, so they won’t come looking for you here. You can hide out here until we can clear your name.”
“But—how is that even possible?” Eddie asks, eyes wide. “What happened—no one will believe me. I don’t know why the fuck you even believe me.”
Steve nods. “I can’t really explain it, like, literally, I don’t know how to, but this kind of thing has sort of happened before,” he says. He takes Eddie’s hand and squeezes it. “There are people who are smarter than me who can help. I promise.”
Eddie keeps watching him with those big eyes. 
“Do you trust me, Eds?” Steve asks softly. After a moment, Eddie nods. Steve smiles. “Good,” he says. He kisses Eddie’s forehead. “We’ll figure it out.”
After a while, he coaxes Eddie out from under the table and sends him upstairs to change into pajamas. Steve takes Eddie’s keys and goes outside to pull his van into the garage. Dad’s car is currently at the airport, so there’s an empty space. If this is still going on when his parents get home in three weeks then he’ll just have to figure something else out. 
Back inside, he spares another second and a half’s thought to the TV dinner still languishing in the microwave. It’ll have to wait. His boy is more important. 
He takes the stairs two at a time, only slowing when he hits his room so he can ease the door open. Eddie is in bed, curled up under the covers, staring blankly at the wall. Steve changes quickly into pajamas and then gets in bed next to Eddie, pulling him into his arms. 
“You’re safe, Eds,” he murmurs against Eddie’s hair. “I promise.” 
The problem is, he can’t really promise anything. If the Upside Down is open again, Steve can’t guarantee anyone’s safety. He thought it was over, that the gate was closed for good when Joyce blew up the Russian machine. He thought he could keep Eddie away from this dark and twisted world. But if Eddie has to be dragged into it, then Steve will do everything he can to make Eddie feel safe. 
They fall asleep clinging tight to each other, like maybe it’ll stave off the shadows.
“Hey!” 
Steve looks away from the TV at Family Video to see Dustin and Max barging through the door. “Steve,” Dustin says as they approach the counter.
“Did you guys see this?” Steve asks, gesturing to the TV. He’s not sure he can reveal how much he actually knows without revealing how he knows it, but it’s definitely important to get the kids aware that the Upside Down could be involved.
“How many phones do you have?” Dustin asks, completely ignoring the news broadcast. 
“Someone was murdered,” Steve says. 
Dustin gives him an exasperated look. “How many phones do you have?” he repeats.
The hell is this about? “Uh, two,” Steve says, glancing at Robin. She looks just as lost as he feels. “Why?”
“Technically three if you count Keith’s in the back,” she adds.
Max and Dustin share a significant look. “Yeah, three works,” Max says.
Nodding, Dustin slings his backpack off his shoulder and plops it on the counter. Steve frowns. “What are you doing?” he asks just as Dustin shoves the backpack hard, sending it tumbling to the floor inside the counter along with several tapes. “Whoa, what are you—”
“My pile!” Robin shouts as they back away and Dustin launches himself over the counter.
“No, no, no, no, no!” Steve says, throwing his hands up as Dustin’s feet knock over another stack of tapes. “Not my tapes!” Dustin completely ignores him, heading straight for the computer. “Dude! What are you doing, man?”
“Setting up base of operations,” Dustin says matter-of-factly, typing away on the keyboard.
“Base of operations?” Robin asks as Max joins them behind the counter, having gone the long way around.
“Stop,” Steve tells Dustin, “Get off of that.”
Dustin doesn’t budge. “No,” he says, “I need it.”
“Need it for what?”
“Looking up Eddie’s friends' phone numbers.”
Steve’s stomach drops. What the hell does he know about Eddie? Why does he need to get in touch with his friends? Shit, Max lives across from Eddie at the trailer park. Maybe she saw something. Maybe they think Eddie’s guilty.
“Seriously, guys,” Robin says, collecting tapes and rearranging them on the counter. “Maybe on a Monday you can play around in here like toddlers, but it’s Saturday. It’s our busiest day.”
“Alright, look, Robin,” Dustin says, putting up a finger in her direction but not turning around. “I totally empathize but this cannot wait until Monday.”
“What, ‘cause calling all of Eddie’s friends is an emergency?” Robin asks. 
“Correct!” Dustin says. 
Shit shit shit. What do they know? Steve needs to get them the hell out of here before they decide to go calling the cops on Eddie.
“Do you want me to strangle them or do you want to do that?” Steve asks Robin, trying to distract himself from his panic.
She grins at him. “We could take turns.”
Dustin turns to Max. “Can you just fill them in while I do this?”
“Fill us in on what?” Robin asks. She and Steve both turn to look at Max, who sighs. 
“We think there might be something going on with the Upside Down,” she says. 
Steve feels Robin’s hand shoot out and lock around his wrist. He glances at her and sees the panic on her face. Weirdly, all he feels is relief. So Max and Dustin’s investigation is about the Upside Down, not about accusing Eddie. That’s definitely positive, all things considered.
Max glances at Dustin and then back at Steve and Robin. “The murder happened right across the street from me,” she says, “The girl that got murdered was Chrissy Cunningham, and I saw her going in with Eddie. Honestly, he might be guilty, but the lights were flickering around when it would have happened. And when he left, he looked terrified.”
Yeah, Steve can vouch for that. Who wouldn’t be?
“So, we’re trying to track down Eddie to find out what really happened,” Max says, gesturing to Dustin. “We need to use your system and your phones to call around and see if anyone’s heard from him.”
Steve swallows. “Uh, that might not be necessary,” he says. 
“I know you have a weird vendetta against him,” Dustin says, not looking away from the computer as he keeps typing, “But it is imperative that we find Eddie immediately.”
“No, I get that,” Steve says, sighing. “I’m saying I know where he is.”
Dustin stops typing and turns around. “What?” he asks, looking dumbfounded. “How?”
Steve scratches the back of his neck. No taking it back now, he guesses. “He, uh, came to my house last night,” he says, “That’s where he went after Max saw him leave.”
“Did he tell you what happened?” Max asks.
“Sort of,” Steve says, “He was really upset, obviously, so he couldn’t really—”
Dustin waves his hands frantically. “Hold on, wait,” he says, shaking his head. “I thought you and Eddie didn’t even know each other. Now suddenly you’re close enough that he went to your house?”
“Long story?” Steve offers weakly.
Robin nudges him with her elbow and gives him a significant look. “One that I would really like to hear,” she hisses. Okay, so she’s on to him. Maybe that’s not so surprising; they basically share a brain. And he came out to her a few months ago, so the pieces are all there. 
At the very least, the kids accept that Steve and Eddie know each other and abandon their ridiculous scheme to call all of Eddie’s friends. They want to go to Steve’s house right away to talk to Eddie, but Steve refuses to drive them until his and Robin’s shift is over. They threaten to bike there, but Steve eventually manages to convince them that there’s no way in hell Eddie is opening the door for anyone. 
So once their shift wraps up, Steve, Robin, and the kids bundle into the Beemer so he can take them back to his house. He’s apprehensive about this, not sure exactly how Eddie will react. But he knows Dustin well and will probably recognize Robin and Max by sight, so surely he’ll know Steve didn’t bring strangers around. Right?
He parks in the driveway on the off chance that someone drives by at the exact wrong moment and sees Eddie’s car in the garage. Urging the others to be gentle, Steve unlocks the front door. 
“Eddie!” he calls, not wanting to worry him with the sound of the door. “It’s me!”
“Hi!” Eddie’s voice calls from the kitchen, sounding significantly less distressed than he did this morning. “Baby, did you know you left a TV dinner in the microwave?”
He appears in the entryway looking soft and a little rumpled in a pair of Steve’s sweatpants and a green crewneck. His eyes widen in surprise and horror as he sees the others, but their heads have all snapped to look at Steve. Dustin’s eyes in particular are bugging out of his skull.
“Did he just call you baby?”
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2-rustywings-2 · 24 days
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Sketch of the Phantom Blood stage play outfits because I absolutely love them (I want Jonathan’s whole outfit for myself)
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taddymason · 3 months
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Elemental Masters
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We are the warriors, who learned to love the pain We come from different places but have the same name 'Cause we were, 'cause we were born for this We were born for this
I finally have them all
Thank you everyone who has been liking and sharing my art! It was so fun to get out of my comfort zone and draw poses and characters designs that I never draw with this series!
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logicpng · 1 year
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dumps dreamcore all over your blorbo
timelapse under cut!
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