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notafunkiller · 6 months

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Bucky Barnes is the best super soldier

How it was subtly emphasized in The Falcon and The Winter Soldier:

He always holds back

With the Flag Smashers and even with John Walker. We could see the difference in the last 3 episodes. Sebastian Stan did an incredible job making it clear in a subtle way.

I want to mention that famous "Stay there" scene, and how it was visible Bucky was not punching as hard as he can in the fight with John.)

This is the thing about Bucky, he isn't after the kill, he just does his part. He doesn't try to show off his skills or that he is a good guy. He doesn't try to play the victim role, either. In the scene where Zemo fake-activates the Winter Soldier in Madripoor, he just makes a point. He's obviously not even trying hard.

If he wanted those in the club dead, they would be. But his self control was wow. Sebastian acted so well, his exes said everything.

*And to be honest, even when he was TWS, he could have killed everyone, but he didn't. He could have killed all of the Avengers in Civil War is they were his mission, but they weren't. This is how Natasha survived when she met him, too. It depended on what kind of mission he had (if he wasn't allowed to be seen, then the witnesses would die too, but otherwise? He didn't bother).

2. His skills

People tend to forget how smart and good at making strategies Bucky is. He's been fighting (even though he hates fighting and never wanted to be in the army) for years before he was even captured by Hydra. And this is the reason why government still want him, after all. They can use his strategies as a leader (*cough* Thunderbolts *cough*).

In the last episodes of TFATWS, we could see how he outsmarted everyone. Karli was so terrified of him.

3. Karli Morgenthau

And talking about Karli, the phone call was interesting:

She asked him if he's not tired of fighting for the wrong side, and then told him she's fighting for something bigger than herself.

"And with all the bodies you've collected, have you ever been able to say the same?"

The first thing I wanna point out is how everyone talks about the deaths Bucky caused when he was controlled by Hydra, but everyone ignores the fact that all the Avengers killed far more, but since we consider them the good side, we just don't care.

Clint, Tony, Steve, Wanda etc. They all cause(d) far more deaths than "two dozen" (known assassinations - to quote Natasha), and neither was controlled. The double standards are something else, especially for Clint. (One of the reasons why Tony was on the other side in CW was because of his guilt, after all.)

The second point is how Bucky's answer says a lot more than we might realize at first:

"You don't think I ever fought for something bigger than myself? That's all I ever tried to do, and I failed twice."

Even as TWS, Bucky had to be convinced he is on the right side, that what they do is to save the world, to give "the world the freedom it deserves".

Even brainwashed and put to sleep all the time, he had to be lied to. Bucky as TWS was a victim too. He is not a victim only because he didn't have memories or control, but also because they lied to him and used him as a toy. That milk scene is so loud. (And I am gonna talk about it in a different post). He had no rights, no choices. He was used to being tortured.

[And I wish they explored it more. We deserved and deserve a WS film - maybe with him in Romania getting back his memories, writing in his journal etc.]

"You think your cause justifies all this death, but in the end, the nightmares won't go away. You're gonna remember all the ones you killed. Trust me. Don't do this. Don't go down this path."

Despite being on opposite sides, Bucky still said this to Karli, trying to help her, to make her see the big picture, sharing how he felt and feels.

He is on "the right side". He is a hero, and Bucky being thanked by that man for saving everyone's life was touching.

4. Baron Zemo

You can see how smart, strong, and rational Bucky is when he decides to break Zemo out of jail (his plan was amazing too), risking so much (his relationship with Wakanda people and his own freedom) to get his help for the mess. He puts the cause above his own (huge) trauma. And this makes that moment in Madripoor even more disgusting (he is treated as an object, as a toy):

Zemo: Tell us what you know about the super-soldier serum. And I give you him, along with the code words to control him, of course. He will do anything you want.

The way he keeps his composure, reacts and manages the situation... absolutely incredible!

This conversation also says a lot:

Zemo: The desire to become a superhuman cannot be separated from supremacist ideals. Anyone with that serum is inherently on that path.

Bucky: Maybe you're wrong, Zemo. The serum never corrupted Steve.

Zemo: Touché. But there has never been another Steve Rogers, has there?

Bucky positions himself below Steve, who's considered a good hero, a good person... like no other. But Steve never had to go through what Bucky did: from being kidnapped like that, to being tested on, to falling off the train, to being tortured, and used, and brainwashed for decades, and put to sleep when he was not needed and having n "keepers".

Also, interesting how all Steve wanted was to fight (for a good cause, but still)... and fighting still means violence, meanwhile Bucky never wanted to fight, not even before becoming TWS, in the army (and yet he is still great at fighting. And he is deadly, even when he holds back.). All he wanted was peace.

Despite not getting the "perfect serum", despite being brainwashed, put to sleep, and forced to fight for decades, he is still himself. He never gave in to the dark side for real. He fought in his own way. The first thing he did when he woke up was to choke the Hydra guy with a whole new arm!

Bucky is so underrated: from his intelligence and fighting skills, to how human he is. Being flawed, keeping his sassiness and charm from the 40s, but getting more mature and carrying his past on his shoulders... he's so relatable and real. And every day, he shows Zemo he is wrong.

The show he makes in his final scene with Zemo is absolutely fantastic. He doesn't just prove the point he isn't defined by the serum and Hydra (AND not even by Steve, thanks to Sam. His speech made him realize the important thing about himself: that he decides who he is, not others - even those who know him before becoming TWS- "And this might be a surprise, but it doesn't matter what Steve thought. You gotta stop looking to other people to tell you who you are." parallel to "Steve believed in you. He trusted you. He gave you that shield for a reason. That shield, that is… that is everything he stood for. That is his legacy. He gave you that shield, and you threw it away like it was nothing. [...] So maybe he was wrong about you. And if he was wrong about you, then he was wrong about me."), but also that he is superior.

When Zemo tells him that he decided to let him alive (probably so he can kill Karli) and basically calls him a killing machine: "programmed to kill", Bucky plays the role, lets Zemo talk him into killing Karli, and then Bucky watches him waiting for his own death.

[Also, Bucky's line: Imagine my relief is hilarious.]

The acting was incredible: the shock on Zemo's face and the amusement and somehow relief on Bucky's after he pulls the trigger and lets the bullets fall... He proved him he's THE standard of the super soldier. Because despite everything he went through, he is the best.

Zemo telling him to cross his name off felt like a fresh start (+ telling Nakajima the truth).

5. John Walker

John, on the other hand, is lucky Bucky is an understanding person. He gets what is like... the pressure, the environment, the loss, and even tries to help.

Bucky: Don't go down that road. Believe me, it doesn't end well.

John: I'm not like you!

Of course he is not like Bucky, because Bucky has control. He is not killing to get revenge in a cynical way.

"That serum doesn't exactly have a great track record."

John kept judging Bucky every time they spoke, somehow placing himself above this "broken" man.

"This is all really easy for you, isn't it? All that serum runnin' through your veins. Barnes, your partner needs backup in there. Do you really want his blood on your hands?"

This is so wrong on every single level, especially because Bucky didn't choose to take the serum, and he always had his friends' back. He's loyal and ready to sacrifice himself.

The "funny" part about this is John ending up taking the last super soldier serum vial. All the judgement, the disgust, the patronizing tone, just to do that. Plus, of course, to kill someone with the shield.

(John proves Zemo's point about super soldiers, and Bucky does the opposite.)

And what is it easy for Bucky anyway?

He's under government conditions (so CACW coded), he has a vibranium arm that I bet the government would try to take after he dies (HOPEFULLY WHEN HE'S 200 YEARS OLD IN HIS BED, as Sebastian wants too) if he isn't in Wakanda, he is haunted by nightmares (which also can mean he is still Hydra's TWS in another universe as we found out from Strange), and he has to learn how to live for real. He's smart, charismatic, has values and principles, and he's incredible.

We need to see his version of TWS going after everyone Hydra helped. TWS is him, a part of him, and doing that on his terms, having control over it would help him heal.

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celine-song · 6 days

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Civil War (2024) dir. Alex Garland

#civil war #civil war 2024 #alex garland #filmedit #useraurore #useranimusvox #mikaeled #cinemapix #cinematicsource #dailyflicks #filmgifs #fyeahmovies #moviegifs #userfilm #useroptional #*#blood tw #death tw

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crystal-bytes · 2 years

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MARVEL CHARACTER EVOLUTION

T'CHALLA/BLACK PANTHER

#marvelcharacterevolution #marvel #mcu #marvel cinematic universe #t'challa #black panther #captain america #captain america civil war #avengers #avengers infinity war #avengers endgame #fire tw #black panther wakanda forever

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one-time-i-dreamt · 2 years

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The Warner siblings were confirmed to be cats, which caused a civil war.

#dream #text #August 5th 2022 #war tw #civil war #warner siblings #cat #cats #queueueueueueueueueueueueueue

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weheartchrisevans · 1 year

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CAPTAIN AMERICA: CIVIL WAR (2016)

#dailyteamcap #marveldaily #dailymarvelstudios #dailymarvelgifs #marveladdicts #fyeahmovies #marveledit #mcufam #dailyavengers #ours #gif #tw flashing #black panther #mcuchallenge #chris evans #chadwick boseman #captain america: civil war #maker: lonnie

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t-lostinworlds · 1 year

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BUCKY BARNES as The Ultimate Babygirl in the Marvel Cinematic Universe

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lilacevans · 2 years

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CHRIS EVANS as STEVE ROGERS

2nd Voted Favourite, 19 votes, 18.3%

lila & oula's fab collab (03/03)

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sarahowritesostucky · 2 months

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📖"Runnin' Roughshod"

Pairing: Bucky x black female Reader

Rated: Explicit

Tags: civil war, westward expansion, homesteader Bucky, Black!Fem!Reader, slavery, historic AU, forbidden romance, interracial relationship, racism, period typical attitudes, brothel, prostitution

A Bucky x Black!fem!Reader historical AU fic that I decided to bullet point for funsies, and then wound up writing half of the damn thing that way 🙄

You're a slave living in 1860 Missouri, just outside of St. Louis.

You're the property of (and half-sister to) Master Lewis. Lucky for you, Master Lewis Senior is dead, and Lewis Jr.'s young bride Darcilla is kind and agreeable, with progressive notions that she brought along with her trousseau when she came from Maryland to wed Master Lewis.

Life is very good for you, compared to some others. You work in the house, as lady's maid to the new Mrs. Lewis (who insists you call her Ms. Darcy), and sometimes help in the shop in town.

The Lewis's own a handful of other slaves who help run their household and dressmaker's shop, but since the death of your mother you've had no family (well, except for Master Lewis, though nobody counts that). You do your work and keep to yourself. Sometimes you make a little money at the dress shop, which Mistress Darcy lets you keep behind her husband's back.

You save up every penny, but buying your own freedom is a far off dream. Your whole life, you've never seriously contemplated running away. It isn't worth the risk.

But when tensions in the county begin to rise and you hear rumors of secession, you grow worried. You begin to squirrel away what valuables you can, gain the trust of your mistress, and bide your time.

With the uncertainty of war brewing, Master Lewis announces his plans to move the family deeper south. You can no longer afford to wait. You have to get out now, before your one and only chance is lost forever.

Your money gets you as far as Topeka, where you're forced to stop until you can earn enough to join a wagon train out West. You find work at a saloon, serving drinks and making flirty conversation with the men who come in for a good time.

In the mornings, you begin to learn the piano from "Old Freddie," and during the occasional slow afternoon, Madame Lapierre, the French woman who governs the "upstairs" girls, will play a game of chess with you whilst she tries to make headway in convincing you to "expand your employment opportunities."

Topeka is Free-Soiler territory, but there's always the fear that Master Lewis might find you. And, on the verge of statehood, the Kansas territory has tipped into increasingly violent conflict between anti- and pro-slavery settlers. With conditions worsening and all out war looming on the horizon, you have no guarantee of safety there anymore.

Desperate to raise the funds to go West more quickly, you tell Madame that you're ready to start selling more than drinks and conversation. You become her newest "poppet" prepared to do whatever it takes to get out of town before your luck - and your freedom - run out.

You've never been with a man, but you know the rudimentary facts of life, and with a little help from the other girls and Madame, you prepare to become just another "sporting girl."

Your first afternoon on the job, a roughshod rider comes into town, seeking lodging, drink, and the sort of "company" that you're there to provide.

The white girls get first dibs on clients, but the roughshod asks for you to be sent up to his room. You wish he wouldn't have. Not because you want to put off the inevitable, but because now the other girls will be nasty to you. The man is handsome, and the girls were all eager to get their hands in his pockets.

You're shaking in your boots, but Madame gives you a shot of whiskey, a spritz of her genuine French perfume, and a tiny pewter snuff case for "wetting the way," (whatever that means). She tells you to put it in your bosom and use it "when the time is right."

Terrified but determined to see it through, you head upstairs to the roughshod's room.

It does not go as you expect. First, he demands to know if you're working there of your own free will. You admit that he is your very first client - which you regret doing, because his face goes even stonier when you do. He barks out orders at you, insisting that you leave the room at once and fetch him the house's tub.

He wants a bath - a hot one! - and with soap, and a towel!! You're very happy about that, because it costs a whole sixty-five cents more, and it will also mean extra time spent with you, which leaves you with even more money in your pocket at the end of the day. You're still nervous, but elated at the luck you're having on your very first client!

The other girls are stewing in the hall with jealously and make snide comments about your race and the man's preference for you. They refuse to help you prepare the bath, but you don't care one lick. That's just more time the roughshod will be paying to spend with you, while you haul bucket after bucket of boiled water up the stairs.

Madame catches you in the hallway and tells you not to mind the other girls. She's a bit drunk on sherry, and she jokes that at this rate, you'll probably only have to spread your legs for two or three minutes! (God, you hope so).

The man is filthy, and he's hurt - as though he's been in a fight or fallen from his horse. He asks you to help bathe him, and you get started with your heart in your throat. His manners are as rough as he is, but he isn't mean to you, and he doesn't try to grab you, which is a relief. With shaking hands, you proceed to wash him.

This is your first time touching a naked man's body, and you try not to look down into the bathwater as you wash him. You're embarrassed, but it's not just nerves; seeing and touching such a handsome man has you warming as though you've downed another three shots of whiskey.

You squirm and fight not to let the roughshod see your flusterment, as your belly tightens with the familiar, but never indulged, feelings of lust.

The roughshod stays in the bath until the water's gone gray and cold. You kneel beside the tub and wring out the cloth, but squeak when, all at once, the man heaves himself up to standing, the water streaming down his body and his ... his Johnson right at the level of your face!

He grunts and swings his leg out of the tub - exposing all of his manhood jostling around not even two feet from your face as he does so! You blush and look away, but you can feel him staring at you as he grabs up the towel and dries himself off.

Surely, you think, now he will ask you to take off your clothes and join him on the bed. You know only the basics of what goes where for the act, having witnessed clandestine coitus a time or two in your life. You wait, unable to look up at him, as you expect to hear his gruff voice order you about. And it does.

"Get up."

You stand, trembling. But what he says next isn't what you're expecting: "You know how to rub a man's muscles?"

You look up at him. He's got the towel in hand, making no effort to use it to cover himself. Then again, you think, why should he? You're just another painted poppet (or, soon to be). "R-rub what?" you stammer - quite idiotically. Of course, you know what muscles are. ... You're just not sure if he's using the word as a ... a euphemism.

He rolls his eyes and brings the towel up to dry his hair. "Knew I should'a asked for the China girl," he mutters.

You clear your throat and look steadfastly at his face. "You're hurt," you say, because you've seen every part of his body now, despite your efforts to keep your eyes trained North. And you know he's got bruises all on his legs and back and sides.

The roughshod nods and abandons the towel to the floor. "Yeah." He's not a talker, but you get the impression he's waiting to hear something from you.

You struggle to think of what that might be. "I ... have ... rubbed my mother's shoulders, when they hurt her. Um. And her feet?"

If you're not mistaken, the man's mouth twitches up the barest bit, beneath his beard. "Eh," he says, then turns around, presenting you with his - very manly - ass. "How bad can ya be?" He walks towards the bed, waving you along without looking back. "Well c'mere then."

He climbs up onto the room's bed and lies down, face in his arms. "What're you doing?" he grumps. "I said get over here."

Swallowing thickly, you hurry across the room. With his back turned, you have less trouble letting your eyes rove over his naked body. His back is broad and muscled, going from impossibly wide and tanned shoulders, tapering all the way down to his slim hips and his pale ass. His thighs are hairy and---no. You force your eyes true north again, looking at the bruises that you're increasingly starting to suspect came from a beating. "What happened to you?" you ask.

His head stays pillowed in the crooks of his arms. "Get up on the bed," he grunts. "Sit on my ass and I'll tell 'ya what to do."

Your eyes all but bug out of your head, when he tells you to straddle him. You do, your skirt rustling as you move and get up on him. You're hesitant to put your weight down, but he huffs and tells you to sit.

"Speck like you ain't gonna feel any more'n a feather. Sit."

He talks you through giving him - what he deems a "goddamn lousy" - massage. He grunts whenever you press on his bruises, pained, but once you get the hang of it, he at least goes quiet and doesn't complain anymore, so maybe you're not so horrible at it after all.

You rub his shoulders, his neck and back; your belly coiling tight once again, filling with a swooping feeling at having his warm skin and hard muscles underhand, at the feeling of his body held between your legs. You worry that he somehow knows how you're reacting, but you don't speak and neither does he.

When he eventually groans from pained-pleasure rather than pain, you can't help but smirk triumphantly. You keep expecting him to roll over and declare the massage over and demand for you to touch his Johnson, but that keeps not happening (though he does groan a little more).

You check the clock and see that it's now early evening. The light outside is almost gone. You worry that he's lost track of time and might refuse to pay for the hours he's spent with you, which will get your wages garnished.

So, tentatively, you slide your hands down to his thick waist, the swooping feeling intensifying at watching all the muscles in his back tense and shift underneath the skin.

"Why'd you stop?" he grunts.

"Are ... are you sure ..." You hesitate, not knowing how to seduce a man.

"Spit it out," he says, annoyed.

You lick your lips. "Well I just ... it's been awhile now and ... Are you sure this is all you want?"

"It feels good," he snaps, voice muffled in his arms. "That's what I'm payin' you for, ain't it?"

His uncharitable response should make you relieved, but instead it just leaves you worried and confused. Are you not seductive enough? Is he going to complain to Madame once he leaves here?

You need to speak up, take action, or else you may be in trouble. "Mister," you say, "I--"

"James," he grunts. "S'my name."

You pause, surprised that he wants you to use it, since he doesn't seem to like you very much. "James," you try again. "I want to make sure you're ... um ... getting your money's worth?"

He's silent and still, then drawls, "You don't sound too sure about that."

FOLKS THIS HAS BEEN OUT OF HAND FOR AWHILE NOW. LETS GO BACK TO AN ACTUAL FUCKING OUTLINE:

He has you lie down on the bed, and he regards you tenderly and seems like he's going to finally do it, but his face goes sour when you nervously reach your hand for his Johnson, and he tells you he doesn't need anything else.

"That's enough." He rolls away, comes back with a dollar bill, hands it over and gruffly tells you to go over to the mercantile and buy him a fresh shirt.

Relieved and yet somehow also terribly disappointed, you do so. When you return, his hair is tied back and he's got his pants on again.

You expect him to dismiss you, but he tells you he wants your company in the downstairs, too. He takes you down and the two of you eat and drink together at his behest. As it's now evening, the other poppets work on men nearby, shooting you jealous looks every so often.

James slowly opens up to you, engaging you in conversation over his dinner. You can't help but talk back, the conversation coming naturally and your shoulders relaxing. James is much more likeable after a whiskey or two, and the two of you even laugh and joke together. He decides to teach you a dice game, and the two of you have fun well into the evening, until he goes back up to bed -- alone.

Madame is drunk and very proud--because the roughshod actually pays for the entire time! In one fell swoop, you've made a handsome sum! You begin to hope that soon you'll be able to buy your way onto a wagon train and go West!

But the next day, your fortunes change.

A lawman shows up with none other than Mr. Brooks--Master Lewis' most trusted slave. Brooks tells the lawman that you are the one he's looking for. He has your papers to prove Mr. Lewis' ownership!

Being only tenuously free territory, the lawman has the say so on what happens to you. Just when it looks like he's going to hand you over to Brooks, the roughshod comes downstairs. He claims you're his property and that your name is Pearl. He has no proof, but says that's because he bought you from a 'chief down in Indian country' (the Oklahoma territory).

One of the white girls calls out that that's not true: you work there.

It seems that the lie won't work, but when the lawman asks Madame if that's true, Madame says your name is Pearl and you showed up with the roughshod the other day.

The marshal decides to trust the word of a white man over Mr. Brooks (who looks very angry indeed). He brandishes the papers and promises to come back with Master Lewis.

With no time to spare, you make haste. You have to leave town now, no matter the fact that you don't have the money to make it out West. You stuff your things in your bag and leave with the wages you've earned.

Outside, the roughshod grabs your arm and pulls you in. He demands you tell him the truth, since he stuck his neck out for you.

You confess everything--running away, your plan to set out West for San Francisco. You fear that he's had a change of heart and will take you to the lawman, but he gets stern-faced again and gruffly tells you to come with him back to his home with him.

You're confused, but he is bossy and all but forces you back to his homestead with him. There, he informs you that, after getting into a "scrape" with some locals himself, he has to leave. He offers to take you out West with him, and part ways in California.

You agree.

Sometime, months later, in California:

The country is at war, but it feels far away from where you are now, as do Master Lewis' chances of ever finding you again. James has hope that the North will win and slavery will be done away with, when the two of you arrive in San Francisco. You make him breakfast, and ask: "What now?"

He gets quiet for awhile. "Woman like you?" He says, chewing the last bite of a biscuit. "Sews, can play chess, hard worker, beautiful, and you cook like this?" He sticks his tongue in his cheek and looks away for a moment. When he looks back, there's false cheer in his eyes. "You're gonna make some man a fine wife someday."

You inhale deeply, fighting to keep the sting of that comment from getting to your eyes. "But not you?" you finally say, once you've gathered the breath - and the courage - to do so.

The false cheer bleeds to sadness, fond and regretful, and he shakes his head softly. "No Darlin'. Not me."

(spoiler alert: you wind up together with a happy ending anyway)

IM SORRY IT'S TWO AM WHY DID I DO THIS I NEED TO SLEEEEP 😩

(Will def be writing (more of) this fic in the future though!)

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beautiful-basque-country · 1 month

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On April 24-25th 1937, Eibar was bombed non-stop by Italian Aviazione Legionaria. They left 74 dead, ~100 wounded, and a mostly destroyed town.

This was just the preface of what would happen the following day in Gernika.

#euskal herria #basque country #pays basque #pais vasco #euskadi #spanish civil war #fascism #tw bombing #tw war #aviazione legionaria #italia

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sokayisaidiot · 9 months

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Siblinghood, Platonic Soulmates, or Romance

Analyzing the Relationship Between Ezra Bridger and Sabine Wren

In this post, I will continue from my previous one, having offered a simplified overview but delving into one of the most common criticizing talking points. Please remember that this analysis is from a writing perspective and my own experiences as I am an amateur writer. I welcome comments and reblogs with your thoughts.

For context:

1. Relationships in Star Wars 2. Explanation of These Three Types of Relationships 3. Female Characters in Relationships 4. Ideals and Themes in Star Wars Rebels 5. Ezra and Sabine's Relationship 6. Conclusion

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Relationships in Star Wars

Critics sometimes claim that certain types of relationships are overrepresented in Star Wars, but it's essential to remember that the franchise features a variety of relationship dynamics. Here are some well-known examples:

Siblinghood:

- Luke and Leia (twins) - Ahsoka Tano and Anakin Skywalker (no blood) - Garazeb Orrelios and Ezra Bridger (no blood) - The Son and Daughter (literal Force beings) - Sabine and Tristan Wren (blood relatives) - Maul, Savage Opress, and Feral (same planet)

Platonic Soulmates:

- Han and Chewbacca - R2-D2 and C-3PO - Boba Fett & Fennec Shand - Din Djarin & Bo Katan Kryze - Chirrut Imwe & Baze Malbus

Romantic:

- Han Solo & Princess Leia - Anakin Skywalker & Padme Amidala - Obi-Wan Kenobi & Satine Kryze - Kanan Jarrus & Hera Syndulla - Bail & Breha Organa

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Each relationship explained and how to write it

Siblinghood

Definition A sibling is a term used to describe a brother or sister, which means they share at least one biological or adoptive parent. Siblings are individuals who are part of the same family and are connected through their familial relationships.

Writing points

Individuality: Portray each sibling as a unique individual with distinct traits.

Birth Order: Consider birth order dynamics and how it affects their roles.

Conflict and Love: Explore both rivalry and support in their relationship.

Shared Memories: Use shared childhood memories to deepen their connection.

Complex Emotions: Show a range of emotions, from love to resentment.

Character Development: Use their relationship to drive character growth.

Realistic Dialogue: Make their interactions and dialogues authentic.

Backstory: Develop a backstory with shared and separate experiences.

Conflict Resolution: Show how they handle conflicts within the relationship.

Evolution: Depict how their relationship changes over time.

External Influences: Consider how outside factors impact their dynamic.

Platonic Soulmates

Definition The term "Platonic soulmates" combines two concepts: "Platonic" and "soulmates."

Platonic: In the context of relationships, "Platonic" refers to a non-romantic or non-sexual connection.

Soulmates: It's a belief that there is a special, deep, and sometimes predestined connection between two people that goes beyond ordinary friendship or partnership.

When you combine these concepts, "Platonic soulmates" refers to two individuals who share an exceptionally close, deep, and meaningful non-romantic or non-sexual bond. They may have a connection that feels almost destined, as if their souls are deeply intertwined, but it doesn't involve romantic or sexual attraction.

Writing points

Unique Bond: Highlight the exceptional and non-romantic connection they share.

Common Values: Emphasize shared values, interests, and life goals that deepen their bond.

Unconditional Support: Show their unwavering support, trust, and emotional safety.

Enduring Relationship: Illustrate how their bond withstands time and challenges.

Conflict Resolution: Explore how they handle disagreements with maturity and empathy.

Growth Inspiration: Demonstrate how they inspire personal growth in each other.

Non-Romantic Nature: Clarify that their connection is platonic, not romantic.

Emotional Depth: Dive into their deep emotional connection and comfort.

Shared Moments: Highlight significant life experiences they've shared.

Respectful Boundaries: Show how they respect each other's boundaries.

External Influences: Consider how external factors affect their connection.

Remember that platonic soulmate relationships are diverse and can manifest in various ways. They provide an opportunity to explore deep emotional connections and the profound impact such connections can have on individuals' lives.

Romantic

Definition In everyday conversation, "romantic" is often used to describe anything related to love, affection, or relationships. It can refer to someone who is inclined towards love and affection or to something that evokes feelings of love and beauty. The exact meaning of "romantic" can vary depending on the context in which it is used.

Romantic Love: Deep emotional affection, attraction, and passion between two individuals, forming the basis for relationships like dating, courtship, and marriage.

Romantic Relationship: A partnership based on romantic love, including dating, committed relationships, or marriage, characterized by emotional closeness and physical affection.

Romantic Gestures: Actions expressing love, affection, and admiration in romantic contexts, such as giving flowers, writing love letters, or planning surprise dates.

Romanticism: A cultural movement originating in the late 18th century, emphasizing emotions, individualism, and the sublime in literature, art, and philosophy, often celebrating nature, imagination, and powerful emotions.

Writing points

Chemistry and Attraction: Establish a strong attraction between the partners.

Character Development: Use the relationship to develop and evolve the characters.

Conflict and Tension: Introduce challenges to make the relationship engaging.

Communication: Show effective communication and miscommunication between partners.

Shared Moments: Highlight meaningful experiences they share.

Individual Lives: Balance their personal lives with the relationship.

Trust and Vulnerability: Explore trust and emotional openness.

Intimacy: Address physical and emotional intimacy.

External Influences: Include the impact of outside factors.

Conflict Resolution: Demonstrate how they handle conflicts.

Long-Term Compatibility: Consider their compatibility for the future.

Realistic Challenges: Create believable obstacles.

Romantic Gestures: Showcase meaningful acts of love.

Character Flaws: Develop imperfections in the characters.

Resolution: Provide a satisfying conclusion to their relationship arc.

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Girls in Relationships:

This section explores how certain female characters in Star Wars maintain their own identities while being involved in romantic relationships.

Padmé Amidala

Character: It might be considered a bold choice, but as Dave Filoni is known as the TCW and SWR guru, I genuinely appreciate Padmé's character. She embodies the spirit of self-reliance, often adopting the motto, "I'll handle it myself," when she witnesses suffering. As a compassionate and principled member of the Senate, she values diplomacy over violence, serving as a commendable role model by prioritizing dialogue and care for others. Her character shines brightest in episodes where she grapples with political conflicts.

Romance: Transitioning to the subject of her romantic involvement, Padmé and Anakin's relationship has sparked numerous discussions. Despite the uncertainty and occasional turbulence, there is genuine love between them. She envisions a future with him, refusing to give up on him even in the face of his inner struggles. Padmé recognizes Anakin's mental anguish and does her utmost to support him, though the complexities of their circumstances often double their challenges.

Ahsoka Tano

Character: Ahsoka stands as one of the most well-crafted female characters in Star Wars lore, undergoing significant growth and development throughout The Clone Wars (TCW). She evolves from an overconfident and naive child into a mature, thoughtful, and highly respected adult. Her journey is marked by substantial mistakes and profound realizations.

Romance: While Ahsoka experiences various connections throughout TCW, the most notable is with Lux. However, this romance primarily serves as a vehicle for her character development. Lux provides her with insights into the Separatists' perspective on the war and later the Death Watch. While Ahsoka does express interest in him, it's not in a deeply romantic sense. Instead, she's appreciative of the knowledge and experiences gained from their interactions.

Leia Organa

Character: Leia, our first main character introduction, immediately captivates with her compelling beginning. She's taken captive but never succumbs to fear, displaying strength and resolve. Her resilience shines through as she becomes one of the Rebellion's leaders, commanding respect from all quarters. She remains unyielding in her role, displaying a fiery temperament and quick wit reminiscent of her father, while proving to be even more resolute than her brother, a Jedi.

Romance: The iconic romance between Leia and Han Solo portrays the smuggler and the princess in a refreshing light. Instead of conforming to outdated stereotypes, Leia wears the metaphorical pants in their relationship, with Han providing unwavering support. He respects her position and authority, saving personal matters for their private moments. The dynamic is built on trust and mutual respect, avoiding the cliché of a one-sided romance. Notably, this is evident in Return of the Jedi (ROTJ), where Leia gets shot, and Han's caring demeanor is juxtaposed with his trademark smirk as she reveals her weapon. He's the one to express his love, illustrating the mutual affection and growth of both characters.

Hera

Character: Hera serves as the capable captain of the Ghost and its crew, supported by her right-hand man, Kanan, and the astromech droid, Chopper. Despite being a mother, she remains a crucial figure in the New Republic, leading missions and flight teams. Hera defies convention by maintaining her position of power while nurturing a romantic relationship with Kanan.

Romance: In contrast to traditional depictions where women are often portrayed as pining and emotional while men are serious, Hera and Kanan's dynamic reverses these roles. Kanan actively pursues the relationship, while Hera takes on a more serious and authoritative role. This unconventional approach adds depth to their relationship and challenges traditional gender norms.

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The Ideals of Rebels' Story and Its Setup Points:

Both the Star Wars Prequels and the Original Trilogy are anchored in the theme of battling oppressive regimes striving for absolute control. The Prequels delve into how this oppression came to be, forming a pivotal narrative standpoint. In contrast, The Clone Wars (TCW) primarily focuses on world-building, offering in-depth explorations of various factions and societies within the galaxy. While TCW provides a comprehensive view of the galaxy during a civil war, it doesn't follow a single large crew's story.

On the other hand, Star Wars Rebels (SWR) places a character-driven focus at its core. Unlike some other Star Wars media, such as movies, series, or shorts, SWR doesn't extensively explore different locations or delve into background storytelling. Instead, it prioritizes character development and episodic narratives.

To clarify my previous statement, SWR serves as a bridge between Episode 3 and Episode 4 of the Star Wars saga. It fills in the gaps, revealing the journey and sacrifices necessary to achieve freedom. The series commences with Ezra, a newly-minted Jedi Padawan, in a galaxy where Jedi are hunted down. He joins the nascent rebellion, which is just beginning to take shape. Ezra represents a glimmer of hope in a desolate world, even as forces of darkness attempt to extinguish that light.

This underscores the significance of SWR. Episode 4 depicted the Rebellion in its full-fledged form, with a substantial crew and support from multiple fronts. However, SWR sheds light on the challenges and sacrifices that made such achievements possible. It demonstrates that what was accomplished required immense personal sacrifice.

The Jedi aspect is exemplified through Kanan, who embodies the essence of a true Jedi. Ezra, too, matures into this role over time. Kanan's journey is unique; he was in the midst of his Padawan training when Order 66 unfolded. He never completed his training in the traditional sense and couldn't fully embrace the Jedi rules and traditions, which often felt restrictive and suffocating. Unbeknownst to him, his love for, attachment to, and bond with his lover, Padawan, and the rest of the crew went against traditional Jedi norms. However, this deviation allowed him to learn things the Jedi should have known centuries ago. Kanan eventually felt the full embrace of the Force, despite his past mistakes and moments of foolishness. He ultimately met his end as a true Jedi Knight.

As for Sabine, her character's growth and journey revolve around taking responsibility for her past mistakes and evolving into a stronger individual. Her journey includes abandoning the Imperial Academy, which produced weapons harmful to her people. This decision placed her family in jeopardy, with the majority of Mandalorians harboring animosity towards her. Despite these challenges, she emerged stronger with the support of those around her and a willingness to confront her past without forgetting or ignoring it.

The relationship between Ezra and Sabine in SWR was intentionally left ambiguous, making it challenging to definitively categorize. While the series provides hints through Ezra's statements, it remains open to interpretation. The internet, as expected, has embraced the ambiguity and given rise to various interpretations, showcasing the power of fan engagement and ship culture.

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Ezra and Sabine, Examined from Every Angle:

This section breaks down how each of these interpretations aligns with the characteristics of these relationship types.

Siblinghood

Individuality: With Siblings, there come different personalities. One can be chaotic and the other calm. That’s what we see in that case what can be considered normal in a family. You have the artistic child with her younger brother being more traditional and following his father.

Birth Order: This being one of the strongest arguments with this relationship. It’s for many great to see nonblood people considering each other as found family, where in situation where one lost their family or their family was not good, there are still others that are as close as those you share blood with.

Conflict and Love: This is more of a thing that can be seen with the training of the dark saber, in which the one sibling, who is good at something, that they consider their specialty, having to have share it with the other, as they see it being taken away or provoking the other as they think they are better at something.

Shared Memories: Both have abandonment issues over their family, and they share a lot of missions together.

Complex Emotions: Once again going back to the dark saber training, you could interpret that scene where Ezra is saying that Sabine at least still has family, while he has only one family left, that she is not respecting

Character Development: This can be interpretation for the end of rebels

Realistic Dialogue: A lot of people regard them bickering as sibling bickering

Backstory: In the start, it is implied that with Zeb, she is one that takes him under her wing as a older sister role

Conflict Resolution: They talk to each other

Evolution: It can be them growing older and seeing each other as equals

External Influences: within the ghost crew, they consider each other as family. Hera especially, so its easy to take this as it can be seen that every member implies it for themselves.

Platonic Soulmates

Unique Bond: They are not really romantically nor as siblings introduced in season 3 and 4

Common Values: Both want to free their respective people, destroy the empire and find a place in the galaxy.

Unconditional Support: Within the end, Sabine never states to be romantically involved but she does stay on Lothal, keeps his memorable things in check and waits from him to return.

Enduring Relationship: Both are willing to entrust each other to a lot of things and giving each other the chance to make things happen.

Conflict Resolution: They talk.

Growth Inspiration: Within the season 1 and 2 where Ezra constantly flirts openly to Season 3 and 4 where it is not seen as a romantic way.

Non-Romantic Nature: Barely Romantic gestures of touch in the traditional sense or talking about the feeling to each other, but in a respectable comrade way.

Emotional Depth: Their connection through their past and need to make better of their mistakes while helping each other out of those.

Shared Moments: Their missions

Respectful Boundaries: With Ezra stopping the flirting to concentrate and help Sabine

External Influences: The ghost crew being a close family through common goals and connection gives them a more bigger leeway

Romantic

Chemistry and Attraction: It is clear that Ezra still has an crush on Sabine, with him meeting her for the first time, being enamored with her beauty. Their chemistry is working and expendable. Sabine later is more open for more.

Character Development: From the young kid who has a crush with no real idea to an jedi that keeps it low to fulfill his duty, Ezra evolves within 4 seasons to a more mature way of admiring Sabine while having respect for her. Within the episode where Kanan and Sabine

Conflict and Tension: From the end of rebels, where Ezra sacrifices himself to keep his loved one self but leaving Sabine alone and confused to Sabine not listening to him when he tells her to or when she does not give him a lot of decision power over her.

Communication: Sabine not being able to trust anyone really to her getting the closest to Ezra for even supporting him on way to dangerous missions and Ezra

Shared Moments: From the intimate closeness of holding him by his waist to fly to safety, to him keeping her steady on the loath wolves and both refusing to let the other get hurt.

Individual Lives: When it comes to Krownest, Sabine splits up for a little while, when Ezra takes on other missions. They know when they have to do something alone and they have their own bigger problems in the end.

Trust and Vulnerability: Within the later seasons (3 and 4) Sabine opens up to Ezra about her own Demons and gives her full trust to him. Both can depend each other’s live on the other. But when it comes to

Intimacy: Sabine has no problem holding Ezra closer while Ezra still gets flustered a bit(speaking escape Jetpack scene). But other than that they have no problem being closer.

External Influences: Both Chopper and Zeb have been making fun of Ezra and Kanan is aware to some known extend as he has to be the done calming Ezra down, when Sabine is in a Dangerous situation.

Conflict Resolution: On the battlefield its Sabine being the aggressor and Ezra the shield. With other conflicts, it is that Sabine needs time to herself and Ezra worrying but respecting her needs.

Long-Term Compatibility: Sabine cannot imagine a life without Ezra in it and Ezra has stated that he wants to come home to her (as well as the others).

Realistic Challenges: Sabine knowing that 10 years have gone by since Ezra disappeared and still being ever so loyal to him. Ezra, while knowing Sabines competence, still often not wanting her on solo missions.

Romantic Gestures: The Birthday gift from Sabine. The consistent support of Ezra.

Character Flaws: The way they cannot see other one in pain and taking full front and lying in front of the other.

Resolution: They give each other full trust on the final mission with Sabine on her way towards him.

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Endcut:

In summary, this post aims to offer multiple perspectives on the dynamic between Ezra and Sabine, emphasizing that all three interpretations are valid based on the available knowledge.

Please note that this is a complex analysis, and the nature of their relationship remains open to interpretation.

#ezrabine #sabezra #star wars ships #star wars rebels #star wars #Around 3100 words #ezra bridger #sabine wren #leia organa #hera syndulla #ahsoka #ashoka tano #tw spoilers #please remember to keep it civilized #those are all made with speculation #and one very sleepdeprived me #sooooooo

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